{"id":40997,"date":"2019-05-07T16:31:49","date_gmt":"2019-05-07T14:31:49","guid":{"rendered":"https:\/\/www.fjala.info\/?p=40997"},"modified":"2019-05-07T16:31:49","modified_gmt":"2019-05-07T14:31:49","slug":"tregime-te-pjekura-ne-diellin-e-zemres","status":"publish","type":"post","link":"https:\/\/jehonashqiptare.al\/fjala\/tregime-te-pjekura-ne-diellin-e-zemres\/","title":{"rendered":"TREGIME TE PJEKURA NE DIELLIN E ZEMRES"},"content":{"rendered":"

FASLLI HALITI<\/strong><\/p>\n

ESE<\/strong><\/p>\n

N\u00eb euromaksin e let\u00ebrsis\u00eb shqipe, p\u00ebrmbledhja me tregime Rruga e Dibr\u00ebs ose Broadway, e shkrimtarit Konstandin Dhamo, p\u00ebrb\u00ebn pavijonin narrativ m\u00eb me jet\u00eb, e jo vet\u00ebm m\u00eb me jet\u00eb, por m\u00eb me jet\u00eb shqiptare; me personazhe e mjedise shqiptare t\u00eb djeshme e prezente, me ide dhe filozofi t\u00eb koh\u00ebs. Personazhet, edhe pse asnjerin nuk e shohim me qeleshe n\u00eb kok\u00eb, apo t\u00eb veshur me gun\u00eb e me paraqitje t\u00eb tjera etnografike, t\u00eb gjith\u00eb kan\u00eb karakter, temperament dhe integritet shqiptar, por edhe tipik ballkanik dhe europian. Shkrimtari p\u00ebrq\u00ebndrohet te shpirti dhe jo tek etnografia apo te dekori, aparenca e k\u00ebtij apo atij personazhi.<\/p>\n

Lexuesi k\u00ebt\u00eb e v\u00eb re menj\u00ebher\u00eb, sapo nis te lexoj\u00eb faqet e para t\u00eb p\u00ebrmbledhjes s\u00eb tij dhe e ndjek autorin gjat\u00eb rr\u00ebfimit timgullor, ritmik e koloristik, e d\u00ebgjon, bisedon e dialogon me t\u00eb. Dhamo tregon por nuk p\u00ebrpiqet t\u00eb ndikoj\u00eb me dhun\u00eb n\u00eb veprimet, b\u00ebmat, mendimet, shijet, bindjet e personazheve apo t\u00eb lexuesit; nuk imponon lexuesin q\u00eb t\u00eb pranoj\u00eb idet\u00eb, shijet, bindjet, q\u00ebndrimet e veta ndaj bot\u00ebs e jet\u00ebs. Ai e l\u00eb t\u00eb lir\u00eb lexuesin q\u00eb t\u00eb ndalet atje ku i p\u00eblqen,t\u00eb d\u00ebgjoj\u00eb ato q\u00eb i duken m\u00eb dometh\u00ebn\u00ebse e kumbuese, t\u00eb aprovoj\u00eb e t\u00eb disaprovoj\u00eb, t\u00eb kaloj\u00eb me indiferentiz\u00ebm zonat q\u00eb atij i duken me m\u00eb pak interes.<\/p>\n

Dhamo gjith\u00e7ka e jep reale, natyrsh\u00ebm. Ai nuk ndreq me artin e tij, por emancipon, iluminon, t\u00eb ndri\u00e7on rrug\u00ebn, nuk t\u00eb pajis me k\u00ebmb\u00eb. Tregimet ai nuk i ka \u00e7ekan\u00eb q\u00eb ngulin apo drejtojn\u00eb gozhd\u00eb t\u00eb shtremb\u00ebruara, apo bisturi p\u00ebr t\u00eb operuar zemr\u00ebn apo trurin e njer\u00ebzve.Me narracionin e tij, ai b\u00ebn q\u00eb zemra t\u00eb rrah\u00eb m\u00eb g\u00ebzuesh\u00ebm apo m\u00eb revoltuesh\u00ebm dhe truri t\u00eb rris\u00eb gjykimin dhe arsyetimin n\u00eb maksimum. Pothuaj n\u00eb gjith\u00eb tregimet e librit shihet menj\u00ebher\u00eb sensi i plot\u00eb , konkret material i fjal\u00ebs.<\/p>\n

Nuk e ka fare shijen e t\u00eb ashtuquajtur\u00ebs fraz\u00eb e bukur, edhe pse fraz\u00ebn ai e nd\u00ebrton me fjal\u00eb t\u00eb zgjedhura, t\u00eb paezauruara, t\u00eb gjalla, gjith\u00eb estetik\u00eb, me q\u00ebllimin e vet\u00ebm q\u00eb t\u00eb jepet e plot\u00eb dhe e bukur e v\u00ebrteta, e shoq\u00ebruar kjo me hedonistik\u00eb, me sens. Optika e personazheve dhe e narratorit protagonist \u00ebsht\u00eb e qart\u00eb, e kulluar, me kapacitet intelektual. Tregimet mund t\u2019i marr\u00ebsh si t\u00eb thjesht\u00eb, por n\u00eb t\u00eb v\u00ebrtet\u00eb kemi t\u00eb b\u00ebjm\u00eb me nj\u00eb thjesht\u00ebsi t\u00eb pasur e t\u00eb thell\u00eb. Ndodh pak a shum\u00eb si me ujin e kulluar t\u00eb liqenit q\u00eb ta afron fundin duke t\u00eb krijuar nj\u00eb optik\u00eb iluzore, p\u00ebr thell\u00ebsin\u00eb apo cekt\u00ebsin\u00eb.<\/p>\n

Dhamo ka nj\u00eb stil e teknik\u00eb kompozicionale shum\u00eb origjinale n\u00eb tregimet e tij. Ky origjinalitet vjen, sepse autori komunikon drejtp\u00ebrdrejt me jet\u00ebn, me realitetin, duke qen\u00eb p\u00ebrher\u00eb i v\u00ebmendsh\u00ebm dhe i p\u00ebrq\u00ebndruar n\u00eb maksimum. Ai \u00ebsht\u00eb si ai magneti q\u00eb s\u2019l\u00eb pa thithur asgj\u00eb metalike. Tregon p\u00ebr t\u00eb tjer\u00ebt dhe p\u00ebr veten. Zbulon virtytet dhe dob\u00ebsit\u00eb e vetes dhe t\u00eb tjer\u00ebve, pa asnj\u00eb lloj m\u00ebshire dhe kompromisi…<\/p>\n

Gati, n\u00eb tregimet e librit nuk gjen pothuaj, p\u00ebrdorimin e asnj\u00eb flash \u2013 back, mjet ky i forc\u00ebs dhe kompozicionit q\u00eb p\u00ebrdoret zakonisht n\u00eb filma, romane, novela e tregime. Kjo b\u00ebn q\u00eb rrjedha e tregimit t\u00eb mos b\u00ebj\u00eb indietro, por t\u00eb rrjedh\u00eb si\u00e7 rrjedh burimi, mes gjetheve t\u00eb vjesht\u00ebs e mes blerimit pranveror. Autori ka p\u00ebr zem\u00ebr Paustovskin, \u00c7ehovin, Bukovskin, Mopasanin, Heminguejin, por kur ulet t\u00eb shkruaj\u00eb, ai ka shok vet\u00ebm veten.<\/p>\n

Tregimet jan\u00eb jo vet\u00ebm polivalent\u00eb, por edhe polifonik\u00eb.
\nShkrimtari ka disa fije n\u00eb dor\u00ebn krijuese, dhe me to thurr e modelon tregime gjith\u00eb kolor, dinamik\u00eb dhe p\u00ebrfytyrime t\u00eb pastra qytetare edhe kur ato vijn\u00eb nga bota rurale.<\/p>\n

Tregimet e Dhamos nuk jan\u00eb t\u00eb homogjenizuara, ato krijohen e zhvillohen n\u00ebn diellin e zemr\u00ebs dhe seliten n\u00ebn nj\u00eb kujdes tep\u00ebr racional. Kjo i b\u00ebn t\u00eb k\u00ebrkuar tregimet e tij midis moris\u00eb s\u00eb tregimeve t\u00eb modifikuara, t\u00eb homogjenizuara q\u00eb qarkullojn\u00eb n\u00eb tregun libror; regimet flasin shqip, kund\u00ebrmojn\u00eb er\u00eb bliri, kan\u00eb f\u00ebrf\u00ebrim\u00ebn e plepave, shelgjeve t\u00eb peisazheve tona plot fole zogjsh, kan\u00eb vrullin e lumejve tan\u00eb, nervin dhe bonsensin shqiptar.Jan\u00eb tregime alerte.N\u00eb to has t\u00eb parin realizmin lakuriq e t\u00eb ashp\u00ebr, por aty k\u00ebtu edhe hiperrealizmin , morin\u00eb e detajeve si sytha me lulen dhe frytin n\u00eb goj\u00ebn e fjal\u00ebs. Por k\u00ebto detaje dhe imt\u00ebsi, ruajn\u00eb mas\u00ebn q\u00eb t\u00eb mos mbyten e t\u00eb mos konkurrohen dhe eklipsohen personazhet prej k\u00ebtyre imt\u00ebsive dhe detajeve.<\/p>\n

Personazhet merren kryesisht nga jeta, ose n\u00ebp\u00ebrmjet ngjarjeve q\u00eb ndodhin e tregohen.K\u00ebto personazhe t\u00eb krijuar me thjesht\u00ebsi, me sintagma dhe fraza t\u00eb gjalla, t\u00eb ngjyrosura me fjal\u00eb dhe lokucione narrative, t\u00eb godasin n\u00eb shpirt n\u00eb m\u00ebnyr\u00eb t\u00eb beft\u00eb, sa ti ke d\u00ebshir\u00eb t\u00eb rrish e t\u00eb kolovitesh mes tyre. Personazhet jan\u00eb t\u00eb individualizuara n\u00eb kulm, jan\u00eb pesonazhe t\u00eb till\u00eb si Vin\u00e7ierja banale dhe delikate sipas mjedisit, Meri, librarja e bukur, q\u00eb b\u00ebn nj\u00eb martes\u00eb surpriz\u00eb dhe t\u00eb beft\u00eb, Silvi, poetesha apokrife;<\/p>\n

Semi q\u00eb m\u00eb n\u00eb fund martohet pas nj\u00eb operimi t\u00eb r\u00ebnd\u00eb, Aksinja q\u00eb harbont\u00ebrbon n\u00eb \u00e7do muaj prill grunjave t\u00eb kooperativ\u00ebs me gazetarin e internuar, Fatma lubia, lakmuesja e lavdis\u00eb letrare, Ed Fregeni i dashuruar, q\u00eb pranon se s\u2019ishte dhe aq e r\u00ebnd\u00eb ndarja ; doktor Kondi, me ndergjegje dhe p\u00ebrgjegjshm\u00ebri t\u00eb lart\u00eb profesionale, i gjendur e human; Sara, bestsellerja q\u00eb shkruan romane si Daniel Still, p\u00ebr lavdi dhe para dhe p\u00ebrkrahet nga disa filistin\u00eb, por mbi t\u00eb gjith\u00eb spikat Shefi i Shtabit, edhe pse ushtarak, tolerant dhe pa korniza t\u00eb disiplin\u00ebs s\u00eb bezdisshme ushtarake.<\/p>\n

Marinari poet, q\u00eb g\u00ebzimi i botimit t\u00eb librit t\u00eb par\u00eb iu kthye n\u00eb kob dhe, e degdisi n\u00eb ishullin e Sazanit, duke iu kthyer n\u00eb nj\u00eb dram\u00eb fatale, Muratori q\u00eb u ngrit n\u00eb detyr\u00eb, gjer n\u00eb maj\u00ebn e piramid\u00ebs s\u00eb artit, i shastisur nga lart\u00ebsimi i pap\u00ebrballuesh\u00ebm, marramend\u00ebs duke harruar t\u00eb ec\u00eb, p\u00ebrfundon n\u00eb rrotat e nj\u00eb makine, pran\u00eb monumentit t\u00eb Partizanit t\u00eb Panjohur; G\u00ebzim Gjergji, lakmues i protagonizmit; Leifenist, autori teknologjis\u00eb Leifeniste t\u00eb heroizimit; Dramaturgu q\u00eb i traskuruar nga shteti dhe bos\u00ebt vendos t\u00eb botoj\u00eb dramat me lek\u00ebt e hequra m\u00ebnjan\u00eb p\u00ebr varrimin e tij, duke menduar se pas botomit t\u00eb dramave do t\u00eb b\u00ebhej i pavdeksh\u00ebm.<\/p>\n

Disa nga personazhet p\u00ebrdorin fjal\u00eb banale, por q\u00eb nuk ting\u00ebllojn\u00eb t\u00eb tilla brenda kontekstit, gjendjes s\u00eb krijuar n\u00eb \u00e7astin e p\u00ebrdorimit t\u00eb tyre.Madje disa nga banalitetet ting\u00ebllojn\u00eb t\u00eb pranueshme si kur p\u00ebrdoren brenda kontekstit , si dhe kur p\u00ebrdoren jasht\u00eb tij, m\u00eb vete… lexuesi i pranon sit \u00eb natyr\u00ebshme shprehjet: Taksisti kishte v\u00ebn\u00eb nj\u00eb kaset\u00eb me recitimin e poem\u00ebs Kallashi. Autori i poem\u00ebs dhe shoku i tij n\u00eb taksi, pasi d\u00ebgjojn\u00eb recitimin e saj, e pyesin taksistin: po si e ka emrin autori e di, ? \u201c E kush ia qiu t\u2019\u00ebm\u00ebn \u201cK\u00ebtu shprehja nuk ting\u00ebllon aspak banale, sepse thuhet natyrsh\u00ebm, pa t\u00eb keq. Po k\u00ebshtu shprehjet e hetuesit \u201cT\u00eb dhjefsha librin ! Tani shporu ! Tani t\u2019u fry ty t\u00eb paraqitesh ? Edhe k\u00ebto shprehje duke u th\u00ebn\u00eb natyrsh\u00ebm, n\u00eb nervoziz\u00ebm e sip\u00ebr, nuk ting\u00ebllojn\u00eb banale por prepotente.<\/p>\n

Tjet\u00ebr \u00ebsht\u00eb kur disa krijues i mbushin tregimet apo poezit\u00eb e tyre gjith\u00eb fjal\u00eb banale, p\u00ebr t\u2019u treguar t\u00eb koh\u00ebs e modern\u00eb. Ata jan\u00eb jo vet\u00ebm t\u00eb panatyrsh\u00ebm n\u00eb p\u00ebrdorimin e banaliteteve, por edhe imitues t\u00eb r\u00ebndomt\u00eb t\u00eb autor\u00ebve me em\u00ebr.<\/p>\n

Dhamo nuk ka vet\u00ebm temperamentin e revoltuesit, protestuesit, por edhe t\u00eb nj\u00eb v\u00ebzhguesi jo skeptik e t\u00eb qet\u00eb me natyr\u00eb t\u00eb thell\u00eb e t\u00eb gjer\u00eb njer\u00ebzore… Autori nuk e p\u00ebrs\u00ebrit, por e pasuron veten nga tregimi n\u00eb tregim me prurje t\u00eb reja. Edhe kalimi i ndonj\u00eb motivi nga poezia n\u00eb tregim, tregon se ai nuk i ndahet poezis\u00eb, edhe kur shkruan tregime.<\/p>\n

Karakteristik\u00eb e dukshme n\u00eb t\u00eb gjith\u00eb librin dhe krijimtarin\u00eb e Dhamos, \u00ebsht\u00eb prania e peizazhit. Peizazhi vendoset kudo, n\u00eb hap\u00ebsirat e tregimit, ose n\u00eb fillim ose n\u00eb mes ose n\u00eb fund si konkluzion qet\u00ebsues apo sinjifikativ. Kjo prani e peizazhit nuk \u00ebsht\u00eb manieriste apo romantizante, ajo buron natyrsh\u00ebm nga shpirti ekologjist i shkrimtarit. Edhe n\u00eb jet\u00ebn e p\u00ebrditshme Konstandin Dhamo, ndalet dhe sodit mahnitsh\u00ebm nj\u00eb cop\u00eb blerim, nj\u00eb radh\u00eb me plepa kavak\u00eb, rrape buz\u00eb rrug\u00ebs, trotuarit, bulevardit dhe, k\u00ebnaqet si me leximin e nj\u00eb poezie, tregimi, apo si me d\u00ebgjimin e nj\u00eb sonate, sinfonie, por dhe revoltohet kur p\u00ebr t\u00eb vendosur nj\u00eb tabel\u00eb reklam\u00eb, apo p\u00ebr t\u00eb mos i z\u00ebn\u00eb pamjen vitrin\u00ebs s\u00eb dyqanit, njer\u00ebz t\u00eb pap\u00ebrgjegjsh\u00ebm, i presin ose i thajn\u00eb pem\u00ebt. Kjo dashuri p\u00ebr natyr\u00ebn \u00ebsht\u00eb n\u00eb \u00e7do ind t\u00eb tregimeve dhe s\u2019ka t\u00eb b\u00ebj\u00eb me hipokondrin\u00eb e autorit. Kjo dashuri p\u00ebr natyr\u00ebn jepet magjistralisht n\u00eb tregimet Kumbullat e Kuqe, Ed Fregeni, Pjergulla, Lasgushi, Rrugic\u00eb Tiranase, Prilli i nj\u00eb Aksinje etj.<\/p>\n

Si edhe n\u00eb poezin\u00eb e tij, shkrimtari d\u00ebnon e demaskon me intransigjenc\u00eb imoralitetin politik e dyfytyr\u00ebsin\u00eb ideologjike t\u00eb atyre q\u00eb dje ishin t\u00eb par\u00ebt n\u00eb shembjen e kulteve fetare, dhe sot i sheh duke u falur t\u00eb dielave n\u00eb kish\u00eb apo dit\u00ebt e xhumave n\u00eb xhami. Jan\u00eb t\u00eb famsh\u00ebm p\u00ebr k\u00ebt\u00eb tregimet T\u00eb diel\u00ebn n\u00eb m\u00ebngjes, Qoftexhinjt\u00eb e Presidentit, Nj\u00eb teknologji heroizimi, et j. Shkrimtari \u00ebsht\u00eb n\u00eb an\u00ebn e ndryshimit, por jo me kthesat pelivaneske, zhongleriane t\u00eb t\u00eb pafytyr\u00ebve.<\/p>\n

Nj\u00eb karakteristik\u00eb tjet\u00ebr \u00ebsht\u00eb dhe mungesa e emrave n\u00eb disa tregime, ku n\u00eb vend t\u00eb emrit t\u00eb personazhit, ai p\u00ebrdor nj\u00eb ndajshtim t\u00eb ve\u00e7uar p\u00ebr ta b\u00ebr\u00eb m\u00eb t\u00eb gjall\u00eb , m\u00eb interesant personazhin ose p\u00ebr ta mbajtur mend m\u00eb leht\u00eb, autori n\u00eb vend t\u00eb emrave thot\u00eb: muratori, shefi i shtabit, marinari, dramaturgu, vin\u00e7ierja, qoftexhinjt\u00eb, etj. Ka dhe tregime tabllo, ku s\u2019ka emra, por ka di\u00e7ka poetike, pak nostalgji p\u00ebr at\u00eb q\u00eb s\u2019\u00ebsht\u00eb m\u00eb n\u00eb rrugic\u00eb, n\u00eb periferi dhe p\u00ebr ndryshimet n\u00eb peizazh e aty \u2013 k\u00ebtu n\u00eb natyr\u00eb.<\/p>\n

N\u00eb p\u00ebrmbledhje ka edhe ndonj\u00eb tregim si Libri i par\u00eb, q\u00eb premton p\u00ebr roman apo ka statur\u00ebn e romanit.<\/p>\n

Proza e Konstandin Dhamos, sidomos tregimi, nuk duhen kaluar me nj\u00eb lexim vertikal, sa p\u00ebr t\u2019u kontrolluar ose sa p\u00ebr t\u00eb marr\u00eb informacion. Edhe pse krijimtaria e Dhamos, \u00ebsht\u00eb nj\u00eb krijimtari realiste, realizmin ajo nuk e p\u00ebrcjell varf\u00ebrisht, por me shtresime t\u00eb dendura, fine artstike. Proza e tij \u00ebsht\u00eb e kondensuar, ajo s\u2019t\u00eb l\u00eb t\u2019i kalosh shkel e shko fjal\u00ebt, pasi \u00e7do fjal\u00eb ka funksion kuptimor, estetik, edukues, hedonistik n\u00eb krejt tekstin. Ka nj\u00eb mendjemadh\u00ebsi t\u00eb disave q\u00eb kan\u00eb marr\u00eb kot e traskurojn\u00eb koleg\u00ebt, q\u00eb ose nuk i lexojn\u00eb ose hiqen sikur s\u2019i lexojn\u00eb dhe, k\u00ebshtu e kan\u00eb m\u00eb t\u00eb leht\u00eb q\u00eb t\u00eb flasin rroma p\u00ebrtoma, gjuh\u00eb q\u00eb e ka tallur prej koh\u00ebsh Servantesi.<\/p>\n

Me Dhamon ndodh si me Paustovskin, q\u00eb nuk t\u00eb l\u00eb t\u00eb ec\u00ebsh m\u00eb tej, sikur t\u00eb kap\u00ebrcesh qoft\u00eb edhe nj\u00eb fjal\u00eb. Autori dashuron nj\u00ebher\u00ebsh iden\u00eb dhe fjal\u00ebn. Duke qen\u00eb se \u00ebsht\u00eb fjala ajo q\u00eb b\u00ebn t\u00eb duket qart\u00eb mendimi, ideja, filozofija, autori impenjohet shum\u00eb me fjal\u00ebn. N\u00eb lib\u00ebr ka shum\u00eb fjal\u00eb q\u00eb p\u00ebrdoren nga ky autor p\u00ebr her\u00eb t\u00eb par\u00eb. K\u00ebt\u00eb autori e b\u00ebn me guxim, pa merakun se kjo e v\u00ebshtir\u00ebson tekstin, kuptimin; p\u00ebrkundrazi, ky \u00ebsht\u00eb m\u00eb tep\u00ebr nj\u00eb pasurim, sesa nj\u00eb v\u00ebshtir\u00ebsim, k\u00ebshtu q\u00eb ia vlen barra qiran\u00eb q\u00eb lexuesi t\u00eb lidhet pak e t\u00eb ket\u00eb durim.<\/p>\n

Kolan\u00ebs s\u00eb tregimit t\u00eb zgjedhur shqip, i mungon ky lloj tregimi i pahomogjenizuar, i pjekur n\u00eb diellin e zemr\u00ebs dhe jo n\u00eb zemr\u00ebn e librave. K\u00ebtu kemi t\u00eb b\u00ebjm\u00eb me nj\u00eb lib\u00ebr q\u00eb ka p\u00ebr burim jet\u00ebn dhe, jo librat t\u00eb cil\u00ebt nga ana e tyre, jan\u00eb nj\u00eb rr\u00ebke q\u00eb e kan\u00eb nj\u00eb burim.
\nP\u00ebrmbledhja Rruga e Dibr\u00ebs, e pasuron kolan\u00ebn e tregimit t\u00eb zgjedhur shqip. K\u00ebt\u00eb do ta d\u00ebshmoj\u00eb koha.<\/p>\n","protected":false},"excerpt":{"rendered":"

FASLLI HALITI ESE N\u00eb euromaksin e let\u00ebrsis\u00eb shqipe, p\u00ebrmbledhja me tregime Rruga e Dibr\u00ebs ose Broadway, e shkrimtarit Konstandin Dhamo, p\u00ebrb\u00ebn pavijonin narrativ m\u00eb me jet\u00eb, e jo vet\u00ebm m\u00eb me jet\u00eb, por m\u00eb me jet\u00eb shqiptare; me personazhe e mjedise shqiptare t\u00eb djeshme e prezente, me ide dhe filozofi t\u00eb koh\u00ebs. Personazhet, edhe pse […]<\/p>\n","protected":false},"author":1,"featured_media":40998,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[13,8],"tags":[],"class_list":["post-40997","post","type-post","status-publish","format-standard","has-post-thumbnail","category-ese","category-letersi"],"yoast_head":"\nTREGIME TE PJEKURA NE DIELLIN E ZEMRES - FJALA e LIR\u00cb<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/jehonashqiptare.al\/fjala\/tregime-te-pjekura-ne-diellin-e-zemres\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"TREGIME TE PJEKURA NE DIELLIN E ZEMRES - FJALA e LIR\u00cb\" \/>\n<meta property=\"og:description\" content=\"FASLLI HALITI ESE N\u00eb euromaksin e let\u00ebrsis\u00eb shqipe, p\u00ebrmbledhja me tregime Rruga e Dibr\u00ebs ose Broadway, e shkrimtarit Konstandin Dhamo, p\u00ebrb\u00ebn pavijonin narrativ m\u00eb me jet\u00eb, e jo vet\u00ebm m\u00eb me jet\u00eb, por m\u00eb me jet\u00eb shqiptare; me personazhe e mjedise shqiptare t\u00eb djeshme e prezente, me ide dhe filozofi t\u00eb koh\u00ebs. 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