{"id":24518,"date":"2018-02-20T23:17:37","date_gmt":"2018-02-20T22:17:37","guid":{"rendered":"http:\/\/www.fjala.info\/?p=24518"},"modified":"2018-02-20T23:17:37","modified_gmt":"2018-02-20T22:17:37","slug":"universalizimi-poetik-i-perditshmerise-njerezore","status":"publish","type":"post","link":"https:\/\/jehonashqiptare.al\/fjala\/universalizimi-poetik-i-perditshmerise-njerezore\/","title":{"rendered":"Universalizimi poetik i p\u00ebrditshm\u00ebris\u00eb njer\u00ebzore"},"content":{"rendered":"

\"\" X H E Z A I R \u00a0 A B A Z I<\/strong><\/p>\n

(Refleksion kritik rreth poezis\u00eb s\u00eb Faslli Halitit<\/em>)<\/p>\n

ESE<\/strong>:<\/p>\n

Ata q\u00eb jan\u00eb ithtar\u00eb t\u00eb pik\u00ebpamjes estetike se poezia \u00ebsht\u00eb nj\u00eb dialog dhe komunikim emocional me lexuesin, pa dyshim q\u00eb i q\u00ebndrojn\u00eb larg\u00eb poezis\u00eb si monolog i brendsh\u00ebm, ku metafizika e shpirtit nuk p\u00ebrfill fort rezonancimin. Shekulli XX, pas surealist\u00ebve njohu disa shkolla dhe rryma poetike q\u00eb synonin ekspozimin e n\u00ebnvet\u00ebdijes si kauzalitet i universit njer\u00ebzor. Kjo, padyshim, e pasuroi atlasin e shprehjes poetike, afirmoi mjaft personalitet t\u00eb k\u00ebsaj kahjeje krijuese\u2026 Por duhet th\u00ebn\u00eb se urat e k\u00ebsaj poezie mbet\u00ebn mjaft t\u00eb brishta me lexuesin, p\u00ebr t\u00eb mos th\u00ebn\u00eb se jo rrall\u00eb edhe u shk\u00ebput\u00ebn. Si rrjedhim, poet\u00ebt q\u00eb synojn\u00eb nj\u00eb lidhje m\u00eb t\u00eb gjer\u00eb m\u00eb lexuesin, duke p\u00ebrfillur nj\u00eb poezi m\u00eb t\u00eb hapur dhe komunikative me lexuesin, kan\u00eb vazhduar rrug\u00ebn tradicionale t\u00eb poetik\u00ebs.<\/p>\n

Dhe, duhet n\u00ebnvizuar, k\u00ebtu ka q\u00ebn\u00eb m\u00eb e v\u00ebshtir\u00eb gjetja e shprehim\u00ebsis\u00eb individuale, largimi nga k\u00ebndv\u00ebshtrimet dhe perceptimet e njohura. Sugjestiviteti krijues mund te arrihej, n\u00eb radh\u00eb t\u00eb par\u00eb, me risin\u00eb e p\u00ebrmbajtjes artistike, pastaj me teknik\u00ebn poetike. Pik\u00ebrisht kjo rrug\u00eb k\u00ebrkimi krijues, ka b\u00ebr\u00eb q\u00eb t\u00eb dallojn\u00eb aq shum\u00eb n\u00eb poezin\u00eb shqiptare Lasgush Poradeci nga Migjeni, Martin Camaj nga Ali Podrimja, Bardhyl Londo nga Mimoza Ahmeti etj. Madje edhe kur fokusi i poetik\u00ebs ka q\u00ebn\u00eb disi i p\u00ebraf\u00ebrt, ta z\u00ebm\u00eb n\u00eb shqet\u00ebsimet e p\u00ebrditshm\u00ebris\u00eb sociale \u2013 shprehim\u00ebsi artistike \u00ebsht\u00eb realizuar n\u00eb m\u00ebnyr\u00eb individuale. Si d\u00ebshmi mjaft\u00eb e plot\u00eb vjen p\u00ebr k\u00ebt\u00eb poetik\u00eb t\u00eb Faslli Halitit, ve\u00e7an\u00ebrisht me dy librat e tij: \u201cMbrapsht\u201d (1977) dhe \u201cLamtumir\u00eb kapedan\u00ebt e mi\u201d (1988).<\/p>\n

Pik\u00ebnisja krijuese e Faslli Halitit, me synim dialogun e gjall\u00eb emocional me lexuesin, pat spikatur q\u00eb ne librin e tij t\u00eb par\u00eb \u201cSot\u201d (1969), \u00e7ka e pat evidentuar Ismail Kadare. Kjo dukuri, ishte e pranishme edhe n\u00eb librat pasardh\u00ebs : \u201cMesazhe fushe\u201d dhe \u201cS\u2019di t\u00eb hesht\u201d. Por dy librat e tij t\u00eb fundit e konsolidojn\u00eb edhe e afirmojn\u00eb plot\u00ebsisht k\u00ebt\u00eb dukuri t\u00eb spikatur t\u00eb profilit poetik. Tanim\u00eb lexuesi i rregullt poezis\u00eb shqiptare, po t\u2019i haste poezit\u00eb e Faslli Halitit edhe pa emrin e tij, menj\u00ebher\u00eb do t\u00eb thoshte: \u201c K\u00ebto jan\u00eb poezit\u00eb e Halitit\u201d. Dhe kjo, padyshim, nuk \u00ebsht\u00eb pak, apo nj\u00eb sintagm\u00eb sidokudo. Kjo \u00ebsht\u00eb nj\u00eb d\u00ebshmi e ve\u00e7an\u00ebsis\u00eb s\u00eb plot\u00eb t\u00eb nj\u00eb individualieti t\u00eb shquar poetik. Poezia shqiptare \u00ebsht\u00eb pasuruar k\u00ebshtu me nj\u00eb z\u00eb poetik krejt t\u00eb ve\u00e7ant\u00eb\u2026<\/p>\n

Por, nga ky pohim i p\u00ebrgjithsh\u00ebm, le t\u00eb kalojm\u00eb n\u00ebp\u00ebr \u201cshtigjet\u201d e poetik\u00ebs s\u00eb Halitit, duke p\u00ebrvijuar tiparet dhe ve\u00e7orit\u00eb dalluese q\u00eb t\u00eb na vijn\u00eb p\u00ebrmes \u201cLamtumir\u00eb kapedan\u00ebt e mi\u201d dhe \u2018Mbrapsht\u201d.<\/p>\n

Universalizimi i t\u00eb thjesht\u00ebs dhe konkretes<\/strong><\/p>\n

E form\u00ebsuar n\u00eb tri \u2013 kat\u00ebr dekada krijuese, n\u00eb rrethana e kushte trishtuese e t\u00eb dhimb\u00ebshme, poezia e Faslli Halitit \u00ebsht\u00eb reflektim i nj\u00eb vet\u00ebdije sat \u00eb trazuar aq edhe fisnike. Mish\u00ebrues i nd\u00ebrgjegjes s\u00eb past\u00ebr njer\u00ebzore dhe i idealeve popullore m\u00eb humane. Faslli Haliti vjen tep\u00ebr i p\u00ebrndritur edhe n\u00eb mesazhet e tij poetike. Aty-k\u00ebtu, midis vargjeve t\u00eb poezis\u00eb s\u00eb tij ndien si burojn\u00eb z\u00ebrat e bukur t\u00eb jet\u00ebs, por dhe piskamat trondit\u00ebse edhe \u00e7jerrjet e gurmazeve t\u00eb shqyer apo britmat e prepotent\u00ebve, makut\u00ebve, dinak\u00ebve, hileqar\u00ebve, intrigant\u00ebve e zarzop\u00ebve t\u00eb politik\u00ebs arriviste.<\/p>\n

Por ajo q\u00eb e b\u00ebn t\u00eb af\u00ebrt dhe komunikuese poezin\u00eb e Halitit \u00ebsht\u00eb natyrshm\u00ebria dhe gjakftoht\u00ebsia e persiatjes poetike, \u00e7ka t\u00eb b\u00ebn t\u00eb ndiesh nj\u00eb zgjim emocional t\u00eb ngadalt\u00eb, por pushtues. Aft\u00ebsia e persiatjes poetike, larg eksklamacionit, zhurm\u00ebs s\u00eb fjal\u00ebve dhe ngarkimit t\u00eb tepruar figurative, \u00ebsht\u00eb nj\u00eb d\u00ebshmi e pesh\u00ebs artistike t\u00eb fjal\u00ebs poetike t\u00eb autorit. Esht\u00eb nj\u00ebher\u00ebsh edh\u00eb zbulimi I nj\u00eb konotacioni individual krijues. Dhe kjo, ap dyshim, \u00ebsht\u00eb nj\u00eb ve\u00e7ori e individualitetiy krijues.<\/p>\n

Dhe n\u00eb gjith\u00eb k\u00ebt\u00eb vorbull t\u00eb persiatjes poetike, pa asnj\u00eb m\u00ebdyshje e l\u00ebkundje poetike, pa asnj\u00eb m\u00ebdyshje e l\u00ebkundje, ai \u00ebsht\u00eb n\u00eb an\u00ebn e t\u00eb thjesht\u00ebve t\u00eb k\u00ebsaj jete, me popullin dhe kund\u00ebr turmave, kastave dhe klaneve\u2026 Gjat\u00eb dit\u00ebve q\u00eb mbaja n\u00ebp\u00ebr duar librat poetik\u00eb t\u00eb Halitit m\u00eb ka rastisur t\u00eb d\u00ebgjoj nj\u00eb k\u00ebng\u00eb t\u00eb bukur p\u00ebr \u00c7e Guevar\u00ebn. Paradoksale mund t\u00eb duket, por transparenca e mesave t\u00eb poetit ton\u00eb, ka di\u00e7ka tep\u00ebr t\u00eb p\u00ebraf\u00ebrt me transparenc\u00ebn e idealeve humane t\u00eb \u00c7e Guevar\u00ebs\u2026<\/p>\n

N\u00eb se Henrih Hajne, shihte tek revolucionar\u00ebt e v\u00ebrtet\u00eb di\u00e7ka prej rac\u00ebs s\u00eb poet\u00ebve, at\u00ebher\u00eb le t\u00eb m\u00eb lejohet dhe mua t\u00eb shoh tek poeti yn\u00eb di\u00e7ka prej revolucionar\u00ebve popullor\u00eb, atyre q\u00eb s\u2019kan\u00eb ditur t\u00eb b\u00ebjn\u00eb as majtas, as djathtas, as prapaktheu! Faslli Haliti nuk pranon as majtas, as djathtas , as prapaktheu.<\/p>\n

\u201cUn\u00eb
\nP\u00ebrpara p\u00ebrs\u00ebri
\nLamtumir\u00eb,
\nKapedan\u00ebt e mi!\u201d<\/p><\/blockquote>\n

Dhe un\u00eb i besoj deklarimit t\u00eb poetit, sepse k\u00ebt\u00eb ai e mish\u00ebron pothuajse n\u00eb t\u00ebr\u00eb materien poetike t\u00eb librave t\u00eb tij. \u00c7e Guevara, ndaj edhe ajo k\u00ebng\u00eb e mrekullueshme jehoi n\u00eb t\u00eb gjith\u00eb bot\u00ebn me rastin e rivarrimit t\u00eb tij\u2026<\/p>\n

Un\u00eb besoj se materia konkrete poetike e Faslli Halitit \u00ebsht\u00eb nj\u00eb drith\u00ebrim\u00eb njer\u00ebzore, apolitike, pa majtas e djathtas, por vet\u00ebm drejt, ndershm\u00ebrisht, idealisht past\u00ebr, si\u00e7 \u00ebsht\u00eb shpirti i populli e jo i turm\u00ebs, sepse:<\/p>\n

\u201cPopulli ngrihet vet\u00eb
\nTurm\u00ebn e ngren\u00eb,
\nE nd\u00ebrsejn\u00eb
\nT\u00eb leh\u00eb
\nT\u00eb kafshoj\u00eb si qen\u2026\u201d<\/p><\/blockquote>\n

Thjesht\u00ebsia dhe konkret\u00ebsia e temave dhe motiveve t\u00eb Halitit, q\u00eb e ve\u00e7oi si tipar esencial edhe poeti Moikom Zeqo, \u00ebsht\u00eb k\u00ebndv\u00ebshtrim dhe m\u00ebnyr\u00eb reflektimi vet\u00ebm e tij. Cilido poet tjet\u00ebr do t\u00eb binte n\u00eb nj\u00eb dialog t\u00eb r\u00ebndomt\u00eb, t\u00eb that\u00eb e madje vulgar. At\u00eb t\u00eb thjesht\u00eb e konkrete, me nj\u00eb leksik krejt t\u00eb stilit bisedor, Faslli Haliti e ka m\u00eb shum\u00eb si filles\u00eb krijuese, emocionale.<\/p>\n

N\u00eb t\u00eb v\u00ebrtet\u00eb pesha ideoemocionale vjen gjithnj\u00eb me vargun p\u00ebrmbyll\u00ebs. \u00cbsht\u00eb ky varg q\u00eb e ngre pesh\u00ebn e t\u00eb gjith\u00eb vjersh\u00ebs, \u00ebsht\u00eb ky varg q\u00eb i jep vler\u00eb p\u00ebrgjith\u00ebsuese motivit, gjendjes, konstatimit, rrethan\u00ebs, p\u00ebrshkrimit, apo relievit q\u00eb ka fokusuar poeti. Kur don t\u00eb satirizoj\u00eb klasat politike, Haliti krijon magjistricat q\u00eb \u201cT\u00ebrheqin h\u00ebn\u00ebn me litar magjish\u201d, kurse p\u00ebr ligjin:<\/p>\n

\u201cLigji
\nEsht\u00eb si qeni,
\nS\u2019e ha t\u00eb zotin<\/p>\n

Qent\u00eb po han\u00eb populli\u2026\u201d<\/p><\/blockquote>\n

Vargu p\u00ebrmbyll\u00ebs, duke mbartur n\u00eb thelb nj\u00eb paradosi sa t\u00eb lasht\u00eb-aq edhe bashk\u00ebkohor, \u00ebsht\u00eb nj\u00eb vajtim universal dhe konkret p\u00ebr k\u00ebt\u00eb popull (shqiptar). Qent\u00eb q\u00eb e kan\u00eb ngr\u00ebn\u00eb dhe vazhdojn\u00eb ta han\u00eb popullin me nj\u00eb \u201cbut\u00ebsi tmerr\u00ebsisht t\u00eb \u00ebmb\u00ebl\u201d jan\u00eb gjykat\u00ebsit. Ndaj, n\u00ebse nj\u00eb dit\u00eb do t\u00eb hartohej nj\u00eb antologji p\u00ebr drejt\u00ebsin\u00eb e ligjin (sepse \u00ebsht\u00eb shkruar p\u00ebr t\u00eb me shekuj), besoj se kjo vjersh\u00eb e Halitit do t\u00eb rrinte aty m\u00eb shum\u00eb.<\/p>\n

Por Halit n\u00eb librat e tij shumic\u00ebn e poezive i ka p\u00ebr drejt\u00ebsin\u00eb, n\u00eb kuptimin e gjer\u00eb t\u00eb k\u00ebsaj fjale. Gjithkund ujku \u00ebsht\u00eb ujk. Dikund ujku p\u00ebr ujkun mund t\u00eb jet\u00eb njeri. Por shqet\u00ebsimi i poetit \u00ebsht\u00eb:<\/p>\n

\u201cFjal\u00ebn e kemi p\u00ebr njeriun, zot\u00ebri:
\nA \u00ebsht\u00eb njeriu p\u00ebr njeriun, njeri?\u201d<\/p><\/blockquote>\n

Humanizmi, mir\u00ebsia, bujaria, mir\u00ebbesimi, zem\u00ebrgjer\u00ebsia, fisnik\u00ebria, dashuria etj. element pozitiv t\u00eb moralit dhe jet\u00ebs njer\u00ebzore \u2013 jan\u00eb sintagma e materies poetike t\u00eb Halitit. Ve\u00e7an\u00ebrisht n\u00eb aspektin e mar\u00ebdh\u00ebnieve q\u00eb ka kaluar dhe kalon shoq\u00ebria shqiptare.
\nPor k\u00ebtu m\u00eb duhet t\u00eb them se k\u00ebto dukuri, jo n\u00eb t\u00eb gjitha vjershat kan\u00eb stof t\u00eb mir\u00ebfillt\u00eb artisti. N\u00eb disa ka element moralizues, kurse n\u00eb disa t\u00eb tjera ka zgjatje me enumeracione objektesh, faktesh a dukuri\u2026<\/p>\n

Me sa duket, n\u00eb k\u00ebt\u00eb aspekt krijues, edhe p\u00ebr Halitin vazhdon t\u00eb shfaqet nj\u00eb dukuri e poezis\u00eb shqiptare q\u00eb nga Rilindja. Duke i atribuar poezis\u00eb edhe aspekte t\u00eb tilla si morali, edukata, didaktika, rilind\u00ebsit dhe m\u00eb von\u00eb breza t\u00eb t\u00ebr\u00eb krijuesish, i kan\u00eb veshur poezis\u00eb edhe petka, q\u00eb n\u00eb fakt ajo i mban me v\u00ebshtir\u00ebsi. Her\u00eb-her\u00eb ato i ka mbartur edhe poezia bot\u00ebrore. Madje q\u00eb nga lasht\u00ebsia. Q\u00eb nga \u2026 indiane, te poet\u00ebt e m\u00ebdhenj persian\u00eb, kinez\u00eb e madje edhe evropian\u00eb, si G\u00ebte, Bajron, Shell, Hygo, Berns e Mickievi\u00e7\u2026<\/p>\n

Por me koh\u00eb, poezia modern \u00ebsht\u00eb \u00e7liruar e shkundur gjithnj\u00eb e m\u00eb shum\u00eb nga ky petk. P\u00ebr poet\u00ebt, q\u00eb u rrit\u00ebn dhe afirmuan n\u00eb periudh\u00ebn e realsocializmit, u b\u00eb gangren\u00eb sidomos domosdoshm\u00ebria e \u201cqart\u00ebsimit ideologjik\u201d dhe sidomos dh\u00ebnia e \u201cqart\u00ebsis\u00eb s\u00eb zgjidhjes\u201d
\nKjo padyshim \u00e7onte n\u00eb moralizim dhe deklarativiz\u00ebm. Faslli Haliti ka pak nga kjo \u201cpud\u00ebr\u201d dhe mund ta shkund\u00eb krejt at\u00eb.<\/p>\n

Shqet\u00ebsimi i bukur i poetit<\/strong><\/p>\n

Bota ka ecur p\u00ebrpara nga nevoja dhe k\u00ebrkesat e vazhdueshme t\u00eb njeriut. Bot ka ecur p\u00ebrpara n\u00ebp\u00ebrmjet p\u00ebrsosjes morale e spirituale, thon\u00eb doktrinat filozofike.Bota ka ecur p\u00ebrpara p\u00ebrmes luft\u00ebs s\u00eb klasave, thot\u00eb filozofia Marksiste. Bot\u00ebn e kan\u00eb \u00e7uar p\u00ebrpara luftrat, thon\u00eb doktrinat ushtarake. Bota ka ecur p\u00ebrpara vet\u00ebm me zhvillimet shkencore e teknike, thon\u00eb akademik\u00ebt e shkencave\u2026<\/p>\n

T\u00eb gjitha kan\u00eb di\u00e7ka t\u00eb v\u00ebrtet\u00eb. Por n\u00eb v\u00ebrtet\u00ebsin\u00eb e t\u00eb gjithave \u2013 n\u00eb q\u00ebnd\u00ebr \u2013\u00ebsht\u00eb njeriu, me k\u00ebrkesat dhe shqet\u00ebsimet e tij. Dhe bart\u00ebs m\u00eb i ndezur i k\u00ebtyre shqet\u00ebsimeve \u2013 ka q\u00ebn\u00eb poeti, kur ky \u00ebsht\u00eb nj\u00eb produkt m\u00eb i p\u00ebrpunuar dhe m\u00eb i ngritur se vet\u00eb poeti popull. Mbi humusin e pafund e t\u00eb begat\u00eb t\u00eb fantazis\u00eb s\u00eb ndezur popullore n\u00eb p\u00ebrralla, mite, legjenda e k\u00ebng\u00eb t\u00eb vet\u00eb gjeniut t\u00eb madh, t\u00eb gjith\u00eb poet\u00ebt e v\u00ebrtet\u00eb kan\u00eb bartur ngaher\u00eb shqet\u00ebsimet njer\u00ebzore. Dhe k\u00ebto shqet\u00ebsime kan\u00eb patur si ve\u00e7ori bukurin\u00eb e p\u00ebrmbajtjes s\u00eb tyre.<\/p>\n

Pik\u00ebrisht bukuria e ka b\u00ebr\u00eb t\u00eb dallueshme e t\u00eb admirueshme shqet\u00ebsimin e poetit. Me k\u00ebt sintagm\u00eb vjen dhe lirika e Faslli Halitit. Dhe vjen me larmi ngjyrash e nj\u00eb nerv t\u00eb ndezur n\u00eb rr\u00ebnj\u00eb.<\/p>\n

\u201cShpatullat e popullit dy pika
\nKu s\u2019kalojn\u00eb kurr\u00eb dy vija.
\nN\u00eb dy shpatullat tona
\nKalon vet\u00ebm varf\u00ebria\u201d<\/p><\/blockquote>\n

Dhe fatkeq\u00ebsia m\u00eb e madhe e k\u00ebtij populli \u00ebsht\u00eb:<\/p>\n

\u201cSkemi udh\u00ebheq\u00ebs
\nS\u2019kemi
\nDrejtues
\nKemi kapedan\u00eb<\/p>\n

Kemi komandues\u201d<\/p><\/blockquote>\n

Poeti i v\u00ebrtet\u00eb nuk shan e nuk grindet, nuk \u00e7irret, nuk mallkon. Edh\u00eb kur e fton n\u00eb takim politika, ai vete \u201cn\u00eb orar\u201d, tregohet i p\u00ebrpikt\u00eb, por ajo , doemos, nuk do ta mbante fjal\u00ebn: \u201dKishte ikur me imoral\u00eb\u201d. Kaq thot\u00eb poeti. Dhe kuturis \u201cta river\u00eb zotin n\u00eb pun\u00eb\u201d, duke th\u00ebn\u00eb se vet\u00eb ai qe i m\u00ebrzitur me k\u00ebt\u00eb bot\u00eb, ndaj vendosi ta rikrijoj\u00eb s\u00ebrisht, por ndryshe. Qiellit i nd\u00ebrron vendin me detin, p\u00ebr pasoj\u00eb zogjt notojn\u00eb, kurse peshqit fluturojn\u00eb. Yjet i b\u00ebn lule, kurse lulet yje, p\u00ebr rrjedhoj\u00eb, t\u00eb parat b\u00ebjn\u00eb drit\u00eb kurse t\u00eb dytat p\u00ebrhapin arom\u00eb.<\/p>\n

Shpend\u00ebt b\u00ebhen avion\u00eb e hedhin bomba, kurse avion\u00ebt glas. Politikan\u00ebt qen\u00ebr, kurse qent\u00eb-politikan\u00eb, p\u00ebr rrjedhoj\u00eb qent\u00eb \u2013 bisedojn\u00eb, kurse politikan\u00ebt lehin. Dhe k\u00ebshtu nd\u00ebrohen rolet e poet\u00ebve me bilbilat, pem\u00ebt me peshqit etj. Pastaj zoti p\u00ebrzien e nd\u00ebrron funksionet midis dit\u00ebve, midis lindjes e vdekjes, midis t\u00eb mirave e t\u00eb k\u00ebqijave, deri midis Krishtit dhe Djallit, derisa \u201cKrishti vdiq dhe djalli u ringjall\u2026<\/p>\n

E gjitha kjo p\u00ebrmbysje mbart elemente t\u00eb groteskut , duke hequr her\u00eb paralele e her\u00eb kund\u00ebrv\u00ebnie, me nj\u00eb shqet\u00ebsim e dhembje t\u00eb madhe p\u00ebr t\u00eb k\u00ebqijat e k\u00ebsaj jete. Fantazia e ndezur poetike, me imazhe her\u00eb trondit\u00ebse e her\u00eb gazmore, \u00ebsht\u00eb nj\u00eb dialog i gjall\u00eb emocional me lexuesin e poezis\u00eb.
\n
\nSeanca poetike e nj\u00eb vargu<\/strong><\/p>\n

Si\u00e7 edhe e p\u00ebrmenda m\u00eb lart, duke q\u00ebn\u00eb nj\u00eb ligj\u00ebrim p\u00ebr t\u00eb thjesht\u00ebn e konkreten, autori e p\u00ebrq\u00ebndron pesh\u00ebn ideoemocionale n\u00eb vargun e fundit t\u00eb vjersh\u00ebs. Sisomos kjo \u00ebsht\u00eb nj\u00eb domosdoshm\u00ebri n\u00eb poezit\u00eb e shkurtra me tema e motive sociale, n\u00eb lirikat e natyr\u00ebs dhe n\u00eb ato satirike. K\u00ebshtu, vjersha \u201ccipa\u201d, assesi nuk mund t\u00eb quhej e realizuar n\u00eb qoft\u00eb se nuk do t\u00eb mbyllej me vargun gati-gati kalambur: Dhe plas\u00ebt, sa m\u00eb plas\u00ebt\u201d. Kurse lirika me thelb p\u00ebrmbajtjeje fjal\u00ebn e urt\u00eb popullore \u201cS\u2019mbulohet dielli me shosh\u00eb\u201d, \u00ebsht\u00eb antologjike p\u00ebr koncizitetin e saj, sidomos me vargun p\u00ebrmbyll\u00ebs metaforik:<\/p>\n

\u201cMbuloje po t\u00eb duash
\nDiellin
\nMe shosh\u00eb<\/p>\n

Bota lahet n\u00eb dush rrezesh\u201d<\/p><\/blockquote>\n

Me paradokset dhe dukurit\u00eb m\u00eb t\u00eb diskutueshme nd\u00ebr popujt e bot\u00ebs, F.Haliti b\u00ebn nj\u00eb loj\u00eb poetike her\u00eb gazmore, her\u00eb satirike e her\u00eb meditative. K\u00ebshtu p\u00ebr shembull n\u00eb vjersh\u00ebn \u201cG\u00ebnjeshtari i par\u00eb i bot\u00ebs\u201d, gjarp\u00ebri, nga figur\u00eb negative parabiblike, trajtohet si shtyt\u00ebs p\u00ebr ngjizjen e jet\u00ebs. N\u00ebse gjarpri ishte g\u00ebnjeshtari i par\u00eb, Eva ishte e dyta. Apo gjarpri \u201cEv\u00ebs dhe Adamit iu hapi syt\u00eb\u201d.<\/p>\n

Sentenca poetike e nj\u00eb vargu, n\u00eb poezin\u00eb e Halitit \u00ebsht\u00eb gjithnj\u00eb n\u00eb fund. N\u00ebse poemthi \u201cMbrapsht\u201d mbrun tragjik\u00ebn e k\u00ebsaj bote, vjersha \u201cKrishti\u201d e realizon iden\u00eb e mbrapshive t\u00eb k\u00ebsaj bote n\u00eb vet\u00ebm kat\u00ebr vargje:<\/p>\n

\u201cRingjallet Krishti n\u00eb Krishtlindje
\nNa sheh si me habi\u2026
\nSapo na sheh
\nNgjitet n\u00eb kryq, kryq\u00ebzohet p\u00ebrs\u00ebri\u201d.<\/p><\/blockquote>\n

Poezit\u00eb e Halitit, nuk kan\u00eb met\u00ebr e rim\u00eb. (Kjo e fundit thuajse rast\u00ebsisht). Port t\u00eb gjitha kan\u00eb nj\u00eb rrit\u00ebm t\u00eb gjall\u00eb, her\u00eb me nj\u00eb dinamik\u00eb t\u00eb brendshme e h\u00ebr\u00eb me gurgullim\u00eb. Ja, p\u00ebr shembull vjersha \u201cKu\u201d mdoshta m\u00eb e shkurt\u00ebra e shkruar n\u00eb pranver\u00ebn e vitit t\u00eb mbrapsht\u00eb 1997:<\/p>\n

\u201cGjaku
\nU b\u00eb uj\u00eb
\nUji u b\u00eb gjak<\/p>\n

Ku t\u00eb lahemi, ku?\u201d<\/p><\/blockquote>\n

Prirja sintetizuese n\u00eb nj\u00eb varg, apo n\u00eb nj\u00eb distik, \u00ebsht\u00eb e suksesshme v\u00ebt\u00ebm m\u00eb gjetjen q\u00eb vjen si natyrshm\u00ebri e th\u00ebksit ideoemocional. F.Haliti ka dhuntin\u00eb e urt\u00ebsis\u00eb s\u00eb men\u00e7uris\u00eb.
\nPor kjo do t\u00eb ishte e mang\u00ebt n\u00ebse nuk do ta gjente edhe bukurin\u00eb te thjesht\u00ebsia. Sepse si\u00e7 tham\u00eb n\u00eb krye t\u00eb k\u00ebsaj esse-je, Faslli Haliti \u00ebsht\u00eb i prirjes estetike t\u00eb dialogut emocional me lexuesin, t\u00eb dialogut q\u00eb ka pak fjal\u00eb, aspak retorik\u00eb, aspak ekzibicion e shtirje.<\/p>\n","protected":false},"excerpt":{"rendered":"

X H E Z A I R \u00a0 A B A Z I (Refleksion kritik rreth poezis\u00eb s\u00eb Faslli Halitit) ESE: Ata q\u00eb jan\u00eb ithtar\u00eb t\u00eb pik\u00ebpamjes estetike se poezia \u00ebsht\u00eb nj\u00eb dialog dhe komunikim emocional me lexuesin, pa dyshim q\u00eb i q\u00ebndrojn\u00eb larg\u00eb poezis\u00eb si monolog i brendsh\u00ebm, ku metafizika e shpirtit nuk p\u00ebrfill […]<\/p>\n","protected":false},"author":1,"featured_media":24519,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[13,8,10],"tags":[],"class_list":["post-24518","post","type-post","status-publish","format-standard","has-post-thumbnail","category-ese","category-letersi","category-poezi"],"yoast_head":"\nUniversalizimi poetik i p\u00ebrditshm\u00ebris\u00eb njer\u00ebzore - FJALA e LIR\u00cb<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/jehonashqiptare.al\/fjala\/universalizimi-poetik-i-perditshmerise-njerezore\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Universalizimi poetik i p\u00ebrditshm\u00ebris\u00eb njer\u00ebzore - 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