{"id":21909,"date":"2017-12-29T23:01:46","date_gmt":"2017-12-29T23:01:46","guid":{"rendered":"http:\/\/www.fjala.info\/?p=21909"},"modified":"2017-12-29T23:01:46","modified_gmt":"2017-12-29T23:01:46","slug":"nje-hymn-lirik-i-qendreses-kosovare-nder-breza","status":"publish","type":"post","link":"https:\/\/jehonashqiptare.al\/fjala\/nje-hymn-lirik-i-qendreses-kosovare-nder-breza\/","title":{"rendered":"Nj\u00eb hymn lirik i q\u00ebndres\u00ebs kosovare nd\u00ebr breza"},"content":{"rendered":"

(V\u00ebzhgime mbi “Mbretin Dardan” t\u00eb Bujar Taf\u00ebs, Amanda Edit, Bukuresht 2017<\/em>)<\/p>\n

Vladimir Mu\u00e7a<\/strong><\/p>\n

Vepra poetike e Bujar Taf\u00ebs “Mbreti im Dardan”, vjen pran\u00eb lexuesit pas nj\u00eb sere librash t\u00eb botuara me kritik\u00eb letrare dhe hulumtime estetiko-stilistike. Sigurisht q\u00eb jo vet\u00ebm p\u00ebrgjegj\u00ebsia krijuese e autorit duket m\u00eb e lart\u00eb, por dhe brum\u00ebzimi estetiko-stilistik, brumi me t\u00eb cilin po gatuhet poezia, duke i prur\u00eb lexuesit nj\u00eb poezi me dukuri t\u00eb reja, moderne, inteligjente, ku intertekstet duken si karburanti q\u00eb zjarrmojn\u00eb shumin\u00eb e metaforave, tropeve e simboleve, t\u00eb cil\u00ebt e ushqejn\u00eb shumic\u00ebn e poezive. Kjo parap\u00ebrgatitje studimore u ushqye me k\u00ebndv\u00ebshtrime t\u00eb reja moderne, duke u b\u00ebr\u00eb frut i pun\u00ebs krijuese, artikulim i vlerave m\u00eb t\u00eb mira poetike me opsionin e nj\u00eb vargu t\u00eb lir\u00eb modern, ku mbret\u00ebresha metafor\u00eb, me n\u00ebnkuptimoret e saj t\u00eb \u00ebsht\u00eb primadona e vargut poetik.<\/p>\n

V\u00ebzhgimet studimore n\u00eb interceptimet e shum\u00eb krijuesve bashk\u00ebkoh\u00ebs, q\u00eb n\u00eb v\u00ebshtrimin e par\u00eb t\u00eb librit \u201cMbreti im Dardan\u201d, pa m\u00ebdyshje, n\u00ebnvizon se vokacioni krijues i Bujar Taf\u00ebs gjum\u00ebron n\u00eb tastierat poetike ndjeshm\u00ebrin\u00eb jet\u00ebsore, rrjedhat e aktualitetit me fonemat psiko-analitike, t\u00eb cilat mbartin m\u00eb pas mbrot\u00ebsin\u00eb e pas luft\u00ebs. Duke qen\u00eb nj\u00eb kritik i mirfillt\u00eb tekstual n\u00eb aranzhimin e vargut, duke treguar kujdes n\u00eb p\u00ebrzgjedhjen e fjalorit, n\u00eb subkoshienc\u00ebn poetike, autori ka ecur me kujdesin e nj\u00eb kop\u00ebshtari, i sprovuar n\u00eb agronomin\u00eb e vargut, gjetjen e trilleve poetike, p\u00ebrpunimin e fjal\u00ebve, \u201cgdhendjen\u201d e vargut n\u00eb rifinitura artistike, duke i dh\u00ebn\u00eb me an\u00eb t\u00eb ting\u00ebllimave t\u00eb p\u00ebraf\u00ebrta muzikalitetin, e n\u00eb optik\u00eb, fokusin identifikues me element\u00eb t\u00eb biodiversitetit n\u00eb nj\u00eb natyralitet t\u00eb p\u00ebrjetuar.<\/p>\n

N\u00eb konceptin estet t\u00eb autorit, poezia nuk vjen e kufizuar n\u00eb nj\u00eb hap\u00ebsir\u00eb, as e p\u00ebrkufizuar n\u00eb nj\u00eb substanc\u00eb kohore krono. K\u00ebt\u00eb p\u00ebrceptim mes vargjeve e gjejm\u00eb kudo: mes nj\u00eb pylli, n\u00eb maj\u00eb t\u00eb nj\u00eb mali, n\u00eb form\u00ebn e zjarrit bubulak, por edhe t\u00eb flak\u00ebs p\u00ebrzhit\u00ebse t\u00eb sht\u00ebpive kosovare n\u00eb luft\u00ebrat patriotike. E gjejm\u00eb dhe n\u00eb form\u00ebn e bor\u00ebs e t\u00eb ngric\u00ebs kallkan. N\u00eb grinat\u00eb e gjejm\u00eb edhe n\u00eb mes tymit p\u00ebrzhit\u00ebs, duke marr\u00eb ndri\u00e7imin dhe ngroht\u00ebsin\u00eb e diellit, duke u b\u00ebr\u00eb vet\u00eb rrezja e poetit. N\u00eb k\u00ebt\u00eb drit\u00ebsir\u00eb, si fotosintez\u00eb n\u00eb forc\u00ebn rip\u00ebrtrit\u00ebse t\u00eb drit\u00ebs s\u00eb jet\u00ebs, autori sjell natyra t\u00eb trojeve shqiptare, duke u treguar dhe n\u00eb sensin e kritik\u00eb t\u00eb poezis\u00eb: se ku e si mund t\u00eb prezantohet bota poetike. Ky \u00ebsht\u00eb nj\u00eb aspekt, pjesa tjet\u00ebr e amalgam\u00ebs poetike \u00ebsht\u00eb shpirti i vet\u00eb poetit. Asgj\u00eb q\u00eb thuhet n\u00ebp\u00ebrmjet vargut, nuk vjen e ve\u00e7uar, por shtjellohet si nj\u00eb t\u00ebr\u00ebsi unike e p\u00ebrceptim\u00ebve shqisore, ndjenj\u00ebs dhe diversiteteve n\u00eb dramacitetin universal.<\/p>\n

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K\u00ebt\u00eb lloj t\u00eb ri prurjeje poetike duke e p\u00ebrshtatur me ekselenc\u00eb n\u00eb poezin\u00eb e Bujar Taf\u00ebs, n\u00eb leksikun e fonemat rumune, p\u00ebrkthyesi, poeti, editori, m\u00ebm\u00ebdhetari i flakt\u00eb nga Bukureshti, Baki Ymeri, i b\u00ebri nj\u00eb dhurat\u00eb t\u00eb \u00e7muar jo vet\u00ebm popullit rumun duke i sjell\u00eb pjes\u00eb t\u00eb universit lirik shqiptar, por dhe popullit t\u00eb tij me p\u00ebrfaq\u00ebsit\u00eb kulturore t\u00eb nj\u00eb dramaciteti sa lirik aq dhe atdhetar e social. Ka do koh\u00eb q\u00eb Baki Ymeri dhe themeltar\u00ebt e shoq\u00ebris\u00eb kulturore-patriotike \u201cDrita\u201d e kan\u00eb si paradigm\u00eb n\u00eb pun\u00ebn dhe aktivitetin e tyre, komunikimin dhe bashk\u00ebpunimin mes popullit rumun dhe atij shqiptar, sepse: \u201cBota m\u00eb s\u00eb miri lexohet n\u00eb shpirtin e poet\u00ebve.\u201d<\/p>\n

P\u00ebr ne \u00ebsht\u00eb nj\u00eb dhunti e bekuar gakti kur poezia kosovare merr statusin e gjuh\u00ebs nd\u00ebrkomb\u00ebtare. N\u00eb t\u00ebr\u00ebsin\u00eb e saj poezia \u00ebsht\u00eb gjuh\u00eb nd\u00ebrkomb\u00ebtare, sepse n\u00eb muzikalitetin e saj, n\u00eb tharmin poetik, ka si p\u00ebrbashk\u00ebsi timbrin si \u00e7el\u00ebs t\u00eb sol- it. Vetiu, kur i recitoja n\u00eb mendje k\u00ebto poezi t\u00eb p\u00ebrkthyera n\u00eb gjuh\u00ebn rumune, ting\u00ebllima, timbri m\u00eb p\u00ebrngjante gati \u2013gati i nj\u00ebllojt\u00eb, si dy siamez\u00ebt me gjuh\u00ebn shqipe. Sigurisht q\u00eb kjo ndjesi m\u00eb erdhi ngaq\u00eb poezia, n\u00eb thelbin e saj, n\u00eb tingullin q\u00eb p\u00ebr\u00e7on, ka nj\u00eb muzikalitet universal gjuh\u00ebsor, t\u00eb cilin e trasmeton tek t\u00eb gjith\u00eb popujt, t\u00eb \u00e7fardo gjuhe qofshin. Por n\u00eb k\u00ebt\u00eb kontekst, edhe p\u00ebrkthimi (rumanizimi) \u00ebsht\u00eb faktori i dyt\u00eb, por m\u00eb kryesori \u00ebsht\u00eb ekselenca e p\u00ebrkthyesit.<\/p>\n

P\u00ebrkthyesi duke patur si themel aranzhimin poetik, ka ruajtur thelbin timbrik, por duke i dh\u00ebn\u00eb nj\u00ebkoh\u00ebsisht gjith\u00e7ka nga shpirti i tij poetik. Nga ky ngulmim estetik dhe dukuria thelb\u00ebsore e poezive t\u00eb v\u00ebllimit \u201cMbreti im Dardan\u201d \u00ebsht\u00eb gjuha e interteksteve. Ajo \u00ebsht\u00eb p\u00ebrdorur me efikacitet artistik, duke e mb\u00ebshtetur n\u00eb gjuh\u00ebn e metaforave, t\u00eb cilat q\u00ebndrojn\u00eb si zonj\u00ebza mes modernitetit poetik globalist dhe trash\u00ebgimnis\u00eb poetike bio-shqiptare t\u00eb Esat Mekulit, Ali Podrimes, Azem Shkrelit, duke u natyralizuar n\u00eb substanc\u00eb t\u00eb re kohore. Nga kjo majaisje e modernes me t\u00eb trash\u00ebguar\u00ebn e p\u00ebrjetimet e autorit, ka b\u00ebr\u00eb q\u00eb dhe metaforat e p\u00ebrdorura t\u00eb jen\u00eb me valenca t\u00eb larta n\u00ebnkuptimore.<\/p>\n

Gjuha e interteksteve n\u00eb poezis\u00eb e Taf\u00ebs e n\u00eb t\u00ebr\u00ebsi n\u00eb poezin\u00eb shqipe, k\u00ebsisoj, vjen si dukuri e re e nj\u00eb moderniteti shqiptar, i cili ngrihet mbi themelet e nj\u00eb trash\u00ebgimnie po aq moderne n\u00eb substanc\u00ebn e vet kohore. Nj\u00eb estetik\u00eb e till\u00eb, e kund\u00ebrt me shabllonet poetike q\u00eb p\u00ebrdorin sot me shumi r\u00ebndom n\u00eb trojet shqiptare, n\u00eb poezin\u00eb e v\u00ebllimit \u201cMbreti im Dardan\u201d vjen jo si produkt i imagjinat\u00ebs, por dhe i nj\u00eb p\u00ebrjetimi poetik n\u00eb koh\u00eb dhe n\u00eb hap\u00ebsira t\u00eb reja. Poeti, si n\u00eb poezit\u00eb: \u201cK\u00ebnga m\u00eb e bukur\u201d, \u201cNj\u00ebqind vjet\u201d, \u201cMbreti im daradan\u201d, \u201cDinamik\u00eb\u201d, \u201cQyqet\u201d, \u201cPak\u201d, \u2018Triumfi im\u201d, ka ditur t\u00eb shkrij\u00eb bukur imagjinat\u00ebn me p\u00ebrjetimin, dramacitetin lirik t\u00eb mbarsur me ndjesit\u00eb e tij shpirt\u00ebrore, t\u2019i shtratifikoj\u00eb me kujdesin e nj\u00eb kopshtari n\u00eb biodiversitetin shqiptar. N\u00eb triorimin e p\u00ebrzgjedhjen e ndjesive, autori ka arritur standarte t\u00eb larta n\u00eb ekstrakte poetike, sepse ai operon poetikisht me gjuh\u00ebn e shpirtit.<\/p>\n

Tingulli e fryma poetike m\u00eb par\u00eb se t\u00eb kaloj\u00eb n\u00eb syrin dhe n\u00eb veshin e lexuesit apo t\u00eb dashur\u00ebs, t\u00eb dashurit, kalon n\u00ebp\u00ebr pentagramin e zemr\u00ebs, duke marr\u00eb aty ndjesit\u00eb m\u00eb t\u00eb \u00e7iltra t\u00eb nj\u00eb dashurie, e cila si ylber rri pezull mes hap\u00ebsir\u00ebs ku rrin\u00eb engj\u00ebjt dhe tok\u00ebs, me hyjnitetin poetik. Ndaj dhe ky produkt poetik vjen si nj\u00eb etalon i lirizmit universal atdhetar. Sidomos poezia \u201cMbreti im Dardan\u201d vjen si paradigm\u00eb e nacionalizm\u00ebs dhe atdhedashuris\u00eb, si nj\u00eb ushqim shpirt\u00ebror, nj\u00eb hymn i q\u00ebndres\u00ebs nd\u00ebr breza, duke mbajtur gjithnj\u00eb: \u201cRrasa na r\u00ebndojn\u00eb mbi kok\u00eb \u201ckur shohim se \u201cushtar\u00ebt e zinj\u201d\/ i pren\u00eb pem\u00ebt\/ vreshtat, dardhat\/ xhvesh\u00eb na lan\u00eb\/ mbreti im Dardan.\u201d Si gjithnj\u00eb, autori gjen forc\u00eb e revokon t\u00eb kaluar\u00ebn e lavdishme t\u00eb \u201cbaba mbretit\u201d Dardan. N\u00eb kronologjin\u00eb poetike, t\u00eb pas nj\u00eb pushtimi e shtypjeje nj\u00ebqind vje\u00e7are n\u00ebn sundimin serb, shpirti i liris\u00eb rrug\u00ebton n\u00eb filozofin\u00eb e nj\u00eb jete t\u00eb re si n\u00eb poezin\u00eb \u201cTriumfi im\u201d ku: \u201cUn\u00eb vuajtjen e kam mundur,\/ K\u00ebnaq\u00ebsi e kam b\u00ebr\u00eb tmerrin,\/ K\u00ebnaqem kur e shoh vujatjen time,\/ t\u00eb shkret\u00eb t\u00eb vuaj\/ nga un\u00eb.\u201d<\/p>\n

N\u00eb k\u00ebt\u00eb poezi si bij\u00eb e \u201cMbretit tim Dardan\u201d, tashm\u00eb me prangat e pushtetit t\u00eb \u00e7liruara, filozofia e jet\u00ebs trajtohet si nj\u00eb vazhdim\u00ebsi e luft\u00ebs p\u00ebr prosperitet shoq\u00ebror, ku lufta n\u00eb vetvete vjen si nj\u00eb didaktik\u00eb e zhvillimit t\u00eb jet\u00ebs njer\u00ebzore. N\u00eb kontekstin poetik, ngritur n\u00eb art me metaforat e simbolikat, alegorit\u00eb, autori evidenton nj\u00eb urtake popullore si \u201cI zoti e nxjerr gomarin nga balta\u201d, nj\u00eb filozofi sa e lasht\u00eb n\u00eb zanafill\u00eb aq dhe aktuale sot n\u00eb trojet shqiptare. Prosperiteti e gjen gjeneracionin tek subkoshienca, tek \u201dGuri te koka”.Vet\u00ebm duke u mb\u00ebshtetur te guri i tok\u00ebs am\u00eb e jo bredhje n\u00ebp\u00ebr bot\u00eb do t\u00eb arrijm\u00eb prosperitetin shoq\u00ebror, ku: \u201cve\u00e7 nj\u00eb gur t\u00eb koka\/ dhe t’i shtrihemi \u00ebndrr\u00ebs…\u201d<\/p>\n

Me intuit\u00ebn zhbiruese t\u00eb kritikut, analistit, autori luan bukur poetikisht me artefaktet, ku jo vet\u00ebm zgjidh nj\u00eb mori fjal\u00ebkryqesh poetike, dukei vendosur bukur n\u00eb vargje e strofa, me cil\u00ebsin\u00eb e konvencioneve, por vendos n\u00eb to t\u00eb drit\u00ebsuara fonema e trope poetike, si dhe bot\u00ebn e p\u00ebrjetuar. P\u00ebrmes k\u00ebtyre artefakteve, autori i \u00ebsht\u00eb shmangur me sukse e me intuit\u00ebn e kritikut tematikave aq shum\u00eb t\u00eb p\u00eblqyera nga dogma e soc-realizmit (sureal do e quaja), duke na dh\u00ebn\u00eb subjekte poetike t\u00eb cilat ndrisin si rruzuj n\u00eb k\u00ebt\u00eb liriz\u00ebm shum\u00ebdimensional. K\u00ebto subjekte poetike, krijime me nj\u00eb p\u00ebrbashk\u00ebsi bletare, konstrukte q\u00eb referojn\u00eb kuptimin e v\u00ebrtet\u00eb t\u00eb jet\u00ebs n\u00eb t\u00ebr\u00ebsin\u00eb e saj kompletare si dhe t\u00eb individ\u00ebve t\u00eb ve\u00e7ant\u00eb, si prototipa p\u00ebrfaq\u00ebsues t\u00eb nj\u00eb kombi, me nj\u00eb prosperitet sa mitik aq dhe modern ku: “K\u00ebtu \u00ebsht\u00eb dielli”\/ K\u00ebtu \u00ebsht\u00eb era\/ Ku je ti baba mbret?\/ M\u00eb nuk shihen ushtar\u00eb,\/ Heshta\/ fusha jon\u00eb \u00ebsht\u00eb e qet\u00eb.\/ Merr frym\u00eb pak\/ Mbreti im plak.”<\/p>\n

\u201cMbreti im Dardan\u201d vjen si paradigm\u00eb e nacionalizm\u00ebs dhe atdhedashuris\u00eb<\/strong><\/p>\n

Atdhetarizmi dhe nacionalizmi social vin\u00eb n\u00eb k\u00ebto vargje si nj\u00eb rilindje, mes p\u00ebrgjakjeve p\u00ebr prosperitet shoq\u00ebror e komb\u00ebtar gjat\u00eb viteve ‘ 90. Ata vin\u00eb p\u00ebrmes pentagramesh poetik\u00eb, klithmave t\u00eb dhimbjeve dhe kushtrimeve si k\u00ebng\u00ebt \u201cMaj\u00eb Krahi\u201d, si nj\u00eb burim kushtrimor p\u00ebr \u00e7lirim shoq\u00ebror nga pushtuesi serb. Ato jan\u00eb \u00e7el\u00ebsi i sol-it bu\u00e7it\u00ebs t\u00eb k\u00ebtij kushtrimi. N\u00eb k\u00ebt\u00eb piskam\u00eb, me dhimbjen p\u00ebr t\u00eb vrar\u00ebt nga makineria e dhun\u00ebs serbe, me vdekjen mbi krye e \u00ebndrr\u00ebn e prer\u00eb n\u00eb mes, ndryshe nga shum\u00eb poet\u00eb, Bujar Tafa nuk na vjen si besimtar praktikant, por si nj\u00eb besimtar, me koshienc\u00ebn e njeriut t\u00eb lidhur me gjith\u00e7ka q\u00eb \u00ebsht\u00eb brenda diversitetit ton\u00eb t\u00eb pandryshuesh\u00ebm natyror, sepse: \u201cVdekja jon\u00eb do jetoj\u00eb\/arom\u00eb luleje\/ puhi e mbr\u00ebmjes,\/ \u00ebnd\u00ebrr e bukur, buz\u00ebqeshje.\u201d Sepse n\u00eb arkeologjin\u00eb e fjal\u00ebve poetike, vdes materia njer\u00ebzore, por mbetet n\u00eb p\u00ebrjet\u00ebsi \u00ebndrra, kujtimi, buz\u00ebqeshja, p\u00ebrkushtimi, ndaj autori n\u00eb t\u00eb kund\u00ebrt nuk e mendon vdekjen p\u00ebr lirin\u00eb e m\u00ebm\u00ebdheut sepse \u201cajo \u00ebsht\u00eb ferr\u201d.<\/p>\n

Poezia n\u00eb k\u00ebto kontekste estetike dhe filozofike, religjioze, mbi jet\u00ebn dhe vdekjen, \u00ebsht\u00eb jo vet\u00ebm princesh\u00eb n\u00eb ndjesit\u00eb q\u00eb p\u00ebrcjell p\u00ebrmes nj\u00eb lirizmi polivalent, por ajo \u00ebsht\u00eb dhe mbret\u00ebresh\u00eb e t\u00ebr\u00ebsis\u00eb s\u00eb bot\u00ebs, fenomeneve q\u00eb ndodhin. K\u00ebt\u00eb trajtim t\u00eb filozofis\u00eb s\u00eb jet\u00ebs, me vazhdim\u00ebsin\u00eb e saj n\u00eb trajta t\u00eb tjera amorfe dhe shpirt\u00ebrore, n\u00eb paskajshm\u00ebri vazhdim\u00ebsie, autori e trajton bukur poetikisht te poezia \u201cGjysma ime\u201d ku: \u201cMarr pjes\u00ebn time e ndaj m\u00eb dysh,\/ marr gjysm\u00ebn e gjysm\u00ebs t\u00eb gjysm\u00ebs, s\u00eb gjysm\u00ebs\/ p\u00ebrs\u00ebri e ndaj m\u00eb dysh\/ k\u00ebshtu vazhdoj me vite\/ p\u00ebrdersa gjysma ime nuk mbaron kurr\u00eb.\u201d P\u00ebrmes k\u00ebtyre trilleve t\u00eb p\u00ebrzgjedhura lirike t\u00eb stilit ungaretian, lexuesi sheh n\u00eb k\u00ebt\u00eb lum psikoanalitik t\u00eb vargjeve, drit\u00ebsir\u00ebn p\u00ebrmes sekuencave t\u00eb diskursit lirik.<\/p>\n

Autori me kultur\u00eb gjuh\u00ebsore, elokuenc\u00eb fonetike, arrin t\u00eb q\u00ebndis\u00eb fjal\u00ebn n\u00eb gjergjefin e shpirtit, t`i jap\u00eb mendimit shumin\u00eb e n\u00ebnteksteve, mesazheve, me nj\u00eb lirik\u00eb q\u00eb e ka buran\u00ebn n\u00eb ekzistencializmin e kulluar. Me aureol\u00ebn metaforike ai arrin t\u00eb na jap\u00eb ndri\u00e7imtarin\u00eb e jet\u00ebs edhe n\u00eb humbellat e absurdit shoq\u00ebror. Konceptet e autorit mbi universin lirik, si nj\u00eb paradigm\u00eb poetike e patjet\u00ebrsueshme, vin\u00eb t\u00eb plota te poezia \u201cZoti e bekoi poetin\u201d. Nj\u00eb sentenc\u00eb e bukur poetike n\u00eb nj\u00eb koh\u00eb kur nj\u00eb shumi poet\u00ebsh e konceptojn\u00eb lirik\u00ebn me \u201cbuz\u00eb e shal\u00eb\u201d, si pornografi. Poeti, p\u00ebr poetin Tafa, \u201cEsht\u00eb mbi t\u00eb krishter\u00eb, mbi musliman\u00eb\/ mbi jahudi\/ poeti \u00ebsht\u00eb kriminel,\/ President, pis, xehe, zog, pik\u00eb,\/ Poezia nuk \u00ebsht\u00eb ve\u00e7 estetik\u00eb, as etik\u00eb.\u201d<\/p>\n

Nj\u00eb koncept i plot\u00ebruar, i p\u00ebrftuar nd\u00ebr vitet e v\u00ebzhgimeve t\u00eb shumta kritike, t\u00eb cilat kan\u00eb konsoliduar konceptin mbi poetik\u00ebn mbar\u00ebbot\u00ebrore tek autori: sepse lirika p\u00ebrmbledh nj\u00eb bot\u00eb t\u00eb t\u00ebr\u00eb, ku bulon jeta njer\u00ebzore dhe ajo amorfe. N\u00eb thelbin e k\u00ebsaj bote: \u201cAjo gj\u00ebja bizare q\u00eb sillet rreth\/ diellit \u00ebsht\u00eb koka ime.\u201d Sepse n\u00eb thelbin metaforik poeti thot\u00eb: ne jemi bota dhe e interceptojm\u00eb at\u00eb si\u00e7 e duam. Poetit i mjafton poezia \u201cMonotoni\u201d q\u00eb t\u00eb na p\u00ebrqas\u00eb dhe nj\u00eb trajtim t\u00eb ri n\u00eb poezin\u00eb shqipe: deheroizimin e let\u00ebrsis\u00eb, paraqitjen e heroit jo t\u00eb tipit leifen, apo supernjer\u00ebz, q\u00ebndrestar\u00eb por n\u00eb kontravers, n\u00eb maj\u00ebn e nj\u00eb poezie gjysm\u00eb piramid\u00eb, ai rendit nj\u00eb s\u00ebr\u00eb cil\u00ebsish\u00eb t\u00eb k\u00ebtyre heronjve natyralisht t\u00eb lodhur.<\/p>\n

Nj\u00eb fytyr\u00eb e nj\u00eb njeriu t\u00eb till\u00eb, nuk i duhet autorit, ai, k\u00ebt\u00eb fytyr\u00eb e lan me shi acidi: \u201cNuk m\u00eb duhet fytyra, asnj\u00eb shpirt i till\u00eb,\/ Lum njer\u00ebzori mbi t\u00eb pafytyrin.\u201d P\u00ebr polemik\u00eb me veten dhe t\u00eb tjer\u00ebt, autori na sjell \u201cDinamika\u201d, nj\u00eb poezi e vog\u00ebl por q\u00eb n\u00eb p\u00ebrmbajtjen e saj ka gjith\u00eb dinamik\u00ebn e nj\u00eb jete ku: \u201cPo l\u00ebvizin m\u00eb shum\u00eb se un\u00eb,\/ po flasin m\u00eb shum\u00eb se un\u00eb,\/ po mendojn\u00eb m\u00eb shum\u00eb se un\u00eb.\/ P\u00ebr dreq!\/ un\u00eb po vuaj m\u00eb shum\u00eb se ata.\u201d N\u00eb filozofin\u00eb e jet\u00ebs, kjo dinamik\u00eb gjeneron nga flukset e diversitetit universal, i cili burimin fillestar e ka n\u00eb gjith\u00e7ka shpirt\u00ebrore. Jo pa q\u00ebllim, por me n\u00ebntekst, dhe me nj\u00eb mesazh t\u00eb qart\u00eb, k\u00ebt\u00eb pro\u00e7es autori e pason me poezin\u00eb \u201cQyqet\u201d, nj\u00eb metafor\u00eb e bukur e njeriut dembel, jasht\u00eb k\u00ebsaj dinamike.<\/p>\n

\u201cPak\u201d, thuhet n\u00eb poezin\u00eb me t\u00eb njejtin titull q\u00eb t\u00eb mos ket\u00eb qarje dhe lig\u00ebshti, por me jet\u00eb d\u00ebshirash pa kufi. P\u00ebr k\u00ebt\u00eb, thot\u00eb autori, n\u00eb k\u00ebt\u00eb poezi monokolon\u00eb, duhet aktivitet i plot\u00eb fizik dhe shpirt\u00ebror. N\u00eb t\u00ebr\u00ebsi poezit\u00eb, n\u00eb v\u00ebzhgimet e mija, ndon\u00ebse t\u00eb nj\u00eb stili modern, vin\u00eb pa komplekset e modernitetit filo-hermetik, gj\u00eb t\u00eb cil\u00ebn e ndeshim, n\u00eb shumin\u00eb e krijuesve bashk\u00ebkohor\u00eb kosovar\u00eb, t\u00eb cil\u00ebt e \u201cimportojn\u00eb\u201d k\u00ebt\u00eb estetik\u00eb enbllok. Me k\u00ebt\u00eb i ofron biodiversiteti dhe dramaciteti i p\u00ebrjetuar. Autori e implementon vargun modern, e b\u00ebn m\u00eb pragmatist, t\u00eb mir\u00eb kontrolluar, duke e ushqyer me gjith\u00e7ka autoktone. Ndaj dhe poezia intercepton tek lexuesi ndjenj\u00eb t\u00eb \u00e7ilt\u00ebr, duke p\u00ebrfituar nj\u00eb bot\u00eb t\u00eb pakufishme bio-shqiptare.<\/p>\n

Nj\u00eb rol t\u00eb r\u00ebnd\u00ebsish\u00ebm ka luajtur dhe futja e element\u00ebve biblik\u00eb, mitik\u00eb, t\u00eb trash\u00ebgiminis\u00eb popullore t\u00eb p\u00ebrcjell\u00eb brez pas brezi si te poezit\u00eb: \u201cQyqja\u201d, \u201cLajmi hyjnor\u201d, \u201cZotat me teke\u201d, \u201cTradh\u00ebtit\u00eb\u201d, \u201cP\u00ebrralla\u201d, \u201cFeniks\u201d, \u201cLufta\u201d, \u201cTriumfi im\u201d, gj\u00eb e cila n\u00eb dukuri t\u00eb par\u00eb nuk \u00ebsht\u00eb gj\u00eb e re n\u00eb poezin\u00eb shqipe, por inovacioni i Bujar Taf\u00ebs q\u00ebndron n\u00eb mjeshtrin\u00eb e futjes s\u00eb tyre n\u00eb poezi duke i shoq\u00ebruar me ngarkesa metaforike e me gjuh\u00ebn e n\u00ebnteksteve, triorimit t\u00eb interteksteve q\u00eb nga tradita e Pjet\u00ebr Budit, i cili i futi p\u00ebr her\u00eb t\u00eb par\u00eb n\u00eb poezi, e deri te rilind\u00ebsit tan\u00eb. Mohimi i tradit\u00ebs s\u00eb mir\u00eb \u00ebsht\u00eb term i p\u00ebrjashtuar n\u00eb estetik\u00ebn e autorit. P\u00ebrkundrazi, tradita \u00ebsht\u00eb themeli i tharmit poetik, mbi t\u00eb cilin Bujar Tafa ngren godin\u00ebn e vet poetike.<\/p>\n

Jo m\u00eb kot, n\u00eb poezit\u00eb e v\u00ebllimit \u201cMbreti im Dardan\u201d, dallojm\u00eb konsideratat q\u00eb autori ka p\u00ebr natyr\u00ebn e vendit t\u00eb tij dhe dramacitetin shoq\u00ebror. Ta konsiderosh natyr\u00ebn komponent artistik, \u00ebsht\u00eb vler\u00eb artistike, sepse natyralizmi sipas \u201cvendit b\u00ebhet kuvendi\u201d, n\u00eb p\u00ebrshtatje me estetikat moderne bot\u00ebrore, b\u00ebn q\u00eb t\u00eb realizosh nj\u00eb produkt poetik bio-autokton, t\u00eb pap\u00ebrngjajsh\u00ebm me askend. Bujari k\u00ebt\u00eb v\u00ebshtrim estetik e ka realizuar me sukses n\u00eb poezit\u00eb \u201cMirazh\u201d, \u201cK\u00ebnga m\u00eb e bukur\u201d, \u201dP\u00ebrtej\u201d, \u201cRrethrrotullimi im\u201d, \u201cSh\u00ebtitje\u201d, \u201cPak\u201d, ndaj dhe element\u00ebt natyror\u00eb vin\u00eb si distributor\u00eb artistik\u00eb t\u00eb ndjenjave njer\u00ebzore, n\u00eb nj\u00eb bashk\u00ebjetes\u00eb t\u00eb poetit, t\u00eb njeriut me natyr\u00ebn: \u201cAtje p\u00ebrtej murit ka lule,\/ e un\u00eb si t\u00eb b\u00ebhem lot,\/ e un\u00eb si t\u00eb b\u00ebhem qeshje!\/ Atje p\u00ebrtej murit ka kopshte\/ e un\u00eb si t\u00eb b\u00ebhem k\u00ebng\u00eb.\u201d<\/p>\n

Si n\u00eb shum\u00eb vargje te k\u00ebto poezi, ndjehet dhe nga lexuesi i thjesht\u00eb se si natyra rrug\u00ebton poetikisht si personazh, si nj\u00eb domosdoshm\u00ebri estetike e vargut, strof\u00ebs, poezis\u00eb. N\u00eb k\u00ebt\u00eb asimetri poetike t\u00eb tradit\u00ebs dhe modernes, sikund\u00ebr dhe n\u00eb v\u00ebzhgimet kritike, Bujar Tafa, \u00ebsht\u00eb kursimtar n\u00eb fajl\u00eb, i peshon ato me peshoren e farmacistit, i trioron me durim, n\u00eb triorin e mendimit gjykimor. Si\u00e7 duket ai e ka konvencion n\u00eb udh\u00ebn poetike nj\u00eb sentenc\u00eb estetike t\u00eb lirikut t\u00eb Madh Lasgush Poradeci: \u201cPoeti duhet t\u00eb jet\u00eb kursimtar i madh i fjal\u00ebve, t\u00eb thot\u00eb maksimumin e ndjenjave me minimumin e fjal\u00ebve.\u201d<\/p>\n

Qoft\u00eb dhe me k\u00ebt\u00eb v\u00ebllim poetik, sikund\u00ebr zanafilla e Witmanit t\u00eb Madh me \u201cFije bari\u201d, me t\u00eb drejt\u00ebn time, theksoj se lexuesi me t\u00eb drejt\u00eb do t\u00eb pohoj\u00eb se Bujar Tafa \u00ebsht\u00eb poet i trilleve, i qart\u00eb n\u00eb idet\u00eb dhe mesazhet e tij poetike. Gjith\u00e7ka e artikuluar n\u00eb vargje, i del nga shpirti, por asnj\u00eb \u00e7ast ai nuk largohet nga habitati, toka ku ka vrar\u00eb k\u00ebmb\u00ebt, n\u00eb ato vende ku ka vjel\u00eb l\u00ebnd\u00ebn dhe ka gjetur zgjuar muzat poetike. Si\u00e7 duket, autori, e ka busull estetik\u00ebn poetike t\u00eb Walt Whitmanit q\u00eb thot\u00eb: \u201dN\u00ebse k\u00ebrkon t\u00eb gjesh t\u00eb bukur\u00ebn, mos ngarend kot, por shihe se at\u00eb e ke tek e thjeshta, para syve.\u201d (Durr\u00ebs, 28 Dhjetor 2017<\/em>)<\/p>\n","protected":false},"excerpt":{"rendered":"

(V\u00ebzhgime mbi “Mbretin Dardan” t\u00eb Bujar Taf\u00ebs, Amanda Edit, Bukuresht 2017) Vladimir Mu\u00e7a Vepra poetike e Bujar Taf\u00ebs “Mbreti im Dardan”, vjen pran\u00eb lexuesit pas nj\u00eb sere librash t\u00eb botuara me kritik\u00eb letrare dhe hulumtime estetiko-stilistike. Sigurisht q\u00eb jo vet\u00ebm p\u00ebrgjegj\u00ebsia krijuese e autorit duket m\u00eb e lart\u00eb, por dhe brum\u00ebzimi estetiko-stilistik, brumi me t\u00eb […]<\/p>\n","protected":false},"author":1,"featured_media":21910,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[],"class_list":["post-21909","post","type-post","status-publish","format-standard","has-post-thumbnail","category-artikuj"],"yoast_head":"\nNj\u00eb hymn lirik i q\u00ebndres\u00ebs kosovare nd\u00ebr breza - FJALA e LIR\u00cb<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/jehonashqiptare.al\/fjala\/nje-hymn-lirik-i-qendreses-kosovare-nder-breza\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Nj\u00eb hymn lirik i q\u00ebndres\u00ebs kosovare nd\u00ebr breza - FJALA e LIR\u00cb\" \/>\n<meta property=\"og:description\" content=\"(V\u00ebzhgime mbi “Mbretin Dardan” t\u00eb Bujar Taf\u00ebs, Amanda Edit, Bukuresht 2017) Vladimir Mu\u00e7a Vepra poetike e Bujar Taf\u00ebs “Mbreti im Dardan”, vjen pran\u00eb lexuesit pas nj\u00eb sere librash t\u00eb botuara me kritik\u00eb letrare dhe hulumtime estetiko-stilistike. 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