{"id":43561,"date":"2019-07-26T10:39:01","date_gmt":"2019-07-26T08:39:01","guid":{"rendered":"https:\/\/fjala.info\/?p=43561"},"modified":"2019-07-26T10:39:01","modified_gmt":"2019-07-26T08:39:01","slug":"studim-per-teresine-e-mozaikut-shumengjyresh-te-piktures-shqiptare-nder-shekuj","status":"publish","type":"post","link":"https:\/\/jehonashqiptare.al\/fjala\/studim-per-teresine-e-mozaikut-shumengjyresh-te-piktures-shqiptare-nder-shekuj\/","title":{"rendered":"Studim p\u00ebr t\u00ebr\u00ebsin\u00eb e mozaikut shum\u00ebngjyr\u00ebsh t\u00eb piktur\u00ebs shqiptare nd\u00ebr shekuj"},"content":{"rendered":"

Dr. Oltsen Gripshi<\/em><\/p>\n

Studiuesi i historis\u00eb s\u00eb Arteve shqiptare Dr. Oltsen Gripshi<\/strong>, ka sjell\u00eb punimin \u201cPeizazhi n\u00eb piktur\u00ebn shqiptare\u201d<\/em><\/p>\n

N\u00eb k\u00ebt\u00eb studim, si element nd\u00ebrlidh\u00ebs sh\u00ebrben filozofia mes metodave dhe metodologjis\u00eb s\u00eb studimit t\u00eb tij. Nj\u00eb tem\u00eb e trajtuar me pasionin e artistit dhe k\u00ebmb\u00ebnguljen e studiuesit, p\u00ebr t\u00eb p\u00ebrfaq\u00ebsuar t\u00ebr\u00ebsin\u00eb e mozaikut shum\u00ebngjyr\u00ebsh t\u00eb piktur\u00ebs shqiptare nd\u00ebr shekuj<\/p><\/blockquote>\n

\"\"
\nDr. Rovena VATA<\/strong><\/p>\n

N\u00eb vend t\u00eb prologut<\/strong><\/p>\n

Studiuesi i Historis\u00eb s\u00eb Arteve Shqiptare Dr. Oltsen Gripshi, ka sjell\u00eb si tez\u00eb t\u00eb doktorat\u00ebs s\u00eb tij, tem\u00ebn me titull: \u201cPeizazhi n\u00eb piktur\u00ebn shqiptare<\/em>\u201d, t\u00eb mbrojtur m\u00eb 23.11.2017, pran\u00eb Institutit t\u00eb Antropologjis\u00eb Kulturore dhe Studimit t\u00eb Artit-Akademia e Studimeve Albanologjike-Tiran\u00eb.<\/p>\n

N\u00eb k\u00ebt\u00eb studim, si element nd\u00ebrlidh\u00ebs sh\u00ebrben filozofia mes metodave dhe metodologjis\u00eb s\u00eb studimit t\u00eb tij. Nj\u00eb tem\u00eb e trajtuar me pasionin e artistit dhe k\u00ebmb\u00ebnguljen e studiuesit, p\u00ebr t\u00eb p\u00ebrfaq\u00ebsuar t\u00ebr\u00ebsin\u00eb e mozaikut shum\u00ebngjyr\u00ebsh t\u00eb piktur\u00ebs shqiptare nd\u00ebr shekuj. Ky studim ndahet n\u00eb kat\u00ebr hap\u00ebsira t\u00eb ndryshme, duke p\u00ebrfshir\u00eb jo vet\u00ebm periudhat p\u00ebrkat\u00ebse, por edhe p\u00ebr t\u00eb p\u00ebr\u00e7uar t\u00eb ardhmen e historis\u00eb s\u00eb piktur\u00ebs shqiptare, duke nisur nga vitet e fundit t\u00eb shekullit t\u00eb XIX deri n\u00eb fillim t\u00eb shekullit t\u00eb XXI.<\/p>\n

Shpirti i tij artistik vjen i miksuar edhe p\u00ebrmes njoh\u00ebs s\u00eb historis\u00eb s\u00eb kultur\u00ebs shqiptare, por edhe analiz\u00ebs psikologjike t\u00eb popullit t\u00eb tij. Arti p\u00ebr t\u00eb \u00ebsht\u00eb shpirti i nj\u00eb kombi dhe si i till\u00eb arti n\u00eb p\u00ebrgjith\u00ebsi, por edhe arti pamor n\u00eb ve\u00e7anti \u00ebsht\u00eb nj\u00eb dukuri shpirt\u00ebrore, plot\u00ebsi e ndjesive dhe ndjenjave t\u00eb p\u00ebrjetuara brenda vet\u00eb krijes\u00ebs njer\u00ebzore, q\u00eb n\u00eb zanafill\u00ebn e vet\u00eb ekzistenc\u00ebs s\u00eb njeriut dhe si e till\u00eb \u00ebsht\u00eb pjes\u00eb e pandashme nga njeriu. P\u00ebr t\u00eb nxjerr n\u00eb pah vlerat artistike t\u00eb piktur\u00ebs s\u00eb peizazhit n\u00eb Shqip\u00ebri, autori ka sjell\u00eb studim analitik fal\u00eb g\u00ebrshetimit t\u00eb periudhave historike, stilistike dhe estetike, duke p\u00ebrdorur nj\u00eb struktur\u00eb dualiste, p\u00ebr t\u00eb b\u00ebr\u00eb k\u00ebshtu zb\u00ebrthimin psiko-filozofik t\u00eb 370 artist\u00ebve shqiptar\u00eb.<\/p>\n

Periodizimi i studimit t\u00eb periudhave t\u00eb zhvillimit t\u00eb piktur\u00ebs <\/strong><\/p>\n

Nj\u00eb ndarje studimi e till\u00eb n\u00eb kat\u00ebr boshte, si\u00e7 e quan vet\u00eb autori, ka t\u00eb b\u00ebj me gjith\u00ebp\u00ebrfshirjen e temave, tematikave dhe periudhave, duke filluar me periudh\u00ebn e Lindjes apo Ri-lindjes s\u00eb piktur\u00ebs shqiptare, e cila p\u00ebrkon me nj\u00eb hark kohor\u00eb, duke nisur rreth vitit 1883 me realizimin e vepr\u00ebs \u201cMotra Tone\u201d, deri nga fundi i viteve \u201920 t\u00eb shekullit t\u00eb XX, t\u00eb p\u00ebrfaq\u00ebsuar nga piktor\u00ebt Kol\u00eb Idromeno dhe Spiro Xega. Periudha e piktur\u00ebs s\u00eb Pavar\u00ebsis\u00eb n\u00eb vitet 1920-1940 ishte pik\u00ebrisht ajo, e cila zhvilloi m\u00eb tutje krijimtarin\u00eb laike n\u00eb piktur\u00ebn ton\u00eb komb\u00ebtare me nj\u00eb gjuh\u00eb sa lirike aq dhe romantike e impresioniste t\u00eb frym\u00ebzuar nga realiteti. Nj\u00eb rol t\u00eb r\u00ebnd\u00ebsish\u00ebm n\u00eb piktur\u00ebn e Pavar\u00ebsis\u00eb pat\u00ebn piktor\u00ebt, si: Abdurrahim Buza, Sadik Kaceli, Zef Kolombi, Vangjush Mio dhe Nexhmedin Zajmi.<\/p>\n

Piktura e Realizmit Socialist \u00ebsht\u00eb zhvillimi i tret\u00eb shum\u00eb i r\u00ebnd\u00ebsish\u00ebm p\u00ebr piktur\u00ebn shqiptare, ndon\u00ebse e kodifikuar n\u00ebn ndikimin e ideologjis\u00eb dhe propagand\u00ebs Marksiste-Leniniste gjat\u00eb sundimit t\u00eb regjimit komunist midis viteve 1940\/41-1989. Nj\u00eb periudh\u00eb historike t\u00eb cil\u00ebn mund ta zb\u00ebrthejm\u00eb n\u00ebp\u00ebrmjet krijimtaris\u00eb s\u00eb artist\u00ebve Qamil Grezda, Foto Stamo, Zef Shoshi dhe Gavril Priftuli.<\/p>\n

Nd\u00ebrsa zhvillimi i kat\u00ebrt n\u00eb formulimin e k\u00ebtij k\u00ebrkimi ka t\u00eb b\u00ebj\u00eb me l\u00ebvrimin e peizazhit n\u00eb piktur\u00ebn e pas viteve \u2018\u201990. Nj\u00eb periudh\u00eb e p\u00ebrfaq\u00ebsuar nga artist\u00ebt Maks Velo, Ali Oseku, Artan Shabani dhe Toni Milaqi. Sigurisht jo t\u00eb vetmit, por q\u00eb n\u00eb at\u00eb \u00e7far\u00eb un\u00eb synoja t\u00eb arrija, k\u00ebto kat\u00ebr artist\u00eb soll\u00ebn kat\u00ebr \u201cshkolla\u201d t\u00eb ndryshme stilistiko-estetike mes tyre n\u00eb m\u00ebnyr\u00ebn se si ato e filtrojn\u00eb natyr\u00ebn n\u00eb peizazhet q\u00eb krijojn\u00eb. Artist\u00eb k\u00ebta ende aktiv n\u00eb l\u00ebvrimin e peizazhit n\u00eb piktur\u00ebn e tyre, por ajo q\u00eb v\u00ebrtet\u00eb e pasuroi k\u00ebt\u00eb studim ishte grupi i peizazhist\u00ebve t\u00eb Plein air-t shqiptar t\u00eb cil\u00ebt n\u00eb vitet e fundit kan\u00eb mbajtur gjall\u00eb piktur\u00ebn n\u00eb nj\u00eb marr\u00ebdh\u00ebnie t\u00eb drejtp\u00ebrdrejt me natyr\u00ebn. Grup ky i p\u00ebrb\u00ebr\u00eb nga artist\u00eb t\u00eb mir\u00ebnjohur n\u00eb trajtimin e gjinis\u00eb s\u00eb peizazhit, si: Kujtim Buza, Pashk P\u00ebrvathi, Agron Dine, Xheneta Kadillari, Vangjo Vasili, Qamil Prizreni, Sadik Kasa, Sefedin Stafa, Agron Polovina, Arsen Kurti, Buron Kaceli dhe Nikolin Ivanaj.<\/p>\n

Peizazhi bibliko-filozofik i Kol\u00eb Idromenos<\/strong><\/p>\n

Peizazhi bibliko-filozofik i Kol\u00eb Idromenos paraqitet n\u00eb tablon\u00eb \u201cRrug\u00ebt e jet\u00ebs\u201d, si pjes\u00eb e peizazhit n\u00eb piktur\u00ebn e ri-lindjes shqiptare. Tabloja \u201cRrug\u00ebt e jet\u00ebs\u201d apo Paraja dhe Ferri, vjen e jet\u00ebsuar si vep\u00ebr e artistit shkodran Kol\u00eb Idromeno. Vler\u00eb p\u00ebr historin\u00eb e arteve shqiptare n\u00eb lidhje me k\u00ebt\u00eb vep\u00ebr arti, ishte pik\u00ebrisht krijimi i nj\u00eb gjendjeje emocionale brenda vetes, q\u00eb t\u00eb prek thell\u00eb n\u00eb zem\u00ebr, pasi autori i k\u00ebsaj tabloje kishte sjell k\u00ebmb\u00ebkryq rrethanat historik\u00eb q\u00eb t\u00eb zinte vend n\u00eb at\u00eb koh\u00eb.<\/p>\n

Peizazhi midis naivitetit dhe amatorizmit e piktorit Spiro Xhega<\/strong><\/p>\n

Peizazhi midis naivitetit dhe amatorizmit n\u00eb tablon\u00eb \u201c\u00c7eta e Shahin Matrakut<\/em>\u201d t\u00eb piktorit Spiro Xhega, duke e materializuar k\u00ebt\u00eb tablo me gjurm\u00eb shqiptare, p\u00ebr t\u00eb tentuar t\u00eb jet\u00ebsonte nj\u00eb fenomen t\u00eb p\u00ebrhapur shoq\u00ebror, me nj\u00eb gjuh\u00eb piktoreske realiste. Kjo vep\u00ebr n\u00eb rrafshin krahasues historik shp\u00ebrfaq nj\u00eb dimension tjet\u00ebr t\u00eb r\u00ebnd\u00ebsish\u00ebm p\u00ebr historiografin\u00eb e piktur\u00ebs shqiptare, si\u00e7 ishte portretizimi i jet\u00ebs, zakoneve, veseve dhe p\u00ebrditshm\u00ebris\u00eb s\u00eb shqiptar\u00ebve.<\/p>\n

Peisazhi n\u00eb periudh\u00ebn e pavar\u00ebsis\u00eb i Buz\u00ebs dhe romantiko realist i Kolombit<\/strong><\/p>\n

Peizazhi n\u00eb periudh\u00ebn e piktur\u00ebs s\u00eb pavar\u00ebsis\u00eb, ku mbizot\u00ebronte peizazhi i ngjyrt\u00eb pre-kubist, rasti i piktur\u00ebs s\u00eb Abdurrahim Buz\u00ebs, arti i t\u00eb cilit g\u00ebrshetohet me grimcat e mend\u00ebsis\u00eb, ku koha n\u00eb at\u00eb \u00e7far\u00eb ai krijoj\u00eb nuk njeh koh\u00eb. Krejt ndryshe paraqitet peizazhi i but\u00eb lirik n\u00eb piktur\u00ebn e Sadik Kacelit, ku ky peizazh n\u00eb piktur\u00ebn e tij th\u00ebrret paq\u00ebsisht natyr\u00ebn me t\u00eb gjith\u00eb madh\u00ebshtin\u00eb dhe bukurin\u00eb e saj, duke nxjerr n\u00eb pah nd\u00ebrthurje gjurm\u00ebsh piktoreske t\u00eb nj\u00eb grup artist\u00ebsh n\u00eb kap\u00ebrcyell midis fundit t\u00eb shekullit
\nXVIII dhe fillim shekullit t\u00eb XIX, t\u00eb ashtuquajtur piktor\u00ebt e \u201csinqert\u00eb\u201d. Peizazhi romantiko-realist n\u00eb piktur\u00ebn e Zef Kolombit, piktori shkodran, n\u00eb peizazhet e tij, e sheh natyr\u00ebn drejtp\u00ebrdrejt, duke krijuar \u201cpeizazhe t\u00eb pastra\u201d, ku \u00e7do element n\u00eb natyr\u00eb pikturohet me v\u00ebrtet\u00ebsi dhe paraqitje \u201cdinjitoze\u201d.<\/p>\n

Peizazhi midis impresionizmit t\u00eb Vangjush Mios dhe pas-kubizimit t\u00eb Ibrahim Kodr\u00ebs<\/strong><\/p>\n

Trajtimi i \u00e7\u00ebshtjes s\u00eb peizazhit midis impresionizmit t\u00eb Vangjush Mios dhe pas-kubizimit t\u00eb Ibrahim Kodr\u00ebs… Nj\u00eb rast\u00ebsi n\u00eb jet\u00ebn e dy piktor\u00ebve, e cila me njohurit\u00eb q\u00eb p\u00ebrftuan mbi piktur\u00ebn dhe arritjet e tyre do t\u00eb ndikonin edhe n\u00eb piktur\u00ebn shqiptare t\u00eb shekullit t\u00eb XX. Nj\u00eb p\u00ebrgatitje artistike t\u00eb huazuar n\u00eb akademit\u00eb e arteve t\u00eb Italis\u00eb, ku n\u00eb at\u00eb t\u00eb Rom\u00ebs me prirje realiste u ndikua piktori Vangjush Mio dhe n\u00eb at\u00eb t\u00eb Milanos me prirje moderniste u shkollua piktori Ibrahim Kodra. Ndon\u00ebse t\u00eb dy t\u00eb shkolluar jasht\u00eb vendit, p\u00ebrs\u00ebri \u201cMuza\u201d frym\u00ebzuese e tyre do t\u00eb mbetej Shqip\u00ebria me folklorin, kostumet dhe natyr\u00ebn magjepse t\u00eb saj.<\/p>\n

N\u00eb peizazhet e Ibrahim Kodr\u00ebs lexohet leht\u00ebsisht ndikimi nga l\u00ebvizja artistike e kubizmit. N\u00eb p\u00ebrballjen e par\u00eb me peizazhet e realizuara nga k\u00ebta dy piktor\u00eb, ajo q\u00eb m\u00eb nxit p\u00ebr t\u2019u thelluar n\u00eb nj\u00eb analiz\u00eb krahasuese mes tyre \u00ebsht\u00eb gjuha artistike dhe m\u00ebnyra se si ato e interpretojn\u00eb natyr\u00ebn. Kjo analiz\u00eb krahasuese mes tyre, i vendos piktor\u00ebt p\u00ebrball\u00eb dhe p\u00ebrkrah nj\u00ebri-tjetrit, duke k\u00ebrkuar n\u00eb hulumtimin dhe zbulimin e tipareve t\u00eb p\u00ebrbashk\u00ebta dhe ato dalluese. Tipare k\u00ebto t\u00eb cilat e b\u00ebjn\u00eb n\u00eb vetvete k\u00ebt\u00eb analiz\u00eb krahasuese ende m\u00eb ndjell\u00ebse e t\u00eb guximshme. Sepse, ato e pasurojn\u00eb historiografin\u00eb e artit pamor\u00eb shqiptar me frym\u00ebn e dy \u201cshkollave\u201d t\u00eb m\u00ebdha t\u00eb artit per\u00ebndimor, at\u00eb t\u00eb Impresionizmit dhe Kubizmit.<\/p>\n

Piktori Mio, shpesh tregon nj\u00eb v\u00ebmendje t\u00eb ve\u00e7ant\u00eb edhe n\u00eb pikturimin e sht\u00ebpive karakteristike dhe monumenteve t\u00eb ndryshme arkitektonike nga trash\u00ebgimia kulturore, duke nd\u00ebrthurur nj\u00ebkoh\u00ebsisht brenda peizazheve pamje nga e shkuara antike dhe e tashmja e tij.<\/p>\n

Ibrahim Kodra i nd\u00ebrton peizazhet e tij me nj\u00eb thjesht\u00ebsi t\u00eb pap\u00ebrs\u00ebritshme. Drita si burimi i jet\u00ebs, e cila i jep v\u00ebllim realitetit ton\u00eb n\u00eb peizazhet e dy artist\u00ebve \u00ebsht\u00eb harmoni. \u00cbsht\u00eb ritmi i ngjyrave q\u00eb krijon pamjen apo t\u00eb parin e qenies njer\u00ebzore. Aspekti i t\u00eb parit mban\u00eb nj\u00eb pesh\u00eb t\u00eb r\u00ebnd\u00ebsishme n\u00eb perceptimin e drit\u00ebs ku syri \u00ebsht\u00eb ndjeshm\u00ebria m\u00eb e lart\u00eb p\u00ebr te dy ata, sepse fal\u00eb syrit, i cili p\u00ebrcjell n\u00eb m\u00ebnyr\u00eb t\u00eb drejtp\u00ebrdrejt tek truri at\u00eb \u00e7far\u00eb ai sheh n\u00eb realitet, k\u00ebta artist\u00eb arrit\u00ebn t\u00eb g\u00ebrshetonin efektet e drit\u00ebs me vet\u00ebdijen.<\/p>\n

Peizazhi n\u00eb piktur\u00ebn e realizmit socialist<\/strong><\/p>\n

Peizazhi n\u00eb piktur\u00ebn e realizmit socialist i viteve 1953-1990, spikat fizionomin\u00eb e natyr\u00ebs n\u00eb peizazhet e Qamil Grezd\u00ebs, ku raporti i k\u00ebtij artisti me natyr\u00ebn nd\u00ebrtohet mbi bazat dhe virtytet universale t\u00eb njeriut. Natyra nj\u00eb element dominues p\u00ebrmes socializmit real t\u00eb Zef Shoshit, ku gjurm\u00ebt e ndikimit t\u00eb artit totalitar ndjehen dhe jan\u00eb leht\u00ebsisht t\u00eb prekshme, ndon\u00ebse piktori Shoshi ka tentuar q\u00eb n\u00eb piktur\u00ebn e tij t\u00eb krijoj\u00eb nj\u00eb alkimi disi t\u00eb ve\u00e7ant\u00eb mes asaj \u00e7far\u00eb ai ndjen\u00eb (bot\u00ebs s\u00eb tij t\u00eb brendshme) dhe asaj \u00e7far\u00eb ai sheh (realiteti si nj\u00eb ekzistenc\u00eb t\u00eb pandryshueshme)… dhe kjo vendos n\u00eb l\u00ebvizje nj\u00eb proces t\u00eb nd\u00ebrlikuar, aq sa p\u00ebrmes nj\u00eb filli t\u00eb paduksh\u00ebm p\u00ebrthithen dhe p\u00ebrcillen energji t\u00eb m\u00ebdha plot elektricitet! Proces i nd\u00ebrlikuar ky, sepse piktori Shoshi frym\u00ebzimin e ushqen, duke v\u00ebzhguar natyr\u00ebn, si hapi i par\u00eb i k\u00ebtij procesi. Peizazhi n\u00eb piktur\u00ebn dekadente t\u00eb Gravil Priftulit, ku arti i tij vjen sa i qet\u00eb dhe i sinqert\u00eb. Nj\u00eb aspekt tjet\u00ebr jo shum\u00eb i trajtuar dhe i hulumtuar n\u00eb piktur\u00ebn e artistit Gavril Priftuli, i cili po me aq pasion dhe mjesht\u00ebri ka trajtuar peizazhin rural dhe jet\u00ebn n\u00eb fshat me t\u00eb gjith\u00eb madh\u00ebshtin\u00eb q\u00eb e karakterizon.<\/p>\n

Peizazhi modern-bashk\u00ebkohor <\/strong><\/p>\n

Peizazhi modern-bashk\u00ebkohor n\u00eb piktur\u00ebn post-komuniste shqiptare t\u00eb viteve 1990-2017, \u00ebsht\u00eb konkretizuar me peizazhet e Maks Velos, ku piktura p\u00ebr t\u00eb ishte nj\u00eb dritare e munguar, p\u00ebr t\u00eb par\u00eb jasht\u00eb vezullimin e drit\u00ebs, p\u00ebr t\u00eb ndjer\u00eb freskin\u00eb ledhatuese t\u00eb flladit pranveror, por dhe magjin\u00eb e bor\u00ebs s\u00eb bardh t\u00eb dimrit.<\/p>\n

Peizazhi i mug\u00ebt ekspresionist-abstrakt paraqitet n\u00eb piktur\u00ebn e Ali Osekut, i cili ndri\u00e7oi bot\u00ebn me analiz\u00ebn e kat\u00ebr elementeve Aristotelian (zjarri, uji, ajri dhe toka). Ashtu si e kuqa, bluja dhe e verdha lind\u00ebn nga toka, ashtu lindi dhe metamorfoza e krijesave t\u00eb tij. Metamorfoza e piktur\u00ebs s\u00eb Ali Osekut n\u00eb transkriptimin e ndjenjave p\u00ebrmes nxeht\u00ebsis\u00eb, ftoht\u00ebsis\u00eb, lag\u00ebshtir\u00ebs dhe that\u00ebsir\u00ebs.<\/p>\n

N\u00eb vend t\u00eb epilogut <\/strong><\/p>\n

Dhe s\u00eb fundi p\u00ebr ta mbyllur k\u00ebt\u00eb tez\u00eb kaq t\u00eb ngjeshur me interesante p\u00ebr Historin\u00eb e Arteve Shqiptare ishin artist\u00ebt e piktur\u00ebs En plein air<\/em> shqiptare, ku dallonin prej ngjyrave, emocioneve, ndjenjave, energjis\u00eb dhe penelatave, t\u00eb cilat dilnin nga shpirti, duke u modeluar dhe p\u00ebrjet\u00ebsuar peizazhet nga veriu dhe jugu apo nga lindja dhe per\u00ebndimi i gjith\u00eb Shqip\u00ebris\u00eb. Ky \u00ebsht\u00eb universi i artist\u00ebve peizazhist shqiptar t\u00eb cil\u00ebt n\u00eb ekspozit\u00ebn \u201cPlein air II<\/em>\u201d prezantohen me tablo t\u00eb realizuara n\u00eb nj\u00eb marr\u00ebdh\u00ebnie t\u00eb drejtp\u00ebrdrejt dhe nga natyra mahnit\u00ebse shqiptare.<\/p>\n

Marr\u00eb nga gazeta NACIONAL<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Dr. Oltsen Gripshi Studiuesi i historis\u00eb s\u00eb Arteve shqiptare Dr. Oltsen Gripshi, ka sjell\u00eb punimin \u201cPeizazhi n\u00eb piktur\u00ebn shqiptare\u201d N\u00eb k\u00ebt\u00eb studim, si element nd\u00ebrlidh\u00ebs sh\u00ebrben filozofia mes metodave dhe metodologjis\u00eb s\u00eb studimit t\u00eb tij. Nj\u00eb tem\u00eb e trajtuar me pasionin e artistit dhe k\u00ebmb\u00ebnguljen e studiuesit, p\u00ebr t\u00eb p\u00ebrfaq\u00ebsuar t\u00ebr\u00ebsin\u00eb e mozaikut shum\u00ebngjyr\u00ebsh t\u00eb […]<\/p>\n","protected":false},"author":1,"featured_media":43563,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[],"class_list":["post-43561","post","type-post","status-publish","format-standard","has-post-thumbnail","category-artikuj"],"yoast_head":"\nStudim p\u00ebr t\u00ebr\u00ebsin\u00eb e mozaikut shum\u00ebngjyr\u00ebsh t\u00eb piktur\u00ebs shqiptare nd\u00ebr shekuj - FJALA e LIR\u00cb<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/jehonashqiptare.al\/fjala\/studim-per-teresine-e-mozaikut-shumengjyresh-te-piktures-shqiptare-nder-shekuj\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Studim p\u00ebr t\u00ebr\u00ebsin\u00eb e mozaikut shum\u00ebngjyr\u00ebsh t\u00eb piktur\u00ebs shqiptare nd\u00ebr shekuj - FJALA e LIR\u00cb\" \/>\n<meta property=\"og:description\" content=\"Dr. Oltsen Gripshi Studiuesi i historis\u00eb s\u00eb Arteve shqiptare Dr. Oltsen Gripshi, ka sjell\u00eb punimin \u201cPeizazhi n\u00eb piktur\u00ebn shqiptare\u201d N\u00eb k\u00ebt\u00eb studim, si element nd\u00ebrlidh\u00ebs sh\u00ebrben filozofia mes metodave dhe metodologjis\u00eb s\u00eb studimit t\u00eb tij. 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