{"id":2375,"date":"2016-04-24T21:48:26","date_gmt":"2016-04-24T20:48:26","guid":{"rendered":"http:\/\/www.fjala.info\/?p=2375"},"modified":"2021-02-11T10:35:46","modified_gmt":"2021-02-11T09:35:46","slug":"de-rada-mbi-shekspirin-dhe-servantesin","status":"publish","type":"post","link":"https:\/\/jehonashqiptare.al\/fjala\/de-rada-mbi-shekspirin-dhe-servantesin\/","title":{"rendered":"De Rada mbi Shekspirin dhe Servantesin"},"content":{"rendered":"

Moikom Zeqo<\/strong>, Dita<\/a>, 23 prill 2016<\/p>\n

Hyjn\u00eb n\u00eb fuqi n\u00eb dat\u00ebn 12 n\u00ebntor penalitetet p\u00ebr bizneset t\u00eb cilat kryejn\u00eb evazion fiskal 11.Nov
\nRama: Nuk ofrojm\u00eb menu d\u00ebshirash p\u00ebr t\u2019u marr\u00eb vot\u00ebn, por plan p\u00ebr t\u2019u ndryshuar jet\u00ebn 23.Feb
\nBasha n\u00eb PPE: Rrezikohet statusi n\u00eb qershor, shkak qeveria 09.Mar
\nNga MOIKOM ZEQO \/ N\u00eb 23 prill 1616, 400 vjet m\u00eb par\u00eb, vdiq\u00ebn n\u00eb nj\u00eb dit\u00eb Shekspiri dhe Servantesi. Shekspiri vdiq 52 vje\u00e7 dhe mbyll (p\u00ebr t\u00eb hapur) gjith\u00e7ka.<\/p>\n

Dhe t\u00eb mendosh se Servantesi e shkroi kryevepr\u00ebn e tij \u201cDon Kishoti\u201dn\u00eb mosh\u00ebn 58 vje\u00e7 dhe vdiq 69 vje\u00e7.
\nT\u00eb dy k\u00ebta autor\u00eb vigan\u00eb jan\u00eb v\u00ebllez\u00ebrit Dioskur\u00eb t\u00eb let\u00ebrsis\u00eb bot\u00ebrore.
\nM\u00eb 1861 De Rada boton vepr\u00ebn \u201cPrincipet e estetik\u00ebs\u201d. \u00cbsht\u00eb De Rada q\u00eb b\u00ebn sh\u00ebnimet e para mbi Shekspirin.
\nPara De Rad\u00ebs emri i Shekspirit nuk \u00ebsht\u00eb p\u00ebrmendur nga ata q\u00eb jan\u00eb marr\u00eb me let\u00ebrsin\u00eb.<\/p>\n

De Rada me emrin e Shekspirit hap nj\u00eb hulli interesimi p\u00ebr k\u00ebt\u00eb em\u00ebr, p\u00ebr t\u00eb cil\u00ebn Fan Noli u shqua si nj\u00eb shekspirolog i madh, p\u00ebrkthyes i pap\u00ebrs\u00ebritsh\u00ebm i kryeveprave t\u00eb Shekspirit dhe admirues i stilit shekspirian. \u00cbsht\u00eb shum\u00eb e r\u00ebnd\u00ebsishme q\u00eb De Rada ka shkruar p\u00ebr Shekspirit. Kjo i b\u00ebn nder De Rad\u00ebs. \u201cHarmonia n\u00eb art q\u00eb \u00ebsht\u00eb e brendshme dhe e jashtme, duhet t\u00eb merret si shkaku i lindjes s\u00eb ligjit t\u00eb Tri Uniteteve n\u00eb tragjedin\u00eb klasike. Ky ligj \u00ebsht\u00eb luftuar si armik i v\u00ebrtet\u00eb. Nd\u00ebrsa duhet t\u00eb vler\u00ebsohej si kulmi m\u00eb i lart\u00eb n\u00eb rrug\u00ebn e zhvillimit t\u00eb poezis\u00eb (vet\u00eb De Rada n\u00eb poezi nuk e respekton ligjin aristotelian t\u00eb Tri Uniteteve q\u00eb u b\u00eb edhe nj\u00eb dogm\u00eb e let\u00ebrsis\u00eb klasiciste \u2013 sh\u00ebnimi im M.Z.). Padyshim fabula, p\u00ebrve\u00e7 ushqim p\u00ebr ndjenj\u00ebn, duhet t\u00eb p\u00ebrmbaj\u00eb edhe ndonj\u00eb t\u00eb v\u00ebrtet\u00eb fisnike, q\u00eb ka t\u00eb b\u00ebj\u00eb me t\u00ebr\u00eb jet\u00ebn e nj\u00eb njeriu, ose t\u00eb pakt\u00ebn, me nj\u00eb pjes\u00eb t\u00eb tij.<\/p>\n

Pa gabuar mund t\u00eb themi se Shekspiri ka p\u00eblqyer shpesh n\u00eb krijimet e tij p\u00ebrmbajtjen e thell\u00eb n\u00eb vend t\u00eb frym\u00ebzimit harmonik, duke paraqitur lirisht nj\u00eb jet\u00eb t\u00eb gjat\u00eb, p\u00ebrmes faktesh dhe vendesh t\u00eb ndryshme. \u00cbsht\u00eb e v\u00ebrtet\u00eb se gjendja shpirt\u00ebrore e mendore e njeriut ndryshon gjat\u00eb viteve t\u00eb ndryshme t\u00eb jet\u00ebs s\u00eb tij dhe afshi i ndjenj\u00ebs q\u00eb i shkrin ngjarjet n\u00eb harmonin\u00eb p\u00ebrkat\u00ebse pa ua humbur fizionomit\u00eb e tyre nuk q\u00ebndron i pandryshuar gjat\u00eb kalimit t\u00eb veprimeve nga nj\u00eb koh\u00eb n\u00eb tjetr\u00ebn.<\/p>\n

Ndoshta mund t\u00eb thoshnim se vet\u00ebm gjat\u00eb soditjes s\u00eb ngjarjeve \u201cSimul pleaxa\u201d(t\u00eb pleksura s\u00eb bashku) n\u00eb nj\u00eb veprim q\u00eb i shp\u00ebton kujtimit t\u00eb koh\u00ebs dhe t\u00eb hap\u00ebsir\u00ebs, shpirti e ndjen n\u00eb vetvete gjith\u00eb hovin krijues, pasi edhe vet\u00eb nj\u00eb frym\u00ebzim lirik k\u00ebrkon t\u00eb mos nd\u00ebrpritet, se ndryshe nuk mund t\u00eb vazhdoj\u00eb t\u00eb jetoj\u00eb. K\u00ebshtu, te plaku Shekspir, frym\u00ebzimi lirik, shfaqur n\u00eb vende e koh\u00eb t\u00eb caktuar dhe pas ngjarjesh e mundimesh t\u00eb derdhura n\u00eb proz\u00eb, k\u00ebto, si pasoj\u00eb e nj\u00eb frym\u00ebzimi t\u00eb ri poetik befasish, vishen p\u00ebrs\u00ebri me metrin poetik.\u201d.<\/p>\n

V\u00ebrtet e habitshme! De Rada ndon\u00ebse kinse e ngre lart dogm\u00ebn trinitare t\u00eb uniteteve, vler\u00ebson pik\u00ebrisht te Shekspiri lirin\u00eb e tij p\u00ebr t\u2019i shp\u00ebtuar k\u00ebsaj dogme.<\/p>\n

T\u00eb vijn\u00eb nd\u00ebrmend artikujt e famsh\u00ebm polemik\u00eb t\u00eb Fan Nolit, i cili e mbron Shekspirin nga kritik\u00ebt q\u00eb k\u00ebrkonin ta zhvleft\u00ebsonin k\u00ebt\u00eb shkrimtar t\u00eb madh, se gjoja n\u00eb artin e tij nuk ka rregulla dhe rregullsia shekspiriane n\u00eb art ishte jasht\u00eb kanoneve t\u00eb arteve estetike. Edhe Leon Tolstoi n\u00eb m\u00ebnyr\u00eb groteske e ka goditur Shekspirin, pa e kuptuar ndoshta at\u00eb q\u00eb hyn e ravij\u00ebzon thjesht n\u00ebp\u00ebrmjet disa fjalive. Kjo tregon q\u00eb sensi artistik i De Rad\u00ebs \u00ebsht\u00eb nj\u00eb sens intuitiv i v\u00ebrtet\u00eb. De Rada n\u00eb nj\u00eb vend tjet\u00ebr flet p\u00ebr legjend\u00ebn tragjike dhe t\u00eb tmerrshme t\u00eb Makbethit t\u00eb Shekspirit. Pastaj, p\u00ebrmend dashurin\u00eb naive t\u00eb Zhuljet\u00ebs, t\u00eb k\u00ebsaj vashe mbi kufom\u00ebn e njeriut t\u00eb gjakut t\u00eb saj, t\u00eb kush\u00ebririt, shfaj\u00ebson nj\u00eb njeri t\u00eb gjakut t\u00eb huaj q\u00eb ajo e dashuronte (Romeon) megjith\u00ebse ky i kishte vrar\u00eb kush\u00ebririn. Ne na p\u00eblqejn\u00eb personazhe t\u00eb till\u00eb, pasi shohim q\u00eb dashuria e tyre ka qen\u00eb e bukur dhe e fort\u00eb, megjith\u00ebse e mposhtur nga dallg\u00ebt e pam\u00ebshirshme t\u00eb fatit. Dhe k\u00ebtu shikojm\u00eb \u00e7el\u00ebsin e \u00e7do dhembshurie, duke qen\u00eb se njeriu \u00ebsht\u00eb i p\u00ebrb\u00ebr\u00eb nga nj\u00eb l\u00ebnd\u00eb e brisht\u00eb.<\/p>\n

De Rada nuk l\u00eb pa p\u00ebrmendur edhe \u201cMbretin Lir\u201d: \u201cka edhe ngjarje si masakrat e Neronit, q\u00eb atij i shkaktonin ng\u00ebrdheshje t\u00eb p\u00ebrbindshme, si r\u00ebnia e Pompeut dhe m\u00eb von\u00eb e Cezarit, t\u00eb cilat e mbanin pezull zemr\u00ebn e njer\u00ebzve. P\u00ebr fatin e shkret\u00eb t\u00eb Mbretit Lir, gabimet e t\u00eb cilit nuk arrit\u00ebn t\u2019ia shkulnin prej shpirtit pafaj\u00ebsin\u00eb e thjesht\u00ebsin\u00eb, ne prekemi thell\u00eb e derdhim edhe lot\u2026 K\u00ebsaj t\u00eb v\u00ebrtete poet\u00ebt duhet t\u2019i kushtojn\u00eb v\u00ebmendje. Figura artistike b\u00ebhet patetike vet\u00ebm kur shpreh natyr\u00ebn e karaktereve.\u201d.<\/p>\n

Tani edhe kreu i tragjedive \u201cHamleti\u201d. De Rada sh\u00ebnon: \u201cEdhe pik\u00ebllimi, gjithashtu si nj\u00eb h\u00ebn\u00eb e zbeht\u00eb mund t\u2019i jap\u00eb bukuri dhe shpirtit t\u00eb njeriut. Ofelia, pasi u lajm\u00ebrua nga i ati se i biri i mbretit (Hamleti), t\u00eb cilin ajo e dashuronte marr\u00ebzisht, e g\u00ebnjente ngaq\u00eb ishte nga familje mbret\u00ebrore, pasi mbeti jetime (kur Hamleti e vret babain e saj) nuk mund t\u00eb mb\u00ebshtetej m\u00eb tek ai q\u00eb i kishte duart e tij t\u00eb lagura me gjakun e t\u00eb atit t\u00eb saj, ndaj ajo, Ofelia, s\u00eb bashku me lumturin\u00eb humbi edhe arsyen. Megjithat\u00eb, ajo mbeti e bukur dhe e adhuruar, sepse mendjen e humbi sepse nuk gjeti m\u00eb dashurin\u00eb e bes\u00ebn, q\u00eb shpresonte se do t\u2019i gjente dhe prandaj u largua nga rrethi i njer\u00ebzve. Edhe Niobea, e ngrir\u00eb si vet\u00eb mermeri dhe e zbardhur si vet\u00eb vdekja, n\u00ebn shigjetat q\u00eb vrisnin t\u00eb bijt\u00eb e saj n\u00eb palestr\u00ebn e qytetit, ku vazhdonte t\u00eb ishte mbret\u00ebresh\u00eb, edhe ajo ka mbetur si shembull i bukuris\u00eb s\u00eb pavdekshme\u201d.<\/p>\n

Ka nj\u00eb pik\u00eb k\u00ebtu q\u00eb t\u00eb shqet\u00ebson, sepse krijon iden\u00eb e nj\u00eb paraleleje. M\u00ebnyra si e v\u00ebshtron Ofelin\u00eb, De Rada \u00ebsht\u00eb edhe si nj\u00eb p\u00ebrjetim i tij i gjall\u00eb dhe vetjak. N\u00eb morfologjin\u00eb krijuese t\u00eb Milosaos ne mund t\u00eb parakuptojm\u00eb edhe di\u00e7ka shekspiriane. Dhe De Rada ka ndikim shekspirian. Ndoshta rreshtat q\u00eb ka shkruar ai p\u00ebr Ofelin\u00eb mund t\u00eb na orientojn\u00eb, n\u00eb semantik\u00ebn e asaj q\u00eb duam t\u00eb parashtrojm\u00eb. N\u00ebse tragjedia e Ofelis\u00eb q\u00eb dashuronte Hamletin, q\u00ebndronte n\u00eb kontrastin e statusit shoq\u00ebror midis tyre \u2013 Hamleti ishte princ mbret\u00ebror, kurse Ofelia nuk ishte e till\u00eb, at\u00ebher\u00eb kjo dilem\u00eb hamletiane e p\u00ebrshkon, dep\u00ebrton edhe Milosaon, i cili ndon\u00ebse n\u00eb nj\u00eb fshat t\u00eb humbur t\u00eb Kalabris\u00eb (pra vet\u00eb De Rada) apelon dhe beson n\u00eb nj\u00eb status aristokratik, nd\u00ebrsa Rina \u00ebsht\u00eb nj\u00eb vajz\u00eb e varf\u00ebr e popullit, t\u00ebr\u00ebsisht e sinqert\u00eb, me bukuri mahnit\u00ebse, por e pap\u00ebrputhshme me statusin social t\u00eb t\u00eb dashurit t\u00eb saj. Hamletizmi p\u00ebr t\u00eb cilin fola m\u00eb sip\u00ebr shtrihet edhe n\u00eb nj\u00eb pik\u00eb tjet\u00ebr. N\u00eb karakterin e dyzuar dhe t\u00eb pavendosur t\u00eb Milosaos, i cili nuk di si t\u00eb veproj\u00eb, pra \u00ebsht\u00eb n\u00eb nj\u00eb kontradikt\u00eb t\u00eb brendshme t\u00eb vetvetes, t\u00eb shoq\u00ebris\u00eb dhe dashuris\u00eb.<\/p>\n

Pik\u00ebrisht si princi Hamlet, i cili \u00ebsht\u00eb ngurrues p\u00ebr t\u00eb marr\u00eb hakun e babait t\u00eb tij t\u00eb vrar\u00eb nga xhaxhai. Monologu i famsh\u00ebm i Hamletit p\u00ebr vet\u00ebvrasjen e tregon k\u00ebt\u00eb thagm\u00eb. Hamleti shprehet se p\u00ebr fat t\u00eb keq i kish takuar atij ta ndreqte bot\u00ebn, por nuk kish n\u00eb vetvete fuqi aq t\u00eb m\u00ebdha p\u00ebr ta b\u00ebr\u00eb k\u00ebt\u00eb. Milosao n\u00eb k\u00ebt\u00eb aspekt \u00ebsht\u00eb po aq Hamletian. Ai e dashuron vajz\u00ebn, e ndjen, q\u00eb kontradikta midis gjendjeve t\u00eb tyre t\u00eb p\u00ebrcaktuara nga pasuria apo nga varf\u00ebria \u00ebsht\u00eb pa asnj\u00eb kuptim, por \u00ebsht\u00eb i hutuar, madje edhe i frik\u00ebsuar, madje dhe ngurron t\u00eb b\u00ebj\u00eb nj\u00eb veprim radikal. Rina ka n\u00eb k\u00ebt\u00eb pik\u00ebpamje ofeliz\u00ebm t\u00eb qart\u00eb, ndon\u00ebse ajo nuk ka fatin e Ofelis\u00eb, e cila e \u00e7mendur mbytet midis luleve n\u00eb nj\u00eb lum\u00eb. Rina arrin t\u00eb martohet me Milosaon, kan\u00eb edhe nj\u00eb djal\u00eb.<\/p>\n

Por, sipas nj\u00eb plani providencial t\u00eb ardhm\u00ebris\u00eb n\u00eb fillim i vdes djali, pastaj vdes edhe vet\u00eb Rina, gj\u00eb q\u00eb t\u00eb jep p\u00ebrshtypjen e nj\u00eb shpagimi hyjnor, se sa at\u00eb t\u00eb viktimizimit rast\u00ebsor t\u00eb rrethanave t\u00eb jet\u00ebs. Edhe Milosao e shikon me pik\u00ebllim k\u00ebt\u00eb gj\u00eb, i p\u00ebrmend t\u00eb dy vdekjet e njer\u00ebzve t\u00eb tij t\u00eb dashur, gati me ndjenj\u00ebn e nj\u00eb fatalizmi t\u00eb \u00e7uditsh\u00ebm. Ja q\u00eb nj\u00eb sh\u00ebnim fragmentar p\u00ebr Ofelin\u00eb e Shekspirit mund t\u00eb na sjell\u00eb nj\u00eb reflektim p\u00ebr vet\u00eb poetik\u00ebn e De Rad\u00ebs. \u00cbsht\u00eb befasuese t\u00eb lexosh n\u00eb librin estetik t\u00eb De Rad\u00ebs p\u00ebr nj\u00eb nga figurat m\u00eb t\u00eb madh\u00ebrishme t\u00eb let\u00ebrsis\u00eb bot\u00ebrore, p\u00ebr Servantesin. Besoj se ravij\u00ebzimet e De Rad\u00ebs p\u00ebr Servantesin jan\u00eb gjithashtu t\u00eb parat n\u00eb kultur\u00ebn ton\u00eb komb\u00ebtare. Na kujtohet s\u00ebrish Fan Noli q\u00eb p\u00ebrktheu pap\u00ebrs\u00ebritsh\u00ebm Servantesin. Don Kishoti \u00ebsht\u00eb padyshim romani m\u00eb i madh i t\u00eb gjitha koh\u00ebrave.<\/p>\n

Po \u00e7far\u00eb shkruan De Rada p\u00ebr Servantesin? \u201c\u00cbsht\u00eb e v\u00ebrtet\u00eb se me soditjen e an\u00ebs gazmore t\u00eb leht\u00eb t\u00eb jet\u00ebs, q\u00eb nuk mund ta lart\u00ebsoj\u00eb n\u00eb mendje e ta \u00e7oj\u00eb pesh\u00eb shpirtin, ndodh n\u00eb praktik\u00eb q\u00eb romani dhe komedia t\u00eb duket sikur zihen n\u00ebn mbizot\u00ebrimin e nj\u00eb shqyrtimi t\u00eb qet\u00eb ngjarjesh. Dhe prandaj Servantesi \u00ebsht\u00eb po aq gjenial sa edhe komedia e Aristofanit dhe Molierit. Me k\u00ebt\u00eb rast, le t\u00eb kujtojm\u00eb se p\u00ebr Komedin\u00eb as p\u00ebr vet\u00eb lasht\u00ebsin\u00eb nuk ishte arritur nj\u00eb mendim i prer\u00eb, n\u00ebse kjo (komedia) u p\u00ebrket apo jo gjenive letrare poetike, sepse edhe metrika n\u00eb t\u00eb nuk shpreh an\u00ebn shpirt\u00ebrore t\u00eb gj\u00ebrave q\u00eb u intereson, por \u00ebsht\u00eb thjesht nj\u00eb artific estetik dhe nj\u00eb veshje e ujdisur konvencionale e jashtme.<\/p>\n

N\u00eb pasqyrimin e an\u00ebs serioze t\u00eb jet\u00ebs, ajo zgjidhje harmonie q\u00eb ia ka dh\u00ebn\u00eb n\u00eb roman, tregon nj\u00eb far\u00eb pafuqie dhe uljen e vler\u00ebs q\u00eb sidoqoft\u00eb mundet matet duke krahasuar trajtat e nj\u00eb poeti t\u00eb madh me ato t\u00eb nj\u00eb romancieri t\u00eb madh. Shkaku q\u00eb romani \u00ebsht\u00eb m\u00eb i p\u00ebrhapuri duhet k\u00ebrkuar vet\u00ebm te leht\u00ebsia q\u00eb paraqet kjo gjeni p\u00ebr t\u2019u l\u00eb\u00e7itur nga njer\u00ebzit. P\u00ebr l\u00eb\u00e7itje t\u00eb tilla nuk duhet fare, ose fare pak ekzaltim shpirti, kurse nuk mund t\u00eb hyjm\u00eb n\u00eb sfer\u00ebn e poezis\u00eb s\u00eb madhe pa u v\u00ebrtetuar nj\u00eb transfigurim ose zhvendosje. Nd\u00ebrsa sot romani e mbulon me sukses t\u00eb madh at\u00eb q\u00eb ndodh n\u00eb historin\u00eb moderne, duke hetuar dhe trajtuar subjekte t\u00eb ve\u00e7anta t\u00eb jet\u00ebs\u201d.<\/p>\n

S\u00ebrish: \u201cP\u00ebrpjekjet e njer\u00ebzve p\u00ebr mir\u00ebqenien e p\u00ebrgjithshme, madje edhe vet\u00eb t\u00eb folurit n\u00ebnkuptojn\u00eb bashk\u00ebjetes\u00ebn e njer\u00ebzve me nj\u00ebri-tjetrin. Ne lindim n\u00eb shoq\u00ebri, ekzistenca e s\u00eb cil\u00ebs \u00ebsht\u00eb faktor i p\u00ebrhersh\u00ebm dhe i pamposhtur. Nuk \u00ebsht\u00eb vetmia, por bashk\u00ebsia shoq\u00ebrore, ajo q\u00eb na ndihmon q\u00eb t\u00eb kemi gjith\u00eb gj\u00ebrat q\u00eb na nevojiten\u2026 kjo duket fort e qart\u00eb p\u00ebr jet\u00ebn materiale, e cila \u00e7mohet aq shum\u00eb nga individ\u00ebt dhe shtetet n\u00eb k\u00ebt\u00eb shekull, q\u00eb i ka b\u00ebr\u00eb t\u00eb tijat ndjenjat dhe rolin e San\u00e7o Pan\u00e7os.\u201d<\/p>\n

\u201cPrincipet e estetik\u00ebs\u201d n\u00eb 1861, pra 155 vjet m\u00eb par\u00eb, e tregojn\u00eb De Rad\u00ebn nj\u00eb mendimtar estet shum\u00eb m\u00eb p\u00ebrpara Faik Konic\u00ebs dhe Fan Nolit.<\/p>\n

N\u00eb 400 vjetorin e vdekjes s\u00eb Shekspirit dhe Servantesit ne kuptojm\u00eb se De Rada ka qen\u00eb i pari shqiptar q\u00eb ngre lart emrat e k\u00ebtyre kryemjeshtrave.<\/p>\n","protected":false},"excerpt":{"rendered":"

Moikom Zeqo, Dita, 23 prill 2016 Hyjn\u00eb n\u00eb fuqi n\u00eb dat\u00ebn 12 n\u00ebntor penalitetet p\u00ebr bizneset t\u00eb cilat kryejn\u00eb evazion fiskal 11.Nov Rama: Nuk ofrojm\u00eb menu d\u00ebshirash p\u00ebr t\u2019u marr\u00eb vot\u00ebn, por plan p\u00ebr t\u2019u ndryshuar jet\u00ebn 23.Feb Basha n\u00eb PPE: Rrezikohet statusi n\u00eb qershor, shkak qeveria 09.Mar Nga MOIKOM ZEQO \/ N\u00eb 23 prill […]<\/p>\n","protected":false},"author":1,"featured_media":17706,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2,4,8],"tags":[],"class_list":["post-2375","post","type-post","status-publish","format-standard","has-post-thumbnail","category-artikuj","category-histori","category-letersi"],"yoast_head":"\nDe Rada mbi Shekspirin dhe Servantesin - FJALA e LIR\u00cb<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/jehonashqiptare.al\/fjala\/de-rada-mbi-shekspirin-dhe-servantesin\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"De Rada mbi Shekspirin dhe Servantesin - 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