Vazhdon ende t\u00eb mahnis\u00eb fakti q\u00eb, akoma n\u00eb mij\u00ebvje\u00e7arin e tret\u00eb, historia rikthen dokumente t\u00eb papublikuara m\u00eb par\u00eb mbi nj\u00eb nga figurat m\u00eb t\u00eb r\u00ebnd\u00ebsishme, si strateg ushtarak dhe politikan i t\u00eb gjitha kohrave: Gjergj Kastrioti Sk\u00ebnderbeun, personazh i cili ka hyr\u00eb me t\u00eb drejt\u00eb t\u00eb plot\u00eb n\u00eb galerin\u00eb e heronjve Plutarkian\u00eb t\u00eb t\u00eb gjitha koh\u00ebrave. Konteksti i veprimtaris\u00eb s\u00eb tij tashm\u00eb \u00ebsht\u00eb i njohur, ai futet mes fuqive m\u00eb t\u00eb m\u00ebdha t\u00eb koh\u00ebs mes t\u00eb cil\u00ebve Aragonez\u00ebt, Papati, tek Republika e Venecias.<\/p>\n
P\u00ebr k\u00ebt\u00eb t\u00eb fundit, Shqip\u00ebria, e sidomos ajo e bregdetit, ka pasur interesin e nj\u00eb toke ky\u00e7e, ur\u00eb lidh\u00ebse p\u00ebr trafiqet tregtare me Lindjen, segment i nj\u00eb linje t\u00eb gjat\u00eb bregu nga ku kalonin nga Adriatiku p\u00ebr t\u00eb kaluar n\u00eb Mesdhe, anijet e veta tregtare. Njihet tashm\u00eb se si kontrolli mbi Adriatik, i konsideruar nj\u00eb \u201cgji\u201d Venecian, u rrezikua gjat\u00eb shekullit XV nga m\u00ebsymjet e fuqis\u00eb otomane dhe se si Shqip\u00ebria u b\u00eb pik\u00eb strategjike kufiri.<\/p>\n
Kjo sa p\u00ebr t\u00eb risjell\u00eb n\u00eb m\u00ebnyr\u00eb t\u00eb p\u00ebrgjithshme r\u00ebnd\u00ebsin\u00eb q\u00eb Republika e Venedikut i dha asaj toke dhe interesimit t\u00eb ve\u00e7ant\u00eb, q\u00eb tregoi p\u00ebr rolin n\u00eb gjysm\u00ebn e 1400-\u00ebs veprimtaria e Gjergj Kastriotit. Pas vdekjes s\u00eb t\u00eb cilit, Perandoria Osmane sulmoi veriun e Shqip\u00ebris\u00eb, me m\u00ebsymjet e njohura t\u00eb Shkodr\u00ebs dhe pas dy dekadash p\u00ebsoi humbja e Durr\u00ebsit, q\u00eb p\u00ebrb\u00ebjn\u00eb etapa t\u00eb shk\u00ebputjes s\u00eb k\u00ebsaj treve p\u00ebr t\u00eb asht\u00ebquajturin Shtetin e Detit venecian (Stato da Mar). Veprat heroike t\u00eb Sk\u00ebnderbeut n\u00eb nj\u00eb Shqip\u00ebri, e thirrur n\u00eb histori p\u00ebr t\u2019i b\u00ebr\u00eb ball\u00eb pushtimit osman, armik \u201chistorik\u201d i Venecias, duhet t\u00eb vendoseshin menj\u00ebher\u00eb n\u00eb mitet veneciane t\u00eb kontrollit t\u00eb detit. E k\u00ebshtu dhe figura e Sk\u00ebnderbeut, deri nj\u00eb shekull e gjys\u00ebm pas vdekjes s\u00eb tij, n\u00eb vitet e para t\u00eb gjasht\u00ebqind\u00ebs, do t\u00eb shfaqej madje n\u00eb statuj\u00ebn e \u201cGjigandit\u201d (Shqip\u00ebri), q\u00eb bashk\u00eb me statuj\u00ebn e \u201cDrejt\u00ebsis\u00eb\u201d (Venecia), zuri fronin e Bicintoro-s s\u00eb famshme, anija e \u00e7muar veneciane n\u00eb t\u00eb cil\u00ebn priteshin miqt\u00eb prestigjoz\u00eb n\u00eb qytetin lagunar.<\/p>\n
Duke th\u00ebn\u00eb k\u00ebt\u00eb, Sk\u00ebnderbeu justifikohet n\u00eb historin\u00eb e artit e t\u00eb kultur\u00ebs veneciane dhe si\u00e7 do v\u00ebm\u00eb re dhe rishikimi mitik i figur\u00ebs s\u00eb tij. N\u00eb k\u00ebt\u00eb rast, kemi t\u00eb b\u00ebjm\u00eb me teatrin, q\u00eb d\u00ebshmon mbajtjen e gjat\u00eb t\u00eb mitit t\u00eb heroit n\u00eb dy d\u00ebshmi t\u00eb reja p\u00ebr lexuesin shqiptar.<\/p>\n
Tekstet<\/strong> Midis shum\u00eb episodeve, ku tregohet zot\u00ebsia e Sk\u00ebnderbeut n\u00eb mundjen e kund\u00ebrshtar\u00ebve t\u00eb tij me shpat\u00eb, del nga teatri spanjoll nj\u00eb episod qendror, ku shfaqet lufta e heroit me nj\u00eb luan: nj\u00eb sken\u00eb me mjaft impakt p\u00ebr publikun q\u00eb gjen n\u00eb t\u00eb dhunti gati mrekulluese, e gati nj\u00eb profet t\u00eb ri Daniel! E gjith\u00eb pjesa vendoset mbi l\u00ebvizjen, me pika t\u00eb forta skenike p\u00ebr komplotet q\u00eb i b\u00ebheshin Sk\u00ebnderbeut, nd\u00ebrsa ky i fundit triumfonte mbi t\u00eb gjith\u00eb kund\u00ebrshtar\u00ebt, deri n\u00eb hyrjen n\u00eb Kruj\u00eb. Nj\u00eb nderim entuziasmues i nj\u00eb heroi t\u00eb pathyesh\u00ebm, q\u00eb natyrisht merrte dhe ovacionet e publikut! Dhe, kjo, shpjegon edhe suksesin e madh t\u00eb Lavdive t\u00eb Sk\u00ebnderbeut n\u00eb skenat e teatrit venecian p\u00ebr m\u00eb shum\u00eb se nj\u00eb shekull.<\/p>\n Teksti i dyt\u00eb na transporton n\u00eb nj\u00eb dimension tjet\u00ebr, n\u00eb at\u00eb t\u00eb teatrit tragjik. B\u00ebhet fjal\u00eb p\u00ebr nj\u00eb tragjedi q\u00eb n\u00eb analet bibliografike mbi Gjergj Kastriotin ka qen\u00eb shpallur si e humbur, k\u00ebsisoj edhe n\u00eb Bibliografin\u00eb mbi Sk\u00ebnderbeun n\u00eb Bibliotek\u00ebn Komb\u00ebtare t\u00eb Tiran\u00ebs (I, 1997, p.376). Pra b\u00ebhet fjal\u00eb p\u00ebr Scanderbegh, t\u00eb kompozuar nga Trifone Smecchia n\u00eb gjysm\u00ebn e dyt\u00eb t\u00eb shek. XVIII.<\/p>\n Historia e gjetjes s\u00eb saj \u00ebsht\u00eb aventureske: fillon midis letrash private q\u00eb miku im Paolo Muner do gjente n\u00eb nj\u00eb fond personal. Duke lexuar emrin e Sk\u00ebnderbeut, Muner nuhaste vlefshm\u00ebrin\u00eb e k\u00ebtyre letrave dhe m\u00eb vinte n\u00eb dijeni me pronar\u00ebt e k\u00ebtyre letrave, q\u00eb sot e k\u00ebsaj dite duan t\u00eb mbeten anonim\u00eb dhe nuk kan\u00eb nd\u00ebrmend t\u2019i japin origjinalet nj\u00eb institucioni publik. Megjithat\u00eb kam mundur t\u00eb kem nj\u00eb kopje t\u00eb tekstit dhe do ta depozitoj n\u00eb nj\u00eb bibliotek\u00eb t\u00eb Venecias, n\u00eb m\u00ebnyr\u00eb q\u00eb \u00e7do studiues t\u00eb mund ta shikoj\u00eb.<\/p>\n Ja pra ku mund t\u00eb flasim s\u00ebrish p\u00ebr nj\u00eb tragjedi t\u00eb re mbi heroin komb\u00ebtar shqiptar, duke falenderuar natyrisht intuit\u00ebn e Paolo Muner!<\/p>\n Trifne Smecchia, autori (1755-1814), nga qyteti dalmat i Perasto-s (sipas nj\u00eb legjende familja e tij ishte me origjin\u00eb shqiptare, nga Sametic, af\u00ebr Kruj\u00ebs) studion n\u00eb qytetin e Padov\u00ebs dhe Venecias n\u00eb vitet shtat\u00ebdhjet\u00eb t\u00eb shek. XVIII. Me koh\u00eb do b\u00ebhet njeri me kultur\u00eb t\u00eb spikatur dhe hyn n\u00eb histori me nj\u00eb ngjarje me marr\u00ebdh\u00ebnie t\u00eb r\u00ebnd\u00ebsishme, duke u transferuar nga Veneto (krahina e Veneto-s) n\u00eb Perasto (personazh i cili pret t\u00eb studiohet akoma m\u00eb thell\u00ebsisht).<\/p>\n Midis 1781 dhe 1783, midis Padov\u00ebs dhe Venecias kompozon k\u00ebt\u00eb tragjedi n\u00eb pes\u00eb akte (ka humbur akti i kat\u00ebrt, p\u00ebr fat pa shum\u00eb d\u00ebm p\u00ebr t\u00eb gjith\u00eb vepr\u00ebn); q\u00eb pason ta rregulloj\u00eb n\u00ebp\u00ebrmjet shtesave dhe p\u00ebrmir\u00ebsimeve q\u00eb gjenden n\u00eb fund t\u00eb materialit. Nj\u00eb pun\u00eb q\u00eb nuk arrin ta \u00e7oj\u00eb deri n\u00eb fund, ndoshta nga angazhimet e ndryshme apo interesa t\u00eb tjer\u00eb. N\u00eb k\u00ebt\u00eb tragjedi nd\u00ebrthurret, natyrisht, ndjenja personale dhe tematikat q\u00eb mbizot\u00ebronin n\u00eb ato vite.<\/p>\n \u00cbsht\u00eb nj\u00eb tekst shum\u00eb impresionues, ku ngjarjet zhvillohen mes dy kampesh luftimi dhe dy ambientimeve t\u00eb ndryshme: nga nj\u00ebra an\u00eb Sk\u00ebnderbeu, dhe nga ana tjet\u00ebr Moisiu, q\u00eb e tradhton dhe kalon n\u00eb kampin osman. I jepet shum\u00eb hap\u00ebsir\u00eb figurave fem\u00ebrore n\u00eb t\u00eb dy kampet: motra e Moisiut, Deffina dhe gruaja e tij Jerina, provokuese t\u00eb mrekullueshme t\u00eb dashuris\u00eb s\u00eb dh\u00e8u-t am\u00eb, besimit n\u00eb fe dhe atij bashk\u00ebshortor.<\/p>\n Nd\u00ebrsa p\u00ebr Sk\u00ebnderbeun nuk ngrihet shum\u00eb ajo figura tradicionale e udh\u00ebheq\u00ebsit t\u00eb zot\u00eb, por mbahet n\u00eb regjistrin e Princit dhe mbret\u00ebris\u00eb s\u00eb tij, t\u00eb men\u00e7urit q\u00eb mezi pret t\u00eb shoshis\u00eb kontradiktat shoq\u00ebrore, t\u00eb mbrojt\u00ebsit t\u00eb atdheut dhe t\u00eb besimit, i prirur p\u00ebr t\u00eb bashkuar dhe sjell\u00eb paqe popullit t\u00eb tij, tashm\u00eb t\u00eb st\u00ebrmunduar nga luft\u00ebra dhe ndarje. Nj\u00eb udh\u00ebheq\u00ebs i madh pra, Sk\u00ebnderbeu i tragjedis\u00eb, nj\u00eb politikan i men\u00e7ur me prirje p\u00ebr rind\u00ebrtimin e vendit t\u00eb tij. Nj\u00eb leksion p\u00ebr nj\u00eb Polis, n\u00eb sens absolut, dhe jo vet\u00ebm p\u00ebr at\u00eb shqiptar.<\/p>\n P\u00ebrktheu nga origjinali *Cfr. Lucia Nadin, La ricaduta del mito di Scanderbeg nel teatro veneziano del \u2018700. Una commedia dell\u2019arte di grande successo e una tragedia data per perduta e ora ritrovata. Primi dati documentari, in …, XII, 4 n.s., 2015, pp. 123-147.<\/p><\/blockquote>\n D\u00ebrgoi p\u00ebr publikim: Gjin Musa<\/em><\/p>\n","protected":false},"excerpt":{"rendered":" Vazhdon ende t\u00eb mahnis\u00eb fakti q\u00eb, akoma n\u00eb mij\u00ebvje\u00e7arin e tret\u00eb, historia rikthen dokumente t\u00eb papublikuara m\u00eb par\u00eb mbi nj\u00eb nga figurat m\u00eb t\u00eb r\u00ebnd\u00ebsishme, si strateg ushtarak dhe politikan i t\u00eb gjitha kohrave: Gjergj Kastrioti Sk\u00ebnderbeun, personazh i cili ka hyr\u00eb me t\u00eb drejt\u00eb t\u00eb plot\u00eb n\u00eb galerin\u00eb e heronjve Plutarkian\u00eb t\u00eb t\u00eb gjitha […]<\/p>\n","protected":false},"author":1,"featured_media":60686,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[],"class_list":["post-3963","post","type-post","status-publish","format-standard","has-post-thumbnail","category-histori"],"yoast_head":"\n
\nTeksti i par\u00eb i p\u00ebrket periudh\u00ebs s\u00eb madhe t\u00eb Komedis\u00eb s\u00eb Artit Italian, koh\u00eb pak m\u00eb shum\u00eb se sa ajo q\u00eb lidhet me at\u00eb specifike dhe t\u00eb famshme t\u00eb bot\u00ebs s\u00eb maskave, n\u00eb at\u00eb q\u00eb gjat\u00eb shekullit XVII do p\u00ebrgatis\u00eb stin\u00ebn pasuese t\u00eb vepr\u00ebs teatrale e q\u00eb quhet vepra regji (opera regia). Teksti titullohet Lavdit\u00eb e Sk\u00ebnderbeut me lirin\u00eb e Atdheut n\u00ebn Perandorin (Sulltanin) Amurat (Murat) t\u00eb Konstandinopoj\u00ebs. Kjo pjes\u00eb (vep\u00ebr regji) u shfaq p\u00ebr nj\u00eb koh\u00eb t\u00eb gjat\u00eb n\u00eb teatrot e Venecias me nj\u00eb sukses t\u00eb madh p\u00ebr publikun midis 1600-\u00ebs dhe 1700-\u00ebs. Ajo u shfaq akoma n\u00eb periudh\u00ebn e komedive t\u00eb Carlo Goldoni-t dhe u b\u00eb n\u00eb nj\u00eb far\u00eb m\u00ebnyre konkurrente, sepse publiku k\u00ebrkonte vazhdimisht p\u00ebrs\u00ebritje t\u00eb shfaqjes. Kjo vep\u00ebr bazohej n\u00eb tregimet biografike t\u00eb Marin Barletit, ku rr\u00ebfehen aktet e jasht\u00ebzakonshme t\u00eb forc\u00ebs s\u00eb Sk\u00ebnderbeut n\u00eb mbret\u00ebrimin e Sulltan Muratit, q\u00eb pasoi marrjen e Kruj\u00ebs.<\/p>\n
\n\u201cAtdhe\u201d \u00ebsht\u00eb fjala q\u00eb p\u00ebrs\u00ebritet m\u00eb s\u00eb shumti me nj\u00eb frekuenc\u00eb munduese: \u201cO Zot i madh\u00ebrish\u00ebm, mbrojt\u00ebs i Atdheut\u2026 mbro lirin\u00eb e Shqip\u00ebris\u00eb\u201d, \u201cN\u00eb atdheun e madh rikthehemi\u2026\u201d.<\/p>\n
\nKjo tragjedi e rigjetur na prezantohet si nj\u00eb tekst me vler\u00eb dhe \u00ebsht\u00eb nj\u00eb let\u00ebrsi \u00e7udit\u00ebrisht aktuale, sepse \u00ebsht\u00eb nj\u00eb rast p\u00ebr t\u00eb reflektuar, p\u00ebrtej diferencave t\u00eb qarta t\u00eb koh\u00ebs dhe skenar\u00ebve, mbi \u00e7far\u00eb jan\u00eb edhe interesat e v\u00ebrtet\u00eb t\u00eb nj\u00eb vendi, moment q\u00eb duket sesa e r\u00ebnd\u00ebsishme \u00ebsht\u00eb t\u00eb tejkalohen egoizma personal\u00eb dhe nga ana e kujt \u00ebsht\u00eb detyra t\u00eb kuroj\u00eb t\u00eb mir\u00ebn e p\u00ebrbashk\u00ebt dhe t\u00eb nd\u00ebrtoj\u00eb nj\u00eb bashk\u00ebjetes\u00eb t\u00eb paqt\u00eb.<\/p>\n
\nXhiana Belegu<\/strong><\/p>\n