{"id":37553,"date":"2019-01-25T21:03:41","date_gmt":"2019-01-25T20:03:41","guid":{"rendered":"http:\/\/www.fjala.info\/?p=37553"},"modified":"2019-01-26T00:17:35","modified_gmt":"2019-01-25T23:17:35","slug":"ndermjet-zanatit-dhe-artit-konceptual","status":"publish","type":"post","link":"https:\/\/jehonashqiptare.al\/fjala\/ndermjet-zanatit-dhe-artit-konceptual\/","title":{"rendered":"Nd\u00ebrmjet zanatit dhe artit konceptual"},"content":{"rendered":"

Ekspozita e ve\u00e7ant\u00eb e artistit Rifat Kasapolli po q\u00ebndron hapur n\u00eb Bibliotek\u00ebn Komb\u00ebtare dhe Universitare \u201cPjet\u00ebr Bogdani\u201d.<\/em><\/p><\/blockquote>\n

Shkruan: Ilir Muharemi<\/strong><\/p>\n

Xhinse t\u00eb hedhura, ca lecka, rroba, t\u00eb gjitha kryesisht me ngjyrat bardh, zi, kuq dhe disa hije si plot\u00ebsim apo reflektim dominojn\u00eb n\u00eb kompozcionet e artistit Rifat Kasapolli.<\/p>\n

Ai hapi ekspozit\u00ebn personale t\u00eb h\u00ebn\u00ebn n\u00eb Bibliotek\u00ebn Komb\u00ebtare dhe Universitare \u201cPjet\u00ebr Bogdani\u201d, n\u00eb Prishtin\u00eb. Ka p\u00ebrfunduar Akademin\u00eb e Arteve n\u00eb Prishtin\u00eb. Ka punuar si disenjator n\u00eb Zagreb. N\u00eb ekspozit\u00eb paraqiti materiale t\u00eb xhinsave dhe kryesisht dominojn\u00eb n\u00eb t\u00eb gjitha kompozicionet.<\/p>\n

Xhinsi \u00ebsht\u00eb nj\u00eb material q\u00eb sa m\u00eb shum\u00eb kalojn\u00eb vitet aq m\u00eb i domosdosh\u00ebm b\u00ebhet. T\u00eb gjith\u00eb e dim\u00eb historin\u00eb e xhinsit, filloi me minator\u00ebt, vazhdoi me pun\u00ebtor\u00ebt dhe po zhvillohet sot n\u00eb pasarelat m\u00eb t\u00eb njohura, duke u b\u00ebr\u00eb veshja m\u00eb e p\u00ebrhapur p\u00ebr t\u00eb gjith\u00eb.<\/p>\n

Te Kasapolli kemi xhinse t\u00eb vjetra, t\u00eb dala mode, t\u00eb prera n\u00eb forma t\u00eb ndryshme, abstrakte dhe q\u00ebndrojn\u00eb n\u00eb mes t\u00eb kompozicionit, b\u00ebhen tridimensionale, sip\u00ebr kan\u00eb disa hije t\u00eb cilat jan\u00eb arritur p\u00ebrmes nj\u00eb zbardhuesi i cili \u00ebsht\u00eb i sp\u00ebrkatur n\u00eb krejt punimin.<\/p>\n

\"\"<\/p>\n

Pastaj, jan\u00eb ta grisura, t\u00eb cop\u00ebzuara, n\u00eb l\u00ebvizje, prishin at\u00eb simetrin\u00eb dhe krijojn\u00eb nj\u00eb univers t\u00eb ve\u00e7ant\u00eb imagjinativ. Dikund ca cop\u00ebza duken si gjethe vjeshte, ashtu t\u00eb thara t\u00eb vjet\u00ebruara dhe nga krejt kjo sp\u00ebrkaten nga teknika q\u00eb krijon hijet dhe duken si shk\u00ebndij\u00ebza zjarri e q\u00eb nuk shuhen.
\nKjo shk\u00ebndij\u00eb \u00ebsht\u00eb e jet\u00ebs s\u00eb tij, jet\u00eb t\u00eb cil\u00ebn e kaloj me rrobaqep\u00ebsi dhe e vazhdoi me art.<\/p>\n

Ai ndjen dashuri ndaj materialit dhe krijon relieve t\u00eb shpirtit q\u00eb shkretohen, pushtohen nga e zeza, pa ngjyra, dhe krejt kjo ndjeshm\u00ebri vjen disi e natyrshme nuk ka ndonj\u00eb em\u00ebr. E un\u00eb si kurator i ekspozit\u00ebs pash\u00eb edhe veten time atje, atje thell\u00eb n\u00eb perspektiv\u00eb, atje te nj\u00eb punim n\u00eb t\u00eb cilin v\u00ebrtiten yjet n\u00eb nj\u00eb nat\u00eb t\u00eb qet\u00eb dhe n\u00eb plan t\u00eb par\u00eb shihet nj\u00eb shtrat l\u00ebkund\u00ebs q\u00eb ta pushton shpirtin. Dalngadal\u00eb qielli po b\u00ebhet m\u00eb i zymt\u00eb, graviteti i dhimbjes rritet, \u00ebsht\u00eb e nevojshme t\u00eb meditosh n\u00eb at\u00eb shtrat, t\u00eb shtrihesh shpirt\u00ebrisht, dhe kok\u00ebn ta mbash kah qielli.<\/p>\n

\"\"<\/p>\n

Punimi ka p\u00ebr mesazh qet\u00ebsin\u00eb dhe meditimin. Aty nuk ka ngjyr\u00eb si akrilik ose vaj, por ngjyr\u00eb nga materiali t\u00eb cilin ja ka krijuar koha ose dora e artistit. N\u00eb k\u00ebt\u00eb punim p\u00ebrsiatja dhe meditimi kthehen n\u00eb qen\u00ebsi dhe t\u00eb klith\u00eb n\u00eb vesh ajo: \u201criparo at\u00eb \u00e7far\u00eb ke hequr n\u00eb jet\u00eb, mendo p\u00ebr t\u00eb ardhmen, ndryshoje jet\u00ebn.\u201d<\/p>\n

Punimet duken t\u00eb vrazhda, dikund me nuancime t\u00eb lehta, t\u00eb qepura me precizitet, t\u00eb baraspeshuara, t\u00eb skajshme, dhe k\u00ebtu aspak artistit Kasapolli nuk i mungon t\u2019a shfaq veten pa bojna. Ca xhepa t\u00eb cop\u00ebtuara, t\u00eb plasuara mir\u00eb, pastaj disa zinxhir (patent) t\u00eb cil\u00ebt mund t\u2019i hap\u00ebsh dhe prap\u00eb t\u2019i t\u00ebrhiqesh p\u00ebrpjet\u00eb, xhinse t\u00eb shkurtuara q\u00eb duken si \u201cmini funda\u201d, levis 5001, krijojn\u00eb dhembshuri, kthejllt\u00ebsi, mir\u00ebsi, poetik\u00eb edhe filozofi.<\/p>\n

\"\"<\/p>\n

N\u00eb an\u00ebn tjet\u00ebr, dizajn, kreacion, mini fabrik\u00eb t\u00eb mod\u00ebs, instalime me nuanca shpirt\u00ebrore dhe v\u00ebrehet q\u00eb \u00ebsht\u00eb b\u00ebr\u00eb nj\u00eb pun\u00eb e madhe. Ky \u00ebsht\u00eb kompozicioni m\u00eb i madh nd\u00ebr punimet e tjera. Prapavija \u00ebsht\u00eb bez i zi i sp\u00ebrkatur me nj\u00eb produkt t\u00eb quajtur \u201cPillotin\u201d q\u00eb zbardh materialin krijon hijen dhe thell\u00ebsin\u00eb e punimit. K\u00ebtu kemi edhe dimensionin e tret\u00eb iluziv perspektiv\u00ebn.<\/p>\n

N\u00eb nj\u00eb punim tjet\u00ebr shoh\u00eb lecka t\u00eb arnuara, pantollona duken si t\u00eb riparuara, mir\u00ebpo jan\u00eb t\u00eb disejnuara dhe krejt nga kjo artisti i shpreh sendet p\u00ebrrreth ato q\u00eb i hudhim n\u00eb kosh\u00ebra t\u00eb plehrave. \u00c7orapet i hudhim, ato i kemi n\u00eb piktura. Ai nuk \u00ebsht\u00eb rob i ngjyr\u00ebs dhe moti ka dal prej k\u00ebsaj robinje. Materialin e ka si ndjenj\u00eb, \u00e7epjen zanata dhe dizajnin hobi.<\/p>\n

\"\"<\/p>\n

T\u2019i shprehesh k\u00ebto intalacione duhet t\u00eb kesh mjaft\u00eb guxim dhe vet\u00ebm ata q\u00eb e kuptojn\u00eb artin e sot\u00ebm e duan k\u00ebt\u00eb art. \u00c7do vep\u00ebr ka nj\u00eb histori, \u00ebsht\u00eb rrethi, vendi, e kalauara n\u00ebp\u00ebr t\u00eb cil\u00ebn hoqi, epshi, pozitat epshore t\u00eb femrave sidomos n\u00eb ato kompozicionet me prapavij\u00eb t\u00eb kuqe dhe xhinse me pozicione me k\u00ebmb\u00eb t\u00eb hapura (pozicion erotik.)<\/p>\n

Punimet i ngjan\u00eb nj\u00eb abstraksioni asociativ dhe format jan\u00eb n\u00eb harmoni nj\u00ebra me tjetr\u00ebn, jan\u00eb simbolike her\u00eb t\u00eb ngjajn\u00eb sikur sa lecka t\u00eb vjetra, xhinse para 25 vjet\u00ebve, e her\u00eb si aeroplan, kofsh\u00eb femre, katror\u00eb, rrath\u00eb, shkronja, alfa dhe omega, numra. Ato jan\u00eb t\u00eb lidhura me emocionet, zemr\u00ebn, kok\u00ebn dhe koh\u00ebn n\u00eb t\u00eb cil\u00ebn jetojm\u00eb.<\/p>\n

Sidomos artisti ndjehet mir\u00eb kur shprehet n\u00eb kompozicione t\u00eb m\u00ebdha aty v\u00ebrejm\u00eb inspirim, imagjinat\u00eb, guxim, ngarkes\u00eb psikike t\u00eb koh\u00ebs, tronditje, lum idesh, kolazh me materiale dhe jan\u00eb shum\u00eb unike.<\/p>\n

\"\"<\/p>\n

Kan\u00eb simbolik\u00eb dramatike sidomos hap\u00ebsirat me ngjyr\u00eb t\u00eb zez\u00eb, n\u00eb an\u00ebn tjet\u00ebr kemi ngroht\u00ebsi shpirt\u00ebrore aty ku dominon ngjyra e kuqe me portokallin ve\u00e7an\u00ebrisht n\u00eb prapavij\u00eb.<\/p>\n

Prapavija p\u00ebrdoret me nj\u00eb ngjyr\u00eb sidomos me ato neutrale p\u00ebr ta ve\u00e7uar figuracionin n\u00eb plan t\u00eb par\u00eb. Ja tek v\u00ebrej\u00eb nj\u00eb tablo me kontura lineare, e qepur me linja t\u00eb lakuara zig-zage me per\u00eb t\u00eb holl\u00eb portokalli i cili jep shk\u00eblqim, drit\u00eb dhe kontrast.<\/p>\n

Jan\u00eb t\u00eb paraqitura me plot\u00ebsi, siguri kan\u00eb elemente sociale, politike, etnike jan\u00eb edhe ekspresivo vetjake. P\u00ebrsosm\u00ebria arrihet kur e v\u00ebshtrojm\u00eb n\u00eb t\u00ebr\u00ebsi kompozicionin, ngaq\u00eb bashk\u00ebrendin format nj\u00ebra me tjetr\u00ebn.<\/p>\n

Format l\u00ebvizin, ndodhen n\u00eb mes nj\u00eb katrahure shpirt\u00ebrore, por kan\u00eb plot\u00ebni sepse shumica jan\u00eb autobiografike, rr\u00ebfejn\u00eb koh\u00ebrat kur kishte punuar si rrobaqep\u00ebs. Por, ai i dha vetes t\u00eb drejt\u00eb t\u00eb hapte nj\u00eb rrug\u00eb t\u00eb re, rrug\u00ebn e misterit t\u00eb artit n\u00eb t\u00eb cilen je gardian i sekreteve dhe qenia shkumohet, shp\u00ebrndahet, l\u00ebndohet, p\u00ebrthyhet, edhe grimcohet, mir\u00ebpo n\u00eb vep\u00ebr disenjohet b\u00ebhet shpirt.<\/p>\n

\"\"<\/p>\n

Ai bredh n\u00eb skutat e shpirtit dhe aty has\u00eb n\u00eb dyshime, frik\u00ebra, mistere, zgjodhi vullnetin, z\u00ebrin e brendsh\u00ebm dhe q\u00ebndres\u00ebn. Arti i tij tejkaloj t\u00eb zakonshmen dhe \u00ebsht\u00eb e pamundur mos ta ndez\u00eb trurin. L\u00ebvizjet q\u00eb i shoh\u00eb n\u00eb tablo jan\u00eb vallzim instiktesh, sekrete, enigma, labirinth dhe m\u00eb shum\u00eb ka ide sesa dekor kur e them k\u00ebt\u00eb n\u00ebnkupton grishja e tyre, lundrimi i tyre n\u00eb mendimin tim analitik.<\/p>\n

Aty shoh\u00eb nj\u00eb artist jo ve\u00e7 modern, por postmodern ka ndjenja t\u00eb mprehta , shpirt t\u00eb ngopur me forma, imazhe, kontraste, hije, brengosje, dashuri n\u00eb fund edhe simbole. Disi m\u00eb duket q\u00eb Kasapolli i thyen shabllonet, tabut\u00eb e rregullave figurative , ngjyr\u00ebn, ilustrimin, vizatimin, i flaku t\u00eb gjitha, solli gjuh\u00ebn e konceptit, ides\u00eb, imazhit, simbolit.<\/p>\n

Ngjyrat jan\u00eb aq t\u00eb natyrshme sa q\u00eb krijojn vetvetiu kontraste, jan\u00eb shum\u00eb t\u00eb ashpra sidomos e zeza q\u00eb dominon. \u00cbsht\u00eb nj\u00eb mas\u00eb shum\u00eb e zez\u00eb, e ngjeshur mir\u00eb, af\u00ebr saj kuq\u00eblojn\u00eb njolla t\u00eb verdha, shum\u00eb t\u00eb vjetra, pastaj njolla t\u00eb bardha, xhinse t\u00eb qepura, disa edhe t\u00eb varura, pak t\u00eb shk\u00ebputura, mund edhe me dor\u00eb t\u2019i l\u00ebviz\u00ebsh sa jasht\u00eb e sa brenda, b\u00ebhen t\u00eb dukshme, por edhe t\u00eb padukshme, kuptimi dhe n\u00ebnteksti.<\/p>\n

Ka silueta realitetesh me n\u00ebntekste duket si nj\u00eb kaos q\u00eb po bredh figurativisht mbi kok\u00ebn t\u00ebnde, sa shikon majtas v\u00ebren rrezatime t\u00eb drtitave, nd\u00ebrsa djathtas rrafshe, relieve, fantazi ose edhe apokalips. N\u00ebse syt\u00eb i vendos n\u00eb mes, sheh imazhe figura me n\u00ebnkuptime, ose kuptimet i vendos vet, shp\u00ebshtjellime t\u00eb \u00e7ojn\u00eb dikund q\u00eb as vet nuk e di, m\u00eb bukur se n\u00eb p\u00ebrrall\u00eb.<\/p>\n

Ja edhe nj\u00eb tablo ku secili mund ta gjen veten aty tek po ato forma t\u00eb dyzuara, imagjinative, disejnime her\u00eb edhe alegorike dhe ka nj\u00eb energji, forc\u00eb, duket si magm\u00eb vullkanike q\u00eb krijon jet\u00eb t\u00eb re. Shoh edhe figura gjeometrike t\u00eb cilat na pushtojn\u00eb, na rrethojn\u00eb dhe sipas Pol Sezanit krejt natyra ka format gjeometrike, ato na k\u00ebnaqin dhe pushtojn\u00eb.<\/p>\n

N\u00eb nj\u00eb kompozicion tjet\u00ebr v\u00ebrej err\u00ebsir\u00eb pak t\u00eb vrazht\u00eb, lecka, xhinse t\u00eb p\u00ebrgjysmuara me blun\u00eb e fort\u00eb, pastaj pak e kuqe e qepur, e pastaj kur v\u00ebrshon drita krijon tone dhe hije. E shoh artistin si njeriun m\u00eb t\u00eb vuajtur k\u00ebtu arsyeja tenton t\u00eb zbulon t\u00eb fsheht\u00ebn e unit t\u00eb tij, ai loz rolin e parashikuesit e futet me sy hapur n\u00eb tempullin e shenjt\u00eb t\u00eb artit (shpirtit) p\u00ebr t\u00eb zbuluar formul\u00ebn magjike t\u00eb sekreteve.<\/p>\n

Gj\u00ebja m\u00eb interesante \u00ebsht\u00eb se veprat e tij e tejkalojn\u00eb \u00e7do realitet sidomos at\u00eb banal dhe ai jeton n\u00eb tjet\u00ebr realitet mbi format, materialet e vjetra, dhe k\u00ebt\u00eb mund ta shoh\u00eb vet\u00ebm syri shpirt\u00ebror artistik.<\/p>\n

Veprat e Rifat Kasapollit v\u00ebrtet\u00eb jan\u00eb t\u00eb ve\u00e7anta mahnit\u00ebse dhe un\u00eb jam trondit\u00eb nga to. Sidomos g\u00ebrshetimi i zanatit me artin t\u00eb cil\u00ebt kur b\u00ebhen bashk\u00eb krijojn\u00eb nj\u00eb fuqi artistike. Kurreshtja tjet\u00ebr ishte t\u00eb njoh\u00eb ecurin\u00eb e pun\u00ebs, pastaj t\u2019i prek\u00eb tablot\u00eb dhe p\u00ebr t\u00eb kuptuar kodin sekret t\u00eb shpirtit t\u00eb tij p\u00ebr t\u00eb cilin edhe pas vdekje do t\u00eb k\u00ebrkoj\u00eb shpjegime.<\/p>\n

Zanatin dhe artin e shoh\u00eb si trupin me shpirtin, shpirti \u00ebsht\u00eb arti e trupi zanati, arti b\u00ebhet i vlefsh\u00ebm kur ka zanatin, poashtu edhe shpirti jeton bashk\u00eb me trupin. Zanati po zhduket, Kasapolli e jet\u00ebson. Andaj, veprat e tij ikin nga trajtat me boj\u00eb, tone, vija, l\u00ebnd\u00eb, vrapojn\u00eb drejt\u00eb t\u00eb mugulltes, ndezin relieve dhe syri i njeriut b\u00ebhet i etur, i mbyllur brenda k\u00ebtyre kompozicioneve, duke tentuar t\u00eb gjej\u00eb kodin.<\/p>\n

Un\u00eb them jan\u00eb enigm\u00eb, fuqia e artit ndodhet k\u00ebtu. N\u00ebse tenton t\u00eb gjesh kuptimin ai t\u00eb ik\u00ebn rr\u00ebshqet nga dora luan me njollat, format, drit\u00ebn t\u00eb d\u00ebrgojn\u00eb n\u00eb nj\u00eb t\u00eb v\u00ebrtet\u00eb t\u00eb panjohur deri m\u00eb tani. N\u00ebse tenton prap\u00eb t\u2019i kthehesh kuptimit v\u00ebshtir\u00ebsia b\u00ebhet edhe m\u00eb e madhe, idet\u00eb dhe kompozicionet q\u00ebllimisht lihen si grat\u00eb egjiptiane t\u00eb mbuluara, mir\u00ebpo kolazhi \u00ebsht\u00eb i hapur dhe ti zhytu shko pas \u00ebndrr\u00ebs, dor\u00ebzoju fantazis\u00eb.<\/p>\n

Titulloje ashtu si ta ndjen zemra, nd\u00ebrto kuptime nga reagimi i instiktit, krijo emrin e par\u00eb q\u00eb ta thot\u00eb shpirti. Akomulohu me forma dhe loj\u00eb. N\u00ebse kupton di\u00e7ka m\u00eb shum\u00eb, dor\u00ebzohu, rr\u00ebshqit, kal\u00ebro sepse dyert jan\u00eb t\u00eb hapura. Zhytu, mik lund\u00ebro…<\/p>\n

Rifat Kasapolli u lind me 1960 ne Peje t\u00eb Kosov\u00ebs. Shkoll\u00ebn fillore dhe t\u00eb mesme i kreu n\u00eb Pej\u00eb. Nd\u00ebrsa, Akademin\u00eb e arteve t\u00eb bukura i p\u00ebrfundoi n\u00eb Zagreb t\u00eb Kroacis\u00eb. Me art merret q\u00eb prej 30 vitesh.<\/p>\n","protected":false},"excerpt":{"rendered":"

Ekspozita e ve\u00e7ant\u00eb e artistit Rifat Kasapolli po q\u00ebndron hapur n\u00eb Bibliotek\u00ebn Komb\u00ebtare dhe Universitare \u201cPjet\u00ebr Bogdani\u201d. Shkruan: Ilir Muharemi Xhinse t\u00eb hedhura, ca lecka, rroba, t\u00eb gjitha kryesisht me ngjyrat bardh, zi, kuq dhe disa hije si plot\u00ebsim apo reflektim dominojn\u00eb n\u00eb kompozcionet e artistit Rifat Kasapolli. Ai hapi ekspozit\u00ebn personale t\u00eb h\u00ebn\u00ebn n\u00eb […]<\/p>\n","protected":false},"author":1,"featured_media":37374,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[],"class_list":["post-37553","post","type-post","status-publish","format-standard","has-post-thumbnail","category-artikuj"],"yoast_head":"\nNd\u00ebrmjet zanatit dhe artit konceptual - FJALA e LIR\u00cb<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/jehonashqiptare.al\/fjala\/ndermjet-zanatit-dhe-artit-konceptual\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Nd\u00ebrmjet zanatit dhe artit konceptual - FJALA e LIR\u00cb\" \/>\n<meta property=\"og:description\" content=\"Ekspozita e ve\u00e7ant\u00eb e artistit Rifat Kasapolli po q\u00ebndron hapur n\u00eb Bibliotek\u00ebn Komb\u00ebtare dhe Universitare \u201cPjet\u00ebr Bogdani\u201d. Shkruan: Ilir Muharemi Xhinse t\u00eb hedhura, ca lecka, rroba, t\u00eb gjitha kryesisht me ngjyrat bardh, zi, kuq dhe disa hije si plot\u00ebsim apo reflektim dominojn\u00eb n\u00eb kompozcionet e artistit Rifat Kasapolli. 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