{"id":38756,"date":"2019-02-27T11:13:44","date_gmt":"2019-02-27T10:13:44","guid":{"rendered":"http:\/\/www.fjala.info\/?p=38756"},"modified":"2019-02-27T11:13:44","modified_gmt":"2019-02-27T10:13:44","slug":"letersia-shqiptare-nuk-dallon-nga-letersia-boterore","status":"publish","type":"post","link":"https:\/\/jehonashqiptare.al\/fjala\/letersia-shqiptare-nuk-dallon-nga-letersia-boterore\/","title":{"rendered":"LETERSIA SHQIPTARE NUK DALLON NGA LETERSIA BOTERORE"},"content":{"rendered":"

MURAT GASHI<\/strong><\/p>\n

Fatmir Halimi, jo vet\u00ebm si poet, gazetar e nj\u00ebri nd\u00ebr shkrimtar\u00ebt m\u00eb t\u00eb mir\u00eb q\u00eb ka let\u00ebrsia jon\u00eb sot, hyn\u00eb fuqish\u00ebm n\u00eb fush\u00ebn e kritik\u00ebs letrare me dy librat e tij t\u00eb k\u00ebtij diskursit: \u201cPrej modernes kah postmodernia<\/em>\u201d dhe \u201cPostmoderniteti n\u00eb proz\u00ebn e Zejnullah Rrahmanit<\/em>\u201d.<\/p>\n

Me k\u00ebta dy libra t\u00eb fushes s\u00eb kritikes letrare, ku tem\u00eb trajtimi ka metodat postmoderne n\u00eb leter\u00ebsi, deri tash do t\u00eb duhej q\u00eb t\u00eb ishin literatur\u00eb e detyrueshme p\u00ebr student\u00ebt e Fakultetit Filologjik \u2013 dega e Let\u00ebrsis\u00eb shqipe, te l\u00ebnd\u00ebt m\u00ebsimor\u00eb: Proza bashk\u00ebkohore shqipe dhe te l\u00ebnda: Let\u00ebrsia bashk\u00ebkohore shqipe.<\/p>\n

N\u00eb zhanrin e k\u00ebtij modernizimi koh\u00eb m\u00eb par\u00eb i dha vetes detyr\u00eb edhe si studjues i let\u00ebrsis\u00eb, duke u marr\u00eb me punime shkencore dhe duke analizuar krijimtarin letrare t\u00eb autor\u00ebve t\u00eb ndrysh\u00ebm n\u00eb bot\u00ebn shqiptare dhe n\u00eb bot\u00ebn e poeteve t\u00eb shkrimtar\u00ebve bot\u00ebror. N\u00eb dy librat e fundit q\u00eb i botoi prej Modernes kah Postmodernia shtjellon krijimet e autur\u00ebve me bindje m\u00eb t\u00eb lart\u00eb shkencor, duke i dh\u00ebn\u00eb nj\u00eb diskurs kritik, n\u00eb m\u00ebnyr\u00eb q\u00eb t\u00eb jet\u00eb m\u00eb komunikues p\u00ebr lexuesit. \u00cbsht\u00eb komunikimi i tij p\u00ebr gati n\u00eb decenie, duke filluar nga viti 2008 e deri sot. K\u00ebto libra jan\u00eb nj\u00eb kuror\u00ebzim i pun\u00ebs s\u00eb tij shkencore n\u00eb fush\u00ebn e kritik\u00ebs letrare. Prej modernes kah postmodernia si l\u00ebnd\u00eb ushqyese dhe t\u00eb \u00e7art\u00eb na jep periudh\u00ebn moderne, format modelet dhe gjinit letrare q\u00eb u krijuan nga koha e Rilindasve e deri m\u00eb sot, kurse si modele ka n\u00eb syte e tij ka pas Gjergj Fisht\u00ebn, Migjenin dhe Lasgush Poradecin si: Lahut\u00ebn e Mal\u00ebcis, Vargjet e lira dhe vallja e yjeve, t\u00eb cilat i shtjelloi me nj\u00eb art t\u00eb bukur artistike, n\u00eb librin e par\u00eb, modernia. <\/p>\n

Nd\u00ebrkaq pjesa e dyt\u00eb, postmodernia q\u00eb p\u00ebrfshin dhe trajton mendimet e para, kur filloi t\u00eb p\u00ebrdoret p\u00ebr her\u00eb t\u00eb par\u00eb termi postmodern, mendimet e kritikeve t\u00eb huaj dhe t\u00eb atyre shqiptare, t\u00eb cil\u00ebt jan\u00eb duke u marr\u00eb me k\u00ebt\u00eb fush\u00eb t\u00eb re t\u00eb kritik\u00ebs letrare. Si model Fatmir Halimi, ka marr\u00eb shkrimtarin Zejnullah Rrahmani, Sheshin e Unaz\u00ebs q\u00eb ishte vler\u00ebsuar lart\u00eb, si kryevepra e autorit. P\u00ebr model t\u00eb shkrimit postmodern ka trajtuar edhe romanin Dashuri e Humbur t\u00eb autores s\u00eb re n\u00eb letra shqipe Behare Rexhepi. Q\u00eb t\u00eb dyja vepra: Sheshi i Unaz\u00ebs dhe Dashuria e Humbur n\u00eb kritik\u00ebn shkencore Fatmir Halimi thot\u00eb na afrojn\u00eb mund\u00ebsi t\u00eb m\u00ebdha dhe reale p\u00ebr interpretime n\u00eb kategorit stilistike postmoderne. P\u00ebr t’u liruar nga rregullat e Klasicizmit, let\u00ebrsia evropiane q\u00eb manifestoheshin n\u00eb krijimtarin e veprave letrare t\u00eb tragjedis\u00eb e t\u00eb dram\u00ebs, ju desh gati t\u00ebr\u00eb shekulli i XVIII, ju desh mendimi kritik q\u00eb t\u00eb lirohetr nga teorit\u00eb klasike mbi artin poetik q\u00eb kishin hy nga koha e renesanc\u00ebs e deri n\u00eb periudh\u00ebn neaklasike.<\/p>\n

Nga kjo periudh\u00eb te gjat\u00eb e deri m\u00eb sot let\u00ebrsia sjell nj\u00eb frym\u00eb t\u00eb re jo vet\u00ebm s\u00eb lexuari por edhe t\u00eb shijes letrare artistike, dhe nj\u00eb mendim i ri modern, ku idet roman – antike kapin faz\u00ebn e par\u00eb t\u00eb k\u00ebsaj teorie. N\u00eb k\u00ebt\u00eb l\u00ebmi t\u00eb ndryshimit ka marr\u00eb si protagonist levizjen gjermane ” Strum und drang ” (stuhi e vull) v\u00ebllez\u00ebrit Shlegel, ku romantizmi e merr si mendim kritik por edhe si fush\u00eb krijimi i vepr\u00ebs letrare, q\u00eb nuk ishte i mjaftuesh\u00ebm dhe nuk i p\u00ebrmbush kriteret dhe interesimet e koh\u00ebs, sidomos pas zbulimeve apo ndryshimeve n\u00eb shkencat e natyr\u00ebs dhe shoq\u00ebrore, pasi q\u00eb romantik\u00ebt natyr\u00ebn e shihnin si objekt t\u00eb gjall, si di\u00e7ka apo figur\u00eb t\u00eb gjall\u00eb dhe t\u00eb lidhur me shpirt\u00ebroren e fantazis\u00eb. Fatmir Halimi me nj\u00eb p\u00ebrkushtim t\u00eb thell\u00eb artistike e sheh k\u00ebt\u00eb zhan\u00ebr n\u00eb let\u00ebrsin\u00eb evropiane dhe shqiptare q\u00eb me t\u00eb drejt\u00eb jep nj\u00eb konatacion kritik e letrar mbi modernen dhe postmodernen, ku shum\u00eb rryma letrare kalojn\u00eb n\u00ebp\u00ebr koh\u00eb.<\/p>\n

Nd\u00ebrsa si vepra letrare Fatmir Halimi studjon mir\u00eb veprat e para letrare t\u00eb let\u00ebrsis\u00eb moderne si Lulet e s\u00eb keqes s\u00eb Botlerit n\u00eb poezi dhe Zonja Bavari e Floberit, n\u00eb proz\u00eb, t\u00eb vitit 1857. Poashtu do t\u00eb sh\u00ebrbehet dhe me naturalizmin i cili \u00ebsht\u00eb marr\u00eb Staine Beuve (1804 – 1869) ku njihet si themelues i biografis\u00eb s\u00eb tij. Pastaj me pozivitetin e Hippolit Taine q\u00eb e shpreh n\u00eb vepr\u00ebn Historia e let\u00ebrsis\u00eb angleze dhe filozofia e artit ku thot: Si let\u00ebrsia, fiksioni, ashtu edhe mendimi kritik mbi modernen gjat\u00eb shekullit XX do t\u00eb v\u00ebrshohen me rryma letrare, koncepte, mendime, ide e metoda t\u00eb ndryshme mbi let\u00ebrsin\u00eb, p\u00ebrderisa Jakobson thot: Teksti i gjuh\u00ebs poetike emocionale dallon nga gjuha praktike. Fatmir Halimi futet s\u00eb studjuari edhe n\u00eb Romantizmin e koh\u00ebs q\u00eb si studim ka individin e jo shoq\u00ebrin, ku n\u00eb planin teorik edhe n\u00eb at\u00eb praktik krakterizohet nga nj\u00eb llojllojshmeri pik\u00ebpamjesh, shijesh, formash dhe konceptesh t\u00eb ndryshme.<\/p>\n

Mendimi kritik modern p\u00ebr romantizmin nis\u00eb me filozofin, shkrimtarin Freng Denis Diterot, ku pa qen poet n\u00eb tekstet e tij paralajmeroi profilin e poetit t\u00eb ardhsh\u00ebm. Duke marr\u00eb natyr\u00ebn si burim i Poezis\u00eb, ai shkruan: ” O natyr\u00eb, gjith\u00e7ka e mir\u00eb fshihet n\u00eb gjirin t\u00ebnd.Ti je burim fryt\u00ebdh\u00ebn\u00ebs i t\u00eb gjitha t\u00eb v\u00ebrtetave “. Pas k\u00ebsaj teoriket e romantizmiti u mor\u00ebn shum\u00eb me teorin\u00eb e mitit q\u00eb u mor\u00ebn romantiket gjerman, v\u00ebllez\u00ebrit Shlegel, t\u00eb cil\u00ebt u bazuan n\u00eb pik\u00ebpamjet filozofike t\u00eb mendimtarit gjerman Sholing ( Friedrich Schelling, 1775 – 1881 ) ku thon\u00eb se romantizmi n\u00eb qend\u00ebr ka individin e jo shoq\u00ebrin\u00eb. Fatmir Halimi p\u00ebr modernen dhe postmodern\u00ebn merr shembuj edhe tek shum\u00eb krijues boteror\u00eb q\u00eb aq mir\u00eb zb\u00ebrthen edhe let\u00ebrsin\u00eb shqiptare sidomos t\u00eb viteve t\u00eb fundit.Rrah mendjen studjuese Naturalizmin pozitivizmin, q\u00eb p\u00ebr karakturistik\u00eb merr cil\u00ebsin\u00eb e tret\u00eb, psikologjizmin, si elementet letrare, raca, momenti, mjedisin etj. Ku Hypoli Ten i shpreh qart\u00eb n\u00eb ” Filozofin e artit “n\u00ebp\u00ebrmjet t\u00eb cil\u00ebs Ten ka nd\u00ebrtuar nj\u00eb metod\u00eb studimi t\u00eb let\u00ebrsis\u00eb q\u00eb \u00ebsht\u00eb e ve\u00e7ant\u00eb, e njohur si metode e tij , ku ka shpall si rrezulltat kombin, koh\u00ebn dhe mjedisin e vet. Mbrenda shkrimeve kritike mbi let\u00ebrsin\u00eb, Fatmir Halimi thot\u00eb: vler\u00eb t\u00eb ve\u00e7ant\u00eb zen dhe kritika mbi vepr\u00ebn e Honore de BALZAK.<\/p>\n

Fatmir Halimi n\u00eb kritik\u00ebn letrare nuk sheh ndonj\u00eb dallim nga veprat e krijuesve bot\u00ebrore p\u00ebr sa i p\u00ebrket modernes dhe postmodernes let\u00ebrsin\u00eb shqiptare. Let\u00ebrsia e romantizmit shqiptar \u00ebsht\u00eb paraprijes i let\u00ebrsis\u00eb moderne shqipe, ku p\u00ebrmes romantizmit q\u00eb kur n\u00eb fillim t\u00eb shekullit XX Shqip\u00ebria fitoi pavar\u00ebsin\u00eb q\u00eb diktoi temat n\u00eb let\u00ebrsin\u00eb shqipe, gj\u00eb q\u00eb shtyu shkrimtar\u00ebt shqiptar t\u00eb shprehin n\u00eb veprat e tyre letrare, dhe, p\u00ebrmes let\u00ebrsis\u00eb himnizimin e atdheut, si\u00e7 ishin Migjeni, Lasgushi n\u00eb poezit e tyre, pastaj Haki St\u00ebrmilli, Sterjo Spasse dhe Foqion Postoli n\u00eb proz\u00eb. K\u00ebto ishin veprat e para moderne gjat\u00eb viteve 30 – ta t\u00eb shekullit XX. Pas tyre dol\u00ebn dhe vepra tjera si \u00c7ajupi, Mjeda etj. e q\u00eb vazhdon edhe me tregime e novela me rryma t\u00eb reja letrare, Grameno, Koli\u00e7i e Kuteli.Mandej doli epi letrar i cili e kultivoi Gjergj Fishta te vepra Lahuta e Malcis q\u00eb u vler\u00ebsuan si nga kritik\u00ebt tan\u00eb dhe t\u00eb huaj u cil\u00ebsua si Homeri i shqiptar\u00ebve. N\u00eb let\u00ebrsin\u00eb shqipe lind\u00ebn edhe Pero Marko, Jabov Xoxa, Ismail kadere, Dritro Agolli, ku k\u00ebta dy t\u00eb fundit p\u00ebrve\u00e7 romanit e kultivuan edhe poezin\u00eb. P\u00ebr fat t\u00eb keq nga koha e shekullit XX nga let\u00ebrsia p\u00ebrjetoi p\u00ebrjashtime emrat m\u00eb eminet nga literatura e saj, si Faik Konica e Gjergj Fishta, t\u00eb cilat krijimtaria e tyre ishte e ndaluar s\u00eb lexuari nga sistemi monist.<\/p>\n

Por jo vet\u00ebm k\u00ebta…. Nga kjo e drejt\u00eb, t\u00eb jetoni t\u00eb lir\u00eb u privuan Mitrush Kuteli, Kasem Trebeshina, Bilal Xhaferi etj. Por pas viteve t\u00eb n\u00ebnt\u00ebdhjeta kur Shqip\u00ebria mori nj\u00eb frym\u00eb tjet\u00ebr t\u00eb sistemit, at\u00eb demokratik sot dol\u00ebn emra t\u00eb m\u00ebdhenj si Fatos Kongoli, Aurel Plasari, Agron Tufa etj. Nd\u00ebrkaq n\u00eb Kosov\u00eb u kthye nj\u00eb zhvillim i ri. Edhe pse m\u00eb von\u00eb, aty nga gjysma e shekullit XX, pati nj\u00eb hove tjet\u00ebr n\u00eb let\u00ebrsi q\u00eb mori konatacionin letrar modern dhe postmodern.Si nj\u00eb zhan\u00ebr modern jan\u00eb poezit e Azem Shkreli, Ali Podrimja etj. P\u00ebrmes Poezis\u00eb dhe shkrime tjera artistike shprehnin boshtin e fort\u00eb komb\u00ebtar dhe \u00e7lirimin nga pushtuesit dhe sistemet.Fatmir Halimi analizoi dhe dy paralelet e let\u00ebrsis\u00eb shqipe Kosov\u00eb – Shqiperi.Me nj\u00eb art t\u00eb lart\u00eb Fatmiri paraqet epin, Lahut\u00ebn e Malcis,ku k\u00ebtu k\u00ebndohet trajtimi i burr\u00ebrise s\u00eb ambienti p\u00ebr t\u00eb arritur te koncepti i kombit, dhe p\u00ebrmes vargjeve arrin t\u00eb ngritet niveli i eposit komb\u00ebtar, q\u00eb mb\u00ebshtetet n\u00eb tri tipe k\u00ebng\u00ebsh: Historike, si Vranina, Kongresi i Berlinit, Konferenca e Londr\u00ebs.<\/p>\n

N\u00eb librin e tij prej Modernes nga postmodernia Fatmir Halimi merr shembuj letraredhe nga shum\u00eb shqiptar krijues,q\u00eb nuk jan\u00eb t\u00eb pakt, t\u00eb cil\u00ebt kan\u00eb vepra moderne dhe m\u00eb shum\u00eb moderne. Dy libra poetike si: Vallja e yjeve dhe vargjet e lira t\u00eb cilat jan\u00eb shum\u00eb t\u00eb ve\u00e7anta n\u00eb poezit moderne shqipe t\u00eb cilat trajton\u00eb dhe bien mbi frym\u00ebzimin, mbi krijimin e bot\u00ebs dhe tem\u00ebn e dashuris\u00eb.Fatmir Halimi nuk len pa folur dhe p\u00ebr Aventur\u00ebn
\ne Semiologjis\u00eb ku sipas Barti ” Semiologjia p\u00ebr mua nuk \u00ebsht\u00eb shkenc\u00eb, disiplin\u00eb, shkoll\u00eb apo levizje me t\u00eb cil\u00ebn e identifikoj veten, por \u00ebsht\u00eb aventur\u00eb, ajo q\u00eb m\u00eb ndodh, ose ajo q\u00eb m\u00eb vjen nga shenjuesi “.Sot Semiologjia \u00ebsht\u00eb sfer\u00eb interesimi edhe p\u00ebr shum\u00eb shkrimtar\u00eb postmodern, si\u00e7 \u00ebsht\u00eb rasti i shkrimtarit amerikan Dan Bro\u00ebn me romanin e tij ” Kodi Da Vinci “, I cili zgjoi interesimi i milliona lexuesve. Fatmir Halimi si nj\u00eb studjues kritik letrar duke u bazua n\u00eb modernen poetike,romane e zhanre tjera letrare artistike nga Krijuesit e m\u00ebdhenj\u00eb bot\u00ebrore t\u00eb atyre Kohrave dhe tash koh\u00ebs s\u00eb re, ku veprat tani po trajtohen me nj\u00eb form\u00eb t\u00eb ri letrare postmodernia, si shkrimtar t\u00eb k\u00ebtij zhanri merr veprat e Zejnullah Rrahmani, si Sheshi i Unaz\u00ebs 1978 etj. Fragmenti n\u00eb romanin Sheshi i Unaz\u00ebs si kategori stilistike fuqizohet p\u00ebrmes nj\u00eb pjes\u00eb t\u00eb shkurt\u00ebr t\u00eb tekstit…<\/p>\n

Duke pasur para vetes vepr\u00ebn Komplete t\u00eb shkrimtarit dhe teoricientit t\u00eb let\u00ebrsis\u00eb, ZENULLAH RRAHMANit, sidomos proz\u00ebn e tij e titullon me nj\u00eb term t\u00eb ri letrar “Postmoderniteti. Ky term e mb\u00ebshteti n\u00eb prizat si nj\u00eb kurpus i gj\u00ebr\u00eb p\u00ebr krijimtarin kur sot po shkruan gati dyzet vje\u00e7are.Krijimtarin letrare t\u00eb tij, nga Romani i tij i pare ” Zanoret e humbura, 1974 e deri te vepra letrare me tregime, ” Tregimet e Ballovcit “, 2008, e cila t\u00ebr\u00ebsisht ishte e shkruar n\u00eb proz\u00eb e titulloi ” Postmoderniteti ne PROZEN e ZENULLAH RRAHMANit “.Gjat\u00eb k\u00ebtij studimi Fatmiri, shtjelloi veprat e tij letrare ne kuander te letersise shqipe: Duke i interpretuar tekstet e stilit, zhanrin e poetik\u00ebs s\u00eb PROZ\u00cbS.F.Halimi prej k\u00ebtij studimi thot: ” Nga kritika e deritashme kemi hasur t\u00eb lexojm\u00eb, nj\u00eb autor apo nj\u00eb vep\u00ebr letrare \u00ebsht\u00eb moderne apo bashk\u00ebkohere dhe asnj\u00eb kritik\u00eb nuk i kalojn\u00eb kufijt, si\u00e7 ngjet me let\u00ebrsin\u00eb evropiane ,e cila sot i ka kaluar kufijt\u00eb e saj moderne dhe kryesisht quhet let\u00ebrsi posmoderneP\u00ebr ti kaluar k\u00ebta kufijt, n\u00eb vitet e fundit, si duket \u00ebsht\u00eb vet let\u00ebrsia shqipe e cila \u00ebsht\u00eb krijuar deri me tani ku kritikeve letrar nuk ju ka afruar m\u00eb shum\u00eb. Me nj\u00eb analiz\u00eb dhe interpretim t\u00eb ve\u00e7ant\u00eb dhe diskursit letrar veprave te Zejnullah Rrahmanit v\u00ebrejm\u00eb t\u00eb kund\u00ebrt\u00ebn , se vepra e tij letrare jan\u00eb postmoderne.<\/p>\n

K\u00ebto vepra F.Halimi, me nj\u00eb analiz\u00eb logjike i ka v\u00ebrejt n\u00eb Kat\u00ebr kapituj si : Zanoret e humbura, Udh\u00ebtimi i nj\u00eb pike – uji, E Bukura e Dheut dhe n\u00eb romanin Sheshi i Unaz\u00ebs.Duke i pasur para vetes dhe duke marre p\u00ebr baz\u00eb kategorit\u00eb stilistike , q\u00eb shkrimtar\u00ebt postmodern i shfryt\u00ebzojn\u00eb p\u00ebr artistikimin e veprave t\u00eb tyre, n\u00eb kapitullin e par\u00eb t\u00eb romani Zanoret e humbura sheh nj\u00eb pasqyr\u00eb artistike, intertekstualitetin, citatin, lajmin, sgenimin dhe metatekstualitetin, kurse te kapitulli i dyt\u00eb Udh\u00ebtimi i nj\u00eb pike – uji p\u00ebr spjegim ka marr\u00eb paratekstin, shkall\u00ebn e shkrimit dhe determinimin e miksimit t\u00eb teksteve. M\u00eb tej shkon F.h. P\u00ebr let\u00ebrsine moderne ku thot: Nj\u00eb diskurs kritik, si studjuesit shqiptar ashtu dhe t\u00eb huaj per kryeveprat e letersise boterore. Derisa let\u00ebrsia moderne nga shekulli XIX me vepren poetike: Lulet e se keqes” si t\u00eb Botlerit, \u00ebsht\u00eb p\u00ebrcjell deri n\u00eb ditet tona p\u00ebr let\u00ebrsin\u00eb postmoderne shtron pyetje; Kur fillon Postmodernia dhe \u00e7ka dallon modernia? Dhe ku jan\u00eb kufijte ndar\u00ebs? Nga kritiket dhe studjuesit e let\u00ebrsis\u00eb n\u00eb dhjet\u00ebvjeteshin e fundit t\u00eb shekullit XX e deri n\u00eb fillim t\u00eb XXI mundohen t\u00eb japin p\u00ebrgjigje adekuate. Me k\u00ebt\u00eb problematike u mor\u00ebn francezet, anglezet e gjerman\u00ebt. P\u00ebr kritik sot, merret edhe studjuesi tjet\u00ebr gjerman Piter V. Zima, i cili postmodern\u00ebn e sheh si problematik t\u00eb konstruktimit apo t\u00eb nd\u00ebrtimit (artistimit) t\u00eb saj q\u00eb duke latuar k\u00ebt\u00eb element \u00ebsht\u00eb shum\u00eb e v\u00ebshtir\u00eb ta dalloj nga modernia.<\/p>\n

Te dyja k\u00ebto studjhen n\u00eb kontekstin ideologjike si epok\u00eb e stileve t\u00eb ndertimin. Zima mendon se fillet e veta i ka n\u00eb fund t\u00eb viteve t\u00eb 50 – ta apo t\u00eb 60 -ta t\u00eb shekullit 20 i jep term t\u00eb ri k\u00ebsaj periudhe at\u00ebher\u00eb kur Postmodernia paraqitet n\u00eb politik\u00eb, ekonomi, muzik\u00eb, kultur\u00eb e veshje.Nd\u00ebrsa Scott Lash postmodernizmit i referohet n\u00eb m\u00ebnyr\u00eb sociale.Ai mendon se p\u00ebrvoja evropiane e rradh\u00ebs s\u00eb viteve t\u00eb 20 -ta, qendron n\u00eb postmodernen pasi shum\u00eb poet, krijues nuk i drejtohen elit\u00ebs, por mas\u00ebs duke menduar se let\u00ebrsia moderne deri at\u00ebher\u00eb ishte krijuar p\u00ebr nj\u00eb elit\u00eb t\u00eb caktuar.Por Zima e disa t\u00eb tjer\u00eb mendojn\u00eb se postmodern\u00ebn e b\u00ebjn\u00eb t\u00eb ndrysh\u00ebm nga modernia n\u00eb periudha t\u00eb tjera ku paraqet studimin e vet : N\u00eb intertekstualiteti, hipertekstet, fragmaritet, dokumentaritet, devijimi stilistik e shum\u00eb elemente tjera q\u00eb dallojn\u00eb nga studjuesit q\u00eb i p\u00ebrdorin si metoda, Kategori p\u00ebr interpretimin e teksteve postmoderne. Mir\u00ebpo p\u00ebrvoja apo praktika e shkrimit t\u00eb let\u00ebrsis\u00eb \u00ebsht\u00eb m\u00eb e vjet\u00ebr.Autor pinjoll i k\u00ebsaj let\u00ebrsie \u00ebsht\u00eb H.L. Borhes me Tregimet e tij t\u00eb botuar n\u00eb vitet e 60 – ta, si Fiksionet, Aleph nd\u00ebrsa si romancier i let\u00ebrsis\u00eb bot\u00ebrore postmoderne merret shkrimtari Italian Umberto EKO me romanin Emri i tr\u00ebndafilit, 1980, e n\u00eb let\u00ebrsin\u00eb ton\u00eb shkrimtar\u00ebt si:<\/p>\n

Zejnullah Rrahmani, Anton Pashku, Aurel Plasari etj.P\u00ebr k\u00ebt\u00eb lloj shkrimi apo arti, diskurs letrar, do t\u00eb nd\u00ebrton shkrimtari yn\u00eb Zejnullah Rrahmani, sidomos n\u00eb romanet: “Zanoret e humbura” “Sheshi i Unaz\u00ebs”, “E bukura e Dheut”, n\u00eb novel\u00ebn “Udh\u00ebtimi i nj\u00eb pike uji” etj. Kur studjuesit b\u00ebjn\u00eb analiz\u00eb ndalen te titujt e vepr\u00ebs, t\u00eb cilat n\u00eb shumic\u00ebn e rasteve \u00ebsht\u00eb \u00e7el\u00ebsi i interpretimit q\u00eb leht\u00ebson pun\u00ebn e diskursit kritik, por edhe e v\u00ebshtir\u00ebson. N\u00eb titullin Zanor\u00ebt e humbura e leht\u00ebson interpretimin ku krijohet nj\u00eb parafytyrim se mungojn\u00eb Zanoret p\u00ebr nj\u00eb fjal\u00eb, p\u00ebr nj\u00eb em\u00ebr apo di\u00e7 tjet\u00ebr. K\u00ebt\u00eb autori nuk e b\u00ebn\u00eb rast\u00ebsisht, e b\u00ebn\u00eb q\u00ebllimisht me nj\u00eb art t\u00eb lart\u00eb letrare, si\u00e7 b\u00ebjn\u00eb shkrimtar\u00ebt e m\u00ebdhenj\u00eb t\u00eb let\u00ebrsis\u00eb bot\u00ebrore thot studjuesi, shkrimtari Fatmir Halimi.Pastaj na paraqet bot\u00ebn e mbrendshme t\u00eb personazheve t\u00eb shqet\u00ebsuar, q\u00eb rreth vetes ka shum\u00eb dilema sidomos kur ec rrug\u00ebs, para prapa, dhe n\u00eb fund thot ka vet\u00ebm nj\u00eb rrug\u00eb. Fatmiri n\u00eb romanin karshi “LB’N’ si kryeantagonistin me emrin Specialistin ku kish biseda t\u00eb mundishme, si me ” LB’ N’.Fatmir Halimi zb\u00ebrthen edhe Intertekstualitetin e Zanoreve t\u00eb humbura, q\u00eb sheh dhe zb\u00ebrthen n\u00eb efektet e nj\u00eb teksti me tekste tjera. Ai thot: \u00c7do lib\u00ebr flet p\u00ebr librat tjer\u00eb, ose nj\u00eb lib\u00ebr lind nga librat tjer\u00eb.<\/p>\n

Pastaj p\u00ebr metatekstualitetin q\u00eb do t\u00eb thot\u00eb pranin\u00eb e komentit i cili lidh dy tekste. Itinerari i njeriut t\u00eb vetmuar q\u00eb zb\u00ebrthehet si nj\u00eb itinerar i nj\u00eb njeriu t\u00eb vetmuar, si nj\u00eb rrug\u00ebtim i paralelsh\u00ebm i njeriut me rrug\u00ebtimin e nj\u00eb pike – uji. Ky udh\u00ebtim i nj\u00eb pike – uji, m\u00eb s\u00eb miri zb\u00ebrthehet nga vet shkrimtari me n\u00ebntituj. Pastaj, Fatmiri vazhdon t\u00eb paraqet paratekstin dhe tekstin si rr\u00ebfim i shum\u00eb ngjarjeve t\u00eb coptuara, t\u00eb ndara n\u00eb thjesht\u00ebsin e vet pa u futur n\u00eb kompleksivitetin e tij. Nd\u00ebrsa p\u00ebr ekonomistin thot \u00ebsht\u00eb krejt jasht fabul\u00ebs s\u00eb novel\u00ebs, ku pjesa e saj paraqitet si paratekst. Pas k\u00ebtyre sqarimeve, shkrimtari Zejnullah Rrahmani rr\u00ebfimin e paraqet n\u00eb novelin e Kat\u00ebr t\u00eb shkrimit, stil ky si shum\u00eb shkrimtar\u00ebve postmoderne si EKO, Markezi, Braun etj.q\u00eb n\u00eb bot\u00ebn e mbrendshme jan\u00eb emocionale e psikologkike. Kemi dy variante t\u00eb rr\u00ebfimit q\u00eb lidhen me em\u00ebrtimin delta t\u00eb tregimit. Nj\u00eb variant \u00ebsht\u00eb p\u00ebr djaloshin q\u00eb vdes n\u00eb luft\u00eb nd\u00ebrsa tjetra \u00ebsht\u00eb se vdes n\u00eb nj\u00eb spital ushtarak krejt i vetmuar. Po k\u00ebtu jepet edhe vdekja e vajz\u00ebs. Fatmir Halimi me nj\u00eb studim t\u00eb thukt flet dhe p\u00ebr determinin e miksimit t\u00eb teksteve. Pasi metateksti shfryt\u00ebzohet at\u00ebher\u00eb dy tekste t\u00eb ndryshme prodhojn\u00eb komentin, me vet\u00ebdije t\u00eb lart\u00eb artistike nga vet autori n\u00eb vepr\u00ebn e tij.Te e bukura e Dheut Zejnullah Rrahmani, n\u00ebse parafrazojm\u00eb kritikun Sabri Hamitin del se tema e k\u00ebsaj vepre \u00ebsht\u00eb krijuesi dhe krijimi.<\/p>\n

Fatmir Halimi, nuk ndalet vet\u00ebm te k\u00ebto elemente letrare, n\u00eb m\u00ebnyr\u00eb brilante spjegon dhe Oralitetin me model p\u00ebrrall\u00ebn popullore si nj\u00eb rr\u00ebfim i tekstit por me nj\u00eb still tjet\u00ebr t\u00eb shkrimit p\u00ebr t’u shd\u00ebrruar n\u00eb gjuh\u00eb arti, pra n\u00eb metagjuh\u00eb. Si element tjet\u00ebr n\u00eb let\u00ebrsi merr edhe dokumentaritetin si Kategori stilistike q\u00eb i sjell\u00eb n\u00eb vepr\u00ebn letrare Zejnullah Rrahmani. Pastaj Antikitetin (mitika) q\u00eb me vepra letrare jan\u00eb marr\u00eb shkrimtar\u00ebt e m\u00ebdhenj t\u00eb let\u00ebrsis\u00eb son\u00eb dhe asaj bot\u00ebrore, duke filluar nga Homeri e k\u00ebndej, q\u00eb e nd\u00ebrlidhin me luftrat e Aleksandrit t\u00eb Madh, luft\u00ebn e Pirros, mbret\u00ebrin\u00eb e Teut\u00ebs etj.<\/p>\n

Nd\u00ebrsa ky mit apo legjendat q\u00eb jan\u00eb p\u00ebrhapur n\u00eb let\u00ebrsin\u00eb ton\u00eb gojore, por me emra t\u00eb ndryshme si Gjergj Elez Alia, trimin mbi nd\u00ebrtimin e qytetit “Sc” dhe ngjarjet me p\u00ebrmasa mitologjike t\u00eb luftimit t\u00eb Djaloshit me P\u00ebrbindshat. Romanet q\u00eb i kish n\u00eb shqyrtim t\u00eb Zejnullah Rrahmanit, vijn\u00eb si perl\u00eb n\u00eb let\u00ebrsin\u00eb ton\u00eb t\u00eb cilat na l\u00ebjn pa frym\u00ebmarrje, se \u00e7do t\u00eb na gjen n\u00eb faqet pasuese t\u00eb tyre. Fatmir Halimi me tej n\u00eb studimin e tij p\u00ebr k\u00ebto vlera na jep p\u00ebrshtypje se \u00ebsht\u00eb nj\u00eb shkrimtar dhe jo vet\u00ebm kaq por edhe si nj\u00eb studjues i zhanreve t\u00eb let\u00ebrsise moderne dhe postmoderne, me terminologji t\u00eb reja, ku si studjues merr veprat e Zejnullah Rrahmani q\u00eb na vijn\u00eb n\u00eb koh\u00ebn e fundit si nj\u00eb perl\u00eb q\u00eb na len pa frym\u00ebmarrje.<\/p>\n

D\u00ebrgoi p\u00ebr publikim, Zymer Mehani<\/strong>, poet, gazetar<\/em><\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"

MURAT GASHI Fatmir Halimi, jo vet\u00ebm si poet, gazetar e nj\u00ebri nd\u00ebr shkrimtar\u00ebt m\u00eb t\u00eb mir\u00eb q\u00eb ka let\u00ebrsia jon\u00eb sot, hyn\u00eb fuqish\u00ebm n\u00eb fush\u00ebn e kritik\u00ebs letrare me dy librat e tij t\u00eb k\u00ebtij diskursit: \u201cPrej modernes kah postmodernia\u201d dhe \u201cPostmoderniteti n\u00eb proz\u00ebn e Zejnullah Rrahmanit\u201d. Me k\u00ebta dy libra t\u00eb fushes s\u00eb kritikes […]<\/p>\n","protected":false},"author":1,"featured_media":28492,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2,8],"tags":[],"class_list":["post-38756","post","type-post","status-publish","format-standard","has-post-thumbnail","category-artikuj","category-letersi"],"yoast_head":"\nLETERSIA SHQIPTARE NUK DALLON NGA LETERSIA BOTERORE - FJALA e LIR\u00cb<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/jehonashqiptare.al\/fjala\/letersia-shqiptare-nuk-dallon-nga-letersia-boterore\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"LETERSIA SHQIPTARE NUK DALLON NGA LETERSIA BOTERORE - FJALA e LIR\u00cb\" \/>\n<meta property=\"og:description\" content=\"MURAT GASHI Fatmir Halimi, jo vet\u00ebm si poet, gazetar e nj\u00ebri nd\u00ebr shkrimtar\u00ebt m\u00eb t\u00eb mir\u00eb q\u00eb ka let\u00ebrsia jon\u00eb sot, hyn\u00eb fuqish\u00ebm n\u00eb fush\u00ebn e kritik\u00ebs letrare me dy librat e tij t\u00eb k\u00ebtij diskursit: \u201cPrej modernes kah postmodernia\u201d dhe \u201cPostmoderniteti n\u00eb proz\u00ebn e Zejnullah Rrahmanit\u201d. 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