{"id":36016,"date":"2018-12-24T22:56:22","date_gmt":"2018-12-24T21:56:22","guid":{"rendered":"http:\/\/www.fjala.info\/?p=36016"},"modified":"2018-12-24T22:57:03","modified_gmt":"2018-12-24T21:57:03","slug":"sentenca-e-mendimit-ne-eseistiken-e-shkruar","status":"publish","type":"post","link":"https:\/\/jehonashqiptare.al\/fjala\/sentenca-e-mendimit-ne-eseistiken-e-shkruar\/","title":{"rendered":"SENTENCA E MENDIMIT N\u00cb ESEISTIK\u00cbN E SHKRUAR"},"content":{"rendered":"

Gani Byty\u00e7i, \u201eFLET\u00cbZA DHEMBJEJE\u201c, ese, botoi Sht\u00ebpia Botuese \u201eFaik Konica\u201c, Prishtin\u00eb 2018,\u00a0faqe 172. ISBN 978-9951-06-716-4<\/em><\/p>\n

Shkruan: Shefqet DIBRANI<\/strong><\/p>\n

Sentenca \u00ebsht\u00eb nocion apo shprehje letrare, q\u00eb ka p\u00ebr q\u00ebllim t\u00eb shpjegoj\u00eb nj\u00eb tekst t\u00eb shkruar, qoft\u00eb ai letrar, eseistik a publicistik, t\u00eb cilin e p\u00ebrdorin autor\u00eb t\u00eb rrall\u00eb, tek t\u00eb cil\u00ebt ndeshim nj\u00eb mendim t\u00eb fuqish\u00ebm por i kondensuar n\u00eb pak fjal\u00eb dhe ka kuptim moral.<\/p>\n

K\u00ebt\u00eb sintez\u00eb e shohim dendur n\u00eb eset\u00eb e Gani Byty\u00e7it, t\u00eb shkruara n\u00eb form\u00eb flet\u00ebzash ditari, t\u00eb cilat kan\u00eb qen\u00eb t\u00eb publikuara kryesisht n\u00eb shtypin e koh\u00ebs por tash t\u00eb botuara n\u00eb lib\u00ebr kan\u00eb marr\u00eb trajt\u00eb dhe dimension artistik dhe q\u00eb mund t\u00eb interpretohen n\u00eb shum\u00eb dimensione.<\/p>\n

Libri \u201cFLET\u00cbZA DHEMBJEJE\u201d, si t\u00ebr\u00ebsi kthen kujtes\u00ebn tek nj\u00eb koh\u00eb, tek rrethana e situata t\u00eb r\u00ebnda, tek ngjarje e zhvillime dramatike. Ve\u00e7mas, libri do t\u00eb komunikoj\u00eb e do t`u sh\u00ebrbej\u00eb brezave q\u00eb i p\u00ebrkasin asaj kohe dhe i mbijetuan ato rrethana, brezit t\u00eb autorit. Nd\u00ebrkaq gjeneratat e reja le t\u00eb m\u00ebsojn\u00eb nga k\u00ebto sentenca t\u00eb shkruara me kultur\u00eb dhe eleganc\u00eb letrare t\u00eb ve\u00e7ant\u00eb e unike. Po kaq kulturore jan\u00eb dy p\u00ebrkushtimet e v\u00ebna q\u00eb n\u00eb fillim. Nj\u00ebri \u00ebsht\u00eb p\u00ebr prind\u00ebrit e autorit e q\u00eb p\u00ebrjetohet me emocion t\u00eb thell\u00eb. Nd\u00ebrkaq p\u00ebrkushtimi tjet\u00ebr \u00ebsht\u00eb b\u00ebr\u00eb p\u00ebr doajenin e gazetaris\u00eb kosovare Ali Sutaj, tekst ky i rrall\u00eb dhe i ve\u00e7ant\u00eb, pasi fjala \u00ebsht\u00eb p\u00ebr nj\u00eb njeri t\u00eb ve\u00e7ant\u00eb, t\u00eb cilin e ka harruar koha, e tash po rikthehet edhe ai, bashk\u00eb me k\u00ebto ese p\u00ebr t\u2019ia shtuar madh\u00ebshtin\u00eb t\u00ebr\u00ebsis\u00eb estetike t\u00eb librit dhe autorit t\u00eb tij!<\/p>\n

Eset\u00eb n\u00eb librin \u201eFLET\u00cbZA DHEMBJEJE\u201c autorin e tyre e radhisin n\u00eb avangard\u00eb t\u00eb proceseve, e rreshtojn\u00eb at\u00eb n\u00eb elit\u00ebn intelektuale q\u00eb b\u00ebri shum\u00eb p\u00ebr artin e kultur\u00ebn, p\u00ebr demokracin\u00eb dhe lirin\u00eb, nuanca k\u00ebto, q\u00eb i lexojm\u00eb qysh n\u00eb esen\u00eb a par\u00eb \u201cUDH\u00cbTIMI SI FAT(KEQ\u00cbSI), n\u00eb t\u00eb cil\u00ebn autori p\u00ebrshkruan gjendjen e tij emocionale para dilem\u00ebs p\u00ebr t\u00eb \u201cudh\u00ebtuar\u201d apo p\u00ebr t\u00eb q\u00ebndruar \u201caty ku ma nuk do t\u00eb kishte em\u00ebr e as nuk do t\u00eb ishte em\u00ebr\u201d, nj\u00eb figuracion i rrall\u00eb artistik, i cili edhe lexuesit m\u00eb indiferent ia ngjall\u00eb halucinacionet, kur t\u00eb kuptoj\u00eb se \u201clufta akoma nuk kishte nisur. Ajo ishte zhvilluar vet\u00ebm n\u00eb kok\u00ebn time\u201d, n\u00eb kok\u00ebn e autorit, p\u00ebr ta mbyllur me nj\u00eb metafor\u00eb, e cila ka kuptim racional mbi tragjiken pasi \u201cAndej nga isha nisur, qielli ishte i kthjell\u00ebt\u201d, shkruan ai.<\/p>\n

K\u00ebto shkrime eseistike jan\u00eb nj\u00eb diskurs i kritik\u00ebs letrare, q\u00eb e kompleton edhe m\u00eb shum\u00eb opusin krijues t\u00eb autorit, i cili ka dh\u00ebn\u00eb shum\u00eb p\u00ebr artin dhe let\u00ebrsin\u00eb, p\u00ebr individin dhe shoq\u00ebrin\u00eb, p\u00ebr m\u00ebrgat\u00ebn dhe p\u00ebr luft\u00ebtar\u00ebt, p\u00ebr heroin dhe p\u00ebr qytetarin e r\u00ebndomt\u00eb. Nd\u00ebrkaq si ese jan\u00eb shum\u00eb lart\u00eb, n\u00eb piedestalin e shkrimit artistik ngase autori temave nuk iu ka rrekur kot s\u00eb koti dhe as nuk ka shkruar at\u00ebher\u00eb kur i ka munguar motivi p\u00ebr t\u00eb shkruar. Nd\u00ebrsa edhe p\u00ebrshkrimin artistik autori e b\u00ebn duke e nd\u00ebrlidhur romantik\u00ebn me lirik\u00ebn, si\u00e7 \u00ebsht\u00eb ta z\u00ebm\u00eb tek \u201cMbr\u00ebmje n\u00eb Leman\u00eb\u201d, n\u00eb t\u00eb cil\u00ebn ai shprehet: \u201cPer\u00ebndimi i diellit vjeshtor, me rrezet e kuq\u00ebrremta, q\u00eb duken sikur jan\u00eb mbytur n\u00eb flak\u00eb, tisi i hirt\u00eb e mjegullor i buz\u00ebmbr\u00ebmjes, q\u00eb e mb\u00ebshtjell gjith\u00eb liqenin, syprina mbi faqen e tij, q\u00eb shk\u00eblqen si nj\u00eb pasqyr\u00eb e praruar, fontana me fiskaj\u00ebn e ujit q\u00eb arrin lart\u00ebsin\u00eb 130 metra, (kur b\u00ebn mot i mir\u00eb), nd\u00ebrsa nuk arrin t\u00eb kaloj\u00eb 100 met\u00ebrshin, kur era ia k\u00ebput nja 30 metra, mjellmat q\u00eb n\u00eb mbr\u00ebmje e p\u00ebrfundojn\u00eb loj\u00ebn e tyre magjike t\u00eb dit\u00ebs dhe kthejn\u00eb buz\u00eb bregut p\u00ebr pushim e gjum\u00eb \u00ebnd\u00ebrrimtar, vizitor\u00ebt e shumt\u00eb nga t\u00eb kat\u00ebr an\u00ebt e bot\u00ebs, buz\u00ebqeshjet e k\u00ebndshme t\u00eb vashave t\u00ebr\u00eb shend, loja e f\u00ebmij\u00ebve gjith\u00eb g\u00ebzim, nuk mund t\u00eb p\u00ebrshkruhen dot\u201d, faqe 23-24.<\/p>\n

Gani Byty\u00e7i, ka shkruar pak, por n\u00eb m\u00ebnyr\u00eb pikante, ka shkruar rrall\u00eb, por si\u00e7 thot\u00eb nj\u00eb urti popullore \u201cp\u00ebr mall\u201d, dhe at\u00ebher\u00eb kur ka shkruar, e ka pikasur duke plot\u00ebsuar nj\u00eb boshll\u00ebk n\u00eb shkrimet e k\u00ebsaj natyre, t\u00eb cilat jan\u00eb ese, jan\u00eb fragmente t\u00eb tregimit letrar, jan\u00eb flet\u00ebza t\u00eb p\u00ebrjetimit dhe rr\u00ebfimit dramatik. Th\u00ebn\u00eb ndryshe \u00ebsht\u00eb t\u00ebr\u00ebsia e shqet\u00ebsimeve dhe e brengave t\u00eb individit p\u00ebrball\u00eb fenomeneve q\u00eb e rrethojn\u00eb, ndaj t\u00eb cilave ai vet\u00eb si autor, nuk ka q\u00ebndruar kurr\u00eb indiferent. K\u00ebto forma eseistike do t`i ndeshim qysh n\u00eb hyrje t\u00eb eses\u00eb \u201cNJERIU DHE KOHA\u201d, n\u00eb t\u00eb cil\u00ebn gjejm\u00eb nj\u00eb p\u00ebrshkrim brilant p\u00ebr situat\u00ebn, t\u00eb cil\u00ebs varg p\u00ebr varg n\u00ebse ia heqim nga nj\u00eb fjal\u00eb, ndonj\u00eb parafjal\u00eb a ndonj\u00eb lidh\u00ebz, mund t\u00eb shnd\u00ebrrohen n\u00eb citate mendimesh t\u00eb thella e shum\u00eb p\u00ebrmbajtjesore: \u201cKur nj\u00eb popull, t\u00eb gjitha p\u00ebrpjekjet dhe k\u00ebrkesat e veta historike i shnd\u00ebrron n\u00eb synime t\u00eb ul\u00ebta grabitqare, rr\u00ebnuese, shkat\u00ebrruese e m\u00eb n\u00eb fund krejt shfaros\u00ebse, drejtuar kund\u00ebr nj\u00eb a m\u00eb shum\u00eb popujve t\u00eb tjer\u00eb, \u00ebsht\u00eb d\u00ebshmi se ai popull \u00ebsht\u00eb historikisht i pa perspektiv\u00eb, moralisht e intelektualisht i paformuar dhe politikisht tep\u00ebr i d\u00ebmsh\u00ebm p\u00ebr popujt e tjer\u00eb\u201d, faqe 27. Kjo tregon se kultura e t\u00eb shkruarit t\u00eb autorit \u00ebsht\u00eb p\u00ebrmbajtje dhe art m\u00eb vete.<\/p>\n

Gani Byty\u00e7i, me k\u00ebto ese t\u00eb prezantuara n\u00eb form\u00eb flet\u00ebzash t\u00eb nj\u00eb ditari sjell mendimin dhe ndjenj\u00ebn artistike p\u00ebrmes ngjarjeve dhe fenomeneve, qofshin ato kulturore apo t\u00eb karakterit politik, fenomene k\u00ebto q\u00eb jan\u00eb shkruar si trajtesa specifike n\u00eb kontekstin kohor t\u00eb atyre zhvillimeve. Por kur ato i lexojm\u00eb tashti nga ajo distanc\u00eb kohore, ato p\u00ebrjetohen si nj\u00eb mozaik i atyre zhvillimeve, t\u00eb cilat kan\u00eb qen\u00eb aq t\u00eb ngarkuara me pesh\u00ebn e dhun\u00ebs, q\u00eb ka dominuar n\u00eb k\u00ebto hap\u00ebsira. Nd\u00ebrkaq Evropa, zhvillimet n\u00eb Ballkan, i ka kundruar e trajtuar kryesisht me ftoht\u00ebsi e indiferenc\u00eb, prandaj s\u2019ka pasur se si t\u00eb dal\u00eb ma ndryshe eseja tjet\u00ebr \u201cATDHEU \u00cbSHT\u00cb ATDHE, BILE EDHE KUR T\u00cb VRET\u201d, e q\u00eb \u00ebsht\u00eb me aq interes p\u00ebr t`u par\u00eb se si jan\u00eb trajtuar at\u00ebher\u00eb ato ngjarje. \u00cbsht\u00eb aq mjesht\u00ebrore dhe krejt parabolike m\u00ebnyra e trajtimit, q\u00eb Gani Byty\u00e7i i b\u00ebn fenomenit t\u00eb kolonizimit t\u00eb Kosov\u00ebs: \u201cDit\u00eb m\u00eb par\u00eb, tek lexoja \u00e7far\u00eb flitej e \u00e7far\u00eb shkruhej p\u00ebr p\u00ebrpjekjet (politike e shtet\u00ebrore) kolonizuese sllave ndaj Kosov\u00ebs, mu kujtua fshati dhe f\u00ebmij\u00ebria ime. Nd\u00ebrmjet dy lagjeve t\u00eb fshatit tim shtrihej nj\u00eb mal i gjer\u00eb e i gjat\u00eb, sa t\u00eb kapte syri, i cili n\u00eb fshat njihej si Mali i Dik\u00ebs\u201d, faqe 34.<\/p>\n

Eseu n\u00eb fjal\u00eb \u00ebsht\u00eb nj\u00eb tregim i rrall\u00eb, q\u00eb p\u00ebr tematik\u00eb ka k\u00ebt\u00eb form\u00eb t\u00eb dhun\u00ebs shtet\u00ebrore, e cila b\u00ebhej kund\u00ebr shqiptar\u00ebve. Si\u00e7 dihet, dhuna kolonizuese ishte shtrir\u00eb n\u00eb t\u00ebr\u00eb hap\u00ebsir\u00ebn e Kosov\u00ebs, ashtu si\u00e7 e ka p\u00ebrmbyllur edhe autori esen\u00eb e tij me nj\u00eb dramatik\u00eb e tragjik\u00eb trishtuese: \u201cPo n\u00eb Malin e Dik\u00ebs, as eg\u00ebrsirat ma nuk guxonin t\u00eb futeshin. Ai, tani ishte kthyer i t\u00ebri n\u00eb makth, p\u00ebr t\u00eb gjith\u00eb fshatar\u00ebt\u201d, faqe 37. Dhe makthi i k\u00ebsaj gjendjeje me shekuj e kishte mb\u00ebrthyer Kosov\u00ebn t\u00eb t\u00ebr\u00ebn. Me k\u00ebt\u00eb pasion jan\u00eb shkruar edhe pjes\u00ebt e tjera t\u00eb k\u00ebtij eseu, t\u00eb ndara me n\u00ebntituj, \u201cEksodi\u201d, \u201cTestamenti\u201d, \u201cRi(bashkimi)\u201d, e q\u00eb jan\u00eb tema t\u00eb tjera por n\u00eb thelb me p\u00ebrmbajtje t\u00eb nj\u00ebjt\u00eb.<\/p>\n

Si\u00e7 e theksuam edhe m\u00eb par\u00eb, gjat\u00eb leximit, do t\u00eb ndeshim cop\u00ebza tregimesh e rr\u00ebfimesh artistike, t\u00eb cilat jan\u00eb tregime q\u00eb pasqyrojn\u00eb nivelin artistik t\u00eb autorit, p\u00ebr m\u00eb shum\u00eb, ato jan\u00eb edhe premisa proverbiale si: \u201cP\u00ebr ta nd\u00ebrruar mendimin e t\u00eb tjer\u00ebve ndaj nesh, duhet t\u00eb ndryshojm\u00eb q\u00ebndrimin ton\u00eb ndaj t\u00eb tjer\u00ebve\u201d, faqe 41, mendim ky i shprehur n\u00eb fillim t\u00eb vitit 1994, i cili raportin e Evrop\u00ebs dhe Amerik\u00ebs e ndryshoi vet\u00ebm at\u00ebher\u00eb kur ne \u201cndryshuam q\u00ebndrimin ton\u00eb ndaj t\u00eb tjer\u00ebve\u201d, q\u00eb duket se \u00ebsht\u00eb rrjedhoj\u00eb e nj\u00eb refleksioni konfliktuoz n\u00eb relacionin \u201cEkzili dhe politika\u201d, e shkruar me nj\u00eb p\u00ebrkushtim artistik, faqe 43-44.<\/p>\n

Ese t\u00eb tjera, t\u00eb shkruara bukur dhe me mesazhe t\u00eb fuqishme jan\u00eb edhe \u201cDHEMBJA \u2013 METAFOR\u00cb FLIJIMI P\u00cbR ATDHEUN\u201d si dhe \u201cBURGU N\u00cb JET\u00cbN E ARB\u00cbRIT\u201d, t\u00eb cil\u00ebt i kan\u00eb t\u00eb gjitha elementet e tregimit artistik. E shkruar me k\u00ebt\u00eb pasion \u00ebsht\u00eb po ashtu edhe eseja \u201cLIRIA ND\u00cbRMJET DHEMBJES E SHPRES\u00cbS\u201d, n\u00eb t\u00eb cil\u00ebn gjejm\u00eb vargje poezish.<\/p>\n

P\u00ebrkushtimet, p\u00ebrkat\u00ebsisht eset\u00eb q\u00eb kan\u00eb t\u00eb b\u00ebjn\u00eb me heroin dhe heroizmat shprehin nj\u00eb dinamik\u00eb tjet\u00ebr. Ato jan\u00eb t\u00eb lidhura emocionalisht m\u00eb ndryshe. Esencialisht jan\u00eb ese (s\u00eb pari) t\u00eb menduara e konceptuar mir\u00eb dhe t\u00eb realizuara mjesht\u00ebrisht, prandaj edhe jan\u00eb aq artistike e t\u00eb ve\u00e7anta. Rrall\u00eb her\u00eb ndonj\u00eb autor ka shkruar p\u00ebr d\u00ebshmor\u00ebt si Gani Byty\u00e7i, kur thot\u00eb se \u201cD\u00ebshmor\u00ebt, jan\u00eb LIRIA, jan\u00eb ATDHEU Yn\u00eb\u201d. Prandaj esen\u00eb \u201cP\u00cbR D\u00cbSHMOR\u00cbT\u201d, do ta ve\u00e7oja edhe p\u00ebr arsyen se Heroin Agim Ramadani, e kam njohur personalisht, qoft\u00eb si artist, si poet, si veprimtar dhe m\u00eb n\u00eb fund edhe si flijimtar p\u00ebr t\u2019i sjell atdheut lirin\u00eb. K\u00ebt\u00eb m\u00ebnyr\u00eb t\u00eb shkrimit eseistik, si duket autori e p\u00ebrzgjedh, pasi me k\u00ebt\u00eb i jep nj\u00eb p\u00ebrmas\u00eb aq madh\u00ebshtore Heroit, por nj\u00ebherit krijon edhe mund\u00ebsi t\u00eb m\u00ebdha shpreh\u00ebse, p\u00ebr ta shfaqur t\u00ebr\u00eb dinamik\u00ebn e atyre zhvillimeve p\u00ebr t\u00eb cilat autori \u00ebsht\u00eb i angazhuar ose ka vendosur t\u00eb shkruaj\u00eb. Ky diskurs letrar i ka dhuruar sentenca, p\u00ebrkat\u00ebsisht i ka krijuar mund\u00ebsi t\u00eb m\u00ebdha shpreh\u00ebse e tematike, t\u00eb cilat si t\u00ebr\u00ebsi artistike vijn\u00eb n\u00eb k\u00ebt\u00eb lib\u00ebr, si\u00e7 tham\u00eb, duke kapur nj\u00eb hark t\u00eb gjer\u00eb kohor.<\/p>\n

Shkrimi eseistik \u00ebsht\u00eb nj\u00eb form\u00eb e shkrimit letrar q\u00eb e ngrit autorin n\u00eb nivelin e p\u00ebrgjegj\u00ebsis\u00eb intelektuale. Si vrojtues i proceseve dhe zhvillimeve, autori del mjaft\u00eb i spikatur. Ai iu ka qasur problemeve n\u00eb m\u00ebnyr\u00eb analitike, duke i prezantuar ato zhvillime p\u00ebrmes eseut artistik. Edhe m\u00ebnyra se si jan\u00eb trajtuar ato deformime \u00ebsht\u00eb artistike, \u00ebsht\u00eb intelektuale, \u00ebsht\u00eb kulturore, \u00ebsht\u00eb njer\u00ebzore, \u00ebsht\u00eb humane, \u00ebsht\u00eb demokratike. Prandaj m\u00ebnyra e t\u00eb shprehurit t\u00eb Byty\u00e7it dallon shum\u00eb nga shkrimi vulgar dhe niveli i ul\u00ebt i shkrimit gazetaresk, q\u00eb ka v\u00ebrshuar hap\u00ebsir\u00ebn publike koh\u00ebt e fundit. S\u00eb k\u00ebndejmi \u201cveprat dhe veprimet e gjenive q\u00ebndrojn\u00eb mbi komentet rreth tyre, \u00e7far\u00ebdo qofshin ato\u201d, shprehet autori n\u00eb esen\u00eb \u201cSHKRIMTARI \u00cbSHT\u00cb SHTETAS I T\u00cb GJITHA KOH\u00cbVE\u201d, duke i dh\u00ebn\u00eb shkrimtarit edhe p\u00ebrmas\u00ebn e p\u00ebrjet\u00ebsis\u00eb, faqe 77-85. Prandaj k\u00ebtu kemi t\u00eb b\u00ebjm\u00eb me nj\u00eb let\u00ebrsi specifike, e cila e lart\u00ebson shkrimin eseistik, e b\u00ebn t\u00eb dashur rr\u00ebfimin, kurse ngjarja prezantohet n\u00eb m\u00ebnyr\u00eb artistike, qoft\u00eb ajo edhe e sh\u00ebmtuar, p\u00ebrs\u00ebri ka shije artistike.<\/p>\n

Sidoqoft\u00eb m\u00ebnyra e qasjes p\u00ebr t\u00eb trajtuar dukuri e fenomene, zb\u00ebrthen gam\u00ebn krijuese, sado q\u00eb ajo ka t\u00eb b\u00ebj\u00eb me shqet\u00ebsimin p\u00ebrjetohet dhe shijohet me leht\u00ebsi, pasi paraqitet me nj\u00eb fjalor t\u00eb ekuilibruar e t\u00eb zgjedhur. Ndon\u00ebse timbri shpreh\u00ebs mund t\u00eb jet\u00eb edhe i ashp\u00ebr e mospajtues ndaj atyre zhvillimeve, qofshin politike, kulturore apo edhe t\u00eb tjera, p\u00ebrs\u00ebri niveli estetik e b\u00ebn tekstin t\u00eb lexuesh\u00ebm dhe shum\u00eb t\u00ebrheq\u00ebs. Me nj\u00eb fjal\u00eb autori \u00ebsht\u00eb shpirt kryengrit\u00ebs, mospajtues dhe kund\u00ebrshtues p\u00ebr mjaft\u00eb dukuri e deformime, prandaj ardhja n\u00eb k\u00ebt\u00eb koh\u00eb, e k\u00ebtij libri d\u00ebshmon sakrific\u00ebn intelektuale n\u00eb p\u00ebrvijim koh\u00ebrash, ku paraqiten pamje t\u00eb bruzta, n\u00ebse ngjyra paraqet ndjenj\u00ebn shpirt\u00ebrore. K\u00ebto elemente rishfaqen duke lexuar esen\u00eb \u201cATDHEU ND\u00cbRMEJT REALITETIT DHE ARDHM\u00cbRIS\u00cb\u201d, ose tek \u201cPLAGA N\u00cb DRENIC\u00cb, DHEMBJE KUDO Q\u00cb FRYMON SHQIPTARI\u201d. Ndaj, ky autor frymon edhe sot me shqet\u00ebsimin p\u00ebr kombin, t\u00eb cilit qysh n\u00eb at\u00eb kap\u00ebrcyell kohe t\u00eb pakoh\u00eb i ka dhuruar mesazhe t\u00eb \u00e7muara e p\u00ebrmbajtjesore, duke theksuar se \u201c\u00c7do komb, n\u00eb situata t\u00eb r\u00ebnda, si kjo n\u00eb t\u00eb cil\u00ebn ndodhet kombi yn\u00eb, ecjen e tij drejt synimeve jetike e b\u00ebn n\u00eb m\u00ebnyr\u00eb kolektive, me t\u00eb gjitha kategorit\u00eb e popullsis\u00eb, frontalisht\u201d, faqe 109-110.<\/p>\n

Mendimi intelektual i shprehur p\u00ebrmes eseve artistike e letrare, d\u00ebshmon se Gani Byty\u00e7i vazhdimisht ka shkruar e vepruar. Ndon\u00ebse mjaft\u00eb i kursyer dhe me nj\u00eb vet\u00ebp\u00ebrmbajtje admiruese, ai p\u00ebrs\u00ebri mbetet nj\u00eb ogur i mir\u00eb n\u00eb t\u00ebr\u00eb arkipelagun krijues, p\u00ebr t`u dalluar z\u00ebsh\u00ebm, sidomos tek komuniteti letrar i autor\u00ebve n\u00eb m\u00ebrgim, ku shqet\u00ebsimi intelektual, mbetet fati i krijuesit n\u00eb raport me sjelljen e shoq\u00ebris\u00eb kundrejt tij, deformime q\u00eb trajtohen dendur brenda librit. Por e kund\u00ebrta e k\u00ebtij perceptimi \u00ebsht\u00eb se vlerat morale, kulturore e intelektuale gjithmon\u00eb dalin mbi deformimet e caktuara.<\/p>\n

Mospajtueshm\u00ebria \u00ebsht\u00eb q\u00ebndrim konstant, frika p\u00ebr tjet\u00ebrsim dhe asimilim kan\u00eb zbardh\u00eblluar pak m\u00eb shum\u00eb se sa mjaft\u00eb tema t\u00eb tjera, q\u00eb jan\u00eb trajtuar, ose t\u00eb pakt\u00ebn theksi i kritik\u00ebs ka r\u00ebn\u00eb mbi k\u00ebto dukuri, ashtu si\u00e7 bie \u00e7ekani mbi kudh\u00ebr, p\u00ebr ta vet\u00ebdijesuar mas\u00ebn, e cila jo pak sillet dhe vepron kund\u00ebr shum\u00eb normave pozitive, q\u00eb i ka fisnik\u00ebria shqiptare. Ky fisnik\u00ebrim artistik tregon se autori para t\u00eb v\u00ebrtet\u00ebs dhe artistikes, nuk v\u00eb gj\u00eb n\u00eb peshoj\u00eb. K\u00ebshtu eseja \u201cPSE HESHT POPULLI SERB!?\u201dq\u00eb \u00ebsht\u00eb edhe let\u00ebr e hapur drejtuar presidentit t\u00eb Serbis\u00eb B. T., nuk ka mundur t\u00eb dal\u00eb ndryshe, pos n\u00eb k\u00ebt\u00eb m\u00ebnyr\u00eb, artistikisht. Nd\u00ebrsa shkrimi \u201cLIDHJA P\u00cbR IDEALIN E LIRIS\u00cb\u201d, \u00ebsht\u00eb ese i realizuar aq mir\u00eb, \u00ebsht\u00eb shembull, recension i kritik\u00ebs letrare p\u00ebr librin e Nuhi Sylejmanit, q\u00eb realizohet gati si shkrim kritik, por jasht\u00eb konvencave t\u00eb kritik\u00ebs klasike letrare.<\/p>\n

Libra si ky, t\u00eb shkruar me kaq p\u00ebrkushtim, jan\u00eb t\u00eb rrall\u00eb, prandaj kjo e b\u00ebn Gani Byty\u00e7in m\u00eb t\u00eb ve\u00e7ant\u00eb, m\u00eb t\u00eb dalluar dhe m\u00eb t\u00eb p\u00ebrkushtuar ndaj artit t\u00eb s\u00eb bukur\u00ebs dhe vler\u00ebs letrare, e cila n\u00eb k\u00ebt\u00eb furtun\u00eb antivlerash mungon kudo dhe kurdo! Ndaj, ne nuk duhet t\u00eb hezitojm\u00eb p\u00ebr t\u2019ia ve\u00e7uar vlerat dhe p\u00ebr t\u2019ia pranuar specifikat e krijimit, q\u00eb k\u00ebt\u00eb autor e b\u00ebjn\u00eb t\u00eb dalluar si nj\u00ebri, por edhe shkrimin e tij letrar, q\u00eb autori e b\u00ebn me p\u00ebrkushtim t\u00eb rrall\u00eb prej mjeshtri t\u00eb fjal\u00ebs. Gani Byty\u00e7i e peshon mir\u00eb fjal\u00ebn e v\u00ebn\u00eb n\u00eb let\u00ebr dhe m\u00eb shum\u00eb at\u00eb q\u00eb ia dedikon lexuesit, prandaj, me t\u00eb drejt\u00eb ai radhitet n\u00eb elit\u00ebn intelektuale, q\u00eb ka p\u00ebrgjegj\u00ebsi p\u00ebr fjal\u00ebn publike!<\/p>\n

Rr\u00ebfimet, si struktur\u00eb tematike, nuk jan\u00eb t\u00eb klasifikuara sipas ndonj\u00eb koncepti a zhanri t\u00eb caktuar. Ato jan\u00eb t\u00eb lidhura nga motivi dhe si t\u00eb tilla jan\u00eb shkruar nga rasti e nga \u00e7asti, kudo dhe kurdo. I vetmuar, n\u00eb tren, n\u00eb sh\u00ebtitje, n\u00eb takime letrare e kulturore, n\u00eb ndeja private, n\u00eb \u00e7do koh\u00eb dhe n\u00eb \u00e7do moment. Sekuenca t\u00eb ndryshme jan\u00eb reflektim i lajmit televiziv, i nj\u00eb fotografie t\u00eb v\u00ebn\u00eb n\u00eb stacionet hekurudhore, pllakatet me citate e porosi n\u00eb vendet publike e institucionet p\u00ebrkat\u00ebse etj. Pra autorin e ka motivuar gjith\u00e7ka, si k\u00ebnga e mir\u00eb, piktura a drama me mesazh t\u00eb qart\u00eb, koncerti shembullor, filmi dhe format tjera, q\u00eb e b\u00ebjn\u00eb mozaikun e p\u00ebrgjithsh\u00ebm kulturor e artistik, m\u00eb t\u00eb kapsh\u00ebm, m\u00eb t\u00eb q\u00ebndruesh\u00ebm dhe m\u00eb t\u00eb pranuesh\u00ebm. Por, si\u00e7 theksuam m\u00eb lart, pa ambicie p\u00ebr t\u2019u p\u00ebrcaktuar vet\u00ebm p\u00ebr nj\u00eb tem\u00eb a p\u00ebr ngjarje, e cila me gjuh\u00ebn letrare quhet \u201czhan\u00ebr\u201d. Sikur gjith\u00eb drama e kombit shprehet n\u00ebp\u00ebrmjet dinamizmit dhe dramacitetit t\u00eb k\u00ebtyre eseve, t\u00eb cilat jan\u00eb pasqyr\u00eb e zhvillimeve t\u00eb shumta dramatike e shum\u00eb her\u00eb tragjike. Dhe t\u00eb gjitha k\u00ebto rr\u00ebfime, qoft\u00eb si tematik\u00eb apo si p\u00ebrmbajtje, jan\u00eb mjaft\u00eb dinamike, t\u00eb thella dhe p\u00ebrmbajtjesore. Po edhe vet\u00eb libri si t\u00ebr\u00ebsi, n\u00eb gjith\u00eb brendin\u00eb e tij, ka nj\u00eb dramicitet trondit\u00ebs.<\/p>\n

Preokupimi i trajtimeve letrare, eseistike e filozofike t\u00eb Gani Byty\u00e7it, jan\u00eb tema e migrimit t\u00eb etnis\u00eb s\u00eb autorit dhe fati i emigrantit, duke mos p\u00ebrjashtuar as fatin e tij n\u00eb kontekstin kohor. Autori sheh rrezikun e p\u00ebrhersh\u00ebm t\u00eb tjet\u00ebrsimit, pasi dita – dit\u00ebs po largohen nga vlerat kulturore e nacionale, me t\u00eb cilat jan\u00eb mburrur breza t\u00eb t\u00ebr\u00eb. Kjo tem\u00eb \u00ebsht\u00eb trajtuar n\u00eb forma t\u00eb ndryshme dhe \u00ebsht\u00eb par\u00eb po ashtu nga k\u00ebndv\u00ebshtrime t\u00eb shumta. Pjes\u00eb tjet\u00ebr e preokupimit t\u00eb autorit jan\u00eb zhvillimet politike.<\/p>\n

Tem\u00eb n\u00eb vete n\u00eb pjes\u00ebn e dyt\u00eb t\u00eb librit \u00ebsht\u00eb arti dhe zhvillimet kulturore. Aty, autori ka b\u00ebr\u00eb nj\u00eb interpretim eseistik t\u00eb lart\u00eb, dhe duket se ka arritur t\u00eb futet m\u00eb thell\u00eb n\u00eb esenc\u00ebn e trajtimeve p\u00ebr artin, kultur\u00ebn, p\u00ebrmbajtjen, rolin dhe mesazhin e tyre. Kjo shprehet sidomos tek eset\u00eb: \u201cARTI, ARTISTI, MAGJIA ose si\u00e7 e thot\u00eb ai (Mesazhi)\u201d, \u201cFJAL\u00cbT Q\u00cb NUK DI N\u00cbSE I THASH\u00cb P\u00cbR VETE APO P\u00cbR PUBLIKUN\u201d, \u201cHIJEZEZA DHE E KUQJA E GJAKUT (Tiran\u00eb), etj.\u201d, jan\u00eb aq t\u00eb thella e aq t\u00eb ndjeshme. Ato jan\u00eb shprehje q\u00eb alternojn\u00eb-sh\u00ebmb\u00ebllejn\u00eb me piktur\u00ebn, q\u00eb shfaqet n\u00eb p\u00eblhur\u00eb, ku materializohet si shprehje letrare dhe artistike!<\/p>\n

K\u00ebto raporte jan\u00eb vendosur mbi koncepte t\u00eb nd\u00ebrsjella nd\u00ebrsa artin e rreshton si avangard\u00eb q\u00eb q\u00ebndron mbi t\u00eb gjitha zhvillimet e tjera, q\u00eb jan\u00eb trajtuar n\u00eb k\u00ebto ese. P\u00ebr ata q\u00eb nuk e njohin autorin vlen t\u00eb thuhet se Gani Byty\u00e7i, pos sukseseve t\u00eb shumta n\u00eb fush\u00ebn e artit, ai shpesh edhe e ka vler\u00ebsuar pun\u00ebn e tjetrit, qoft\u00eb n\u00eb ceremonit\u00eb e hapjes s\u00eb ekspozitave ose gjat\u00eb ndonj\u00eb prezantimit t\u00eb ndonj\u00eb vepre letrare apo arti. Tash kur lexohen t\u00eb shk\u00ebputura nga ajo njohje, secili lexues do ta kategorizon autorin p\u00ebr nj\u00eb kritik t\u00eb spikatur e shum\u00eb t\u00eb thell\u00eb p\u00ebr artet pamore. K\u00ebto relacione, kultur\u00eb \u2013 politik\u00eb \u2013 art, p\u00ebrb\u00ebjn\u00eb trilogjin\u00eb tematike, e cila d\u00ebshmon p\u00ebr implikimin e autorit n\u00eb k\u00ebto zhvillime, por implikimi i tij m\u00eb shum\u00eb \u00ebsht\u00eb i rolit aristokrat, i shtres\u00ebs s\u00eb lart\u00eb, qoft\u00eb p\u00ebrmes shkrimeve apo veprave artistike q\u00eb ka nd\u00ebrtuar, se sa nga angazhimi i tij i drejtp\u00ebrdrejt\u00eb p\u00ebr t`u b\u00ebr\u00eb militant i grupeve a individ\u00ebve, nga t\u00eb cil\u00ebt me k\u00ebto q\u00ebndrime e pik\u00ebpamje do t\u00eb neveritej shpejt.<\/p>\n

N\u00eb esen\u00eb \u201cBEKIMI (ARTISTIK) I N\u00cbN\u00cb TEREZ\u00cbS\u201d, Gani Byty\u00e7i, b\u00ebn\u00eb nj\u00eb cil\u00ebsim t\u00eb lart\u00eb artistik, por kur vet autori \u00ebsht\u00eb ARTIST dhe magjistar nj\u00ebkoh\u00ebsisht \u2013 piktor, ky relacion q\u00eb i b\u00ebn\u00eb vepr\u00ebs artistike t\u00eb skulptorit Mal Myrtaj, merr dimension human dhe njer\u00ebzor, duke d\u00ebshmuar se ai e paska kap\u00ebrcyer egon e tij, p\u00ebr t\u2019ia atribuuar suksesin tjetrit, vler\u00eb p\u00ebr t\u00eb cil\u00ebn ka nevoj\u00eb e tashmja e jon\u00eb e shnd\u00ebrruar n\u00eb ego vetjake e vulgare! Pavar\u00ebsisht k\u00ebtyre altruizmave meditative, njeriu dhe fati i artistit n\u00eb shoq\u00ebri jan\u00eb si pjes\u00eb e t\u00ebr\u00ebsis\u00eb begatuese, t\u00eb cilat na vijn\u00eb si nj\u00eb kronik\u00eb e pambaruar, e cila tash shfaqet n\u00eb sfondin m\u00eb real t\u00eb atyre zhvillimeve p\u00ebr t\u00eb cilat autori ka folur q\u00eb n\u00eb faz\u00ebn embrionale. Shikuar nga ky priz\u00ebm libri lexohet me pasion pasi ai evokon artistikisht ngjarjet q\u00eb jan\u00eb zhvilluar dikur. Edhe pse eset\u00eb vijn\u00eb brenda nj\u00eb libri q\u00eb kapin tri etapa kohore, para luft\u00ebn, gjat\u00eb luft\u00ebs dhe zhvillimet pas saj, ato q\u00ebndrojn\u00eb edhe jan\u00eb t\u00eb plota edhe ve\u00e7 e ve\u00e7, t\u00eb pavarura. Madje ato mund t\u00eb zgjerohen e rikonceptohen si t\u00ebr\u00ebsi. Si i till\u00eb, libri jep nj\u00eb mozaik t\u00eb plot\u00eb letrar, artistik e eseistik.<\/p>\n

Libri \u201cFLET\u00cbZA DHEMBJEJE\u201d d\u00ebshmon se autori mbetet nj\u00eb v\u00ebzhgues i detajit dhe nj\u00eb interpretues i shk\u00eblqyer i mendimit letrar e artistik, i cili i ka sfiduar momentet dramatike t\u00eb koh\u00ebs. Nd\u00ebrsa intervali kohor paraqet dinamik\u00ebn e atyre zhvillimeve. Dhe jo vet\u00ebm kaq. Me k\u00ebto shkrime ai d\u00ebshmon raportin e tij me ndryshimet q\u00eb ndodhnin at\u00ebher\u00eb. Q\u00ebndrimi dhe vizioni i tij prej analisti e kompleton edhe m\u00eb tej personalitetin e tij intelektual, kurse neve q\u00eb e njihnim na b\u00ebn\u00eb p\u00ebr t`u mburrur me largpam\u00ebsin\u00eb e tij, p\u00ebr shum\u00eb ngjarje, t\u00eb cilat ndryshonin nga \u00e7asti n\u00eb \u00e7ast. Tashm\u00eb kur rikthehen e rilexohen ato opinione dhe analiza t\u00eb shkruara n\u00eb m\u00ebnyr\u00eb artistike, na sforcon bindjen p\u00ebr nj\u00eb njoh\u00ebs t\u00eb zhvillimeve dhe nj\u00eb autor t\u00eb kompletuar n\u00eb pik\u00ebpamje kulturore e politike, letrare e artistike.<\/p>\n

Tashm\u00eb ky trajtim duhet t\u00eb b\u00ebhet nga pozicioni i tanish\u00ebm duke e rikthyer kujtes\u00ebn n\u00eb ato vite q\u00eb ishin shum\u00eb t\u00eb r\u00ebnda dhe tejet dramatike, p\u00ebr t\u00eb ve\u00e7uar individin p\u00ebrball\u00eb zhvillimeve politike, p\u00ebrball\u00eb shoq\u00ebris\u00eb n\u00eb raport me artin dhe let\u00ebrsin\u00eb. Natyrisht Gani Byty\u00e7it, nuk i kan\u00eb shp\u00ebtuar as raportet e individit dhe relacionet e tija konfliktuoze me shoq\u00ebrin\u00eb, sidomos n\u00eb raport me ideologjin\u00eb e cila n\u00eb mas\u00eb t\u00eb madhe kishte f\u00ebrkime mjaft\u00eb t\u00eb ashpra, probleme k\u00ebto t\u00eb cilat u trash\u00ebguan dhe u barten deri n\u00eb t\u00eb tashmen ton\u00eb t\u00eb ngat\u00ebrruar. Gani Byty\u00e7i, duke q\u00ebndruar e jetuar n\u00eb nj\u00eb vend me demokraci t\u00eb konsoliduar, nuk ka mbajtur krahun e koncepteve regresive por gjithmon\u00eb \u00ebsht\u00eb udh\u00ebhequr nga koncepte t\u00eb p\u00ebrparuara. Po autori shpesh edhe ka qortuar e denoncuar vese e veprime negative t\u00eb individit n\u00eb raport me ato zhvillime. Ky pragmatiz\u00ebm e v\u00eb Ganiun n\u00eb piedestal t\u00eb qasjeve sepse askund nuk \u00ebsht\u00eb dukur si person i involvuar n\u00eb politik\u00eb, por ato zhvillime gjithmon\u00eb i ka kundruar nga pozita e intelektualit duke iu paraprir\u00eb atyre proceseve n\u00eb m\u00ebnyr\u00eb artistike.<\/p>\n

S\u2019ka dyshim, se eset\u00eb shfaqin edhe at\u00eb frym\u00ebn e atyre raporteve, t\u00eb cilat ndonj\u00ebher\u00eb ishin edhe kontradiktore. Por edhe ndaj tyre autori mban q\u00ebndrim shum\u00eb t\u00eb paansh\u00ebm dhe krejt artistik! Eset\u00eb e k\u00ebtij libri bartin me vete dhembje e p\u00ebrjetime q\u00eb kan\u00eb t\u00eb b\u00ebjn\u00eb me fatin e individit dhe t\u00eb kolektivit si dhe dram\u00ebn e tij.<\/p>\n

N\u00eb p\u00ebrfundim: Eseja \u201cFOTOJA Q\u00cb MI RUAN T\u00cb GJALL\u00cb PRIND\u00cbRIT E MI\u201d, sa \u00ebsht\u00eb pik\u00eblluese, po aq \u00ebsht\u00eb artistike, sa emocionale po aq edhe reale. N\u00eb k\u00ebt\u00eb rr\u00ebfim kaq dramatik e kaq p\u00ebrmbajtjesor e gjen vet\u00ebn secili lexues q\u00eb ka kap\u00ebrcyer udh\u00ebs jet\u00ebsore t\u00eb autorit, p\u00ebr t\u00eb mos u b\u00ebr\u00eb as ata \u201cDRY Q\u00cb NUK E MBYLLA KURR\u00cb\u201d.<\/p>\n

Libri \u201cFLET\u00cbZA DHEMBJEJE\u201d i Gani Byty\u00e7it \u00ebsht\u00eb nj\u00eb refleks estetik i vlerave t\u00eb larta artistike. \u00cbsht\u00eb nj\u00eb mendim i thell\u00eb e analitik, q\u00eb d\u00ebshmon se intelektuali yn\u00eb gjithmon\u00eb ka reflektuar vlera pozitive dhe kurdoher\u00eb e ka ruajtur shenjt\u00ebrin\u00eb e fjal\u00ebs publike e artistike!<\/p>\n

Bern\u00eb, 23 n\u00ebntor 2018<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Gani Byty\u00e7i, \u201eFLET\u00cbZA DHEMBJEJE\u201c, ese, botoi Sht\u00ebpia Botuese \u201eFaik Konica\u201c, Prishtin\u00eb 2018,\u00a0faqe 172. ISBN 978-9951-06-716-4 Shkruan: Shefqet DIBRANI Sentenca \u00ebsht\u00eb nocion apo shprehje letrare, q\u00eb ka p\u00ebr q\u00ebllim t\u00eb shpjegoj\u00eb nj\u00eb tekst t\u00eb shkruar, qoft\u00eb ai letrar, eseistik a publicistik, t\u00eb cilin e p\u00ebrdorin autor\u00eb t\u00eb rrall\u00eb, tek t\u00eb cil\u00ebt ndeshim nj\u00eb mendim t\u00eb fuqish\u00ebm […]<\/p>\n","protected":false},"author":1,"featured_media":36017,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[13,8],"tags":[],"class_list":["post-36016","post","type-post","status-publish","format-standard","has-post-thumbnail","category-ese","category-letersi"],"yoast_head":"\nSENTENCA E MENDIMIT N\u00cb ESEISTIK\u00cbN E SHKRUAR - FJALA e LIR\u00cb<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/jehonashqiptare.al\/fjala\/sentenca-e-mendimit-ne-eseistiken-e-shkruar\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"SENTENCA E MENDIMIT N\u00cb ESEISTIK\u00cbN E SHKRUAR - FJALA e LIR\u00cb\" \/>\n<meta property=\"og:description\" content=\"Gani Byty\u00e7i, \u201eFLET\u00cbZA DHEMBJEJE\u201c, ese, botoi Sht\u00ebpia Botuese \u201eFaik Konica\u201c, Prishtin\u00eb 2018,\u00a0faqe 172. 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