{"id":10981,"date":"2017-02-28T23:08:43","date_gmt":"2017-02-28T22:08:43","guid":{"rendered":"http:\/\/www.fjala.info\/?p=10981"},"modified":"2021-11-30T02:20:00","modified_gmt":"2021-11-30T01:20:00","slug":"lirikat-e-trembura","status":"publish","type":"post","link":"https:\/\/jehonashqiptare.al\/fjala\/lirikat-e-trembura\/","title":{"rendered":"LIRIKAT E TREMBURA"},"content":{"rendered":"

Kritik\u00eb letrare<\/em>:
\nLIRIKAT E TREMBURA<\/strong><\/p>\n

Nerxhivane Sejdiu – Ferati, \u201dP\u00cbRSE JETOJ\u201c, poezi, botoi Sht\u00ebpia e librit \u201cOMBRA GVG\u201c,<\/em>
\n Tiran\u00eb 2005, faqe 66. ISBN: 99943-850-8-8<\/em><\/p>\n

Poezia e Nerxhivane Feratit, \u00ebsht\u00eb nj\u00eb poezi e shkruar me kujdes t\u00eb shtuar, motivet e saj jan\u00eb t\u00eb p\u00ebrjetuara deri n\u00eb thell\u00ebsi shpirti. Andaj, jan\u00eb t\u00eb rralla ato autore, t\u00eb cilat qysh n\u00eb librin e par\u00eb e kan\u00eb latuar kaq mir\u00eb vargun estetik, ku del n\u00eb pah nj\u00eb shprehje elokuente n\u00ebp\u00ebr lirika, n\u00eb aspektin estetik t\u00eb realizuara mir\u00eb.<\/p>\n

Kjo vler\u00eb letrare, b\u00ebn\u00eb p\u00ebr ta ve\u00e7uar autoren, e pse jo edhe p\u00ebr t\u2019ia pasur edhe zilin\u00eb. Kjo poezi m\u00eb duket se ngjason me letr\u00ebn e lakmuesit, n\u00eb proceset kimike, let\u00ebr e cila duhet t\u00eb ndryshoj ngjyr\u00ebn nga tretja n\u00eb tretje, nd\u00ebrsa k\u00ebtu p\u00ebrjetimet transformohen nga poezia n\u00eb poezi, nga motivi n\u00eb motiv, duke e kthyer lexuesin n\u00ebp\u00ebr ngjarje dhe b\u00ebma q\u00eb i ka kaluar jo vet\u00ebm poetesha, por i t\u00ebr\u00eb brezi i saj.<\/p>\n

Megjithat\u00eb nj\u00eb poezi kaq e \u00e7ilt\u00ebr dhe e realizuar me k\u00ebt\u00eb kujdes do komplimente, t\u00eb pakt\u00ebn, si\u00e7 tham\u00eb, p\u00ebr shprehjen elokuente, p\u00ebr ndjenj\u00ebn aq t\u00eb st\u00ebrholluar, p\u00ebr beft\u00ebsin\u00eb e rr\u00ebfimit dhe sidomos p\u00ebr larushin\u00eb e vargut tematik. Natyrisht m\u00ebnyra e rr\u00ebfimit poetik, mbetet nj\u00eb shprehje e ve\u00e7ant\u00eb e poezis\u00eb s\u00eb Nerxhivane Feratit, andaj vargu, p\u00ebrkat\u00ebsisht poezia e saj duhet t\u00eb ndikoj edhe n\u00eb emancipimin e shoq\u00ebris\u00eb.<\/p>\n

Ajo, n\u00ebp\u00ebr poezi shp\u00ebrthen me nj\u00eb ndjenj\u00eb t\u00eb p\u00ebrjetuar thell\u00eb, pastaj kjo poezi posedon nj\u00eb liriz\u00ebm t\u00eb holl\u00eb, ka elemente t\u00eb beft\u00ebsis\u00eb mahnit\u00ebse, nd\u00ebrsa lexuesve t\u00eb saj ua b\u00ebn\u00eb t\u00eb qart\u00eb, se sa thell\u00eb ajo i ka p\u00ebrjetuar ngjarjet, dhe me sa mjesht\u00ebri ka arritur ta b\u00ebj\u00eb transplantimin e ndjenj\u00ebs me m\u00ebnyr\u00ebn e shprehjes, p\u00ebr tu dukur motivi i atij p\u00ebrjetimi, edhe para lexuesit i virgj\u00ebr. Nd\u00ebrsa n\u00eb k\u00ebt\u00eb p\u00ebrpjekje, poetesha mbetet nj\u00eb katalizator, ose me shprehje letrare, nj\u00eb v\u00ebzhguese e sinqert\u00eb e k\u00ebtyre proceseve.<\/p>\n

Vargu i saj ka nj\u00eb mesazh t\u00eb qart\u00eb, ka nj\u00eb ritmik\u00eb e muzikalitet p\u00ebrjetues dhe shum\u00eb t\u00eb ve\u00e7ant\u00eb sepse \u201cMalli p\u00ebr t\u00eb\/ shkrin d\u00ebbor\u00ebn\u201d, e kur at\u00eb mall e zbrazi mbi let\u00ebr \u201cLetra s\u2019e mbajti dot\/ e shtrydha, pikoi lot\u201d, nd\u00ebrsa \u201cTe fshati i Kosov\u00ebs sime t\u00eb fluturoj,\/ Dhe n\u00eb kanxh\u00ebn e tij t\u00eb vjet\u00ebr e t\u00eb ndryshkur\/ Vazhdimin e jet\u00ebs t\u00eb ankoroj\u201d, poezia \u201cMalli p\u00ebr vendlindjen\u201d, faqe 33.<\/p>\n

Nga kjo na duket se autorja nuk vargon kot s\u00eb koti, ajo e ka nj\u00eb q\u00ebllim t\u00eb cilin ose e v\u00eb qysh n\u00eb fillim t\u00eb poezis\u00eb, nd\u00ebrsa shpjegimet vijn\u00eb n\u00eb fund, ose t\u00eb sjell v\u00ebrdall\u00eb p\u00ebr t\u00eb kuptuar esenc\u00ebn dhe q\u00ebllimin e motivit tek n\u00eb strofat dhe vargjet e fundit t\u00eb poezis\u00eb, por se ka nj\u00eb logjik\u00eb t\u00eb rrjedhshme k\u00ebt\u00eb nuk mund ta mohoj askush, bile t\u00eb rralla jan\u00eb poeteshat me k\u00ebt\u00eb gam\u00eb prur\u00ebse, e cila duket si nj\u00eb katarakt i kreshp\u00ebruar, ku nga ngjarja n\u00eb ngjarje, nga b\u00ebma n\u00eb b\u00ebme, nga p\u00ebrjetimi n\u00eb p\u00ebrjetim, poezia si n\u00eb shuplak\u00eb t\u00eb dor\u00ebs, pasqyron q\u00ebllimin e motivit. P\u00ebr t\u00eb kuptuar pse ajo shkruan dhe ku q\u00ebndron esenca e shkrimit poetik, do t\u00eb ishte mir\u00eb nj\u00eb rilexim i serish\u00ebm dhe m\u00eb i p\u00ebrkushtuar i k\u00ebsaj poezie. T\u00eb k\u00ebsaj natyre jan\u00eb poezit\u00eb: \u201cDit\u00eb m\u00ebrgimi\u201d; \u201cAbstrakte\u201d; \u201cMos\u201d; \u201cHija jote\u201d; \u201cGjuetari i zemr\u00ebs sime\u201d; \u201cShqip\u201d; \u201cPara pasqyr\u00ebs\u201d; \u201cKapela\u201d, e ndonj\u00eb tjet\u00ebr vargjet e t\u00eb cilave jan\u00eb cituar e theksuar edhe brenda k\u00ebtij sh\u00ebnimi kritik.<\/p>\n

Duke i lexuar k\u00ebto vargje t\u00eb cilat her\u00eb her\u00eb shushurijn\u00eb si pikla uji, her\u00eb si rrebeshe shiu, e her\u00eb her\u00eb na shfaqen si ortek\u00eb bore, por gjithkund e gjithkah duket nj\u00eb latim, nj\u00eb st\u00ebrhollim i vargut poetik me t\u00eb cil\u00ebt mund ta krijojm\u00eb nj\u00eb tekst t\u00eb fuqish\u00ebm metaforik: \u201cAty ku m\u00eb puthe, plag\u00eb dashurie u b\u00eb, dora ku ti preke, filiz t\u00eb trupit thau. Pse t\u00eb desha, s\u2019pata faj, pse m\u00eb deshe nuk ke humbur, kaloje ylberin e heshtjes, m\u00eb b\u00ebj\u00eb prap\u00eb t\u00eb lumtur. Tundimit s\u2019i b\u00ebj ball\u00eb, nuk m\u00eb flihet po s\u2019t\u00eb pata pran\u00eb, nuk zgjohem, po s\u2019m\u00eb puthe ti\u201d, ose \u201cke frik\u00eb nga dashuria me shikim, apo t\u00eb pranosh, se dashurin\u00eb je n\u00eb k\u00ebrkim, t\u00eb jem un\u00eb ajo q\u00eb do t\u00eb t\u00eb lumturoja, n\u00ebse s\u2019do t\u00eb ndodhte k\u00ebshtu, edhe pse e kam kuptuar, se s\u2019jam njeriu i duhur p\u00ebr ty\u201d.<\/p>\n

Prandaj ajo shkruan: \u201cN\u00eb qoft\u00eb se m\u00eb ke dashur\/ Dhe kur m\u00eb ke pritur,\/ E un\u00eb nuk t\u00eb kam ardhur,\/ T\u00eb lutem mos m\u00eb kujto\u201d, poezia \u201cMos m\u00eb kujto\u201d, faqe 40, e diku m\u00eb tutje ajo shkruan \u201cSi imazh i lagur ti erdhe\/ t\u00eb m\u00eb ngrohje p\u00ebrs\u00ebri,\/ Ndon\u00ebse me duar t\u00eb hapura,\/ Pse s\u2019t\u00eb prita s\u2019e di\u201d, poezia \u201cShiu i asaj nate\u201d, faqe 47. T\u00eb cilat si t\u00ebr\u00ebsi kan\u00eb p\u00ebrjetime lirike t\u00eb pranueshme ndon\u00ebse jo pak edhe me vendime ekzekutuese, q\u00eb nd\u00ebrtojn\u00eb nj\u00eb mesazh tragjik(?!), sa lirik po aq metaforik.<\/p>\n

Sipas k\u00ebsaj game, mund t\u00eb konstatojm\u00eb se Nerxhivane Ferati, di pse shkruan, dhe p\u00ebr m\u00eb shum\u00eb din pse jeton, andaj ajo paska ditur t\u2019iu shp\u00ebtoj\u00eb rrebesheve t\u00eb jet\u00ebs, sigurisht p\u00ebr t\u2019i l\u00ebn\u00eb k\u00ebto mesazhe t\u00eb past\u00ebrta, dhe p\u00ebr t\u00eb na dhuruar nj\u00eb poezi artistike, t\u00eb cilat jo q\u00eb e b\u00ebjn\u00eb at\u00eb p\u00ebr tu dalluar, por mesazhi dhe motivi poetik gjat\u00eb p\u00ebr t\u2019u kujtuar.<\/p>\n

Kjo poezi me k\u00ebt\u00eb \u00e7ilt\u00ebrsi, me k\u00ebto hove e val\u00eb krijimi, \u00ebsht\u00eb dashur q\u00eb moti t\u00eb zgjoj\u00eb interesimin e kritik\u00ebs dhe t\u00eb kritik\u00ebve letrar, se mbase kjo poezi jo pak duket si val\u00eb deti t\u00eb cilat her\u00eb ngrihen n\u00eb p\u00ebrplasje e her\u00eb shtrihen me drith\u00ebrima t\u00eb akorduara aq mir\u00eb sa n\u00eb aspektin p\u00ebrjetues dhe shpirt\u00ebror krijojn\u00eb nj\u00eb lloj rezonance q\u00eb kujtohet gjat\u00eb, nd\u00ebrsa poetesh\u00ebn duhet p\u00ebr ta rreshtuar nd\u00ebr ato z\u00ebra fem\u00ebror q\u00eb me kujdes t\u00eb shtuar iu kan\u00eb qasur shkrimit t\u00eb poezis\u00eb.<\/p>\n

V\u00ebllimi poetik \u201cP\u00ebrse jetoj\u201d, \u00ebsht\u00eb nj\u00eb dram\u00eb jet\u00ebsore e kthyer n\u00eb vargje poetike, nj\u00eb p\u00ebrpjekje p\u00ebr t\u00eb mbijetuar dhe sigurisht ajo ka sfiduar b\u00ebma t\u00eb jet\u00ebs, por n\u00eb poezi ia paska arrit q\u00ebllimit. E kjo poetesh p\u00ebr arkipelagun letrar e artistik ka dh\u00ebn\u00eb dhe ka th\u00ebn\u00eb t\u00eb veten. Kjo poezi mund t\u00eb p\u00ebrkthehet, sepse n\u00eb p\u00ebrkthime eventuale mund t\u00eb p\u00ebrfaq\u00ebsoj\u00eb nj\u00eb dram\u00eb t\u00eb p\u00ebrjetuar nga nj\u00eb popull i t\u00ebr\u00eb, dhe padyshim me dinjitet mund t\u00eb p\u00ebrfaq\u00ebsoj\u00eb mendimin e latuar poetik, dhe karakterin e fort\u00eb, si dhe natyr\u00ebn e poetesh\u00ebs shqiptare, e cila si grua, p\u00ebrjetimet i ka melankolike, varg poetik t\u00eb sforcuar, me t\u00eb cilat ajo ka sfiduar ngjarjet e jetuara dhe t\u00eb p\u00ebrjetuara edhe personalisht. Andaj Nerxhivane Ferati, si poete, si grua dhe si n\u00ebn\u00eb duhet t\u00eb ndjehet krenare p\u00ebr jet\u00ebn e saj, ve\u00e7mas p\u00ebr krijimin e poezis\u00eb, ashtu si\u00e7 duhet t\u00eb ndjehet krenare edhe si n\u00ebn\u00eb p\u00ebr f\u00ebmij\u00ebn e saj. Sepse f\u00ebmija dhe poezia jan\u00eb krijesa t\u00eb t\u00eb nj\u00ebjtit individ, ve\u00e7se pjesa artistike, sidomos ky nivel i poezis\u00eb mund t\u00eb ket\u00eb nj\u00eb jet\u00ebgjat\u00ebsi tejdimensionale, shum\u00eb e sigurt edhe m\u00eb afatgjate.<\/p>\n

Jo pak lot e gj\u00ebma kemi n\u00eb poezin\u00eb e Nerxhivanes, jo pak mallkime e ofshama, sepse si nx\u00ebn\u00ebse ajo ka p\u00ebrjetuar helmimin serb, kur ishte nx\u00ebn\u00ebse n\u00eb shkollat e Kosov\u00ebs, pastaj ajo ka p\u00ebrjetuar: Plagosjen e bashk\u00ebshortit, shtatz\u00ebn\u00ebsin\u00eb n\u00eb koh\u00eb okupimi, luft\u00ebn n\u00eb Kosov\u00eb, dhe marshin e refugjates drejt nj\u00eb ferri ku nuk i dihej fundi. Po ashtu si fem\u00ebr, si autore do t\u00eb ket\u00eb pasur dashurit\u00eb e saj, q\u00eb bashk\u00eb me elementet e braktisjes n\u00eb k\u00ebt\u00eb poezi, vjen her\u00eb si p\u00ebrjetim real e her\u00eb emocional, kurse p\u00ebrmes fantazm\u00ebs krijuese ajo jep mesazhin e qart\u00eb, me porosin\u00eb p\u00ebr t\u00eb q\u00ebndruar dhe p\u00ebr t\u00eb mos u dor\u00ebzuar, p\u00ebr t\u00eb mos u thyer, e vet\u00ebdijshme se fitimtar do t\u00eb b\u00ebhet vet\u00ebm ajo, p\u00ebrkat\u00ebsisht ai, q\u00eb nuk i nd\u00ebrpren\u00eb p\u00ebrpjekjet p\u00ebr t\u00eb fituar.<\/p>\n

Vargu i Nerxhivane Feratit t\u00eb sjell tek nj\u00eb fitore, qoft\u00eb kjo e p\u00ebrjetuar n\u00ebp\u00ebr koh\u00ebra, apo qofshin vet\u00ebm fiksione filozofike ose mesazh poetike, p\u00ebr ta ndihmuar veten dhe p\u00ebr t\u2019iu sh\u00ebrbyer lexuesve t\u00eb k\u00ebsaj poezie. Gjithsesi Nerxhivane Ferati, edhe n\u00eb k\u00ebto poezi ka derdhur lot, por edhe ka ditur t\u2019i fsheh lot\u00ebt e saj, aty dhe at\u00ebher\u00eb kur nuk duhej par\u00eb. Ve\u00e7mas shihet p\u00ebrpjekja p\u00ebr t\u2019i fshir\u00eb ata lot metaforik, ato dhembje t\u00eb p\u00ebrjetuara, vet\u00ebm e vet\u00ebm sa p\u00ebr ta kthjelluar beb\u00ebz\u00ebn e poezis\u00eb, p\u00ebr t\u00eb par\u00eb udh\u00ebn, p\u00ebr t\u00eb vazhduar shtegun e suksesit, i cili edhe p\u00ebrmes k\u00ebtyre vargjeve duket shteg artistik mir\u00eb i realizuar.<\/p>\n

Pavar\u00ebsisht nga lot\u00ebt e derdhur, pavar\u00ebsisht nga dhembjet e p\u00ebrjetuara, pavar\u00ebsisht nga d\u00ebnesjet e dukshme, ajo tash duhet t\u2019i g\u00ebzohet jet\u00ebs dhe suksesit t\u00eb saj, edhe pse ka l\u00ebn\u00eb nj\u00eb amanet poetik t\u00eb p\u00ebrjetuar thell\u00eb: \u201cAmanet n\u00ebse vdes nj\u00eb nat\u00eb,\/ Mos m\u00eb varrosni, m\u00eb lini mbi dhe\/ N\u00ebse djemt\u00eb ndonj\u00ebher\u00eb vijn\u00eb,\/ U thoni se i prita aq gjat\u00eb\u201d, poezia \u201cMos m\u00eb quani t\u00eb marr\u00eb\u201d, faqe, 30-31.<\/p>\n

Por a ka t\u00eb b\u00ebj\u00eb poezia di\u00e7ka me realitetin jet\u00ebsor?! Sigurisht po?! Vlerat humane dhe njer\u00ebzore q\u00eb duken n\u00eb k\u00ebt\u00eb poezi, jo pak i kemi gjetur tek autorja si vlera humane t\u00eb materializuara n\u00eb praktik\u00eb. Nerxhivane Ferati, mbetet nj\u00eb soj, brenda sojit krijues, p\u00ebr tu dalluar dhe ve\u00e7uar. Ajo \u00ebsht\u00eb nj\u00eb poete, nj\u00eb grua dhe nj\u00eb n\u00ebn\u00eb q\u00eb ka sakrifikuar n\u00eb jet\u00eb ashtu si\u00e7 ka b\u00ebr\u00eb sakrifica t\u00eb p\u00ebrkushtueshme p\u00ebr t\u00eb latuar vargun poetik. Ajo ka d\u00ebshmuar se ka kultur\u00eb shpreh\u00ebse mjaft\u00eb dalluese, sidomos ato poezi q\u00eb kan\u00eb t\u00eb b\u00ebjn\u00eb me jet\u00ebn e saj reale, si element lirik ose ato poezi q\u00eb jan\u00eb pjell\u00eb e mendjes si struktur\u00eb fiziologjike q\u00eb kan\u00eb sjell\u00eb p\u00ebrjetime emocionale, pastaj kan\u00eb t\u00eb b\u00ebjn\u00eb me pulsin e zemr\u00ebs, me timbrin e z\u00ebrit, q\u00eb tashm\u00eb duken vet\u00ebm si relikte artistike.<\/p>\n

\u201dP\u00ebrse jetoj\u201c \u00ebsht\u00eb titulli i librit, nj\u00eb pyetje sinjifikative e cila n\u00eb brend\u00ebsin e saj shtjellon filozofin\u00eb e mbijetimit, p\u00ebrpjekjen e autores p\u00ebr t\u00eb pas sukses. P\u00ebrmbledhja poetike \u201cP\u00ebrse jetoj\u201d v\u00eb n\u00eb pah p\u00ebrpjekjen e vazhdueshme p\u00ebr t\u00eb krijuar esenc\u00ebn e t\u00eb jetuarit. Nj\u00eb krijuese artistike q\u00eb duhet inkurajuar, p\u00ebr t\u00eb ditur edhe ajo se ia ka q\u00eblluar, p\u00ebr t\u2019ia shtuar vullnetin p\u00ebr t\u00eb vazhduar n\u00eb udh\u00ebn e artit t\u00eb shkruar, p\u00ebr t\u2019u b\u00ebr\u00eb tamam poete, si\u00e7 \u00ebsht\u00eb edhe me vet\u00ebm k\u00ebt\u00eb lib\u00ebr.<\/p>\n

Libri hapet me poezin\u00eb \u201cN\u00ebn\u00ebs\u201c, nj\u00eb p\u00ebrkushtim i rrall\u00eb artistik, qoft\u00eb p\u00ebr ndjesin\u00eb q\u00eb ka n\u00eb raport me n\u00ebn\u00ebn: \u201cKur jam larg teje,\/ Malli m\u00eb bren p\u00ebr ty,\/ Kur t\u00eb kam pran\u00eb,\/ Loti m\u00eb mbulon syn\u00eb\u201d, e qoft\u00eb n\u00eb raportin e saj artistik me poezin\u00eb q\u00eb krijon. Ky konstatim, ky sekret artistik, ky p\u00ebrkushtim specifik, zbulohet n\u00eb vargjet: \u201cTi e para ishe,\/ q\u00eb poezin\u00eb e ndrojtur ta besova,\/ nga zemra jote e madhe\/ frym\u00ebzimin e mora\u201d, faqe 13.<\/p>\n

Dashurin\u00eb e saj e p\u00ebrcillte edhe nata e err\u00ebt q\u00eb at\u00eb koh\u00eb kishte r\u00ebn\u00eb mbi Kosov\u00eb: \u201cTi u ktheve n\u00eb sht\u00ebpi\/ nga pabesia plaguar\/ duke k\u00ebrcyer me nj\u00eb k\u00ebmb\u00eb\/ si nga vall\u00ebzimi s\u00ebrish i shoq\u00ebruar\u201d. Ky figuracion artistik \u00ebsht\u00eb i paz\u00ebvend\u00ebsuesh\u00ebm, sepse i plagosuri mbahet p\u00ebr krih dhe shoq\u00ebrohej nga duart tjera p\u00ebr t\u00eb mos u rr\u00ebzuar, nd\u00ebrsa poetesha k\u00ebt\u00eb dhembje e transformon n\u00eb valle, aty kur valltari k\u00ebrcen sup me sup. Po nga kjo poezi kuptohet se ajo ishte duke pritur beben e saj t\u00eb par\u00eb, nd\u00ebrsa \u201cK\u00ebmb\u00ebn e vog\u00ebl n\u00eb cep barkut\/ Nis ta p\u00ebrk\u00ebdhel me k\u00ebng\u00eb\/ Sa u d\u00ebgjua nj\u00eb daulle\/ Ti, babai i t\u00eb voglit,\/ K\u00ebrceve me dy k\u00ebmb\u00eb\u201d.<\/p>\n

Ky aspekt, i tragjedis\u00eb, i dhembjes dhe an\u00ebs shpirt\u00ebrore ng\u00ebrthen nj\u00eb forc\u00eb, nj\u00eb stoiciz\u00ebm q\u00eb rr\u00ebqeth edhe tani mishrat, ve\u00e7mas kur kuptohet se i plagosuri ishte valltar i ansamblit t\u00eb vall\u00ebzimi, nd\u00ebrsa ajo ishte e mbar\u00ebsuar me nj\u00eb f\u00ebmij\u00eb q\u00eb priste lindjen e tij, e n\u00eb an\u00ebn tjet\u00ebr dhembja si fenomen shpirt\u00ebror nga plagosja e burrit dhe dhembja fizike q\u00eb i vinte n\u00eb bark nga f\u00ebmija, asaj i ther\u00eb nj\u00ebkoh\u00ebsisht zemra dhe barku, por ajo nuk e thot\u00eb dot, nga dhembja p\u00ebr plumbat n\u00eb k\u00ebmben e valltarit, as nga dhembja q\u00eb i shkakton nj\u00eb k\u00ebmb\u00eb e vog\u00ebl, q\u00eb ia shkaktonte shkelmimi nga i vogli n\u00eb cep t\u00eb barkut.<\/p>\n

Po me k\u00ebt\u00eb ndjenj\u00eb dhe p\u00ebrkushtim poetik, ajo arrin t\u00eb p\u00ebrshkruaj halucinacionet e saj, at\u00ebher\u00eb kur ishte helmuar sa ishte nx\u00ebn\u00ebse e shkoll\u00ebs: \u201cHelmi m\u00eb p\u00ebrp\u00eblit n\u00eb shtrat\/ T\u00eb ngrihem, t\u00eb eci s\u2019m\u00eb lejon\/ Por q\u00eb t\u00eb th\u00ebrras n\u00ebn\u00eb, atdhe, liri\/ dhe t\u00eb \u00ebnd\u00ebrroj\u00eb s\u2019m\u00eb pengon\u201d. Poezia \u201cHelmi serb s\u2019m\u2019i mbyt dot \u00ebndrrat\u201d, faqe 15.<\/p>\n

Struktura e nd\u00ebrtimit t\u00eb librit ruan deri diku kronologjin\u00eb e krijimeve poetike si nj\u00eb lloj ekuilibri p\u00ebr ta nxjerr librin si t\u00ebr\u00ebsi t\u00eb realizuar me shum\u00eb kujdes. Nd\u00ebrsa metafora, si kompilim artistik, ndihmon n\u00eb struktur\u00ebn e vargut, p\u00ebr t\u2019i dh\u00ebn\u00eb kuptim m\u00eb t\u00eb qart\u00eb poezis\u00eb dhe p\u00ebr ta qart\u00ebsuar m\u00eb mir\u00eb mesazhin e poezis\u00eb: \u201cDritare e madhe\/ e rrahur nga koha dhe shiu,\/ apo ndoshta njeriu hallexhi\/ nuk tregoi kujdes p\u00ebr t\u00eb\/ q\u00eb aq shum\u00eb u vjetrua…\u201d, poezia \u201cDritare e madhe\u201d, faqe, 16. K\u00ebto vargje nuk paraqesin vet\u00ebm nj\u00eb kompilim artistik, as nuk prezantojn\u00eb vet\u00ebm imagjinat\u00ebn e fantazis\u00eb, por qart\u00eb shihet se \u201cprapa perdes prej tyli t\u00eb vjetruar,\/ nj\u00eb f\u00ebmij\u00eb pa f\u00ebmij\u00ebri, q\u00eb i kishte rastisur\/ t\u00eb ishte fqinj\u00eb me perandorin\u00eb\u201d, sodiste jet\u00ebn aty af\u00ebr, e si duket ashtu i uritur l\u00ebpinte \u201cgishtat nga nj\u00eb shije e paprovuar\u201d, q\u00eb zbulojn\u00eb krejt at\u00eb dram\u00ebn p\u00ebrjetuese t\u00eb raporteve n\u00eb mes klasave t\u00eb shoq\u00ebris\u00eb njer\u00ebzore, vet\u00ebm se jan\u00eb t\u00eb shprehura n\u00eb m\u00ebnyr\u00eb artistike.<\/p>\n

Elemente t\u00eb shumta artistike ndeshen kudo por p\u00ebr konkretizim po shk\u00ebpusim vargjet: \u201cKam grumbulluar\/ para per\u00ebndis\u00eb mallkimet\/ m\u00eb t\u00eb tmerrshme q\u00eb ekzistojn\u00eb,\/ p\u00ebr shpirtin\u201d, pastaj ajo shkruan \u201cndarja \u00ebsht\u00eb si vdekja, \/ gjurm\u00ebt k\u00ebrkoj n\u00eb kujtime,\/ q\u00eb ngjajn\u00eb si letra t\u00eb zverdhura\u201d, t\u00eb cilat duhet t\u00eb ikin nga kujtimet e hidhura q\u00eb mbesin, prandaj si poete q\u00eb \u00ebsht\u00eb, k\u00eblthet: \u201cT\u00eb lutem lufto dhe ti p\u00ebr mua\u201d, poezia \u201cLufto dhe ti p\u00ebr mua\u201d, faqe 18.
\nK\u00ebto elemente kaq artistike e b\u00ebjn\u00eb Nerxhivane Feratin, poete q\u00eb n\u00eb m\u00ebnyr\u00eb artistike i paska regjistruar mallkimet dhe ofshamat t\u00eb cilat jan\u00eb pjes\u00eb e jet\u00ebs: \u201cNuk dua m\u00eb t\u00eb zgjohem\/ me kthimin t\u00ebnd s\u00ebrish,\/ S\u2019dua t\u00eb jem e d\u00ebnuar\/ nga verb\u00ebria e dashuris\u00eb\u201d, faqe 20, sepse ajo nuk pranon \u201cq\u00eb lumturia jon\u00eb,\/ t\u00eb nd\u00ebrtohet mbi fatkeq\u00ebsin\u00eb\/ e t\u00eb tjer\u00ebve\u201d, faqe 21.<\/p>\n

E, nj\u00ebra nga poezit\u00eb m\u00eb t\u00eb mira, e cila \u00ebsht\u00eb nj\u00eb balad\u00eb e p\u00ebrjetuar thell\u00eb, dhe q\u00eb meriton t\u00eb cil\u00ebsohet poezi antologjike, \u00ebsht\u00eb ajo me titull \u201cLumi\u201d, faqe 22-24, e cila si poezi p\u00ebrkushtuese nuk ka t\u00eb b\u00ebj\u00eb fare me fluiditetin, p\u00ebrkat\u00ebsisht rrjedhshm\u00ebrin\u00eb e lumit. Poezia ka t\u00eb b\u00ebj\u00eb me elementin tragjik q\u00eb p\u00ebrjetoi populli i poetes n\u00eb prillin e vitit 1999, nd\u00ebrsa ajo shkruan. \u201cM\u00ebngjes i hersh\u00ebm prilli,\/ Rreshta-rreshta, turma, tollovi,\/ Tym flake e er\u00eb baroti gjithkah,\/ Nuk mund t\u00eb kuptohej,\/ Vinin apo shkonin gjith\u00eb ata njer\u00ebz\u201d…, e diku n\u00eb at\u00eb mes duket edhe prezenca e vet poetesh\u00ebs e cila shkruan: \u201cN\u00eb k\u00ebt\u00eb karvan biblik,\/ U nis edhe nusja shqiptare,\/ Me dy f\u00ebmij\u00eb u nis\/ N\u00eb rrug\u00ebn p\u00ebr t\u00eb mos u kthyer m\u00eb\u201d.<\/p>\n

Kjo balad\u00eb dramatike shtjellohet deri n\u00eb detaje, e cila p\u00ebr shum\u00eb k\u00eb \u00ebsht\u00eb e p\u00ebrjetuar n\u00eb realitet, nd\u00ebrsa rreshtat me njer\u00ebz e vargonjt\u00eb e gjat\u00eb, \u201dN\u00eb stacionin e trenit ndalonin,\/ Si para nj\u00eb prite shp\u00ebtimi, \/ Linin pas sht\u00ebpit\u00eb, kujtimet\/ E s\u2019dinin ku do t\u00eb vinin\u201d, e diku mbi nj\u00eb binar treni nj\u00eb n\u00ebn\u00eb, \u201cMe qum\u00ebshtin e trembur\/ Foshnj\u00ebn e porsalindur\/ P\u00ebrpiqej ta vinte n\u00eb gjum\u00eb\u201d, kurse foshnja p\u00ebrp\u00eblitej sa her\u00eb sirenat uturinin nga bombardimet e NATO-s, jo larg saj.<\/p>\n

N\u00eb k\u00ebto rrethana t\u00eb trisht\u00ebta, padyshim \u201cloti piku mbi fytyr\u00ebn e foshnj\u00ebs,\/ E mjera, ia fshiu me dor\u00ebn e ftoht\u00eb\u201d, nd\u00ebrsa si n\u00ebn\u00eb ajo i belb\u00ebzoi flej\u00eb, duke p\u00ebrmendur emrin e djalit t\u00eb vog\u00ebl \u201cLUMI, q\u00eb vet\u00eb e kishte pag\u00ebzuar\u201d, oh \u201cPer\u00ebndi! \u2013 tha me vete\/ Emri i djalit tim\/ Me emrin e fatit t\u00eb parashikuar?\u201d, sepse jo pa q\u00ebllim poetesha ka theksuar se \u201cDjali me emrin Lum,\/ Lumenjt\u00eb e t\u00eb d\u00ebbuarve s\u2019do t\u2019i harronte\u201d, tashm\u00eb n\u00ebse gj\u00ebrat i shohim n\u00eb retrospektiv\u00eb, kjo poezi do t\u00eb duhej t\u00eb em\u00ebrohej \u201cKarvani biblik\u201d, pasi t\u00eb gjitha vuajtjet, jo vet\u00ebm n\u00eb k\u00ebt\u00eb balad\u00eb, por p\u00ebrgjith\u00ebsisht n\u00eb realitet na jan\u00eb trembur.<\/p>\n

Elementin urban e gjejm\u00eb sidomos te poezit\u00eb \u201cMbret\u00ebrit e s\u00eb keqes\u201d dhe ajo \u201cDroga\u201d; derisa n\u00eb poezin\u00eb e par\u00eb sheh \u201cP\u00ebrmbysje, ngritje\/ Ngritje, p\u00ebrmbysje\/ Mbret\u00ebresha ime,\/ Un\u00eb robi yt\u201d…, p\u00ebr t\u00eb vazhduar dram\u00ebn e p\u00ebrjetimit t\u00eb cil\u00ebn e p\u00ebrmbyll me nj\u00eb ndjesi t\u00eb rrall\u00eb: \u201cMbret\u00ebri, m\u00eb vjen keq ta them,\/ Se edhe qenin q\u00eb mban lidhur te porta,\/ Sikur e paska d\u00ebnuar per\u00ebndia\/ T\u00eb jet\u00eb qeni (p\u00ebrkat\u00ebsisht robi) yt\u201d. Po ashtu poetesh\u00ebs zemra i dhemb kur \u201cSheh, trotuare dergjur\/ T\u00eb rinj t\u00eb droguar\u201d, t\u00eb cil\u00ebt sipas saj ose jan\u00eb \u201ct\u00eb gjall\u00eb, t\u00eb pa jetuar\u201d, ose jan\u00eb \u201cT\u00eb vdekur, t\u00eb vdekur t\u00eb pavarrosur\u201d, ose jan\u00eb \u201cT\u00eb braktisur nga njer\u00ebzorja\u201d, sepse \u201cKur (ajo) i sheh, e b\u00ebjn\u00eb t\u00eb brengosur\u201d, prandaj ata kan\u00eb mbetur ashtu si kan\u00eb mbetur, pasi: \u201cP\u00ebr \u00e7ka u mungon dhe s\u2019e arrijn\u00eb\u201d, ose t\u00eb pakt\u00ebn ata kan\u00eb frik\u00eb: \u201cP\u00ebr t\u00eb ardhmen e cila i tremb\u201d, poezia \u201cDroga\u201d, faqe 27.<\/p>\n

P\u00ebrfundim: Motivet e poezive jan\u00eb t\u00eb lidhura ngusht\u00ebsisht me sfidat e jet\u00ebs, me jet\u00ebn n\u00eb m\u00ebrgim dhe me p\u00ebrpjekjen e pareshtur p\u00ebr t\u00eb shpjeguar se \u201cVdekur\/ Sa p\u00ebr t\u00eb mos th\u00ebn\u00eb,\/ Edhe Zoti e harroi k\u00ebt\u00eb\u201d, poezia \u201cArsyeja e ekzistimit\u201d, faqe 59. Por si\u00e7 thot\u00eb edhe vet autorja se njeriu qenka nj\u00eb tren i till\u00eb ku \u201cKrijohet p\u00ebrshtypja se\/ Njeriu qenka i p\u00ebrulur shum\u00eb, Po ta hip\u00ebsh dikund, \/ Do t\u00eb shkoj\u00eb gjithkund\u201d, poezia \u201cTreni\u201d, faqe 60. Kjo poezi duket si nj\u00eb epitaf lirik, i cili n\u00eb m\u00ebnyr\u00eb metaforike p\u00ebrmblidhet: Dashuria dhe poezia, tashm\u00eb jan\u00eb kujtime publike, gjith\u00e7ka nga kjo tani i p\u00ebrket lexuesit dhe let\u00ebrsis\u00eb. E, n\u00eb saje t\u00eb k\u00ebsaj metafore poetike \u00ebsht\u00eb sqaruar edhe kuptimi real pse ajo shkruan, p\u00ebrkat\u00ebsisht arsyeja e v\u00ebrtet\u00eb e ekzistimit t\u00eb saj!<\/p>\n

St. Gallen, 10.01.2017<\/em>.<\/p>\n

\n

SH\u00cbNIME P\u00cbR AUTOREN<\/strong>:<\/p>\n

Nerxhivane Sejdiu- Ferati<\/strong>, (14.09.1072). U lind n\u00eb Ga\u00e7k\u00eb t\u00eb Ferizajt. Shkoll\u00ebn fillore e ka kryer n\u00eb vendlindje kurse t\u00eb mesmen, drejtimi matematikor programues n\u00eb Ferizaj. Ka studiuar me korrespondenc\u00eb Gjuh\u00ebn dhe Let\u00ebrsin\u00eb shqipe, n\u00eb Universitetin e Prishtin\u00ebs. Me poezin\u00eb \u00ebsht\u00eb marr\u00eb q\u00eb n\u00eb f\u00ebmij\u00ebri, duke shkruar dhe recituar. Jeton n\u00eb Gjenev\u00eb me familjen e saj q\u00eb nga viti 1999 ku edhe punon si m\u00ebsuese e gjuh\u00ebs shqipe p\u00ebr t\u00eb huajt.<\/p>\n

VEPRA E BOTUAR<\/em>:
\n– “P\u00ebrse jetoj<\/em>“, poezi, Tiran\u00eb 2005.<\/p>\n","protected":false},"excerpt":{"rendered":"

Kritik\u00eb letrare: LIRIKAT E TREMBURA Nerxhivane Sejdiu – Ferati, \u201dP\u00cbRSE JETOJ\u201c, poezi, botoi Sht\u00ebpia e librit \u201cOMBRA GVG\u201c, Tiran\u00eb 2005, faqe 66. ISBN: 99943-850-8-8 Poezia e Nerxhivane Feratit, \u00ebsht\u00eb nj\u00eb poezi e shkruar me kujdes t\u00eb shtuar, motivet e saj jan\u00eb t\u00eb p\u00ebrjetuara deri n\u00eb thell\u00ebsi shpirti. Andaj, jan\u00eb t\u00eb rralla ato autore, t\u00eb cilat […]<\/p>\n","protected":false},"author":1,"featured_media":73622,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2,8],"tags":[],"class_list":["post-10981","post","type-post","status-publish","format-standard","has-post-thumbnail","category-artikuj","category-letersi"],"yoast_head":"\nLIRIKAT E TREMBURA - FJALA e LIR\u00cb<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/jehonashqiptare.al\/fjala\/lirikat-e-trembura\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"LIRIKAT E TREMBURA - FJALA e LIR\u00cb\" \/>\n<meta property=\"og:description\" content=\"Kritik\u00eb letrare: LIRIKAT E TREMBURA Nerxhivane Sejdiu – Ferati, \u201dP\u00cbRSE JETOJ\u201c, poezi, botoi Sht\u00ebpia e librit \u201cOMBRA GVG\u201c, Tiran\u00eb 2005, faqe 66. ISBN: 99943-850-8-8 Poezia e Nerxhivane Feratit, \u00ebsht\u00eb nj\u00eb poezi e shkruar me kujdes t\u00eb shtuar, motivet e saj jan\u00eb t\u00eb p\u00ebrjetuara deri n\u00eb thell\u00ebsi shpirti. 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ISBN: 99943-850-8-8 Poezia e Nerxhivane Feratit, \u00ebsht\u00eb nj\u00eb poezi e shkruar me kujdes t\u00eb shtuar, motivet e saj jan\u00eb t\u00eb p\u00ebrjetuara deri n\u00eb thell\u00ebsi shpirti. 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