{"id":30277,"date":"2018-05-26T17:52:55","date_gmt":"2018-05-26T15:52:55","guid":{"rendered":"http:\/\/www.fjala.info\/?p=30277"},"modified":"2018-05-26T17:53:10","modified_gmt":"2018-05-26T15:53:10","slug":"serafin-fankoartisti-qe-nuk-harrohet","status":"publish","type":"post","link":"https:\/\/jehonashqiptare.al\/fjala\/serafin-fankoartisti-qe-nuk-harrohet\/","title":{"rendered":"SERAFIN FANKO, ARTISTI Q\u00cb NUK HARROHET"},"content":{"rendered":"

Artisti i madh SERAFIN FANKO Regjizor-Artist i Popullit<\/em><\/strong> do te ishte 81 vje\u00e7. N\u00eb k\u00ebt\u00eb p\u00ebrvjetor t\u00eb tij, po publikojm\u00eb nj\u00eb intervist\u00eb, q\u00eb ai i ka dh\u00ebn\u00eb 11 vite m\u00eb pare BBC n\u00eb shqip dhe gazetarit Adrin Hoti. Intervista \u00ebsht\u00eb marr\u00eb nga libri i sapo publikuar “Gjurm\u00eb Z\u00ebrash<\/em>” i autorit Adrian Hoti<\/strong>.<\/p>\n

Regjizor-Artist i Popullit<\/strong>
\n\u201cTeatri bashk\u00ebkohor p\u00ebr mua \u00ebsht\u00eb trajtimi i vlerave, i mesazheve, q\u00eb ajo koh\u00eb i p\u00ebrcjell koh\u00ebs son\u00eb dhe i p\u00ebrshtaten koh\u00ebs son\u00eb, i flasin koh\u00ebs son\u00eb, dhe i flasin problemeve tona, shqet\u00ebsimeve tona<\/em>.\u201d<\/p>\n

Serafin Fanko<\/strong>, lindi n\u00eb Shkod\u00ebr n\u00eb maj t\u00eb vitit 1937. Vler\u00ebsohet si nj\u00eb nga ikonat e artit skenik shqiptar, si regjisori i disa prej pjes\u00ebve m\u00eb spikatura teatrale, por edhe si interpretuesi i shum\u00eb roleve n\u00eb teat\u00ebr dhe kinematografi. Veprimtaria e tij artistike si regjizor dhe aktor \u00ebsht\u00eb e lidhur kryesisht me teatrin \u201cMigjeni\u201d t\u00eb Shkodr\u00ebs, por ka bashk\u00ebpunuar edhe me teatrot e tjera jo vet\u00ebm n\u00eb Shqip\u00ebri, por edhe t\u00eb vendeve t\u00eb tjera.<\/p>\n

* * *<\/p>\n

Sapo keni v\u00ebn\u00eb n\u00eb sken\u00eb nj\u00eb dram\u00eb me trup\u00ebn e Teatrit Komb\u00ebtar. Si ndjeheni pas k\u00ebsaj shfaqje? A i realizoi ambicjet e tua artistike?<\/strong>
\nAmbicjet e artistit nuk realizohen kurr\u00eb, sepse mendon larg e m\u00eb larg, megjithat\u00eb un\u00eb jam i k\u00ebnaqur, kam punuar me nj\u00eb trup\u00eb t\u00eb talentuar, drama u mir\u00ebprit, u duartrokit disa her\u00eb gjat\u00eb premier\u00ebs. Ka pasur edhe vler\u00ebsime me superlativa, sidomos prej brezit t\u00eb vjet\u00ebr, aktoreve t\u00eb nderuara t\u00eb Teatrit Komb\u00ebtar, q\u00eb tash jan\u00eb n\u00eb pension e q\u00eb ishin n\u00eb radh\u00ebn e par\u00eb. Drama trajtonte nj\u00eb problem shum\u00eb t\u00eb mpreht\u00eb, merrej me trafikimin e vajzave. K\u00ebshtu q\u00eb ishte tep\u00ebr ngacmuese n\u00eb an\u00ebn emocionale tek spektatori, godiste emocionalisht ato q\u00eb ishin n\u00eb karrige dhe un\u00eb ndjeja psher\u00ebtimat, i shihja lot\u00ebt q\u00eb fshinin nga syt\u00eb.<\/p>\n

Z. Fanko, kjo pjes\u00eb teatrale q\u00eb titullohej \u201cBabai\u201d, ju riktheu n\u00eb sken\u00eb, ju riktheu n\u00eb profesionin tuaj t\u00eb regjis\u00eb pas nj\u00eb shk\u00ebputje, q\u00eb p\u00ebr artdash\u00ebsit \u00ebsht\u00eb e gjat\u00eb. Pse kjo pauz\u00eb?<\/strong>
\nUn\u00eb v\u00ebrtet kam dal\u00eb n\u00eb pension, por gjat\u00eb k\u00ebtyre 14 vjet\u00ebve un\u00eb kam punuar vazhdimisht, jo n\u00eb teatrin, n\u00eb sht\u00ebpin\u00eb time n\u00eb teatrin \u201cMigjeni\u201d, por kam punuar me teatrin e Durr\u00ebsit. Kam v\u00ebn\u00eb n\u00eb sken\u00eb disa shfaqje n\u00eb teatrin e Fierit, kam v\u00ebn\u00eb shfaqje n\u00eb Strug\u00eb, ku kam dhan\u00eb ndihmes\u00ebn teme p\u00ebr aq sa kam mundur p\u00ebr themelimin e teatrit shqiptar \u201cSofra\u201d, me teatrin e Shkupit, me teatrin turk. N\u00eb Gjakov\u00eb kam v\u00ebn\u00eb pes\u00eb pjes\u00eb, po dhe n\u00eb Mal t\u00eb Zi kam qen\u00eb i ftuar edhe me Teatrin Komb\u00ebtar t\u00eb Malit t\u00eb Zi, pra e kam pasur jet\u00ebn t\u00eb mbushun me aktivitet, pavar\u00ebsisht nga mosha. P\u00ebrve\u00e7 k\u00ebsaj, kur kam pasur koh\u00eb t\u00eb lir\u00eb n\u00eb sht\u00ebpi jam marr\u00eb me nj\u00eb lloj autobiografie n\u00eb art, ndoshta jo p\u00ebr ta botuar, por p\u00ebr ta l\u00ebn\u00eb n\u00eb arkiv\u00eb t\u00eb teatrit, se mund t\u2019i sh\u00ebrbej\u00eb ndokujt eksperienca ime si regjizor.<\/p>\n

\u00c7far\u00eb u b\u00eb shtys\u00eb z. Fanko q\u00eb t\u2019i p\u00ebrkushtoheni artit dramatik? Si jan\u00eb fillesat tuaja n\u00eb k\u00ebt\u00eb fush\u00eb?<\/strong>
\nT\u00eb flas p\u00ebr fillesat e larg\u00ebta, krejt t\u00eb larg\u00ebta, se un\u00eb kam qen\u00eb an\u00ebtar, pjes\u00ebmarr\u00ebs n\u00eb rrethin letrar t\u00eb Sht\u00ebpis\u00eb s\u00eb Pionierit, n\u00eb Shkod\u00ebr, ku kam pas\u00eb p\u00ebr pedagog t\u00eb nderuarin Ndrek Prela, prej t\u00eb cilit kam marr\u00eb m\u00ebsimet e para, kemi realizuar disa shfaqje dhe pastaj kam vazhduar, vazhdimi kan\u00eb qen\u00eb kurset, shkolla p\u00ebr piano me Tida Melgush\u00ebn, nja 4-5 vjet n\u00eb rrethin e baletit me Filip Gjergjin dhe pastaj p\u00ebrfundova n\u00eb Ansamb\u00ebl t\u00eb ushtris\u00eb si valltar, n\u00eb kursin e piktur\u00ebs me t\u00eb nderuarin Danish Jukniu, Jakup Keraj. Ata ishin t\u00eb m\u00ebdhenj, ishin piktor\u00eb t\u00eb nderuar qysh at\u00ebher\u00eb, kurse un\u00eb isha nj\u00eb nx\u00ebn\u00ebs i thjesht\u00eb, po e gjitha kjo m\u00eb ka ndihmuar p\u00ebr pun\u00ebn e m\u00ebvoshme pastaj si regjizor. Teatri pak dinamik, sepse studimet e para t\u00eb larta i kam marr\u00eb n\u00eb Akademin\u00eb e Arteve n\u00eb Prag\u00eb p\u00ebr regji t\u00eb filmit dhe sigurisht montazhi n\u00eb film \u00ebsht\u00eb m\u00eb dinamik se montazhi n\u00eb teat\u00ebr. Edhe kjo m\u00eb von\u00eb m\u00eb ka ndihmuar p\u00ebr t\u00eb krijuar at\u00eb teat\u00ebr poetik, q\u00eb e kam filluar n\u00eb Shkod\u00ebr dhe q\u00eb me zor u pranua, me shum\u00eb v\u00ebshtir\u00ebsi, madje me halle dhe akuza p\u00ebr shkelje t\u00eb ideologjis\u00eb, por m\u00eb n\u00eb fund u pranua dhe mori rrug\u00ebn e vet. N\u00eb at\u00eb frym\u00eb jan\u00eb v\u00ebn\u00eb \u201cKanga e dhimbjes krenare\u201d t\u00eb Migjenit, q\u00eb ka qen\u00eb e para, \u201cEfektivi\u201d, \u201cTregim p\u00ebr Makbethin\u201d etj. Kan\u00eb qen\u00eb disa shfaqje q\u00eb kan\u00eb pasur art, ato lloj principesh, ku muzika, l\u00ebvizja, arti pamor\/vizual jan\u00eb n\u00eb funksion t\u00eb krejt atij konceptimi t\u00eb ri, nj\u00eb m\u00ebnyre t\u00eb re (kam tentuar) p\u00ebr t\u00eb realizuar edhe k\u00ebrkesat e mia estetike q\u00eb kam pasur p\u00ebr teat\u00ebr.<\/p>\n

Teatrin \u201cMigjeni\u201d t\u00eb Shkodr\u00ebs, ju pak m\u00eb par\u00eb e quajt\u00ebt sht\u00ebpin\u00eb tuaj. Si e kujtoni at\u00eb periudh\u00eb kur ju jetuat n\u00eb k\u00ebt\u00eb sht\u00ebpi?<\/strong>
\nPatjet\u00ebr, un\u00eb kam qen\u00eb i lumtur, q\u00eb kam punuar me nj\u00eb kolektiv jasht\u00ebzakonisht t\u00eb talentuar. Sot p\u00ebr fat t\u00eb keq jan\u00eb vet\u00ebm pes\u00eb vet\u00eb, por n\u00eb koh\u00ebn kur isha un\u00eb kan\u00eb qen\u00eb 35 bashk\u00eb me regjizorin. Kan\u00eb qen\u00eb nj\u00eb grup me t\u00eb v\u00ebrtet\u00eb t\u00eb talentuar edhe me eksperienc\u00eb q\u00eb e kishin th\u00ebn\u00eb fjal\u00ebn e vet artistike jo vet\u00ebm n\u00eb shkall\u00eb rrethi e qyteti, por edhe n\u00eb shkall\u00eb komb\u00ebtare e mbar\u00ebkom\u00ebtare. K\u00ebnaq\u00ebsia ime ka qen\u00eb tep\u00ebr e madhe q\u00eb isha brenda k\u00ebtij kolektivi dhe ato u l\u00ebshuan si f\u00ebmij\u00eb t\u00eb vegj\u00ebl n\u00eb preh\u00ebrin tim regjizorial t\u00eb paformuar n\u00eb at\u00eb koh\u00eb dhe kjo m\u00eb ka dh\u00ebn\u00eb ndihmes\u00ebn m\u00eb t\u00eb madhe p\u00ebr t\u00eb ecur, p\u00ebr t\u00eb vazhduar m\u00eb tej.<\/p>\n

P\u00ebrve\u00e7se k\u00ebnaq\u00ebsi duhet t\u00eb ket\u00eb qen\u00eb edhe e v\u00ebshtir\u00eb p\u00ebr ju si regjizor, q\u00eb nd\u00ebrmjet k\u00ebtij kolektivi me emra t\u00eb d\u00ebgjuar n\u00eb art t\u00eb p\u00ebrzgjidhni interpretuesit p\u00ebr rolet e dramave q\u00eb ju keni v\u00ebn\u00eb n\u00eb sken\u00eb, apo jo?<\/strong>
\n\u00cbsht\u00eb drama q\u00eb p\u00ebrcakton se kush do t\u00eb marrin pjes\u00eb. Aty kishte t\u00eb rinj t\u00eb talentuar, si: Ymer Bala, Vitor Bru\u00e7eti, Elez Kadria, Donika Franja, q\u00eb ishin t\u00eb aft\u00eb e t\u00eb mir\u00eb, por sigurisht un\u00eb kam respektu figur\u00ebn, kam respektu autorin, kam pas\u00eb mund\u00ebsi t\u00eb respektoj autorin, se i kam pasur njer\u00ebzit t\u00eb aft\u00eb p\u00ebr t\u2019i realizuar. Mendoj se s\u2019 kemi punuar keq.<\/p>\n

Po sot, cilat jan\u00eb marr\u00ebdh\u00ebniet me teatrin \u201cMigjeni\u201d?<\/strong>
\nP\u00ebrve\u00e7 marr\u00ebdh\u00ebnieve shoq\u00ebrore (sepse ato q\u00eb jan\u00eb un\u00eb i du, i respektoj, i dua me gjith\u00eb shpirt), marr\u00ebdh\u00ebnie pune nuk kam fare qysh se kam dal\u00eb n\u00eb pension. Edhe nj\u00eb pjes\u00eb q\u00eb fillova u la, sepse nd\u00ebrhyri nj\u00eb regjizor italian, me t\u00eb cilin kishin lidhur kontrat\u00eb p\u00ebrpara se t\u00eb fillohej dhe u nd\u00ebrpre puna, pastaj nuk vazhdoi m\u00eb.<\/p>\n

Teatri \u201cMigjeni\u201d i Shkodr\u00ebs prej disa vitesh po hesht. Ju si e p\u00ebrjetoni k\u00ebt\u00eb inaktivitet t\u00eb k\u00ebtij teatri?<\/strong>
\nMe dhimbje, e them sinqerisht me dhimbje, m\u00eb vjen jasht\u00ebzakonisht keq, por nuk \u00ebsht\u00eb faji i aktor\u00ebve, as i organizimit t\u00eb pun\u00ebs aty n\u00eb teat\u00ebr. \u00c7far\u00eb mund t\u00eb b\u00ebhet me gjasht\u00eb aktor\u00eb? Megjith\u00ebse teatri \u201cMigjeni\u201d p\u00ebrpiqet dhe ka tentativa t\u00eb mira. Ato kan\u00eb v\u00ebn\u00eb shfaqje t\u00eb mira, ka v\u00ebn\u00eb Bardh Smaja. Un\u00eb nuk i kam par\u00eb p\u00ebr fat t\u00eb keq, por m\u00eb kan\u00eb folur mir\u00eb. Elez Kadria ka v\u00ebn\u00eb shfaqje. P\u00ebr mua, ndryshimet sa t\u00eb mira kan\u00eb qen\u00eb, kan\u00eb sjell\u00eb edhe mang\u00ebsi, sepse teatri \u00ebsht\u00eb varf\u00ebruar. Un\u00eb kam punuar edhe me teatrin e Durr\u00ebsit. Kam pasur vet\u00ebm dy aktor\u00eb, nj\u00eb pensionist dhe nj\u00eb aktor t\u00eb Durr\u00ebsit dhe t\u00eb tjer\u00ebt kan\u00eb qen\u00eb t\u00eb marrun prej Tirane. Edhe ata jan\u00eb n\u00eb k\u00ebt\u00eb gjendje.<\/p>\n

Jeni nj\u00eb regjizor q\u00eb keni p\u00ebrjetuar t\u00eb dy periudhat, teatrin n\u00eb periudh\u00ebn e monizmit si dhe teatrin e sot\u00ebm. Si i shihni tendencat e reja n\u00eb k\u00ebt\u00eb gjini?<\/strong>
\nTendenca e re p\u00ebr ne, q\u00eb ka filluar me koh\u00eb n\u00eb bot\u00eb \u00ebsht\u00eb nj\u00eb domosdoshm\u00ebri, por pa mohuar vlerat e dram\u00ebs realiste. Edhe drama realiste mund t\u00eb trajtohet me tendenca t\u00eb reja. Ne kemi pa \u201cHamletin\u201d p\u00ebr shembull n\u00eb disa variante, kemi par\u00eb \u201cMakbethin\u201d, kemi pa edhe shfaqje t\u00eb tjera q\u00eb jan\u00eb v\u00ebn\u00eb mbi baz\u00ebn e nj\u00eb konceptimi modern, bashk\u00ebkohor, por nuk do t\u00eb thot\u00eb bashk\u00ebkohore nd\u00ebrrimi i veshjes, bashk\u00ebkohor p\u00ebr mu \u00ebsht\u00eb trajtimi i vlerave, i mesazheve, q\u00eb ajo koh\u00eb i p\u00ebrcjell koh\u00ebs son\u00eb dhe i p\u00ebrshtaten koh\u00ebs son\u00eb, dhe i flasin koh\u00ebs son\u00eb, dhe i flasin problemeve tona, dhe i flasin shqet\u00ebsimeve tona. Sot mendoj q\u00eb kjo \u00ebsht\u00eb nj\u00eb domosdoshm\u00ebri, un\u00eb jam p\u00ebr eksperimentimin (nuk jam kund\u00ebr) dhe m\u00eb vjen mir\u00eb, se m\u00eb duket se kam mbetur i ri, por nuk duhet kaluar n\u00eb ekstreme deri n\u00eb at\u00eb shkall\u00eb, sa publiku t\u00eb mos marr\u00eb vesh asgj\u00eb se \u00e7far\u00eb ndodh n\u00eb sken\u00eb.<\/p>\n

Z. Fanko, p\u00ebrve\u00e7se si regjizor, ju kemi par\u00eb disa her\u00eb edhe n\u00eb interpretime n\u00eb kinematografi kryesisht.<\/strong>
\nN\u00eb film, n\u00eb televizion jan\u00eb rreth 15 role (mos gabohem) a 18 role, nuk jam i sigurt. E para gj\u00eb q\u00eb do t\u2019ju them, un\u00eb n\u00eb premier\u00ebn e filmit ku kam luajtur nuk kam shkuar asnj\u00ebher\u00eb edhe pse kam qen\u00eb i detyruar t\u00eb shkoj, sepse \u00ebsht\u00eb b\u00ebr\u00eb nj\u00eb ceremoni e vog\u00ebl. Kjo p\u00ebr faktin se kam pasur frik\u00eb nga vetja, sinqerisht e them, nuk m\u00eb ka p\u00eblqyer vetja, jo pse e shihja gjat\u00eb dublimeve, kur dublonim z\u00ebrin n\u00eb kinostudio, jo pse kam pasur besim se jam m\u00eb i mir\u00eb e di me t\u00eb b\u00ebj m\u00eb mir\u00eb, por thjesht nuk m\u00eb ka p\u00eblqyer kurr\u00eb vetja n\u00eb film, megjith\u00ebse spektatori m\u00eb ka dashur edhe ndoshta m\u00eb shum\u00eb m\u00eb njohin si aktor sesa si regjizor. M\u00eb kan\u00eb thirr\u00eb me emrat e roleve, o Klark, o Cubel Breca, njer\u00ebz t\u00eb panjohur n\u00eb Tiran\u00eb, n\u00eb Durr\u00ebs, n\u00eb Vlor\u00eb, kudo ku kam qen\u00eb. Ishte nj\u00eb k\u00ebnaq\u00ebsi e madhe, nj\u00eb sodisfaksion i madh p\u00ebr mua.<\/p>\n

Cilin prej k\u00ebtyre roleve keni pasur ma p\u00ebr zem\u00ebr?<\/strong>
\nJan\u00eb me t\u00eb v\u00ebrtet\u00eb disa, por Zekthi, ka qen\u00eb nj\u00eb nd\u00ebr rolet e mia t\u00eb mira, pavar\u00ebsisht se mban vul\u00ebn e koh\u00ebs n\u00eb at\u00eb periudh\u00eb. Ka qen\u00eb Cubel Breca, nj\u00eb nd\u00ebr rolet e mia ma t\u00eb mira, t\u00eb cilin e mora rast\u00ebsisht, sapo kisha ardhur\u00eb nga xhirimi i nj\u00eb filmi dhe isha me t\u00eb v\u00ebrtet\u00eb i lodhur, pes\u00eb muaj kemi vonuar ta b\u00ebjm\u00eb. Po ka qen\u00eb edhe Klarku, megjith\u00ebse rol episodik, ka qen\u00eb shum\u00eb fisnik, shum\u00eb i mir\u00eb, te \u201cFije q\u00eb priten\u201d, Bardhyl Krasta te novela e Kadares\u00eb \u201cEmblema e dikurshme\u201d. Bile kam fal\u00ebnderime t\u00eb ve\u00e7anta nga Ismail Kadare p\u00ebr at\u00eb rol, se ai k\u00ebnaqet kur sheh pun\u00ebn e interpretimit, kur t\u00eb mia puna p\u00ebr t\u00eb shkru mandej k\u00ebrkon shum\u00eb.<\/p>\n

Z. Fanko, ju that\u00eb pak m\u00eb par\u00eb, q\u00eb koh\u00ebt e fundit bashk\u00ebpunimin m\u00eb t\u00eb ngusht\u00eb e keni pasur me Teatrin Komb\u00ebtar n\u00eb Tiran\u00eb, nd\u00ebrkoh\u00eb q\u00eb ju vazhdoni t\u00eb jetoni k\u00ebtu n\u00eb Shkod\u00ebr. \u00c7far\u00eb ju lidh me k\u00ebt\u00eb qytet?<\/strong>
\nVendlindja ime, \u00ebsht\u00eb f\u00ebmij\u00ebria ime, \u00ebsht\u00eb rinia ime, jan\u00eb varret e prind\u00ebrve t\u00eb mi, kam sht\u00ebpin\u00eb time k\u00ebtu, kam shoq\u00ebrin\u00eb, kam gjith\u00e7ka k\u00ebtu, megjith\u00ebse gjakun e kam nga P\u00ebrmeti. Un\u00eb jam p\u00ebrmetar, po kam lindur n\u00eb Shkod\u00ebr. Po un\u00eb i q\u00ebndroj besnik, jo vet\u00ebm se teatri dhe kolektivi i teatrit me t\u00eb cil\u00ebt kam punuar kan\u00eb qen\u00eb t\u00eb mrekulluesh\u00ebm, por k\u00ebtu ka edhe nj\u00eb publik t\u00eb mrekulluesh\u00ebm. I ka ndjekur shfaqjet tona, p.sh. un\u00eb them q\u00eb \u201cK\u00ebshilli i ndrikullave\u201d \u00ebsht\u00eb par\u00eb rreth 70 her\u00eb pa nd\u00ebrprerje edhe s\u2019jan\u00eb gjetur bileta ose \u201cFisheku n\u00eb paj\u00eb\u201d rreth 300 her\u00eb si shfaqje, me sall\u00eb plot gjithmon\u00eb etj., etj. Pra, jan\u00eb pik\u00ebrisht k\u00ebto q\u00eb m\u00eb kan\u00eb mbajtur t\u00eb lidhur, por ndoshta jam edhe pak i vjetruar n\u00eb shije, q\u00eb e dua, e dua Shkodr\u00ebn (nuk jam fanatik) e dua me gjith\u00eb shpirt.<\/p>\n

Dhe s\u00eb fundi, z. Fanko, si \u00ebsht\u00eb p\u00ebr ju nj\u00eb dit\u00eb k\u00ebtu n\u00eb Shkod\u00ebr, si kalon nj\u00eb dit\u00eb?<\/strong>
\nK\u00ebtu \u00ebsht\u00eb nj\u00eb dit\u00eb e mrekullueshme, kam nj\u00eb grua dhe nj\u00eb nuse q\u00eb jan\u00eb b\u00ebr\u00eb skllave t\u00eb pun\u00ebs sime, t\u00eb d\u00ebshirave t\u00eb mia artistike, q\u00eb m\u00eb ngacmojn\u00eb, m\u2019i marrin p\u00ebrsip\u00ebr t\u00eb gjitha telashet e tjera, po kam nj\u00eb nip e nj\u00eb mbes\u00eb me t\u00eb cil\u00ebt k\u00ebnaqem edhe shamatohem. Jam i lumtur pran\u00eb sht\u00ebpis\u00eb, pran\u00eb njer\u00ebzve t\u00eb mi.<\/p>\n

BBC n\u00eb Shqip, Maj, 2006<\/em><\/p>\n

Serafin Fanko, nd\u00ebrroi jet\u00eb n\u00eb n\u00ebntorin e vitit 2007, n\u00eb mosh\u00ebn 70 vje\u00e7are.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Artisti i madh SERAFIN FANKO Regjizor-Artist i Popullit do te ishte 81 vje\u00e7. N\u00eb k\u00ebt\u00eb p\u00ebrvjetor t\u00eb tij, po publikojm\u00eb nj\u00eb intervist\u00eb, q\u00eb ai i ka dh\u00ebn\u00eb 11 vite m\u00eb pare BBC n\u00eb shqip dhe gazetarit Adrin Hoti. Intervista \u00ebsht\u00eb marr\u00eb nga libri i sapo publikuar “Gjurm\u00eb Z\u00ebrash” i autorit Adrian Hoti. Regjizor-Artist i Popullit […]<\/p>\n","protected":false},"author":1,"featured_media":30278,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2,5],"tags":[],"class_list":["post-30277","post","type-post","status-publish","format-standard","has-post-thumbnail","category-artikuj","category-intervista"],"yoast_head":"\nSERAFIN FANKO, ARTISTI Q\u00cb NUK HARROHET - FJALA e LIR\u00cb<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/jehonashqiptare.al\/fjala\/serafin-fankoartisti-qe-nuk-harrohet\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"SERAFIN FANKO, ARTISTI Q\u00cb NUK HARROHET - FJALA e LIR\u00cb\" \/>\n<meta property=\"og:description\" content=\"Artisti i madh SERAFIN FANKO Regjizor-Artist i Popullit do te ishte 81 vje\u00e7. 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