{"id":35414,"date":"2018-12-02T09:20:07","date_gmt":"2018-12-02T08:20:07","guid":{"rendered":"http:\/\/www.fjala.info\/?p=35414"},"modified":"2018-12-02T10:35:00","modified_gmt":"2018-12-02T09:35:00","slug":"ne-tetove-ne-perurimin-e-veprave-te-studiuesit-hashim-baftiari","status":"publish","type":"post","link":"https:\/\/jehonashqiptare.al\/fjala\/ne-tetove-ne-perurimin-e-veprave-te-studiuesit-hashim-baftiari\/","title":{"rendered":"N\u00cb TETOV\u00cb N\u00cb P\u00cbRURIMIN E VEPRAVE T\u00cb STUDIUESIT HASHIM BAFTIARI"},"content":{"rendered":"

Hashim Baftiari: Autori, studiuesi dhe adhuruesi i librave<\/em><\/p>\n

\"\"Shkruan: Xhemail Peci<\/strong>
\n(Fragmente nga nj\u00eb shkrim m\u00eb i zgjeruar<\/em>)<\/p>\n

I. N\u00eb Tetov\u00ebn e Mit\u2019hat Frash\u00ebrit<\/strong><\/p>\n

Gjithmon\u00eb m\u00eb ka b\u00ebr\u00eb p\u00ebrshtypje th\u00ebnia profetike e ideologut t\u00eb shqiptarizm\u00ebs, Mit\u2019hat Abdyl Frash\u00ebrit: \u2018Do t\u00eb vij\u00eb koha kur politikat nd\u00ebrkomb\u00ebtare do t\u00eb verifikojn\u00eb dhe do t\u00eb ndreqin veten n\u00eb Kosov\u00eb. Qend\u00ebr e tyre do t\u00eb jet\u00eb Prishtina, fjal\u00ebn e fundit do ta thot\u00eb Tetova.\u2019<\/p>\n

N\u00eb librin e tij \u201cShqiptar\u00eb e Sllav\u00eb\u201d Lumo Skendo (alias Mit\u2019hat Frash\u00ebri) shkruante se \u201cqyteti i Tetov\u00ebs dhe t\u00ebr\u00eb kazaja e saj p\u00ebrgjith\u00ebsisht kan\u00eb qen\u00eb nj\u00eb nga qendrat m\u00eb aktive t\u00eb propagand\u00ebs nacionaliste shqiptare, ku u shfaq shum\u00eb shpejt vullneti p\u00ebr t\u00eb luftuar kund\u00ebr tendencave pan-turke dhe pan-sllave\u201d.<\/p>\n

Nuk \u00ebsht\u00eb rast\u00ebsi q\u00eb profecit\u00eb e poet\u00ebve t\u00eb nj\u00eb kombi b\u00ebhen pjes\u00eb e ardhm\u00ebris\u00eb s\u00eb tij. Nga ky priz\u00ebm, m\u00eb kujtohet Nositi i poezis\u00eb shqipe, Lasgush Poradeci, me th\u00ebnien e tij e cila ushqeu shpresat e breznive or\u00ebmira: \u2018Do t\u00eb vij\u00eb nj\u00eb koh\u00eb, kur do t\u00eb vem\u00eb n\u00eb dasm\u00eb e do t\u00eb urojm\u00eb: Mos e pifshim k\u00ebt\u00eb got\u00eb, po t\u00eb mos bashkohemi me Kosov\u00ebn! Dhe do t\u00eb vem\u00eb n\u00eb vdekje dhe do t\u00eb ngush\u00ebllojm\u00eb: Mos e pifshim k\u00ebt\u00eb got\u00eb n\u00eb mos u bashkofshim me Kosov\u00ebn\u2026Do t\u00eb vij\u00eb nj\u00eb koh\u00eb kur dollia do t\u00eb filloj\u00eb me k\u00ebto fjal\u00eb: Mos e pifshim k\u00ebt\u00eb got\u00eb n\u00eb mos u bashkofshim me Kosov\u00ebn.\u2019<\/p>\n

E s\u00ebrish, edhe nj\u00eb mendim tep\u00ebr transparent nga nj\u00eb shkrimtar emblematik n\u00eb letrat shqipe, ku z\u00eb vend p\u00ebrs\u00ebri Tetova. Pyetjes: \u2018N\u00eb cilin vend d\u00ebshironi t\u00eb jetoni n\u00eb hap\u00ebsir\u00ebn e banuar me shqiptar\u00eb?\u2019, Ramiz Kelmendi i \u00ebsht\u00eb p\u00ebrgjigjur: \u2018Jo vet\u00ebm nj\u00eb vend kam ku do t\u00eb d\u00ebshiroja t\u00eb jetoja n\u00eb trojet shqiptare. N\u00eb Shqip\u00ebri kam Shkodr\u00ebn, n\u00eb Kosov\u00eb-Gjakov\u00ebn, n\u00eb Maqedoni-Tetov\u00ebn, n\u00eb Mal t\u00eb Zi-Ulqinin, n\u00eb Kosov\u00ebn Lindore-Preshev\u00ebn, n\u00eb \u00c7am\u00ebri-Parg\u00ebn, nd\u00ebr arb\u00ebresh\u00ebt e Italis\u00eb-Makjin e De Rad\u00ebs.\u2019<\/p>\n

1. Hashim Baftiari: Njeriu, studiuesi dhe adhuruesi i ve\u00e7ant\u00eb i librit<\/strong><\/p>\n

\"\"Hashim Baftiari, me shkrimtarin emblem\u00eb Ismail Kadare<\/em><\/p>\n

Nj\u00eb p\u00ebrurim librash p\u00ebr krijimatrin\u00eb letrare dhe publicistike kushtuar shkrimtarit Ramiz Kelmendi, n\u00eb Bibliotek\u00ebn Komb\u00ebtare dhe Universitare t\u00eb Kosov\u00ebs, qe b\u00ebr\u00eb nj\u00eb ogur i bardh\u00eb q\u00eb t\u00eb njiheshim s\u00eb bashku dhe q\u00eb at\u00eb dit\u00eb, me studiuesn dhe adhuruesin e librit Hashim Baftiarin, kemi mbetur miq.<\/p>\n

Nj\u00eb njeri modest e gjithmon\u00eb i fjal\u00ebs, nj\u00eb studiues i p\u00ebrkushtuar dhe nj\u00eb adhurues i madh i librit, ai gjithmon\u00eb mbetet nj\u00eb mik i rrall\u00eb t\u00eb cilin ke d\u00ebshir\u00eb ta takosh p\u00ebr t\u00eb k\u00ebmbyer mendime e rrahur tema t\u00eb ndryshme. Nd\u00ebrkaq, librat si \u2018Fjalimet e nobelist\u00ebve\u2019 (p\u00ebrkthyer nga Avni Spahiu), Petraq Kolevica \u2018Me Mitrush Kutelin\u2019, si dhe ate t\u00eb Vedat Kokon\u00ebs \u2018Nga Tirana n\u00eb Stokholm\u2019, t\u00eb siguruar nga ai me nj\u00eb p\u00ebrpjekje t\u00eb ve\u00e7ant\u00eb, i mbaj\u00eb si librat nga m\u00eb t\u00eb \u00e7muar n\u00eb bibliotek\u00ebn time, p\u00ebr \u00e7ka i mbetem gjithmon\u00eb mir\u00ebnjoh\u00ebs: pafund\u00ebsisht.<\/p>\n

E ve\u00e7anta tjet\u00ebr q\u00eb e shquan at\u00eb \u00ebsht\u00eb fakti se n\u00eb komentet e tij, n\u00eb analizat e tij, n\u00eb shfaqjen e mendimeve dhe n\u00eb shpalosjen e vler\u00ebsimeve t\u00eb p\u00ebr libra t\u00eb botuar, p\u00ebr let\u00ebrsin\u00eb si dhe p\u00ebr dukuri e fenomene t\u00eb ndryshme n\u00eb rrjedhat tona kulturore, n\u00eb takime letrare apo edhe n\u00eb p\u00ebrurime librash, Hashim Baftiari ka d\u00ebshmuar sa prirjen e tij p\u00ebr librin po aq edhe dashurin\u00eb ndaj librit, duke b\u00ebr\u00eb p\u00ebrshtypje gjithmon\u00eb me fjal\u00ebn e tij t\u00eb peshuar mir\u00eb si dhe me gjykimin e mpreht\u00eb e t\u00eb drejt\u00eb krtiko-letrar. N\u00eb radh\u00eb t\u00eb par\u00eb ai ka d\u00ebshmuar dashurin\u00eb ndaj gjuh\u00ebs shqipe si dhe ndaj kultur\u00ebs komb\u00ebtare shqiptare, por gjithmon\u00eb t\u00eb shoq\u00ebruar me nj\u00eb zell t\u00eb pareshtur p\u00ebr leximin, si dhe me nj\u00eb k\u00ebrsh\u00ebri t\u00eb gjall\u00eb p\u00ebr dijen dhe kultur\u00ebn n\u00eb p\u00ebrgjith\u00ebsi.<\/p>\n

\"\"Hashim Baftiari, duke folur p\u00ebr let\u00ebrsin\u00eb<\/em><\/p>\n

2. Duke shijuar bukurit\u00eb e Tetov\u00ebs<\/strong><\/p>\n

Pasi kalojm\u00eb kufirin shqiptaro-shqiptar t\u00eb Kosov\u00ebs me Maqedonin\u00eb, me makin\u00ebn e Agimit, n\u00eb nj\u00eb pasite t\u00eb bukur qershori, soditnim rrug\u00ebn e cila shpesh nga t\u00eb dy an\u00ebt shfaqej me drur\u00eb t\u00eb shumt\u00eb e me hije t\u00eb cilat t\u2019i kishte \u00ebndja t\u2019i shikoje.<\/p>\n

P\u00ebr mua ky udh\u00ebtim ishte i ndar\u00eb n\u00eb dy koh\u00eb (dje dhe sot), e gjithashtu, n\u00eb dy pjes\u00eb. Sa ishim n\u00eb pjes\u00ebn e Kosov\u00ebs, shpesh, shum\u00eb shpesh m\u00eb shfaqej pjesa e par\u00eb e mendimit jasht\u00ebzakonisht profetik t\u00eb Mit\u2019hat Frash\u00ebrit: \u2018Do t\u00eb vij\u00eb koha kur politikat nd\u00ebrkomb\u00ebtare do t\u00eb verifikojn\u00eb dhe do t\u00eb ndreqin veten n\u00eb Kosov\u00eb. Qend\u00ebr e tyre do t\u00eb jet\u00eb Prishtina\u2019, si dhe pjesa e dyt\u00eb e k\u00ebtij mendimi sa transparent po aq edhe lapidar: \u2018fjal\u00ebn e fundit do ta thot\u00eb Tetova.\u2019<\/p>\n

Kisha nj\u00eb k\u00ebrsh\u00ebri t\u00eb ve\u00e7ant\u00eb p\u00ebr pjes\u00ebn e dyt\u00eb t\u00eb mendimit t\u00eb Mit\u2019hatit, m\u00eb fundit-nga m\u00eb t\u00eb m\u00ebdhenjt\u00eb e Frash\u00ebllinjve. Doja ta shihja p\u00ebrfytyrimin e tij, doja ta prekja me dor\u00eb, d\u00ebshiroja q\u00eb ta p\u00ebrjetoja nj\u00eb ndiesi t\u00eb till\u00eb t\u00eb flamurtarit t\u00eb shqiptarizm\u00ebs s\u00eb rishlindur, si\u00e7 do t\u00eb shprehej profesori Selamn Riza.<\/p>\n

Tetova po shfaqej dal\u00ebngadal\u00eb, sa me historin\u00eb po aq edhe me gjeografin\u00eb e saj, me krenarin\u00eb e saj t\u00eb ligjshme sa dhe me bukurin\u00eb e saj. E rrethuar me kodrat t\u00eb cilat sikur ia shkelin syrin, Tetova sikur po kredhej n\u00eb kujtes\u00ebn e saj historike, me aq shum\u00eb ngjarje, me aq shum\u00eb t\u00eb b\u00ebma, me aq shum\u00eb lufta, me aq shum\u00eb q\u00ebndres\u00eb. Tetova e pushk\u00ebs dhe e pen\u00ebs, Tetova e gjakimit p\u00ebr dijen univesritare si dhe Tetova e manifestimit letrar \u2018Dit\u00ebt e Naimit\u2019.<\/p>\n

Sa m\u00eb shum\u00eb q\u00eb shikoja pamjet e Tetov\u00ebs dhe kodrat rrotull saj, aq m\u00eb shum\u00eb m\u00eb kujtohej Tanusha e eposit t\u00eb kreshnik\u00ebve, dhe sa m\u00eb shum\u00eb q\u00eb soditja pamjet e saj, aq m\u00eb shum\u00eb m\u00eb shpaloseshin n\u00eb kujtes\u00ebn time emra q\u00eb lan\u00eb gjurm\u00eb t\u00eb pshlyeshme n\u00eb historin\u00eb e Tetov\u00ebs trime.<\/p>\n

N\u00eb fund t\u00eb udh\u00ebtimit p\u00ebr n\u00eb Tetov\u00eb, takohemi me mikun e \u00e7muar, i cili na pret me p\u00ebrzem\u00ebrsi dhe na shoq\u00ebron duke ecur k\u00ebmb\u00eb, p\u00ebr t\u00eb shijuar pamjet e qytetit t\u00eb Tetov\u00ebs, ku bie n\u00eb sy ritmi i gajll\u00ebris\u00eb s\u00eb jet\u00ebs. Duke ecur dhe duke biseduar s\u00eb bashku, me bujarin\u00eb e tij t\u00eb shquar ai na fton p\u00ebr drek\u00ebn e shtruar gjith\u00eb begati, e ku bie n\u00eb sy rregulli, shija dhe past\u00ebrtia\u2026<\/p>\n

\"\"Hashim Baftiari, Agim Bejiqi, Xhemail Peci<\/em>
\nN\u00eb Restorantin \u2018Arbi\u2019, n\u00eb Tetov\u00eb<\/em><\/p>\n

Nga balkoni i Restorantit \u2018ARBI\u2019 sodisim pamjet q\u00eb shfaqen p\u00ebrpara. Bisedojm\u00eb shtruar e k\u00ebnaqemi me sfondin e kodrave p\u00ebrreth. Z. Hashim shprehet plot pietet p\u00ebr pronarin e restorantit, z. Xhelal Idrizi: \u2018Nj\u00eb mb\u00ebshtet\u00ebs i sinqert\u00eb i arsimit, kultur\u00ebs dhe sportit shqiptar, adhurues dhe p\u00ebrkarah\u00ebs i pashoq i p\u00ebrpraimit shqiptar n\u00eb t\u00eb gjitha sferat\u2026\u2019
\nMbarojm\u00eb drek\u00ebn, pim\u00eb kafet\u00eb dhe p\u00ebrs\u00ebri rendim n\u00ebp\u00ebr rrug\u00ebt e Tetov\u00ebs, disa prej t\u00eb cilave t\u00eb t\u00ebrheqin v\u00ebmendjen me katror\u00ebt e shtruar aq bukur e q\u00eb p\u00ebrb\u00ebjn\u00eb nj\u00eb mozaik t\u00eb ve\u00e7ant\u00eb me hijeshin\u00eb e tyre.<\/p>\n

Pa dyshim se nj\u00eb nga p\u00ebrshtypjet e rralla, ishte vizita n\u00eb Xhamin\u00eb e Tetov\u00ebs, brend\u00ebsia e s\u00eb cil\u00ebs me pamjet e saj t\u00eb mrekullueshme si dhe me nj\u00eb kaligrafi t\u00eb rrall\u00eb, e cila t\u00eb mahnit\u00eb. Pasi na d\u00ebfton se miku yn\u00eb, albanologu Robert Elsie, ishte mrekulluar me bukurit\u00eb e enteriorit t\u00eb Xhamis\u00eb, i them z. Hashim se paska pasur plot\u00ebsisht t\u00eb drejt\u00eb! Pamje q\u00eb t\u00eb b\u00ebjn\u00eb p\u00ebr vet\u00eb me magjin\u00eb e artiktetur\u00ebs, t\u00eb luleve, t\u00eb shkronjave, t\u00eb hap\u00ebsirave, t\u00eb proporcioneve simetrike, t\u00eb q\u00ebndismave, pastaj shkall\u00ebt q\u00eb shpiejn\u00eb lart: \u00e7do gj\u00eb e rregulluar me nj\u00eb shije dhe me nj\u00eb kultur\u00eb q\u00eb d\u00ebshmon p\u00ebrkushtim dhe adhurim ndaj s\u00eb bukur\u00ebs dhe s\u00eb madh\u00ebrishmes, ndaj dijes dhe drit\u00ebs, ndaj m\u00ebshir\u00ebs dhe s\u00eb p\u00ebrjetshmes…<\/p>\n

B\u00ebjm\u00eb ca fotografi p\u00ebr d\u00ebshmi, e syri nuk ngopet me pamjen q\u00eb shpaloset p\u00ebrpara, etja sikur nuk shuhet me gurr\u00ebn e ujit t\u00eb fresk\u00ebt, e gjuha e gurit flet me gjuh\u00ebn e shekjve dhe t\u00eb mij\u00ebvje\u00e7ar\u00ebve. Gjuha e gurit dhe gdhendja e tij, latimi me kujdes, dashuria p\u00ebr gurin dhe p\u00ebr veprat e artit. Nj\u00eb arkitektur\u00eb n\u00eb gur\u00eb q\u00eb ka l\u00ebn\u00eb gjurm\u00eb, dhe nj\u00eb krua q\u00eb ka rrjedhur e do t\u00eb rrjedh\u00eb sot e mot. Koh\u00ebt sikur flasin me nj\u00ebra tjetr\u00ebn, e djeshmja me t\u00eb sotmen dhe e sotmja me t\u00eb nes\u00ebrmen. Sikur flasin di\u00e7ka mes vet\u00eb dhe m\u00ebtojn\u00eb t\u00eb thon\u00eb, t\u00eb d\u00ebshmojn\u00eb p\u00ebr t\u00eb kaluar\u00ebn, p\u00ebr t\u00eb tashmen dhe t\u00eb ardhmen ton\u00eb.<\/p>\n

Sakaq, nj\u00eb sfond lulesh shfaqet me gjith\u00eb bukurin\u00eb e vet. Gjuha e luleve dhe gjuha e krojeve \u00ebsht\u00eb mbase m\u00eb e ve\u00e7anta, nga m\u00eb dometh\u00ebn\u00ebsja, e gjithsesi edhe nga m\u00eb mbres\u00ebl\u00ebnsja.<\/p>\n

Jan\u00eb pamje q\u00eb t\u00eb b\u00ebjn\u00eb p\u00ebr vet\u00eb, pamje q\u00eb nuk harrohen. Ato thadrohen n\u00eb kujtes\u00ebn e vizitor\u00ebve dhe sikur t\u00eb ftojn\u00eb me heshtjen e tyre, sikur duan t\u00eb t\u00eb marrin p\u00ebr dore n\u00eb soditjen q\u00eb t\u00eb falin. Gjithsesi, sa nj\u00eb magji po aq edhe nj\u00eb madh\u00ebshti, nj\u00eb bukuri dhe nj\u00eb hijeshi e rrall\u00eb, por edhe nj\u00eb qet\u00ebsi q\u00eb t\u00eb shtyn\u00eb t\u00eb mendosh e t\u00eb meditosh pa pra.<\/p>\n

Pastaj dalim q\u00eb aty dhe s\u00ebrish marrim rrug\u00ebn p\u00ebr tek vendi kur do t\u00eb p\u00ebrurohen veprat e mikut ton\u00eb. Sodisim k\u00ebshtu rrug\u00ebt, sheshet dhe kuadratet e qytetit t\u00eb Tetov\u00ebs, p\u00ebr t\u00eb arritur deri tek vendi i p\u00ebrurimit.<\/p>\n

\"\"Hashim Baftiari & Xhemail Peci: N\u00eb Xhamin\u00eb e Tetov\u00ebs<\/em><\/p>\n

\"\"Agim Bejiqi & Xhemail Peci: N\u00eb Xhamin\u00eb e Tetov\u00ebs<\/em><\/p>\n

3. Sofia Loren<\/strong><\/p>\n

\"\"Agim Bejiqi dhe gjakimi p\u00ebr ta pir\u00eb nj\u00eb cigare me Sofia Lorenin<\/em><\/p>\n

N\u00eb hyrje t\u00eb godin\u00ebs ku do t\u00eb b\u00ebhej p\u00ebrurimi, \u00ebsht\u00eb Agimi ai q\u00eb v\u00eb re nj\u00eb befasi t\u00eb k\u00ebndshme. \u00cbsht\u00eb portreti i aktores me fame bot\u00ebrore, nj\u00eb profil i saj, e gjithsesi nj\u00eb em\u00ebr kumbues n\u00eb artin e kinematografis\u00eb bot\u00ebrore: e paharrueshmja Sofia Loren. Bie n\u00eb sy v\u00ebshtrimi i syve, sfondi i ballit dhe pamja e fytyr\u00ebs s\u00eb saj, e ve\u00e7mas l\u00ebvizja e gisht\u00ebrinjve t\u00eb dor\u00ebs p\u00ebrplot art, duke thithur jo thjesht vet\u00ebm nj\u00eb cigare, por duke shijuar nj\u00eb pjes\u00eb t\u00eb jet\u00ebs e cila ik\u00ebn vrik!<\/p>\n

\"\"Lexojm\u00eb n\u00eb anglisht dhe e p\u00ebrkthejm\u00eb mesazhin e saj kuptimplot\u00eb: \u2018Bukuria \u00ebsht\u00eb ajo q\u00eb ti ndien brenda teje dhe e reflekton at\u00eb, me syt\u00eb e tu<\/em>\u2019.<\/p>\n

V\u00ebshtroj syt\u00eb e Sofia Lorenit dhe sakaq m\u00eb kujtohet shkrimtari Ramiz Klemendi. Vizita e tij n\u00eb Luv\u00ebr dhe pamja e syve t\u00eb Mona Liz\u00ebs, t\u00eb cil\u00ebt do ta ndjekin gjat\u00eb gjith\u00eb jet\u00ebs s\u00eb tij:
\n\u2018M\u00eb joshin mbi t\u00eb gjitha syt\u00eb e saj, nj\u00eb pal\u00eb sy q\u00eb mbeten enigm\u00eb p\u00ebr shekuj. Sy q\u00eb qeshin. Do t\u00eb m\u00eb ndjekin gjithmon\u00eb dy pal\u00eb sy. Syt\u00eb e Mona Liz\u00ebs!\u2019<\/p>\n

Me vet\u00eb p\u00ebrshp\u00ebris: Ramiz, nj\u00ebsoj \u00ebsht\u00eb edhe me syt\u00eb e Sofia Lorenit. M\u00eb shfaqen kudo dhe kurdo!
\nE sakaq m\u00eb bie nd\u00ebrmend zem\u00ebr-klithja e De Rad\u00ebs: \u2018P\u00ebrse t\u00eb vien mendimet kah deti, zemra ime?\u2019<\/p>\n

De Rada. Ramizi. Pastaj vetvetiu, edhe poezia q\u00eb kisha shkruar p\u00ebr nj\u00eb pal\u00eb sy – krejt si t\u00eb Mona Liz\u00ebs, poezia e titulluar \u2018Sofia Loren\u2019:
\n\u00c7do nat\u00eb nga rrug\u00ebtimi i saj i gjat\u00eb ajo vjen e n\u00eb kujtes\u00eb kthen<\/em>
\nme l\u00ebkur\u00ebn e rreshkur nga dielli e me syt\u00eb e bukur ngjyr\u00eb qielli<\/em>
\n\u00e7do dit\u00eb z\u00ebrin e zemr\u00ebs s\u00eb saj m\u00eb t\u00eb theksh\u00ebm ia gjen\u00eb<\/em>
\ne agimi n\u00eb drit\u00ebn e syve t\u00eb saj nat\u00ebn me yjet z\u00eb dhe e p\u00ebrben\u00eb<\/em>
\nk\u00ebshtu shfaqet me fytyr\u00ebn ezmere engj\u00ebllore dhe gjith\u00eb ten<\/em>
\nkopja e saj e gjall\u00eb: Sofia Loren!<\/em>
\nHer\u00eb si Li Salome e her\u00eb si Me West kujtime z\u00eb e bjen<\/em>
\nnata i rr\u00ebshqet p\u00ebrmbi flok\u00ebt kur gjumi n\u00eb kujtime e zen<\/em>
\ne prap\u00eb dita e plot\u00ebson at\u00eb \u00e7ka nata mangut e len<\/em>
\nme z\u00ebrin e saj parajs\u00ebs i bie mes p\u00ebr mes<\/em>
\nnga agu n\u00eb muzg e nga muzgu n\u00eb m\u00ebngjes<\/em>
\ndel s\u00ebrish nga fotografia e kok\u00ebn kah engj\u00ebjt e kthen<\/em>
\nkopja e saj e gjall\u00eb: Sofia Loren!<\/em><\/p>\n

Si vet\u00eb Anabel Li me ritmin e takave si pikat me shi<\/em>
\nz\u00eb bilbilash e k\u00ebng\u00eb kanarinash n\u00eb nj\u00eb melodi shkri<\/em>
\nkur shterret uji nd\u00ebr kroje krojet tek hojet nisin me pi<\/em>
\ne z\u00ebri i merr flatra si eshka e djegur n\u00eb Shk\u00eblzen<\/em>
\ntryeza e eposit t\u00eb kreshnik\u00ebve Tanush\u00ebn t\u00eb tretet s\u2019e len<\/em>
\nk\u00ebnga e lahut\u00ebs e shuan mallin kur ballin ia l\u00ebmon n\u00eb refren<\/em>
\nkopja e saj e gjall\u00eb: Sofia Loren!<\/em><\/p>\n

Kthehet nga udh\u00ebtimi i gjat\u00eb dit\u00eb p\u00ebr dit\u00eb e nat\u00eb p\u00ebr nat\u00eb<\/em>
\nme qerpik\u00ebt e but\u00eb e then dhe tehun e m\u00eb t\u00eb mpreht\u00ebs shpat\u00eb<\/em>
\nn\u00eb fytyr\u00ebn e buz\u00ebqeshur goja i rri si nj\u00eb amfor\u00eb prej qielli<\/em>
\ne n\u00eb l\u00ebkur\u00ebn e rreshkur si nj\u00eb disk i val\u00eb rr\u00ebshqet vet\u00eb dielli<\/em>
\ndy diej i bart\u00eb mbi supe e kristalet e z\u00ebrit si rrjedha n\u00eb Erzen<\/em>
\nsi Jerina – Mbret\u00ebresha e Luleve kur Fishta ia gjet vendin n\u2019Eden<\/em>
\nk\u00ebshtu dit\u00eb e nat\u00eb shfaqet e rishfaqet si engj\u00ebll kur shk\u00eblqen<\/em>
\nkopja e saj e gjall\u00eb: Sofia Loren!<\/em><\/p>\n

Nj\u00eb \u2018pritje\u2019 e till\u00eb nga Sofia Loren ishte mbase edhe nj\u00eb befasi tjet\u00ebr e k\u00ebndshme n\u00eb Tetov\u00eb. Por m\u00eb tep\u00ebr se kaq, portreti i saj n\u00eb murin e nj\u00eb godine, d\u00ebshmonte p\u00ebr dashurin\u00eb e publikut p\u00ebr artin dhe madh\u00ebshtin\u00eb e tij, p\u00ebr gjuh\u00ebn universale sa dhe t\u00eb magjishme t\u00eb artit n\u00eb p\u00ebrgjith\u00ebsi. Ai portret sa fliste p\u00ebr shijen e njer\u00ebzve p\u00ebr artin, po aq fliste edhe p\u00ebr dashurin\u00eb e tyre ndaj s\u00eb bukur\u00ebs dhe t\u00eb madh\u00ebrishmes. Gjithsesi, njer\u00ebzit q\u00eb ia kishin m\u00ebsy vendit t\u00eb p\u00ebrurimit dhe q\u00eb po futeshin brenda, d\u00ebshmonin se Tetova gjithmon\u00eb ka pasur dashurin\u00eb e saj t\u00eb ve\u00e7ant\u00eb p\u00ebr librin, sepse dashuria p\u00ebr librin \u00ebsht\u00eb vet\u00eb dashuria p\u00ebr drit\u00ebn, p\u00ebr diturin\u00eb, e s\u00eb fundi edhe p\u00ebr lirin\u00eb.<\/p>\n

4. Saadiu: Librat jan\u00eb nuset e mendimeve<\/strong><\/p>\n

\"\"<\/p>\n

\"\"Saadiu, poet i lasht\u00eb i Persis\u00eb: Librat jan\u00eb nuest e mendimeve<\/em><\/p>\n

Duke marr\u00eb fjal\u00ebn, z. Salajdin Salihu foli me plot pietet, si p\u00ebr autorin Hashim Baftiari, ashtu edhe p\u00ebr shkrimtarin Ramiz Kelmendi. Nd\u00ebrkaq, lidhur me librin \u2018Ramiz Kelmendi-Humorist dhe satirik\u2019, ai tha:<\/p>\n

\u2018\u00cbsht\u00eb shum\u00eb e r\u00ebnd\u00ebsishme n\u00eb nj\u00eb shoq\u00ebri, komikja, p\u00ebr shkak se i \u00e7\u2019tensionon situatat dhe t\u00eb gjitha problemet q\u00eb krijojn\u00eb gjith\u00eb at\u00eb tension n\u00eb shoq\u00ebri. Zakonisht, shoq\u00ebrit\u00eb diktatoriale e urrejn\u00eb humorin dhe ata kategorin\u00eb estetike t\u00eb komikes ose si\u00e7 e quante Kanti e pritshmja e madhe e kthyer n\u00eb asgj\u00eb e z\u00ebvend\u00ebsojn\u00eb me kategorin\u00eb e t\u00eb madh\u00ebrishmes ose n\u00eb nj\u00ebfar\u00eb m\u00ebnyre t\u00eb frikshmes s\u00eb bukur. N\u00ebse i shikoni t\u00eb gjith\u00eb sistetmet diktatoriale do t\u00eb shihni q\u00eb ato kan\u00eb parada t\u00eb m\u00ebdha. Diktaturat jan\u00eb armike t\u00eb humorit dhe p\u00ebrgjith\u00ebsisht e stimulojn\u00eb kategorin\u00eb e t\u00eb madh\u00ebrishmes.<\/p>\n

\u00cbsht\u00eb shum\u00eb e r\u00ebnd\u00ebsishme q\u00eb Ramiz Kelmendi iu kthye komikes sepse \u00ebsht\u00eb komikja ajo q\u00eb e karnevalizon jet\u00ebn dhe na e paraqet jet\u00ebn lakuriq si te p\u00ebrralla e Andersenit.<\/p>\n

Nj\u00eb autor kaq i madh u zgjodh p\u00ebr t\u2019u studiuar nga Hashim Baftiari, dhe kam bindjen se ka b\u00ebr\u00eb nj\u00eb studim me shum\u00eb kompetenc\u00eb, me shum\u00eb dije, me shum\u00eb kultur\u00eb.\u2019<\/p>\n

Duke u ndalur m\u00eb tej, tek antologjia tematike \u2018Nj\u00ebqind poezi dashurie\u2019 t\u00eb Hashim Baftiarit, Salihu vur n\u00eb pah se:
\n\u2018Antologjit\u00eb jan\u00eb libra t\u00eb domosdosh\u00ebm p\u00ebr \u00e7do sistem kulturor. Ato i sh\u00ebrbejn\u00eb qoft\u00eb lexuesit q\u00eb e kan\u00eb pasion let\u00ebrsin\u00eb qoft\u00eb studiuesve t\u00eb let\u00ebrsis\u00eb ose student\u00ebve, sepse njihen me krijime let\u00ebrsish t\u00eb ndryshme t\u00eb verifikuara si vlera t\u00eb pakontestueshme artistike. P\u00ebrpilimi i antologjive qofshin t\u00eb p\u00ebrgjithshne ose tematike, n\u00eb rend t\u00eb par\u00eb, k\u00ebrkon dije dhe kompetenc\u00eb t\u00eb p\u00ebrzgjedh\u00ebsit t\u00eb krijimeve artistike. Antologjit\u00eb b\u00ebhen referenciale fal\u00eb p\u00ebrpiluesit t\u00eb tyre, pra seriozitetit t\u00eb tij, dijes s\u00eb tij, kultur\u00ebs s\u00eb tij.<\/p>\n

Hashim Baftiari \u00ebsht\u00eb nj\u00ebri prej autor\u00ebve q\u00eb me librat e tij, t\u00eb k\u00ebsaj natyre, \u00ebsht\u00eb d\u00ebshmuar n\u00eb k\u00ebt\u00eb sfer\u00eb. Ai \u00ebsht\u00eb njoh\u00ebs i mir\u00eb jo vet\u00ebm i let\u00ebrsis\u00eb komb\u00ebtare, por edhe asaj bot\u00ebrore. Antologjit\u00eb e tij jan\u00eb pritur mir\u00eb nga lexuesit shqiptar\u00eb. S\u00eb fundmi ai ka p\u00ebrgatitur antologjin\u00eb tematike \u02baNj\u00ebqind poezi dashurie\u02ba. Jan\u00eb poezit\u00eb m\u00eb t\u00eb njohura t\u00eb dashuris\u00eb nga let\u00ebrsia bot\u00ebrore, t\u00eb p\u00ebrkthyera n\u00eb gjuh\u00ebn shqipe nga mjeshtrit m\u00eb t\u00eb m\u00ebdhenj t\u00eb p\u00ebrkthimit. Kjo antologji \u00ebsht\u00eb p\u00ebrgatitur me kompetenc\u00eb e dashuri t\u00eb pashoqe nga autori, Hashim Baftiari.<\/p>\n

Fal\u00eb k\u00ebtij p\u00ebrkushtimi sistemi yn\u00eb kulturor tashm\u00eb \u00ebsht\u00eb pasuruar edhe me nj\u00eb vep\u00ebr t\u00eb domosdoshme. \u00cbsht\u00eb vep\u00ebr q\u00eb sjell n\u00eb nj\u00eb vend perla nga sisteme t\u00eb ndryshme letrare q\u00eb nj\u00ebkoh\u00ebsisht d\u00ebshmojn\u00eb p\u00ebr fuqin\u00eb e gjuh\u00ebs shqipe, si gjuh\u00eb kulture. Autori i sjell lexuesit poezit\u00eb m\u00eb t\u00eb bukura q\u00eb nga antikiteti deri te poezit\u00eb e krijuara n\u00eb shekullin nj\u00ebzet. Gjithashtu jep t\u00eb dh\u00ebna t\u00eb shkurtra dhe t\u00eb sakta p\u00ebr secilin autor q\u00eb ka p\u00ebrfshir\u00eb n\u00eb k\u00ebt\u00eb antologji. Pa asnj\u00eb m\u00ebdyshje propozoj q\u00eb ky lib\u00ebr t\u00eb botohet, me bindjen se do t\u00eb receptohet gjer\u00ebsisht nga lexuesi dhe do t\u00eb sh\u00ebrbej\u00eb si lib\u00ebr ndihm\u00ebs edhe p\u00ebr student\u00ebt e let\u00ebrsis\u00eb.\u2019<\/p>\n

Referuesi tjet\u00ebr, Remzi Salihu, lidhur me librin \u2018Kjo dashuri-poezi dashurie te gjuh\u00ebs fr\u00ebnge\u2019, u shpreh me nj\u00eb konsiderat\u00eb t\u00eb ve\u00e7ant\u00eb dhe me nj\u00eb analiz\u00eb t\u00eb holl\u00ebsishme:<\/p>\n

\u2018Kur flasim p\u00ebr kultur\u00ebn franceze pa dyshim se mendimin e p\u00ebrqendrojm\u00eb mu n\u00eb krijimin e artit t\u00eb mir\u00ebfillt\u00eb. Franca me pranin\u00eb e krijuesve dhe artist\u00ebve t\u00eb vet z\u00eb nj\u00eb vend t\u00eb merituar n\u00eb t\u00ebr\u00ebsin\u00eb e kultur\u00ebs bot\u00ebrore. Poezia erotike franceze \u00ebsht\u00eb p\u00ebrgjigjja m\u00eb e devotshme e frym\u00ebs ndikuese n\u00ebp\u00ebr t\u00eb gjitha let\u00ebrsit\u00eb e popujve t\u00eb k\u00ebtij kozmosi. Ajo \u00ebsht\u00eb fenomeni m\u00eb tipik refleksiv q\u00eb me frym\u00ebn e saj hyn n\u00ebp\u00ebr t\u00eb gjitha poret e ndjeshme t\u00eb individit. Pa dyshim se Franca me autor\u00ebt e saj t\u00eb shumt\u00eb \u00ebsht\u00eb b\u00ebr\u00eb vendi m\u00eb i njohur i artit t\u00eb mirfillt\u00eb. K\u00ebshtu edhe let\u00ebrsia me t\u00eb gjitha zhanret e saj, t\u00eb emancipimit kreativ njer\u00ebzor, ia ka hapur shtigjet e shumta civilizimit. Shum\u00eb drejtime letrare e kan\u00eb edhe prejardhjen e vet nga ky vend i ndritur.<\/p>\n

Mbase edhe poezia lirike si forma m\u00eb e vjet\u00ebr e shkrimit letrar artikulon shijen e ve\u00e7ant\u00eb t\u00eb ndjeshm\u00ebris\u00eb. Ajo ka filluar shum\u00eb her\u00ebt t\u00eb kultivohet atje. Lirizmi si forma m\u00eb e dalluar letrare jep sublimimin e intimitetit dhe gjithnj\u00eb nxit\u00eb k\u00ebrsh\u00ebrin\u00eb e p\u00ebrhershme te lexuesit. T\u00eb gjith\u00eb poet\u00ebt nga Kristine de Pizan e deri te Jacques-Fran\u00e7ois Dussottier sjellin dallg\u00eb dashurie, me nj\u00eb eleganc\u00eb t\u00eb zjarrt\u00eb intimiteti. Madje secili poet me performansat artistike provokon dhe p\u00ebrmbush shpirtin ledhatues t\u00eb lexuesit, dhe secili n\u00eb m\u00ebnyr\u00ebn e vet ngjall emocione q\u00eb nuk harrohen kurr\u00eb n\u00eb jet\u00eb. Pra, lirika franceze \u00ebsht\u00eb nj\u00eb thesar i \u00e7muar q\u00eb b\u00ebn kureshtar\u00eb t\u00eb gjith\u00eb lexuesit, t\u00eb cil\u00ebt duan t\u00eb shijojn\u00eb ve\u00e7antin\u00eb dhe vokabularin letrar t\u00eb autor\u00ebve t\u00eb t\u00eb gjitha koh\u00ebrave. K\u00ebto vargje e ngaz\u00ebllejn\u00eb me mesazhe erotike lexuesin dhe e stimulojn\u00eb ndjenj\u00ebn e jasht\u00ebzakonshme t\u00eb intimitetit individual.<\/p>\n

Nuk \u00ebsht\u00eb tep\u00ebr t\u00eb themi se, ky liriz\u00ebm i k\u00ebtyre poet\u00ebve francez\u00eb, b\u00ebhet motiv senzacional erotik p\u00ebr \u00e7do njeri. N\u00ebse themi se dashuria \u00ebsht\u00eb nj\u00eb p\u00ebshp\u00ebritje e theksuar prej zemre n\u00eb zem\u00ebr, gjithsesi se k\u00ebt\u00eb mrekulli komunikimi shpirt\u00ebror t\u00eb p\u00ebrjetuar nga shum\u00eb njer\u00ebz, poet\u00ebt francez\u00eb kan\u00eb ditur ta shkruajn\u00eb recentin artistik m\u00eb ndikues p\u00ebr veten dhe t\u00eb tjer\u00ebt, prandaj poet\u00ebt p\u00ebr dashurin\u00eb e tyre kan\u00eb p\u00ebrdorur fjal\u00ebt m\u00eb magjike, p\u00ebr t\u00eb p\u00ebrfituar gjinin\u00eb e kund\u00ebrt, duke bashk\u00ebdyzuar frym\u00ebn dhe arom\u00ebn kimike me an\u00eb t\u00eb fjal\u00ebve t\u00eb ve\u00e7anta, latuese p\u00ebr personin q\u00eb ia dedikon tundimin erotik imagjinativ t\u00eb k\u00ebndsh\u00ebm.\u2019<\/p>\n

Me thekse t\u00eb ve\u00e7anta, z. Remzi Salihu u ndal tek poentat kryesore t\u00eb k\u00ebsaj p\u00ebrzgjedhjeje poetike, si dhe tek vlera e p\u00ebrkthimeve:<\/p>\n

\u2018Antologjia e lirik\u00ebs erotike franceze \u201cKjo dashuri\u201d sjell nj\u00eb mozaik autor\u00ebsh t\u00eb shumt\u00eb q\u00eb nga shekulli pes\u00ebmb\u00ebdhjet\u00eb e k\u00ebtej. Hartuesi i k\u00ebsaj antologjie na shpie n\u00eb horizontin erotik poetik francez me nj\u00eb p\u00ebrzgjedhje autor\u00ebsh q\u00eb vijn\u00eb nga t\u00eb gjitha koh\u00ebrat e veprimit t\u00eb tyre artistik. P\u00ebrmes k\u00ebsaj t\u00ebr\u00ebsie figurash stilistike e vargjesh t\u00eb p\u00ebrzgjedhura, lexuesi zbulon shtegun erotik t\u00eb lirik\u00ebs s\u00eb p\u00ebrgjithshme t\u00eb let\u00ebrsis\u00eb bot\u00ebrore. N\u00eb k\u00ebt\u00eb prirje t\u00eb ndjeshme jan\u00eb t\u00eb p\u00ebrfshir\u00eb autor\u00ebt m\u00eb t\u00eb njohur q\u00eb jan\u00eb p\u00ebrkthyer n\u00eb gjuh\u00ebn shqipe. Personalisht disa p\u00ebrkthime nuk m\u00eb kan\u00eb l\u00ebn\u00eb p\u00ebrshtypje t\u00eb posa\u00e7me, ngase u ka munguar p\u00ebrshtatja dhe bartja artistike nga gjuha franceze n\u00eb shqipe.<\/p>\n

P\u00ebrkthyesit duhet t\u00eb kishin pasur kujdes m\u00eb t\u00eb madh gjat\u00eb bartjes s\u00eb saj n\u00eb gjuh\u00ebn shqipe. P\u00ebrkthimi i mir\u00eb k\u00ebrkon p\u00ebrgjegj\u00ebsi t\u00eb dyfisht\u00eb. Sepse p\u00ebrkthimi nganj\u00ebher\u00eb na del si rikrijim. P\u00ebrkthimi ngandonj\u00ebher\u00eb mund t\u00eb na duket si ndonj\u00eb batanije e kthyer nga prapa. Por ka p\u00ebrkthime q\u00eb shk\u00eblqejn\u00eb edhe m\u00eb bukur se origjinali. P\u00ebrkthyesi duhet t\u00eb ket\u00eb shum\u00eb kujdes ndaj origjinalit. Por gjithsesi se n\u00eb k\u00ebt\u00eb t\u00ebr\u00ebsi kemi edhe vargje t\u00eb p\u00ebrkthyera kujdessh\u00ebm. Pos k\u00ebtyre poezive t\u00eb p\u00ebrkthyera, p\u00ebrpiluesi p\u00ebr t\u00eb thyer monotonin\u00eb e vargjeve ka futur edhe poezi erotike origjinale.\u2019<\/p>\n

Pjesa tjet\u00ebr e cila ishte e ve\u00e7ant\u00eb n\u00eb qasjen e k\u00ebtij referuesi, ishte vler\u00ebsimi lidhur me poezin\u00eb erotike franceze dhe efektet e saj n\u00eb raport me lexuesin:<\/p>\n

\u2018P\u00ebrmes k\u00ebtyre vargjeve lexuesi t\u00eb duket se shpalos lirin\u00eb e vet intime, sikur ky arsenal lirik t\u2019i kushtohet atij, ngase erotizmi \u00ebsht\u00eb drit\u00eb q\u00eb t\u00eb mund\u00ebson \u00e7lirimin e individit nga err\u00ebsira e vetmis\u00eb. N\u00eb k\u00ebt\u00eb mendim poezia erotike franceze \u00ebsht\u00eb pishtari i emocioneve shumta. Ajo \u00ebsht\u00eb ndjenj\u00eb e sofistikuar sublime n\u00eb stilin francez, e cila me lirizmin e saj t\u00eb shpie k\u00ebndsh\u00ebm n\u00eb teatrin e sforcuar t\u00eb ndjenj\u00ebs dhe mallit.<\/p>\n

Kozmosi me lirik\u00ebn erotike e p\u00ebrmbush parajs\u00ebn e ndjenj\u00ebs s\u00eb p\u00ebrjetshme. Kjo form\u00eb e p\u00ebrjetuar e lirik\u00ebs \u00ebsht\u00eb shum\u00eb e af\u00ebrt me individin, sikur ajo t\u2019i dedikohet atij, sepse dashuria nuk \u00ebsht\u00eb vet\u00ebm etje e nj\u00ebanshme, personale, por \u00ebsht\u00eb edhe nj\u00eb etje e p\u00ebrgjithshme sublime p\u00ebrjetuese, kur lejon q\u00eb kjo poezi t\u00eb duket, sikur gjith\u00e7ka merr form\u00ebn e dritares s\u00eb hapur q\u00eb p\u00ebrndjek nj\u00eb shikimin erotik n\u00eb \u00e7do \u00e7ast t\u00eb jet\u00ebs. T\u00eb duket se p\u00ebrmes k\u00ebsaj poezie intime dashuria e individit b\u00ebhet m\u00eb e plot\u00eb. P\u00ebrmes k\u00ebsaj ndjenje erotike t\u00eb larg\u00ebsis\u00eb dhe afris\u00eb gjejm\u00eb gjurm\u00ebt e mallit t\u00eb pashuar individual. K\u00ebto vargje jan\u00eb imazhe erotike t\u00eb nd\u00ebrtuara me stile t\u00eb ve\u00e7anta franceze.<\/p>\n

Ajo \u00e7ka e t\u00ebrheq autorin Hashim Baftiari \u00ebsht\u00eb arti poetik dhe vlerat estetike t\u00eb k\u00ebtyre poezive t\u00eb p\u00ebrkthyera nga shum\u00eb autor\u00eb shqiptar\u00eb, madje e t\u00ebrheq bukuria e shum\u00ebllojshme e lirikave, si dhe muzikaliteti, gjetja metaforike, ekspresiviteti i vargut, dhe sidomos t\u00eb atyre vargjeve q\u00eb shpalojn\u00eb ndjenja t\u00eb forta p\u00ebr ta shijuar t\u00eb bukur\u00ebn estetike t\u00eb rrall\u00eb. Kjo antologji mund t\u00eb jet\u00eb nj\u00eb mir\u00ebseardhje p\u00ebr lexuesin e koh\u00ebs son\u00eb, ngase lexuesit t\u00eb interesuar p\u00ebr k\u00ebt\u00eb let\u00ebrsi t\u00eb madhe franceze, i ka munguar nj\u00eb mund\u00ebsi e till\u00eb.<\/p>\n

Besoj se kjo p\u00ebrmbledhje sado pak do t\u00eb gjej\u00eb lexuesin e vet shqiptar, p\u00ebr t\u2019i shijuar fjal\u00ebt e bukura t\u00eb autor\u00ebve dedikuar dashuris\u00eb, e cila si e till\u00eb mund t\u00eb p\u00ebrmbushet vet\u00ebm duke p\u00ebrvet\u00ebsuar p\u00ebrvoja t\u00eb ndryshme. Ne si lexues mbetemi t\u2019i shijojm\u00eb k\u00ebto vargje kur ta kemi n\u00eb duar k\u00ebt\u00eb antologji. Andaj secili do t\u00eb ket\u00eb mund\u00ebsin\u00eb t\u00eb krijoj\u00eb n\u00eb vete gjykimin dhe vler\u00ebsimin e k\u00ebtyre vargjeve t\u00eb autor\u00ebve t\u00eb p\u00ebrfshir\u00eb n\u00eb k\u00ebt\u00eb antologji.\u2019<\/p>\n

\"\"Salajdin Salihu, Hashim Baftiari, Xhemail Peci<\/em><\/p>\n

Nd\u00ebrkaq, duke u p\u00ebrpjekur t\u00eb them dy-tri fjal\u00eb lidhur me studimin e ve\u00e7ant\u00eb q\u00eb Hashim Baftiari i ka b\u00ebr\u00eb vepr\u00ebs humoristike t\u00eb Ramiz Kelmendit, u p\u00ebrpoqa t\u00eb vinja nj\u00eb paralele mes vler\u00ebsimit t\u00eb Ernest Koliqit p\u00ebr Laz\u00ebr Shanton: \u2018Stili plot hir dhe xixa humorizmi i Shantoj\u00ebs. Dom Laz\u00ebr Shantoja nji nd\u00ebr stilistat ma t\u00eb ndritsh\u00ebm t\u00eb let\u00ebrsis\u00eb shqipe.\u2019 dhe stilit t\u00eb ve\u00e7ant\u00eb krijues t\u00eb Ramiz Kelemendit.<\/p>\n

Duke pohuar se: \u2018Let\u00ebrsis\u00eb son\u00eb, jo vizatuesa e rravizatuesa me laps ari, por i duhen ndertuesa q\u00eb t\u00eb dijn\u00eb kur me e p\u00ebrdor\u00eb n\u2019vjersh\u00eb mjestrin\u00eb e \u00e7ekanin arenzi\u2019, Ernest Koliqi i ndante poet\u00ebt n\u00eb dy grupe, n\u00eb ata t\u00eb kalemit dhe n\u00eb ata t\u00eb polemit, kurse Dom Laz\u00ebr Shanton, ai me t\u00eb drejt\u00eb e quante: \u2018Nji vizatues me laps n\u00eb dor\u00eb.\u2019<\/p>\n

Duke theksuar m\u00eb tej se nuk \u00ebsht\u00eb rast\u00ebsi pse nderohet sot nj\u00eb krijues i cili ka nderuar t\u00eb tjer\u00ebt, p\u00ebrmenda tutje vler\u00ebsimin e vepr\u00ebs s\u00eb Ramiz Kelmendit dhe vendi q\u00eb z\u00eb ai n\u00eb let\u00ebrsin\u00eb shqipe. Me thekse t\u00eb ve\u00e7anta u ndala gjitashtu tek Ramiz Kelmendi si mbrojt\u00ebs i gjuh\u00ebs shqipe, si dhe tek aktualiteti i vepr\u00ebs s\u00eb tij shpalosur nga studiuesi i vepr\u00ebs s\u00eb tij:<\/p>\n

\u2018Ramiz Kelmendi ka botuar studimin e tij \u2018Tregimi yn\u00eb humoristiko-satirik\u2019. Studiuesi Baftiari, duke qen\u00eb i frym\u00ebzuar n\u00eb gjurm\u00ebt krijuese t\u00eb Ramiz Kelmendit, jo pa shkas e ka marr\u00eb p\u00ebr tem\u00eb t\u00eb magjistratur\u00ebs vepr\u00ebn humoristiko-satirike t\u00eb Ramiz Kelmendit: \u2018Ramiz Kelmendi humorist dhe satirik.\u2019 Baftiari ka p\u00ebrkujtuar se vepra e Molierit ka pasur p\u00ebr q\u00ebllim efektin e nj\u00eb \u2018katarsisi komik\u2019. E till\u00eb \u00ebsht\u00eb edhe vepra e Kelmendit, t\u00eb cilit profesori dhe studiuesi Prend Buzhala ia ka falur dy prej epiteteve m\u00eb t\u00eb merituara, duke e quajtur at\u00eb \u2018Molieri i letrave shqipe\u2019 dhe \u2018shp\u00ebtimtar i dashuris\u00eb.\u2019<\/p>\n

Ai mbetet nj\u00eb kolos i heshtur, sepse Ramiz do t\u00eb thot\u00eb Rilindas. Rilindas i kombit t\u00eb vet, i cili na kujton th\u00ebnien e Koliqit: \u2018Kur n\u00eb heshtje e n\u00eb vetmi e reshton shpirtin ton\u00eb eti i mrekulluesh\u00ebm i poezis\u2019, p\u00ebr ta shuem, i hyjm\u00eb leximit t\u00eb krijuesve t\u00eb m\u00ebdhenj letrar\u00eb.\u2019
\nGjithsesi, t\u00eb mbledhur sonte k\u00ebtu, p\u00ebr Ramiz Kelmendin mund t\u00eb themi at\u00eb q\u00eb e ka th\u00ebn\u00eb Ernest Koliqi p\u00ebr Fisht\u00ebn, se vepr\u00ebn e tij e p\u00ebrshkon nj\u00eb sarkaz\u00ebm me hov idhnak dhe se: Hija e tij asht midis nesh!<\/p>\n

Nd\u00ebrkaq, autori Hashim Baftiari jo vet\u00ebm q\u00eb e ka studiuar vepr\u00ebn e Ramiz Kelmendit, por ai edhe e ka nderuar at\u00eb e po e nderon edhe sot. Ramizi e ka dashur Tetov\u00ebn dhe Tetova po e nderon s\u00ebrish sot at\u00eb, njeriun q\u00eb me humorin e tij krejt\u00ebsisht t\u00eb ve\u00e7ant\u00eb, p\u00ebrjet\u00ebsoi ndjenj\u00ebn e dashuris\u00eb s\u00eb ve\u00e7ant\u00eb:
\n\u2018Edhe un\u00eb fillova me dasht\u00eb \u00e7ka don ajo. Madje d\u00ebshirojsha edhe frym\u00eb me marr\u00eb – si ajo. Ajo k\u00ebrkoi vet\u00ebm nj\u00eb akullore. E un\u00eb dojsha me ia dhan\u00eb krejt nj\u00eb amb\u00ebltore!<\/em>\u2019<\/p>\n

Hazbi Lika – nj\u00eb urti e lart\u00eb<\/em><\/p>\n

Mes tjer\u00ebve, nderoi p\u00ebrurimin e librave me pranin\u00eb e tij edhe z. Hazbi Lika. Nj\u00eb em\u00ebr t\u00eb cilin e kisha d\u00ebgjuar nga nderimi tep\u00ebr i ve\u00e7ant\u00eb p\u00ebr Kongresin e Manastirit, p\u00ebr t\u00eb cilin z. Lika qe shprehur me gjith\u00eb pietet dhe konsiderat\u00eb, duke e quajtur at\u00eb si simbol i identitetit dhe p\u00ebrbashkimit, p\u00ebr t\u00eb shtuar gjithashtu se:<\/p>\n

\"\"Z. Hazbi Lika, Hashim dhe Valbona Baftiari<\/em><\/p>\n

\u2018Historia komb\u00ebtare shqiptare \u00ebsht\u00eb p\u00ebrplot me ngjarje madh\u00ebshtore, me ngjarje q\u00eb kan\u00eb pesh\u00eb t\u00eb madhe, q\u00eb sh\u00ebnojn\u00eb pik\u00eb kthese n\u00eb zhvillimin e kombit, n\u00eb rrug\u00ebtimin e tij civilizues dhe bashk\u00ebkohor. Nj\u00eb nd\u00ebr k\u00ebto ngjarje historike dhe kulturore \u00ebsht\u00eb edhe Kongresi i Alfabetit t\u00eb gjuh\u00ebs shqipe i mbajtur pik\u00ebrisht n\u00eb k\u00ebt\u00eb qytet, si nj\u00ebri nga qendrat administrative e kulturore n\u00eb at\u00eb koh\u00eb dhe nj\u00eb qend\u00ebr e nj\u00eb shembulli t\u00eb nj\u00eb bashk\u00ebjetese mes komuniteteve n\u00eb koh\u00ebn e sotshme i cili duhet t\u00eb grumbulloj\u00eb fuqi, t\u00eb merr guxim dhe t\u00eb mbaj\u00eb p\u00ebrgjegj\u00ebsi p\u00ebr krijimin e kushteve p\u00ebr t\u00eb gjith\u00eb qytetar\u00ebt n\u00eb m\u00ebnyr\u00eb t\u00eb barabart\u00eb. Kongresi i Alfabetit mbetet nj\u00eb nga veprimet strategjike ekzistenciale p\u00ebr ngritjen e vet\u00ebdijes n\u00eb rrafshin komb\u00ebtar dhe p\u00ebr p\u00ebrforcimin e identitetit kulturor\u2019.<\/p>\n

Nga fjala e tij dukej qart\u00eb dashuria e theksuar p\u00ebr gjuh\u00ebn shqipe si dhe vler\u00ebsmi i drejt\u00eb lidhur me ngjarjen e madhe t\u00eb dijes komb\u00ebtare, e cila u hapi rrug\u00eb zhvillimeve t\u00eb tjera kulturore e politike. Ve\u00e7ori tjet\u00ebr e fjal\u00ebs s\u00eb tij, ishte prirja e natyrshme p\u00ebr t\u00eb b\u00ebr\u00eb sintez\u00ebn e ngjarjeve p\u00ebrmes krahasimeve historike, duke shquar p\u00ebr kah pesha e unitetit Kongresin e Manastirit me Kongresin e Drejtshkrimit:<\/p>\n

\u2018Alfabeti unik i shqiptar\u00ebve, pa dallim t\u00eb p\u00ebrkat\u00ebsis\u00eb rajonale- krahinore apo fetare \u00ebsht\u00eb simbol i identitetit t\u00eb p\u00ebrbashkimit, nd\u00ebrsa k\u00ebsaj ngjarje i paraprin\u00eb shum\u00eb zhvillime politike, ekonomike dhe arsimore. Form\u00ebsimi i Alfabetit t\u00eb Gjuh\u00ebs Shqipe nuk ishte vet\u00ebm fenomen gjuh\u00ebsor, por ishte veprim i urt\u00eb politik n\u00eb drejtim t\u00eb rrafshimit t\u00eb dallimeve mes shqiptar\u00ebve, por edhe zgjimit t\u00eb tyre n\u00eb dimensionin komb\u00ebtar, nd\u00ebrsa p\u00ebr k\u00ebt\u00eb ngjarje u angazhuan shum\u00eb intelektuale, klube e shoq\u00ebri kulturore shqiptare t\u00eb asaj kohe. Vendimet e Kongresit t\u00eb Manastirit jan\u00eb historike n\u00eb aspektin gjuh\u00ebsor dhe kulturor.<\/p>\n

Ishte nj\u00eb akt p\u00ebrparimtar q\u00eb u vendos p\u00ebr alfabetin latin, pasi n\u00eb k\u00ebt\u00eb m\u00ebnyr\u00eb u d\u00ebshmuan aspiratat proper\u00ebndimore t\u00eb shqiptar\u00ebve, nd\u00ebrsa fakti q\u00eb shqiptar\u00ebt u p\u00ebrcaktuan q\u00eb ken\u00eb alfabet t\u00eb p\u00ebrbashk\u00ebt nj\u00ebsoj si\u00e7 e kan\u00eb gjuh\u00ebn ishte hap shum\u00eb pozitiv edhe n\u00eb drejtim t\u00eb ruajtjes dhe afirmimit t\u00eb identitetit shqiptar n\u00eb p\u00ebrmasa ballkanike dhe m\u00eb te gjera, europiane dhe bot\u00ebrore. Ata q\u00eb formuan, pra nj\u00ebsuan alfabetin e gjuh\u00ebs shqipe jan\u00eb patriot\u00ebt m\u00eb t\u00eb m\u00ebdhenj pasi bashkuan shum\u00eb alfabete n\u00eb nj\u00eb t\u00eb vet\u00ebm.<\/p>\n

Prandaj konkludojm\u00eb se dy jan\u00eb ngjarjet m\u00eb t\u00eb m\u00ebdha nj\u00ebsuese komb\u00ebtare shqiptare n\u00eb fush\u00eb t\u00eb kultur\u00ebs shpirt\u00ebrore q\u00eb sh\u00ebnojn\u00eb epok\u00eb: Kongresi i Manastirit i vitit t\u00eb madh 1908, q\u00eb i dha shqipes nj\u00eb alfabet a nj\u00eb fytyr\u00eb t\u00eb vetme shkrimore dhe Kongresi i Drejtshkrimit i vitit 1972, q\u00eb kuror\u00ebzoi me sukses t\u00eb plot\u00eb standardizimin e shqipes s\u00eb folur dhe shqipes s\u00eb shkruar\u2019\u2026<\/p>\n

* * *<\/p>\n

Pas p\u00ebrfundimit t\u00eb p\u00ebrurimit, pas nj\u00eb kokteji t\u00eb shtruar enkas dhe pas takimeve tep\u00ebr v\u00ebllaz\u00ebrore sa dhe t\u00eb p\u00ebrzem\u00ebrta e p\u00ebrplot shk\u00ebmbime mendimesh, s\u00ebrish n\u00eb k\u00ebmb\u00eb p\u00ebrshkuam rrug\u00ebt e Tetov\u00ebs, dhe shoq\u00ebruar nga nj\u00eb shi i imt\u00eb, biseduam gjer\u00eb e gjat\u00eb n\u00eb kafenen\u00eb \u2018Dinette\u2019.<\/p>\n

Mbresa t\u00eb ve\u00e7anta na la jo vet\u00ebm takimi, por edhe biseda t\u00eb cil\u00ebs i priu z. Hazbi Lika. Duke folur p\u00ebr luft\u00ebn dhe p\u00ebr paqen, p\u00ebr Tetov\u00ebn dje, p\u00ebr Tetov\u00ebn sot, si dhe p\u00ebr Tetov\u00ebn nes\u00ebr, p\u00ebr librin dhe p\u00ebr leximin e tij, p\u00ebr pun\u00ebt e b\u00ebra dhe p\u00ebr ato q\u00eb kan\u00eb ende p\u00ebr t\u00eb b\u00ebr\u00eb shqiptar\u00ebt, z. Hazbi Lika pa dyshim se fliste sa me elokuenc\u00eb po aq dhe me erudicion. Ai flet me akullin e arsyes dhe jo me zjarrin e emocioneve, si\u00e7 do t\u00eb shprehej shkrimtari shquar Ramiz Kelmendi. Pa dyshim, se me z. Hazbi Lika, ashtu si dhe me mikun Hashim Baftiari, na lidh\u00eb edhe fushave e studimeve – ajo e let\u00ebrsis\u00eb dhe e gjuh\u00ebs shqipe, por ajo q\u00eb e shuan z. Lika \u00ebsht\u00eb fakti se ai \u00ebsht\u00eb nj\u00eb urti e lart\u00eb, gj\u00eb e themi me krenari t\u00eb ligjshme, po aq sa kemi edhe k\u00ebnaq\u00ebsi.<\/p>\n

Krejt\u00ebsisht n\u00eb fund, duke u p\u00ebrsh\u00ebndetur e uruar q\u00eb t\u00eb takohemi e shihemi prap\u00eb me t\u00eb mira e p\u00ebr g\u00ebzime, m\u2019u kujtua Testamenti i shkrimtarit Ramiz Kelmendi:
\n\u2018Populli q\u00eb nderon njer\u00ebzit e vet t\u00eb m\u00ebdhenj, njer\u00ebzit e vet t\u00eb rrall\u00eb, shkrimtar\u00ebt, artist\u00ebt, shkenc\u00ebtar\u00ebt, para s\u00eb gjithash e mbi t\u00eb gjitha-nderon veten. Nj\u00eb popull q\u00eb u ngre p\u00ebrmendore figurave dhe personaliteteve t\u00eb veta m\u00eb t\u00eb nderuara, ai popull, para s\u00eb gjithash e mbi t\u00eb gjitha, i ngre p\u00ebrmendore kultur\u00ebs s\u00eb vet, qytet\u00ebrimit t\u00eb vet, historis\u00eb s\u00eb vet. I ngre p\u00ebrmendore vetvetes.\u2019<\/p>\n

Po p\u00ebrsh\u00ebndesheshim me Tetov\u00ebn, t\u00eb bindur se sfondin e saj nj\u00eb dit\u00eb do ta mb\u00ebshtjellnin fjal\u00ebt profetike t\u00eb Mit\u2019hat Frash\u00ebrit, e q\u00eb s\u00eb bashku me Testamentin e Ramizit me flatra t\u00eb fjal\u00ebs shqipe, pa dyshim p\u00ebrb\u00ebnin mermerin m\u00eb t\u00eb bukur monumental n\u00eb tok\u00ebn bujare t\u00eb gjakut iliro-arb\u00ebror\u2026<\/p>\n

II. Studiuesi i let\u00ebrsi\u00eb dhe p\u00ebpiluesi i antologjve<\/strong>
\n1. Struktura e nj\u00eb studimi t\u00eb ve\u00e7ant\u00eb<\/strong><\/p>\n

\"\"Kur takohet shkrimtari me studiuesin e tij:<\/em>
\nHashim Baftiari me Sokol Halilin e letrave shqipe,<\/em>
\nkreshnikun e fjal\u00ebs s\u00eb \u00ebmb\u00ebl, shkrimtarin Ramiz Kelmendi<\/em><\/p>\n

Studiuesi Hashim Baftiari zb\u00ebrthen vlerat t\u00eb ve\u00e7anta ideo-estetike, krahason personazhet me nj\u00ebri-tjetrin, zb\u00ebrthen satir\u00ebn e Ramiz Kelmendit, shpalos vlerat e humorit t\u00eb tij, dhe k\u00ebshtu ai arrin n\u00eb konkluzionin e drejt\u00eb se satira e Ramiz Kelmendit \u00ebsht\u00eb nj\u00eb fshikullim me zjarr p\u00ebrv\u00eblues.<\/p>\n

P\u00ebr studiuesn e vepr\u00ebs s\u00eb tij, Ramiz Kelmendi \u00ebsht\u00eb mjesht\u00ebr virtuoz, por edhe i natyrsh\u00ebm i komikes n\u00eb let\u00ebrsin\u00eb bashk\u00ebkohore shqipe: \u2018Ramiz Kelmendi si spirituoz sui generis i humorit e satir\u00ebs, ithtar i pakompromis i liris\u00eb, t\u00eb v\u00ebrtet\u00ebs, humanizmit e progresit. Satira e tij \u00ebsht\u00eb e ashp\u00ebr e shkat\u00ebrruese\u2026\u2019, duke theksuar m\u00eb tej se: \u2018Ramiz Kelmendi \u2018vet\u00ebm te novela \u2018Suzana\u2019 krijoi nj\u00eb vep\u00ebr krejt\u00ebsisht humoristike.\u2019<\/p>\n

Nga qasje studimore e Hashim Baftiarit, kuptojm\u00eb fare qart\u00eb se Ramiz Kelmendi n\u00eb vepr\u00ebn e tij \u2018Letrat prej Ulqini\u2019 i ka thurur apologji gjuh\u00ebs shqipe. N\u00eb k\u00ebt\u00eb vep\u00ebr, ai i ka parashikuar ngjarjet q\u00eb do t\u00eb vinin m\u00eb von\u00eb, sepse n\u00eb k\u00ebt\u00eb vep\u00ebr, termi i shfaqur si \u2018KONTRAREVOLUCIJA\u2019 do t\u00eb rishfaqet n\u00eb pranver\u00ebn e vitit 1981 edhe n\u00eb Kosov\u00eb, kur demonstratat e p\u00ebrgjakshme do t\u00eb karakterizoheshin si \u2018kontrarevolucion\u2019\u2026<\/p>\n

Nd\u00ebrkaq, tek \u2018Suzana\u2019 ai me t\u00eb drejt\u00eb shprehet kund\u00ebr anglizimit t\u00eb gjuh\u00ebs shqipe, sikurse Filip Shiroka n\u00eb poezin\u00eb \u2018Si po prishet gjuha shqype\u2019, apo edhe si Ernest Koliqi n\u00eb poezin\u00eb p\u00ebr gjuh\u00ebn shqipe, me zem\u00ebrthirrjen e tij krenare: \u2018O gjuh\u00eb e folun tre mij\u00eb pranvera!\u2019
\nPra, Ramiz Kelmendi ishte kund\u00ebr bjerrjes s\u00eb gjuh\u00ebs shqipe.<\/p>\n

Nga prizmi krahasimtar, satira e Ramiz Kelmendit kundrohet e lidhur me llojin e doktoratur\u00ebs, e cila ka t\u00eb b\u00ebj\u00eb me tem\u00ebm \u2018Boza si nj\u00eb nd\u00ebr elementet me interes t\u00eb posa\u00e7\u00ebm shkencor p\u00ebr zhvillimin e m\u00ebtejm\u00eb t\u00eb krahin\u00ebs son\u00eb\u2019, e q\u00eb vetvetiu \u00ebsht\u00eb e nj\u00eb prizmi fshikullues me satir\u00ebn e \u00c7ajupit p\u00ebr Dr. Adhamudhin dhe Adhamudh\u00ebt e shumt\u00eb.
\nM\u00eb tej, lidhur me personazhin e Rexhep Kup\u00ebs, Baftiari v\u00ebren me holl\u00ebsi se ky personazh krijon mjaft analogji me Gregor Zamz\u00ebn e Franc Kafk\u00ebs: \u2018Zamza ra n\u00eb gjum\u00eb njeri, u zgjua kand\u00ebrr, nd\u00ebrsa Rexhep Kupa ra njeri e u zgjua robot.\u2019<\/p>\n

Baftiari thekson se po me zjarrin e satir\u00ebs: \u2019N\u00eb komedit\u00eb e tij, Gogoli demaskonte burokracin\u00eb e korruptuar t\u00eb Rusis\u00eb cariste t\u00eb asaj epoke\u2019. \u2018Revizori\u2019 p\u00ebrfundon me klithjen tep\u00ebr dometh\u00ebn\u00ebse: \u2018S\u2019ka sken\u00eb!\u2019 Nj\u00eblloj edhe Ramiz Kelmendi demaskoi e ia \u00e7orri keq mask\u00ebn perandoris\u00eb n\u00eb provinc\u00eb.<\/p>\n

Duke vler\u00ebsuar k\u00ebshtu vepr\u00ebn e Ramiz Kelmendit, studiuesi Hashim Baftiari v\u00eb n\u00eb pah se \u2018p\u00ebr veprat \u2018Njer\u00ebzit dhe k\u00ebrmijt\u00eb\u2019 dhe \u2018Suzana\u2019 kritika \u00ebsht\u00eb treguar e verb\u00ebr p\u00ebrball\u00eb tyre\u2019, duke theksuar m\u00eb tej se: \u2018Vepra e Ramiz Kelmendit paraqet pa dyshim nj\u00eb rast interesant dhe intrigues p\u00ebr studimet albanologjike\u2019 (Hyrje)<\/p>\n

Hashim Baftiari n\u00eb studimin e tij ia ka dalur ta kap\u00eb thelbin e veprave t\u00eb Ramiz Kelmendit. Duke shpalosur n\u00eb m\u00ebnyr\u00eb aq lakonike kapitull p\u00ebr kapitull, duke analizuar personazh p\u00ebr personazh, dhe duke gjykuar vep\u00ebr p\u00ebr vep\u00ebr, Baftiari d\u00ebshmon se kemi t\u00eb b\u00ebjm\u00eb me nj\u00eb pen\u00eb elegante, me nj\u00eb gjuh\u00eb t\u00eb latuar, me gjykime t\u00eb argumentuara, me nj\u00eb mpreht\u00ebsi mendimi e me nj\u00eb thell\u00ebsi gjykimi p\u00ebr t\u2019u admiruar.<\/p>\n

Studimit mjaft analitik p\u00ebr vep\u00ebrn humoristike dhe satirike t\u00eb Ramiz Kelmendit, i kan\u00eb parapri dy kapituj mjaft t\u00eb ve\u00e7ant\u00eb: Doktrinat estetike mbi komiken (ku flet p\u00ebr tre teori: Teoria e superioritetit, me p\u00ebrfaq\u00ebsues Platonin, Aristotelin, Kuintilianin dhe Tomas Hobsin; Teoria e mosp\u00ebrshtatjes, me p\u00ebrfaq\u00ebsues Frencis Het\u00e7esonin, Imanuel Kantin, Artur Shopenhauerin, Soren Kierkegardin dhe Henri Bergsonin; Teoria e leht\u00ebsimit, me p\u00ebrfaq\u00ebsues kryesor\u00eb Herbert Spenserin dhe Zigmund Frojdin; si dhe kapitulli Komikja gjat\u00eb shekujve, duke u ndalur me thekse t\u00eb ve\u00e7anta tek komedia greke me p\u00ebrfaq\u00ebsues kryesor Aristofanin, si dhe tek komedia romake, ku me t\u00eb drejt\u00eb shquan nj\u00eb poet t\u00eb ve\u00e7ant\u00eb:<\/p>\n

\u2018Poet i madh satirik ishte edhe Juvenali. Satira e tij u drejtua kund\u00ebr tiranis\u00eb s\u00eb shtres\u00ebs aristokratike, kund\u00ebr zakoneve dhe moralit t\u00eb koh\u00ebs. Duke pasur parasysh k\u00ebt\u00eb gjendje reale t\u00eb shoq\u00ebris\u00eb romake \u00ebsht\u00eb e famshme th\u00ebnia e tij: \u2018Dhe sikur t\u00eb mos kesh talent, vargun e lind nevoja.<\/em>\u2019<\/p>\n

Studiuesi i p\u00ebrkushtuar Hashim Baftiari, me nj\u00eb l\u00ebvizje t\u00eb leht\u00eb t\u00eb pen\u00ebs s\u00eb tij t\u00eb mpreht\u00eb p\u00ebrshkon epokat dhe shekujt:
\n\u2018N\u00eb Mesjet\u00eb teatri laik e gjeti shprehjen e vet m\u00eb thelb\u00ebsore n\u00eb zhanrin e komedis\u00eb laike. Deg\u00ebzimet kryesore t\u00eb komedis\u00eb jan\u00eb farsa, moraliteti dhe sotit\u00eb.<\/p>\n

Pasues t\u00eb Plautit n\u00eb epok\u00ebn e Rilindjes italiane ishin poeti Ludoviko Ariosto dhe Nikola Maikaveli, t\u00eb cil\u00ebt krijuan komedin\u00eb erudite e cila u quajt edhe komedi letrare.\u2019<\/p>\n

Duke p\u00ebrshkruar k\u00ebshtu shekujt letrar\u00eb, Baftiari nuk l\u00eb pa p\u00ebrmendur gjeniun anglez Shekspirin dhe kontributin e tij t\u00eb ve\u00e7ant\u00eb n\u00eb komedi, p\u00ebr t\u00eb kaluar pastaj tek Klasicizmi francez me p\u00ebrfaq\u00ebsues t\u00eb shuqar si Molieri (t\u00eb cilin me t\u00eb drejt\u00eb e quan \u2018komediografi gjenial\u2019, i cili shquhej p\u00ebr \u2018katarsisin komik\u2019, duke u p\u00ebrq\u00ebndruar \u2018te zb\u00ebrthimi psikologjik i karaktereve dhe situat\u00ebs.\u2019) apo edhe si Bomarsheja \u2018pasardh\u00ebs i Molierit\u2019, e nga i cili autori ka shkoqitur nj\u00eb th\u00ebnie sa aktuale po aq edhe kuptimplote, duke iu referuar paraqitjes s\u00eb \u2018shtres\u00ebs s\u00eb tret\u00eb\u2019 pa privilegje: \u2018Ky teat\u00ebr i ri duhet t\u00eb shkruhet jo n\u00eb vargje, por n\u00eb proz\u00eb, mendon Bomarsheja, sepse proza mund t\u2019i jap\u00eb pjes\u00ebs thell\u00ebsin\u00eb e ideve dhe nj\u00ebkoh\u00ebsisht thjesht\u00ebsin\u00eb e t\u00eb shprehurit.\u2019<\/p>\n

Tek \u00ebsht\u00eb ndalur m\u00eb thekse t\u00eb ve\u00e7anta tek shekulli XIII n\u00eb Itali, kur u shfaq Komedia e artit (komedia dell\u2019arte), Baftiari ka p\u00ebrkujtuar Karlo Goldonin, p\u00ebr t\u00eb cilin \u00ebsht\u00eb shprehur se \u2018njihet n\u00eb historin\u00eb e teatrit bot\u00ebror si nj\u00eb nd\u00ebr komediograf\u00ebt m\u00eb prodhimtar\u00eb n\u00eb bot\u00eb (shkroi 276 pjes\u00eb, prej t\u00eb cilave 155 komedi, 18 tragjedi e tragjikomedi, dhe 94 librete e opera serioze e komike). Goldonit i takon merita se ai n\u00eb dramaturgjin\u00eb e tij ndikoi q\u00eb n\u00eb Itali t\u00eb zhvillohet vet\u00ebdija e bashkimit komb\u00ebtar\u2019.<\/p>\n

Kapitulli i dyt\u00eb p\u00ebrmbyllet duke theksuar rolin e Gogolit me \u2018trilogjin\u00eb dramaturgjike e p\u00ebrb\u00ebr\u00eb me komedit\u00eb: \u201cMartesa\u201d, \u201cKumarxhinjt\u00eb\u201d dhe \u201cRevizori\u201d, e cila sh\u00ebnoi nj\u00eb kthes\u00eb t\u00eb rend\u00ebsihme n\u00eb historin\u00eb e teatrit rus.\u2019, p\u00ebr t\u2019u ndalur pak\u00ebz edhe tek Servantesi: \u2018Nj\u00eb nd\u00ebr gjenit\u00eb e komikes n\u00eb gjinin\u00eb epike n\u00eb proz\u00eb \u00ebsht\u00eb Migel Servantesi me kryevepr\u00ebn e tij \u201cDon Kishoti\u201d, dhe s\u00eb fundi duke vler\u00ebsuar lart kontributin e Fransua Rables\u00eb me vepr\u00ebn e tij humoristiko-satirike \u201cGargantua dhe Pantagrueli\u201d \u2018<\/p>\n

P\u00ebrfundimisht, n\u00eb k\u00ebt\u00eb kapitull, autori p\u00ebrkujton autor\u00ebt m\u00eb t\u00eb shquar t\u00eb k\u00ebtij zhanri letrar:
\n\u2018Autor\u00eb t\u00eb r\u00ebnd\u00ebsish\u00ebm q\u00eb kan\u00eb krijuar vepra letrare humoristike dhe satirike jan\u00eb edhe Lukiani, Horaci, Boka\u00e7o, Erazmo i Roterdamit, Xhonatan Suift, Voletri, Bajroni, \u00c7ehovi, \u00c7arls Dikens, Anatol Franc, Oskar Uajld, Mihal Bulgakov, Xhorxh Oruell, Mark Tuen, Rei Bredb\u00ebri, Jarosllav Hashek, Gunter Gras, Henri Xhejms, Xhejms Xhojs, E. M. Forster, etj.\u2019<\/p>\n

Duke u ndalur n\u00eb kapitullin e tret\u00eb, tek vepra \u2018Letra prej Ulqini\u2019, Baftiari v\u00eb n\u00eb pah: \u2018\u00cbsht\u00eb e tep\u00ebrt t\u00eb themi q\u00eb, vlerat estetike t\u00eb vepr\u00ebs q\u00ebndrojn\u00eb para s\u00eb gjithash te shtresa fiktive q\u00eb i ka mund\u00ebsuar autorit jo vet\u00ebm t\u00eb transponoj\u00eb n\u00eb ndodhi qesharake, t\u00eb sh\u00ebmtuara e groteske ngjarje reale por, edhe i kan\u00eb mund\u00ebsuar atij t\u00eb modeloj\u00eb tonin ironik dhe denoncues t\u00eb satir\u00ebs s\u00eb tij. P\u00ebr dhun\u00ebn e eg\u00ebr flitet vet\u00ebm n\u00eb pak raste, por edhe kur flitet p\u00ebr t\u00eb, ajo \u2018zbutet\u2019 duke e treguar me shaka t\u00eb hidhur q\u00eb afrohet me humorin e zi.\u2019<\/p>\n

P\u00ebr Hashim Baftiarin, Ramiz Kelmendi \u00ebsht\u00eb \u2018si pirituoz sui generis i humorit dhe i satir\u00ebs\u2019, por nj\u00ebkoh\u00ebsisht ai ka theksuar se: \u2018Ramiz Kelmendi, si ithtar i pakompromis i liris\u00eb, t\u00eb v\u00ebrtet\u00ebs, humanizmit e progresit, nuk ka mundur t\u00eb rri indiferent\u00eb ndaj gjith\u00eb asaj katrahure q\u00eb ka par\u00eb n\u00eb jet\u00ebn e popullit t\u00eb vet. Ai reagon me pen\u00eb \u201cn\u00eb nj\u00eb koh\u00eb kur fjal\u00ebt ishin t\u00eb ngjashme me arm\u00ebt dhe duhej t\u2019i p\u00ebrdorje p\u00ebr t\u00eb mbrojtur Atdheun\u201d.\u2019<\/p>\n

Studiuesi Baftiari ka theksuar k\u00ebshtu se: \u2018V\u00ebllimi satirik \u2018Letra prej Ulqini, lexohet pa ndonj\u00eb v\u00ebshtir\u00ebsi t\u00eb madhe, por e ve\u00e7anta e saj q\u00ebndron te fakti se kjo vep\u00ebr \u00ebsht\u00eb e pamundur t\u00eb harrohet, ngulitet thell\u00eb n\u00eb shpirt dhe nuk shqitet prej aty dhe p\u00ebr t\u00eb \u00ebsht\u00eb e pamundur t\u00eb flas\u00ebsh e t\u00eb shkruash n\u00eb m\u00ebnyr\u00eb shteruese.\u2019<\/p>\n

Duke e ritheksuar s\u00ebrish m\u00ebndimin e m\u00ebsip\u00ebrm se: \u2018P\u00ebr k\u00ebt\u00eb vep\u00ebr, sado gjat\u00eb e gjer\u00eb t\u00eb mundohesh t\u00eb flas\u00ebsh e t\u00eb shkruash, prapseprap\u00eb nuk do t\u00eb mund t\u2019i thuash e shkruash t\u00eb gjitha ato q\u00eb p\u00ebrmban e reflekton ajo.\u2019, autori Baftiari me t\u00eb drejt\u00eb pohon se kjo vep\u00ebr satirike mbetet \u2018nj\u00eb d\u00ebshmi e nj\u00eb kohe trazirash shoq\u00ebrore me shum\u00eb vuajtje, persekutime e deformime, si nj\u00eb pasqyr\u00eb ngjarjesh dinamike e dramatike.\u2019<\/p>\n

Baftiari v\u00eb n\u00eb pah faktin e rnd\u00ebsish\u00ebm se: \u2018V\u00ebllimi me tregime \u2018Ahmet Koshutani\u2019 \u00ebsht\u00eb nj\u00eb nd\u00ebr veprat m\u00eb t\u00eb arritura t\u00eb Ramiz Kelemndit.\u2019
\nNd\u00ebrkaq, n\u00eb pjes\u00ebn p\u00ebrmbyll\u00ebse (P\u00ebrfundim) t\u00eb librit, studiuesi Hashim Baftiari vler\u00ebson drejt krijimtarin\u00eb e Ramiz Kelmendit:<\/p>\n

\u2018Edhe pse proza humoristike dhe satirike nuk p\u00ebrb\u00ebn krejt krijimtarin\u00eb letrare t\u00eb Ramiz Kelmendit, ajo \u00ebsht\u00eb pjesa m\u00eb intriguese, mbase edhe m\u00eb e r\u00ebnd\u00ebsishme e tij.\u2019, duke shtuar krejt n\u00eb fund se:<\/p>\n

\u2018Ramiz Kelmendi me krijimtarin\u00eb humoristike dhe satirike, pa dyshim q\u00eb sjell risi n\u00eb aspektin stilistik, por edhe e pasuron let\u00ebrsin\u00eb humoristike dhe satirike shqipe edhe ashtu mjaft t\u00eb varf\u00ebr. Nd\u00ebrsa vepra e par\u00eb satirike e autorit lidhet ekskluzivisht me nj\u00eb periudh\u00eb historike jo fort t\u00eb larg\u00ebt, pjesa tjet\u00ebr e vepr\u00ebs humoristike edhe satirike e autorit edhe pse \u00ebsht\u00eb d\u00ebshmi e nj\u00eb kohe dhe e nj\u00eb vendi t\u00eb caktuar, megjithat\u00eb me tematik\u00ebn dhe vlerat artistike do t\u00eb mbetet e p\u00ebrjetshme: derisa t\u00eb mos zhduken veset n\u00eb shoq\u00ebrin\u00eb ton\u00eb.\u2019<\/p>\n

N\u00eb kapitullin e kat\u00ebrt, Shtat\u00eb persona ndjekin autorin, autori Baftiari v\u00eb n\u00eb pah se vepra n\u00eb fjal\u00eb \u2018\u00ebsht\u00eb nj\u00eb roman satirik q\u00eb thyen konvencat tradicionale teoriko-letrare n\u00eb lidhje me fabul\u00ebn, kompozicionin por edhe me titullin\u2026Vepra nuk p\u00ebrmban nj\u00eb linj\u00eb t\u00eb vetme rr\u00ebfimi por, ajo ka shtat\u00eb rr\u00ebfime t\u00eb ve\u00e7anta dhe t\u00eb ndryshme n\u00eb t\u00eb cilat vet\u00ebrr\u00ebfehen shtat\u00eb personazhet e saj.\u2019<\/p>\n

E duke u ndalur tek secili personazh dhe duke i analizuar ata me holl\u00ebsi, (Smirak Haseti: \u2018Xhelozia e tij patologjike shkon shum\u00eb larg dhe prek edhe emrin e Artan \u00c7elikut; Smirak Haseti me shok\u00ebt e tij smirakth\u00eb, smir\u00ebn e shpifjen e kan\u00eb ngritur n\u00eb piadestal mjaft t\u00eb lart\u00eb, e kan\u00eb b\u00ebr\u00eb institucion e kala, prej nga do t\u2019i b\u00ebjn\u00eb sulmet e tyre smir\u00ebzeza kund\u00ebr njer\u00ebzve si Artan \u00c7eliku\u2019), Mahir Pehlivani: \u2018Mahir Pehlivani gjat\u00eb rr\u00ebfimit t\u00eb tij tregon se si ai gjat\u00eb gjith\u00eb jet\u00ebs s\u00eb tij ka mashtruar t\u00eb tjer\u00ebt p\u00ebr realizimin e p\u00ebrfitimeve personale\u2019, Fitim Rahati: \u2018K\u00ebtij personazhi nuk i b\u00ebhet von\u00eb aspak p\u00ebr nderin, dinjitetin e integritetin e tij moral, por shqet\u00ebsohet vet\u00ebm p\u00ebr interesin e tij meskin\u2019, Burim Kasneci: \u2018nj\u00eb sharlatan q\u00eb preferon t\u00eb impresionoj\u00eb me goj\u00ebtarin\u00eb e tij t\u00eb shquar boshe \u00e7do t\u00eb panjohur q\u00eb takon\u2026Burim Kasneci p\u00ebrpiqet me \u00e7do kusht t\u00eb jet\u00eb n\u00eb trend, n\u00eb mod\u00eb, t\u00eb duket modern, bashk\u00ebkohor, liberal, p\u00ebrparimtar, atdhetar. Ka ngjashm\u00ebri me Smirak Hasetin: t\u00eb dy jan\u00eb shpif\u00ebs, mikroborxhez\u00eb, intrigant\u00eb, p\u00ebrbuz\u00ebs.\u2019<\/p>\n

Selami Kallajxhiu n\u00eb pen\u00ebn e studiuesit Hashim Baftiari cil\u00ebsohet si: \u2018Personazhi q\u00eb del n\u00eb kapitullin e pest\u00eb, Selami Kallajxhiu \u00ebsht\u00eb simbol i poltronit, karrieristit, abuzuesit, parazitit e lap\u00ebrdharit i cili kudo e kurdo na paraqitet i maskuar. Rr\u00ebfimi i tij ka t\u00eb b\u00ebj\u00eb me konfliktin q\u00eb ka ai me alter egon e tij.\u2019<\/p>\n

Lame Lita cil\u00ebsohet k\u00ebshtu: \u2018Lame Lita, personazhi i kapitullit t\u00eb gjasht\u00eb, p\u00ebrfaq\u00ebson tipin shqo\u00ebror t\u00eb snobit, t\u00eb mburravecit, byrokratit e teknokratit, t\u00eb cinikut, \u201ct\u00eb atij q\u00eb patriotizmin e ka b\u00ebr\u00eb profesion, zeje e strehim\u2026Lame Lita \u00ebsht\u00eb pesronazhi m\u00eb i sofistikuar n\u00eb kamuflimin e lig\u00ebsis\u00eb, egoizmit dhe demagogjis\u00eb nga t\u00eb gjith\u00eb personazhet e romanit. Dhe kjo gj\u00eb i ka shkuar p\u00ebr dore n\u00eb saje t\u00eb elitizmit t\u00eb shtirur dhe t\u00eb jet\u00ebs prej sketi q\u00eb gjoja b\u00ebn.\u2019<\/p>\n

Nd\u00ebrkaq, Dem\u00eb Goga n\u00eb vler\u00ebsimin e studiuesit analizohet n\u00eb plotnin\u00eb e tij:
\n\u201cDem\u00eb Goga hiqet si humanist, demokrat e patriot, nd\u00ebrsa del q\u00eb \u00ebsht\u00eb injorant, kodosh e diktator n\u00eb shpirt. Ai p\u00ebrdor shum\u00eb shpesh, vend e pa vend shprehjen e mir\u00ebsjelljes \u201cju lutem shum\u00eb\u201d; hiqet edhe si i ditur, nd\u00ebrsa ngat\u00ebrron kuptimet e fjal\u00ebve: n\u00eb vend t\u00eb alergjik p\u00ebrdor energjik dhe n\u00eb vend t\u00eb preokupon – okupon.<\/p>\n

Ky personazh ka mjaft veti t\u00eb sh\u00ebmtuara me Lame Lit\u00ebn, por dallon nga ai n\u00eb nj\u00eb aspekt: artin e kamuflimit nuk ka arritur ta p\u00ebrsos, k\u00ebshtu q\u00eb n\u00eb fund zbulohet, demaskohet e diskreditohet edhe n\u00eb syt\u00eb e atyre q\u00eb i besonin m\u00eb par\u00eb.
\nDem\u00eb Goga shqet\u00ebsohet p\u00ebr faktin q\u00eb shoq\u00ebria po degjenerohet dhe dehumanizohet sepse po jepet shum\u00eb pas qejfeve t\u00eb vogla materiale, l\u00ebndore, duke l\u00ebn\u00eb n\u00eb harres\u00eb ato shpirt\u00ebrore.\u2019<\/p>\n

N\u00eb zb\u00ebrthimin e k\u00ebtyre personazheve, Baftiari \u00ebsht\u00eb treguar mjaft i kujdesh\u00ebm edhe n\u00eb p\u00ebrzgjedhjen e fragmeneteve nga vepra e Ramiz Kelmendit, si fjala vjen:<\/p>\n

\u201cSmira, specialiteti i kuzhin\u00ebs son\u00eb a la Kosovo.<\/em>
\nLapidar i provincializm\u00ebs.<\/em>
\n\u2026<\/em>
\nSinonim i mohimit.<\/em>
\nAbetarja e t\u00eb ligut.<\/em>
\nKryevepra e xhahilit.\u201d<\/em><\/p>\n

Apo edhe kur ka shk\u00ebputur pjes\u00eb nga ligj\u00ebrimi i Mahir Pehlivanit:
\n\u201cEdhe dele edhe dash. Edhe drit\u00eb edhe hije. Edhe gusht edhe vjesht\u00eb. Edhe hekur edhe beton. Edhe pul\u00eb edhe gjel. Edhe edhe edhe.\u2019<\/p>\n

\u00cbsht\u00eb po kjo shije dhe po kjo v\u00ebmendje e holl\u00eb sa dhe e p\u00ebrq\u00ebndruar, e cila e ka shquar autorin n\u00eb vazhdim\u00ebsi, tek e ka vler\u00ebsuar shkrimtarin dhe humoristin Ramiz Kelmendi:
\n\u2018Autori me nj\u00eb mjesht\u00ebri leht\u00ebsisht t\u00eb dukshme ka ditur t\u2019i ekspozoj\u00eb personazhet e tij, duke i vendosur n\u00eb ato situat\u00eb, apo duke rr\u00ebfyer ato an\u00eb t\u00eb jet\u00ebs s\u00eb tyre apo duke trajtuar ato tema n\u00eb dialog\u00ebt e monolog\u00ebt e tyre, q\u00eb jan\u00eb esenciale p\u00ebr aspektin karakterologjik q\u00eb p\u00ebrfaq\u00ebsojn\u00eb.\u2019<\/p>\n

Ky vler\u00ebsim shkon edhe m\u00eb tej, duke u argumentuar n\u00eb m\u00ebnyr\u00eb mjaft analitike:
\n\u2018Ramiz Kelmendi n\u00eb romanin \u201cShtat\u00eb persona ndjekin autorin\u201d p\u00ebrdor mjete t\u00eb ndryshme gjuh\u00ebsore e figura stilistike p\u00ebr p\u00ebrfitimin e satir\u00ebs s\u00eb tij t\u00eb ashp\u00ebr e shkat\u00ebrruese, si shkan\u00eb e hidhur e loj\u00ebn e fjal\u00ebve, ironin\u00eb e parabol\u00ebn, por edhe alegorin\u00eb, parodin\u00eb, invektiv\u00ebn, hiperbol\u00ebn e simbolin.\u2019<\/p>\n

N\u00eb vler\u00ebsimet e tij, studiuesi Hashim Baftiari d\u00ebshmon s\u00ebrish se kemi t\u00eb b\u00ebjm\u00eb me nj\u00eb autor t\u00eb ve\u00e7ant\u00eb dhe me nj\u00eb dhunti t\u00eb ve\u00e7ant\u00eb krijuese:
\n\u2018Romani \u201cShtat\u00eb persona ndjekin autorin\u201d paraqet satir\u00ebn m\u00eb t\u00eb fuqishme e m\u00eb shkat\u00ebrruese n\u00eb t\u00eb gjith\u00eb let\u00ebrsin\u00eb shqipe nga fillimet e deri n\u00eb dit\u00ebt tona n\u00eb demaskimin dhe posht\u00ebrimin e tipave m\u00eb destruktive t\u00eb shoq\u00ebris\u00eb son\u00eb. Kjo vep\u00ebr \u00ebsht\u00eb sprova m\u00eb serioze e nj\u00eb anatomie t\u00eb destruktivitetit njer\u00ebzor n\u00eb Kosov\u00eb.\u2019<\/p>\n

N\u00eb kapitullin e pest\u00eb, Abrakadabra n\u00eb v\u00ebllimin me tregime, Ahmet Koshutani, autori ka t\u00ebrhequr nj\u00eb paralele mes veprave t\u00eb tjera dhe k\u00ebsaj vepre t\u00eb Ramiz Kelmendit, duke pohuar se: \u2018V\u00ebllimi me tregime \u201cAhmet Koshutani\u201d \u00ebsht\u00eb nj\u00eb nd\u00ebr veprat m\u00eb t\u00eb arrira artistikisht t\u00eb Ramiz Kelmendit. Ky v\u00ebllim me shtat\u00eb tregime \u00ebsht\u00eb edhe vepra m\u00eb e studiuar nga kritika.\u2019<\/p>\n

Gjithashtu, ai ka t\u00ebrhequr nj\u00eb paralele me vend duke v\u00ebn\u00eb p\u00ebrball\u00eb personazhet q\u00eb ka krijuar shkrimtari:
\n\u2018Abrakadabra p\u00ebr nga karakteri afrohet n\u00eb nj\u00eb aspekt me Mahir Pehlivanin (personazh n\u00eb romanin \u201cShtat\u00eb persona ndjekin autorin\u201d): t\u00eb dy jan\u00eb pehlivan\u00eb, dine t\u00eb q\u00ebndrojn\u00eb gjithmon\u00eb n\u00eb k\u00ebmb\u00eb, din\u00eb t\u00eb notojn\u00eb n\u00ebp\u00ebr tok\u00eb e t\u00eb ecin n\u00ebp\u00ebr det.\u2019<\/p>\n

E p\u00ebrderisa thot\u00eb m\u00eb tej se: \u2018Abrakadabra ideologjin\u00eb e tij jet\u00ebsore p\u00ebrpiqet ta vendos\u00eb mbi baza \u201cshkencore\u201d, mu ashtu sikund\u00ebr veprojn\u00eb edhe disa personazhe t\u00eb romanit \u201cShtat\u00eb persona ndjekin autorin\u201d \u2018, dhe p\u00ebrderisa thekson vrojtuar n\u00eb prizmin karahsimtar se: \u2018Ahmet Koshutani nuk e honeps dot tipin e Abrakadabras, e urren dhe e p\u00ebrbuz at\u00eb, ndjen neveri ndaj tij\u2019, p\u00ebr shkrimtarin shprehet se: \u2018Ramiz Kelmendi me nj\u00eb gjeturi t\u00eb papar\u00eb n\u00eb letrat shqipe ravij\u00ebzon tiparet e karakterit t\u00eb Abrakadabras\u00eb n\u00eb m\u00ebnyr\u00eb mjaft t\u00eb mpreht\u00eb e koncize.\u2019<\/p>\n

N\u00eb kapitullin e gjasht\u00eb, Njer\u00ebzit dhe k\u00ebrminjt\u00eb, po nga ky priz\u00ebm krahasimtar, autori ka gjykuar se: \u2018satira n\u00eb k\u00ebto tregime nuk del e nj\u00ebjt\u00eb dhe nj\u00eblloj e ashp\u00ebr e shkat\u00ebrrimtare sit e romani q\u00eb p\u00ebrmend\u00ebm m\u00eb lart\u00eb, por k\u00ebtu kemi nj\u00eb shkall\u00ebzim t\u00eb fshikullimit satirik, q\u00eb \u00ebsht\u00eb p\u00ebrcaktuar nga shkalla e d\u00ebmit a rrezikut q\u00eb paraqet dukuria komike negative q\u00eb stigmatizohet. K\u00ebshtu, q\u00ebndrimi kritik i autorit varion nga ironia e holl\u00eb, qes\u00ebndia e leht\u00eb e deri te serkazma e invektivat e ashpra e asgj\u00ebsuese.\u2019<\/p>\n

N\u00eb k\u00ebto tregime, v\u00eb n\u00eb pah autori, shkrimtari Ramiz Kelmendi ka krijuar personazhe si lakmitari Adem Ka\u00e7amilli, Rrem\u00eb Kapu\u00e7i (i cili i nd\u00ebrron kapelat si zonjat fustanat, p\u00ebrkat\u00ebsisht si\u00e7 nd\u00ebrrojn\u00eb tregtar\u00ebt e flamujve flamujt n\u00eb tregimet e Ernest Koliqit), Zeroshi, tipi i spiunit n\u00eb tregimin e titulluar \u201cDjalli\u201d (si metafor\u00eb), p\u00ebr t\u00eb cilin Baftiari shprehet mjaft qart\u00eb: \u2018Djalli n\u00eb k\u00ebt\u00eb tregim \u00ebsht\u00eb jo vet\u00ebm obskurantist, por edhe nj\u00eb vasal i devotsh\u00ebm i serbosllavizimit. Nuk e nd\u00ebrron Beogradin me asgj\u00eb, e ka Mek\u00eb e Medin\u00eb, Jerusalem e Piemont.<\/p>\n

\u00cbsht\u00eb n\u00eb gjendje t\u2019i shkel\u00eb me k\u00ebmb\u00eb t\u00eb gjith shkollar\u00ebt shqiptar\u00eb vet\u00ebm q\u00eb ta ket\u00eb mir\u00eb me Beogradin.\u2019, apo edhe personazhin si Rexhep Kupa: \u2018Ai ndiqet e p\u00ebrgjohet nga hafijet e pushtetit dhe k\u00ebshtu jeta e tij n\u00eb atdhe b\u00ebhet ferr mbi tok\u00eb. Ai i shtr\u00ebnguar nga dhuna e terrori detyrohet t\u00eb largohet nga atdheu. Ky personazh krijon mjaft anologji me Gregor Zamz\u00ebn e Franc Kafk\u00ebs. Zamza ra n\u00eb gjum\u00eb njeri, u zgjua kand\u00ebrr, nd\u00ebrsa R. Kupa ra njeri, u zgjua robot.\u2019<\/p>\n

N\u00eb p\u00ebrmbyllje t\u00eb k\u00ebtj kapitulli, studiuesi Baftiari vler\u00ebson me t\u00eb drejt\u00eb se Ramiz Kelmendi \u2018e ka pasuruar galerin\u00eb e personazheve t\u00eb tij me tipa pervers\u00eb e t\u00eb neveritsh\u00ebm si, Ka\u00e7amilli, Rrem\u00eb Kapu\u00e7i, Zeroshi, njeriu n\u00eb form\u00eb topi, tipi i hafijes, q\u00eb k\u00ebtu dalin mjaft t\u00eb skalitur p\u00ebr kah karaketri q\u00eb p\u00ebrfaq\u00ebsojn\u00eb dhe t\u00eb nguliten n\u00eb kujtes\u00eb, simbole t\u00eb lig\u00ebsis\u00eb njer\u00ebzore, t\u00eb sh\u00ebmtis\u00eb, t\u00eb p\u00ebrdhosjes, t\u00eb tradhtis\u00eb, vazal\u00eb t\u00eb djalli.\u2019<\/p>\n

N\u00eb kapitullin e VII-t\u00eb, Suzana, autori q\u00eb n\u00eb fillim v\u00eb n\u00eb pah se: \u2018Novela humoristike \u201cSuzana\u201d e Ramiz Kelmendit \u00ebsht\u00eb nj\u00eb nd\u00ebr veprat e rralla, n\u00eb mos e vetmja p\u00ebr t\u00eb cil\u00ebn kritika nuk ka denjuar t\u00eb jap\u00eb mendimin e vler\u00ebsimin e vet.\u2019<\/p>\n

Nd\u00ebrkaq, duke vler\u00ebsuar krijimtarin\u00eb e shkrimtarit, studiuesi i vep\u00ebrs s\u00eb tij ka theksuar se: \u2018Ramiz Kelmendi edhe pse krijimtarin\u00eb letrare komike (satirike) e fillon q\u00eb m\u00eb 1966 e p\u00ebr ta vazhduar intenzivisht deri n\u00eb fund t\u00eb viteve \u201980, ai vet\u00ebm me novel\u00ebn \u201cSuzana\u201d krijon nj\u00eb vep\u00ebr krejt\u00ebsisht humoristike, ku mmbizot\u00ebron nj\u00eb atmosfer\u00eb gazmore dhe e hareshme, plot drit\u00eb, shpres\u00eb e optimiz\u00ebm. Faqet e k\u00ebsaj vepre jan\u00eb t\u00eb mbushura me shaka e qyfyre, humor e gallat\u00eb, qeshje e p\u00ebrqeshje humoristike.\u2019<\/p>\n

Duke u ndalur tek personazhet e novel\u00ebs, Baftiari vler\u00ebson se: \u2018Suzana t\u00eb sjell\u00eb n\u00eb mend nj\u00eb aforiz\u00ebm humoristike: \u201cFemrat e ndershme jan\u00eb si Kulla e Piz\u00ebs, anojn\u00eb por nuk bien.\u201d \u2018
\nE duke b\u00ebr\u00eb fjal\u00eb, p\u00ebr t\u00eb dhe p\u00ebr shoqet e saj, autori i studimit v\u00ebren me holl\u00ebsi se: \u2018Suzana \u00ebsht\u00eb gjithashtu simpatike, e padjall\u00ebzuar, por mendjeleht\u00eb, jo e marr\u00eb e as gjeniale, por pak e llastuar\u2026Ajo vuan nga ekzibicionizmi, por jo sa shoqet e saj, Merita dhe Liza. Ekzibicionizmi i k\u00ebtyre dy t\u00eb fundit lidhet me vokacionin e tyre: Merita, studente e anglishtes, snobe, modiste dhe ekstravagante e anglizon gjuh\u00ebn shqipe – \u00e7do i e kthen n\u00eb aj.<\/p>\n

Deformimi i fjal\u00ebve n\u00eb t\u00eb folur, pa hamendje shkakton humoristiken. Gjuha e saj makaronike konsiston jo vet\u00ebm n\u00eb futjen e anglicizmave n\u00eb gjuh\u00ebn shqipe, por edhe n\u00eb anglizimin e fjal\u00ebve shqipe, q\u00eb b\u00ebjn\u00eb fjal\u00ebt shqipe t\u00eb ting\u00ebllojn\u00eb si angleze. Fjal\u00ebt m\u00eb t\u00eb shpeshta t\u00eb saj jan\u00eb: hello, bjutifull, rajt, krejzi, plliz, veri najs, etj., nd\u00ebrsa, Suzan\u00ebn e cil\u00ebson si t\u00eb prapambetur: \u201cprovinciallejsh\u00ebn\u201d, nd\u00ebrsa kjo e fundit \u201canglezen\u201d – \u201cmetropoollejsh\u00ebn gjakovare\u201d.\u2019<\/p>\n

Kundruar nga prizmi i vlerave q\u00eb ng\u00ebrthen vepra e Ramiz Kelmendit, studiuesi Baftiari ka pohuar m\u00eb tej se: \u2018Ramiz Kelmendi shtjellimin humoristik n\u00eb k\u00ebt\u00eb vep\u00ebr e bazon kryesisht te komizmi i gjuh\u00ebs: fraza me vlera p\u00ebrqesh\u00ebse, loja e fjal\u00ebve, modifikimi i tyre, deformimi dhe p\u00ebrdredhja e tyre, loja me fraz\u00ebn, q\u00eb krijon nj\u00eb si proz\u00eb poetike aq e nevojshme p\u00ebr ritmin komik t\u00eb nj\u00eb vepre t\u00eb till\u00eb, oksimoroni, aluzioni, batutat, por edhe te bro\u00e7kullitjet e d\u00ebrd\u00ebllitjet e student\u00ebve t\u00eb ngatht\u00eb e pa bot\u00eb e me l\u00ebmsha n\u00eb kok\u00eb.<\/p>\n

K\u00ebshtu, Ramiz Kelmendi nga idioma \u201cI erdhi p\u00ebr dore\u201d krijon nj\u00eb aluzion me an\u00ebn e t\u00eb kund\u00ebrt\u00ebs \u201cI shkoi p\u00ebr k\u00ebmbe\u201d. Shprehje t\u00eb tjera origjinale q\u00eb krijohen me an\u00eb t\u00eb modifikimit t\u00eb fjal\u00ebve – dhe jo pa vlera stilistike jan\u00eb edhe \u201cnallbanologe\u201d – nga albanologe, mamuzllinj-nga namzullnj, Donhugan-nga Donzhuan, g\u00ebrklan-nga grek, ham-kapitane nga hamletiane, e tj. Figura e oksimoronit haset te shprehja: lartvog\u00eblsia ime, deledash, dim\u00ebr pranveror, etj. P\u00ebrdredhja e fjal\u00ebve haset dendur n\u00eb vep\u00ebr.\u2019<\/p>\n

P\u00ebrfundimisht, Ramiz Kelmendi \u00e7mohet si nj\u00eb mjesht\u00ebr i rrall\u00eb, jo vetm i fjal\u00ebs shqipe, por edhe i humorit:
\n\u2018Ramiz Kelmendi me novel\u00ebn humoristike \u201cSuzana\u201d d\u00ebsmoi edhe nj\u00eb her\u00eb se \u00ebsht\u00eb mjesht\u00ebr i natyrsh\u00ebm, por edhe virtuoz i komikes n\u00eb let\u00ebrsin\u00eb bashk\u00ebkohore shqipe. Ai p\u00ebrqesh e ironizon dukurit\u00eb e ul\u00ebta, qesharake t\u00eb njer\u00ebzve t\u00eb thjesht\u00eb, jo t\u00eb lig\u00eb n\u00eb essenc\u00eb, si ngatht\u00ebsin\u00eb e naivitetin, injoranc\u00ebn, primitivizmin e konzervatorizmin, sqim\u00ebn, mburrjen e kapardisjen, marr\u00ebzirat, sjelljen e trash\u00eb, profkat e d\u00ebrd\u00ebllitjen, manin\u00eb e rendjes me \u00e7do kusht pas mod\u00ebs, pas t\u00eb leht\u00ebs.<\/p>\n

Por, qes\u00ebndia e autorit, shkakton nj\u00eb humor t\u00eb gjall\u00eb e ngaz\u00ebllues, sepse i sh\u00ebmb\u00ebllen mjaft atij q\u00eb e krijon vet\u00eb jeta. Ai me sensin e holl\u00eb t\u00eb vrojtuesit t\u00eb kujdessh\u00ebm t\u00eb p\u00ebrditshm\u00ebris\u00eb me t\u00eb gjitha elementet pikante q\u00eb e p\u00ebrb\u00ebjn\u00eb, ka ditur t\u00eb shk\u00ebpus\u00eb \u201ctheksat\u201d m\u00eb t\u00eb vlefshme p\u00ebr send\u00ebrtimin e e vepr\u00ebs s\u00eb tij humoristike. \u201cSuzana\u201d e Kelmendit me humorin e saj, sjell nj\u00eb freski dhe k\u00ebnaq\u00ebsi t\u00eb rrall\u00eb p\u00ebr lexuesin dhe shpresojm\u00eb t\u00eb jet\u00eb nj\u00eb nxitje p\u00ebr autor\u00eb tjer\u00eb q\u00eb kultivojn\u00eb k\u00ebt\u00eb zhan\u00ebr kaq t\u00eb v\u00ebshtir\u00eb dhe pak t\u00eb l\u00ebvruar n\u00eb fondin modest t\u00eb letrave humoristike shqipe.\u2019<\/p>\n

N\u00eb kapitullin e fundit, t\u00eb VIII-in, Kapu\u00e7 me m\u00ebng\u00eb, e p\u00ebr t\u00eb cil\u00ebn autori shprehet se \u00ebsht\u00eb vep\u00ebr me pjes\u00eb t\u00eb shkurt\u00ebra skenike, theksohet se:
\n\u2018Ramiz Kelemndi, n\u00eb k\u00ebt\u00eb vep\u00ebr kolazh, p\u00ebrqesh me mjete humoristike dhe fshikullon me sarkaz\u00ebm ther\u00ebs, dukurit\u00eb e ul\u00ebta dhe t\u00eb sh\u00ebmtuara t\u00eb shoq\u00ebris\u00eb kosovare t\u00eb dit\u00ebve tona. Ai, p\u00ebr t\u00eb qes\u00ebndisur sjelljet e ndryshme si dalldin\u00eb ndasj mod\u00ebs, snobizmin e sqim\u00ebn, p\u00ebrdor mjete t\u00eb ndryshme humoristike si ironin\u00eb, keqkuptimin, sarkazm\u00ebn, kapardisjen, komizmin e t\u00eb folurit dhe komizmin e situatave. Nd\u00ebrsa, p\u00ebr t\u00eb demaskuar tipa krejt\u00ebsisht negativ\u00eb, t\u00eb sh\u00ebmtuar e t\u00eb neveritsh\u00ebm ai i mpreh shigjetat e tij satirike dhe atakon me ironin\u00eb e hidhur, talljen, demaskimin, degradimin, groteskun.\u2019<\/p>\n

Hashim Baftiari e ka studiuar vepr\u00ebn e Ramiz Kelmendit, jo si vep\u00ebr t\u00eb nj\u00eb humoristi t\u00eb p\u00ebrditsh\u00ebm por si vep\u00ebr t\u00eb nj\u00eb humoristi krijues. N\u00eb k\u00ebt\u00eb priz\u00ebm, ai u \u00ebsht\u00eb bashkuar dy bashkohanik\u00ebve t\u00eb shkrimtarit si dhe dy kritik\u00ebve t\u00eb shquar t\u00eb letrave shqipe, Hasan Mekulit dhe Rexhep Qosjes, t\u00eb cil\u00ebt p\u00ebr nj\u00eb pjes\u00eb t\u00eb krijimtaris\u00eb s\u00eb tij letrare, Ramiz Kelmendin e kan\u00eb quajtur nj\u00eblloj: humorist. Pra, humorist dhe satirik.<\/p>\n

2. P\u00ebrpiluesi i antologjive letrare<\/strong><\/p>\n

Kjo dashuri<\/em>
\nPoezi dashurie t\u00eb gjuh\u00ebs fr\u00ebnge<\/em><\/p>\n

N\u00eb p\u00ebrzgjedhjen e poezive nga let\u00ebrsia franceze, studiuesi Baftiari d\u00ebshmon se let\u00ebrsia fr\u00ebnge \u00ebsht\u00eb lulja m\u00eb e bukur. historia e qytet\u00ebrimeve \u00ebsht\u00eb histori e p\u00ebrkthimeve, kurse let\u00ebrsia \u00ebsht\u00eb princesha e qytet\u00ebrimit.<\/p>\n

N\u00eb librin \u2018Kjo dashuri-poezi dashurie t\u00eb gjuh\u00ebs fr\u00ebnge\u2019, autori ka b\u00ebr\u00eb nj\u00eb p\u00ebrzgjedhje mjaft t\u00eb q\u00eblluar t\u00eb poet\u00ebve francez\u00eb, t\u00eb cil\u00ebt i kan\u00eb thurrur vargjet e tyre m\u00eb t\u00eb ndieshme lirike kushtuar ndjenj\u00ebs m\u00eb subtile njer\u00ebzore. Libri hapet me nj\u00eb poezi popullore t\u00eb shekullit XIII-t\u00eb dhe vazhdon me autor\u00eb t\u00eb tjer\u00eb si Kristin\u00eb d\u00eb Pizan, Kleman Maro, Zhoakin Dy Belej, Pier d\u00eb Ronsar, Louiz\u00eb Labe, Fran\u00e7ois de Malherbe, Teofil d\u00eb Vio, Marselin\u00eb d\u00eb Bord, Alfons d\u00eb Lamartin, Viktor Hygo, Feliz Arver, Zherar d\u00eb Nerval, Ezhezip Moro, Teofil Gotje, Alfred d\u00eb Myse, Sharl Bodler, R\u00ebne Fransua Syli Prudon, Zhoze-Maria d\u00eb Heredia, Pol Verlen, Artur Rembo, Sharl Van Lerberg, Pol Valeri, Pol For, Ana d\u00eb Noaj\u00eb, Maks Zhakob, Sharl Ferdinand Ramuz, Gijom Apoliner, Mari Noel, Zhyl Syperviel, Francis Karko, Pol Moran, Zhan Kokto, Pol Elyar, Andre Breton, Aliet\u00eb Odra, Lui Aragon, Filip Supo, Benzhamen Pere, Moris Karem, Robert Desno, Mari Laur\u00eb D\u00eb Noaj\u00eb, Zhak Prever, Albert Ayguesparse, Mishel Leri, Zhorzh Shehade, Leopold Sedar Sengar, R\u00ebne Shar, Andre Freno, Ezhen Gijevik, Klod Roi, Pier Emanuel, Alen Boske, Rene Gi Kadu, Gaston Puel, Zhan Senak, Rene Depestre, Zhak Dype, Pier Morensi, Tahar Djaout, dhe Zhak-Fransua Dysotje.<\/p>\n

Me nj\u00eb p\u00ebrzgjedhje t\u00eb till\u00eb t\u00eb ajk\u00ebs lirike franceze, Baftiari ia ka arritur t\u00eb paraqes nj\u00eb sprov\u00eb mjaft bind\u00ebse t\u00eb shijes s\u00eb tij t\u00eb formuar ideo-estetike, fal\u00eb s\u00eb cil\u00ebs lexuesi shqiptar n\u00eb dor\u00eb ka nj\u00eb nj\u00eb tuf\u00eb lulesh nga poezia lirike franceze, ndikimi i s\u00eb cil\u00ebs nuk \u00ebsht\u00eb i pak\u00ebt as n\u00eb let\u00ebrsit\u00eb dhe n\u00eb kulturat e tjera.<\/p>\n

N\u00eb poezit\u00eb e p\u00ebrfshira n\u00eb k\u00ebt\u00eb lib\u00ebr bie n\u00eb sy sa qasja e nduarduarshme po aq edhe gjuha e latuar e poet\u00ebve francez\u00eb, t\u00eb cil\u00ebt me nj\u00eb gjuh\u00eb mjaft t\u00eb pasur sa dhe t\u00eb gdhendur poetikisht ia kan\u00eb dalur p\u00ebr mrekulli p\u00ebr t\u00eb paraqitur shtresimet e shumta shpirt\u00ebrore t\u00eb raporteve mjaft komplekse q\u00eb ka bota e dashuris\u00eb.<\/p>\n

N\u00eb p\u00ebrzgjedhjen e poezive t\u00eb k\u00ebsaj antologjie, t\u00eb cil\u00ebn Hashim Baftiari ia ka ofruar lexuesit shqiptar, dashuria shpaloset n\u00eb penat e ajk\u00ebs s\u00eb lirik\u00ebs fr\u00ebnge edhe si pasion por edhe si tundim, edhe si gjakim por edhe si zhg\u00ebnjim, edhe si flak\u00eb q\u00eb p\u00ebrc\u00ebllon por edhe si akull q\u00eb shpon tejp\u00ebrtej palc\u00ebn njer\u00ebzore. Aty ka zem\u00ebrthirrje dhe zem\u00ebrklithje, shpresa dhe \u00ebndrra, mir\u00ebnjohje dhe lutje, p\u00ebrgj\u00ebrime dhe p\u00ebrd\u00ebllime, por ka edhe tr\u00ebndafila dhe gjemba, lule dhe lot, psher\u00ebtima dhe d\u00ebnesje, riga shiu e riga lot\u00ebsh ku verbi poetik francez shpaloset me ndjenj\u00eb delikatese si dhe me nj\u00eb eleganc\u00eb t\u00eb shprehjes, duke d\u00ebshmuar sa kultur\u00ebn e thell\u00eb po aq edhe bot\u00ebn e pasur t\u00eb ndjenjave shpirt\u00ebrore.<\/p>\n

N\u00eb k\u00ebt\u00eb lib\u00ebr shquhen poezit\u00eb e p\u00ebrkthyera nga Fan Noli, Lasgush Poradeci, Vedat Kokona dhe Sotir Caci, por nuk mungon as p\u00ebrkushtimi dhe p\u00ebrpjekja e brezit t\u00eb ri, i cili ka ecur n\u00eb gjurm\u00ebt e pararend\u00ebsve q\u00eb hap\u00ebn shtegun e p\u00ebrkthimeve brilante t\u00eb poezis\u00eb bot\u00ebrore, duke p\u00ebrfshir\u00eb k\u00ebshtu edhe poet\u00ebt apo shkrimtar\u00ebt francez\u00eb.<\/p>\n

N\u00eb poezit\u00eb e p\u00ebrzgjedhura nga z. Baftiari, ka psher\u00ebtima dashurie, klithje dhe p\u00ebrgj\u00ebrime, (poezia e Joakim Du Balejt), apo betim dashurie, n\u00eb poezin\u00eb e Pjer de Ronsarit, titulluar \u2018Asaj q\u00eb do t\u00eb plaket\u2019: Se emrit t\u00ebnd Ronsari ia ka thurur lavdin\u00eb!; p\u00ebr t\u00eb vazhduar m\u00eb tej:<\/p>\n

Merre k\u00ebt\u2019tr\u00ebndafil dhe tok me t\u00eb n\u00eb gji<\/em>
\nTi shtjere zemr\u00ebn time t\u00eb shkret\u00eb e t\u00eb venitur,<\/em>
\nQ\u00eb dridhet nat\u00eb e dit\u00eb nga plag\u00ebt e sfilitur<\/em>
\nSe ve\u00e7 p\u00ebr ty, o shpirt, \u00ebsht\u00eb b\u00ebr\u00eb shkrumb e hi<\/em><\/p>\n

Ronsari pa dyshim se \u00ebsht\u00eb sa sentimental \u00ebsht\u00eb edhe nj\u00eb romantik i madh, njeri q\u00eb dashuron me gjith\u00eb qenien, me pasion dhe me zjarr t\u00eb pashuar, i cili b\u00ebn thirrje p\u00ebr ta shijuar jet\u00ebn si dhe lulen e saj m\u00eb t\u00eb bukur, dashurin\u00eb:<\/p>\n

N\u00eb varr un\u00eb do t\u00eb jem, i kalbur, i mbaruar,<\/em>
\nN\u00ebn nj\u00eb m\u00ebrsin\u00eb i shtrir\u00eb do t\u00eb jem, duke pushuar,<\/em>
\nTi plak\u00eb, ndan\u00eb vatr\u00ebs pa zjarr e jet\u00eb n\u00eb gji.<\/em><\/p>\n

Me lot ke p\u00ebr ta qar\u00eb p\u00ebrbuzjen, krenarin\u00eb.<\/em>
\nJeto, sa je e re, dhe falm\u00eb dashurin\u00eb:<\/em>
\nTr\u00ebndafilat e jet\u00ebs k\u00ebputi q\u00eb tani.<\/em><\/p>\n

Ronsari l\u00ebshon zem\u00ebr-klithjen e tij prej nj\u00eb dashnori t\u00eb p\u00ebrv\u00ebluar nga zjarri i Amorit:<\/p>\n

Po pse, o per\u00ebndi, s\u2019e b\u00ebre dashurin\u00eb<\/em>
\nSi lulja dhe ajo q\u00eb t\u00eb rroj\u00eb ve\u00e7 nj\u00eb dit\u00eb!<\/em><\/p>\n

N\u00ebp\u00ebrmjet simbolik\u00ebs s\u00eb luleve t\u00eb dhuruara si buqet\u00eb, poeti ka shpalosur jet\u00ebn e cila kalon aq shpejt:<\/p>\n

Po t\u00eb d\u00ebrgoj nj\u00eb uf\u00eb fort t\u00eb bukur<\/em>
\nLulesh t\u00eb njoma q\u00eb i zgjodha vet\u00eb;<\/em>
\nSonte sikur t\u00eb mos i kisha k\u00ebputur<\/em>
\nNes\u00ebr p\u00ebrdhe do binin flet\u00eb-flet\u00eb.<\/em><\/p>\n

Nj\u00eb shembull ky p\u00ebr ty gjithmon\u00eb t\u00eb jet\u00eb:<\/em>
\nSe sot v\u00ebrtet je posi flutur,<\/em>
\nPo bukuria nuk duron p\u00ebrjet\u00eb.<\/em>
\nSi lulet vdes e bie e k\u00ebputur.<\/em><\/p>\n

Koha kalon, koha kalon, kalon moj zonj\u00eb,<\/em>
\nJo, koha nuk kalon por ikim ne,<\/em>
\nDhe shpejt atje n\u00eb grop\u00eb do pushojm\u00eb.<\/em><\/p>\n

Edhe, p\u00ebr dashurin\u00eb q\u00eb me nge<\/em>
\nPo flasim, kur t\u00eb vdesim, s\u2019do d\u00ebgjojm\u00eb;<\/em>
\nPra dashurom\u00eb, e bukur gjersa je!<\/em><\/p>\n

P\u00ebrgj\u00ebrimi i poetit merr k\u00ebshtu p\u00ebrmasat e nj\u00eb p\u00ebrjet\u00ebsie shpalosur n\u00eb perla poezie:<\/p>\n

T\u00eb ngjitesha pas teje dhe, tretur dashurie,<\/em>
\nPas trupit t\u00ebnd t\u00eb njom\u00eb te dergjesha si hije.<\/em><\/p>\n

Nd\u00ebrkaq, tek poezia e Fran\u00e7ois de Mallherbe, e titulluar \u2018E dashura q\u00eb ve\u00e7 premton\u2019, s\u00ebrish dashuria \u00ebsht\u00eb klithja e poetit, \u00ebsht\u00eb vet\u00eb vujatja e tij: O bukuri mizore! Kurse Alfons de Lamartini n\u00eb poezin\u00eb emblem\u00eb \u2018Liqeni\u2019, pasi \u00e7do gj\u00eb ia l\u00eb z\u00ebrit: \u2018Papritmas z\u00ebri i saj e nisi melodin\u00eb\u2019, l\u00ebshon nj\u00eblloj zem\u00ebr-klithjen tjet\u00ebr:<\/p>\n

\u2018O koh\u00eb, mbaj\u00eb vrapin! Ju \u00e7aste t\u00eb bekuar<\/em>
\nMos rridhni tatpjet\u00eb!<\/em>
\nNa lini t\u2019ju shijojm\u00eb me \u00ebndje t\u00eb pashuar<\/em>
\nSe s\u2019vini m\u00eb n\u00eb jet\u00eb!<\/em><\/p>\n

* * *<\/em>
\nO koh\u00eb ziliqare, si vall\u00eb ky \u00e7ast g\u00ebzimi<\/em>
\nKur dashuria e thell\u00eb na deh me lumturin\u00eb<\/em>
\nLarg nesh t\u00eb fluturoj\u00eb aq shpjet sa dhe mjerimi<\/em>
\nQ\u00eb fund s\u2019ka p\u00ebr njerin\u00eb?<\/em><\/p>\n

Dhe krejt\u00ebsisht n\u00eb fund t\u00eb nj\u00ebr\u00ebs prej kryevperave poetike, tek vihet n\u00eb k\u00ebrkim t\u00eb nj\u00eb \u2018ylli ballargjendt\u00eb\u2019, Lamartini v\u00eb koh\u00ebt p\u00ebrball\u00eb nj\u00ebra-tjetr\u00ebs, koh\u00ebn q\u00eb ik\u00ebn dhe koh\u00ebn q\u00eb dashuron:<\/p>\n

O koh\u00ebz e kaluar, p\u00ebrjet\u00ebsi plot hije,<\/em>
\n\u00c7\u2019i b\u00ebni vall\u00eb dit\u00ebt q\u00eb th\u00ebthini sa gjeni?<\/em>
\nNa thoni: a do na i ktheni k\u00ebto or\u00eb lumturie<\/em>
\nQ\u00eb neve na i rr\u00ebmbeni?<\/em><\/p>\n

Nuk ka dyshim se me nj\u00eb p\u00ebzrgjedhje t\u00eb till\u00eb t\u00eb poezive, me nj\u00eb shije t\u00eb formuar ideo-estetike dhe me nj\u00eb p\u00ebrkushtim gjith\u00eb admirim, studiuesi Hashim Baftiari, m\u00ebton t\u00eb d\u00ebshmon at\u00eb q\u00eb aq bukur e ka th\u00ebn\u00eb shkrimtari Fadil Kraja n\u00eb nj\u00eb nga kryeveprat e dramaturgjis\u00eb shqiptare \u2018Gjaku i Arb\u00ebrit\u2019:<\/p>\n

\u2018Dashuria \u00ebsht\u00eb \u00ebndrra m\u00eb e bukur e t\u00eb gjitha vajzave. Ajo \u00ebsht\u00eb dielli q\u00eb e b\u00ebn tok\u00ebn t\u00eb lul\u00ebzoj\u00eb!<\/em>\u2019<\/p>\n","protected":false},"excerpt":{"rendered":"

Hashim Baftiari: Autori, studiuesi dhe adhuruesi i librave Shkruan: Xhemail Peci (Fragmente nga nj\u00eb shkrim m\u00eb i zgjeruar) I. N\u00eb Tetov\u00ebn e Mit\u2019hat Frash\u00ebrit Gjithmon\u00eb m\u00eb ka b\u00ebr\u00eb p\u00ebrshtypje th\u00ebnia profetike e ideologut t\u00eb shqiptarizm\u00ebs, Mit\u2019hat Abdyl Frash\u00ebrit: \u2018Do t\u00eb vij\u00eb koha kur politikat nd\u00ebrkomb\u00ebtare do t\u00eb verifikojn\u00eb dhe do t\u00eb ndreqin veten n\u00eb Kosov\u00eb. […]<\/p>\n","protected":false},"author":1,"featured_media":35415,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2,8],"tags":[],"class_list":["post-35414","post","type-post","status-publish","format-standard","has-post-thumbnail","category-artikuj","category-letersi"],"yoast_head":"\nN\u00cb TETOV\u00cb N\u00cb P\u00cbRURIMIN E VEPRAVE T\u00cb STUDIUESIT HASHIM BAFTIARI - FJALA e LIR\u00cb<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/jehonashqiptare.al\/fjala\/ne-tetove-ne-perurimin-e-veprave-te-studiuesit-hashim-baftiari\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"N\u00cb TETOV\u00cb N\u00cb P\u00cbRURIMIN E VEPRAVE T\u00cb STUDIUESIT HASHIM BAFTIARI - FJALA e LIR\u00cb\" \/>\n<meta property=\"og:description\" content=\"Hashim Baftiari: Autori, studiuesi dhe adhuruesi i librave Shkruan: Xhemail Peci (Fragmente nga nj\u00eb shkrim m\u00eb i zgjeruar) I. 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N\u00eb Tetov\u00ebn e Mit\u2019hat Frash\u00ebrit Gjithmon\u00eb m\u00eb ka b\u00ebr\u00eb p\u00ebrshtypje th\u00ebnia profetike e ideologut t\u00eb shqiptarizm\u00ebs, Mit\u2019hat Abdyl Frash\u00ebrit: \u2018Do t\u00eb vij\u00eb koha kur politikat nd\u00ebrkomb\u00ebtare do t\u00eb verifikojn\u00eb dhe do t\u00eb ndreqin veten n\u00eb Kosov\u00eb. 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