{"id":39802,"date":"2019-03-29T19:27:14","date_gmt":"2019-03-29T18:27:14","guid":{"rendered":"http:\/\/www.fjala.info\/?p=39802"},"modified":"2019-03-29T19:27:14","modified_gmt":"2019-03-29T18:27:14","slug":"poezia-e-faslli-halitit-dominoi-sistemin-letrar-me-tharbin-e-guximit-qytetar","status":"publish","type":"post","link":"https:\/\/jehonashqiptare.al\/fjala\/poezia-e-faslli-halitit-dominoi-sistemin-letrar-me-tharbin-e-guximit-qytetar\/","title":{"rendered":"POEZIA E FASLLI HALITIT DOMINOI SISTEMIN LETRAR ME THARBIN E GUXIMIT QYTETAR"},"content":{"rendered":"

FASLLI .H, PORTRET: VIZ. HELIDON H LEKA NDOJA<\/em><\/p>\n

N\u00cb NJ\u00cb HARK KOHOR DY VJE\u00c7AR, POEZIA E FASLLI HALITIT DOMINOI SISTEMIN LETRAR ME THARBIN E GUXIMIT QYTETAR, DERI N\u00cb KUFIJT\u00cb E TEKSTUR\u00cbS S\u00cb PROTEST\u00cbS SI N\u00cb POEM\u00cbN \u201cDIELLI E RR\u00cbKET\u00cb\u201d.<\/strong><\/p>\n

nga
\nLEKA NDOJA<\/strong><\/p>\n

S T U D I M<\/strong><\/p>\n

RECEPTIMI SOCIAL-POLITIK<\/strong><\/p>\n

Poezia e Faslli Halitit paraqiti q\u00eb n\u00eb fillimet e tij nj\u00eb mision social t\u00eb ngritur. Ky komponent q\u00eb e ka ve\u00e7uar poezin\u00eb e Halitit si t\u00eb sh\u00ebnjuar t\u00eb r\u00ebnd\u00ebsish\u00ebm, mori form\u00eb n\u00ebp\u00ebrmjet diskursit dhe regjistrit t\u00eb nder\u00eb t\u00eb mezi dalluesh\u00ebm n\u00ebp\u00ebrmjet deklarativitetit, q\u00eb n\u00ebp\u00ebrmjet marrjes s\u00eb intonimit t\u00eb paplot\u00eb ose n\u00eb sordin\u00eb t\u00eb poezive pllakat n\u00eb \u201cthojza\u201d, prodhojn\u00eb nj\u00eb perceptim q\u00eb poezia e Halitit, t\u00eb mund t\u00eb receptohet me regjistrin komik. Receptimi i k\u00ebsaj poezie n\u00eb dukje, nga ana e klisheve ishte korrekt me realitetin zhurnalistik t\u00eb formave e klisheve shpreh\u00ebse q\u00eb i b\u00ebn t\u00eb sillen si figuracion artistik n\u00ebp\u00ebrmjet k\u00ebtij regjistri-baz\u00eb t\u00eb p\u00ebrcjelljes s\u00eb mesazhit poetik.<\/p>\n

Duke shp\u00ebrdorur mjetet e thjeshta verbale t\u00eb propagand\u00ebs komunsite, Haliti arriti me shkatht\u00ebsi t\u2019u jepte teksteve nj\u00eb komicitet e pabesueshm\u00ebri, fal\u00eb drejtp\u00ebrdrejtshm\u00ebris\u00eb s\u00eb p\u00ebrcjelljes t\u00eb mesazhit n\u00ebp\u00ebrmjet manier\u00ebs \u201cnaif\u201d. I k\u00ebsaj linje ishte nj\u00eb cik\u00ebl i t\u00ebr\u00eb i k\u00ebtij poeti kushtuar pak a shum\u00eb qendr\u00ebs s\u00eb superstruktur\u00ebs politike t\u00eb shtetit si\u00e7 ishte shembulli i poezis\u00eb s\u00eb famshme: \u201cNJ\u00cb NAT\u00cb ME SEKRETARIN E PARTIS\u00cb\u201d.*<\/p>\n

Prozhektor\u00ebt e fjal\u00ebve t\u00eb tij
\nM\u00eb ndri\u00e7ojn\u00eb dardhat, moll\u00ebt, pjeshk\u00ebt
\nQ\u00eb nata m\u2019i ka fshehur.
\nM\u00eb zbulojn\u00eb ngjyrat, tonet
\nQ\u00eb nata i ka shuar.
\n\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026
\nBiseda jon\u00eb nj\u00eb ofi\u00e7in\u00eb
\nK\u00ebtu kaliten vargjet e mia.<\/p><\/blockquote>\n

______________________________________________
\n1. Haliti, Faslli: “Nj\u00eb nat\u00eb me sekretarin e partis\u00eb\u201d.*, gazeta “Drita”, Nr. 31. 30 korrik, 1972 f. 8.<\/em><\/p>\n

Kjo poezi si ekspresion i nevoj\u00ebs s\u00eb subjektit p\u00ebr nj\u00eb lider q\u00eb t\u00eb njoh\u00eb bot\u00ebn, ravij\u00ebzon sekretarin si idol, concept i drejtimit politik. Repertori i dardhave, moll\u00ebve, pjeshk\u00ebve, simbolizon nj\u00eb lloj briri prosperiteti t\u00eb cilin s\u2019e siguron dot pa sinekdok\u00ebn e drit\u00ebs; simbol i udh\u00ebheqjes s\u00eb \u201cpartis\u00eb\u201d. Gjithashtu regjistri i intonimit i siguron edhe \u201cforxh\u00ebn\u201d (ofi\u00e7in\u00ebn) e Hafestit antik, hyun e artit. Mistifikimi i rolit t\u00eb sekretarit n\u00eb nat\u00ebn e t\u00eb panjohur\u00ebs, i cili flet para d\u00ebshmis\u00eb s\u00eb yjeve dhe p\u00ebrunjja e subjektit konfiguron nj\u00eb sken\u00eb var\u00ebsie dikotomike, thuajse fatale.<\/p>\n

Por me uljen e regjistrit, nga toni epic n\u00eb at\u00eb komik, situata poetike ndryshon dhe skena kthehet n\u00eb karikatur\u00eb duke goditur kolon\u00ebn e gjith\u00ebdijshme t\u00eb mbajtjes s\u00eb shtetit komunist, sekretari pasi vihet n\u00eb funksion luminishence, i mbetet poetit t\u00eb ndaj\u00eb me t\u00eb err\u00ebsir\u00ebn, si simbol qesharak var\u00ebsie.<\/p>\n

Si nj\u00eb nga kryeveprat e k\u00ebtij poeti, q\u00eb arriti t\u00eb kumtoj\u00eb p\u00ebrmes kodeve e simboleve t\u00eb tjet\u00ebrsojta, kuptimin e ngulitur t\u00eb receptuesve t\u00eb k\u00ebsaj teme. N\u00eb momentin kur Haliti vendosi ta heq\u00eb k\u00ebt\u00eb regjist\u00ebr komik dhe t\u00eb fshikulloj\u00eb drejtp\u00ebrdrejt p\u00ebrmes motiveve social-politike duke larguar \u201cerr\u00ebsir\u00ebn\u201d komike si te poema \u201cDielli dhe rr\u00ebket\u00eb\u201d, kritika zyrtare ia nd\u00ebrpreu vler\u00ebsimin duke e quajtur art armiq\u00ebsor, pasi ishte univok.<\/p>\n

\u201cPortat e buz\u00ebve tuaja s\u2019hapeshin
\nHynte pa trokitur.
\nDh\u00ebmb\u00ebt tuaja ky\u00e7eshin\u2026..
\nVinte miq\u00ebsia hynte pa trokitur\u201d<\/p>\n

\u201cPortat e buz\u00ebve tuaja s\u2019hapeshin
\nHynte pa trokitur.
\nDh\u00ebmb\u00ebt tuaja ky\u00e7eshin\u2026..
\nVinte miq\u00ebsia hynte pa trokitur\u201d<\/p><\/blockquote>\n

_____________________________________
\n2 ) “Faslli Haliti: “Dielli dhe rr\u00ebkerat, Btimet “Toena”, Tiran\u00eb 2010, f. 11.-13<\/em><\/p>\n

Poezia e Halitit u fokusua n\u00eb raportin e intonimit t\u00eb citateve-fragmente n\u00eb kuad\u00ebr t\u00eb tekstemave ku subjekti krijon regjistrin q\u00eb merr atributet e publikut t\u00eb gjer\u00eb, t\u00eb mas\u00ebs. Ai i kap\u00ebrceu mjaft barriera t\u00eb censur\u00ebs, pasi tek ai skizma nuk shquhej n\u00eb tekst, skizma e Halitit dallohej tek poetika e intonimit. Poezia e Faslli Halitit e riprodhon realitetin n\u00eb thonj\u00ebza, kjo \u00ebsht\u00eb ve\u00e7oria e k\u00ebtij poeti q\u00eb risolli mjetet revolucionare t\u00eb Majakovskit me t\u00eb v\u00ebrtet\u00eb, por e nd\u00ebrtoi mbi nj\u00eb regjist\u00ebr komik, p\u00ebr ta stigmatizuar fenomenin e zbrazur, \u201cmarksizmin vulgar\u201d nga tonaliteti ampoloz duke e b\u00ebr\u00eb qesharak p\u00ebrmes intonacionit t\u00eb ul\u00ebt.<\/p>\n

Poet me vokacion social, q\u00eb me guximin e shprehjes ai linte pak alternative t\u00eb interpretimit, Haliti ushtronte trysni mbi theksin propagandistic duke e zhvendosur theksin e kuptimit duke e kanalizuar n\u00eb nj\u00eb kuptim t\u00eb p\u00ebrmbysur burlesk. Dykuptim\u00ebsia e brisht\u00eb e poezis\u00eb s\u00eb Halitit, me ta dekoduar, kalon n\u00eb nj\u00ebkuptim\u00ebsi. Zbulimi i k\u00ebsaj teknike nga Institucioni i kritik\u00ebs, ia dekodoi tekstet e Halitit, p\u00ebr t\u2019u damkosur si \u201cnxir\u00ebs realiteti\u201d. Sfida midis t\u00eb folurit parodik dhe atij t\u00eb nj\u00ebmend\u00ebt mbetet \u00e7\u00ebshtje e repertorit t\u00eb receptuesit.<\/p>\n

Analiza mbi k\u00ebt\u00eb poezi, do t\u00eb b\u00ebnte q\u00eb kritik\u00ebt t\u00eb binin n\u00eb grack\u00ebn e tij, pasi nga ana formale ishte korrekt, por vet\u00ebm thojzat e b\u00ebjn\u00eb at\u00eb poet modernist.
\n____________________________________
\n3) “Fryma e nxirjes s\u00eb realitetit, gjoja p\u00ebr hir t\u00eb thellimit t\u00eb realizmit, p\u00ebrshkon poem\u00ebn “Dielli dhe rr\u00ebkerat, t\u00eb F. Halitit dhe t\u00eb ndonj\u00eb tjetri, t\u00eb cilat n\u00eb fakt goditnin vij\u00ebn e Partis\u00eb. Mania p\u00ebr “evropianizimin e arteve figurative…” Agolli, Drit\u00ebro: “Nga raporti i shokut Drit\u00ebro Agolli”: gazeta “Drita” Nr. 30. 29 korrik 1973, f.1<\/em><\/p>\n

NJ\u00cb KOD NOVATOR: REGJISTRI KOMIK<\/strong><\/p>\n

Rrafshi ironik i Faslli Halitit shfaqur n\u00eb: \u201cNj\u00eb nat\u00eb me sekretarin e partis\u00eb\u201d, se ai ishte nj\u00eb kodifikim i kontekstit, pasi \u00e7do akt poetik ka diagram\u00ebn e saj, regjistrin nga ai epik n\u00eb at\u00eb komik.<\/p>\n

Duke c\u00ebnuar temat tabu t\u00eb demistifikimit t\u00eb lidershipit, motivet sociale vijn\u00eb e ia p\u00ebrmbytin l\u00ebnd\u00ebn poezis\u00eb s\u00eb Halitit, derisa vet\u00ebm dialogon me argumente heteronome. Intertekstet e poetik\u00ebs s\u00eb Majakovskit, bartin interpretimin e hapur, kuptimin polimorf, nd\u00ebrsa poezia e Halitit mbetet e profilizuar.<\/p>\n

Tematika e tij vet\u00ebm n\u00eb ndonj\u00eb rast ik\u00ebn nga v\u00ebmendja e diskursit social. Koncepsioni i rrym\u00ebs artistike, futurizmi aktiv i ushqeu mitin p\u00ebr revolucionin, por me nj\u00eb struktur\u00eb morale jasht\u00ebklasore. Vlera e moralit p\u00ebrshkon artin poetik t\u00eb Faslli Halitit, sidomos n\u00eb vitet e \u201970 \u2013 \u201972, kur shfaqi nj\u00eb poezi tejet t\u00eb angazhuar sociale, ku subjekti sipas nj\u00eb programi t\u00eb panjohur i jep r\u00ebnd\u00ebsi fabulimit si poezia: \u201cRruga \u201cSk\u00ebnder Libohova\u201d:<\/p>\n

Fshesare Vija
\nReug\u00ebt i pastron mir\u00eb p\u00ebrggjith\u00ebsisht.
\nPor
\nRrug\u00ebn
\n\u201cSk\u00ebnder Libohova\u201d
\nAjo kujdeset ve\u00e7an\u00ebrisht.<\/p>\n

Ajo luajti me Sk\u00ebnderin n\u00eb pluhur k\u00ebtu.
\nAjo ngjiti trakte k\u00ebtu me shokun n\u00eb muzg,
\nShau k\u00ebsaj rruge italian\u00ebt, gjerman\u00ebt,
\nP\u00ebrcolli k\u00ebsaj rruge shokun partizan
\nE priti k\u00ebsaj rruge t\u00eb vinte, komisarin.
\nPor komisari s\u2019erdhi.
\nNisi k\u00ebsaj rruge \u00c7lirimin
\nDhe vet\u00eb mbeti n\u00eb mal.<\/p><\/blockquote>\n

_______________________________________________
\n4) Haliti, Faslli, gazeta “Drita” 31 ( 607), 30 korrik 1972, f. 8<\/em><\/p>\n

I vet\u00ebdijsh\u00ebm p\u00ebr antihermetizmin, ai rrezikon me personazhin lirik, duke k\u00ebrkuar nj\u00eb fabul qoft\u00eb paradoksale ku personazhi lirik ka luftuar, ia kan\u00eb vrar\u00eb t\u00eb dashurin n\u00eb luft\u00eb, rruga ka marr\u00eb ermin e tij, dhe ajo fshesare q\u00eb kujdeset p\u00ebr past\u00ebrtin\u00eb e rrug\u00ebs q\u00eb ka marr\u00eb emrin e t\u00eb dashurit. Profilizimi i gjetjes, e varf\u00ebron poezin\u00eb, ndon\u00ebse duke u mjaftuar me zgjedhjen e motivit, shenjat poetike mbeten uniforme. Reporter i m\u00eb von\u00ebt i \u201crealizmit vulgar\u201d, mund t\u00eb ishte edhe kjo poezi: \u201cRruga e Sk\u00ebnder Libohova\u201d. Lidhja umbelikale me sintezat sociale shfaqet te poezia \u201cNjeriu me kobure\u201d.<\/p>\n

\u201cAi pret t\u00eb fryj\u00eb era
\nJo q\u00eb t\u00eb xhvishen pem\u00ebt,
\nJo q\u00eb t\u00eb shkunden gjethet e verdha,
\nPor q\u00eb t\u2019i ngrihet cepi xhaket\u00ebs,
\nT\u2019i duket pas brezit koburja.\u201d<\/p><\/blockquote>\n

_________________________
\n5) Haliti, Faslli, N\u00ebntori, 1972, Nr. 4, prill, f. 156<\/em><\/p>\n

6) “Faslli Halitin e karakterizon mpreht\u00ebsia dhe spontaneiteti n\u00eb kapjen e faktit jet\u00ebsor. Ai e abstragon k\u00ebt\u00eb fakt n\u00eb m\u00ebnyr\u00eb origjinale n\u00ebp\u00ebrmjet nj\u00eb vargu t\u00eb thjesht\u00eb, sa nganj\u00ebher\u00eb duket sikur bie n\u00eb thjesht\u00ebzim, me nj\u00eb figuracion her\u00eb t\u00eb fuqish\u00ebm her\u00eb t\u00eb leht\u00eb, aq sa t\u00eb krijohet idea ndoshta irreale e nj\u00eb far\u00eb anemije. Por k\u00ebto jan\u00eb disa karakteristika t\u00eb p\u00ebrgjithshme q\u00eb mund t\u00eb diskutohen, se poezia e F. HalititIt l\u00eb v\u00ebrtet shteg p\u00ebr t\u00eb diskutuar. “Gjoza, Roland. “Bashk\u00eb me koh\u00ebn ton\u00eb ka ecur edhe poezia” ( Mendime mbi disa problrme t\u00eb poezis\u00eb), gazeta”, 10 dhjetor 1972, f. 4. Dita<\/em>”<\/p>\n

N\u00eb k\u00ebt\u00eb poezi contemplative t\u00eb kqyrjes s\u00eb realitetit t\u00eb r\u00ebndomt\u00eb diktatroial, simbolin flladit\u00ebs e p\u00ebrt\u00ebrit\u00ebs s\u00eb er\u00ebrav e funksionalizon si mjet ndihm\u00ebs p\u00ebr t\u2019i shpalosur xhaket\u00ebn personazhit lirik: \u201cnjeriut t\u00eb sigurimit\u201d, q\u00eb autori e n\u00eb nj\u00eb situat\u00eb absurd i atribuon aktin e pritjes t\u00eb s\u00eb mir\u00ebs n\u00eb poliformitetin e \u201cfeksjes s\u00eb pistolet\u00ebs\u201d. Kjo poezi nj\u00ebkuptimore e vendosi n\u00eb nj\u00eb profilizim t\u00eb ri t\u00eb analiz\u00ebs inherente psikike p\u00ebr t\u00eb p\u00ebrftuar forma arketipore psikike.<\/p>\n

N\u00eb nj\u00eb hark kohor dy vje\u00e7ar, poezia e tij dominoi sistemin letrar me tharbin e guximit qytetar, deri n\u00eb kufijt\u00eb e tekstur\u00ebs s\u00eb protest\u00ebs si n\u00eb poem\u00ebn \u201cDielli e rr\u00ebket\u00eb\u201d. Me figur\u00ebn e simbolit p\u00ebr \u201cDiellin\u201d = Nr.1, t\u00eb partis\u00eb e shtetit, poem\u00eb ku shenja poetike e humbi polivalenc\u00ebn duke i sh\u00ebrbyer nj\u00eb aktakuze t\u00eb varg\u00ebzuar, ku mbetet vet\u00ebm historia dhe fatumet morale n\u00eb kund\u00ebrshti me frym\u00ebn e partis\u00eb n\u00eb vitin 1973.<\/p>\n

K\u00ebshtu Faslli Haliti nga nj\u00eb poet i vler\u00ebsuar p\u00ebr origjinalitetin e thjesht\u00ebsin\u00eb e mesazheve t\u00eb drejtp\u00ebrdrejta nisi t\u00eb goditej n\u00eb ball\u00eb t\u00eb gjer\u00eb nga gjith\u00eb kritika zyrtare, p\u00ebr t\u2019iu hequr p\u00ebr 10 vjet t\u00eb drejtat e profesionit dhe t\u00eb botimit. Se ku do t\u00eb arrinte kritika e Halitit ndaj regjimit vet\u00ebkuptohej, pasi ai me stilin e tij t\u00eb zgjedhur \u201cprimitiv\u201d sillte virulenc\u00ebn e past\u00ebrtin\u00eb transindividuale, arketipin kolektiv, t\u00eb njeriut t\u00eb pun\u00ebs, t\u00eb myzeqarit, duke b\u00ebr\u00eb t\u00eb vetat sintagmat e k\u00ebtij arketipi. Poezia e tij u b\u00eb avokat e s\u00eb drejt\u00ebs q\u00eb shkelej haptas e sidomos n\u00eb province, si Lushnja e poetit.<\/p>\n

Nd\u00ebrsa poezia tjet\u00ebr e famshme \u201cDjali i sekretarit\u201d mbetet n\u00eb kufijt\u00eb paradigmatik\u00eb t\u00eb kuptimit, ku poezia paraqet preteza morale dhe sigmatizon nj\u00eb ves gjith\u00ebkohor si \u201cservilizmi\u201d, duke p\u00ebrdorur figuracion deri perversiv: \u201cPastaj vajzat tuaja do ta gjejn\u00eb shokun vet\u00eb. \/ Ju jeni pleq.\u201d<\/p>\n

THOJZAT E ARTIT DHE \u201cKORREKTJA\u201d<\/strong><\/p>\n

Duke u p\u00ebrsiatur n\u00eb p\u00ebrfshirjen e z\u00ebrit t\u00eb vet me at\u00eb t\u00eb nj\u00eb klase periferike, komplementon teorin\u00eb letrare engelsiane s\u00eb paraqitjes = ide + p\u00ebrvoje e sogjetuar nga subjekti krijues. Kontemplativiteti poetik kthehet n\u00eb kontest politik, soditja lirike n\u00eb butaforin\u00eb e v\u00ebzhgimit. Teoria e materializmit i sh\u00ebrben p\u00ebr t\u2019i mbushur vargjet me faktologji rebusesh.<\/p>\n

N\u00eb k\u00ebrkim t\u00eb realizimit, Haliti u ndesh me amballazhin realist, e dep\u00ebrtoi at\u00eb dhe duke u thelluar n\u00eb t\u00eb v\u00ebrtetat e filozofis\u00eb s\u00eb p\u00ebrqafuar, poezia e tij p\u00ebsoi krisjen e nj\u00eb vet\u00ebbesimi, nj\u00eb histori thuajse teologjike, p\u00ebr misionin e poetit. Zhg\u00ebnjimi nga realiteti dhe eksperimenti i ngjalljes s\u00eb emfaz\u00ebs s\u00eb protest\u00ebs duke u dh\u00ebn\u00eb z\u00eb heshtjes dhe p\u00ebruljes, lindi misionarin. P\u00ebr t\u00eb mb\u00ebrritur n\u00eb k\u00ebt\u00eb cak, shkeli dhe iden\u00eb, duke u b\u00ebr\u00eb k\u00ebshtu skizmatik i besimit.
\n_______________________________________
\n7) Haliti, Faslli, “N\u00ebntori” Nr, 4, prill , 1972, f. 156<\/em><\/p>\n

REALITETI DHE \u201cNXIRJA E REALITETIT”*<\/strong><\/p>\n

Faslli Haliti q\u00eb pati ironizuar edhe her\u00eb t\u00eb tjera n\u00eb motivin e tij t\u00eb profilizuar t\u00eb \u201cSekretarit\u201d si demiurg q\u00eb ia ndri\u00e7on \u201ckonceptet e err\u00ebta\u201d poetit t\u00eb analizuar m\u00eb sip\u00ebr n\u00eb Pleniumin e IV, hasi p\u00ebrball\u00eb nj\u00eb arsenal q\u00eb ia kishin diktuar kodin e tij p\u00ebrtall\u00ebs. Tashm\u00eb i \u201cdemaskuar\u201d militantizmi i tij u fut n\u00eb thojza dhe vepra e tij u shua p\u00ebr dy dekada.<\/p>\n

Fryma e Majakovskit e kishte p\u00ebrfshir\u00eb shumic\u00ebn e vargjeve t\u00eb tij si bie fjala: \u201cShok\u00eb. Krijoni nj\u00eb art t\u00eb ri\u201d.<\/p>\n

Vargjet e tij nd\u00ebrtohen shpesh nga aforizma mendimi, nxjerr\u00eb nga kodi i s\u00eb drejt\u00ebs por sipas reporterit t\u00eb tij interpretohen si programe politike groteske. Kulti i s\u00eb drejt\u00ebs sociale e ka tronditur poezin\u00eb e Halitit, aq sa shpesh devijon misionin estetik…<\/p>\n

Librat e botuara nga ai n\u00eb vitet \u201997 \u2013 2010: \u201cS\u2019di t\u00eb hesht\u201d, \u201cKaq\u201d etj\u2026 kan\u00eb ende dimensionin etik t\u00eb receptivitetit t\u00eb viteve \u201970.<\/p>\n

________________________________
\n8) CIT. Nga Agolli, Drit\u00ebro. “Raport i n\u00eb Pleniumin e Shkrimtar\u00ebve dhe Artist\u00ebve t\u00eb Shqip\u00ebris\u00eb m\u00eb 24-25 korrik 1973, fjala e Enver Hoxh\u00ebs n\u00eb Pleniumin IV t\u00eb KQ, mbi “Shfaqet e huaja n\u00eb let\u00ebrsi e art\u00eb:” Shkrimet e err\u00ebta nga brendia e forma, jan\u00eb pjell\u00eb e mendimit dhe e ndjenjave t\u00eb \u00e7oroditura t\u00eb njer\u00ebzve ku sundon regjimi i kapitalit, i shtypjes dhe i shfryt\u00ebzimit t\u00eb njeriut, i shtypjes komb\u00ebtare dhe i munges\u00ebs s\u00eb liris\u00eb s\u00eb shprehjes s\u00eb mendimeve.<\/em>“<\/p>\n","protected":false},"excerpt":{"rendered":"

FASLLI .H, PORTRET: VIZ. 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