{"id":26288,"date":"2018-03-13T09:29:21","date_gmt":"2018-03-13T08:29:21","guid":{"rendered":"http:\/\/www.fjala.info\/?p=26288"},"modified":"2018-04-28T01:25:33","modified_gmt":"2018-04-28T00:25:33","slug":"drama-shqiptare-e-tjetersimit-ne-romanin-pasardhesit-te-muharrem-blakajt","status":"publish","type":"post","link":"https:\/\/jehonashqiptare.al\/fjala\/drama-shqiptare-e-tjetersimit-ne-romanin-pasardhesit-te-muharrem-blakajt\/","title":{"rendered":"DRAMA SHQIPTARE E TJET\u00cbRSIMIT N\u00cb ROMANIN \u201cPASARDH\u00cbSIT\u201d T\u00cb MUHARREM BLAKAJT"},"content":{"rendered":"

\"\" Prend BUZHALA<\/strong> – Revista Drini<\/a> – 12 Mars 2018<\/em><\/p>\n

Recension<\/em><\/p>\n

(Romani \u201cPasardh\u00ebsit\u201d i Muharrem Blakajt<\/em>)<\/p>\n

Kur lexojm\u00eb romanin \u201cParaardh\u00ebsit\u201d, mendja na shkon te let\u00ebrsia q\u00eb paraqet trajta e ndryshme t\u00eb totalitarizmit, k\u00ebtij despotizmi modern, q\u00eb e realizon pushtetin me an\u00ebn e terrorit, qoft\u00eb ky komuniz\u00ebm apo fashiz\u00ebm, pik\u00ebrisht p\u00ebr faktin pse p\u00ebrpiqet t\u00eb kontrolloj\u00eb t\u00eb gjitha aspektet e jet\u00ebs, dhe ta shkat\u00ebrroj\u00eb secil\u00ebn qeliz\u00eb t\u00eb liris\u00eb, t\u00eb liris\u00eb s\u00eb individit e t\u00eb nj\u00eb kolektiviteti. P\u00ebrgjith\u00ebsisht njer\u00ebzimit. Madje, t\u00eb shkat\u00ebrroj\u00eb zakonet, traditat, kombin, gjuh\u00ebn, po edhe vet\u00eb artin, poezin\u00eb, muzik\u00ebn. Urin\u00eb popullore etj etj. k\u00ebso punktesh tematike ng\u00ebrthen mjaft ky roman, q\u00eb t\u00eb sfidon me tematik\u00ebn dhe leximin e tij.<\/p>\n

Dhe me tematik\u00ebn e till\u00eb let\u00ebrsia jon\u00eb \u00ebsht\u00eb marr\u00eb vazhdimisht. Po ashtu, dihet se n\u00eb qenien e pushtuesve, qofshin ata serb\u00eb, otoman\u00eb, apo t\u00eb tjer\u00eb; tirania nuk njeh asnj\u00eb ligj, dhe ku sistemi qeveriset nga terrori pushtues. Nga ana tjet\u00ebr, gjat\u00eb gjith\u00eb historis\u00eb, k\u00ebta pushtues, dhe ideologjit\u00eb e sotme imperialiste, edhe religjionin arrijn\u00eb ta shnd\u00ebrrojn\u00eb n\u00eb mjet imperial, p\u00ebr sundim e zot\u00ebrim shpirtrash.<\/p>\n

L\u00ebnda e tjet\u00ebrsimit: sipas rr\u00ebfimit modern
\nme nuancime psikologjike e tension ngjarjesh<\/strong><\/p>\n

Prozatori Muharrem Blakaj \u00ebsht\u00eb i njohur n\u00eb proz\u00ebn e sotme shqiptare pse merret pik\u00ebrisht me k\u00ebto fenomene t\u00eb pushtimit, sikund\u00ebr jan\u00eb romanet \u201cMisioni sekret\u201d (\u201cRozafa\u201d, Prishtin\u00eb 2004) e q\u00eb e trajton tem\u00ebn e intrig\u00ebs poushtuese serbe n\u00eb Kosov\u00eb n\u00eb vitet e paraluft\u00ebs, apo me romanin \u201dThesaret e humbura\u201d ( St. Gallen 2005) q\u00eb merret me grabitjen e trash\u00ebgimis\u00eb son\u00eb nga pushtuesit serb\u00eb diku n\u00eb gjysm\u00ebn e par\u00eb t\u00eb shk XX), apo e romanin \u201cAtentat brenda germ\u00ebs L\u201d, roman (St. Gallen 2007) q\u00eb merret me p\u00ebrpilimet e krimit policis\u00eb s\u00eb fsheht\u00eb serbe p\u00ebr vrasjen e v\u00ebllez\u00ebrve G\u00ebrvalla dhe Kadri Zek\u00ebs, dhe s\u00eb fundmi, me romanin \u201cParaardh\u00ebsit\u201d (Prishtin\u00eb 2009 dhe 2018)<\/p>\n

Ashtu sikund\u00ebr ideologjit\u00eb totalitare manipulojn\u00eb me pak\u00ebnaq\u00ebsin\u00eb e qytetar\u00ebve t\u00eb thjesht\u00eb p\u00ebr t\u00eb ardhur n\u00eb pushtet, me an\u00eb t\u00eb ideologjis\u00eb zyrtare, t\u00eb drejtuar nga nj\u00eb hierarki e kontrolluar e policis\u00eb terroriste me sistem mbik\u00ebqyrjeje; ashtu sikund\u00ebr vlen vet\u00ebm e v\u00ebrteta zyrtare dhe kush bie ndesh me t\u00eb, ai p\u00ebrndiqet, vritet, d\u00ebbohet apo terrorrizohet; t\u00eb tilla na paraqiten edhe ideologjit\u00eb fetare, t\u00eb cilat, kur shnd\u00ebrrohen n\u00eb arm\u00eb t\u00eb grupacioneve t\u00eb tilla politike apo edhe t\u00eb imperializmit ideologjik fetaro-politik, p\u00ebr sundim, p\u00ebrdorin t\u00eb nj\u00ebjtat metoda.<\/p>\n

Romani \u201cPasardh\u00ebsit\u201d trajton pik\u00ebrisht p\u00ebrpjekjet p\u00ebr ta instaluar nj\u00eb ideologji t\u00eb till\u00eb t\u00eb imperializmit fetar p\u00ebr supremaci politike. Sikund\u00ebr dihet, shqiptar\u00ebt, sado q\u00eb kan\u00eb p\u00ebrqafuar religjione si krishterimin (ortodoks, katolik apo dhe protestan), apo islamizmin, kan\u00eb arritur q\u00eb t\u2019i nd\u00ebrtojn\u00eb jo vet\u00ebm formulat e veta mbifetare e mbikrahinore, sikund\u00ebr \u00ebsht\u00eb shqiptaria; por edhe t\u2019i shqipatrizojn\u00eb e asimilojn\u00eb komb\u00ebtarisht religjionet. Prandaj, \u00ebsht\u00eb krejt i natyrsh\u00ebm dhe jo i huaj nj\u00eb besim mysliman tradicional, q\u00eb ka dh\u00ebn\u00eb kontributin e vet kulturor, komb\u00ebtar dhe p\u00ebrparimtar, nga nj\u00ebra an\u00eb, po edhe respektimin e traditave shqiptare, apo duke respektuar dhe laicizmit modern shtet\u00ebror, nga ana tjet\u00ebr. Por autori merret edhe me rrymat e reja tjet\u00ebrsuese nga kjo tradit\u00eb, q\u00eb dep\u00ebrtojn\u00eb pas luft\u00ebs n\u00eb Kosov\u00eb.<\/p>\n

Perandoria otomane kishte arritur q\u00eb p\u00ebr pes\u00eb shekuj t\u00eb na shk\u00ebpus\u00eb nga djepi yn\u00eb evropian, me ideologjin\u00eb shtet\u00ebrore t\u00eb saj, islamizmin; t\u00eb na e sakatos\u00eb e shkat\u00ebrroj\u00eb zhvillimin ton\u00eb, ta nd\u00ebrpres\u00eb k\u00ebt\u00eb zhvillim n\u00eb fush\u00ebn e arsimit, ekonomis\u00eb, n\u00eb fush\u00ebn kulturore e fetare; n\u00eb fush\u00ebn urbane e qytet\u00ebruese; t\u00eb fus\u00eb besimin tjet\u00ebr, kodin tjet\u00ebr, tejet t\u00eb prapambetur, juridik, t\u00eb fus\u00eb nj\u00eb m\u00ebnyr\u00eb tjet\u00ebr t\u00eb jetes\u00ebs (shum\u00ebfish m\u00eb t\u00eb prapambetur); t\u00eb fus\u00eb parime tjera morale, duke e shkat\u00ebrruar aq sa ka mundur, m\u00ebnyr\u00ebn e jet\u00ebs popullore arb\u00ebrore-shqiptare; por me fitimin e pavar\u00ebsis\u00eb k\u00ebto p\u00ebrpjekje ishin shembur p\u00ebr dhe; tashm\u00eb n\u00eb sken\u00ebn e historis\u00eb ka p\u00ebrpjekje t\u00eb ethshme q\u00eb t\u00eb ringjallen fantazmat e s\u00eb kaluar\u00ebs, p\u00ebr ta rrezikuar edhe nj\u00ebher\u00eb n\u00eb t\u00eb gjitha nyjat identitetin ton\u00eb komb\u00ebtar, shpirt\u00ebror, dhe kulturor, dhe, gjithsesi, edhe identitetin fetar tradicional mysliman shqiptar.<\/p>\n

N\u00ebse p\u00ebr pes\u00eb shekuj rresht ky komb ishte detyruar t\u00eb p\u00ebrjetoj\u00eb emigrim masiv shqiptar, n\u00ebp\u00ebr Evrop\u00eb (Evropa gjithmon\u00eb ishte vendstrehim yni, ashtu si \u00ebsht\u00eb edhe sot); n\u00ebse pushtuesi i djesh\u00ebm kishte arritur t\u00eb ndryshoj\u00eb pamjen e organizimit t\u00eb jet\u00ebs qytetare, me vendosjen e administrat\u00ebs osmane, me vendosjen e kazermave; me kthimin e k\u00ebtyre qendrave n\u00eb kazerma ushtarake e n\u00eb qendra fetare aziatike t\u00eb prapambetura; tashm\u00eb zgjimi i e asimilimi i konvertimit n\u00eb islamin gjoja burimor, synon q\u00eb, n\u00eb l\u00ebmin e kultur\u00ebs t\u00eb prishen thesaret m\u00eb t\u00eb \u00e7muara, t\u00eb s\u00eb kaluar\u00ebs kulturore, q\u00eb n\u00eb jet\u00ebn shoq\u00ebrore t\u00eb futen jo vet\u00ebm pykat e diversitetit fetar brenda BESIMATR\u00cbVE ISLAM\u00cb, por k\u00ebsisoj, t\u00eb krijohen kushte p\u00ebr p\u00ebr\u00e7arje e shp\u00ebrb\u00ebrje t\u00eb kombit shqiptar (injorant\u00ebt e sot\u00ebm duan t\u00eb thon\u00eb se nuk paska pasur komb\u2026).<\/p>\n

N\u00eb fakt, autori na i jep veprimet e nj\u00eb mercenarizmi fetar t\u00eb mveshur me bindje e n\u00ebnshtrim t\u00eb plot\u00eb p\u00ebr terror, n\u00ebnshtrim, vrasje e frik\u00eb.<\/p>\n

N\u00ebse n\u00ebn sundues t\u00eb ndrysh\u00ebm erdhi ndalimi i p\u00ebrdorimit t\u00eb gjuh\u00ebs shqipe, i shkrimit shqip, i arsimit shqip dhe i \u00e7do gj\u00ebje shqiptare; trajta e sotme, e till\u00eb, e ideologjis\u00eb s\u00eb djeshme, do t\u00eb p\u00ebrfshinte sfer\u00ebn ideologjike, politike, administrative, gjuh\u00ebsore, madje, edhe nj\u00ebher\u00eb gjuha shqipe shpallet mallkim me shkronja t\u00eb mallkuara.<\/p>\n

N\u00ebse n\u00ebn sundimin otoman kolonizimi otoman ndikoi n\u00eb shtrirjen e islamizimit; me fise t\u00eb egra aziatike, me vendosjen e garnizoneve me jeni\u00e7er\u00eb; a nuk veproi shum\u00ebfish m\u00eb keq vet\u00eb Serbia me Marr\u00ebveshjet me Turqin\u00eb moderne, p\u00ebr t\u2019i shp\u00ebrngulur n\u00eb vitet \u201930 e \u201950 dy her\u00eb shqiptar\u00ebt p\u00ebr \u00eb Turqi, n\u00ebn firm\u00ebn \u201cturq\u201d!?<\/p>\n

N\u00ebse sundimi turk ata q\u00eb nuk pajtoheshin a kund\u00ebrshtonin k\u00ebto rregulla, shpalleshin armiq t\u00eb shtetit; me urdhrat q\u00eb mb\u00ebshteteshin n\u00eb sheriat e n\u00eb Kuran; e ku Feja u vendos mbi shtetin; at\u00ebher\u00eb cilat synime politike i shpall ideologjia e re q\u00eb ka bosht tematik pik\u00ebrisht romani i Balakajt?<\/p>\n

Modeli i romanit kriminalistik<\/strong><\/p>\n

Teokracit\u00eb jan\u00eb t\u00eb tilla kudo, qofshin ato n\u00eb Azi, apo Evrop\u00eb.<\/em><\/p>\n

Muharrem Blakaj ka prirjen q\u00eb romanet e tij t\u2019i thur\u00eb sipas poetik\u00ebs s\u00eb romanit kriminalistik, duke e shikuar jet\u00ebn drejtp\u00ebrdrejt n\u00eb sy, me thesarin e rr\u00ebfimeve e t\u00eb veprimeve q\u00eb t\u2019i dhuron ajo. Dometh\u00ebn\u00eb: l\u00ebnd\u00ebn letrare ai e form\u00ebson sipas k\u00ebrkesave t\u00eb rr\u00ebfimit moderne me fije t\u00eb forta realiste, me t\u00eb gjitha nuancimet psikologjike, me tensionet e ngjarjeve q\u00eb t\u00eb mbajn\u00eb pezull deri n\u00eb fund, me rrjedhat narrative dhe me p\u00ebrshkrimet e jashtme e t\u00eb brendshme t\u00eb bot\u00ebs s\u00eb personazheve.<\/p>\n

Sado q\u00eb na duken t\u00eb njohura skemat e romanit t\u00eb till\u00eb kriminalistik (me kriminelin a vras\u00ebsin serik q\u00eb kryen krime fshehur; megjithat\u00eb, nd\u00ebrthurja e romanit me personazhe t\u00eb ndryshme, e mb\u00ebrthen edhe tensionin narrativ t\u00eb ngjarjeve q\u00eb nga faqja e par\u00eb e deri n\u00eb t\u00eb fundit. Romanet e zhanrit t\u00eb till\u00eb, n\u00eb let\u00ebrsin\u00eb ton\u00eb jan\u00eb t\u00eb pak\u00ebt.<\/p>\n

Poetika e tensionit narrativ shkall\u00ebzohet dhe p\u00ebrligjet kap\u00ebrcimi i karaktereve n\u00ebp\u00ebr shum\u00eb pengesa, ku dhembja e tragjikja shum\u00ebfishohen dhe ku veprimi a mosveprimi e kan\u00eb hara\u00e7in e tyre: duke shkat\u00ebrruar \u00e7erdhet e qeta familjare, dhe duke i shnd\u00ebrruar ato n\u00eb tragjedi t\u00eb shumta. Feja \u00ebsht\u00eb mjeti m\u00eb i zakonsh\u00ebm p\u00ebr tjet\u00ebrsim.<\/p>\n

N\u00ebse tregimtari n\u00ebnkupton shkrimtarin si prozator, narrator\u00ebt te kjo vep\u00ebr jan\u00eb pjes\u00eb p\u00ebrb\u00ebr\u00ebse e romanit, ndryshe nga jo pak romane ku personazhi i till\u00eb \u00ebsht\u00eb bart\u00ebs i rr\u00ebfimit dhe bart\u00ebs i pik\u00ebshikimit t\u00eb brendsh\u00ebm dhe nd\u00ebrlidh\u00ebs mes lexuesit e ngjarjeve e p\u00ebrjetimeve q\u00eb zhvillohen n\u00eb vep\u00ebr; at\u00ebher\u00eb t\u00eb till\u00eb, n\u00eb k\u00ebt\u00eb roman, jan\u00eb t\u00eb gjith\u00eb rr\u00ebfimtar\u00ebt q\u00eb dalin t\u00eb shum\u00ebzuar te nj\u00eb un\u00eb narrativ. aty rr\u00ebfejn\u00eb Zejnebja dhe Hafizi, q\u00eb t\u00eb dyt\u00eb kan\u00eb fate tragjike, e para, p\u00ebr shkak t\u00eb dashuris\u00eb s\u00eb saj t\u00eb sinqert\u00eb kundruall personazhit kryesor Kurtit q\u00eb arabizohet dhe mohon komb dhe tradit\u00eb, gjuh\u00eb, zakone dhe besimin tradicional islam dhe i dyti, Hafizi, q\u00eb, p\u00ebr shkak t\u00eb bindjeve t\u00eb tij tradicionale, vritet e zhduket.<\/p>\n

Nj\u00eb tjet\u00ebr tem\u00eb universale e vepr\u00ebs \u00ebsht\u00eb ajo apokaliptike, ku, n\u00eb fund, bota e personazhit p\u00ebrfundon n\u00eb ferr a n\u00eb xhehenem, me gjith\u00eb profet\u00ebt e saj.<\/p>\n

Struktura tematike dhe bota e ideve<\/strong><\/p>\n

Romani p\u00ebrb\u00ebhet nga nj\u00ebzeteshtat\u00eb nj\u00ebsi tematike q\u00eb nd\u00ebrlidhen natyrsh\u00ebm n\u00eb struktur\u00ebn tematike-narrative. Nis me nj\u00eb prolog, q\u00eb shenj\u00ebz\u00ebn tem\u00ebn qendrore:<\/p>\n

\u201cKur mysliman\u00ebt me devocion t\u2019i p\u00ebrmbushin urdhrat e Allahut e t\u00eb kthehen n\u00eb koh\u00ebn e xhahilis\u00eb p\u00ebr t\u2019u takuar me paraardh\u00ebsit e devotsh\u00ebm (salaf-u-salih), bota do t\u00eb filloj\u00eb t\u00eb l\u00ebviz\u00eb prapa. Dielli do t\u00eb lind\u00eb n\u00eb per\u00ebndim e do t\u00eb per\u00ebndoj\u00eb n\u00eb lindje. Nuk do t\u00eb ket\u00eb m\u00eb lindje, vdekje, f\u00ebmij\u00ebri, rini e as pleq\u00ebri; koha nuk do t\u00eb ec\u00eb as para, as prapa. Bota do t\u00eb mbetet pezull, p\u00ebrgjithmon\u00eb, n\u00eb jet\u00eb t\u00eb jet\u00ebve, deri n\u00eb dit\u00ebn e kiametit.\u201d<\/p>\n

Mandej te secili kapitull ka nj\u00eb tekst n\u00eb kursiv, q\u00eb mund t\u00eb lexohen si pretekste apo intertekste t\u00eb romanit e q\u00eb jan\u00eb sinteza reflektimesh, gjithnj\u00eb n\u00eb frym\u00ebn e brendshme t\u00eb vepr\u00ebs:<\/p>\n

\u201cMe mundim u ngjita n\u00eb shpell\u00ebn Hira. Po prisja Xhibrilin. Nuk erdhi. M\u00eb mori gjumi. Si nur i Allahut zbriti nga qielli. Me z\u00eb rrufeje me tha: \u201eTi nuk je beduin. L\u00ebkura jote nuk e ka ngjyr\u00ebn e shkret\u00ebtir\u00ebs. Z\u00ebrin tuaj nuk e kupton I Madh\u00ebrishmi. Je i huaj? Allahu nuk i do t\u00eb huajt. Ik! Ik! Ik!\u2026\u201c M\u00eb doli gjumi.\u201d<\/p>\n

Q\u00eb n\u00eb k\u00ebt\u00eb nd\u00ebrtekst apo paratekst, autori sugjeron tem\u00ebn e madhe t\u00eb tjet\u00ebrsimit. \u00cbsht\u00eb nj\u00eb shqiptar me emrin Kurt Lula q\u00eb ka shkuar n\u00eb Lindje t\u00eb mesme p\u00ebr t\u2019u shkolluar, dhe, p\u00ebr t\u2019iu kthyer paraardh\u00ebsve t\u00eb tij burimor t\u00eb besimit islam, ai duhet t\u00eb mohoj\u00eb komb, gjuh\u00eb e madje edhe rac\u00eb:<\/p>\n

\u201cN\u00eb vend t\u00eb emrit e mbiemrit t\u00eb pakuptimt\u00eb Kurt Lula tani mbaj emrin e ndritur islam Abdallah Abdul Mutalib. N\u00eb vend q\u00eb t\u00eb jem shqiptar, jam shnd\u00ebrruar n\u00eb mysliman; dhe n\u00eb vend q\u00eb t\u00eb flas shqip, tani flas gjuh\u00ebn e bekuar t\u00eb Allahut xhel-le shanuhu. A ka gj\u00eb m\u00eb t\u00eb bukur n\u00eb jet\u00eb se t\u00eb komunikosh me Allahun n\u00eb gjuh\u00ebn e Tij? E t\u00eb mos flas p\u00ebr rrobat tre\u00e7erek\u00ebshe t\u00eb devotshm\u00ebris\u00eb q\u00eb kam n\u00eb shtat.\u201d<\/p>\n

Vendi i shqiptar\u00ebve quhet Kafiristan, kurse ato t\u00eb kthyera n\u00eb besim, quhen Nuristan. Kur ky personazh kujton t\u00eb kaluar\u00ebn e tij n\u00eb vendlindje, t\u00eb duket sikur n\u00eb k\u00ebt\u00eb ballafaqim ogurzi t\u00eb bot\u00ebve, t\u00eb trandet e t\u00eb zbulohet jo vet\u00ebm qenia e tjet\u00ebrsuar nga qenia e tij e dikurshme komb\u00ebtare, por sikur ringjallet e dikurshmja me magjin\u00eb e saj t\u00eb f\u00ebmij\u00ebris\u00eb, loti i dikursh\u00ebm, sikur do t\u00eb rikthehet rr\u00ebnj\u00ebve t\u00eb tij t\u00eb familjes e tradit\u00ebs, n\u00ebn\u00ebs s\u00eb tij dhe dashuris\u00eb s\u00eb tij t\u00eb par\u00eb, Zejnebes. Kthimi i tij n\u00eb vendlindje nuk \u00ebsht\u00eb kthim te rr\u00ebnj\u00ebt identitare, por kthim te rr\u00ebnj\u00ebt e tjet\u00ebrsimit, e q\u00eb p\u00ebrfaq\u00ebson ato shtresa t\u00eb tjet\u00ebrsuara shqiptare q\u00eb e kan\u00eb braktis\u00eb kujtes\u00ebn historike komb\u00ebtare dhe t\u00eb identiteti evropian, q\u00eb jan\u00eb mb\u00ebrthyer n\u00eb danat vdekjeprur\u00ebse t\u00eb vet\u00ebharrimit e t\u00eb p\u00ebrdhosjes s\u00eb nd\u00ebrgjegjes shqiptare. Madje q\u00eb n\u00eb fjalin\u00eb e par\u00eb tjherklsohet ky vet\u00ebharrim:<\/p>\n

\u201cI dh\u00ebn\u00eb pas studimeve, nga nj\u00ebra an\u00eb, dhe pas shtegtimeve p\u00ebr kalitje e p\u00ebrzgjedhje, nga ana tjet\u00ebr, dal\u00ebngadal\u00eb kisha filluar ta harroja imazhin e vendit tim t\u00eb dikursh\u00ebm.\u201d<\/p>\n

Kjo kreatur\u00eb sh\u00ebmtimi i ka shk\u00ebputur t\u00eb gjitha lidhjet me kodin moral t\u00eb t\u00eb par\u00ebve, me identitetin shpirt\u00ebror e me m\u00ebnyr\u00ebn popullore t\u00eb jetes\u00ebs shqiptare. P\u00ebrmes akteve t\u00eb k\u00ebtij vet\u00ebharrimit t\u00eb qenies komb\u00ebtare, p\u00ebrvijohen pamje t\u00eb shumta t\u00eb trajtave t\u00eb dhun\u00ebs: t\u00eb dhun\u00ebs fizike, shpirt\u00ebrore, kulturore dhe fetare: p\u00ebr t\u00eb rekrutura t\u00eb rinj n\u00eb an\u00ebtar\u00ebsin\u00eb salafiste. Ky kthim n\u00eb vendlindje, q\u00eb shp\u00ebrfaq njeriun e tjet\u00ebrsuar, haset n\u00eb n\u00eb takimin e oar\u00eb me n\u00ebn\u00ebn e tij, me t\u00eb cil\u00ebn nuk p\u00ebrqafohet sepse \u00ebsht\u00eb haram q\u00eb t\u00eb p\u00ebrsh\u00ebndetesh me nj\u00eb fem\u00ebr. Ja si e prezanton k\u00ebt\u00eb sken\u00eb rr\u00ebfimtari:<\/p>\n

\u201c\u2013 Si je, o bir? \u2013 me pyeti pasi m\u00eb ishte afruar aq af\u00ebr, saq\u00eb e kisha t\u00eb v\u00ebshtir\u00eb t\u2019i shmangesha p\u00ebrqafimit t\u00eb saj.<\/p>\n

\u2013 Mir\u00eb jam, moj n\u00ebn\u00eb, mir\u00eb, po pse b\u00ebn k\u00ebshtu si e \u00e7mendur? \u2013 i thash\u00eb n\u00eb gjuh\u00ebn e bekuar t\u00eb Allahut dhe i zgjata duart para p\u00ebr t\u00eb penguar afrimin e saj drejt meje dhe p\u00ebr t\u2019iu larguar p\u00ebrqafimit t\u00eb saj haram. Kur pash\u00eb se nuk kishte kuptuar se \u00e7far\u00eb i thash\u00eb, i fola ashp\u00ebr n\u00eb gjuh\u00ebn e saj haram. U step. P\u00ebrvajsh\u00ebm e me lot n\u00eb sy zgjati duart drejt meje. But\u00ebsisht m\u2019i grishi pak gishtat, duke th\u00ebn\u00eb:<\/p>\n

\u2013 Po m\u00eb ka marr\u00eb malli, o bir! Shum\u00eb kam vuajtur\u2026 nga skamja, nga s\u00ebmundjet, nga vdekjet e nj\u00ebpasnj\u00ebshme, q\u00eb i kapluan k\u00ebto troje! Eja futu brenda, se paske m\u00ebrdhir\u00eb! \u2013 tha m\u00eb n\u00eb fund dhe u nis para.\u201d<\/p>\n

T\u00eb duket sikur gjith\u00e7ka fillon te nj\u00eb \u00ebnd\u00ebrr a vegim. Te ky vegim \u00ebndrre nis edhe besimi, ideologjia e tij. Prandaj, metaforikisht, menj\u00ebher\u00eb te kapitulli i dyt\u00eb ligj\u00ebron \u00eb veten e par\u00eb \u201c\u00cbndrra\u201d. \u00cbsht\u00eb nj\u00eb rr\u00ebfim i antropomorfizuar, ku \u00ebndrra merr tiparet e p\u00ebrfaq\u00ebsimit t\u00eb nj\u00eb mend\u00ebsie e ideologjie totalitariste. Te kapitulli i tret\u00eb \u201cKumti\u201d edhe nj\u00ebher\u00eb[ kemi k\u00ebt\u00eb ndeshje dramatike gjith\u00eb tension tz dy bot\u00ebve, t\u00eb bor\u00ebs s\u00eb imamit shqiptar q\u00eb i d\u00ebrgon let\u00ebr Kurtit me em\u00ebr arab. Ja nj\u00eb ndeshje e till\u00eb:<\/p>\n

\u201c\u2013 Mendimi im i drejt\u00eb, q\u00eb mbron gjuh\u00ebn, tradit\u00ebn dhe kultur\u00ebn e popullit tim, nuk \u00ebsht\u00eb m\u00ebkat, as tradhti ndaj Allahut xhel-le shanuhu. M\u00ebkat \u00ebsht\u00eb t\u00eb fut\u00ebsh p\u00ebr\u00e7arjen mes besimtar\u00ebve. T\u2019i nxit\u00ebsh kund\u00ebr nj\u00ebri-tjetrit p\u00ebr q\u00ebllime p\u00ebrfitimi. T\u00eb p\u00ebrkthesh libra t\u00eb shenjt\u00eb n\u00eb gjuh\u00eb t\u00eb huaja duke ua mohuar metodat e tyre drejtshkrimore, duke ua mohuar kultur\u00ebn popujve t\u00eb tjer\u00eb t\u00eb besimit islam se gjoja ata nuk na qenkan mysliman\u00eb t\u00eb v\u00ebrtet\u00eb, me nj\u00eb fjal\u00eb, t\u00eb b\u00ebsh apologji p\u00ebr at\u00eb q\u00eb n\u00eb t\u00eb v\u00ebrtet\u00eb nuk e meriton. Prandaj po b\u00ebj \u00e7mos q\u00eb ta pengoj dep\u00ebrtimin e atyre rrymave q\u00eb po shkat\u00ebrrojn\u00eb jo vet\u00ebm islamin, por edhe jet\u00ebn e shum\u00eb besimtar\u00ebve t\u00eb pafajsh\u00ebm duke i futur n\u00eb luft\u00ebra t\u00eb p\u00ebrgjakshme kund\u00ebr grupeve dhe fiseve shiite a sunite, safi a maliki rufainj a salafinj.<\/p>\n

T\u00eb yshtur dhe n\u00ebn trysnin\u00eb e disa pseudodijetar\u00ebve si\u00e7 jeni ju, po i han\u00eb kryet nj\u00ebri-tjetrit duke vrar\u00eb gra e f\u00ebmij\u00eb, duke sulmuar vendet e shenjta t\u00eb islamit, xhami e mektebe. Vras\u00ebsit po sulmojn\u00eb me thirrjet \u201eAllahu ekber!\u201c, kurse viktimat e tyre po vdesin me lutjet \u201eAllahu ekber!\u201c. Allahu ju udh\u00ebzon k\u00ebshtu? Un\u00eb nuk dua t\u00eb jem pjes\u00eb e k\u00ebtyre ndarjeve, nuk dua q\u00eb populli im t\u00eb infektohet me viruse t\u00eb tilla, nuk dua q\u00eb populli im paqedash\u00ebs, tolerant, i mir\u00ebnjohur p\u00ebr mikpritje e bujari, t\u00eb jet\u00eb viktim\u00eb e p\u00ebr\u00e7arjeve sektare orientale. Me nj\u00eb fjal\u00eb, dua ta ndaj kultur\u00ebn nga feja. Ne duam vet\u00ebm besimin islam e jo traditat e kultur\u00ebn pagane arabe, \u2013 ia ktheu pa pik\u00eb turpi Hafizi.<\/p>\n

\u2013 Populli juaj \u00ebsht\u00eb infektuar, \u00ebsht\u00eb i s\u00ebmur\u00eb r\u00ebnd\u00eb q\u00eb prej koh\u00ebsh, i nderuar Hafiz. Ila\u00e7i i vet\u00ebm p\u00ebr sh\u00ebrim e shp\u00ebtim \u00ebsht\u00eb Kurani Kerim. Ne jua soll\u00ebm. Boshnjak\u00ebt dhe iliridasit e mor\u00ebn. Pa pasur frik\u00eb se po nxjerr n\u00eb pah ndonj\u00eb sekret, ata po p\u00ebrgatiten p\u00ebr luft\u00eb t\u00eb shenjt\u00eb kund\u00ebr besimtar\u00ebve t\u00eb pav\u00ebrtet\u00eb islam\u00eb dhe kaur\u00ebve t\u00eb pafe, kurse ju po tregoheni tep\u00ebr kryene\u00e7.<\/p>\n

\u2013 Doza e tepruar nuk e sh\u00ebron s\u00ebmundjen, zot\u00ebri Abu al Khaleed, por e keq\u00ebson. Prandaj mysliman\u00ebt, q\u00eb ju po p\u00ebrpiqeni t\u2019i sh\u00ebroni me mbidoz\u00eb, i keni kthyer n\u00eb kancer t\u00eb rreziksh\u00ebm n\u00eb trupin e sfilitur islam duke i armiq\u00ebsuar n\u00eb fillim me nj\u00ebri-tjetrin e pastaj me gjith\u00eb bot\u00ebn e qytet\u00ebruar. Pasha Zotin, do ta shkat\u00ebrroni islamin dhe do t\u00eb d\u00ebshtoni me turp!\u201d<\/p>\n

K\u00ebso ballafaqimesh ndeshim deri n\u00eb funs tr\u00eb romanit. Prandaj ky kulm dramatik jepet te kapitulli me totalin \u201cVras\u00ebsi\u201d, ku nd\u00ebshkohet me vrasje tin\u00ebzare Hafizi shqiptar, p\u00ebr shkak t\u00eb q\u00ebndrimeve t\u00eb tij fetare e komb\u00ebtare. \u00c7erdhe nj\u00eb veprimi t\u00eb organizuar kriminal b\u00ebhet nj\u00eb mejhane, ku thuren fijet e krimit. P\u00ebrshkrimi letrar i vras\u00ebsit, p\u00ebrmes autorr\u00ebfimit, b\u00ebhet me p\u00ebrpik\u00ebri, p\u00ebr t\u2019i dh\u00ebn\u00eb veporiemt e tij makabre:<\/p>\n

\u201cKjo nuk \u00ebsht\u00eb vrasja e par\u00eb q\u00eb b\u00ebra. T\u00eb gjith\u00eb t\u00eb tjer\u00ebt q\u00eb kam vrar\u00eb deri m\u00eb tani, p\u00ebrve\u00e7 Ismajlit mendjemadh, kan\u00eb qen\u00eb t\u00eb panjohur. Fytyrat e tyre i kam takuar vet\u00ebm dy her\u00eb n\u00eb jet\u00eb. Nj\u00eb her\u00eb para vrasjes dhe her\u00ebn tjet\u00ebr pas p\u00ebrp\u00eblitjeve t\u00eb fundit t\u00eb jet\u00ebs. Prandaj nuk i mbaj mend.<\/p>\n

Ka koh\u00eb q\u00eb e kam nd\u00ebrprer\u00eb num\u00ebrimin e vrasjeve, dhe k\u00ebt\u00eb p\u00ebr shkak se pata d\u00ebgjuar se nj\u00eb m\u00ebkat jan\u00eb vrasjet e dy m\u00ebkate num\u00ebrimi i tyre. Por nuk \u00ebsht\u00eb aspak e v\u00ebrtet\u00eb se b\u00ebj gjynah. \u2026<\/p>\n

K\u00ebto pamje m\u00eb mundonin shum\u00eb, sidomos p\u00ebrp\u00eblitjet e fundit, q\u00eb nuk m\u00eb shqiteshin nga mendja, sepse m\u00eb b\u00ebhej sikur shpirti nuk po u dilte atyre, por mua. Si \u00e7do profesion q\u00eb njeriu e m\u00ebson dhe ia p\u00ebrshtat qenies s\u00eb tij, ashtu edhe vrasjet m\u00ebsohen dhe p\u00ebrshtaten.\u201d<\/p>\n

Te kapitulli \u201cHutbe\u201d ai nxjerr bn\u00eb pah q\u00ebllimet e k\u00ebsaj lufte, q\u00eb b\u00ebhet jo p\u00ebr atdhe, komb e familje, por p\u00ebr Allahun e t\u00eb d\u00ebrguarin e tij. Gjith\u00e7ka q\u00eb b\u00ebn e vepron Kurti, e b\u00ebn n\u00eb m\u00ebnyr\u00ebn e tjet\u00ebrsuar, amdje edhe nj\u00eb dasm\u00eb e organizon n\u00eb m\u00ebnyr\u00ebn arabe, ku k\u00ebrkon respektimin e martesave profetike, ku ke t\u00eb drejt\u00eb t\u00eb martohesh me t\u00eb af\u00ebrmit e gjakut. Dyfytyr\u00ebsia e veprimit makab\u00ebr, zbulohet te dy kapituj t\u00eb tjer\u00eb, si\u00e7 jan\u00eb \u201cDyfytyr\u00ebsia\u201d dhe \u201cFalja e xhenazes\u201d (\u201cEh, k\u00ebshtu na m\u00ebson feja jon\u00eb e ndritur: ndryshe t\u00eb veprosh e ndryshe t\u00eb mendosh.\u201d)<\/p>\n

N\u00eb roman jepen edhe skena t\u00eb haremit, t\u00eb blerjes s\u00eb femrave me prostitucion t\u00eb fsheht\u00eb, madje dhe skena t\u00eb dhunimit \u00ebq gjejn\u00eb arsyetime n\u00eb librin e shenjt\u00eb!<\/p>\n

Elementi shqipfol\u00ebs q\u00eb e ka t\u00eb rr\u00ebgjuar identitetin shpirt\u00ebror dhe kujtes\u00ebn historike, p\u00ebrfaq\u00ebsohet e personifikohet edhe p\u00ebrmes personazheve t\u00eb tjer\u00eb, kurse personazhe shqiptare, po t\u00eb t\u00eb nj\u00ebjtit besim, pp\u00ebrfgq\u00ebspojn\u00eb t\u00eb tjera vlera humane, njer\u00ebzore, civilizuese.<\/p>\n

Trajtimi e zbulimi i karaktereve dhe i aspekteve t\u00eb jet\u00ebs historike, shoq\u00ebrore, kulturore, fetare e politike shqiptare b\u00ebhet shkall\u00eb-shkall\u00eb, si nj\u00eb shpalim i ankthsh\u00ebm aktesh t\u00eb nj\u00eb drame tragjike. Me veprimet e tij t\u00eb sh\u00ebmtuara, imperialzimi fetar i tjet\u00ebrsimit synon p\u00ebr t\u00eb vrar\u00eb e zhdukur gjith\u00e7ka t\u00eb mir\u00eb te njer\u00ebzit.<\/p>\n

Tipat e narracionit plural n\u00eb ich-forma<\/strong><\/p>\n

N\u00ebse n\u00eb teorin\u00eb moderne t\u00eb narracionit, rr\u00ebfimi i till\u00eb quhet her\u00eb si nj\u00eb Un\u00eb autorial apo dhe Un\u00eb fiktiv, at\u00ebher\u00eb nuk do mend se Uni autorial q\u00ebndron jasht\u00eb bot\u00ebs letrare, e q\u00eb p\u00ebrb\u00ebn pik\u00ebshikim e jasht\u00ebm.<\/p>\n

Rr\u00ebfimi n\u00eb veten e par\u00eb, pra, ndryshe nga prozator\u00ebt tjer\u00eb, k\u00ebtu sjell nj\u00eb risi; struktura e till\u00eb narrative e Ich-form\u00ebs, v\u00eb raporte m\u00eb t\u00eb ngushta, m\u00eb reale e m\u00eb objektive me p\u00ebrmbajtjen e vepr\u00ebs, k\u00ebsisoj, lexuesi v\u00eb lidhje direkte, m\u00eb intime me ngjarjet e karakteret, v\u00eb nj\u00eb amrr\u00ebdh\u00ebnie m\u00eb t\u00eb ngusht\u00eb. N\u00ebp\u00ebrmes vizur\u00ebs s\u00eb till\u00eb ku narratori \u00ebsht\u00eb subjekt q\u00eb subjektivizon rr\u00ebfimin, q\u00eb organizon veprimin, komenton ngjarjet dhe veprimet e q\u00ebndrimet e t\u00eb tjer\u00ebve. N\u00ebp\u00ebr mes trajt\u00ebs s\u00eb till\u00eb t\u00eb rr\u00ebfimit krijohet nj\u00eb frym\u00eb m\u00eb autentike e ngjarjeve, krijohet distanca e nevojshme objektive e shkrimtarit ndaj l\u00ebnd\u00ebs s\u00eb trajtuar, p\u00ebr t\u00eb mos u shnd\u00ebrruar n\u00eb roman n\u00eb roman t\u00eb tendenc\u00ebs apo t\u00eb antitendenc\u00ebs.<\/p>\n

Sido q\u00eb t\u00eb jet\u00eb, ky roman nxit jo vet\u00ebm kureshtjen, po edhe guximin krijues e intelektual. N\u00eb let\u00ebrsin\u00eb bashk\u00ebkohore jemi m\u00ebsuar t\u00eb lexojm\u00eb romane \u201cheretike\u201d, sia to t\u00eb Saramagos, Umberto Ecos apo Kazanzaqisit, q\u00eb tajtoojn\u00eb tematik\u00ebn e krishter\u00eb, apo si ato t\u00eb Salman Rushdies q\u00eb tematizon bot\u00ebn orientale. Por t\u00eb mos harrojm\u00eb, bota moderne tashm\u00eb e ka \u00e7liruar mendimin prej prangave t\u00eb ndalesave dhe herezive.<\/p>\n

Mars 2018<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Prend BUZHALA – Revista Drini – 12 Mars 2018 Recension (Romani \u201cPasardh\u00ebsit\u201d i Muharrem Blakajt) Kur lexojm\u00eb romanin \u201cParaardh\u00ebsit\u201d, mendja na shkon te let\u00ebrsia q\u00eb paraqet trajta e ndryshme t\u00eb totalitarizmit, k\u00ebtij despotizmi modern, q\u00eb e realizon pushtetin me an\u00ebn e terrorit, qoft\u00eb ky komuniz\u00ebm apo fashiz\u00ebm, pik\u00ebrisht p\u00ebr faktin pse p\u00ebrpiqet t\u00eb kontrolloj\u00eb t\u00eb […]<\/p>\n","protected":false},"author":1,"featured_media":29390,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2,13,8,11],"tags":[],"class_list":["post-26288","post","type-post","status-publish","format-standard","has-post-thumbnail","category-artikuj","category-ese","category-letersi","category-roman"],"yoast_head":"\nDRAMA SHQIPTARE E TJET\u00cbRSIMIT N\u00cb ROMANIN \u201cPASARDH\u00cbSIT\u201d T\u00cb MUHARREM BLAKAJT - FJALA e LIR\u00cb<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/jehonashqiptare.al\/fjala\/drama-shqiptare-e-tjetersimit-ne-romanin-pasardhesit-te-muharrem-blakajt\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"DRAMA SHQIPTARE E TJET\u00cbRSIMIT N\u00cb ROMANIN \u201cPASARDH\u00cbSIT\u201d T\u00cb MUHARREM BLAKAJT - 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