{"id":30636,"date":"2018-06-09T19:34:55","date_gmt":"2018-06-09T17:34:55","guid":{"rendered":"http:\/\/www.fjala.info\/?p=30636"},"modified":"2018-06-09T19:34:55","modified_gmt":"2018-06-09T17:34:55","slug":"poeti-dhamo-ne-gjeopoezine-e-re","status":"publish","type":"post","link":"https:\/\/jehonashqiptare.al\/fjala\/poeti-dhamo-ne-gjeopoezine-e-re\/","title":{"rendered":"POETI DHAMO N\u00cb GJEOPOEZIN\u00cb E RE"},"content":{"rendered":"

Faslli Haliti<\/strong><\/p>\n

P\u00ebrmbledhja poetike “Moda e varf\u00ebris\u00eb” e poetit Konstandin Dhamo, \u00ebsht\u00eb koherente si dhe nj\u00eb sfid\u00eb ndaj poezis\u00eb nebuloz\u00eb dhe t\u00eb zhvidhosur, t\u00eb \u00e7akorduar, manieriste, eksentrike, snobiste q\u00eb duket here-her\u00eb n\u00eb tregun e lire t\u00eb sot\u00ebm poetik, por q\u00eb p\u00ebr fat mbetet stok, pasi me gjith\u00eb k\u00ebmb\u00ebnguljen e pseudokritik\u00ebve dhe recensent\u00ebve panegjerist\u00eb, ajo shp\u00ebrfillet nga lexuesi. N\u00eb gjoksin poetik t\u00eb Dhamos nuk ka z\u00ebn\u00eb e nuk z\u00eb vend papagalli dhe majmuni, ai sheh me syt\u00eb e tij teleskopik\u00eb, d\u00ebgjon m\u00eb me holl\u00ebsi, ec\u00ebn me hapin e tij, pa marr\u00eb asnj\u00eb shqis\u00eb apo gjymtyr\u00eb poetike me qira. Kjo nuk do t\u00eb thot\u00eb q\u00eb ai \u00ebsht\u00eb indiferent ndaj form\u00ebs, figuracionit t\u00eb ri, teknologjis\u00eb s\u00eb re n\u00eb perfeksionim, p\u00ebrkundrazi, realist i mpreht\u00eb, i thell\u00eb, i gjer\u00eb gjith\u00eb kolor, ai nuk \u00ebsht\u00eb dh\u00ebn\u00eb e nuk jepet si nj\u00eb adoleshent pas arteficeve, modave dhe snobizmave q\u00eb n\u00eb hapat e para t\u00eb krijimtaris\u00eb s\u00eb tij poetike e deri tani n\u00eb pjekurin\u00eb e tij t\u00eb plot\u00eb.<\/p>\n

Poeti Dhamo, i zhytur i t\u00ebri n\u00eb thell\u00ebsit\u00eb e realitetit sjell prej k\u00ebtyre thell\u00ebsive perla temash, ide t\u00eb r\u00ebnd\u00ebsishme t\u00eb shoq\u00ebruara me figura stilistike, detaje, p\u00ebrfytyrime poetike. Poezis\u00eb s\u00eb tij t\u00eb qart\u00eb e t\u00eb drejtp\u00ebrdrejt nuk i mungojn\u00eb as tropet e thjeshta; krahasimi, epiteti, as tropet e nd\u00ebrlikuara; metafora, metonimia, simboli, ironia dhe sidomos inversioni poetik etj..P\u00ebrkundrazi. Vet\u00eb titulli Moda e varf\u00ebris\u00eb \u00ebsht\u00eb nj\u00eb paradoks, sepse paradoksale dhe tejet snobiste ishte dhe moda e varf\u00ebris\u00eb q\u00eb filluan t\u00eb ndiqnin t\u00eb rinjt\u00eb tan\u00eb q\u00eb n\u00eb dit\u00ebt e para t\u00eb viteve n\u00ebnt\u00ebdhjet\u00eb. Si kontrapunkt i ardhjes s\u00eb diktatur\u00ebs me k\u00ebng\u00eb valle, saze, daulle, g\u00ebzim dhe hare fiktive, teatrale, paradoksale, absurde, komike, demokracia erdhi te ne, me mod\u00ebn e varf\u00ebris\u00eb teatrale, me imitim leckash dhe zhelesh:<\/p>\n

Po sa s\u2019t\u00eb shkon ty, moj Shqip\u00ebri e mjer\u00eb,
\nKjo varf\u00ebri e imituar\u2026<\/p>\n

Poeti duke qen\u00eb i dh\u00ebn\u00eb pas s\u00eb bukur\u00ebs, nuk e duron dot imitimin si nj\u00eb shfaqe t\u00eb shterp\u00ebsis\u00eb, t\u00eb paaft\u00ebsis\u00eb p\u00ebr krijim, fantazi e origjinalitet. Origjinalitetin, poeti, nuk e k\u00ebrkon si nj\u00eb q\u00ebllim n\u00eb vetvete, por si nj\u00eb p\u00ebrpjekje p\u00ebr identitet, pasurim, prurje t\u00eb reja, t\u00eb papara. K\u00ebt\u00eb k\u00ebrkon ai n\u00eb jet\u00eb, po k\u00ebt\u00eb k\u00ebrkon dhe n\u00eb krijimtarin\u00eb poetike. Dhamo \u00ebsht\u00eb po ai poet i m\u00eb parsh\u00ebm, por me shqet\u00ebsime m\u00eb t\u00eb m\u00ebdha, ai ka po at\u00eb ball\u00eb poetik t\u00eb men\u00e7ur poetik, por me rrudha m\u00eb t\u00eb dendura, m\u00eb t\u00eb thella, ka po at\u00eb zem\u00ebr poetike, por m\u00eb t\u00eb gjer\u00eb, me rrahje m\u00eb t\u00eb shpeshta ndaj shqet\u00ebsimeve, halleve shoq\u00ebrore,ndaj prap\u00ebshtive si atyre moniste dhe postkomuniste, e mbushur plot ndjenja ende m\u00eb t\u00eb bukura globale dhe intime; qielli i frym\u00ebzimit t\u00eb tij \u00ebsht\u00eb po ai qiell poetik, por me kalt\u00ebrsi m\u00eb t\u00eb kthjella; gjoksi i tij poetik \u00ebsht\u00eb po ai, por me shkulme m\u00eb t\u00eb furishme dhe q\u00ebt\u00ebsi t\u00eb reja, m\u00eb i gjer\u00eb e m\u00eb i prirur ndaj s\u00eb res\u00eb, m\u00eb dimensional.
\nPo pse s\u2019e pranon poeti k\u00ebt\u00eb mod\u00eb t\u00eb varf\u00ebris\u00eb n\u00eb jet\u00eb e n\u00eb art? Ai nuk e pranon sepse ajo \u00ebsht\u00eb teatrale, \u00ebsht\u00eb nj\u00eb imitim i verb\u00ebr i mod\u00ebs q\u00eb ka praktikuar e praktikon rinia e vendeve me mir\u00ebqenie t\u00eb lart\u00eb. Atje kjo mod\u00eb teatrale as ka cenuar, as s\u2019cenon gj\u00eb. Dikur, n\u00eb vendet kapitaliste, ajo ishte nj\u00eb protest\u00eb e but\u00eb, kurse sot \u00ebsht\u00eb thjesht di\u00e7ka \u00ebmb\u00eblake, indiferente ndaj bezdive etiko-morale. N\u00eb vendet ish socialiste, p\u00ebrkundrazi, kjo mod\u00eb, jo vet\u00ebm ndalohej, por edhe d\u00ebnohej, sepse nxirrte n\u00eb shesh varf\u00ebrin\u00eb reale t\u00eb cil\u00ebn diktatura b\u00ebnte \u00e7mos q\u00eb ta mbulonte me propaganda roz\u00eb:<\/p>\n

Moda ishte krim,
\nKrim dashuria ishte.
\nP\u00ebrball\u00eb shtetit
\nFajtor duhet t\u00eb ndiheshe !<\/p>\n

Nd\u00ebrsa n\u00eb jet\u00eb poeti duket disi i ashp\u00ebr, n\u00eb poezi ai shfaqet i but\u00eb, i ndjesh\u00ebm edhe kur trajton motive q\u00eb p\u00ebrmbajn\u00eb revolt\u00eb, protest\u00eb, zem\u00ebrim, ai b\u00ebhet melankolik dhe nervoz, por nervozizmin e tij e mbyt zhg\u00ebnjimi i tjet\u00ebrsimit t\u00eb njerezve dhe rr\u00ebnimi i mjedisit\u2026<\/p>\n

Po ku jan\u00eb tani ato femra
\nQ\u00eb mbajt\u00ebn t\u00eb parat minifunde ?
\nAta djem q\u00eb vesh\u00ebn t\u00eb parat xhinse.
\nKu jan\u00eb?<\/p>\n

Un\u00eb i kujtoj me mall,
\nMelankolik b\u00ebhem, madje nervoz
\nN\u00eb Rrug\u00ebn e Durr\u00ebsit t\u00eb harruar,
\nPo ku t\u00eb pi nj\u00eb kafe, ku ?
\nTe Flora, tashm\u00eb
\nShk\u00ebmbehet valut\u00eb\u2026<\/p>\n

Ky poet i ashp\u00ebr dhe nervoz n\u00eb dukje, n\u00eb poezi \u00ebsht\u00eb i but\u00eb e pik\u00ebllohet thell\u00eb kur sheh nj\u00eb n\u00ebpun\u00ebs q\u00eb shkon e kthehet nga zyra n\u00eb k\u00ebmb\u00eb po me at\u00eb kostum dhe njer\u00ebzit thon\u00eb, \/ Sa i ndersh\u00ebm, si\u00e7 do t\u00eb thoshin, sa i marr\u00eb\/ q\u00eb dhe \/F\u00ebmij\u00ebt n\u00eb shkoll\u00eb s\u2019i rregulloi dot\/, q\u00eb \/Gruaja e tij n\u00eb dim\u00ebr,\/Pallton e vjet\u00ebr s\u00ebrish veshi\/, apo kur sheh nj\u00eb ish drejtor t\u00eb papun\u00eb \/Tek rri n\u00eb radh\u00eb kokulur me t\u00eb tjer\u00ebt\/ p\u00ebr t\u00eb marr\u00eb asistenc\u00ebn sociale, \/ Nd\u00ebrsa n\u00ebpun\u00ebsja e shtetit \/ Ul syt\u00eb kur i zgjat lek\u00ebt\/. Por pik\u00ebllimi i poetit shtohet, sidomos kur sheh q\u00eb \/Ministria e Brendshme i detyron f\u00ebmij\u00ebt\/ N\u00eb qese tejdukse celofani t\u2019i mbajn\u00eb librat, \/Dhe t\u2019i kontrollojn\u00eb te porta f\u00ebmij\u00ebt\/ P\u00ebr bomba, apo p\u00ebr granata,\/ N\u00eb vend q\u00eb t\u00eb kontrollojn\u00eb kriminel\u00ebt\u2026\/ U dhemb f\u00ebmij\u00ebve p\u00ebr \u00e7antat bosh, hedhur n\u00eb nj\u00eb qoshe,\/ \u00c7anta bler\u00eb gjith\u00eb qejf, me figurat e Tomit e Xherrit\/ Mbretit Luan, apo Batman\u2026\/. Frym\u00ebzimi I poetit \u00ebsht\u00eb aty ku jan\u00eb njer\u00ebzit n\u00eb nevoj\u00eb. Ai radhitet shpirt\u00ebrisht krah\u00eb gjith\u00eb atyre q\u00eb emigrojn\u00eb p\u00ebr mbijetes\u00eb apo t\u00eb zhg\u00ebnjyerve q\u00eb synojn\u00eb El Doradon. Pa dyshim edhe k\u00ebtu kemi t\u00eb b\u00ebjm\u00eb me nj\u00eb paradoks t\u00eb v\u00ebrtet\u00eb t\u00eb koh\u00ebs.
\nPik\u00ebllimi i poetit kulmon kur v\u00eb re kolegun e tij me nj\u00eb plumb n\u00eb dor\u00eb t\u00eb p\u00ebrhumbur thell\u00eb dhe q\u00eb<\/p>\n

Ndihet fajtor, mjek\u00ebr ka l\u00ebn\u00eb,
\n\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026
\nCigarja i digjet si fitil dinamiti
\nDhe flet pak, psher\u00ebtin shum\u00eb.
\nNdoshta plumbi \u00ebsht\u00eb nxjerr\u00eb nga trupi \u2013 lule i nj\u00eb f\u00ebmije\u2026<\/p>\n

Poezia e Dhamos \u00ebsht\u00eb, jo vet\u00ebm poezi e rrokjes mrekullisht t\u00eb t\u00eb p\u00ebrgjithshmes poetike, por ajo \u00ebsht\u00eb edhe poezi e kapjes mrekullisht t\u00eb detajit poetik duke e pasuruar k\u00ebshtu t\u00eb p\u00ebrgjithshmen poetike, pa e cenuar at\u00eb aspak.<\/p>\n

Por muret e ambasad\u00ebs s\u2019kap\u00ebrcehen dot;
\nMadje, mbi ta shk\u00eblqejn\u00eb verbuesh\u00ebm
\nTelat me gjemba sit \u00eb nazist\u00ebve,
\nApo si t\u00eb kufijve t\u00eb diktatur\u00ebs\u2026<\/p>\n

Detaji i mureve t\u00eb ambasadave me tela k\u00ebtu nuk \u00ebsht\u00eb nj\u00eb bravur\u00eb apo fioritur\u00eb poetike, por thell\u00ebsish dramatike dhe n\u00eb funksion t\u00eb dometh\u00ebnies. Kishim para syve nj\u00eb cortino di ferro gjat\u00eb diktatur\u00ebs, dhe ja na u vu para syve nj\u00eb cortino di vetro. Nd\u00ebrsa perdja e hekurt s\u2019kalohej, por edhe s\u2019na linte t\u00eb shihnim p\u00ebrtej kufirit, tani perdja qelqore posdiktatur\u00eb na lejon t\u00eb shohim p\u00ebrtej kufirit, por ne p\u00ebrplasemi n\u00eb t\u00eb si mizat n\u00eb qelq. Zhg\u00ebnjim i madh.<\/p>\n

Ja nj\u00eb detaj tjet\u00ebr monumental p\u00ebr nd\u00ebrrimin e pushtetit n\u00eb demokracit\u00eb per\u00ebndimore no koment:<\/p>\n

Ish presidenti
\nKodin atomik i dor\u00ebzon
\nPresidentit t\u00eb ri
\nMonumentalisht p\u00ebrsh\u00ebndeten,
\nSi dy epoka ndahen.<\/p>\n

Dhe m\u00eb posht\u00eb:<\/p>\n

Jehojn\u00eb brohoritjet, ndrit entuziazmi,<\/p>\n

Dhe<\/p>\n

Sa i pranish\u00ebm shteti, sa i pranish\u00ebm,
\nSa i sigurt
\nSa mizorisht i sigurt!<\/p>\n

Detaji k\u00ebtu p\u00ebrmban habi, por t\u00ebrthorazi edhe nj\u00eb keqardhje t\u00eb skajshme p\u00ebr rrotacionin e pushtetit te ne dhe p\u00ebr munges\u00ebn e shtetit ligjor e t\u00eb drejt\u00eb.<\/p>\n

Intelektual\u00ebve q\u00eb marrin ndihma poeti u rezervon k\u00ebt\u00eb detaj t\u00eb dhimbsh\u00ebm poetik:<\/p>\n

Ah, sa dhunsh\u00ebm t\u00eb posht\u00ebron varf\u00ebria !<\/p>\n

Dhamo \u00ebsht\u00eb edhe nj\u00eb peizazhist i tipit t\u00eb Savrasovit. Peizazhet e tij poetike jan\u00eb jo vet\u00ebm thell\u00ebsisht shqiptare, por edhe gjith\u00eb kolor e freski t\u00eb realizuar me figurat m\u00eb adekuate. I dashuruar me token, pem\u00ebt, uj\u00ebrat, flor\u00ebn, faun\u00ebn peneli I tij poetic l\u00ebviz si krah dall\u00ebndysheje n\u00eb telajot e strofave duke na dh\u00ebn\u00eb akuarele tejet t\u00eb fresk\u00ebta qelqore:<\/p>\n

Fusha ndan\u00eb zallit, male dhe re,
\nFshatra fshehur mjegullash diku\u2026
\nShkumon Shkumbini;
\nShelgjet brigjesh
\nSi shat\u00ebrvan\u00eb derdhen, dridhen flu.<\/p>\n

Freskia realizohet k\u00ebtu n\u00ebp\u00ebrmjet nj\u00eb aliteracini Fanolian.<\/p>\n

Por Dhamo p\u00ebrdor\u00eb me mjesht\u00ebri dhe inversionin poetik, figure kjo e p\u00ebrdorur nga Majakovski dhe Kadareja yn\u00eb. Inversionin e hasin pothuaj n\u00eb gjith\u00eb librin, por ve\u00e7an\u00ebrisht at\u00eb e hasim n\u00eb poem\u00ebn furi \u2019\u2019Zoti Kallashnikov\u2019\u2019<\/p>\n

Prisnim CNN \u2013in, RAIN \u2013 in prisnim
\nOse<\/p>\n

Shqip\u00ebria rrezikoi p\u00ebrs\u00ebri t\u00eb cop\u00ebtohej,
\nT\u00eb zhdukej krejt rrezikoi<\/p>\n

Poeti Dhamo jepet m\u00eb shum\u00eb sukses pas lirik\u00ebs shoq\u00ebrore, por edhe pas asaj filozofike e erotike. Ndon\u00ebse disi t\u00eb rralla po kur ai trajton lirik\u00ebn e dashuris\u00eb, derdh n\u00eb t\u00eb gjith\u00eb pasurin\u00eb e tij poetike, tretet I t\u00ebri n\u00eb k\u00ebt\u00eb ndjenj\u00eb q\u00eb konkurron dhe vet\u00eb blerimin bjeshkor:<\/p>\n

Gjer larg e ndjek tek ik\u00ebn.
\nNdodh q\u00eb kok\u00ebn kthen.
\nHumor t\u00eb mire n\u00eb pun\u00eb
\nKam, kur e shoh p\u00ebrher\u00eb\u2026<\/p>\n

Dhe m\u00eb tej:<\/p>\n

Nj\u00eb dit\u00eb do ta ndal, patjet\u00ebr,
\nT\u00eb shihemi nd\u00ebr sy n\u00eb fund.
\nLe t\u2019i ndreq flok\u00ebt kur ec\u00ebn,
\nTek ec\u00ebn \u00e7ant\u00ebn le ta und\u2026<\/p>\n

Fill pas poem\u00ebs \u2019\u2019Zoti Kallashnikov\u2019\u2019 e cila \u00ebsht\u00eb krijimi m\u00eb i frym\u00ebzuar i p\u00ebrmbledhjes, ku trajtohen me realiz\u00ebm, fantazi dhe nerv poetik e civil t\u00eb gjitha prap\u00ebshtit\u00eb e ndodhura gjat\u00eb viteve postkomuniste dhe sidomos ato t\u00eb vitit t\u00eb \u00e7artur \u201997. Nervi rritet, kur stigmatizohet imoraliteti politik dhe sidomos kur poeti jep prishjen e kulteve fetare, paradoksin e tjet\u00ebrsimit t\u00eb tyre n\u00ebp\u00ebrmjet pyetjesh retorike:<\/p>\n

Po kush n\u00eb bot\u00eb si ne
\nPrishi kisha dhe xhami ?
\nKush ua ktheu n\u00eb kulla vrojtimi zjarrfik\u00ebsish
\nMinaret dhe kambanore ?
\nKush i ktheu vet\u00eb ato n\u00eb magazine veglash bujq\u00ebsore;
\nN\u00eb depo pesticidesh, n\u00eb depo municionesh ?
\nKush n\u00eb bot\u00eb I b\u00ebri qendra t\u00eb edukimit politik ?
\nPalestra sportive kush i b\u00ebri ?<\/p>\n

Dhe vazhdon po me pyetje d\u00ebrrmuese retorike:<\/p>\n

Pse s\u2019ec\u00ebn ky vend,
\nSi t\u00eb tjer\u00ebt, pse s\u2019ec\u00ebn ?<\/p>\n

ose<\/p>\n

Po t\u00eb ikurve sot
\nN\u00eb \u00e7far\u00eb u kthehet balta e m\u00ebm\u00ebdheut vall\u00eb?<\/p>\n

Si\u00e7 kuptohet, n\u00ebp\u00ebrmjet k\u00ebtyre vargjeve del n\u00eb pah zhg\u00ebnjimi i theksh\u00ebm i t\u00eb emigruarve p\u00ebr mbijetes\u00eb apo p\u00ebr pasurim t\u00eb p\u00ebrrallt\u00eb. Dhe u duk sikur<\/p>\n

Nj\u00eb m\u00ebngjes shqiptar\u00ebt nga fajdet,
\nSi n\u2019\u00ebnd\u00ebrr t\u00eb pasur u gdhin\u00eb.<\/p>\n

Por<\/p>\n

Nga fajdet nj\u00eb m\u00ebngjes p\u00ebrs\u00ebri
\nSi n\u2019\u00ebnd\u00ebrr t\u00eb varf\u00ebr u gdhin\u00eb<\/p>\n

Dhe<\/p>\n

Ku do t\u2019i gjenin tani parat\u00eb,
\nPun\u00eb, ku do t\u00eb gjenin tani ?
\n\u00c7\u2019na b\u00ebre moj qeveri?<\/p>\n

Pas k\u00ebsaj poeme furtune, vendoset nj\u00eb tuf\u00eb fine haikesh si nj\u00eb varg brilantesh splendid n\u00eb gjoksin e librit. k\u00ebto nuk durojn\u00eb komente, ato e venitin \u00e7do koment m\u00eb drit\u00ebsin\u00eb e tyre. Haiket e Dhamos shijohen, jo duke i komentuar e analizuar, por duke i lexuar e rilexuar.<\/p>\n

Duke mos ndjekur modat si adoleshent, apo si \u00e7\u2019b\u00ebjn\u00eb t\u00eb patalentuarit,duke p\u00ebrthithur arritjet e artit bot\u00ebror, duke p\u00ebrpir\u00eb \u00e7do form\u00eb t\u00eb re t\u00eb v\u00ebrtet\u00eb krijuese si poet me talent t\u00eb konsoliduar, ai \u00ebsht\u00eb dhe do t\u00eb mbetet poet i tri dimensioneve kohore: i s\u00eb djeshmes, i s\u00eb sotmes dhe i s\u00eb nes\u00ebrmes. Poezia vitale ka vetin t\u00eb rritet, t\u00eb hedh\u00eb shtat vazhdimisht, kurse poezia dekorative, artificiale, si lulet prej letre s\u2019e kan\u00eb k\u00ebt\u00eb veti shtathedh\u00ebse. Duke qen\u00eb poet koherent edhe stili i tij \u00ebsht\u00eb koherent. Ai ruan tiparet qen\u00ebsore t\u00eb stilit t\u00eb tij q\u00eb nga fillimi i krijimtaris\u00eb 45-vje\u00e7are, duke e p\u00ebrsosur at\u00eb pa i cenuar atij asnj\u00eb tipar. Nd\u00ebrsa p\u00ebrmbajtja \u00ebsht\u00eb e t\u00eb gjith\u00ebve, stili i tij \u00ebsht\u00eb vet\u00ebm i tij. Stili \u00ebsht\u00eb vet\u00eb poeti. Edhe pse n\u00eb dukje e ashp\u00ebr, sita poetike e Dhamos sit im\u00ebt, z\u00ebri i tij poetik timbron holl\u00eb, sidomos n\u00eb poezit\u00eb lirike dhe peizazhet me drit\u00eb t\u00eb blert\u00eb. Poeti Dhamo afishon edhe kultur\u00eb edhe stil n\u00eb poezit\u00eb e tij. Poezit\u00eb e tij e kan\u00eb n\u00eb sinkron mendim dhe ndjenj\u00ebn. Ai e ruan mrekullisht mas\u00ebn n\u00eb p\u00ebrdorimin e figuracionit dhe ndjenj\u00ebs. Sepse si\u00e7 thot\u00eb Hugoi, ndjenja e tep\u00ebrt \u00ebsht\u00eb si vaji i q\u00eb e shuan zjarrin. Poezit\u00eb e Dhamos kan\u00eb nj\u00eb prush t\u00eb but\u00eb si prushi i drurit t\u00eb moll\u00ebs, qershis\u00eb, blirit.
\nAi ka kultin e fjal\u00ebs. E k\u00ebrkon at\u00eb kudo, e gjen n\u00eb jet\u00eb, n\u00eb t\u00eb folur\u00ebn e p\u00ebrditshme, n\u00eb krijimet orale, e p\u00ebrthith dhe e fut n\u00eb poezi, krijon neologjizma, jo p\u00ebr ta b\u00ebr\u00eb t\u00eb err\u00ebt poezin\u00eb, por p\u00ebr ta b\u00ebr\u00eb m\u00eb t\u00eb pasur dhe t\u00eb qart\u00eb. Ve\u00e7 kultit t\u00eb fjal\u00ebs, poeti Dhamo ka t\u00eb zhvilluar dhe kultin e qart\u00ebsis\u00eb si nj\u00eb sfid\u00eb ndaj paqart\u00ebsive t\u00eb poezive belbane. Atij s\u2019i p\u00eblqen t\u00eb k\u00ebndoj\u00eb si bretkosat n\u00ebn akull…
\nN\u00eb fush\u00ebn fertile n\u00eb ide dhe form\u00eb t\u00eb let\u00ebrsis\u00eb shqiptare, Dhamo ka parcel\u00ebn e tij poetike t\u00eb kultivuar e t\u00eb harruar nga \u00e7do lloj bar\u00ebr\u00ebrash. Ai e meriton t\u00eb p\u00ebrfshihet n\u00eb kolon\u00ebn e poezis\u00eb s\u00eb zgjedhur shqipe. Ai ka vendin e tij n\u00eb gjeopoetik\u00ebn e re.<\/p>\n

TREGIME TE PJEKURA NE DIELLIN E ZEMRES<\/p>\n

N\u00eb euromaksin e let\u00ebrsis\u00eb shqipe, p\u00ebrmbledhja me tregime Rruga e Dibr\u00ebs ose Broadway, e shkrimtarit Konstandin Dhamo, p\u00ebrb\u00ebn pavijonin narrativ m\u00eb me jet\u00eb, e jo vet\u00ebm m\u00eb me jet\u00eb, por m\u00eb me jet\u00eb shqiptare; me personazhe e mjedise shqiptare t\u00eb djeshme e prezente, me ide dhe filozofi t\u00eb koh\u00ebs. Personazhet , edhe pse asnjerin nuk e shohim me qeleshe n\u00eb kok\u00eb, apo t\u00eb veshur me gun\u00eb e me paraqitje t\u00eb tjera etnografike, t\u00eb gjith\u00eb kan\u00eb karakter , temperament dhe integritet shqiptar, por edhe tipik ballkanik dhe europian. Shkrimtari p\u00ebrq\u00ebndrohet te shpirti dhe jo tek etnografia apo te dekori, aparenca e k\u00ebtij apo atij personazhi. Lexuesi k\u00ebt\u00eb e v\u00eb re menj\u00ebher\u00eb , sapo nis te lexoj\u00eb faqet e para t\u00eb p\u00ebrmbledhjes s\u00eb tij dhe e ndjek autorin gjat\u00eb rr\u00ebfimit timgullor, ritmik e koloristik, e d\u00ebgjon, bisedon e dialogon me t\u00eb. Dhamo tregon por nuk p\u00ebrpiqet t\u00eb ndikoj\u00eb me dhun\u00eb n\u00eb veprimet, b\u00ebmat , mendimet, shijet, bindjet e personazheve apo t\u00eb lexuesit; nuk imponon lexuesin q\u00eb t\u00eb pranoj\u00eb idet\u00eb , shijet, bindjet, q\u00ebndrimet e veta ndaj bot\u00ebs e jet\u00ebs.Ai e l\u00eb t\u00eb lir\u00eb lexuesin q\u00eb t\u00eb ndalet atje ku i p\u00eblqen,t\u00eb d\u00ebgjoj\u00eb ato q\u00eb i duken m\u00eb dometh\u00ebn\u00ebse e kumbuese, t\u00eb aprovoj\u00eb e t\u00eb disaprovoj\u00eb, t\u00eb kaloj\u00eb me indiferentiz\u00ebm zonat q\u00eb atij i duken me m\u00eb pak interes. Dhamo gjith\u00e7ka e jep reale, natyrsh\u00ebm. Ai nuk ndreq me artin e tij, por emancipon, iluminon, t\u00eb ndri\u00e7on rrug\u00ebn, nuk t\u00eb pajis me k\u00ebmb\u00eb. Tregimet ai nuk i ka \u00e7ekan\u00eb q\u00eb ngulin apo drejtojn\u00eb gozhd\u00eb t\u00eb shtremb\u00ebruara, apo bisturi p\u00ebr t\u00eb operuar zemr\u00ebn apo trurin e njer\u00ebzve.Me narracionin e tij , ai b\u00ebn q\u00eb zemra t\u00eb rrah\u00eb m\u00eb g\u00ebzuesh\u00ebm apo m\u00eb revoltuesh\u00ebm dhe truri t\u00eb rris\u00eb gjykimin dhe arsyetimin n\u00eb maksimum. Pothuaj n\u00eb gjith\u00eb tregimet e librit shihet menj\u00ebher\u00eb sensi i plot\u00eb , konkret material i fjal\u00ebs. Nuk e ka fare shijen e t\u00eb ashtuquajtur\u00ebs fraz\u00eb e bukur, edhe pse fraz\u00ebn ai e nd\u00ebrton me fjal\u00eb t\u00eb zgjedhura, t\u00eb paezauruara, t\u00eb gjalla , gjith\u00eb estetik\u00eb, me q\u00ebllimin e vet\u00ebm q\u00eb t\u00eb jepet e plot\u00eb dhe e bukur e v\u00ebrteta, e shoq\u00ebruar kjo me hedonistik\u00eb, me sens. Optika e personazheve dhe e narratorit protagonist \u00ebsht\u00eb e qart\u00eb , e kulluar , me kapacitet intelektual. Tregimet mund t\u2019i marr\u00ebsh si t\u00eb thjesht\u00eb, por n\u00eb t\u00eb v\u00ebrtet\u00eb kemi t\u00eb b\u00ebjm\u00eb me nj\u00eb thjesht\u00ebsi t\u00eb pasur e t\u00eb thell\u00eb. Ndodh pak a shum\u00eb si me ujin e kulluar t\u00eb liqenit q\u00eb ta afron fundin duke t\u00eb krijuar nj\u00eb optik\u00eb iluzore, p\u00ebr thell\u00ebsin\u00eb apo cekt\u00ebsin\u00eb.
\nDhamo ka nj\u00eb stil e teknik\u00eb kompozicionale shum\u00eb origjinale n\u00eb tregimet e tij. Ky origjinalitet vjen, sepse autori komunikon drejtp\u00ebrdrejt me jet\u00ebn, me realitetin , duke qen\u00eb p\u00ebrher\u00eb i v\u00ebmendsh\u00ebm dhe i p\u00ebrq\u00ebndruar n\u00eb maksimum. Ai \u00ebsht\u00eb si ai magneti q\u00eb s\u2019l\u00eb pa thithur asgj\u00eb metalike. Tregon p\u00ebr t\u00eb tjer\u00ebt dhe p\u00ebr veten.Zbulon virtytet dhe dob\u00ebsit\u00eb e vetes dhe t\u00eb tjer\u00ebve, pa asnj\u00eb lloj m\u00ebshire dhe kompromisi..Gati, n\u00eb tregimet e librit nuk gjen pothuaj , p\u00ebrdorimin e asnj\u00eb flash \u2013 back, mjet ky i forc\u00ebs dhe kompozicionit q\u00eb p\u00ebrdoret zakonisht n\u00eb filma, romane , novela e tregime. Kjo b\u00ebn q\u00eb rrjedha e tregimit t\u00eb mos b\u00ebj\u00eb indietro, por t\u00eb rrjedh\u00eb si\u00e7 rrjedh burimi, mes gjetheve t\u00eb vjesht\u00ebs e mes blerimit pranveror. Autori ka p\u00ebr zem\u00ebr Paustovskin, \u00c7ehovin, Bukovskin, Mopasanin, Heminguejin , por kur ulet t\u00eb shkruaj\u00eb , ai ka shok vet\u00ebm veten.
\nTregimet jan\u00eb jo vet\u00ebm polivalent\u00eb, por edhe polifonik\u00eb.
\nShkrimtari ka disa fije n\u00eb dor\u00ebn krijuese, dhe me to thurr e modelon tregime gjith\u00eb kolor, dinamik\u00eb dhe p\u00ebrfytyrime t\u00eb pastra qytetare edhe kur ato vijn\u00eb nga bota rurale.
\nTregimet e Dhamos nuk jan\u00eb t\u00eb homogjenizuara, ato krijohen e zhvillohen n\u00ebn diellin e zemr\u00ebs dhe seliten n\u00ebn nj\u00eb kujdes tep\u00ebr racional. Kjo i b\u00ebn t\u00eb k\u00ebrkuar tregimet e tij midis moris\u00eb s\u00eb tregimeve t\u00eb modifikuara , t\u00eb homogjenizuara q\u00eb qarkullojn\u00eb n\u00eb tregun libror; regimet flasin shqip, kund\u00ebrmojn\u00eb er\u00eb bliri, kan\u00eb f\u00ebrf\u00ebrim\u00ebn e plepave, shelgjeve t\u00eb peisazheve tona plot fole zogjsh, kan\u00eb vrullin e lumejve tan\u00eb, nervin dhe bonsensin shqiptar.Jan\u00eb tregime alerte.N\u00eb to has t\u00eb parin realizmin lakuriq e t\u00eb ashp\u00ebr, por aty k\u00ebtu edhe hiperrealizmin , morin\u00eb e detajeve si sytha me lulen dhe frytin n\u00eb goj\u00ebn e fjal\u00ebs. Por k\u00ebto detaje dhe imt\u00ebsi, ruajn\u00eb mas\u00ebn q\u00eb t\u00eb mos mbyten e t\u00eb mos konkurrohen dhe eklipsohen personazhet prej k\u00ebtyre imt\u00ebsive dhe detajeve. Personazhet merren kryesisht nga jeta, ose n\u00ebp\u00ebrmjet ngjarjeve q\u00eb ndodhin e tregohen.K\u00ebto personazhe t\u00eb krijuar me thjesht\u00ebsi, me sintagma dhe fraza t\u00eb gjalla, t\u00eb ngjyrosura me fjal\u00eb dhe lokucione narrative, t\u00eb godasin n\u00eb shpirt n\u00eb m\u00ebnyr\u00eb t\u00eb beft\u00eb, sa ti ke d\u00ebshir\u00eb t\u00eb rrish e t\u00eb kolovitesh mes tyre. Personazhet jan\u00eb t\u00eb individualizuara n\u00eb kulm, jan\u00eb pesonazhe t\u00eb till\u00eb si Vin\u00e7ierja banale dhe delikate sipas mjedisit, Meri, librarja e bukur, q\u00eb b\u00ebn nj\u00eb martes\u00eb surpriz\u00eb dhe t\u00eb beft\u00eb, Silvi, poetesha apokrife; Semi q\u00eb m\u00eb n\u00eb fund martohet pas nj\u00eb operimi t\u00eb r\u00ebnd\u00eb, Aksinja q\u00eb harbont\u00ebrbon n\u00eb \u00e7do muaj prill grunjave t\u00eb kooperativ\u00ebs me gazetarin e internuar, Fatma lubia, lakmuesja e lavdis\u00eb letrare, Ed Fregeni i dashuruar, q\u00eb pranon se s\u2019ishte dhe aq e r\u00ebnd\u00eb ndarja ; doktor Kondi, me ndergjegje dhe p\u00ebrgjegjshm\u00ebri t\u00eb lart\u00eb profesionale, i gjendur e human; Sara , bestsellerja q\u00eb shkruan romane si Daniel Still, p\u00ebr lavdi dhe para dhe p\u00ebrkrahet nga disa filistin\u00eb, por mbi t\u00eb gjith\u00eb spikat Shefi i Shtabit, edhe pse ushtarak, tolerant dhe pa korniza t\u00eb disiplin\u00ebs s\u00eb bezdisshme ushtarake.<\/p>\n

Marinari poet, q\u00eb g\u00ebzimi i botimit t\u00eb librit t\u00eb par\u00eb iu kthye n\u00eb kob dhe, e degdisi n\u00eb ishullin e Sazanit, duke iu kthyer n\u00eb nj\u00eb dram\u00eb fatale, Muratori q\u00eb u ngrit n\u00eb detyr\u00eb, gjer n\u00eb maj\u00ebn e piramid\u00ebs s\u00eb artit, i shastisur nga lart\u00ebsimi i pap\u00ebrballuesh\u00ebm, marramend\u00ebs duke harruar t\u00eb ec\u00eb, p\u00ebrfundon n\u00eb rrotat e nj\u00eb makine, pran\u00eb monumentit t\u00eb Partizanit t\u00eb Panjohur; G\u00ebzim Gjergji, lakmues i protagonizmit; Leifenist, autori teknologjis\u00eb Leifeniste t\u00eb heroizimit; Dramaturgu q\u00eb i traskuruar nga shteti dhe bos\u00ebt vendos t\u00eb botoj\u00eb dramat me lek\u00ebt e hequra m\u00ebnjan\u00eb p\u00ebr varrimin e tij, duke menduar se pas botomit t\u00eb dramave do t\u00eb b\u00ebhej i pavdeksh\u00ebm. Disa nga personazhet p\u00ebrdorin fjal\u00eb banale, por q\u00eb nuk ting\u00ebllojn\u00eb t\u00eb tilla brenda kontekstit, gjendjes s\u00eb krijuar n\u00eb \u00e7astin e p\u00ebrdorimit t\u00eb tyre.<\/p>\n

Madje disa nga banalitetet ting\u00ebllojn\u00eb t\u00eb pranueshme si kur p\u00ebrdoren brenda kontekstit , si dhe kur p\u00ebrdoren jasht\u00eb tij , m\u00eb vete.. lexuesi i pranon sit \u00eb natyr\u00ebshme shprehjet: Taksisti kishte v\u00ebn\u00eb nj\u00eb kaset\u00eb me recitimin e poem\u00ebs Kallashi. Autori i poem\u00ebs dhe shoku i tij n\u00eb taksi, pasi d\u00ebgjojn\u00eb recitimin e saj, e pyesin taksistin: po si e ka emrin autori e di, ? \u201c E kush ia qiu t\u2019\u00ebm\u00ebn \u201c K\u00ebtu shprehja nuk ting\u00ebllon aspak banale, sepse thuhet natyrsh\u00ebm, pa t\u00eb keq. Po k\u00ebshtu shprehjet e hetuesit \u201c T\u00eb dhjefsha librin ! Tani shporu ! Tani t\u2019u fry ty t\u00eb paraqitesh ? Edhe k\u00ebto shprehje duke u th\u00ebn\u00eb natyrsh\u00ebm , n\u00eb nervoziz\u00ebm e sip\u00ebr, nuk ting\u00ebllojn\u00eb banale por prepotente.<\/p>\n

Tjet\u00ebr \u00ebsht\u00eb kur disa krijues i mbushin tregimet apo poezit\u00eb e tyre gjith\u00eb fjal\u00eb banale, p\u00ebr t\u2019u treguar t\u00eb koh\u00ebs e modern\u00eb. Ata jan\u00eb jo vet\u00ebm t\u00eb panatyrsh\u00ebm n\u00eb p\u00ebrdorimin e banaliteteve , por edhe imitues t\u00eb r\u00ebndomt\u00eb t\u00eb autor\u00ebve me em\u00ebr.
\nDhamo nuk ka vet\u00ebm temperamentin e revoltuesit , protestuesit, por edhe t\u00eb nj\u00eb v\u00ebzhguesi jo skeptik e t\u00eb qet\u00eb me natyr\u00eb t\u00eb thell\u00eb e t\u00eb gjer\u00eb njer\u00ebzore.. Autori nuk e p\u00ebrs\u00ebrit , por e pasuron veten nga tregimi n\u00eb tregim me prurje t\u00eb reja . Edhe kalimi i ndonj\u00eb motivi nga poezia n\u00eb tregim , tregon se ai nuk i ndahet poezis\u00eb , edhe kur shkruan tregime.<\/p>\n

Karakteristik\u00eb e dukshme n\u00eb t\u00eb gjith\u00eb librin dhe krijimtarin\u00eb e Dhamos, \u00ebsht\u00eb prania e peizazhit. Peizazhi vendoset kudo, n\u00eb hap\u00ebsirat e tregimit, ose n\u00eb fillim ose n\u00eb mes ose n\u00eb fund si konkluzion qet\u00ebsues apo sinjifikativ. Kjo prani e peizazhit nuk \u00ebsht\u00eb manieriste apo romantizante, ajo buron natyrsh\u00ebm nga shpirti ekologjist i shkrimtarit. Edhe n\u00eb jet\u00ebn e p\u00ebrditshme Konstandin Dhamo , ndalet dhe sodit mahnitsh\u00ebm nj\u00eb cop\u00eb blerim, nj\u00eb radh\u00eb me plepa kavak\u00eb, rrape buz\u00eb rrug\u00ebs, trotuarit, bulevardit dhe, k\u00ebnaqet si me leximin e nj\u00eb poezie, tregimi, apo si me d\u00ebgjimin e nj\u00eb sonate, sinfonie, por dhe revoltohet kur p\u00ebr t\u00eb vendosur nj\u00eb tabel\u00eb reklam\u00eb, apo p\u00ebr t\u00eb mos i z\u00ebn\u00eb pamjen vitrin\u00ebs s\u00eb dyqanit, njer\u00ebz t\u00eb pap\u00ebrgjegjsh\u00ebm , i presin ose i thajn\u00eb pem\u00ebt. Kjo dashuri p\u00ebr natyr\u00ebn \u00ebsht\u00eb n\u00eb \u00e7do ind t\u00eb tregimeve dhe s\u2019ka t\u00eb b\u00ebj\u00eb me hipokondrin\u00eb e autorit. Kjo dashuri p\u00ebr natyr\u00ebn jepet magjistralisht n\u00eb tregimet Kumbullat e Kuqe, Ed Fregeni, Pjergulla, Lasgushi, Rrugic\u00eb Tiranase, Prilli i nj\u00eb Aksinje etj.<\/p>\n

Si edhe n\u00eb poezin\u00eb e tij , shkrimtari d\u00ebnon e demaskon me intransigjenc\u00eb imoralitetin politik e dyfytyr\u00ebsin\u00eb ideologjike t\u00eb atyre q\u00eb dje ishin t\u00eb par\u00ebt n\u00eb shembjen e kulteve fetare , dhe sot i sheh duke u falur t\u00eb dielave n\u00eb kish\u00eb apo dit\u00ebt e xhumave n\u00eb xhami.Jan\u00eb t\u00eb famsh\u00ebm p\u00ebr k\u00ebt\u00eb tregimet T\u00eb diel\u00ebn n\u00eb m\u00ebngjes, Qoftexhinjt\u00eb e Presidentit , Nj\u00eb teknologji heroizimi, et j. Shkrimtari \u00ebsht\u00eb n\u00eb an\u00ebn e ndryshimit , por jo me kthesat pelivaneske , zhongleriane t\u00eb t\u00eb pafytyr\u00ebve.<\/p>\n

Nj\u00eb karakteristik\u00eb tjet\u00ebr \u00ebsht\u00eb dhe mungesa e emrave n\u00eb disa tregime, ku n\u00eb vend t\u00eb emrit t\u00eb personazhit, ai p\u00ebrdor nj\u00eb ndajshtim t\u00eb ve\u00e7uar p\u00ebr ta b\u00ebr\u00eb m\u00eb t\u00eb gjall\u00eb , m\u00eb interesant personazhin ose p\u00ebr ta mbajtur mend m\u00eb leht\u00eb, autori n\u00eb vend t\u00eb emrave thot\u00eb: muratori, shefi i shtabit, marinari, dramaturgu, vin\u00e7ierja, qoftexhinjt\u00eb, etj. Ka dhe tregime tabllo, ku s\u2019ka emra, por ka di\u00e7ka poetike, pak nostalgji p\u00ebr at\u00eb q\u00eb s\u2019\u00ebsht\u00eb m\u00eb n\u00eb rrugic\u00eb, n\u00eb periferi dhe p\u00ebr ndryshimet n\u00eb peizazh e aty \u2013 k\u00ebtu n\u00eb natyr\u00eb.<\/p>\n

N\u00eb p\u00ebrmbledhje ka edhe ndonj\u00eb tregim si Libri i par\u00eb, q\u00eb premton p\u00ebr roman apo ka statur\u00ebn e romanit.<\/p>\n

Proza e Konstandin Dhamos, sidomos tregimi, nuk duhen kaluar me nj\u00eb lexim vertikal, sa p\u00ebr t\u2019u kontrolluar ose sa p\u00ebr t\u00eb marr\u00eb informacion. Edhe pse krijimtaria e Dhamos, \u00ebsht\u00eb nj\u00eb krijimtari realiste , realizmin ajo nuk e p\u00ebrcjell varf\u00ebrisht , por me shtresime t\u00eb dendura , fine artstike. Proza e tij \u00ebsht\u00eb e kondensuar , ajo s\u2019t\u00eb l\u00eb t\u2019i kalosh shkel e shko fjal\u00ebt, pasi \u00e7do fjal\u00eb ka funksion kuptimor, estetik, edukues, hedonistik n\u00eb krejt tekstin . Ka nj\u00eb mendjemadh\u00ebsi t\u00eb disave q\u00eb kan\u00eb marr\u00eb kot e traskurojn\u00eb koleg\u00ebt , q\u00eb ose nuk i lexojn\u00eb ose hiqen sikur s\u2019i lexojn\u00eb dhe , k\u00ebshtu e kan\u00eb m\u00eb t\u00eb leht\u00eb q\u00eb t\u00eb flasin rroma p\u00ebrtoma, gjuh\u00eb q\u00eb e ka tallur prej koh\u00ebsh Servantesi.<\/p>\n

Me Dhamon ndodh si me Paustovskin, q\u00eb nuk t\u00eb l\u00eb t\u00eb ec\u00ebsh m\u00eb tej , sikur t\u00eb kap\u00ebrcesh qoft\u00eb edhe nj\u00eb fjal\u00eb. Autori dashuron nj\u00ebher\u00ebsh iden\u00eb dhe fjal\u00ebn. Duke qen\u00eb se \u00ebsht\u00eb fjala ajo q\u00eb b\u00ebn t\u00eb duket qart\u00eb mendimi , ideja , filozofija , autori impenjohet shum\u00eb me fjal\u00ebn. N\u00eb lib\u00ebr ka shum\u00eb fjal\u00eb q\u00eb p\u00ebrdoren nga ky autor p\u00ebr her\u00eb t\u00eb par\u00eb. K\u00ebt\u00eb autori e b\u00ebn me guxim , pa merakun se kjo e v\u00ebshtir\u00ebson tekstin , kuptimin ; p\u00ebrkundrazi, ky \u00ebsht\u00eb m\u00eb tep\u00ebr nj\u00eb pasurim, sesa nj\u00eb v\u00ebshtir\u00ebsim, k\u00ebshtu q\u00eb ia vlen barra qiran\u00eb q\u00eb lexuesi t\u00eb lidhet pak e t\u00eb ket\u00eb durim.<\/p>\n

Kolan\u00ebs s\u00eb tregimit t\u00eb zgjedhur shqip, i mungon ky lloj tregimi i pahomogjenizuar, i pjekur n\u00eb diellin e zemr\u00ebs dhe jo n\u00eb zemr\u00ebn e librave. K\u00ebtu kemi t\u00eb b\u00ebjm\u00eb me nj\u00eb lib\u00ebr q\u00eb ka p\u00ebr burim jet\u00ebn dhe, jo librat t\u00eb cil\u00ebt nga ana e tyre, jan\u00eb nj\u00eb rr\u00ebke q\u00eb e kan\u00eb nj\u00eb burim.
\nP\u00ebrmbledhja Rruga e Dibr\u00ebs, e pasuron kolan\u00ebn e tregimit t\u00eb zgjedhur shqip. K\u00ebt\u00eb do ta d\u00ebshmoj\u00eb koha.<\/p>\n","protected":false},"excerpt":{"rendered":"

Faslli Haliti P\u00ebrmbledhja poetike “Moda e varf\u00ebris\u00eb” e poetit Konstandin Dhamo, \u00ebsht\u00eb koherente si dhe nj\u00eb sfid\u00eb ndaj poezis\u00eb nebuloz\u00eb dhe t\u00eb zhvidhosur, t\u00eb \u00e7akorduar, manieriste, eksentrike, snobiste q\u00eb duket here-her\u00eb n\u00eb tregun e lire t\u00eb sot\u00ebm poetik, por q\u00eb p\u00ebr fat mbetet stok, pasi me gjith\u00eb k\u00ebmb\u00ebnguljen e pseudokritik\u00ebve dhe recensent\u00ebve panegjerist\u00eb, ajo shp\u00ebrfillet […]<\/p>\n","protected":false},"author":1,"featured_media":30637,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2,8],"tags":[],"class_list":["post-30636","post","type-post","status-publish","format-standard","has-post-thumbnail","category-artikuj","category-letersi"],"yoast_head":"\nPOETI DHAMO N\u00cb GJEOPOEZIN\u00cb E RE - FJALA e LIR\u00cb<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/jehonashqiptare.al\/fjala\/poeti-dhamo-ne-gjeopoezine-e-re\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"POETI DHAMO N\u00cb GJEOPOEZIN\u00cb E RE - 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