{"id":33216,"date":"2018-09-26T18:40:11","date_gmt":"2018-09-26T16:40:11","guid":{"rendered":"http:\/\/www.fjala.info\/?p=33216"},"modified":"2018-09-26T18:40:11","modified_gmt":"2018-09-26T16:40:11","slug":"ne-grahmat-e-fundit","status":"publish","type":"post","link":"https:\/\/jehonashqiptare.al\/fjala\/ne-grahmat-e-fundit\/","title":{"rendered":"NE GRAHMAT E FUNDIT"},"content":{"rendered":"

ALBERTO MORAVIA<\/strong>
\n1907 – 1990<\/em><\/p>\n

Alberto Moravia (Rom\u00eb, 28 n\u00ebntor 1907 – Rom\u00eb, 27 shtator 1990) ka qen\u00eb nj\u00eb shkrimtar … I ati, Carlo Pincherle Moravia, ishte arkitekt dhe piktor…<\/em><\/p>\n

NE GRAHMAT E FUNDIT<\/strong><\/p>\n

.tregime<\/em>.<\/p>\n

N\u00eb dhjetorin e kaluar, duke zbardhur dita, m\u00eb thirr\u00ebn me ngut q\u00eb t\u00eb shkoja e t\u2019i rrija te koka mikut tim, kritikut t\u00eb shquar S. Un\u00eb isha n\u00eb dijeni q\u00eb ai ishte i pamundur, por thirrja n\u00eb nj\u00eb or\u00eb kaq t\u00eb pazakonshme, m\u00eb shqet\u00ebsoi pa mas\u00eb. Dhe n\u00eb t\u00eb v\u00ebrtet\u00eb, si hyra n\u00eb sht\u00ebpin\u00eb e tij, kamerierja, duke m\u00eb ndihmuar t\u00eb hiqja pallton, m\u00eb vuri n\u00eb dijeni se miku im s\u2019kishte m\u00eb shpres\u00eb shp\u00ebtimi: Kritiku S. po jepte shpirt.<\/p>\n

E gjeta mikun e mjer\u00eb t\u00eb shtrir\u00eb n\u00eb shtrat me krah\u00ebt e zgjatur mbi \u00e7ar\u00e7af\u00eb dhe me kok\u00ebn e trungun t\u00eb mb\u00ebshtetur n\u00eb nj\u00eb stiv\u00eb jast\u00ebk\u00ebsh. I rregullt dhe i past\u00ebr n\u00eb jet\u00eb, kritiku S. po vdiste si\u00e7 kishte jetuar ; mbi komodin\u00eb ndodhej libri i fundit, ndar\u00eb p\u00ebrgjysm\u00eb nga let\u00ebrprer\u00ebsja; sapo ishte rruar dhe sapo kishte krehur me kujdes flok\u00ebt. Sikur t\u00eb mos ishte ajo zbeht\u00ebsia e fytyr\u00ebs dhe p\u00ebrp\u00eblitja e lodhur e syve t\u00eb tij, s\u2019do ta kisha v\u00ebn\u00eb re se ndodhesha pran\u00eb nj\u00eb njeriu q\u00eb po vdiste. Kritiku S. m\u00eb b\u00ebri shenj\u00eb q\u00eb t\u00eb ulesha pran\u00eb tij dhe, me z\u00eb gati t\u00eb shuar, m\u00eb tha se m\u00eb kishte thirrur, pasi, duke m\u00eb mbajtur p\u00ebr mikun m\u00eb t\u00eb af\u00ebrt, kishte d\u00ebshir\u00eb t\u00eb m\u00eb rr\u00ebfehej. “Gjith\u00eb jeta ime, s\u2019ka q\u00ebn\u00eb gj\u00eb tjet\u00ebr, ve\u00e7se nj\u00eb g\u00ebnjesht\u00ebr e gjat\u00eb<\/em>“, shtoi ai me qet\u00ebsi.<\/p>\n

E gjykova k\u00ebt\u00eb si nj\u00eb brerje iluzore t\u00eb nd\u00ebrgjegjes s\u00eb nj\u00eb njeriu q\u00eb\u00a0po vdiste dhe u nguta t\u00eb protestoja sinqerisht, ve\u00e7 t\u00eb tjerave, pasi jeta e kritikut S., mbi t\u00eb gjitha, p\u00ebrsa i p\u00ebrkiste profesionit t\u00eb tij si kritik, mund t\u00eb themi, pa ndrojtje dhe pa teprime, ishte model. Por ai tundi kok\u00ebn, dhe m\u2019u p\u00ebrgjigj se nuk k\u00ebrkonte lajka apo ngush\u00ebllime n\u00eb nj\u00eb \u00e7ast t\u00eb till\u00eb. Ai m\u00eb kishte th\u00ebn\u00eb t\u00eb v\u00ebrtet\u00ebn, pra m\u00eb duhej ta d\u00ebgjoja dhe pastaj t\u00eb pranoja se fjala g\u00ebnjesht\u00ebr, n\u00eb fund t\u00eb fundit, ishte nj\u00eb term tep\u00ebr i but\u00eb. I bindur gjithjnj\u00eb e m\u00eb shum\u00eb se flitej p\u00ebr nj\u00eb breng\u00eb t\u00eb madhe, lidhur me karakterin e tij t\u00eb ngurt\u00eb, i thash\u00eb se isha i gatsh\u00ebm t\u00eb pranoja rr\u00ebfimin e tij. Dhe ja se \u00e7’ m\u00eb tha shkurt.<\/p>\n

Q\u00eb shum\u00eb i ri, kritiku S. kishte ushqyer shpres\u00ebn m\u00eb t\u00eb zjarrt\u00eb q\u00eb t\u00eb b\u00ebhej shkrimtar,por jo t\u00eb shkruante q\u00eb n\u00eb fillim sprova dhe artikuj kritik\u00eb, si \u00e7’ b\u00ebri m\u00eb von\u00eb, por poezi romane, drama. Kultura e tij, n\u00eb t\u00eb nj\u00ebjt\u00ebn koh\u00eb e thell\u00eb dhe eklektike, s\u2019i ishte dukur e mjaftueshme p\u00ebr nj\u00eb nism\u00eb, s\u00eb cil\u00ebs shum\u00eb i p\u00ebrvishen me mendje t\u00eb fjetur, pa bagazh tjet\u00ebr, ve\u00e7 atij t\u00eb fituar me ato pak lexime t\u00eb \u00e7rregullta dhe me nj\u00eb prirjeje t\u00eb rreme rinore. Por p\u00ebrsa i p\u00ebrket kritikut S. , me gjith\u00eb pun\u00ebn e madhe, edhe pse kishte trokitur n\u00eb dyert e poezis\u00eb, muza noprane, p\u00ebrs\u00ebri s’ia kishte hapur q\u00eb s’ia kishte hapur atij dyert.<\/p>\n

Prirja kritike, tashm\u00eb, shum\u00eb e zhvilluar e lajm\u00ebronte pa pushim se ato poezi, ato drama, ata romane q\u00eb vazhdonte t\u00eb shkruante, ishin t\u00eb gjitha pla\u00e7k\u00eb e ftoht\u00eb dhe pa jet\u00eb, prodhim i nj\u00eb vullneti q\u00eb s’ lindte asnj\u00eb frym\u00ebzim. Megjithat\u00eb, duke shpresuar p\u00ebrher\u00eb se nj\u00eb m\u00ebngjes t\u00eb bukur do t\u00eb zgjohej poet, kritiku S. k\u00ebmb\u00ebnguli edhe nj\u00eb vit me k\u00ebt\u00eb mundim, jo m\u00eb pak t\u00eb kot\u00eb e pa buk\u00eb, gjersa nj\u00eb dit\u00eb, n\u00eb d\u00ebshp\u00ebrim e sip\u00ebr, duke e kuptuar m\u00eb n\u00eb fund se s\u2019do mund t\u00eb ishte kurr\u00eb tjet\u00ebr, ve\u00e7se nj\u00eb kritik, dogji poezit\u00eb, novelat, dramat, \u00e7do gj\u00eb dhe shkroi re\u00e7ensionin e par\u00eb. Nisi k\u00ebshtu rrug\u00ebn t\u00eb cil\u00ebn do ta vazhdonte me vendosm\u00ebri dhe sukses, gjer n\u00eb fund t\u00eb jet\u00ebs s\u00eb tij.<\/p>\n

Por p\u00ebr shkak t\u00eb shembjes s\u00eb shpresave t\u00eb tij m\u00eb t\u00eb dashura, i kishte mbetur, p\u00ebrve\u00e7 nj\u00eb hidh\u00ebrimi dhe nj\u00eb zhg\u00ebnjim i thell\u00eb dhe nj\u00eb urrejtje e t\u00ebrbuar,kund\u00ebr gjith\u00eb atyre q\u00eb arrinin atje, ku ai kishte d\u00ebshtuar, kund\u00ebr poet\u00ebve, romancier\u00ebve, dramaturg\u00ebve dhe m\u00eb n\u00eb fund atyre q\u00eb arrinin t\u00eb k\u00ebndonin apo s\u00eb paku t\u00eb m\u00ebrm\u00ebrisnin n\u00ebn z\u00eb k\u00ebng\u00ebn e tyre t\u00eb shkurt\u00ebr apo t\u00eb gjat\u00eb, t\u00eb trishtuar apo t\u00eb lumtur; kund\u00ebr gjith\u00eb atyre zogjve\u00a0k\u00ebng\u00ebtar\u00eb t\u00eb ndrysh\u00ebm, provonte mllefin e z\u00ebrit t\u00eb ngjirur dhe t\u00eb qet\u00eb t\u00eb mjelm\u00ebs. Ndryshe nga \u00e7’thuhet, ai \u00ebsht\u00eb i heshtur n\u00eb jet\u00eb si n\u00eb \u00e7astin e vdekjes. K\u00ebshtu, atij nuk i duket e tep\u00ebrt q\u00eb t\u2019i mbaj\u00eb t\u00eb gjith\u00eb n\u00ebn juridiksionin friksues t\u00eb nj\u00eb veprimtarie kritike q\u00eb e b\u00ebri menj\u00ebher\u00eb t\u00eb famsh\u00ebm. Ai deshi t\u00eb pajisej edhe me nj\u00eb instrument q\u00eb ishte krijuar p\u00ebr t\u00eb rr\u00ebnuar krijuesit, p\u00eb t\u2019u hakmarr\u00eb kund\u00ebr tyre, p\u00ebr t\u2019i penguar t\u00eb gjith\u00eb ata, me q\u00ebllim q\u00eb t\u00eb k\u00ebndonin, ose t\u00eb pakt\u00ebn, t\u00eb k\u00ebndonin drejt.<\/p>\n

Kishte v\u00ebn\u00eb re se autoriteti i tij ishte i padiskutuesh\u00ebm dhe shum\u00eb i p\u00ebrkrahur n\u00eb qarqet e ndryshme letrare, sidomos midis t\u00eb rinjve. E nisi, pra, me nj\u00eb veprim t\u00eb matur e t\u00eb peshuar me urt\u00ebsi q\u00eb t\u2019i shmangte nga prirja e tyre gjenuine dhe t\u2019u thoshte q\u00eb t\u00eb mos dukeshin fare n\u00eb rrug\u00eb t\u00eb pap\u00ebrshtatshme p\u00ebr ta, rrug\u00ebve shkretane, n\u00eb t\u00eb cilat ai e dinte se ata do t\u00eb ngecnin. Ishte p\u00ebr shemb\u00ebll nj\u00eb poet,vargjet e t\u00eb cilit premtonin nj\u00eb rritje m\u00eb t\u00eb lumtur, kritiku S., me shum\u00eb fines\u00eb b\u00ebnte \u00e7mos q\u00eb ai, jo vet\u00ebm t\u00eb hiqte dor\u00eb nga poezia, por edhe sesi me djall\u00ebzi, S., e k\u00ebshillonte t\u00eb hidhej e t\u00eb shkruante romane t\u00eb gjata psikologjike.<\/p>\n

Kurse, p\u00ebrkundrazi, nj\u00eb romancieri q\u00eb tregoi pjekuri t\u00eb parakohshme n\u00eb krijimin dhe vizatimin e karaktereve, u p\u00ebrpoq ta bindte q\u00eb t\u00eb braktiste romanin dhe t\u00eb shkruante vargje. Nj\u00eb dramaturg q\u00eb ishte i pajisur me nj\u00eb talent t\u00eb jasht\u00ebzakonsh\u00ebm teatral, e nxiste t\u00eb linte sken\u00ebn dhe t’i viheej proz\u00ebs artistike ; nj\u00eb novelisti q\u00eb rivalizonte \u00c7ehovin, e k\u00ebshillonte t\u00eb \u00e7imentohej n\u00eb studimet monografike. Dhe, duke kaluar nga gjinit\u00eb te stili, at\u00eb q\u00eb ishte i thjesht\u00eb dhe i ndrojtur, e k\u00ebshillonte t\u00eb b\u00ebhej i fryr\u00eb dhe barok, atij q\u00eb ishte konciz\u00a0i thoshte t\u00eb b\u00ebhej proliks, kolerik\u00ebt t\u00eb b\u00ebheshin t\u00eb shp\u00eblar\u00eb, t\u00eb qet\u00ebt emfatik\u00eb, thatim\u00ebt t\u00eb sh\u00ebndosh\u00eb, t\u00eb errtit t\u00eb qart\u00eb, t\u00eb qart\u00ebt t\u00eb err\u00ebt. E k\u00ebshtu me rradh\u00eb. Kritiku S. s’ishte i k\u00ebnaqur gjersa s’ i kishte shthurur plot\u00ebsisht talentet e reja q\u00eb kishin besim n\u00eb veten e tyre. Rojtar i nj\u00eb fari t\u00eb cilin t\u00eb gjith\u00eb e besonin q\u00ebllimmir\u00eb, kritiku S. cil\u00ebndo bark\u00eb apo anie q\u00eb\u00a0i q\u00ebllonte t\u00eb orientonte, e \u00e7onte t\u00eb mbytej n\u00ebp\u00ebr shk\u00ebmbinj t\u00eb thepisur. Udh\u00ebrr\u00ebfyes i lig, i merrte p\u00ebrsip\u00ebr ato vet\u00ebm e vet\u00ebm p\u00ebr t\u2019i \u00e7uar n\u00eb m\u00ebnyr\u00eb t\u00eb sigurt\u00eb q\u00eb t\u00eb cop\u00ebtoheshin n\u00eb abys.<\/p>\n

Rr\u00ebfimi i tmerrsh\u00ebm zgjati gjat\u00eb sepse, kritiku S. deshi q\u00eb un\u00eb, jo vet\u00ebm t\u00eb d\u00ebgjoja t\u00ebgjitha holl\u00ebsit\u00eb e g\u00ebnjeshtr\u00ebs s\u00eb tij t\u00eb gjat\u00eb, por me pedantizmin e tij t\u00eb zakonsh\u00ebm, specifik, ai donte q\u00eb un\u00eb t\u00eb d\u00ebgjoja nj\u00eb p\u00ebr nj\u00eb emrat emrat e viktimave t\u00eb tij dhe m\u00ebnyrat q\u00eb ai kishte p\u00ebrdorur p\u00ebr t\u2019i vrar\u00eb ata. Parakaluan para meje keshtu, t\u00eb gjitha personazhet, si t\u00eb shquarat dhe t\u00eb panjohurat e let\u00ebrsis\u00eb son\u00eb t\u00eb tridhjet\u00eb vjetve t\u00eb fundit. Gati, kishte nj\u00eb far\u00eb k\u00ebnaq\u00ebsie n\u00eb n\u00eb num\u00ebrimin e holl\u00ebsive nga ana e kritikut S. dhe n\u00eb m\u00ebnyr\u00ebn, \u00e7udit\u00ebrisht t\u00eb qet\u00eb, me t\u00eb cil\u00ebn ai i komentonteato ndonj\u00ebher\u00eb: \u201cDhe k\u00ebshtu ai q\u00eb pati mund\u00ebsin\u00eb t\u00eb arrinte t\u00eb b\u00ebhej nj\u00eb Manxon i dyt\u00eb, un\u00eb b\u00ebra q\u00eb ai t\u00eb b\u00ebhej nj\u00eb poetuc i r\u00ebndomt\u00eb\u201c, por fjal\u00ebt e tij t\u00eb fundit qen\u00eb fjal\u00ebt e nj\u00eb njeriu q\u00eb kujtohet p\u00ebr krimet e tij dhe \u00ebsht\u00eb sinqerisht i penduar p\u00ebr to.”Zot, m\u00eb fal…”, p\u00ebrfundon ai,” e di q\u00eb kam b\u00ebr\u00eb shum\u00eb keq…ve\u00e7an\u00ebrisht atyre njer\u00ebzve q\u00eb t\u00eb tregova…por mbi t\u00eb gjitha atdheut tim q\u00eb p\u00ebr fajin tim u privua nga nj\u00eb let\u00ebrsi q\u00eb do t\u00eb kish mundur t\u00eb ishte e shk\u00eblqyer… Zot m\u00eb fal”. Duke th\u00ebn\u00eb k\u00ebshtu, z\u00ebri iu mek gjer n\u00eb nj\u00eb ton jasht\u00ebzakonisht t\u00eb k\u00ebputur, ai m\u00ebnjanoi kok\u00ebn mbi jast\u00ebk dhe dha shpirt.<\/p>\n

At\u00eb m\u00ebngjes un\u00eb e kalova duke p\u00ebrgjuar kufom\u00ebn e mikut tim t\u00eb mjer\u00eb. Pastaj p\u00ebr disa dit\u00eb, funeralet madh\u00ebshtore, kremtimi, me nj\u00eb fjal\u00eb t\u00eb gjitha p\u00ebrkujdesjet e skajshme q\u00eb duhet t\u2019i b\u00ebhen nj\u00eb t\u00eb vdekuri, p\u00ebrthith\u00ebn \u00e7do mendim timin. Por nj\u00eb jav\u00eb m\u00eb pas, duke menduar p\u00ebr rr\u00ebfimin e jasht\u00ebzakonsh\u00ebm t\u00eb kritikut S., nuk munda t\u00eb provoj s\u00eb paku, as nj\u00eb shtangie, mosbesim. Sepse, nd\u00ebrsa, sinqeritetin i kritikut S. n\u00eb ato \u00e7aste, nj\u00eb hap para vdekjes, s’ mund ta vija n\u00eb dyshim, nga ana tjet\u00ebr, s’ ishte aspak e sigurt\u00eb se ata poet\u00eb, romancier\u00eb, dramaturg\u00eb q\u00eb kritiku S. akuzonte veten se i kishte shmangur nga prirja e tyre e v\u00ebrtet\u00eb, ishte e pamundur t\u2019i p\u00ebrfytyroje k\u00ebta autor\u00eb me vepra t\u00eb tjera nga ato, me t\u00eb cilat ata ishin b\u00ebr\u00eb t\u00eb njohur.<\/p>\n

Dhe ajo q\u00eb \u00ebsht\u00eb m\u00eb e keqja, vepra t\u00eb tilla nuk dukeshin t\u00eb dob\u00ebta dhe t\u00eb pasinqerta si\u00e7 pohonte kritiku S., por ndryshe nga njera – tjetra ato dukeshin dhe ting\u00ebllonin dometh\u00ebn\u00ebse dhe t\u00eb r\u00ebnd\u00ebsishme. Mendova shum\u00eb n\u00eb lidhje me k\u00ebt\u00eb mister dhe m\u00eb n\u00eb fund qesh\u00eb i shtr\u00ebnguar t\u00eb formuloja k\u00ebto hipoteza. 1. kritiku S. mbase kishte dashur t\u00eb m\u00eb g\u00ebnjente (e mundshmja m\u00eb e pak\u00ebt). 2. shija dhe mjesht\u00ebria kritike e kritikut S. mbase ishin aq t\u00eb rreme dhe se ai kish arritur t\u00eb ish rast\u00ebsisht kritik i mir\u00eb, vet\u00ebm duke th\u00ebn\u00eb t\u00eb v\u00ebrtet\u00ebn e kund\u00ebrt t\u00eb asaj q\u00eb mendonte dhe ndiente. 3. Dhe se prirja e par\u00eb e artist\u00ebve \u00ebsht\u00eb gjithmon\u00eb e rremedhe duhet shmangur e nd\u00ebrprer\u00eb. 4. Kritiku S. kishte t\u00eb drejt\u00eb se, edhe gjith\u00eb epoka gabohej n\u00eb lidhje me letrar\u00ebt e vet dhe e gjith\u00eb kjo let\u00ebrsi aq e admiruar, nuk vlente as nj\u00eb grosh, duke q\u00ebn\u00eb pik\u00ebrisht ashtu si\u00e7 e kish dashur me lig\u00ebsi kritiku S: t\u00eb rreme, boshe, pa shije, t\u00eb shkruar keq dhe m\u00eb t\u00eb keqe akoma n\u00eb mendime dhe ide…<\/p>\n

K\u00ebto s’ishin ve\u00e7se disa hipoteza nga m\u00eb kryesoret. Her\u00eb – her\u00eb p\u00ebrvijoheshin t\u00eb tjera…, nj\u00eb pyll i v\u00ebrtet\u00eb. Pohoj se p\u00ebr pak koh\u00eb kjo m\u00eb shqet\u00ebsoi, p\u00ebr m\u00eb tep\u00ebr se dhe un\u00eb isha midis atyre autor\u00ebve q\u00eb kritiku S. kishte p\u00ebrkrahur t\u00eb merrnin rrug\u00ebn e romanit. Po sikur dhe un\u00eb, pra, t\u00eb kisha mbytur n\u00eb vetvete krimbin e poetit lirik apo t\u00eb eseistit ? Ndieja se m\u00eb mungonte toka n\u00ebn k\u00ebmb\u00eb dhe mallkoja kritikun S. si dhe sinqeritetin e tij t\u00eb vonuar. Por m\u00eb n\u00eb fund, duke mos e gjetur fillin, si\u00e7 ndodh, shpesh n\u00eb raste t\u00eb tilla, heshta dhe s’mendova m\u00eb p\u00ebr k\u00ebt\u00eb. Po nd\u00ebrkaq vepra e kritikut S. vazhdonte t\u00eb lart\u00ebsohej n\u00eb rrethet letrare m\u00eb k\u00ebrkuese. Nj\u00eb shkoll\u00eb e t\u00ebr\u00eb mburret q\u00eb ndjek parimet e tij estetike. Nd\u00ebrsa un\u00eb shkruaj, n\u00ebrkaq vazhdon mbledhja e kritikave t\u00eb tij t\u00eb shp\u00ebrndara p\u00ebr t’u p\u00ebrmbledhur n\u00eb nj\u00eb volum t\u00eb vet\u00ebm. Dhe nj\u00eb kritik yni, nga m\u00eb t\u00eb mir\u00ebt, do t\u00eb merret me botimin e k\u00ebsaj p\u00ebrmbledhjeje t\u00eb cil\u00ebn ai do ta shoq\u00ebroj edhe me nj\u00eb monografi t\u00eb gjat\u00eb hyr\u00ebse.<\/p>\n

P\u00ebrktheu: Faslli Haliti<\/strong><\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

ALBERTO MORAVIA 1907 – 1990 Alberto Moravia (Rom\u00eb, 28 n\u00ebntor 1907 – Rom\u00eb, 27 shtator 1990) ka qen\u00eb nj\u00eb shkrimtar … I ati, Carlo Pincherle Moravia, ishte arkitekt dhe piktor… NE GRAHMAT E FUNDIT .tregime. N\u00eb dhjetorin e kaluar, duke zbardhur dita, m\u00eb thirr\u00ebn me ngut q\u00eb t\u00eb shkoja e t\u2019i rrija te koka mikut […]<\/p>\n","protected":false},"author":1,"featured_media":33217,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[8,12],"tags":[],"class_list":["post-33216","post","type-post","status-publish","format-standard","has-post-thumbnail","category-letersi","category-tregime"],"yoast_head":"\nNE GRAHMAT E FUNDIT - FJALA e LIR\u00cb<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/jehonashqiptare.al\/fjala\/ne-grahmat-e-fundit\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"NE GRAHMAT E FUNDIT - FJALA e LIR\u00cb\" \/>\n<meta property=\"og:description\" content=\"ALBERTO MORAVIA 1907 – 1990 Alberto Moravia (Rom\u00eb, 28 n\u00ebntor 1907 – Rom\u00eb, 27 shtator 1990) ka qen\u00eb nj\u00eb shkrimtar … I ati, Carlo Pincherle Moravia, ishte arkitekt dhe piktor… NE GRAHMAT E FUNDIT .tregime. N\u00eb dhjetorin e kaluar, duke zbardhur dita, m\u00eb thirr\u00ebn me ngut q\u00eb t\u00eb shkoja e t\u2019i rrija te koka mikut […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/jehonashqiptare.al\/fjala\/ne-grahmat-e-fundit\/\" \/>\n<meta property=\"og:site_name\" content=\"FJALA e LIR\u00cb\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/facebook.com\/fjala.info\/\" \/>\n<meta property=\"article:author\" content=\"https:\/\/facebook.com\/shkoder.net\/\" \/>\n<meta property=\"article:published_time\" content=\"2018-09-26T16:40:11+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/jehonashqiptare.al\/fjala\/wp-content\/uploads\/2018\/09\/alberto_moravia1.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"500\" \/>\n\t<meta property=\"og:image:height\" content=\"339\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"admin\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@https:\/\/twitter.com\/acokaj\" \/>\n<meta name=\"twitter:site\" content=\"@acokaj\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"admin\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"11 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/jehonashqiptare.al\\\/fjala\\\/ne-grahmat-e-fundit\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/jehonashqiptare.al\\\/fjala\\\/ne-grahmat-e-fundit\\\/\"},\"author\":{\"name\":\"admin\",\"@id\":\"https:\\\/\\\/jehonashqiptare.al\\\/fjala\\\/#\\\/schema\\\/person\\\/9c9fccf4f6449d25e258607d9b4275cb\"},\"headline\":\"NE GRAHMAT E FUNDIT\",\"datePublished\":\"2018-09-26T16:40:11+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/jehonashqiptare.al\\\/fjala\\\/ne-grahmat-e-fundit\\\/\"},\"wordCount\":2119,\"commentCount\":0,\"image\":{\"@id\":\"https:\\\/\\\/jehonashqiptare.al\\\/fjala\\\/ne-grahmat-e-fundit\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/jehonashqiptare.al\\\/fjala\\\/wp-content\\\/uploads\\\/2018\\\/09\\\/alberto_moravia1.jpg\",\"articleSection\":[\"Let\u00ebrsi\",\"Tregime\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/jehonashqiptare.al\\\/fjala\\\/ne-grahmat-e-fundit\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/jehonashqiptare.al\\\/fjala\\\/ne-grahmat-e-fundit\\\/\",\"url\":\"https:\\\/\\\/jehonashqiptare.al\\\/fjala\\\/ne-grahmat-e-fundit\\\/\",\"name\":\"NE GRAHMAT E FUNDIT - 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