{"id":37961,"date":"2019-02-04T23:55:42","date_gmt":"2019-02-04T22:55:42","guid":{"rendered":"http:\/\/www.fjala.info\/?p=37961"},"modified":"2019-02-04T23:55:42","modified_gmt":"2019-02-04T22:55:42","slug":"thurja-e-modelit","status":"publish","type":"post","link":"https:\/\/jehonashqiptare.al\/fjala\/thurja-e-modelit\/","title":{"rendered":"THURJA E MODELIT"},"content":{"rendered":"

Vler\u00ebsim letrar<\/em><\/p>\n

\"\" Mehmetali Rexhepi<\/strong><\/p>\n

Avdush Canaj: \u201cPlaneti i buz\u00ebqeshjes\u201d, Faik Konica, Prishtin\u00eb, 2018<\/em><\/p>\n

Avdush Canaj n\u00eb letrat e bardha t\u00eb shkrimit shqip, prej tredhjet\u00ebvjetar\u00ebsh e kultivoi t\u00eb bukur\u00ebn e fjal\u00ebs poetike. Pararend\u00ebsin e par\u00eb t\u00eb kultivimit t\u00eb s\u00eb bukur\u00ebs e kishte njeriun e sht\u00ebpis\u00eb, v\u00ebllan\u00eb, poetin martir Alush Canaj. Avdushi shtegtoi shtigjeve t\u00eb v\u00ebllait me mallin e tij t\u00eb p\u00ebrjetsh\u00ebm, me dhimbjen p\u00ebr gjith\u00e7ka q\u00eb e l\u00ebndon t\u00eb mir\u00ebn, t\u00eb drejt\u00ebn, dhuntin\u00eb, lirin\u00eb, trajtat gazmore t\u00eb jet\u00ebs, idealet njer\u00ebzore; d\u00ebshirat e p\u00ebrjet\u00ebsin\u00eb e bot\u00ebs s\u00eb virgj\u00ebr f\u00ebmij\u00ebrore, imagjinat\u00ebn e tyre t\u00eb pafajshme. T\u00eb shumt\u00ebn imagjinata e f\u00ebmij\u00ebve \u00ebsht\u00eb e pakapshme, e pakonceptueshme, por tejet interesante p\u00ebr t`i konceptuar sendet, dukurit\u00eb, shfaqjet e tyre n\u00eb shpirtin dhe perceptimet e f\u00ebmij\u00ebs, t\u00eb bot\u00ebs s\u00eb tyre engj\u00ebllore. Kjo bot\u00eb e pafaj\u00ebsis\u00eb mban\u00eb baraspesh\u00ebn e t\u00eb mir\u00ebs kundruall t\u00eb keqes.<\/p>\n

Avdush Canaj m\u00ebsyu pa u ndalur shtigjeve, ku besonte se do ta gjente bot\u00ebn e vet poetike. Ai ngulmoi n\u00eb m\u00ebsymjen e tij, duke k\u00ebrkuar shprehjen m\u00eb t\u00eb ndjer\u00eb, m\u00eb t\u00eb holl\u00eb, m\u00eb p\u00ebrmbajtjesore, dep\u00ebrtuese n\u00eb psiken e f\u00ebmij\u00ebs.<\/p>\n

Kush e ka ndjekur me kujdes vazhdim\u00ebsin\u00eb e artikulimit poetik t\u00eb sfer\u00ebs s\u00eb krijimtaris\u00eb p\u00ebr f\u00ebmij\u00eb t\u00eb k\u00ebtij poeti, ka v\u00ebn\u00eb re parimin e tij krijues: ngutjen e ngadalshme. Nga secili v\u00ebllim i radh\u00ebs, n\u00eb vjersh\u00ebrimin p\u00ebr f\u00ebmij\u00eb e t\u00eb rinj, por edhe n\u00eb proz\u00ebn tregimtare po p\u00ebr k\u00ebt\u00eb nivel, te pena e Avdush Canajt shohim ngritje cil\u00ebsore dhe pjekuri poetike.<\/p>\n

Veprimtaria poetike<\/strong>
\nAvdush Canaj botoi k\u00ebto v\u00ebllime poetike:
\n\u201cGjeneral pa epoleta\u201d, Rilindja, Prishtin\u00eb, 1993;
\n\u201cLepurushi i \u00e7okolatave\u201d, tregime, Flaka, Shkup, 1994;
\n\u201cGonxhja nga Jupiteri\u201d, poezi, Rilindja, Prishtin\u00eb, 2000;
\n(Shpallet libri m\u00eb i mir\u00eb i vitit);
\n\u201cZogu n\u00eb der\u00eb\u201d, poezi, Rilindja, Prishtin\u00eb, 2003;
\n\u201cA fle peshku me pizhame\u201d, poezi, Rozafa, Prishtin\u00eb, 2008;
\n(I jepet \u00e7mimi letrar \u201cYmer Elshani\u201d);
\n\u201c Moll\u00eb me syze\u201d, poezi, Rozafa, Prishtin\u00eb, 2010;
\n\u201c Dall\u00ebndyshet e gjumit\u201d, tregime-roman, Zef Serembe, Prishtin\u00eb, 2011;
\n\u201c Fluturat me sandale\u201d, poezi, Rozafa, Prishtin\u00eb, 2013;
\n\u201c Ylli pikturon \u00ebndrr\u00ebn\u201d, poezi, Rozafa, Prishtin\u00eb, 2015;
\n\u201c Porta e k\u00ebng\u00ebs\u201d, poezi, Faik Konica, Prishtin\u00eb, 2017;
\n\u201c Planeti i buz\u00ebqeshjes\u201d, poezi, Faik Konica, Prishtin\u00eb, 2018.<\/p>\n

Vargu p\u00ebr vargun<\/strong>
\n\u00c7ka na sjell libri me poezi i Avdush Canajt \u201cPlaneti i buz\u00ebqeshjes\u201d?
\nVjershat e k\u00ebtij v\u00ebllimi renditen n\u00eb ciklet: \u201c Violina e shpirtit\u201d, \u201c M\u00eb puth edhe pak\u201d, \u201cN`qepall\u00eb t\u00eb nj\u00eb reje\u201d,\u201cPem\u00eb q\u00eb ecin\u201d,\u201cKatet e hares\u00eb\u201d,\u201cMund t\u00eb ndodh\u00eb\u201d,\u201cFletorja e dall\u00ebndyshes\u201d dhe \u201cK\u00ebmisha e k\u00ebng\u00ebs\u201d.<\/p>\n

K\u00ebta shtat\u00eb cikle t\u00eb lartsh\u00ebnuar dhe cikli i tet\u00eb, n\u00ebse mund t\u00eb quhet cik\u00ebl me vet\u00ebm nj\u00eb poezi, \u201cK\u00ebmisha e k\u00ebng\u00ebs\u201d, p\u00ebrmbyllin librin \u201cPlaneti i buz\u00ebqeshjes\u201d t\u00eb autorit Avdush Canaj, i botuar gjat\u00eb vitit 2018, me nj\u00ebqind e nj\u00ebmb\u00ebdhjet\u00eb faqe tekst dhe me ilustrime bardh-zi, kryesisht n\u00eb tituj t\u00eb cikleve t\u00eb librit.<\/p>\n

Ciklet titullohen sipas titullit t\u00eb ndonj\u00ebr\u00ebs prej vjershave, por b\u00ebjn\u00eb p\u00ebrjashtim dy prej cikleve, i treti dhe i pesti.<\/p>\n

V\u00ebllimit poetik \u201c Planeti i buz\u00ebqeshjes\u201d i prin\u00eb poezia \u201cN\u00eb amfiteatrin e yjeve ka or\u00eb letrare\u201d, nj\u00eb titullim paksa prozaik, q\u00eb p\u00ebrshkohet me tinguj t\u00eb ngjyrimit t\u00eb dhimbsh\u00ebm, duke pasur personazh konkret, poetin martir Alush Canaj. Nj\u00eb hyrje e k\u00ebtill\u00eb n\u00eb poezit\u00eb e k\u00ebtij libri, nuk mund t\u00eb merret ndryshe, pos si grishje artistike, q\u00eb lexuesve t\u00eb rinj t`iu mbillet dashuria e respekti dhe ndjeshm\u00ebria p\u00ebr prejardhjen e liris\u00eb… Me nota t\u00eb lehta p\u00ebrshkohen dhimbja e sakrifica, t\u00eb cilat nuk i r\u00ebndojn\u00eb kokat, as i ngarkojn\u00eb supet e njoma t\u00eb \u00e7unave e \u00e7upave me akte t\u00eb trishtueshme t\u00eb tragjikes son\u00eb… Mir\u00ebpo, bukurshkrimi nis pik\u00ebrisht aty, prej dhimbjes.<\/p>\n

Nj\u00eb hyrje e till\u00eb n\u00eb k\u00ebt\u00eb lib\u00ebr simpatik, gjithsesi ka edhe p\u00ebrmbylljen, ngase t\u00ebr\u00eb aktet e k\u00ebrkimit n\u00ebp\u00ebr shtigje t\u00eb jet\u00ebs, n\u00eb \u00ebndrrat dhe zhgj\u00ebndrr\u00ebn e saj, n\u00eb b\u00ebmat dhe p\u00ebrjetimet e tyre, poeti \u00ebsht\u00eb p\u00ebrkujdesur, q\u00eb duke vjel\u00eb \u201cFjal\u00ebza me g\u00ebrshet\u00ebza\u201d, cic\u00ebrim\u00eb trumcak\u00ebsh, pamje t\u00eb lira buz\u00ebqeshjesh, metafora, simbole… K\u00ebsisoj m\u00ebton q\u00eb vargut, p\u00ebrkat\u00ebsisht t\u00ebr\u00ebsis\u00eb s\u00eb vjersh\u00ebs, duke e shtrir\u00eb m\u00eb tej p\u00ebrshkall\u00ebzimin e zmadhimit, t`ia vesh k\u00ebmish\u00ebn e vet m\u00eb t\u00eb bukur poetike. \u00c7far\u00eb do t\u00eb jet\u00eb ajo k\u00ebmish\u00eb? Me siguri e admiruar prej figurash mbres\u00ebl\u00ebn\u00ebse.<\/p>\n

N\u00eb k\u00ebt\u00eb frym\u00eb t\u00eb ngroht\u00eb, e p\u00ebrshkuar me jone freskie, \u00e7elin sythat e pem\u00ebve, t\u00eb lisave, shtrihet e blerta, hap\u00eb krah\u00ebt ndjeshm\u00ebria poetike p\u00ebr ta p\u00ebrqafuar haren\u00eb e natyr\u00ebs dhe t\u00eb shpirtit t\u00eb poetit. Frym\u00ebzimi priret me shikimet e tija kah liqeni. Meq\u00eb \u201cshikimi kah liqeni\u201d i duket shenj konceptuese e nj\u00eb p\u00ebrmase t\u00eb vog\u00ebl, poeti i jep krah figur\u00ebs fluturuese t\u00eb zgjerimit t\u00eb p\u00ebrmas\u00ebs… Ndaj, lexuesve t\u00eb dashur ua shpalon zemr\u00ebn e tij \u201csa nj\u00eb det.\u201d<\/p>\n

Grishja e poetit, p\u00ebr \u00e7unat e \u00e7upat, q\u00eb t\u00eb hyjn\u00eb brenda portave t\u00eb hapura t\u00eb zemr\u00ebs, \u00ebsht\u00eb nj\u00eb thirrje e \u00e7ilt\u00ebr, q\u00eb ata t`i shijojn\u00eb p\u00ebrjetimet dhe t\u00eb identifikohen me t\u00eb bukur\u00ebn e jet\u00ebs. Premtimi i grishjes s\u00eb poetit \u00ebsht\u00eb i drejtp\u00ebrdrejt\u00eb:<\/p>\n

\u201cDo t\u00eb gostiten si ka hije,<\/em>
\nme musht poezie!<\/em>
\n(Nj\u00eb z\u00ebm\u00ebr ju pret<\/em>), f. 9<\/p>\n

Po t\u00eb rilexohen me v\u00ebmendje t\u00eb p\u00ebrqendruar vargjet e k\u00ebtij v\u00ebllimi, shohim pik\u00ebpjekjen e poetit p\u00ebr t`iu drejtuar vargut, p\u00ebr ta forcuar vargun, q\u00eb vargu t\u00eb jet\u00eb ur\u00eb e lidhjes s\u00eb dialogut me subjektin poetik e lexuesin. Jo rrall\u00eb, Avdush Canaj vargun e koncepton n\u00eb funksion t\u00eb figur\u00ebs dhe ides\u00eb. Nj\u00eb sh\u00ebrbim i till\u00eb i vargut mund t\u00eb jet\u00eb prodhimtar refleksesh, sikurse n\u00eb strof\u00ebn e cituar:<\/p>\n

\u201cN\u00eb nj\u00eb varg<\/em>
\n\u00e7eli zambaku<\/em>
\nn\u00eb nj\u00eb tjet\u00ebr<\/em>
\nmanushaqja!\u201d<\/em>
\n(N\u00eb nj\u00eb varg<\/em>), f. 14<\/p>\n

Mir\u00ebpo, p\u00ebrdorimi i dendur ndonj\u00eb her\u00eb mund t\u00eb merret si rol teorik i vargut, si p\u00ebrjashtues i figur\u00ebs. Duket qartazi, poeti n\u00ebp\u00ebrmjet shnd\u00ebrrimit t\u00eb vargut n\u00eb figur\u00eb, do t`i jap rolin m\u00eb t\u00eb lart\u00eb misionit t\u00eb vjersh\u00ebrimit. A mund t\u00eb jet\u00eb \u00e7do her\u00eb ashtu? Gjithsesi, k\u00ebt\u00eb premis\u00eb teorike poeti e ka parasysh.<\/p>\n

N\u00eb k\u00ebt\u00eb kontekst, le ta mb\u00ebshtesim diskursin vler\u00ebsues me shk\u00ebputje ilustruese:<\/p>\n

\u201cShiu, i miri,<\/em>
\nm`i lagu vjershat<\/em>
\npahiri!<\/em><\/p>\n

E dini<\/em>
\n\u00e7`ndodhi pas pak?<\/em>
\nVjershat<\/em>
\n\u00e7el\u00ebn zambak\u201d<\/em>
\n(Magji poetike<\/em>), f. 15<\/p>\n

M\u00eb tej vargu si ur\u00eb lidhjesh me natyr\u00ebn, me stin\u00ebn m\u00eb t\u00eb bukur, i jep asaj z\u00ebrin shpirt\u00ebzues, sepse:<\/p>\n

\u201cpranvera shkruan vargje<\/em>
\nn\u00eb fustane lulesh\u201d<\/em>
\n(Pranvera shkruan vargje<\/em>), f. 19<\/p>\n

Pothuaj se n\u00eb t\u00ebr\u00eb librin \u201cPlaneti i buz\u00ebqeshjes\u201d, vargu, metafora, ritmi, rima, poezia jan\u00eb n\u00eb funksion t\u00eb dukurive, qoft\u00eb p\u00ebr t`i spikatur motivet e sfer\u00ebs imagjinatave, t\u00eb kontrasteve t\u00eb drit\u00ebs, shk\u00eblqimit t\u00eb hares\u00eb nga brend\u00ebsia e g\u00ebzimit dhe atmosfer\u00ebs gazmore:<\/p>\n

\u201cAria e gjyshit-<\/em>
\npoezi e ka\u00e7urelt\u00eb<\/em>
\nveshur me fustan<\/em>
\nmelodie!\u201d<\/em>
\n(Fustan melodie<\/em>), f. 49<\/p>\n

Ky p\u00ebrb\u00ebr\u00ebs ose kjo komponent\u00eb poetike, p\u00ebrdorimi i vargut si figur\u00eb p\u00ebr kapje motivesh p\u00ebrmes konceptit t\u00eb tij teorik, autorit i jep hap\u00ebsir\u00eb e mund\u00ebsi, q\u00eb ta forcoj\u00eb konceptin e varg-thurjes dhe t`ia shtoj\u00eb preferencat artistike vargut:<\/p>\n

\u201cBuz\u00ebqeshja<\/em>
\ne g\u00ebrshetave<\/em>
\n\u00ebmb\u00eblsojn\u00eb rimat n\u00ebp\u00ebr vargje\u201d ose:<\/em><\/p>\n

\u201cE pikasa at\u00eb zambak t\u00eb vjersh\u00ebs<\/em>
\nkur u skuq pak\u201d<\/em>
\n(Mes dy moll\u00ebsh<\/em>), f. 85<\/p>\n

N\u00eb k\u00ebt\u00eb pik\u00ebshikim m\u00eb shfaqet nj\u00eb mendim i dyfisht\u00eb: mos ky lloj diskursi i sfer\u00ebs teorike mund t`i b\u00ebhet barr\u00eb delikates\u00ebs figurative? Megjithat\u00eb, poeti Avdush Canaj ka p\u00ebrvoj\u00ebn e duhur t\u00eb bukur-shkrimit dhe di \u00e7ka t`i k\u00ebrkoj\u00eb, \u00e7ka t`ia merr e \u00e7ka t`i l\u00eb frym\u00ebzimit t\u00eb vet.<\/p>\n

Ai di t’i stis simbolet, metaforat, fjal\u00ebzat, epitetet, krahasimet poetike dhe njerizimin e sendeve e t\u00eb dukurive, me bot\u00ebn e perceptimeve t\u00eb befasishme t\u00eb f\u00ebmij\u00ebve. Si? Duke sjell\u00eb e pleks fragmente t\u00eb shpirtit, mozaik\u00eb ndjenjash, kontraste pamjesh deri n\u00eb nuanca. Po ashtu, ai di t`i pajtoj\u00eb pamjet me imagjinat\u00ebn, t\u00eb af\u00ebrmen me t\u00eb larg\u00ebt\u00ebn, pa p\u00ebrjashtuar trajtat m\u00eb t\u00eb ndjeshme t\u00eb meditimit.<\/p>\n

Nj\u00eb diskurs i k\u00ebtill\u00eb artistik ku vargu, figura, ritmi, ndonj\u00ebher\u00eb rima, pastaj ideja nd\u00ebrtojn\u00eb t\u00ebr\u00ebsi poetike: vjersh\u00ebn, ciklin dhe e p\u00ebrshkojn\u00eb madje t\u00ebr\u00ebsin\u00eb e librit. Koncepti varg shnd\u00ebrrohet n\u00eb strumbullar t\u00eb k\u00ebtij v\u00ebllimi poetik.<\/p>\n

Evoluimi i shprehjes poetike<\/strong>
\nN\u00eb librin\u201dPlaneti i buz\u00ebqeshjes\u201d i Avdush Canajt, duke e lexuar dhe rilexuar, k\u00ebnaq\u00ebsin\u00eb e shtytjes s\u00eb rileximit ta jep teksti i tij poetik, i konsoliduar varg pas vargu, strof\u00eb pas strofe, vjersh\u00eb pas vjershe. Shum\u00eb\u00e7ka t\u00eb duket m\u00eb ndryshe… E shkruar m\u00eb ndryshe… Si dhe pse m\u00eb lejohet t\u00eb pohoj k\u00ebshtu?<\/p>\n

Meq\u00eb jam lexues i v\u00ebllimeve t\u00eb deritashme poetike t\u00eb k\u00ebtij poeti, n\u00eb k\u00ebt\u00eb lib\u00ebr v\u00ebrej nj\u00eb artikulim m\u00eb t\u00eb leht\u00eb, m\u00eb t\u00eb sigurt, m\u00eb t\u00eb qart\u00eb, t\u00eb \u00e7liruar nga dogma e rim\u00ebs me \u00e7do kusht, me frym\u00ebmarrje t\u00eb past\u00ebr, me ndjeshm\u00ebri m\u00eb t\u00eb holl\u00eb dhe me nj\u00eb ligj\u00ebrim emocional e ideor m\u00eb t\u00eb sakt\u00eb. Nga sa e si u pohua, u konstatua se Avdush Canaj arrin t\u00eb b\u00ebj\u00eb evoluimin e shprehjes artistike. Andaj, n\u00eb k\u00ebt\u00eb tekst poetik t\u00eb jepet ndjesia e dep\u00ebrtimit n\u00eb pamjet q\u00eb shfaq, t\u00eb zgjon mbres\u00ebn e fjetur, t\u00eb josh pas ngjyrave t\u00eb hareshme, pas melodive e valsit veror t\u00eb shpirtit… Me nj\u00eb fjal\u00eb, t\u00eb fton n\u00eb bot\u00ebn e magjikes, t\u00eb pritjes s\u00eb k\u00ebnaq\u00ebsis\u00eb p\u00ebr dit\u00ebn e nes\u00ebrme:<\/p>\n

\u201cE di dall\u00ebndyshja ime,<\/em>
\ne di,<\/em>
\nku e l\u00eb \u00e7el\u00ebsin dita<\/em>
\nkur bie t\u00eb fle?\u201d<\/em>
\n(Dall\u00ebndyshja ime<\/em>), f. 20<\/p>\n

Duke lexuar poezin\u00eb e Drit\u00ebro Agollit, efekti i par\u00eb q\u00eb t\u00eb b\u00ebn p\u00ebr vete \u00ebsht\u00eb natyrshm\u00ebria e t\u00eb shprehurit dhe qart\u00ebsia e komunikimit figurativ. T\u00eb duket i leht\u00eb ai nd\u00ebrtim teksti artistik, por po provove t\u00eb b\u00ebsh di\u00e7ka t\u00eb ngjashme, lajthitesh se ia ke dal\u00eb t\u00eb jesh i till\u00eb. \u00c7far\u00eb ishte ai? I thell\u00eb n\u00eb thjesht\u00ebsin\u00eb e atill\u00eb t\u00eb nd\u00ebrtimit t\u00eb sintaks\u00ebs poetike.
\nN\u00eb k\u00ebt\u00eb v\u00ebllim poezish Avdush Canaj ka di\u00e7ka t\u00eb till\u00eb, sepse shprehja e tij figurative ka p\u00ebrvet\u00ebsuar nj\u00eb tipar t\u00eb ndjesh\u00ebm, tiparin e finok\u00ebris\u00eb poetike.<\/p>\n

Pa k\u00ebt\u00eb tipar poezia e tij asnj\u00ebher\u00eb nuk do t\u00eb \u00e7lirohej nga inflacioni i p\u00ebrshkrimeve, duke ia z\u00ebn\u00eb frym\u00ebn reflekseve, q\u00eb me pak vij\u00ebzime t`i b\u00ebhet e qart\u00eb brend\u00ebsia e portretit dhe \u00e7ka zien s\u00eb brendshmi ai portret. Poeti u kujdes q\u00eb imazhet ose pamjet poetike t\u00eb b\u00ebhen t\u00eb kapshme, t\u00eb prekshme p\u00ebr kureshtjen e zgjuar, pa e mjegulluar pik\u00ebnisjen e pik\u00eb-kthimin n\u00eb psiken e njom\u00eb t\u00eb f\u00ebmij\u00ebs. F\u00ebmija \u00ebsht\u00eb i etur p\u00ebr zb\u00ebrthime t\u00eb situatave, t\u00eb panjohurave q\u00eb i sjell jeta e mjedisit q\u00eb e rrethon.<\/p>\n

Parimi i qart\u00ebsis\u00eb t\u00eb artit n\u00eb p\u00ebrgjith\u00ebsi \u00ebsht\u00eb i hersh\u00ebm. Pik\u00ebrisht k\u00ebt\u00eb parim e gjakuan klasik\u00ebt e let\u00ebrsis\u00eb bot\u00ebrore, nj\u00ebri nga t\u00eb till\u00ebt ishte shkrimtari fr\u00ebng i shekullit t\u00eb n\u00ebnt\u00ebmb\u00ebdhjet\u00eb Anri Bejl-Stendal.<\/p>\n

Nj\u00eb model tipik t\u00eb till\u00eb t\u00eb qart\u00ebsis\u00eb e hasim n\u00eb t\u00eb gjitha poezit\u00eb e v\u00ebllimit q\u00eb kemi n\u00eb dor\u00eb:<\/p>\n

\u201cBuz\u00ebqeshja<\/em>
\nlule-\u00e7elur<\/em>
\ne zemr\u00ebs!\u201d<\/em>
\n(Buz\u00ebqeshja<\/em>), f. 24<\/p>\n

Tre varg\u00ebsi i k\u00ebtill\u00eb kat\u00ebr rrok\u00ebsh, e pohon nj\u00eb realitet aq dometh\u00ebn\u00ebs dhe po aq t\u00eb sh\u00ebndetsh\u00ebm p\u00ebr bukurin\u00eb e qeshjes. Me k\u00ebt\u00eb m\u00ebnyr\u00eb shprehjeje arrihet efekti i dyfisht\u00eb: jet\u00ebsor dhe estetik.<\/p>\n

P\u00ebrgjat\u00eb gjith\u00eb v\u00ebllimit t\u00eb k\u00ebtij libri hasim shtjellime interesante, p\u00ebr m\u00ebnyr\u00ebn se si i shtron e si iu jep zgjidhje ak\u00ebcil\u00ebs ide, ak\u00ebcil\u00ebs porosi autori. N\u00ebp\u00ebrmes komunikimit poetik t\u00eb shpirt\u00ebzimit t\u00eb natyr\u00ebs, qiellit, diellit, reve, ylberit, zogjve, lejlekut, shiut, luleve, poeti ia zgjeron p\u00ebrmasat \u201cqiellit t\u00eb fantazis\u00eb\u201d. Burimet e fantazis\u00eb kan\u00eb nj\u00eb nism\u00eb objektive dhe subjektive, s\u00eb cil\u00ebs i duhen krah\u00ebt e imagjinat\u00ebs p\u00ebr t\u00eb fluturuar \u201cn\u00eb preh\u00ebr t\u00eb yllit\u201d, \u201cN\u00eb ballkon t\u00eb ylberit\u201d p\u00ebr t\u00eb shkruar vargje \u201cp\u00ebr faqet e Anil\u00ebs\u201d. I gjith\u00eb ky fluturim ndodh qiellit t\u00eb fantazis\u00eb s\u00eb poetit.<\/p>\n

\u201cPlaneti i buz\u00ebqeshjes\u201d karakterizohet edhe me dend\u00ebsi t\u00eb sfer\u00ebs s\u00eb mendimit. Djal\u00ebris\u00eb dhe vash\u00ebris\u00eb mosha ua ngroh dhe vlon gjakun… Ai gjak doemos duhet ta ket\u00eb diku nj\u00eb burim freskie p\u00ebr ta shuar etjen, pastaj dhe nj\u00eb stacion p\u00ebr pushimin e ndjenjave:<\/p>\n

\u201cFaqet jan\u00eb<\/em>
\nstacion i buz\u00ebve\u201d<\/em><\/p>\n

Trajta t\u00eb tilla t\u00eb mendimit, t\u00eb semantik\u00ebs artistike, pa e r\u00ebnduar konceptin lirik t\u00eb poezis\u00eb, shnd\u00ebrrohen n\u00eb shtresime tekstore, kur figurat pos vetvetes bartin edhe pesh\u00ebn e mendimit.<\/p>\n

Le t’i referohemi evoluimit t\u00eb shprehjes artistike te poeti Avdush Canaj.
\nKapja me leht\u00ebsi dhe shtruarja, po ashtu me shkatht\u00ebsin\u00eb e leht\u00ebsis\u00eb p\u00ebr shtjellim t\u00eb temave, t\u00eb motiveve, t\u00eb situatave jet\u00ebsore t\u00eb dhimbshme e t\u00eb g\u00ebzuara, b\u00ebhet n\u00eb hap me ritmet e shpejtuara, t\u00eb gjall\u00ebrimit p\u00ebrmes shpejt\u00ebsis\u00eb, t\u00eb minutave dhe or\u00ebs s\u00eb caktuar, t\u00eb nj\u00eb dinamike q\u00eb nuk l\u00eb koh\u00eb p\u00ebr prapakthim, p\u00ebr zvarritje sepse t\u00eb digjet bileta n\u00eb xhep.<\/p>\n

Ngarendja e shpejtuar dhe z\u00ebnia e ritmeve t\u00eb nj\u00eb dinamike t\u00eb pam\u00ebshirshme t\u00eb jet\u00ebs, nuk \u00ebsht\u00eb pa pasoja njer\u00ebzore. Nj\u00eb an\u00eb t\u00eb dhimbshme t\u00eb k\u00ebsaj dinamike e n\u00ebnvizojn\u00eb tre vargjet n\u00eb vijim:<\/p>\n

\u201cDo t\u00eb dal n\u00eb treg nes\u00ebr<\/em>
\npak koh\u00eb t`ia blej babit<\/em>
\np\u00ebr loj\u00ebn time\u201c.<\/em><\/p>\n

Te ky vjersh\u00ebrim, shohim e ndjejm\u00eb qasje tjet\u00ebr kundruall dukurive t\u00eb natyr\u00ebs dhe rrit\u00ebs s\u00eb k\u00ebrsh\u00ebris\u00eb s\u00eb f\u00ebmij\u00ebs p\u00ebr gjith\u00e7ka q\u00eb frymon jeta, loja, d\u00ebshirat, njeriu dhe universi. Natyra me burimet e pashtershme e t\u00eb kanosur p\u00ebr shterje, intrigon ekzistenc\u00ebn e njeriut, bot\u00ebn e flor\u00ebs e t\u00eb faun\u00ebs. Gjith\u00e7ka e natyr\u00ebs pasqyrohet pa ngarkesa t\u00eb p\u00ebrshkrimit…<\/p>\n

Mir\u00ebpo, asaj i shk\u00ebputen vet\u00ebm xhevahiret e reflektimit, ndonj\u00eb yll, ndonj\u00eb rreze, ndonj\u00eb vetull ylberi, ndonj\u00eb sherbet shiu, p\u00ebr t\u00eb dal\u00eb tek q\u00ebllimi. Reflektimet poetike t\u00eb vargut, t\u00eb vjersh\u00ebs merren dhe jepen shpejt, shkurt, t\u00eb zhveshur nga fjalamania, jo pa veshje elegante sipas klim\u00ebs e motit:<\/p>\n

\u201cBie shi<\/em>
\npik\u00eb-pik\u00eb.<\/em>
\nS`\u00ebsht\u00eb shi,<\/em>
\ns`e sheh?!<\/em>
\n\u00cbsht\u00eb muzik\u00eb!<\/em>
\n(Rima vere<\/em>), f. 58<\/p>\n

N\u00eb poezin\u00eb prej tet\u00eb vargjesh \u00ebsht\u00eb mbres\u00ebl\u00ebn\u00ebs hapja e ides\u00eb p\u00ebr motivimin e dashuris\u00eb s\u00eb n\u00ebn\u00ebs, q\u00eb \u00ebsht\u00eb aq madhe sa vet\u00ebm anijet mund ta shpijn\u00eb n\u00eb bregun e pritjes s\u00eb f\u00ebmij\u00ebve:<\/p>\n

\u201cLiqene zambak\u00ebsh<\/em>
\nsyt\u00eb e f\u00ebmij\u00ebve<\/em><\/p>\n

ku zbarkojn\u00eb anijet<\/em>
\nme dashurit\u00eb e n\u00ebnave.\u201d<\/em>
\n(Syt\u00eb e f\u00ebmij\u00ebve<\/em>), f.60<\/p>\n

Po sipas k\u00ebtij stili, nuk dyshohet p\u00ebr shkarje heterogjene t\u00eb stilit n\u00eb t\u00ebr\u00ebsin\u00eb e librit, poeti spikat\u00eb domosdon\u00eb e cil\u00ebsis\u00eb s\u00eb karakterit dhe fisnik\u00ebrimin e tij, deri n\u00eb shkall\u00ebn m\u00eb sip\u00ebrore t\u00eb zot\u00ebrimit t\u00eb njeriut:<\/p>\n

\u201cDo t’ia shkul flok\u00ebt urrejtjes,<\/em>
\npa m\u00ebshir\u00eb ta hudh\u00eb<\/em>
\nlarg n\u00eb det,<\/em>
\ne ta th\u00ebrras dashurin\u00eb me filikaq<\/em>
\nt\u00eb shtrij\u00eb gjithkah<\/em>
\nmbret\u00ebrin\u00eb e vet!\u201d<\/em>
\n(Do t`ia shkul flok\u00ebt urrejtjes<\/em>), f.71<\/p>\n

P\u00ebrballja e kontrasteve, ka shp\u00ebrfaq\u00eb nj\u00eb shije t\u00eb denj\u00eb t\u00eb poetit, p\u00ebr figur\u00ebn e trajt\u00ebs s\u00eb zgjeruar t\u00eb krahasimit q\u00eb zb\u00ebrthehet te poezia \u201cNurembergu\u201d:<\/p>\n

\u201cNurembergu i paskaj\u00eb<\/em>
\nveshur me blerim<\/em><\/p>\n

Gjilani picirruk me plis<\/em>
\nsa \u00ebndrra e syrit tim\u201d<\/em><\/p>\n

Balada e re<\/strong>
\nN\u00eb motivet jet\u00ebsore t\u00eb dhimbjes hasim dep\u00ebrtime finoke t\u00eb stilit, i cili i shmanget klisheve tematike dhe p\u00ebrs\u00ebritjes. Dhimbjen dhe kujtes\u00ebn i mbush me ndjeshm\u00ebri n\u00eb m\u00ebnyr\u00ebn e vet, me figurat e shpirt\u00ebzimit e t\u00eb njerizimit:<\/p>\n

\u201cTek rr\u00ebnj\u00ebt e tyre jan\u00eb eshtrat<\/em>
\ne t\u00eb vrar\u00ebve nga barbar\u00ebt.<\/em><\/p>\n

E kam par\u00eb aty nj\u00eb nat\u00eb<\/em>
\nh\u00ebn\u00ebn e p\u00ebrlotur\u201d
\n<\/em>(Pyllthi i dhimbjes<\/em>), f.76<\/p>\n

Poezia \u201cSi n\u00eb baladat e mo\u00e7me<\/em>\u201d zb\u00ebrthen nj\u00eb trini, qoft\u00eb si fat jet\u00ebsor e njer\u00ebzor, qoft\u00eb si fat komb\u00ebtar. K\u00ebtu spikatet nj\u00eb realitet i hidhur, gjithsesi i dhimbsh\u00ebm, nj\u00eb vullnet i pap\u00ebrfillur, por i pathyesh\u00ebm n\u00eb q\u00ebndres\u00ebn dhe stoicizmin e tij. Mosnjohja e lumturis\u00eb, mohimi i p\u00ebrhersh\u00ebm i asaj dhuntie njer\u00ebzore p\u00ebr paraardh\u00ebsit e subjektit lirik dhe, ardhja godit\u00ebse e atij gjakimi!…<\/p>\n

Vrasja e kontrastit t\u00eb liris\u00eb!… \u00cbsht\u00eb nj\u00eb balad\u00eb e re n\u00eb vazhd\u00ebn e baladave tona t\u00eb historis\u00eb. K\u00ebt\u00eb balad\u00eb t\u00eb re e shp\u00ebrfaqi realiteti tragjik i Kosov\u00ebs, por poeti yn\u00eb e p\u00ebrjet\u00ebsoi me veshje figurative; p\u00ebrmes krahasimit dhe p\u00ebrb\u00ebr\u00ebsish t\u00eb ndjesh\u00ebm ideor\u00eb e emocional\u00eb.<\/p>\n

Kjo poezi \u00ebsht\u00eb e motivuar bindsh\u00ebm. Ngado q\u00eb ta shikosh, t\u00eb ngjan n\u00eb nj\u00eb vep\u00ebr t\u00eb bukur arkitekturale. V\u00ebrtet t\u00eb ngash\u00ebnjen dhe t\u00eb emocionon me artin e saj q\u00eb ng\u00ebrthen… \u00cbsht\u00eb e ndjeshme, kur personazhit lirik t\u00eb poezis\u00eb, i shfaqet rrethana e \u00ebnd\u00ebrruar me shekuj dhe, pik\u00ebrisht g\u00ebzimi i saj e g\u00eblltit:<\/p>\n

\u201cAt\u00eb ver\u00eb, kur ia behu n\u00eb der\u00eb\u201d<\/em><\/p>\n

ylli i vet ndriti,<\/em><\/p>\n

N\u00eb krah\u00ebt e saj prej vere<\/em>
\ne la shpirti\u201d<\/em><\/p>\n

Vijimi i k\u00ebtij diskursi na shpie te rrumbullakimi i vler\u00ebsimit, t\u00eb cilin e p\u00ebrmbushin edhe p\u00ebrb\u00ebr\u00ebs tjer\u00eb tematik\u00eb e ideor\u00eb, gjithnj\u00eb n\u00ebp\u00ebrmjet stilit t\u00eb prir\u00eb p\u00ebr zb\u00ebrthime t\u00eb holla refleksive:<\/p>\n

\u201cBabin e kam pa pun\u00eb,<\/em>
\nn\u00ebn\u00ebn fshesare.<\/em><\/p>\n

Do t`i fal nj\u00eb puthje si dielli,<\/em>
\ndhe zemr\u00ebn time krejt!<\/em>
\nKrejt!\u201d<\/em><\/p>\n

\u00c7ka shohim e \u00e7far\u00eb ndjejm\u00eb n\u00eb k\u00ebto pes\u00eb vargje? Shohim e ndjejm\u00eb ngadh\u00ebnjimin e dashuris\u00eb f\u00ebmij\u00ebrore mbi skamjen!<\/p>\n

P\u00ebrmbyllje<\/strong>
\nShkrimi i k\u00ebtill\u00eb artistik, ve\u00e7mas poezia e Avdush Canajt p\u00ebr f\u00ebmij\u00eb e t\u00eb rinj, t\u00eb zgjon k\u00ebrsh\u00ebrin\u00eb p\u00ebr daljen e \u00e7do libri t\u00eb ri, sikurse v\u00ebllimi aktual i tij. Pse? Ai ka konsoliduar nj\u00eb model t\u00eb lakmuar t\u00eb shkrimit t\u00eb mir\u00ebfillt\u00eb poetik. Qasjen e tij inventive motivit t\u00eb stin\u00ebs, m\u00eb bindsh\u00ebm se diskursi yn\u00eb vler\u00ebsues e d\u00ebfton poezia:<\/p>\n

RROBAT E VERDHEME<\/strong>
\n
\nI shkoi er\u00ebs te veshi<\/em>
\nz\u00ebri i \u00e7do peme:<\/em><\/p>\n

S`na rrin\u00eb mir\u00eb, s`na rrin\u00eb,<\/em>
\nrrobat e verdheme!<\/em><\/p>\n

S`jam fajtor, ta dini,<\/em>
\nvjeshta k\u00ebshtu deshi.<\/em><\/p>\n

Dhe si n’shaka, pahiri,<\/em>
\nera krejt i zhveshi!<\/em><\/p>\n

Gjilan, shkurt 2019<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Vler\u00ebsim letrar Mehmetali Rexhepi Avdush Canaj: \u201cPlaneti i buz\u00ebqeshjes\u201d, Faik Konica, Prishtin\u00eb, 2018 Avdush Canaj n\u00eb letrat e bardha t\u00eb shkrimit shqip, prej tredhjet\u00ebvjetar\u00ebsh e kultivoi t\u00eb bukur\u00ebn e fjal\u00ebs poetike. Pararend\u00ebsin e par\u00eb t\u00eb kultivimit t\u00eb s\u00eb bukur\u00ebs e kishte njeriun e sht\u00ebpis\u00eb, v\u00ebllan\u00eb, poetin martir Alush Canaj. Avdushi shtegtoi shtigjeve t\u00eb v\u00ebllait me […]<\/p>\n","protected":false},"author":1,"featured_media":37962,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[8,10],"tags":[],"class_list":["post-37961","post","type-post","status-publish","format-standard","has-post-thumbnail","category-letersi","category-poezi"],"yoast_head":"\nTHURJA E MODELIT - FJALA e LIR\u00cb<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/jehonashqiptare.al\/fjala\/thurja-e-modelit\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"THURJA E MODELIT - FJALA e LIR\u00cb\" \/>\n<meta property=\"og:description\" content=\"Vler\u00ebsim letrar Mehmetali Rexhepi Avdush Canaj: \u201cPlaneti i buz\u00ebqeshjes\u201d, Faik Konica, Prishtin\u00eb, 2018 Avdush Canaj n\u00eb letrat e bardha t\u00eb shkrimit shqip, prej tredhjet\u00ebvjetar\u00ebsh e kultivoi t\u00eb bukur\u00ebn e fjal\u00ebs poetike. Pararend\u00ebsin e par\u00eb t\u00eb kultivimit t\u00eb s\u00eb bukur\u00ebs e kishte njeriun e sht\u00ebpis\u00eb, v\u00ebllan\u00eb, poetin martir Alush Canaj. 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