{"id":43133,"date":"2019-07-15T01:32:45","date_gmt":"2019-07-14T23:32:45","guid":{"rendered":"https:\/\/fjala.info\/?p=43133"},"modified":"2019-07-15T01:32:45","modified_gmt":"2019-07-14T23:32:45","slug":"federiko-garcia-lorka","status":"publish","type":"post","link":"https:\/\/jehonashqiptare.al\/fjala\/federiko-garcia-lorka\/","title":{"rendered":"FEDERIKO GARCIA LORKA"},"content":{"rendered":"

FEDERIKO GARCIA LORKA<\/strong>
\n( Federico Garcia Lorca<\/em> )<\/p>\n

Poezi <\/em><\/p>\n

Poema e k\u00ebng\u00ebs hondo
\nRomanc\u00eb cigane
\nPoeti n\u00eb Nju Jork
\nVajtim p\u00ebr Injacio San\u00e7es Mehijas<\/p>\n

P\u00ebrktheu : Faslli Haliti<\/strong><\/p>\n

TIRAN\u00cb 2005<\/em><\/p>\n

Xhovani Marioti<\/strong>
\n( Giovanni Mariotti<\/em> )<\/p>\n

MAGJEPSJE E MENJ\u00cbHERSHME MBI NJ\u00cb SFOND T\u00cb ERR\u00cbT<\/strong>
\n1<\/strong>.
\nKush lexon nj\u00eb poezi t\u00eb Federiko Garcia Lork\u00ebs ka p\u00ebrshtypjen se po gjendet p\u00ebrball\u00eb di\u00e7kaje t\u00eb qart\u00eb, t\u00eb themi edhe t\u00eb leht\u00eb – dhe vet\u00ebm n\u00eb nj\u00eb sekond\u00eb koh\u00eb,kur p\u00ebrpiqet t\u00eb ngulit\u00eb imazhet e ve\u00e7anta dhe t\u00eb p\u00ebrcaktoj\u00eb dometh\u00ebnien e fjal\u00ebve dhe t\u00eb frazave,kujtohet se ka t\u00eb b\u00ebj\u00eb me nj\u00eb tekst t\u00eb err\u00ebt dhe me pjes\u00eb t\u00eb padep\u00ebrtueshme.
\nLorka ishte i vet\u00ebdijsh\u00ebm p\u00ebr k\u00ebt\u00eb efekt.
\nNj\u00eb dit\u00eb takoi n\u00eb nj\u00eb bar nj\u00eb kamerier q\u00eb kishte lexuar Romanc\u00ebn e tij cigane (u b\u00eb menj\u00ebher\u00eb popullore). Kamerieri recitoi disa vargje, dhe poeti e pyeti n\u00ebse e kuptonte se \u00e7’kuptim kishin. Duke u skuqur, kamerieri iu p\u00ebrgjigj : \u201dS’e di \u201e.
\nShum\u00eb lexues do t\u00eb mund t\u00eb p\u00ebrgjigjeshin n\u00eb t\u00eb nj\u00ebjt\u00ebn m\u00ebnyr\u00eb, n\u00ebse do t’u k\u00ebrkohej q\u00eb t\u00eb \u201dshpjegonin\u201e vargjet q\u00eb ata duan m\u00eb shum\u00eb. Meq\u00eb kjo \u00ebsht\u00eb vula e poezis\u00eb lorkiane : magjepsje e menj\u00ebhershme mbi nj\u00eb sfond t\u00eb err\u00ebt.<\/p>\n

2<\/strong>.
\n\u201dMagjepsje e menj\u00ebhershme\u201e
\nFormula, para se t\u00eb aplikohet te poeti, u aplikua te njeriu.
\nT\u00eb gjith\u00eb ata q\u00eb pat\u00ebn privilegjin ta njohin kan\u00eb n\u00ebnvizuar magjin\u00eb mb\u00ebshtjell\u00ebse q\u00eb rrezatonte personi i tij.
\nKa shkruar Horge Gilen : \u00abSimpatia e Frederiko Garcia Lork\u00ebs!\u201e Ishte forca e ti qendrore, mjeti i ti i komunikimit me t\u00eb ardhmen, af\u00ebrsia e tij me sendet, gjenia e tij: gjenia e nj\u00eb magneti i t\u00ebrhequr nga gjith\u00e7ka. Dhe si nuk do t\u00eb na t\u00eb mos na magjepste nj\u00eb shkall\u00eb e till\u00eb gjall\u00ebrie, n\u00ebse asgj\u00eb s’\u00ebsht\u00eb m\u00eb josh\u00ebse se sa vet\u00eb qart\u00ebsia e jet\u00ebs?\u00bb
\nShpesh, prapa gjall\u00ebris\u00eb s\u00eb nj\u00eb poeti fshihet nj\u00eb egocentriz\u00ebm i shfrenuar q\u00eb t\u00eb magjeps p\u00ebr nj\u00eb \u00e7ast, por t\u00eb le t\u00eb lodhur dhe t\u00eb boshatisur.
\nNuk ishte rasti i Lork\u00ebs. Thuhet se nj\u00eb dit\u00eb paska thirrur \u00e7ilt\u00ebrsisht: \u00ab Sa e bukur \u00ebsht\u00eb fisnik\u00ebria! \u00bb – dhe sigurisht e kishte fjal\u00ebn, jo p\u00ebr nj\u00eb m\u00ebnyr\u00eb sjelljeje q\u00eb ndonj\u00ebher\u00eb \u00ebsht\u00eb vet\u00ebm formale, por p\u00ebr idealin kalor\u00ebsiak t\u00eb nj\u00eb v\u00ebmendjeje drejt t\u00eb tjer\u00ebve, nj\u00eb fisnik\u00ebri t\u00eb ndjenj\u00ebs pa mllefe e zili. Ve\u00e7 k\u00ebsaj, \u00abfisnik\u00ebris\u00eb\u00bb, n\u00eb kuptimin q\u00eb fjala kishte n\u00eb origjin\u00eb, n\u00eb bot\u00ebn ton\u00eb neolatine.
\nKush lexon epistolarin e Lork\u00ebs goditet nga miq\u00ebsia dhe nga devotshm\u00ebria q\u00eb shp\u00ebrndante rreth vetes – si dhe nga mungesa e atyre djall\u00ebzive q\u00eb shpesh rivaliteti u frym\u00ebzon poet\u00ebve, akoma m\u00eb shum\u00eb se kategorive t\u00eb njer\u00ebzve t\u00eb tjer\u00eb.<\/p>\n

3<\/strong>.
\nRreth viteve 1920, q\u00eb jan\u00eb ata n\u00eb t\u00eb cil\u00ebt \u00abFrederiku\u00bb- shpejt t\u00eb gjith\u00eb do ta quanin k\u00ebshtu – u manifestua n\u00eb Madrid n\u00eb mjediset q\u00eb r\u00ebndojn\u00eb rreth \u00abRezit\u00bb, ose Rezidenc\u00ebs s\u00eb Studenteve, ngjau sikur gjuha dhe qytet\u00ebrimi i Spanj\u00ebs t\u00eb njihnin nj\u00eb shp\u00ebrthim pranveror dhe Lorka mori pjes\u00eb n\u00eb at\u00eb \u00e7ast magjik me gjith\u00eb entuziazmin e tij; do t\u00eb d\u00ebshironim t\u00eb thoshim: me gjith\u00eb pejzat e trupit t\u00eb tij.
\nPedro Salinas Horge Gilen, Gerardo Diego, Damaso Alonso, Vicente Aleksand\u00ebr, Rafael Alberti: t\u00eb gjith\u00eb pak a shum\u00eb bashk\u00ebkoh\u00ebs; t\u00eb gjith\u00eb gati prisnin rastin t\u00eb bashkoheshin – dhe strumbullari, pik\u00ebmb\u00ebshtetja ishte \u00abFederiku\u00bb.
\nNuk b\u00ebhej fjal\u00eb p\u00ebr nj\u00eb brez rebel\u00ebsh; nuk kishte tiparet e \u00abavangardave\u00bb k\u00ebshtu si\u00e7 u shfaq\u00ebn n\u00eb ato vite n\u00eb vende t\u00eb tjera t\u00eb Evrop\u00ebs. Ndaj brezit t\u00eb m\u00ebparsh\u00ebm – atij t\u00eb Himenesit, Ma\u00e7ados, Unamunos – k\u00ebta poet\u00eb t\u00eb rinj nuk ushqenin ve\u00e7se respekt e admirim. Ishin t\u00eb vet\u00ebdijsh\u00ebm se jetonin nj\u00eb epok\u00eb zgjimi – nj\u00eb \u00e7ast t\u00eb lavdish\u00ebm, drit\u00ebs s\u00eb t\u00eb cilit i ndihmonin dhe, secili n\u00eb m\u00ebnyr\u00ebn e tij, ishin personazhe t\u00eb moshave dhe kompetencave t\u00eb larme si filozofi Ortega dhe Gaset, publicisti Gometh i Sernas, romancieri Valje Inklan, eruditi Menendeth Pidal.
\nNdofta \u00abrebel\u00ebt\u00bb e v\u00ebrtet\u00eb, t\u00eb projektuar tashm\u00eb drejt horizonteve t\u00eb – drejt nj\u00eb arti \u00abarmik t\u00eb kujtimeve, armik t\u00eb lot\u00ebve, \/ armik t\u00eb gjith\u00e7kaje q\u00eb dua ende\u00bb, p\u00ebr ta th\u00ebn\u00eb me Apolinerin – ishin dy personazhe q\u00eb n\u00eb nj\u00eb far\u00eb pike do t\u00eb radhiteshin me k\u00ebt\u00eb grup: Salvator Dalia, i destinuar t\u00eb b\u00ebhej p\u00ebr at\u00eb koh\u00eb miku m\u00eb i preferuar i Garcia Lork\u00ebs dhe Luis Bunjeli.<\/p>\n

4<\/strong>.
\nN\u00eb qershor t\u00eb vitit 1921 Lorka botoi n\u00eb Madrid at\u00eb q\u00eb ishte p\u00ebrcaktuar t\u00eb mbetej p\u00ebrmbledhja e tij me poetike m\u00eb e dendur si dhe m\u00eb pak e njohura: Libri i poemave.
\nIshte nj\u00eb fillim, por edhe nj\u00eb lamtumir\u00eb. Duke e botuar, Lorka shk\u00ebputej nga nj\u00eb stin\u00eb e jet\u00ebs s\u00eb tij ( \u00ebsht\u00eb ajo q\u00eb do t\u00eb ndodh\u00eb m\u00eb von\u00eb : Lork\u00ebs i p\u00eblqente t’u lexonte njer\u00ebzve vargjet e tij sa her\u00eb q\u00eb i paraqitej rasti : dhe vet\u00ebm kur nj\u00eb cik\u00ebl mund t\u00eb quhej i mbyllur ndahej prej tij duke e botuar.
\nShkroi n\u00eb sh\u00ebnimin e shkurt\u00ebr fillestar: \u00ab Me gjith\u00eb gabimet e tij dhe kufizimet e qarta, ky lib\u00ebr do t\u00eb ket\u00eb virtytin, midis t\u00eb tjerave q\u00eb un\u00eb lajm\u00ebroj, t\u00eb kujtoj \u00e7do \u00e7ast f\u00ebminin\u00eb time t\u00eb pasionuar q\u00eb vraponte lakuriq n\u00ebp\u00ebr livadhet e nj\u00eb fushe me nj\u00eb mal n\u00eb sfond\u00bb ( \u00abmi enfancia apasionada correteando desnuda por las praderas de una vega sobre un fondo de serran\u00eda\u00bb )
\nKy \u00ebsht\u00eb n\u00eb t\u00eb v\u00ebrtet\u00eb Libri i pem\u00ebve, ditari lirik i nj\u00eb adoleshenti jasht\u00ebzakonisht i talentuar q\u00eb zbulon n\u00eb t\u00eb nj\u00ebjt\u00ebn koh\u00eb nj\u00eb peizazh ( at\u00eb t\u00eb Andaluzis\u00eb ku Lorka kishte lindur nga nj\u00eb familje pronare tokash ) dhe universin e gjithansh\u00ebm dhe me arabeska t\u00eb librave. Kuptohet q\u00eb Lorka ka lexuar Himenesin ose edhe Meterlikun ( autori t\u00eb cilit i duhej nj\u00eb mjet stilistik i destinuar p\u00ebr t\u00eb ngulmuar n\u00eb prodhimin pasues: p\u00ebrdorimi kundrapuntistik t\u00eb parantezave ) ;q\u00eb ka lexuar rinovuesin e madh t\u00eb lirik\u00ebs s\u00eb gjuh\u00ebs spanjolle, nikaraguensin Ruben Dario ( dhe n\u00ebp\u00ebrmjet Darios duke u hedhur te Bodleri, Malarme ose Rembo, ndjeshm\u00ebria e tij hidhet p\u00ebrs\u00ebri te Viktor Hygo dhe me nj\u00eb fjal\u00eb n\u00eb zem\u00ebr t\u00eb Tet\u00ebqindshit ) ; q\u00eb ushqehet me muzik\u00eb dhe folklor.
\nLibri i poemave \u00ebsht\u00eb nj\u00eb vep\u00ebr efuzive q\u00eb bie er\u00eb tet\u00ebqindshi dhe f\u00ebminie katolike; nj\u00eb p\u00ebrmbledhje n\u00eb t\u00eb cil\u00ebn sundon Uni me shqet\u00ebsimet e tij q\u00eb jan\u00eb kryesisht erotike. Por gjesti me t\u00eb cilin Lorka shk\u00ebputet prej tij tregon se \u00ebsht\u00eb duke ndjekur nj\u00eb rrug\u00eb tjet\u00ebr – se shqet\u00ebsimi i tij themelor nuk \u00ebsht\u00eb m\u00eb efuzion \u00abndjenjash komunikative\u00bb, por forma.<\/p>\n

5<\/strong>.
\nNga nj\u00eb an\u00eb p\u00ebrkrah\u00ebsit e nj\u00eb poezie t\u00eb err\u00ebt ( \u00abtenebrosistas \u00bb ), nga ana tjet\u00ebr pasuesit e nj\u00eb poezie t\u00eb qart\u00eb (\u00ab lanistas \u00bb )\u2026nga nj\u00eb an\u00eb poet\u00ebt e \u00abkulturuar\u00bb ose \u00aboborrtar\u00eb\u00bb, nga ana tjet\u00ebr \u00abpopullor\u00ebt\u00bb\u2026nga nj\u00eb an\u00eb kush shikonte jasht\u00eb Spanj\u00ebs, drejt Provanc\u00ebs s\u00eb trubadur\u00ebve ose Italis\u00eb s\u00eb Rilindjes, nga ana tjet\u00ebr kush huazonte nga folklori\u2026
\nAkoma: nga nj\u00eb an\u00eb, l\u00ebvruesit e vargut t\u00eb gjat\u00eb ( nj\u00ebmb\u00ebdhjet\u00ebrrok\u00ebsh ose Aleksandrin\u00eb ) \u2026 n\u00eb an\u00ebn tjet\u00ebr, ata t\u00eb vargut t\u00eb shkurt\u00ebr ( ve\u00e7an\u00ebrisht ata t\u00eb tet\u00ebrrok\u00ebshit t\u00eb \u00abromanc\u00ebs\u00bb )\u2026
\nDuke p\u00ebrkujtuar kat\u00ebrqind vjetorin e Luis de Gongoras, poetit t\u00eb madh t\u00eb Andaluzis\u00eb, Lorka iu tregoi k\u00ebtyre dyzuesve ose kund\u00ebrv\u00ebn\u00ebsve q\u00eb kishin shoq\u00ebruar gjith\u00eb historin\u00eb e lirik\u00ebs spanjolle. Dyzime dhe kund\u00ebrv\u00ebnie q\u00eb n\u00eb \u00e7ast u transformuan n\u00eb luft\u00ebra t\u00eb v\u00ebrteta\u2026
\nPor flitej, sipas Lork\u00ebs p\u00ebr luft\u00ebra iluzore.
\nGjith\u00e7ka i dukej e p\u00ebrzier\u00eb dhe nd\u00ebrthurur. Nuk ekzistonte nj\u00eb poezi e \u00aberr\u00ebt\u00bb dhe e paarritshme dhe nj\u00eb poezi \u00abe nj\u00ebtrajtshme, nj\u00eb poezi \u00ab e kulturuar\u00bb dhe nj\u00eb poezi \u00abpopullore\u00bb, por nj\u00eb trung i vet\u00ebn kumbues, nj\u00eb pem\u00eb gum\u00ebzhit\u00ebse e pasur me deg\u00eb dhe gjethe n\u00eb secil\u00ebn prej tyre manifestohej e nj\u00ebjta energji.
\n\u00abGjuha p\u00ebrb\u00ebhet nga imazhet dhe me imazhe populli yn\u00eb \u00ebsht\u00eb i pajisur mrekullisht\u00bb ( \u00ab el lenguaje est\u00e1 becho de im\u00e1genes, y nuestro pueblo tiene una riqueza magnifica de ellas\u00bb ).
\nDhe Lorka jepte disa shembuj, midis t\u00eb cilave k\u00ebt\u00eb: n\u00eb Andaluzi u quajt \u00abbuey de agua\u00bb ( ka prej uji ) nj\u00eb lum\u00eb q\u00eb rrjedh leht\u00eb dhe i plot\u00eb p\u00ebrmes fush\u00ebs – \u00abka prej uji\u00bbp\u00ebr t\u00eb treguar me t\u00eb volumin dhe forc\u00ebn. \u00cbsht\u00eb fjala p\u00ebr nj\u00eb shprehje popullore – dhe megjithat\u00eb, thot\u00eb Lorka, \u00abp\u00ebrkon me nj\u00eb m\u00ebnyr\u00eb t\u00eb pari mjaft t\u00eb af\u00ebrt\u00bb me metaforat t\u00eb nj\u00eb poeti si Luis de Gongora q\u00eb me latinishten e tij dhe me mitologjin\u00eb e tij, kishte fam\u00ebn e hip\u00ebr t\u00eb kulturuari ( \u00abculterano) dhe t\u00eb err\u00ebtit.<\/p>\n

6<\/strong>.
\nMarrim tani p\u00ebrmbledhjen e madhe postume t\u00eb Lork\u00ebs, Poeti n\u00eb Nju Jork dhe lexojm\u00eb k\u00ebta vargje :<\/p>\n

Cantaba la lombriz el terror de la rueda
\nY el murinero degollado
\nCantaba al oso de agua que lo habia de estrechar\u2026<\/p>\n

[ K\u00ebndonte krimbi i tok\u00ebs terrorin e rrot\u00ebs
\ndhe marinari me kok\u00eb t\u00eb prer\u00eb
\nk\u00ebndonte ariun e ujit q\u00eb do ta shtr\u00ebngonte\u2026]<\/p><\/blockquote>\n

Poeti n\u00eb Nju Jork \u00ebsht\u00eb ndikuar fort nga surealizmi dhe, pra ,lexuesi \u00ebsht\u00eb i prirur t\u00eb besoj\u00eb se \u00abariu prej uji \u00bb \u00ebsht\u00eb nj\u00eb trillim i past\u00ebr surrealist si \u00abrevolveri me flok\u00eb t\u00eb thinjur\u00bb i Bretonit; por pa t\u00eb drejt\u00eb: \u00ebsht\u00eb e qart\u00eb q\u00eb ky ari i p\u00ebrket s\u00eb nj\u00ebjt\u00ebs zoologji t\u00eb \u00abbuey\u00bb – shkurt, q\u00eb b\u00ebhet fjal\u00eb p\u00ebr nj\u00eb imazh q\u00eb vjen n\u00eb m\u00ebnyr\u00eb shum\u00eb t\u00eb drejtp\u00ebrdrejt\u00eb nga nj\u00eb shprehje popullor andaluze.
\nKy \u00ebsht\u00eb Lorka: nj\u00eb kryq\u00ebzim i avangard\u00ebs dhe tradit\u00ebs,i kultur\u00ebs dhe instinktit, p\u00ebr t\u00eb cilin shpesh her\u00eb \u00ebsht\u00eb e v\u00ebshtir\u00eb t\u00eb thuash ku fillon njeri e ku mbaron tjetri.
\nI merr imazhet e tij aty ku i gjen dhe s’ le asgj\u00eb q\u00eb t\u00eb josh pa provuar.<\/p>\n

7<\/strong>.
\nLe Canciones( K\u00ebng\u00ebt), il Romancero gitano, ( Romanc\u00eb cigane il ) Poema del cante jondo ( Poema e k\u00ebng\u00ebs honda ) il Llanto por Ignacio S\u00e1nchez Mej\u00edas ( Vajtim p\u00ebr Injathio San\u00e7es Mehias ) : s\u00eb bashku me Libro de poemas, ( Libri i poemave ) t\u00eb cituara tashm\u00eb, k\u00ebto vepra ezaurohen, s\u00eb paku p\u00ebrsa i p\u00ebrket poezis\u00eb, list\u00ebn e veprave t\u00eb botuara gjat\u00eb jet\u00ebs nga Federik Garcia Lorka ( teprica \u00ebsht\u00eb di\u00e7ka ).
\nSundon n\u00eb t\u00eb gjitha vargu i shkurt\u00ebr ( tet\u00ebrrok\u00ebshi narrativ te Romancero ); dhe t\u00eb gjitha, n\u00eb kujtes\u00ebn e ngjeshur t\u00eb lexuesit, vendosen n\u00ebn shenj\u00ebn e \u00abpopullores\u00bb dhe t\u00eb \u00abfolklorit\u00bb – me pak fjal\u00eb jan\u00eb ngjyrosur me Andaluzi.
\nSigurisht ajo \u00abngjyr\u00eb\u00bb \u00ebsht\u00eb kudo – por t\u00eb insistosh n\u00eb m\u00ebnyr\u00eb ekskluzive mbi andaluzizmin mund t’i japi hakun stilizimit skajsh\u00ebm ndaj t\u00eb cilit Garcia Lorka i n\u00ebnshtron materialet e tija. Marrim nj\u00eb shembull midis t\u00eb shumt\u00ebve :<\/p>\n

El magnifico sauce
\nDe la lluvia, ca\u00eda.<\/p>\n

Oh! Luna redonda
\nSobre blancos ramos !<\/p>\n

[ Shelgu madh\u00ebshtor
\ni shiut binte.<\/p>\n

Oh h\u00ebn\u00eb e rrumbullak\u00ebt
\nMbi deg\u00ebt e bardha ! ]<\/p><\/blockquote>\n

\u00c7far\u00eb na kujton kjo poezi e zvog\u00ebluar n\u00eb nj\u00eb nocion minimal, esencial, e gjitha n\u00eb t\u00eb tashme ? \u00cbsht\u00eb e thjesht\u00eb : na kujton haikun japonez.
\nN\u00eb gjith\u00eb librin e Canciones (K\u00ebng\u00ebt ) Lorka ndjek nj\u00eb Form\u00eb t\u00eb tij\u00ebn q\u00eb \u00ebsht\u00eb nj\u00eb kryq\u00ebzim mjaft i \u00e7uditsh\u00ebm \u00abmuzike\u00bb andaluze dhe japoneze (thelbit t\u00eb poezis\u00eb japoneze) dhe gj\u00ebra t\u00eb tjera.<\/p>\n

8<\/strong>.
\nQ\u00eb n\u00eb fillim Lorka ka nj\u00eb talent t\u00eb mrekulluesh\u00ebm p\u00ebr metafor\u00ebn ( e p\u00ebrdor k\u00ebt\u00eb fjal\u00eb n\u00eb kuptimin m\u00eb t\u00eb gj\u00ebr\u00eb ) ;dhe n\u00eb konferenc\u00ebn mbi Gongoran citon nj\u00eb fraz\u00eb t\u00eb famshme t\u00eb Prustit : \u00ab Vet\u00ebm metafora i jep stilit nj\u00eb lloj p\u00ebrjet\u00ebsie\u00bb.
\nPor poezia nuk \u00ebsht\u00eb vet\u00ebm metafor\u00eb . ( Do t\u00eb doja t\u00eb citoja, n\u00eb lidhje me k\u00ebt\u00eb, nj\u00eb v\u00ebzhgim q\u00eb e mbaj mend ta kem d\u00ebgjuar nga goja e Borhesit: \u00abN\u00ebse poezia do t\u00eb ishte vet\u00ebm metafor\u00eb,nj\u00eb varg si ai i k\u00ebng\u00ebs s\u00eb Paolos dhe Fran\u00e7esk\u00ebs: \u00ab buz\u00ebn m\u00eb puthi duke u dridhur i t\u00ebri \u00bb\u201d, do t\u00eb ishte e sh\u00ebmtuar ose e pakuptimt\u00eb, pasi nuk p\u00ebrmban kurrfar\u00eb metafore. P\u00ebrkundrazi nuk \u00ebsht\u00eb k\u00ebshtu \u00bb.)
\nSi gjith\u00eb poet\u00ebt e v\u00ebrtet\u00eb, metaforisti Lorka di t’i n\u00ebnshtrohet edhe metafor\u00ebs, kur \u00ebsht\u00eb \u00e7asti.
\n\u00cbsht\u00eb nj\u00eb poezi e Canciones ( K\u00ebng\u00ebt ) e titulluar Congedo ( Lamtumir\u00eb). P\u00ebr ta shkruar Lorka u frym\u00ebzua, si\u00e7 e sheh Horhe Huljen, ka nj\u00eb tem\u00eb popullore.
\n\u00ab O shok,n\u00ebse vdes\/do t\u00eb jet\u00eb sht\u00ebpin\u00eb e t\u00eb \u00e7mendurve\/destinimi yt\u00bb, thot\u00eb nj\u00eb k\u00ebng\u00eb andaluze; dhe midis \u00ab seguiryas\u00bb ciganet ka q\u00eb fillojn\u00eb me k\u00ebt\u00eb fjal\u00eb: \u00ab Kur un\u00eb do t\u00eb vdes \/ shih q\u00eb t\u00eb ngarkoj \u2026\u00bb
\npor lexojm\u00eb Lork\u00ebn:<\/p>\n

si muero,
\ndejad el balcon abierto.<\/p>\n

El nino come naranjas.
\n(Desde mi balkon lo siento.)<\/p>\n

Si muero,
\nDejad el balcon abierto.<\/p>\n

[ N\u00ebse vdes,
\nl\u00ebreni t\u00eb hapur ballkonin tim.<\/p>\n

F\u00ebmija ha portokall.
\n( Nga ballkoni im e shoh.)<\/p>\n

Korr\u00ebsi korr grurin.
\n( Nga ballkoni im e ndiqej.)<\/p>\n

Po t\u00eb vdes
\nL\u00ebreni ballkonin tim hapur! ]<\/p><\/blockquote>\n

Ja nj\u00eb poezi esenciale,e p\u00ebrkryer, shum\u00eb prek\u00ebse – dhe as edhe me nj\u00eb metafor\u00eb. Dhe s’\u00ebsht\u00eb e vetmja n\u00eb Canciones ( K\u00ebng\u00ebt ): ka edhe t\u00eb tjera, edhe nd\u00ebrmjet m\u00eb t\u00eb famshmeve.
\nLul\u00ebzimi bujar i metaforave bashk\u00ebjeton nga ana tjet\u00ebr te Lorka me nj\u00eb seri treguesish muzikor\u00eb – me \u00abl\u00ebvizje\u00bb elementare,t\u00eb menj\u00ebhershme. Marrim si shembull kat\u00ebr pjes\u00ebt e Llanto p\u00ebr Ignathio San\u00e7ez Meh\u00edas t\u00eb famsh\u00ebm dhe nj\u00ebkoh\u00ebsisht tep\u00ebr t\u00eb bukur.
\n\u00abN\u00eb or\u00ebn pes\u00eb t\u00eb mbr\u00ebmjes\u00bb, \u00abNuk dua ta shoh!\u00bb, \u00absepse ti je i vdekur p\u00ebrgjithmon\u00eb\u00bb, k\u00ebta vargje t\u00eb p\u00ebrs\u00ebritur – k\u00ebto refrene \u00bb si \u00e7ekan\u00eb, absolutisht kaq t\u00eb thjesht\u00eb dhe t\u00eb shtruar – b\u00ebjn\u00eb aq sa lexuesi t\u00eb mos humbas n\u00eb pyllin e imazheve dhe t\u00eb metaforave. Funksionojn\u00eb, n\u00eb nj\u00eb far\u00eb m\u00ebnyre, nga didaktika.
\nEdhe nga ky ekuilib\u00ebr varet besoj, suksesi \u00ab popullor\u00bb i Lork\u00ebs, n\u00eb Spanj\u00eb dhe gjetk\u00eb.<\/p>\n

9<\/strong>.
\nPoeti n\u00eb Nju Jork \u00ebsht\u00eb sigurisht vepra e Garcia Lork\u00ebs q\u00eb ka ushtruar ndikimin m\u00eb t\u00eb madh mbi poet\u00ebt pasues dhe \u00ebsht\u00eb mbajtur nga kritika si kryevepra e tij.
\nNuk e di n\u00ebse \u00ebsht\u00eb v\u00ebrtet k\u00ebshtu. Dyshoj q\u00eb kjo bindje i n\u00ebnshtrohet ndikimit t\u00eb dy paragjykimeve, nj\u00eb i tipit q\u00eb thekson p\u00ebrmbajtjen dhe tjetri i tipit q\u00eb thekson form\u00ebn.
\nN\u00eb t\u00eb gjitha epokat ekzistojn\u00eb hierarki temash q\u00eb nuk deklarohen n\u00eb m\u00ebnyr\u00eb t\u00eb hapur, por q\u00eb nuk jan\u00eb, p\u00ebr k\u00ebt\u00eb, m\u00eb pak aktive dhe me ndikim t\u00eb madh. Lorka i Poeta en Nueva York ( Poeti n\u00eb Nju Jork ) i ktheu shpin\u00ebn provinc\u00ebs dhe fshatit p\u00ebr t’u matur me tem\u00ebn e metropolit: q\u00ebllim q\u00eb shum\u00eb priren ta konsiderojn\u00eb t\u00eb denj\u00eb n\u00eb vetvete dhe me merita te nj\u00eb poet modern.
\nKy \u00ebsht\u00eb paragjykimi q\u00eb jepet pas p\u00ebrmbajtjes. Paragjykimi tjet\u00ebr q\u00ebndron n\u00eb t\u00eb besuarit se ajo q\u00eb \u00ebsht\u00eb pa form\u00eb ose relativisht pa form\u00eb \u00ebsht\u00eb medoemos m\u00eb e pasur dhe stimuluese se ajo q\u00eb \u00ebsht\u00eb e past\u00ebr, e mbyllur p\u00ebrsosur.
\nTe Poeti n\u00eb Njueva York vargjet e shkurt\u00ebr t\u00eb Canciones ose t\u00eb Romanceros u hapin rrug\u00ebn vargjeve t\u00eb gjat\u00eb dhe t\u00eb parregullt; edhe kompozimet hapen dhe synojn\u00eb t\u00eb t\u00eb b\u00ebhen me thek dhe t\u00eb thyhen; triumfon imazhi surrealist.
\nGjith\u00eb pjesa tjet\u00ebr e vepr\u00ebs poetike t\u00eb Lork\u00ebs mund t\u00eb konsiderohet si nj\u00eb spirale q\u00eb niset nga shfrimi dhe nga autobiografia dhe priret nga konstruktet e rrepta formale n\u00eb nj\u00eb far\u00eb m\u00ebnyre t\u00eb depersonalizuara; dhe pjesa e dyt\u00eb ( ajo postume )skicon nj\u00eb l\u00ebvizje t\u00eb t\u00eb nj\u00ebjtit lloj nj\u00eb rreth tjet\u00ebr dhe simetrik spiraleje.
\nLorka vet\u00eb, gjat\u00eb leximeve publike q\u00eb i b\u00ebri vepr\u00ebs s\u00eb vet \u00abn\u00eb panaire\u00bb prirej t\u00eb paraqiste vepr\u00ebn Poeti n\u00eb Nju Jork si nj\u00eb \u00abdiario\u00bb (ditar) t\u00eb v\u00ebrtet\u00eb t\u00eb eksperienc\u00ebs s\u00eb tij amerikane. N\u00ebse Libri i poemave \u00ebsht\u00eb nj\u00eb adoleshent q\u00eb hap syt\u00eb mbi realitetin q\u00eb e rrethon ( dhe q\u00eb \u00ebsht\u00eb realiteti fshatar, \u00abcampesina\u00bb i Andaluzis\u00eb), Poeta en Nueva York ( Poeti n\u00eb Nju Jork) na tregon autori q\u00eb n\u00eb nj\u00eb stad tjet\u00ebr zbulon nj\u00eb bot\u00eb t\u00eb re – Bot\u00ebn e Re.
\nPo megjithat\u00eb edhe k\u00ebt\u00eb her\u00eb vepron tek ai nj\u00eb tension drejt Form\u00ebs – tension q\u00eb \u00ebsht\u00eb dokumentuar te \u00abgazelet\u00bb ( gacelas ) dhe te \u00abkasidet\u00bb (casidas ) te Divan del Tam\u00e1r ( Divani i Tamarit ) (\u00abgazelet\u00bb dhe (\u00abcaside\u00bb jan\u00eb forma t\u00eb lashta t\u00eb poezis\u00eb arabe q\u00eb Lorka nuk i njeh mjaft q\u00eb t\u00eb tentoj\u00eb t’u jap\u00eb nj\u00eb ekuivalent, por megjithat\u00eb k\u00ebrkon mbrojtjen e tyre si\u00e7 k\u00ebrkohet mbrojtja e nj\u00eb hajmalie kund\u00ebr rreziqeve t\u00eb nj\u00eb udh\u00ebtimi \u00ab n\u00ebp\u00ebr magm\u00eb\u00bb )dhe t\u00eb Sonetos del amor obscuro ( nga Sonetet e dashuris\u00eb s\u00eb err\u00ebt ).
\nNj\u00eb spirale e re nisi, e destinuar megjithat\u00eb t\u00eb mbetet pa p\u00ebrfundim.<\/p>\n

10<\/strong>.
\nLorka e donte tok\u00ebn e vet, familjen e tij, miqt\u00eb e tij; por ai donte mbi t\u00eb gjitha poezin\u00eb ( \u00ab poesia vieha \u00bb ( poezin\u00eb plak\u00eb ), thoshte Dal\u00ed ). Si shum\u00eb homoseksual\u00eb, zot\u00ebrohej nga nj\u00eb ndjenj\u00eb e fort\u00eb p\u00ebrkat\u00ebsie dhe s\u00eb bashku me margjinalitetin – ndjenj\u00eb q\u00eb e shtyni t’u k\u00ebndoj\u00eb cigan\u00ebve, t\u00eb emargjinuar\u00ebve t\u00eb Andaluzis\u00eb dhe zezak\u00ebve, t\u00eb emargjinarve t\u00eb Amerik\u00ebs. Dhe besonte q\u00eb gjith\u00e7ka t\u00eb mund t\u00eb pajtohej – p\u00ebr shembull, n\u00eb brend\u00ebsi t\u00eb poezis\u00eb s\u00eb tij, tradita dhe avangarda. Tregon nj\u00eb d\u00ebshmitar q\u00eb kur e \u00e7uan p\u00ebr t\u00eb vdekur, \u00ab lloraba como un ni\u0144o\u00bb ( qante si nj\u00eb f\u00ebmij\u00eb). Papritur bota q\u00eb ai e kishte mbytur me \u00abfisnik\u00ebrin\u00eb\u00bb e tij do t’i jet\u00eb dukur e papajtueshme. Ai q\u00eb s’ishte ndar\u00eb kurr\u00eb nga asgj\u00eb, shtr\u00ebngohej , me dhun\u00eb, t\u00eb ndahej nga jeta.<\/p>\n

P\u00ebrktheu: Faslli Haliti<\/strong><\/p><\/blockquote>\n

\n

BALADA E VOGEL E TRI LUMENJVE<\/strong><\/p>\n

Salvator Kuinteros<\/em><\/p>\n

Lumi Guadalkivir
\nrrjedh mes portokajsh dhe ullinjsh
\nDy lumenjt\u00eb e Granad\u00ebs
\nzbresin nga d\u00ebbora n\u00eb grunja.<\/p>\n

Ah ,dashuria
\nq\u00eb iku pa kthim!<\/p>\n

Lumi Guadalkivir
\nmjekr\u00ebn e ka si sheg\u00eb.
\nDy lumenjt\u00eb e Granad\u00ebs,
\nNj\u00ebri vajtim dhe tjetri gjak.<\/p>\n

Ah, dashuria
\nq\u00eb iku, mori qiellin!<\/p>\n

P\u00ebr barkat me vela
\nSivilia ka nj\u00eb rrug\u00eb.
\nMbi ujin e Granad\u00ebs,
\nvozisnin vet\u00ebm psher\u00ebtimat<\/p>\n

Ah, dashuria
\nq\u00eb iku pa kthim!<\/p>\n

Guadalkivir, kull\u00eb e lart\u00eb
\ndhe er\u00eb n\u00ebp\u00ebr portokaj.
\nDauro e Genil,
\nkull\u00ebza t\u00eb vdekura mbi pellgje.<\/p>\n

Ah, dashuria
\nq\u00eb iku, mori qiellin !<\/p>\n

Kush do t\u00eb thoshte q\u00eb uji sjellka
\nnj\u00eb zjarr britmash prej varri ?<\/p>\n

Ah, dashuria
\nq\u00eb iku pa kthim!<\/p>\n

Sill lule portokalli, Andaluzi
\nsill ullinj, deteve t\u00eb tua.<\/p>\n

Ah, dashuria
\nq\u00eb iku, mori qiellin !<\/p>\n

POEMA E SIGURIYA CIGAN\u00cbS <\/strong><\/p>\n

Karlo Morla Vikunjas<\/em><\/p>\n

PEIZAZH<\/strong><\/p>\n

Fusha
\ne ullinjve
\nhapet dhe mbyllet
\nsi nj\u00eb erashk\u00eb.
\nMbi ullisht\u00eb
\nka nj\u00eb qiell t\u00eb zymt\u00eb
\ndhe nj\u00eb shi t\u00eb zi yjesh
\nt\u00eb ftoht\u00eb.
\nDridhen xunkthat dhe gjysmerr\u00ebsira
\nmbi breg t\u00eb lumit.
\nKreshp\u00ebrohet era gri,
\nullinjt\u00eb
\njan\u00eb ngarkuar
\nme britma.
\nNj\u00eb tuf\u00eb zogjsh t\u00eb burgosur
\nq\u00eb tundin
\nbishtat e gjat\u00eb
\nn\u00eb err\u00ebsir\u00eb.<\/p>\n

BRITMA<\/strong><\/p>\n

Elipsi i nj\u00eb britme
\nbredh nga mali
\nn\u00eb mal.<\/p>\n

Nga ullinjt\u00eb,
\ndo t\u00eb dal\u00eb nj\u00eb ylber i zi
\nmbi nat\u00ebn e kalt\u00ebr.<\/p>\n

Ah !<\/p>\n

Si nj\u00eb hark violine
\nbritma
\nvibroi telat e gjat\u00eb t\u00eb er\u00ebs.<\/p>\n

Ah !<\/p>\n

(Njer\u00ebzit e shpellave
\nnxjerrin kandilat.)<\/p>\n

Ah !<\/p>\n

GRUAJA E PABES\u00cb<\/strong><\/p>\n

Dhe un\u00eb e \u00e7ova n\u00eb lum\u00eb
\nduke e kujtuar vajz\u00eb,
\npor ajo kishte burr\u00eb.
\nIsh nata e Santiagos
\ndhe ish si detyr\u00eb, pothuaj.
\nu shuan fener\u00ebt
\ndhe u ndez\u00ebn bulkthit.
\nqosheve m\u00eb t\u00eb humbura
\npreka gjinjt\u00eb e saj t\u00eb fjetur,
\ndhe befas m\u2019u hap\u00ebn
\nsi deg\u00eb zymbyli.
\nAmidoni i fustanit t\u00eb saj
\nkumbonte n\u00eb vesh\u00ebt e mi,
\nsi nj\u00eb cop\u00eb m\u00ebndafshi
\ne shqyer nga dhjet\u00ebra thika.
\nPa drit\u00eb t\u00eb argjendt\u00eb n\u00eb maja
\npem\u00ebt jan\u00eb rritur,
\ndhe nj\u00eb horizont prej qensh
\nleh lumit larg, leh tutje, p\u00ebrtej<\/p>\n

Me t\u00eb p\u00ebrshkuar ferrat,
\nxungthet dhe gjembat,
\nn\u00ebn ka\u00e7ubet e flok\u00ebve t\u00eb saj
\nb\u00ebra un\u00eb nj\u00eb vrim\u00eb n\u00eb balt\u00eb.
\nHoqa kravat\u00ebn time.
\nAjo hoqi fustanin e saj.
\nUn\u00eb hoqa rripin dhe revolen.
\nAjo kat\u00ebr jelek\u00ebt e saj.
\nAs livandat as guaskat
\nS\u2019kan\u00eb l\u00ebkur\u00eb aq t\u00eb l\u00ebmuar.
\nAs kristalet n\u00eb drit\u00ebn e h\u00ebn\u00ebs
\nnuk shk\u00eblqejn\u00eb me kaq drit\u00eb.
\nKofsh\u00ebt e saj m\u00eb rr\u00ebshqisnin
\nsi peshq t\u00eb beft\u00eb,
\ngjysma plot prush,
\ngjysma plot me t\u00eb ftoht\u00eb.
\nKal\u00ebrova at\u00eb nat\u00eb
\nshtegun m\u00eb t\u00eb mir\u00eb,
\nmbi nj\u00eb m\u00ebze me margaritar\u00eb
\npa frena e pa yzengji.
\nSi burr\u00eb nuk dua t\u00eb them atot
\nq\u00eb m\u00eb tha ajo.
\nDrita e arsyes
\nm\u00eb b\u00ebn tep\u00ebr prudent.
\nI ndotur me puthje dhe r\u00ebr\u00eb,
\ne mora larg lumit tutje, p\u00ebrtej.
\nNdesheshin me er\u00ebn,
\nshpatat e lilak\u00ebt.<\/p>\n

Veprova si\u00e7 jam,
\nSi cigan i v\u00ebrtet\u00eb.
\nI dhurova nj\u00eb shport\u00eb sateni
\nt\u00eb madhe ngjyr\u00eb kashte
\ndhe s\u2019desha t\u00eb dashurohem me t\u00eb,
\nduke pasur burrin e saj
\najo m\u00eb tha se ishte vajz\u00eb
\nkur un\u00eb po e \u00e7oja n\u00eb lum\u00eb nd\u00ebrkaq.<\/p>\n

P\u00ebrktheu: Faslli Haliti<\/strong><\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"

FEDERIKO GARCIA LORKA ( Federico Garcia Lorca ) Poezi Poema e k\u00ebng\u00ebs hondo Romanc\u00eb cigane Poeti n\u00eb Nju Jork Vajtim p\u00ebr Injacio San\u00e7es Mehijas P\u00ebrktheu : Faslli Haliti TIRAN\u00cb 2005 Xhovani Marioti ( Giovanni Mariotti ) MAGJEPSJE E MENJ\u00cbHERSHME MBI NJ\u00cb SFOND T\u00cb ERR\u00cbT 1. Kush lexon nj\u00eb poezi t\u00eb Federiko Garcia Lork\u00ebs ka p\u00ebrshtypjen […]<\/p>\n","protected":false},"author":1,"featured_media":25290,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[8,10],"tags":[],"class_list":["post-43133","post","type-post","status-publish","format-standard","has-post-thumbnail","category-letersi","category-poezi"],"yoast_head":"\nFEDERIKO GARCIA LORKA - FJALA e LIR\u00cb<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/jehonashqiptare.al\/fjala\/federiko-garcia-lorka\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"FEDERIKO GARCIA LORKA - FJALA e LIR\u00cb\" \/>\n<meta property=\"og:description\" content=\"FEDERIKO GARCIA LORKA ( Federico Garcia Lorca ) Poezi Poema e k\u00ebng\u00ebs hondo Romanc\u00eb cigane Poeti n\u00eb Nju Jork Vajtim p\u00ebr Injacio San\u00e7es Mehijas P\u00ebrktheu : Faslli Haliti TIRAN\u00cb 2005 Xhovani Marioti ( Giovanni Mariotti ) MAGJEPSJE E MENJ\u00cbHERSHME MBI NJ\u00cb SFOND T\u00cb ERR\u00cbT 1. 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