{"id":41323,"date":"2019-05-18T18:49:11","date_gmt":"2019-05-18T16:49:11","guid":{"rendered":"https:\/\/fjala.info\/?p=41323"},"modified":"2019-05-18T18:49:11","modified_gmt":"2019-05-18T16:49:11","slug":"veshtrim-per-vepren-sun-sea-marina-fituese-e-cmimit-luani-i-arte","status":"publish","type":"post","link":"https:\/\/jehonashqiptare.al\/fjala\/veshtrim-per-vepren-sun-sea-marina-fituese-e-cmimit-luani-i-arte\/","title":{"rendered":"V\u00ebshtrim p\u00ebr vepr\u00ebn \u201cSun & Sea (Marina)\u201d fituese e \u00e7mimit \u201cLuani i Art\u00eb\u201d"},"content":{"rendered":"

— si dhe pavionin e Kosov\u00ebs t\u00eb prezantuar n\u00eb Bienale t\u00eb Venedikut<\/strong><\/p>\n

A munguan fotografit\u00eb n\u00eb Bienale t\u00eb Venedikut nga Kosova?<\/em><\/p>\n

Ilir Muharremi<\/strong><\/p>\n

Se arti \u00ebsht\u00eb filozofi dhe shkenc\u00eb dhe realizim i kompletuar kjo u d\u00ebshmua edhe k\u00ebt\u00eb vit n\u00eb Bienalen e Venecias me performanc\u00ebn operistike \u201cSun & Sea (Marina)\u201d t\u00eb improvizuar n\u00eb nj\u00eb plazh artificial, n\u00eb t\u00eb cil\u00ebn pushuesit po paralajm\u00ebrojn\u00eb nj\u00eb katastrof\u00eb ekologjike, punuar nga artistet Lina Lapelyte, Vaiva Grainyte dhe Rugile Barzdziukaite. Kurator: Lucia Pietroiusti. Kjo vep\u00ebr mori edhe \u00e7mimin \u201cLuani i Art\u00eb\u201d duke eleminuar 89 pavione t\u00eb tjera n\u00eb mesin e t\u00eb cilave ishte edhe Kosova, p\u00ebrfaq\u00ebsuar nga artisti Alban Muja. \u00c7mimi shkon p\u00ebr nj\u00eb vep\u00ebr p\u00ebrformuese, aty ku artisti nuk e ka n\u00eb dor\u00eb krejt artin e tij p\u00ebr shembull, pushuesit l\u00ebvizin vet n\u00eb plazh n\u00eb pozita t\u00eb ndryshme, duke u rr\u00ebzitur t\u00eb veshur me fanela, t\u00eb shtrir\u00eb, disa lexojn\u00eb edhe libra, jan\u00eb edhe t\u00eb ngrir\u00eb, nuk l\u00ebvizin fare, t\u00eb tjer\u00ebt lozin me r\u00ebr\u00ebn, muzika \u00ebsht\u00eb shum\u00eb prek\u00ebse dhe nuk ke nevoj\u00eb ta kuptosh gjuh\u00ebn.<\/p>\n

Artisti bashk\u00eb me p\u00ebrformuesit \u00ebsht\u00eb nj\u00eb hap paraprak dhe na bind se bota mund t\u00eb konsiderohet si nj\u00eb vep\u00ebr arti e cila gjeneron veten. Shumica prej pushuesve kan\u00eb edhe telefona mobil pran\u00eb. Shihet nj\u00eb bi\u00e7iklet\u00eb e rr\u00ebzuar derisa l\u00ebvizjet e pushuesve jan\u00eb t\u00eb shpejta sikur t\u00eb programuara apo t\u00eb udh\u00ebzuara nga regjisori. Loja, kjo \u00ebsht\u00eb e dobishme ata edhe k\u00ebndojn\u00eb dhe v\u00ebrehen q\u00eb jan\u00eb t\u00eb ngarkuar me forc\u00eb dhe gjendje shpirt\u00ebrore, forca \u00ebsht\u00eb e natyr\u00ebs, e realtetit dhe vet realiteti b\u00ebhet mbret i shpirtit dhe i imazhit. Vet realiteti \u00ebsht\u00eb m\u00eb i fort\u00eb se arti, mir\u00ebpo i detyruar nga vizioni dhe te njer\u00ebzit \u00e7liron\u00eb forca artistike.<\/p>\n

Kjo vep\u00ebr shikohet nga lart\u00eb, dielli dep\u00ebrton mbi kostumet e ndritshme, fytyrat e njer\u00ebzve dhe t\u00eb f\u00ebmij\u00ebve t\u00eb buz\u00ebqeshur t\u00eb cil\u00ebt shohin nj\u00eb furgon akullor\u00ebsh n\u00eb distanc\u00eb, ata harrojn\u00eb \u00e7do katastrof\u00eb. Muzika mundohet t\u00eb shfaq nj\u00eb rit\u00ebm t\u00eb detit qet\u00ebsues, pastaj qeset e rrudhosura rrotullohen n\u00eb aj\u00ebr nga fryma e leht\u00eb, ato b\u00ebhen t\u00eb lundrueshme. V\u00ebrehet nj\u00eb kandil deti, thell\u00eb n\u00eb uj\u00eb. D\u00ebgjohet edhe vullkani, avion, krejt kjo shoq\u00ebrohet nga k\u00ebnga si kor i p\u00ebrditshem, shqet\u00ebsues q\u00eb shfaq\u00eb m\u00ebrzin\u00eb. Posht\u00eb k\u00ebmb\u00ebve t\u00eb k\u00ebtyre njer\u00ebzve d\u00ebgjohet nj\u00eb k\u00ebrcitje e ngadalt\u00eb e tok\u00ebs, gul\u00e7im, tenton t\u00eb na shfaq nj\u00eb apokalips.<\/p>\n

Vepra ngrit\u00eb pyetje filozofike t\u00eb bot\u00ebs dhe v\u00ebrehet se toka jeton nga vetvetja, mbeturinat e saja i p\u00ebrdor\u00eb si ushqim. Filozofia b\u00ebhet m\u00eb e thell\u00eb se arti dhe vepra sepse v\u00eb n\u00eb diksutim konceptin e krijimit p\u00ebr t\u00eb cilin filozofi Friedrich Nietzsche e quan krejt\u00ebisht t\u00eb pap\u00ebrcaktuar, t\u00eb parealizuesh\u00ebm. Realizmi i vepr\u00ebs tejkalon edhe temen. Ul\u00ebrima e ndrydhur poetizohet si nj\u00eb aht shpirti, ose n\u00eb nj\u00eb lot, n\u00eb nj\u00eb psher\u00ebtim\u00eb malli. Z\u00ebri i njeriut, tonet e tij e shfaqin bot\u00ebn si heshtane, t\u00eb madhe e cila mund ta b\u00ebj kufom\u00eb shum\u00eb shpejt k\u00ebdo. Ca p\u00ebrformojn\u00eb t\u00eb vetmuar jan\u00eb shum\u00eb t\u00eb qet\u00eb dhe nuk e din\u00eb se \u00e7ka po i pret.<\/p>\n

A ka bota fund dhe kriz\u00eb ekologjike? V\u00ebrtet\u00eb kjo vep\u00ebr tregon mrekullin\u00eb e saj t\u00eb forc\u00ebs e vendos at\u00eb n\u00eb pasqyr\u00ebn e saj. V\u00ebrehet se bota \u00ebsht\u00eb nj\u00eb mrekulli force, fillimi i mungon, at\u00ebher\u00eb edhe fundi nuk i dihet, forma dhe madh\u00ebsia e saj, po dhe shkaqet apo pasojat. A harxhohet bota? P\u00ebrgjigja e Nietzsches \u00ebsht\u00eb jo, vet\u00ebm shnd\u00ebrrohet. Pa humbje, pa harxhime, nuk rritet, at\u00ebher\u00eb ky filozof na d\u00ebrgon n\u00eb asgj\u00eb sepse rrotullohet rreth k\u00ebsaj arsye dhe k\u00ebtu ky filozof na e vendos kufirin.<\/p>\n

Vepra shpreh katastrof\u00ebn ekologjike, q\u00eb \u00ebsht\u00eb gjigande dhe k\u00ebrc\u00ebnon seriozisht jet\u00ebn e planetit. Pjesa m\u00eb e madhe e \u201cshkenc\u00ebtar\u00ebve\u201d (post)modern\u00eb, n\u00eb nj\u00ebmend\u00ebsi me politikan\u00ebt profesionist\u00eb, dhe kryesisht me t\u00eb \u201cdjatht\u00ebn\u201d konservatore n\u00eb Amerik\u00eb dhe Britani, gjithashtu dhe me europeist\u00ebt , ndot\u00ebsit m\u00eb t\u00eb m\u00ebdhenj t\u00eb planetit, ngaq\u00eb ndajn\u00eb interesa fitimprur\u00ebse me industrin\u00eb e energjis\u00eb (naft\u00eb etj.) dhe me sistemin q\u00eb \u00ebsht\u00eb krijuar n\u00eb modernitet, refuzojn\u00eb arsyetimin se ndryshimi i klim\u00ebs n\u00eb planet \u00ebsht\u00eb shkaktuar nga industria \u2013p\u00ebr mos t\u00eb p\u00ebrmendur k\u00ebtu, se industria, si\u00e7 ajo shprehet, dhe jo vet\u00ebm ajo, \u00ebsht\u00eb shkaktuar nga kuadri modern institucional, mbulojn\u00eb shkaqet e v\u00ebrtet\u00eb t\u00eb katastrof\u00ebs ekologjike.<\/p>\n

\"\"<\/p>\n

Kriza ekologjike fillon me n\u00ebnvler\u00ebsimin e cil\u00ebsis\u00eb s\u00eb jet\u00ebs njer\u00ebzore, e cila realizohet n\u00eb bashk\u00ebrendim me natyr\u00ebn. Pra komunikimi \u00ebsht\u00eb i drejtp\u00ebrdrejt dhe arti b\u00ebhet shum\u00eb i vlefsh\u00ebm. Katastrofa mbi jet\u00ebn e deteve, lumenj\u00ebve dhe oqeaneve \u00ebsht\u00eb m\u00eb e madhe dhe ajo ka filluar q\u00eb n\u00eb vitet 1800 kur, me ngritjen e pushtetit t\u00eb ri t\u00eb shtetit modern, ideologjis\u00eb s\u00eb rritjes ekonomike dhe teknologjis\u00eb, njer\u00ebzit filluan t\u00eb shkat\u00ebrronin balenat p\u00ebr vajin q\u00eb ofronin. Andaj, arti arrin t\u00eb bashk\u00ebpunoj me shkenc\u00ebn dhe kjo ngrit\u00eb shum\u00eb pyetje dhe p\u00ebrgjigje dhe vepra b\u00ebhet shum\u00eb m\u00eb e thell\u00eb. P\u00ebrgjia \u00ebsht\u00eb njeriu shkat\u00ebrron bot\u00ebn e jo bota njeriun, por prap\u00eb njeriu \u00ebsht\u00eb mbeturin\u00eb ose qese si\u00e7 p\u00ebrshkruhet n\u00eb k\u00ebt\u00eb vep\u00ebr. A mund t\u00eb shkat\u00ebrrohet bota nga njeriu dhe kriza ekologjika a vjen si shkak i k\u00ebsaj?<\/p>\n

Bota ka loj\u00eb forcash dhe val\u00eb forcash, vet\u00eb grumbullohet dhe vet zvog\u00eblohet, forca e saj \u00ebsht\u00eb rrjedh\u00ebse, l\u00ebviz\u00ebse brenda vetes dhe dikund duhet t\u00eb plas\u00eb kjo. Nietzsche e arsyeton me shnd\u00ebrrim. \u201cRrjedh\u00ebse n\u00eb p\u00ebrjet\u00ebsi n\u00eb drejtim prapa, nj\u00eb bot\u00eb q\u00eb ka vite t\u00eb panum\u00ebrt kthimi, tallaz i pavdeksh\u00ebm i formave t\u00eb saj\u201d, shkruan ai. Krejt kjo n\u00eb kthim, nga boll\u00ebku po kthehet t\u00eb m\u00eb e thjeshta e arti si duket po na e shfaq k\u00ebt\u00eb dhe vepra fituese vertet\u00eb meriton duartrokitje. V\u00ebrehet nj\u00eb investim i arsyesh\u00ebm i k\u00ebsaj vepre si nga ana teknike r\u00ebra dhe reukuizitat tjera, vepra v\u00ebrtet\u00eb \u00ebsht\u00eb e ve\u00e7ant\u00eb. Ka nj\u00eb organizim t\u00eb jazakonshem t\u00eb aktor\u00ebve, \u00ebsht\u00eb teat\u00ebr dhe dep\u00ebrton thell\u00eb te shikuesi. B\u00ebhet fjal\u00eb p\u00ebr artin bashk\u00ebkohor dhe kjo vep\u00ebr \u00ebsht\u00eb m\u00eb meritorja.<\/p>\n

P\u00ebrse munguan fotografit\u00eb kur u k\u00ebrkuan nga populli a \u00ebsht\u00eb d\u00ebshtim i konceptit?<\/strong><\/p>\n

Kosova u prezantua me artistin Alban Muja aty ishin prezent ministri i kultur\u00ebs Kujtim Gashi si dhe kryeparlamentari Kadri Veseli. Vincent Honor\u00e9, i cili \u00ebsht\u00eb drejtor i Ekspozitave dhe Programeve n\u00eb MoCo Montpellier Contemporain, \u00ebsht\u00eb zgjedhur si kurator i pavijonit t\u00eb Kosov\u00ebs, bashk\u00eb me Anya Harrison, e t\u00eb nj\u00ebjtit institut, si asistente kuratore, nd\u00ebrsa ekipi kryesor kompletohet nga komisionerja Arta Agani, drejtoresh\u00eb e Galeris\u00eb Komb\u00ebtare t\u00eb Kosov\u00ebs. N\u00eb fakt Agani i propozon ministrit t\u00eb kultur\u00ebs Kujtim Gashit artisin Muja p\u00ebr ta p\u00ebrfaq\u00ebsuar Kosov\u00ebn n\u00eb Bienal e q\u00eb nuk kishte konkurs publik\u00eb p\u00ebr p\u00ebrzgjedhje t\u00eb vepr\u00ebs.<\/p>\n

Me 3 prill n\u00eb faqen e Facebook b\u00ebhet nj\u00eb k\u00ebrkes\u00eb publike n\u00eb kuad\u00ebr t\u00eb konceptit t\u00eb vepr\u00ebs s\u00eb Muj\u00ebs q\u00eb populli t\u2019i d\u00ebrgoj fotografit\u00eb familjare t\u00eb shkrepura gjat\u00eb koh\u00ebs s\u00eb luft\u00ebs t\u00eb viteve 1998-99. Ja postimi origjinal:\u201cBashk\u00ebqytetar\u00eb t\u00eb nderuar, artisti i mir\u00ebnjohur Alban Muja, sivjet p\u00ebrfaqson Kosov\u00ebn Bienalen e Venedikut, ngjarjen m\u00eb t\u00eb madhe n\u00eb fush\u00ebn e artit bashk\u00ebkohor. Projekti i tij multimedial i quajtur \u201cAlbumi Familjar\u201d, flet p\u00ebr t\u00eb kaluar\u00ebn ton\u00eb gjat\u00eb luft\u00ebs, e cila ndodhi pik\u00ebrisht 20 vjet m\u00eb par\u00eb.<\/p>\n

Ju ftojm\u00eb q\u00eb t\u00eb b\u00ebheni pjes\u00eb e projektit duke na d\u00ebrguar fotografit\u00eb tuaja familjare, t\u00eb b\u00ebra gjat\u00eb periudh\u00ebs s\u00eb luft\u00ebs, viteve 1998\/1999.
\nFotografit\u00eb duhet t\u00eb jen\u00eb familjare, jo profesionale, me pamje t\u00eb ndryshme t\u00eb p\u00ebrditshm\u00ebris\u00eb suaj gjat\u00eb k\u00ebsaj kohe. Ato mund t\u2019i d\u00ebrgoni n\u00eb emailin ton\u00eb:
\nkosovopavilion58@gmail.com ose n\u00eb faqen n\u00eb FB: https:\/\/www.facebook.com\/kosovopavilion58\/notifications\/<\/a> Ju falemnderit!\u201d. Si duket fotografit\u00eb munguan dhe nuk u shfaqen, madje n\u00eb faqen kryesore \u201cKosovo Pavilion \/ 58th Venice Biennale 2019 \/ Alban Muja\u201d, nuk ka asnj\u00eb foto t\u00eb ndonj\u00eb individi t\u00eb d\u00ebrguar gjat\u00eb 1998-99. N\u00eb \u201cKoha Ditore\u201d shkruan se artisti Muja u prezantua me tri fotografi t\u00eb shkrepura n\u00eb koh\u00eb lufte, kat\u00ebr personazhe dhe nj\u00eb p\u00ebrjetim individual i artistit Muja. \u201cMay you live in interesting time<\/em>\u201d (T\u00eb rroni n\u00eb koh\u00eb interesante). M\u00eb shum\u00eb mund t\u00eb flitet p\u00ebr videointsalacionin e Muj\u00ebs i cili u shafq at\u00eb dit\u00eb. E sa i p\u00ebrket fotografive m\u00eb shum\u00eb dominuan ato \u201cSelfie\u201d t\u00eb ekipit kosovar se sa t\u00eb refugjat\u00ebve nga lufta e fundit. A krejt qenkan tri fotografi t\u00eb dy milion kosovar\u00ebve gjat\u00eb ekzodit dhe gafa m\u00eb e madhe \u00ebsht\u00eb \u201cti d\u00ebrgojn\u00eb\u201d. \u00cbsht\u00eb dashur q\u00eb artisti t\u00eb hulumtoj t\u00eb shkoj n\u00ebp\u00ebr rajonet m\u00eb t\u00eb prekura sepse ka me qindra fotografi, t\u00eb shfaqen edhe ato t\u00eb pa shfaqura. Po harroj se ne kemi d\u00ebshira t\u00eb na sjellin n\u00eb tavolin\u00eb, e kjo askund nuk ndodh. Ka mundur t\u00eb bashk\u00ebpunoj me njerezit t\u00eb cil\u00ebt kan\u00eb qen\u00eb t\u00eb izoluar n\u00eb luft\u00eb e q\u00eb kan\u00eb foto familjare.<\/p>\n

Sipas deklaratave t\u00eb artistit Muja u shfaq fotoja tashm\u00eb e njohur p\u00ebr krejt bot\u00ebn dhe q\u00eb ka b\u00ebr\u00eb xhiro qysh nga koha e luft\u00ebs ajo e asaj n\u00ebne t\u00eb raskapitur n\u00eb rreshtin e refugjat\u00ebve, n\u00eb nj\u00eb koh\u00eb dimri me bor\u00eb e cila mban\u00eb foshnjen e saj gjasht\u00eb muajshe, t\u00eb mbuluar me mbules\u00ebn e saj t\u00eb bardh\u00eb, derisa v\u00ebshtrimi i saj tenton ta tejkaloj \u00e7do dhimbje dhe vuatje, dhe ajo mban\u00eb q\u00ebndrimin drejt kufirit maqedon. Kjo sken\u00eb e zymt\u00eb dhe e dhimbshme m\u00eb her\u00ebt u b\u00eb \u00e7\u00ebshtje force dhe revolt\u00eb dhe kjo fotografi aq sa \u00ebsht\u00eb e fort\u00eb dokumentare \u00ebsht\u00eb edhe artistike dhe n\u00eb vete ruan fuqin\u00eb. Nd\u00ebrsa, arti duhet t\u2019i n\u00ebnshtrohet edhe imagjinat\u00ebs dhe p\u00ebr t\u2019ia p\u00ebrshtatur shijen edhe publikut.<\/p>\n

Tjetra fotografi shihet nj\u00eb burr\u00eb i cili qan\u00eb teksa mban\u00eb dy fotografi t\u00eb let\u00ebrnjoftimeve t\u00eb f\u00ebmij\u00ebve t\u00eb tij i cili i k\u00ebrkon ata, ai mban\u00eb nj\u00eb shpres\u00eb se do t\u2019i gjej, syt\u00eb i mbush\u00ebn m\u00eb shum\u00eb me lot teksa mendon se i ka humbur p\u00ebrjet\u00ebsisht.<\/p>\n

Edhe fotografia tjet\u00ebr \u00ebsht\u00eb vet\u00ebm nj\u00eb rip\u00ebrs\u00ebritje. Nj\u00eb djal\u00eb i vog\u00ebl i ngritur lart\u00eb nga familjar\u00ebt e tij p\u00ebr ta kaluar rrethoj\u00ebn me gjemba. K\u00ebto foto a u shfaqen apo vet\u00ebm u shpjeguan ose u fol p\u00ebr to. Si duket koncepti p\u00ebr fotografit\u00eb ka d\u00ebshtuar.<\/p>\n

Ndr\u00ebsa, n\u00eb videointslalcion shihet nj\u00eb eksplorim p\u00ebr kujtes\u00ebn kolektive, shtrohet edhe pyetja p\u00ebr imazhet dhe mediat t\u00eb cilat ndikojn\u00eb n\u00eb nd\u00ebrtimin e rr\u00ebfimeve, identiteti historik, ve\u00e7an\u00ebrisht n\u00eb koh\u00ebn e luft\u00ebs. Ata f\u00ebmij\u00eb tashm\u00eb jan\u00eb rritur dhe si e shohin ata k\u00ebt\u00eb tragjedi historike. M\u00eb shum\u00eb puna e Muj\u00ebs \u00ebsht\u00eb inspirim nga albumi i tij familjar se sa fotografit\u00eb kolektive. Idea m\u00eb shum\u00eb \u00ebsht\u00eb e nj\u00eb gazetarie ose t\u00ebndenc\u00eb e seleksionuesit t\u00eb fotografive se sa fotoreporterit t\u00eb luft\u00ebs. Sa i p\u00ebrket k\u00ebndv\u00ebshtrimit njer\u00ebzor i cili tentohet t\u00eb jepet p\u00ebrmes refugjat\u00ebve, kjo tashm\u00eb \u00ebsht\u00eb arritur nga shum\u00eb profesor\u00eb dhe artist sidomos libri \u201cTerrori i Serbis\u00eb pushtuese mbi shqiptar\u00ebt 1844-1999\u201d i profesorit Nustret Pllana i cili tejkalon k\u00ebt\u00eb problematik dhe p\u00ebr mendimin tim m\u00eb mir\u00eb do t\u00eb ishte t\u00eb shfaqjet nj\u00eb album m\u00eb ekstrem i cili tregon viktimat e shfrenimeve serbe, njer\u00ebzit e masakruar, t\u00eb djegur, t\u00eb prer\u00eb, t\u00eb p\u00ebrv\u00ebluar e t\u00eb zhdukur nga terrori serb, t\u00eb sh\u00ebnuar me emra e mbiemra, t\u00eb dh\u00ebn\u00eb edhe me fotografi e d\u00ebshmi t\u00eb tjera jan\u00eb b\u00ebr\u00eb t\u00eb pavdeksh\u00ebm jo vet\u00ebm p\u00ebr familjar\u00ebt e farefisin, por edhe p\u00ebr gjith\u00eb kombin si dhe n\u00eb p\u00ebrmasa evropiane e bot\u00ebrore.<\/p>\n

Arsyeja p\u00ebrse Muja e krijoj \u201cFamily Album\u201d ishte n\u00eb 1999, me \u00e7rast ish kryeministri i Spanj\u00ebs, Jos\u00e9 Mar\u00eda Aznar, e vizitoi kampin e refugjat\u00ebve Hamallaj af\u00ebr Durr\u00ebsit, ku Muja dhe familja e tij sapo ishin ribashkuar. Fotografia personale e artistit, nixti nj\u00eb bised\u00eb q\u00eb \u00e7oi deri te krijimi. Andaj, ky projekt sipas deklaratave t\u00eb Muj\u00ebs ishte q\u00eb t\u00eb shfaqen edhe situatat m\u00eb t\u00eb v\u00ebshtira t\u00eb t\u00eb tjer\u00ebve, t\u00eb cil\u00ebt erdhen vet\u00ebm n\u00eb tri fotografi (t\u00eb pa shfaqura) .\u201cPo b\u00ebja hulumtime p\u00ebr disa prej k\u00ebtyre fotografive dhe idea ishte t\u00eb xhiroja video por jo me njer\u00ebzit e moshuar n\u00eb k\u00ebto fotografi, por me f\u00ebmij\u00ebt, t\u00eb cil\u00ebt nuk e mbajn\u00eb n\u00eb mend domosdoshm\u00ebrisht \u00e7far\u00eb kishte ndodhur. Kujtimet q\u00eb ata i kan\u00eb nd\u00ebrtuar, i kan\u00eb krijuar nga informatat q\u00eb i kan\u00eb marr\u00eb nga familjar\u00ebt e tyre.\u201d Nga deklaratat e Muj\u00ebs ishin p\u00ebrzgjedhur vet\u00ebm tri fotografi: \u201cPasi vendos\u00ebm t\u00eb shkojm\u00eb me tri fotografit\u00eb e zgjedhura, i kontaktuam kat\u00ebr karakter\u00ebt q\u00eb do t\u2019i intervistonim n\u00eb video. Jan\u00eb nj\u00eb v\u00eblla e nj\u00eb mot\u00ebr nga Mitrovica, Besimi dhe Jehona. Fillimisht i takova ata dhe babain e tyre, burrin n\u00eb fotografi q\u00eb i ka n\u00eb dor\u00eb fotografit\u00eb e f\u00ebmij\u00ebve t\u00eb tij. M\u00eb pas, shkova n\u00eb Prizren dhe u takova me Agimin djalin q\u00eb e ngrit\u00ebn matan\u00eb rrethojave n\u00eb kampin e refugjat\u00ebve n\u00eb Kuk\u00ebs, dhe shkova n\u00eb Ka\u00e7anik ku e takova Bes\u00ebn foshnjen q\u00eb po i jepte gji n\u00ebna e saj gjat\u00eb rrug\u00ebtimit p\u00ebr n\u00eb kufi dhe familjen e saj.\u201d<\/p>\n

N\u00eb portale shkruan se Ueb-faqja \u201cArtsty\u201d e ka vler\u00ebsuar Kosov\u00ebn n\u00eb mesin e 10 m\u00eb t\u00eb mir\u00ebve t\u00eb Bienales s\u00eb sivjetme t\u00eb Venecias. Kjo ishte p\u00ebr tu g\u00ebzuar dhe v\u00ebrtet\u00eb nj\u00eb lajm shum\u00eb i mir\u00eb, mir\u00ebpo, kjo faqe nuk e ka renditur si vep\u00ebr t\u00eb mir\u00eb vepr\u00ebn fituese t\u00eb Lituanis\u00eb. At\u00ebher\u00eb \u00e7far\u00eb mund t\u00eb themi p\u00ebr k\u00ebt\u00eb? Sa jan\u00eb t\u00eb sakta vlersimet nga kjo faqe, mbetet t\u00eb diskutohet. E hulumtova n\u00eb sakt\u00ebsi k\u00ebt\u00eb ueb-faqe dhe m\u00eb shum\u00eb \u00ebsht\u00eb p\u00ebr shitje t\u00eb punimeve se sa p\u00ebr vler\u00ebsime, duket sikur gjirafa.com.<\/p>\n

Tjetra, nj\u00eb artikull nga Philip Kennicott, kritik i artit i cili boton nj\u00eb artikull n\u00eb \u201cThe \u00cbashington post\u201d, p\u00ebr Kosov\u00ebn shkruan vet\u00ebm tre rreshta derisa p\u00ebr t\u00eb tjer\u00ebt m\u00eb shum\u00eb. P\u00ebr Pavionin ton\u00eb thot\u00eb se \u00ebsht\u00eb shtrir\u00eb n\u00eb nj\u00eb hap\u00ebsir\u00eb t\u00eb thjesht\u00eb p\u00ebrmes videoinstalacionet, madje as ky kritik nuk i p\u00ebrmend fotografit\u00eb t\u00eb cilat \u00ebsht\u00eb dashur t\u00eb shfaqen, por e tregon t\u00eb v\u00ebrtet\u00ebn me at\u00eb se \u00e7far\u00eb \u00ebsht\u00eb prezantuar.<\/p>\n

M\u00eb 2013 Kosova u p\u00ebrfaq\u00ebsua me artistin Petrit Halilaj, i cili kishte paraqitur instalacionin \u201cJam i unt\u00eb me t\u00eb pas\u00eb ngat. Po du me i gjet\u00eb fjal\u00ebt q\u00eb m\u00eb ngopin, por n\u00eb fund s\u2019mbetet tjet\u00ebr pos nji qark i mbyllun. Ironia asht q\u00eb ti nuk je k\u00ebtu, asni gja nuk asht k\u00ebtu\u201d. Halilaj kishte nd\u00ebrtuar nj\u00eb fole me thupra t\u00eb eksportuara nga Kosova. K\u00ebsisoj, ai vizitor\u00ebve ua krijonte ndjenj\u00ebn e izolimit.<\/p>\n

E m\u00eb 2015-n, p\u00ebrfaq\u00ebsuese e Kosov\u00ebs ishte artistja Flaka Haliti me vepr\u00ebn \u201cSpeculating in the blue\u201d (Spekulim n\u00eb t\u00eb kalt\u00ebr).<\/p>\n

N\u00eb vitin 2017 artisti Sislej Xhafa u prezantua n\u00eb Bienalen e Venecias me nj\u00eb ekspozit\u00eb t\u00eb fuqishme q\u00eb ng\u00ebrthente fuqin\u00eb, shkat\u00ebrrimin dhe vuajtjen q\u00eb e ka kaluar Kosova gjat\u00eb luft\u00ebs s\u00eb fundit. A u dallua Xhafa? Natyrisht dhe gjithmon\u00eb \u00ebsht\u00eb provokativ dhe ngrit\u00eb problemet politike dhe historike t\u00eb nj\u00eb vendi. \u201cLost and Found\u201d titullohej vepra e tij q\u00eb trajtonte luft\u00ebn dhe dhun\u00ebn dhe njer\u00ebzit e zhdukur n\u00eb luft\u00ebn e fundit t\u00eb cil\u00ebt edhe sot mungojn\u00eb. K\u00ebt\u00eb dhimbje e vuan gjith\u00eb kosova dhe Xhafa e n\u00ebnvizoj p\u00ebrmes z\u00ebrit t\u00eb tij protestues me k\u00ebrkim t\u00eb drejt\u00ebsis\u00eb duke e treguar se artit i takon ta trajtoj\u00eb k\u00ebt\u00eb tem\u00eb.<\/p>\n

Ai k\u00ebrkon paqen k\u00ebtu sepse don\u00eb ta zgjidh problemin ( n\u00eb k\u00ebrkim t\u00eb zbardhjes p\u00ebr njer\u00ebzit e zhdukur) ende e d\u00ebgoj at\u00eb z\u00ebrin e Xhaf\u00ebs \u201cNdaluni!\u201d Vuajtja e k\u00ebtyre njer\u00ebzve duhet t\u00eb pushoj\u00eb. Ujrat e epifanis\u00eb dhe pag\u00ebzimit duhet t\u2019i japin shqiptar\u00ebve t\u00eb st\u00ebrmunduar paqen, g\u00ebzimin dhe lumturin\u00eb e munguar.
\nK\u00ebt\u00eb vit \u00e7mimi tjet\u00ebr i madh i shkoi p\u00ebr pjes\u00ebmarr\u00ebsin Arthur Jafa, regjisor amerikan. Filmi i tij ishte 50 minut\u00ebsh n\u00eb t\u00eb cilin dominonte ep\u00ebrsia e njer\u00ebzve t\u00eb bardh\u00eb. N\u00eb vitin 2017, fitues ishte pavioni gjerman, p\u00ebr “Haustin” e k\u00ebrc\u00ebnimit t\u00eb Anne Imhof.<\/p>\n

* Autori i tekstit \u00ebsht\u00eb kritik i artit<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

— si dhe pavionin e Kosov\u00ebs t\u00eb prezantuar n\u00eb Bienale t\u00eb Venedikut A munguan fotografit\u00eb n\u00eb Bienale t\u00eb Venedikut nga Kosova? Ilir Muharremi Se arti \u00ebsht\u00eb filozofi dhe shkenc\u00eb dhe realizim i kompletuar kjo u d\u00ebshmua edhe k\u00ebt\u00eb vit n\u00eb Bienalen e Venecias me performanc\u00ebn operistike \u201cSun & Sea (Marina)\u201d t\u00eb improvizuar n\u00eb nj\u00eb plazh […]<\/p>\n","protected":false},"author":1,"featured_media":41324,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[],"class_list":["post-41323","post","type-post","status-publish","format-standard","has-post-thumbnail","category-artikuj"],"yoast_head":"\nV\u00ebshtrim p\u00ebr vepr\u00ebn \u201cSun & Sea (Marina)\u201d fituese e \u00e7mimit \u201cLuani i Art\u00eb\u201d - FJALA e LIR\u00cb<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/jehonashqiptare.al\/fjala\/veshtrim-per-vepren-sun-sea-marina-fituese-e-cmimit-luani-i-arte\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"V\u00ebshtrim p\u00ebr vepr\u00ebn \u201cSun & Sea (Marina)\u201d fituese e \u00e7mimit \u201cLuani i Art\u00eb\u201d - FJALA e LIR\u00cb\" \/>\n<meta property=\"og:description\" content=\"— si dhe pavionin e Kosov\u00ebs t\u00eb prezantuar n\u00eb Bienale t\u00eb Venedikut A munguan fotografit\u00eb n\u00eb Bienale t\u00eb Venedikut nga Kosova? 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