{"id":40958,"date":"2019-05-06T15:29:30","date_gmt":"2019-05-06T13:29:30","guid":{"rendered":"http:\/\/www.fjala.info\/?p=40958"},"modified":"2019-05-06T15:29:30","modified_gmt":"2019-05-06T13:29:30","slug":"libri-moda-e-varferise-i-konstandin-dhamos","status":"publish","type":"post","link":"https:\/\/jehonashqiptare.al\/fjala\/libri-moda-e-varferise-i-konstandin-dhamos\/","title":{"rendered":"LIBRI \u201cMODA E VARF\u00cbRIS\u00cb\u201d I KONSTANDIN DHAMOS"},"content":{"rendered":"

FASLLI HALITI<\/strong><\/p>\n

NE BOTIMIN E TRETE TE ZGJERUAR<\/strong><\/p>\n

. ESE<\/strong> .<\/p>\n

P\u00ebrmbledhja poetike Moda e Varf\u00ebris\u00eb e poetit dhe prozatorit Konstandin Dhamo, \u00ebsht\u00eb koherente si dhe nj\u00eb sfid\u00eb ndaj poezis\u00eb nebuloz\u00eb dhe t\u00eb zhvidhosur, t\u00eb \u00e7akorduar, manieriste, eksentrike, snobiste q\u00eb duket her\u00eb-her\u00eb n\u00eb tregun e lir\u00eb t\u00eb sot\u00ebm poetik, por q\u00eb p\u00ebr fat mbetet stok, pasi me gjith\u00eb k\u00ebmb\u00ebnguljen e pseudokritik\u00ebve dhe recensent\u00ebve panegjerist\u00eb, ajo shp\u00ebrfillet nga lexuesi. N\u00eb gjoksin poetik t\u00eb Dhamos nuk ka z\u00ebn\u00eb e nuk z\u00eb vend papagalli dhe majmuni, ai sheh me syt\u00eb e tij teleskopik\u00eb, d\u00ebgjon m\u00eb me holl\u00ebsi, ec\u00ebn me hapin e tij, pa marr\u00eb asnj\u00eb shqis\u00eb apo gjymtyr\u00eb poetike me qira. Kjo nuk do t\u00eb thot\u00eb q\u00eb ai \u00ebsht\u00eb indiferent ndaj form\u00ebs, figuracionit t\u00eb ri, teknologjis\u00eb s\u00eb re n\u00eb perfeksionim, p\u00ebrkundrazi, realist i mpreht\u00eb, i thell\u00eb, i gjer\u00eb gjith\u00eb kolor, ai nuk \u00ebsht\u00eb dh\u00ebn\u00eb e nuk jepet si nj\u00eb adoleshent pas arteficeve, modave dhe snobizmave q\u00eb n\u00eb hapat e para t\u00eb krijimtaris\u00eb s\u00eb tij poetike e deri tani n\u00eb pjekurin\u00eb e tij t\u00eb plot\u00eb.<\/p>\n

Poeti Dhamo, i zhytur i t\u00ebri n\u00eb thell\u00ebsit\u00eb e realitetit sjell prej k\u00ebtyre thell\u00ebsive perla temash, ide t\u00eb r\u00ebnd\u00ebsishme t\u00eb shoq\u00ebruara me figura stilistike, detaje, p\u00ebrfytyrime poetike. Poezis\u00eb s\u00eb tij t\u00eb qart\u00eb e t\u00eb drejtp\u00ebrdrejt\u00eb nuk i mungojn\u00eb as tropet e<\/p>\n

thjeshta; krahasimi, epiteti, as tropet e nd\u00ebrlikuara; metafora, metonimia, simboli, ironia dhe sidomos inversioni poetik etj..P\u00ebrkundrazi. Vet\u00eb titulli Moda e varf\u00ebris\u00eb \u00ebsht\u00eb nj\u00eb paradoks, sepse paradoksale dhe tejet snobiste ishte dhe moda e varf\u00ebris\u00eb q\u00eb filluan t\u00eb ndiqnin t\u00eb rinjt\u00eb tan\u00eb q\u00eb n\u00eb dit\u00ebt e para t\u00eb viteve n\u00ebnt\u00ebdhjet\u00eb. Si kontrapunkt i ardhjes s\u00eb diktatur\u00ebs me k\u00ebng\u00eb valle, saze, daulle, g\u00ebzim dhe hare fiktive, teatrale, paradoksale, absurde, komike, demokracia erdhi te ne, me mod\u00ebn e varf\u00ebris\u00eb teatrale, me imitim leckash dhe zhelesh:<\/p>\n

Funde dhe pantallona xhins
\nT\u00eb grisura enkas,
\nEnkas grir\u00eb dhe shqyer,
\nNdotur dhe arnuar
\nPo sa s\u2019t\u00eb shkon ty, moj Shqip\u00ebri e mjer\u00eb,
\nKjo varf\u00ebri e imituar\u2026<\/p><\/blockquote>\n

Poeti duke qen\u00eb i dh\u00ebn\u00eb pas s\u00eb bukur\u00ebs, nuk e duron dot imitimin si nj\u00eb shfaqe t\u00eb shterp\u00ebsis\u00eb, t\u00eb paaft\u00ebsis\u00eb p\u00ebr krijim, fantazi e origjinalitet. Origjinalitetin, poeti, nuk e k\u00ebrkon si nj\u00eb q\u00ebllim n\u00eb vetvete, por si nj\u00eb p\u00ebrpjekje p\u00ebr identitet, pasurim, prurje t\u00eb reja, t\u00eb papara. K\u00ebt\u00eb k\u00ebrkon ai n\u00eb jet\u00eb, po k\u00ebt\u00eb k\u00ebrkon dhe n\u00eb krijimtarin\u00eb poetike. Dhamo \u00ebsht\u00eb po ai poet i m\u00eb parsh\u00ebm, por me shqet\u00ebsime m\u00eb t\u00eb m\u00ebdha, ai ka po at\u00eb ball\u00eb poetik t\u00eb men\u00e7ur poetik, por me rrudha m\u00eb t\u00eb dendura, m\u00eb t\u00eb thella, ka po at\u00eb zem\u00ebr poetike, por m\u00eb t\u00eb gjer\u00eb, me rrahje m\u00eb t\u00eb shpeshta ndaj shqet\u00ebsimeve, halleve shoq\u00ebrore,ndaj prap\u00ebshtive si atyre moniste dhe postkomuniste, e mbushur plot ndjenja ende m\u00eb t\u00eb bukura globale dhe intime; qielli i frym\u00ebzimit t\u00eb tij \u00ebsht\u00eb po ai qiell poetik, por me kalt\u00ebrsi m\u00eb t\u00eb kthjella; gjoksi i tij poetik \u00ebsht\u00eb po ai, por me shkulme m\u00eb t\u00eb furishme dhe q\u00ebt\u00ebsi t\u00eb reja, m\u00eb i gjer\u00eb e m\u00eb i prirur ndaj s\u00eb res\u00eb, m\u00eb dimensional.<\/p>\n

Po pse s\u2019e pranon poeti k\u00ebt\u00eb mod\u00eb t\u00eb varf\u00ebris\u00eb n\u00eb jet\u00eb e n\u00eb art? Ai nuk e pranon sepse ajo \u00ebsht\u00eb teatrale, \u00ebsht\u00eb nj\u00eb imitim i verb\u00ebr i mod\u00ebs q\u00eb ka praktikuar e praktikon rinia e vendeve me mir\u00ebqenie t\u00eb lart\u00eb. Atje kjo mod\u00eb teatrale as ka cenuar, as s\u2019cenon gj\u00eb. Dikur, n\u00eb vendet kapitaliste, ajo ishte nj\u00eb protest\u00eb e but\u00eb, kurse sot \u00ebsht\u00eb thjesht di\u00e7ka \u00ebmb\u00eblake, indiferente ndaj bezdive etiko-morale. N\u00eb vendet ish socialiste, p\u00ebrkundrazi, kjo mod\u00eb, jo vet\u00ebm ndalohej, por edhe d\u00ebnohej, sepse nxirrte n\u00eb shesh varf\u00ebrin\u00eb reale t\u00eb cil\u00ebn diktatura b\u00ebnte \u00e7mos q\u00eb ta mbulonte me propaganda roz\u00eb:<\/p>\n

Moda ishte krim,
\nKrim dashuria ishte.
\nP\u00ebrball\u00eb shtetit
\nFajtor duhet t\u00eb ndiheshe !<\/p><\/blockquote>\n

Nd\u00ebrsa n\u00eb jet\u00eb poeti duket disi i ashp\u00ebr, n\u00eb poezi ai shfaqet i but\u00eb, i ndjesh\u00ebm edhe kur trajton motive q\u00eb p\u00ebrmbajn\u00eb revolt\u00eb, protest\u00eb, zem\u00ebrim, ai b\u00ebhet melankolik dhe nervoz, por nervozizmin e tij e mbyt zhg\u00ebnjimi i tjet\u00ebrsimit t\u00eb njerezve dhe rr\u00ebnimi i mjedisit\u2026<\/p>\n

Po ku jan\u00eb tani ato femra
\nQ\u00eb mbajt\u00ebn t\u00eb parat minifunde ?
\nAta djem q\u00eb vesh\u00ebn t\u00eb par\u00ebt xhinse.
\nKu jan\u00eb?<\/p>\n

Un\u00eb i kujtoj me mall,
\nMelankolik b\u00ebhem, madje nervoz
\nN\u00eb Rrug\u00ebn e Durr\u00ebsit t\u00eb harruar,
\nPo ku t\u00eb pi nj\u00eb kafe, ku ?
\nTe Flora, tashm\u00eb
\nShk\u00ebmbehet valut\u00eb\u2026<\/p><\/blockquote>\n

Ky poet i ashp\u00ebr dhe nervoz n\u00eb dukje, n\u00eb poezi \u00ebsht\u00eb i but\u00eb e pik\u00ebllohet thell\u00eb kur sheh nj\u00eb n\u00ebpun\u00ebs q\u00eb shkon e kthehet nga zyra n\u00eb k\u00ebmb\u00eb po me at\u00eb kostum dhe njer\u00ebzit thon\u00eb, \/ Sa i ndersh\u00ebm, si\u00e7 do t\u00eb thoshin, sa i marr\u00eb\/ q\u00eb dhe \/F\u00ebmij\u00ebt n\u00eb shkoll\u00eb s\u2019i rregulloi dot\/, q\u00eb \/Gruaja e tij n\u00eb dim\u00ebr,\/Pallton e vjet\u00ebr s\u00ebrish veshi\/, apo kur sheh nj\u00eb ish drejtor t\u00eb papun\u00eb \/Tek rri n\u00eb radh\u00eb kokulur me t\u00eb tjer\u00ebt\/ p\u00ebr t\u00eb marr\u00eb asistenc\u00ebn sociale, \/ Nd\u00ebrsa n\u00ebpun\u00ebsja e shtetit \/ Ul syt\u00eb kur i zgjat lek\u00ebt\/. Por pik\u00ebllimi i poetit shtohet, sidomos kur sheh q\u00eb \/Ministria e Brendshme i detyron f\u00ebmij\u00ebt\/ N\u00eb qese tejdukse celofani t\u2019i mbajn\u00eb librat, \/Dhe t\u2019i kontrollojn\u00eb te porta f\u00ebmij\u00ebt\/ P\u00ebr bomba, apo p\u00ebr granata,\/ N\u00eb vend q\u00eb t\u00eb kontrollojn\u00eb kriminel\u00ebt\u2026\/ U dhemb f\u00ebmij\u00ebve p\u00ebr \u00e7antat bosh, hedhur n\u00eb nj\u00eb qoshe,\/ \u00c7anta bler\u00eb gjith\u00eb qejf, me figurat e Tomit e Xherrit\/ Mbretit Luan, apo Batman\u2026\/. Frym\u00ebzimi I poetit \u00ebsht\u00eb aty ku jan\u00eb njer\u00ebzit n\u00eb nevoj\u00eb. Ai radhitet shpirt\u00ebrisht krah\u00eb gjith\u00eb atyre q\u00eb emigrojn\u00eb p\u00ebr mbijetes\u00eb apo t\u00eb zhg\u00ebnjyerve q\u00eb synojn\u00eb El Doradon. Pa dyshim edhe k\u00ebtu kemi t\u00eb b\u00ebjm\u00eb me nj\u00eb paradoks t\u00eb v\u00ebrtet\u00eb t\u00eb koh\u00ebs.<\/p>\n

Pik\u00ebllimi i poetit kulmon kur v\u00eb re kolegun e tij me nj\u00eb plumb n\u00eb dor\u00eb t\u00eb p\u00ebrhumbur thell\u00eb dhe q\u00eb<\/p>\n

Ndihet fajtor, mjek\u00ebr ka l\u00ebn\u00eb,
\n\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026
\nCigarja i digjet si fitil dinamiti
\nDhe flet pak, psher\u00ebtin shum\u00eb.
\nNdoshta plumbi \u00ebsht\u00eb nxjerr\u00eb nga trupi \u2013 lule i nj\u00eb f\u00ebmije\u2026<\/p><\/blockquote>\n

Poezia e Dhamos \u00ebsht\u00eb, jo vet\u00ebm poezi e rrokjes mrekullisht t\u00eb t\u00eb p\u00ebrgjithshmes poetike, por ajo \u00ebsht\u00eb edhe poezi e kapjes mrekullisht t\u00eb detajit poetik duke e pasuruar k\u00ebshtu t\u00eb p\u00ebrgjithshmen poetike, pa e cenuar at\u00eb aspak.<\/p>\n

Por muret e ambasad\u00ebs s\u2019kap\u00ebrcehen dot;
\nMadje, mbi ta shk\u00eblqejn\u00eb verbuesh\u00ebm
\nTelat me gjemba si t\u00eb nazist\u00ebve,
\nApo si t\u00eb kufijve t\u00eb diktatur\u00ebs\u2026<\/p><\/blockquote>\n

Detaji i mureve t\u00eb ambasadave me tela k\u00ebtu nuk \u00ebsht\u00eb nj\u00eb bravur\u00eb apo fioritur\u00eb poetike, por thell\u00ebsish dramatike dhe n\u00eb funksion t\u00eb dometh\u00ebnies. Kishim para syve nj\u00eb cortino di ferro gjat\u00eb diktatur\u00ebs, dhe ja na u vu para syve nj\u00eb cortino di vetro. Nd\u00ebrsa perdja e hekurt s\u2019kalohej, por edhe s\u2019na linte t\u00eb shihnim p\u00ebrtej kufirit, tani perdja qelqore posdiktatur\u00eb na lejon t\u00eb shohim p\u00ebrtej kufirit, por ne p\u00ebrplasemi n\u00eb t\u00eb si mizat n\u00eb qelq. Zhg\u00ebnjim i madh.<\/p>\n

Ja nj\u00eb detaj tjet\u00ebr monumental p\u00ebr nd\u00ebrrimin e pushtetit n\u00eb demokracit\u00eb per\u00ebndimore no koment:<\/p>\n

Ish presidenti
\nKodin atomik i dor\u00ebzon
\nPresidentit t\u00eb ri
\nMonumentalisht p\u00ebrsh\u00ebndeten,
\nSi dy epoka ndahen.<\/p><\/blockquote>\n

Dhe m\u00eb posht\u00eb:<\/p>\n

Jehojn\u00eb brohoritjet, ndrit entuziazmi,<\/p><\/blockquote>\n

Dhe<\/p>\n

Sa i pranish\u00ebm shteti, sa i p\u00ebrhersh\u00ebm,
\nSa i sigurt
\nSa mizorisht i sigurt!<\/p><\/blockquote>\n

Detaji k\u00ebtu p\u00ebrmban habi, por t\u00ebrthorazi edhe nj\u00eb keqardhje t\u00eb skajshme p\u00ebr rrotacionin e pushtetit te ne dhe p\u00ebr munges\u00ebn e shtetit ligjor e t\u00eb drejt\u00eb.<\/p>\n

Intelektual\u00ebve q\u00eb marrin ndihma poeti u rezervon k\u00ebt\u00eb detaj t\u00eb dhimbsh\u00ebm poetik:<\/p>\n

Ah, sa dhunsh\u00ebm t\u00eb posht\u00ebron varf\u00ebria !<\/p><\/blockquote>\n

Dhamo \u00ebsht\u00eb edhe nj\u00eb peizazhist i tipit t\u00eb Savrasovit. Peizazhet e tij poetike jan\u00eb jo vet\u00ebm thell\u00ebsisht shqiptare, por edhe gjith\u00eb kolor e freski t\u00eb realizuar me figurat m\u00eb adekuate. i dashuruar me token, pem\u00ebt, uj\u00ebrat, flor\u00ebn, faun\u00ebn peneli i tij poetik l\u00ebviz si krah dall\u00ebndysheje n\u00eb telajot e strofave duke na dh\u00ebn\u00eb akuarele tejet t\u00eb fresk\u00ebta qelqore:<\/p>\n

Fusha ndan\u00eb zallit, male dhe re,
\nFshatra fshehur mjegullash diku\u2026
\nShkumbon Shkumbini;
\nShelgjet brigjesh
\nSi shat\u00ebrvan\u00eb derdhen, dridhen flu.<\/p><\/blockquote>\n

Freskia realizohet k\u00ebtu n\u00ebp\u00ebrmjet nj\u00eb aliteracini Fanolian.<\/p>\n

Por Dhamo p\u00ebrdor\u00eb me mjesht\u00ebri dhe inversionin poetik, figure kjo e p\u00ebrdorur nga Majakovski dhe Kadareja yn\u00eb. Inversionin e hasin pothuaj n\u00eb gjith\u00eb librin, por ve\u00e7an\u00ebrisht at\u00eb e hasim n\u00eb poem\u00ebn furi \u2019\u2019Zoti Kallashnikov\u2019\u2019<\/p>\n

Prisnim CNN \u2013in, RAIN \u2013 in prisnim<\/p><\/blockquote>\n

Ose<\/p>\n

Shqip\u00ebria rrezikoi p\u00ebrs\u00ebri t\u00eb cop\u00ebtohej,
\nT\u00eb zhdukej krejt rrezikoi<\/p><\/blockquote>\n

Poeti Dhamo jepet m\u00eb shum\u00eb sukses pas lirik\u00ebs shoq\u00ebrore, por edhe pas asaj filozofike e erotike. Ndon\u00ebse disi t\u00eb rralla po kur ai trajton lirik\u00ebn e dashuris\u00eb, derdh n\u00eb t\u00eb gjith\u00eb pasurin\u00eb e tij poetike, tretet i t\u00ebri n\u00eb k\u00ebt\u00eb ndjenj\u00eb q\u00eb konkurron dhe vet\u00eb blerimin bjeshkor:<\/p>\n

Gjer larg e ndjek tek ik\u00ebn.
\nNdodh q\u00eb kok\u00ebn kthen.
\nHumor t\u00eb mir\u00eb n\u00eb pun\u00eb
\nKam, kur e shoh p\u00ebrher\u00eb\u2026<\/p><\/blockquote>\n

Dhe n\u00eb dy poezi t\u00eb tjera:<\/p>\n

Tani e heshtur nga pylli
\nK\u00ebputet vjeshta flet\u00eb \u2013 flet\u00eb.
\nS\u00eb shpejti mes deg\u00ebsh t\u00eb zhveshura
\nVe\u00e7 gjethja e h\u00ebn\u00ebs do t\u00eb mbes\u00eb…
\n….<\/p>\n

Ato plepat puplor\u00eb flu
\nNdan\u00eb udh\u00ebs, n\u00eb pyllin q\u00eb ndrit
\nDashurin\u00eb q\u2019e humb, m\u00eb thon\u00eb:
\nT\u00eb kthehet s\u00ebrish mos prit.<\/p><\/blockquote>\n

Fill pas poem\u00ebs \u2019\u2019Zoti Kallashnikov\u2019\u2019 e cila \u00ebsht\u00eb krijimi m\u00eb i frym\u00ebzuar i p\u00ebrmbledhjes, ku trajtohen me realiz\u00ebm, fantazi dhe nerv poetik e civil t\u00eb gjitha prap\u00ebshtit\u00eb e ndodhura gjat\u00eb viteve postkomuniste dhe sidomos ato t\u00eb vitit t\u00eb \u00e7artur \u201997. Nervi rritet, kur stigmatizohet imoraliteti politik dhe sidomos kur poeti jep prishjen e kulteve fetare, paradoksin e tjet\u00ebrsimit t\u00eb tyre n\u00ebp\u00ebrmjet pyetjesh retorike:<\/p>\n

Po kush n\u00eb bot\u00eb si ne
\nPrishi kisha dhe xhami ?
\nKush ua ktheu n\u00eb kulla vrojtimi zjarrfik\u00ebsish
\nMinaret dhe kambanoret ?
\nKush i ktheu vet\u00eb ato n\u00eb magazine veglash bujq\u00ebsore;
\nN\u00eb depo pesticidesh, n\u00eb depo municionesh ?
\nKush n\u00eb bot\u00eb i b\u00ebri qendra t\u00eb edukimit politik ?
\nPalestra sportive kush i b\u00ebri ?<\/p><\/blockquote>\n

Dhe vazhdon po me pyetje d\u00ebrrmuese retorike:<\/p>\n

Pse s\u2019ec\u00ebn ky vend,
\nSi t\u00eb tjer\u00ebt, pse s\u2019ec\u00ebn ?<\/p><\/blockquote>\n

ose<\/p>\n

Po t\u00eb ikurve sot
\nN\u00eb \u00e7far\u00eb u kthehet balta e m\u00ebm\u00ebdheut vall\u00eb?<\/p><\/blockquote>\n

Si\u00e7 kuptohet, n\u00ebp\u00ebrmjet k\u00ebtyre vargjeve del n\u00eb pah zhg\u00ebnjimi i theksh\u00ebm i t\u00eb emigruarve p\u00ebr mbijetes\u00eb apo p\u00ebr pasurim t\u00eb p\u00ebrrallt\u00eb. Dhe u duk sikur<\/p>\n

Nj\u00eb m\u00ebngjes shqiptar\u00ebt nga fajdet,
\nSi n\u2019\u00ebnd\u00ebrr t\u00eb pasur u gdhin\u00eb.<\/p><\/blockquote>\n

Por<\/p>\n

Nga fajdet nj\u00eb m\u00ebngjes p\u00ebrs\u00ebri
\nSi n\u2019\u00ebnd\u00ebrr t\u00eb varf\u00ebr u gdhin\u00eb<\/p><\/blockquote>\n

Dhe<\/p>\n

Ku do t\u2019i gjenin tani parat\u00eb,
\nPun\u00eb, ku do t\u00eb gjenin tani ?
\n\u00c7\u2019na b\u00ebre moj qeveri?<\/p><\/blockquote>\n

Pas k\u00ebsaj poeme furtune, vendoset nj\u00eb tuf\u00eb fine haikesh si nj\u00eb varg brilantesh splendid n\u00eb gjoksin e librit. k\u00ebto nuk durojn\u00eb komente, ato e venitin \u00e7do koment m\u00eb drit\u00ebsin\u00eb e tyre. Haiket e Dhamos shijohen, jo duke i komentuar e analizuar, por duke i lexuar e rilexuar.<\/p>\n

Duke mos ndjekur modat si adoleshent, apo si \u00e7\u2019b\u00ebjn\u00eb t\u00eb patalentuarit,duke p\u00ebrthithur arritjet e artit bot\u00ebror, duke p\u00ebrpir\u00eb \u00e7do form\u00eb t\u00eb re t\u00eb v\u00ebrtet\u00eb krijuese si poet me talent t\u00eb konsoliduar, ai \u00ebsht\u00eb dhe do t\u00eb mbetet poet i tri dimensioneve kohore: i s\u00eb djeshmes, i s\u00eb sotmes dhe i s\u00eb nes\u00ebrmes. Poezia vitale ka vetin t\u00eb rritet, t\u00eb hedh\u00eb shtat vazhdimisht, kurse poezia dekorative, artificiale, si lulet prej letre s\u2019e kan\u00eb k\u00ebt\u00eb veti shtathedh\u00ebse. Duke qen\u00eb poet koherent edhe stili i tij \u00ebsht\u00eb koherent. Ai ruan tiparet qen\u00ebsore t\u00eb stilit t\u00eb tij q\u00eb nga fillimi i krijimtaris\u00eb 45-vje\u00e7are, duke e p\u00ebrsosur at\u00eb pa i cenuar atij asnj\u00eb tipar.<\/p>\n

Nd\u00ebrsa p\u00ebrmbajtja \u00ebsht\u00eb e t\u00eb gjith\u00ebve, stili i tij \u00ebsht\u00eb vet\u00ebm i tij. Stili \u00ebsht\u00eb vet\u00eb poeti. Edhe pse n\u00eb dukje e ashp\u00ebr, sita poetike e Dhamos sit im\u00ebt, z\u00ebri i tij poetik timbron holl\u00eb, sidomos n\u00eb poezit\u00eb lirike dhe peizazhet me drit\u00eb t\u00eb blert\u00eb. Poeti Dhamo afishon edhe kultur\u00eb edhe stil n\u00eb poezit\u00eb e tij. Poezit\u00eb e tij e kan\u00eb n\u00eb sinkron mendim dhe ndjenj\u00ebn. Ai e ruan mrekullisht mas\u00ebn n\u00eb p\u00ebrdorimin e figuracionit dhe ndjenj\u00ebs. Sepse si\u00e7 thot\u00eb Hugoi, ndjenja e tep\u00ebrt \u00ebsht\u00eb si vaji i q\u00eb e shuan zjarrin. Poezit\u00eb e Dhamos kan\u00eb nj\u00eb prush t\u00eb but\u00eb si prushi i drurit t\u00eb moll\u00ebs, qershis\u00eb, blirit.<\/p>\n

Ai ka kultin e fjal\u00ebs. E k\u00ebrkon at\u00eb kudo, e gjen n\u00eb jet\u00eb, n\u00eb t\u00eb folur\u00ebn e p\u00ebrditshme, n\u00eb krijimet orale, e p\u00ebrthith dhe e fut n\u00eb poezi, krijon neologjizma, jo p\u00ebr ta b\u00ebr\u00eb t\u00eb err\u00ebt poezin\u00eb, por p\u00ebr ta b\u00ebr\u00eb m\u00eb t\u00eb pasur dhe t\u00eb qart\u00eb. Ve\u00e7 kultit t\u00eb fjal\u00ebs, poeti Dhamo ka t\u00eb zhvilluar dhe kultin e qart\u00ebsis\u00eb si nj\u00eb sfid\u00eb ndaj paqart\u00ebsive t\u00eb poezive belbane. Atij s\u2019i p\u00eblqen t\u00eb k\u00ebndoj\u00eb si bretkosat n\u00ebn akull…<\/p>\n

N\u00eb v\u00ebllim, faqet e fundit i p\u00ebrkasin Haiku \u2013 t, k\u00ebsaj perle t\u00eb gjinis\u00eb poetike japoneze, t\u00eb l\u00ebvruar tashm\u00eb edhe n\u00eb let\u00ebrsin\u00eb shqipe. Madje tek lexon Haiku \u2013n e autor\u00ebve tan\u00eb, shprehesh: ah, haiku mun t\u00eb kishte lindur fare mir\u00eb edhe k\u00ebtu, n\u00eb Shqip\u00ebri; kaq shpejt u trasnplantua ai n\u00eb shpirtin poetik shqiptar, dhe her\u00eb \u2013 her\u00eb trevarg\u00ebshi i tij, reg\u00ebtin p\u00ebrmes ca metaforave dhe hiperbolave q\u00eb t\u00eb kujtojn\u00eb folklorin ton\u00eb.
\nPor, ja dy haiku t\u00eb Konstandinit:<\/p>\n

Piruetat e lulediellit
\nHomazh
\nVan Gogut…<\/p>\n

….<\/p>\n

Krrokat korbi, bilbili k\u00ebndon ;
\nDizonanc\u00eb zem\u00ebrake,
\nPor mua m\u00eb p\u00eblqen…<\/p><\/blockquote>\n

Konstandin Dhamo q\u00eb ka punuar gjith\u00eb jet\u00ebn n\u00eb Televizion, n\u00eb institucionin e informacionit pra, dhe t\u00eb publicitetit, zor se ka l\u00ebn\u00eb koleg t\u00eb letrave pa e ndihmuar t\u00eb promovohet n\u2019ekran, teksa veten e tij nd\u00ebrkoh\u00eb, s\u2019e ka promovuar kurr\u00eb; ai thjesht i boton librat e tij dhe s\u2019merret me publikimin e tyre. Nj\u00eb gj\u00eb e mir\u00eb pluskon vetvetiu, argumenton ai, por p\u00ebr mua e ka gabim dit\u00eb e nat\u00eb, tashm\u00eb q\u00eb s\u2019merret vesh se \u00e7\u2019b\u00ebhet.
\nSidoqoft\u00eb, libri i tij i ribotuar \u201cModa e Varf\u00ebris\u00eb\u201d \u00ebsht\u00eb v\u00ebrtet shum\u00eb i mir\u00eb !<\/p>\n","protected":false},"excerpt":{"rendered":"

FASLLI HALITI NE BOTIMIN E TRETE TE ZGJERUAR . ESE . P\u00ebrmbledhja poetike Moda e Varf\u00ebris\u00eb e poetit dhe prozatorit Konstandin Dhamo, \u00ebsht\u00eb koherente si dhe nj\u00eb sfid\u00eb ndaj poezis\u00eb nebuloz\u00eb dhe t\u00eb zhvidhosur, t\u00eb \u00e7akorduar, manieriste, eksentrike, snobiste q\u00eb duket her\u00eb-her\u00eb n\u00eb tregun e lir\u00eb t\u00eb sot\u00ebm poetik, por q\u00eb p\u00ebr fat mbetet stok, […]<\/p>\n","protected":false},"author":1,"featured_media":40959,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[13,8],"tags":[],"class_list":["post-40958","post","type-post","status-publish","format-standard","has-post-thumbnail","category-ese","category-letersi"],"yoast_head":"\nLIBRI \u201cMODA E VARF\u00cbRIS\u00cb\u201d I KONSTANDIN DHAMOS - FJALA e LIR\u00cb<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/jehonashqiptare.al\/fjala\/libri-moda-e-varferise-i-konstandin-dhamos\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"LIBRI \u201cMODA E VARF\u00cbRIS\u00cb\u201d I KONSTANDIN DHAMOS - FJALA e LIR\u00cb\" \/>\n<meta property=\"og:description\" content=\"FASLLI HALITI NE BOTIMIN E TRETE TE ZGJERUAR . 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