{"id":28614,"date":"2018-04-16T22:10:55","date_gmt":"2018-04-16T21:10:55","guid":{"rendered":"http:\/\/www.fjala.info\/?p=28614"},"modified":"2018-04-16T22:10:55","modified_gmt":"2018-04-16T21:10:55","slug":"ismet-tahiraj-shenjteresha-kemishebardhe","status":"publish","type":"post","link":"https:\/\/jehonashqiptare.al\/fjala\/ismet-tahiraj-shenjteresha-kemishebardhe\/","title":{"rendered":"Ismet Tahiraj: Shenjt\u00ebresha K\u00ebmish\u00ebbardh\u00eb"},"content":{"rendered":"

Xheladin \u00c7ITAKU<\/strong><\/p>\n

THJERR\u00cbZUAR KUB\u00cbZIMESH<\/strong><\/p>\n

— Pik\u00ebv\u00ebshtrimi (poetja) absorbon p\u00ebrqendrimin e prozhektorit t\u00eb poetit dhe pasqyrohet n\u00eb t\u00ebr\u00ebsin\u00eb e konturave n\u00eb drit\u00ebn e theksuar. Prandaj, kjo struktur\u00eb vjen edhe specifike, por edhe spontane; edhe e rrjedhshme, edhe dinamike, si kontekst i ndijimit dramatik t\u00eb autorit:<\/p>\n

— K\u00ebmish\u00ebbardha e poetit \u00ebsht\u00eb referenca e zbrazjes shpirt\u00ebrore t\u00eb tij, \u00ebsht\u00eb p\u00ebr\u00e7uesja e energjis\u00eb q\u00eb k\u00ebrkon terrenin p\u00ebr transmision n\u00eb objektivin e synuar. Dhe poeti \u00ebsht\u00eb p\u00ebrcaktuar q\u00eb k\u00ebt\u00eb ta b\u00ebj\u00eb n\u00eb \u201cvariante identike\u201d, n\u00ebse mund t\u00eb quhet k\u00ebshtu. T\u00eb pes\u00ebmb\u00ebdhjet\u00eb m\u00ebnyrat p\u00ebrshkruese konsistojn\u00eb n\u00eb p\u00ebrimtimin e detajuar t\u00eb identitetit poetik q\u00eb spikat\u00eb p\u00ebrmes k\u00ebtij em\u00ebrtimi.<\/p>\n

N\u00ebn logon e bardh\u00ebsis\u00eb vezulluese rrjedh nj\u00eb varg\u00ebzim, sa i ve\u00e7ant\u00eb, po aq i natyrsh\u00ebm, q\u00eb p\u00ebrshkon t\u00ebr\u00eb ligj\u00ebrimin p\u00ebrkushtues poetik n\u00eb p\u00ebrshkall\u00ebzime t\u00eb p\u00ebrzgjedhura nga nyancimet e shp\u00ebrfaqjes ndjenjore t\u00eb poetit. Pikturimi i motivit konsumon ngjyrat e ndjenj\u00ebs, duke e g\u00ebrshetuar at\u00eb n\u00eb t\u00ebr\u00ebsin\u00eb e struktur\u00ebs me emotivitetin, si reagim shpirt\u00ebror i adresuar n\u00eb subjektin q\u00eb poetizohet, n\u00eb specifikat e k\u00ebtij subjekti, n\u00eb interferimin e ambicies brenda portretimit t\u00eb d\u00ebshiruar.<\/p>\n

Infrastruktura transponuese paraqitet e kub\u00ebzuar n\u00eb pamje t\u00eb diferencuara nga k\u00ebndvrojtime t\u00eb p\u00ebrzgjedhura, t\u00eb cilat, gjithnj\u00eb ofrojn\u00eb fotografin\u00eb e nj\u00eb k\u00ebmish\u00ebbardhe, si kontur\u00eb vizuele dhe si trajt\u00ebzim imagjinativ, por q\u00eb pjes\u00ebzohet n\u00eb esenc\u00ebn p\u00ebrjetuese, pastaj. Radhitur n\u00eb nj\u00eb titullim t\u00eb fraksionuar, poeti sposton pozicionimin e tij shpirt\u00ebror ndaj p\u00ebrkushtueshm\u00ebris\u00eb, duke e episoduar n\u00eb sekuenca formash e trajtash, t\u00eb cilat bartin<\/p>\n

vijueshm\u00ebrin\u00eb semantike n\u00ebp\u00ebr kornizat e sajuara nga coha e k\u00ebmish\u00ebs s\u00eb bardh\u00eb, si simbolik\u00eb nd\u00ebrlidh\u00ebse. K\u00ebmish\u00ebbardha e poetit \u00ebsht\u00eb referenca e zbrazjes shpirt\u00ebrore t\u00eb tij, \u00ebsht\u00eb p\u00ebr\u00e7uesja e energjis\u00eb q\u00eb k\u00ebrkon terrenin p\u00ebr transmision n\u00eb objektivin e synuar. Dhe poeti \u00ebsht\u00eb p\u00ebrcaktuar q\u00eb k\u00ebt\u00eb ta b\u00ebj\u00eb n\u00eb \u201cvariante identike\u201d, n\u00ebse mund t\u00eb quhet k\u00ebshtu. T\u00eb pes\u00ebmb\u00ebdhjet\u00eb m\u00ebnyrat p\u00ebrshkruese konsistojn\u00eb n\u00eb p\u00ebrimtimin e detajuar t\u00eb identitetit poetik q\u00eb spikat\u00eb p\u00ebrmes k\u00ebtij em\u00ebrtimi.<\/p>\n

– Ismet Tahiraj shfaq\u00eb nj\u00eb eksperienc\u00eb t\u00eb re t\u00eb tij, duke formatizuar eksplorimin n\u00ebp\u00ebr nj\u00eb trase q\u00eb kalon nga ndjeshm\u00ebria e sforcuar ndaj ngacmimeve t\u00eb jashtme dhe t\u00eb brendshme. T\u00eb pes\u00ebmb\u00ebdhjet\u00eb kaskadat shtrojn\u00eb vrullin e rr\u00ebmbyeshm\u00ebris\u00eb ndjesore n\u00eb nivelime rrjedhash q\u00eb sumbullohen n\u00eb rrug\u00ebtimin e stilit t\u00eb m\u00ebparsh\u00ebm, por me anekse t\u00eb reja, t\u00eb cilat p\u00ebrmbushin k\u00ebrkesat e reflektimit. Pik\u00ebv\u00ebshtrimi (poetja) absorbon p\u00ebrqendrimin e prozhektorit t\u00eb poetit dhe pasqyrohet n\u00eb t\u00ebr\u00ebsin\u00eb e konturave n\u00eb drit\u00ebn e theksuar. Prandaj, kjo struktur\u00eb vjen edhe specifike, por edhe spontane; edhe e rrjedhshme, edhe dinamike, si kontekst i ndijimit dramatik t\u00eb autorit:<\/p>\n

\u201cDy koka n\u00eb nj\u00eb jast\u00ebk Jast\u00ebku skaj mali S\u2019\u00ebsht\u00eb m\u00eb r\u00ebnd\u00ebsi \u00cbsht\u00eb kositur Apo s\u2019\u00ebsht\u00eb kositur livadhi\u2026<\/em>\u201d<\/p>\n

N\u00eb secil\u00ebn poz\u00eb theksohen nuanca t\u00eb ve\u00e7anta, shp\u00ebrfaqen linja t\u00eb reja, t\u00eb cilat duan ta vij\u00ebzojn\u00eb t\u00ebr\u00ebsin\u00eb e subjektit, duke e objektivuar at\u00eb n\u00eb nd\u00ebrlidhjen e vargut me pasqyrimin shpirt\u00ebror dhe me ravij\u00ebzimin artistik.<\/p>\n

KONFIGURIMI LIRIK<\/strong><\/p>\n

Thellimi i hullis\u00eb s\u00eb lirizmit pah\u00ebzon vak\u00ebsin\u00eb deri n\u00eb prush\u00ebrim t\u00eb ndjenj\u00ebs s\u00eb cimbisur nga shtyt\u00ebs, q\u00eb pastaj, frym\u00ebzojn\u00eb burimin krijues p\u00ebr ta sip\u00ebrfaq\u00ebsuar llav\u00ebn e nj\u00eb vullkani t\u00eb brendsh\u00ebm. Ky liriz\u00ebm konfigurohet n\u00eb form\u00eb e p\u00ebrmbajtje, n\u00eb stil e intonacion, n\u00eb shprehshm\u00ebri adapte p\u00ebr natyr\u00ebn e k\u00ebtij lloji. Autori angazhon sistemet letrare, t\u00eb nevojshme p\u00ebr nd\u00ebrtimin dhe kompletimin e krijimit q\u00eb ka p\u00ebr objektiv. P\u00ebrmes k\u00ebtyre sistemeve ai skicon nj\u00eb shtrirje t\u00eb posa\u00e7me, nj\u00eb taban ku bota shpirt\u00ebrore trajt\u00ebzohet ndryshe nga \u00e7`\u00ebsht\u00eb form\u00ebsuar n\u00eb veprat e m\u00ebparshme. Duke thelluar vrojtimin shfaqet nj\u00eb galeri p\u00ebrplot figura, t\u00eb cilat ekspozojn\u00eb vargun, ekspozojn\u00eb t\u00ebr\u00ebsin\u00eb poetike n\u00eb nj\u00eb m\u00ebnyr\u00eb t\u00eb sintetizuar sipas mas\u00ebs dhe k\u00ebrkes\u00ebs s\u00eb materies letrare n\u00eb kultivim:<\/p>\n

\u201cS\u2019guxoja t\u00eb th\u00ebrras princesh\u00eb Ama, vet je ashtu e thjesht\u00eb N\u00eb k\u00ebmish\u00ebbardh\u00ebn q\u00eb ke veshur Triliona pyje puthjesh ngjesh\u00ebn\u2026<\/em>\u201d<\/p>\n

Dimensionimi i p\u00ebrthurjeve e p\u00ebrimton motivin n\u00eb pjes\u00ebza q\u00eb p\u00ebrfaq\u00ebsojn\u00eb mozaikun e d\u00ebshiruar, sepse refleksiviteti gjen terrenin p\u00ebr ta venduar gjer\u00ebsin\u00eb dhe thell\u00ebsin\u00eb q\u00eb i duhet. Pikat ekstreme t\u00eb k\u00ebtyre dimensioneve kornizojn\u00eb p\u00ebrkufizimin, brenda t\u00eb cilit spikat\u00eb idili, q\u00eb relatohet me peisazhin dhe tundimin e jasht\u00ebm; pastaj \u00ebnd\u00ebrrimi si katapultim i d\u00ebshir\u00ebs dhe ambicies n\u00eb shtjell\u00ebn e tablos\u00eb s\u00eb dashuris\u00eb; synimi real n\u00eb suazat e p\u00ebrjetimit dhe jet\u00ebsimit t\u00eb \u00ebndjes:<\/p>\n

\u201cCerga u sos\u00eb an\u00eb e tej Ve\u00e7 kashta mbeti, Ne jemi dy drita S\u2019jemi hako\u00e7 Dhe trar\u00ebt e nxir\u00eb K\u00ebtu kan\u00eb lezet L\u00ebri gonxhet Shp\u00ebrthejn\u00eb vet…\u201d<\/p>\n

Shikimi poetik i drejtohet nj\u00eb konkret\u00ebsie her\u00eb-her\u00eb, dhe e v\u00eb n\u00eb fokus t\u00eb interesimit t\u00eb ndjeshm\u00ebris\u00eb, duke e em\u00ebrtuar n\u00eb simbolik\u00ebn e sinonimitetit pretendues (poetja) p\u00ebr bart\u00ebs t\u00eb ngarkes\u00ebs s\u00eb emotivitetit. Ismet Tahiraj harmonizon imazhin poetik me peisazhin ku inskenohet p\u00ebrkushtimi, ku shfaqen t\u00eb pes\u00ebmb\u00ebdhjet\u00eb aktet e defilimit t\u00eb k\u00ebmish\u00ebbardh\u00ebs s\u00eb tij. Intuita krijuese zbulon edhe labirinthe t\u00eb dashurimit dhe i ndri\u00e7on ato me po\u00e7in p\u00ebrndez\u00ebs t\u00eb brend\u00ebsis\u00eb s\u00eb individualitetit ndijues. Konsumimi i k\u00ebtij shtegu e nxjerr autorin n\u00eb rrug\u00ebn q\u00eb shpie drejt formulimeve t\u00eb kuptim\u00ebsis\u00eb figurative, t\u00eb komunikimit p\u00ebrmes figurave stilistike, t\u00eb kumtimit t\u00eb pozit\u00ebs s\u00eb tij si informacion artistik p\u00ebr veten:<\/p>\n

\u201cSynojn\u00eb t\u00eb tjer\u00ebt
\nP\u00ebr fyej nga ul\u00ebza
\nVash\u00ebs poete
\nJa vjedhin spektrin\u2026\u201d<\/p><\/blockquote>\n

Ai e portreton poeten n\u00eb shum\u00eb m\u00ebnyra, ashtu si\u00e7 ia diktojn\u00eb syt\u00eb e mendjes dhe syt\u00eb e shpirtit. Ata p\u00ebrcaktojn\u00eb edhe p\u00ebrmas\u00ebn e p\u00ebrkushtueshm\u00ebris\u00eb n\u00eb imazhin e perceptuar. E<\/p>\n

t\u00ebra nuk ngelet vet\u00ebm si promotor i vargut por ngulitet si strumbullar i shtjellimit t\u00eb nxitjeve reale.<\/p>\n

IDEOEMOTIVITETI I ESTETIZUAR<\/strong><\/p>\n

Shqyrtimi i subjektivimit poetik konformizohet me p\u00ebrmasat e ides\u00eb baz\u00eb n\u00ebp\u00ebr rropatjet emocionale q\u00eb kalon i t\u00ebr\u00eb brumi artistik. K\u00ebshtu piketohen ngjyrat me t\u00eb cilat poeti e ngjyron ndjenj\u00ebn, shqet\u00ebsimin, aspirat\u00ebn e tij. Shnd\u00ebrrimi i ngacmimit ndjenjor n\u00eb forma t\u00eb konstruktuara t\u00eb artikulimit artistik, \u00ebsht\u00eb karakteristik\u00eb q\u00eb p\u00ebrshkon n\u00eb vazhdim\u00ebsi, krijimtarin\u00eb e Ismet Tahirajt. Kompozimi intonativ, efektshm\u00ebria emocionale, strukturimi poetik, n\u00eb p\u00ebrgjith\u00ebsi, sh\u00ebnojn\u00eb k\u00ebt\u00eb karakteristik\u00eb si gjurm\u00eb n\u00eb koh\u00eb dhe n\u00eb v\u00ebmendjen e receptorit.<\/p>\n

Konceptimi i till\u00eb p\u00ebrplot\u00ebsohet n\u00eb shtresimet estetike, t\u00eb cilat efektizojn\u00eb ideoemotivitetin n\u00eb kontinuitetin e dh\u00ebn\u00eb n\u00ebp\u00ebr t\u00eb gjitha k\u00ebmish\u00ebbardhat. N\u00eb k\u00ebt\u00eb kontekst shikohet edhe mataforizimi i t\u00ebr\u00eb p\u00ebrshkrimit, shprehja poetike e specifikuar, m\u00ebnyra e ligj\u00ebrimit, si asocim n\u00eb raportet e ritmik\u00ebs jet\u00ebsore:<\/p>\n

Ti ke dashur Me jetua me mua, Pranverave t\u00eb lul\u00ebzuara N\u00ebp\u00ebr dimrat e acart\u00eb Shoqi-shojin E kemi par\u00eb secili N\u00eb bregun e vet Kund\u00ebrshtar P\u00ebr hi\u00e7gj\u00eb P\u00ebr shum\u00eb\u00e7ka.<\/p>\n

Melodizmi i fjal\u00ebs i p\u00ebrgjigjet ingranazheve t\u00eb estetizimit t\u00eb p\u00ebrgjithsh\u00ebm, ashtu sikur elementet t\u00eb tjera poetizuese q\u00eb kultivojn\u00eb fjal\u00ebn, n\u00eb p\u00ebrgjith\u00ebsi. N\u00ebnteksti dhe teksti ofrojn\u00eb mjaftueshm\u00ebri n\u00ebnkuptimesh dhe rrjedhime kontekstuale, t\u00eb cilat e b\u00ebjn\u00eb k\u00ebt\u00eb poezi t\u00eb dallueshme. Kaq t\u00eb dallueshme e b\u00ebjn\u00eb edhe shprehjet (fjal\u00ebt) e rralla, t\u00eb cilat rikthehen n\u00eb poezi me nj\u00eb mision dykahor; si mjete t\u00eb nd\u00ebrtimit t\u00eb specificitetit varg\u00ebror dhe si aspekt i vler\u00ebs gjuh\u00ebsore e kuptimore. Adoptimi i tyre n\u00eb struktur\u00ebn gjuh\u00ebsore t\u00eb poezis\u00eb e b\u00ebn\u00eb autorin p\u00ebrkushtues edhe ndaj k\u00ebsaj vlere.<\/p>\n

– P\u00ebrgjith\u00ebsisht; Ismet Tahiraj ofrohet edhe nj\u00ebher\u00eb me potencialin e tij krijues, me nj\u00eb m\u00ebnyr\u00eb t\u00eb posa\u00e7me t\u00eb ravij\u00ebzimit t\u00eb kapacitetit poetik dhe artistik, si risi form\u00ebsimi, p\u00ebrmbajt\u00ebsie e intonacioni. Ai ofron ndjesin\u00eb, imagjinat\u00eb, mund\u00ebsin\u00eb dhe talentin p\u00ebrkushtues. Suksese poetit\u2026<\/p>\n","protected":false},"excerpt":{"rendered":"

Xheladin \u00c7ITAKU THJERR\u00cbZUAR KUB\u00cbZIMESH — Pik\u00ebv\u00ebshtrimi (poetja) absorbon p\u00ebrqendrimin e prozhektorit t\u00eb poetit dhe pasqyrohet n\u00eb t\u00ebr\u00ebsin\u00eb e konturave n\u00eb drit\u00ebn e theksuar. Prandaj, kjo struktur\u00eb vjen edhe specifike, por edhe spontane; edhe e rrjedhshme, edhe dinamike, si kontekst i ndijimit dramatik t\u00eb autorit: — K\u00ebmish\u00ebbardha e poetit \u00ebsht\u00eb referenca e zbrazjes shpirt\u00ebrore t\u00eb tij, […]<\/p>\n","protected":false},"author":1,"featured_media":28615,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[8,10],"tags":[],"class_list":["post-28614","post","type-post","status-publish","format-standard","has-post-thumbnail","category-letersi","category-poezi"],"yoast_head":"\nIsmet Tahiraj: Shenjt\u00ebresha K\u00ebmish\u00ebbardh\u00eb - FJALA e LIR\u00cb<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/jehonashqiptare.al\/fjala\/ismet-tahiraj-shenjteresha-kemishebardhe\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Ismet Tahiraj: Shenjt\u00ebresha K\u00ebmish\u00ebbardh\u00eb - FJALA e LIR\u00cb\" \/>\n<meta property=\"og:description\" content=\"Xheladin \u00c7ITAKU THJERR\u00cbZUAR KUB\u00cbZIMESH — Pik\u00ebv\u00ebshtrimi (poetja) absorbon p\u00ebrqendrimin e prozhektorit t\u00eb poetit dhe pasqyrohet n\u00eb t\u00ebr\u00ebsin\u00eb e konturave n\u00eb drit\u00ebn e theksuar. 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