{"id":45186,"date":"2019-09-24T07:35:23","date_gmt":"2019-09-24T05:35:23","guid":{"rendered":"https:\/\/fjala.info\/?p=45186"},"modified":"2019-09-24T07:51:31","modified_gmt":"2019-09-24T05:51:31","slug":"jonesko-poet-i-absurdit","status":"publish","type":"post","link":"https:\/\/jehonashqiptare.al\/fjala\/jonesko-poet-i-absurdit\/","title":{"rendered":"JONESKO \u2013 POET I ABSURDIT"},"content":{"rendered":"

Xhelal Zejneli<\/strong><\/p>\n

\u00a0\u201cVdiq nj\u00eb mbret\u201d!<\/em> Me k\u00ebto fjal\u00eb u p\u00ebrcoll vdekja e nj\u00ebrit nga dramaturg\u00ebt m\u00eb t\u00eb m\u00ebdhenj t\u00eb k\u00ebtij qindvje\u00e7ari \u2013 Ezhen Joneskos<\/strong> (Eug\u00e8ne Ionesco, 1909-1994)<\/em>.<\/p><\/blockquote>\n

\"Xhelal
Xhelal Zejneli<\/figcaption><\/figure>\n

Sipas enciklopedive dhe leksikoneve, Jonesko lindi n\u00eb vitin 1912. Por, sipas poetit me origjin\u00eb rumune t\u00eb lindur n\u00eb V\u00ebrshac t\u00eb Serbis\u00eb Petru K\u00ebrdu<\/strong> (1952-2011), Jonesko ka lindur m\u00eb 13 n\u00ebntor 1909, n\u00eb Sllatin\u00eb t\u00eb Rumanis\u00eb. Babai i tij ka qen\u00eb rumun, nd\u00ebrkaq e \u00ebma franceze. Kreu gjimnazin \u201cSh\u00ebn\u00a0Sava<\/em>\u201d n\u00eb Bukuresht. Matur\u00ebn e mori n\u00eb Krajov\u00eb n\u00eb vitin 1928, ngase profesor\u00ebt e gjimnazit t\u00eb sip\u00ebrth\u00ebn\u00eb e d\u00ebbuan nga shkolla. Diplomoi let\u00ebrsin\u00eb n\u00eb Universitetin e Bukureshtit. N\u00eb kryeqytet punoi si profesor. Filloi t\u00eb shkruaj\u00eb n\u00eb mosh\u00ebn 18-vje\u00e7are. M\u00eb 1931 botoi p\u00ebrmbledhjen me poezi \u201cElegji p\u00ebr qeniet e vogla\u201d<\/em>.<\/p>\n

Interesimin e publikut dhe t\u00eb kritik\u00ebs e ngjalli si revoltues, si protestues dhe si nihilist me p\u00ebrmbledhjen e eseve dhe t\u00eb artikujve me titull \u201cJo\u201d <\/em>(Nu), t\u00eb botuar n\u00eb vitin 1934. \u00c7\u2019prej vitit 1938, jeton n\u00eb Franc\u00eb, ku krijuan edhe shkrimtar\u00eb t\u00eb tjer\u00eb me prejardhje rumune si: shkrimtari dhe filozofi Mir\u00e7e Eliade<\/strong> (Mircea Eliade<\/em>, Bukuresht 1907 \u2013 \u00c7ikago, Ilinois 1986), filozofi dhe eseisti Emil Sioren<\/strong> (Emil Cioran<\/em>, Rashinari, Rumani 1911 \u2013\u00a0\u00a0Paris 1995) etj.<\/p>\n

*\u00a0\u00a0\u00a0*\u00a0\u00a0\u00a0*<\/p>\n

Poeti francez me prejardhje rumune Tristan Cara<\/strong> (Tristan Tzara<\/em>, 1896-1963<\/em>) \u00ebsht\u00eb nj\u00ebri nga themeluesit e l\u00ebvizjes letrare dhe artistike t\u00eb quajtur \u201cDada\u201d<\/strong>, q\u00eb lindi n\u00eb hovin e madh t\u00eb Luft\u00ebs s\u00eb Par\u00eb Bot\u00ebrore nga revolta e fuqishme e intelektual\u00ebve t\u00eb rinj dhe nga nevoja e tyre p\u00ebr t\u2019i mohuar konvencionet e trash\u00ebguara.<\/p>\n

N\u00eb vitin 1918, Tristan Cara e shkroi manifestin e ashp\u00ebr me titull \u201cManifesti i Dadas\u201d<\/strong> (Manifeste Dada)<\/em>. Siorani nd\u00ebrkaq, qysh n\u00eb vitin 1934 boton n\u00eb Rumani vepr\u00ebn me titull \u201cKlithma e t\u00eb qen\u00ebt pa shpres\u00eb\u201d<\/em> me idet\u00eb mbi absurdin, t\u00eb cilat m\u00eb von\u00eb do t\u00eb p\u00ebrhapen edhe n\u00eb Franc\u00eb.<\/p>\n

*\u00a0\u00a0\u00a0*\u00a0\u00a0\u00a0*<\/p>\n

N\u00eb vitin 1950, n\u00eb teatrin Noctambules<\/em><\/strong> t\u00eb Parisit, shfaqet drama \u201cK\u00ebng\u00ebtarja tullace\u201d<\/strong> (<\/em>La Cantatrice Chauve<\/em>)<\/em> e Joneskos. N\u00eb mosh\u00ebn 41-vje\u00e7are, n\u00eb metropolin e kultur\u00ebs, ai p\u00ebrnj\u00ebher\u00eb b\u00ebhet i njohur. M\u00eb pas, drama e sip\u00ebrp\u00ebrmendur do t\u2019i sjell\u00eb dhe fam\u00eb bot\u00ebrore. Prej at\u00ebher\u00eb, teatri p\u00ebr Joneskon do t\u00eb b\u00ebhet dram\u00eb e gjuh\u00ebs. Ishte ky teatri absurd.<\/p>\n

Shfaqjen e par\u00eb t\u00eb \u201cK\u00ebng\u00ebtares tullace<\/em>\u201d e ka shikuar vet\u00ebm rrethi m\u00eb i ngusht\u00eb i publikut (25 vende p\u00ebr ulje dhe 4 vende n\u00eb k\u00ebmb\u00eb). Versionin e par\u00eb t\u00eb k\u00ebsaj drame e ka shkruar n\u00eb gjuh\u00ebn rumune me titull \u201cGjuha angleze pa profesor\u201d<\/em>. Q\u00eb nga shfaqja e par\u00eb e dram\u00ebs, Jonesko \u00ebsht\u00eb dramaturgu m\u00eb i shfaqur n\u00eb bot\u00eb. Dramat \u201cK\u00ebng\u00ebtarja tullace<\/em><\/strong>\u201d dhe \u201cM\u00ebsimi<\/strong>\u201d<\/em>, q\u00eb nga viti 1955, pa nd\u00ebrprer\u00eb shfaqen n\u00eb Theatre de la Huchette<\/em><\/strong> t\u00eb Parisit. Ideja kryesore e k\u00ebtyre dy dramave \u00ebsht\u00eb se arsyeja dhe dituria jan\u00eb t\u00eb pafuqishme dhe t\u00eb padobishme dhe nuk mund t\u00eb sjellin asgj\u00eb tjet\u00ebr ve\u00e7 vdekjes, <\/em><\/strong>p\u00ebr \u00e7\u2019arsye disa studiues e quajn\u00eb Joneskon agnostik.<\/p>\n

Duke zbuluar karakterin e rrejsh\u00ebm t\u00eb konvencioneve t\u00eb teatrit, Jonesko synon nga teatri irracional. Ai thot\u00eb: \u201cPo\u00a0qe se vlera e teatrit \u00ebsht\u00eb n\u00eb forc\u00ebn e efekteve, at\u00ebher\u00eb ato duhet t\u00eb theksohen deri n\u00eb maksimum. Duhet t\u00eb kthehemi te brumi i asaj q\u00eb \u00ebsht\u00eb tragjike, te krijimi i teatrit t\u00eb eg\u00ebrsis\u00eb: eg\u00ebrsia e asaj q\u00eb \u00ebsht\u00eb komike dhe eg\u00ebrsia dramatike<\/em>\u201d.<\/p>\n

Jonesko hedh posht\u00eb teatrin aristotelian<\/em><\/strong> dhe synon nga irracionalja<\/em><\/strong>.<\/p>\n

N\u00eb vitin 1954, p\u00ebrkat\u00ebsisht 1958 botoi n\u00eb dy libra dhjet\u00eb pjes\u00eb teatrale. P\u00ebrve\u00e7 dy dramave t\u00eb sip\u00ebrp\u00ebrmendura, aty u botua edhe drama \u201cKarrigat\u201d<\/em><\/strong> (Les Chaises, 1952).<\/em><\/p>\n

N\u00eb antidram\u00ebn e Joneskos, nj\u00ebsoj si n\u00eb \u201cromanin e ri\u201d<\/strong> (nouveau roman)<\/em> t\u00eb shkrimtarit dhe t\u00eb teoricienit francez Alen Rob-Grije<\/strong> (Alain Robbe-Grillet, 1922-2008)<\/em> nuk ka thurje tradicionale. Artikujt teorik\u00eb p\u00ebr \u201cromanin e ri<\/em>\u201d Rob-Grije i p\u00ebrmblodhi n\u00eb librin \u201cP\u00ebr nj\u00eb roman t\u00eb ri\u201d<\/em><\/strong> (Pour un nouveau roman, 1963).<\/em><\/p>\n

N\u00eb vitin 1959 Jonesko boton dram\u00ebn \u201cRinoceronti\u201d<\/em><\/strong>. N\u00eb t\u00eb trajton tem\u00ebn e rrezikut t\u00eb dehumanizimit dhe t\u00eb degradimit t\u00eb njer\u00ebzimit. N\u00eb vitin 1962 boton dram\u00ebn \u201cMbreti po vdes\u201d<\/em><\/strong>; m\u00eb 1963 dram\u00ebn \u201cK\u00ebmb\u00ebsori i ajrit\u201d<\/em><\/strong>; m\u00eb 1966 dram\u00ebn \u201cEtja dhe uria\u201d<\/em><\/strong>. Pasojn\u00eb dramat \u201cZhaku ose n\u00ebnshtrimi\u201d<\/em><\/strong>, \u201cArdhm\u00ebria \u00ebsht\u00eb te vez\u00ebt\u201d<\/em><\/strong>, \u201cVras\u00ebsi pa pages\u00eb\u201d,<\/em><\/strong> \u201cQiraxhiu i ri\u201d, \u201cViktimat e detyr\u00ebs\u201d, \u201cAmadej ose ta heq\u00ebsh qafe\u201d, \u201cVajza p\u00ebr martes\u00eb\u201d<\/em><\/strong>. N\u00eb vitin 1970 vijn\u00eb dramat \u201cLodra masakrash\u201d<\/em><\/strong> dhe \u201cTablloja\u201d.<\/em><\/strong><\/p>\n

*\u00a0\u00a0\u00a0*\u00a0\u00a0\u00a0*<\/p>\n

N\u00eb shekullin XIX, p\u00ebrkat\u00ebsisht m\u00eb 1896 u shfaq n\u00eb\u00a0Paris\u00a0drama \u201cMbreti Yby\u201d<\/em><\/strong> e Alfred Zharys\u00eb<\/strong> (Alfred Jarry, 1873-1907)<\/em>, e cila me form\u00ebn e vet shkaktoi skandal n\u00eb bot\u00ebn e teatrit n\u00eb Franc\u00eb. N\u00eb t\u00eb, autori ngrihet kund\u00ebr form\u00ebs s\u00eb dram\u00ebs s\u00eb deriat\u00ebhershme. Konsumues i alkoolit dhe i drog\u00ebs, Zhary vdiq nga tuberkulozi.<\/p>\n

N\u00eb vitin 1917 shfaqet drama surrealiste \u201cGjinjt\u00eb e Tirezit\u201d<\/em><\/strong> (Les Mamelles de Tiresias)<\/em> e Gijom Apolinerit<\/strong> (Guilleume Apollinaire, 1880-1918).<\/em> N\u00eb t\u00eb, Apolineri i mish\u00ebron tezat e Alfred Zharys\u00eb.<\/p>\n

Teoricieni i par\u00eb i \u201cteatrit t\u00eb ri<\/em>\u201d<\/strong> Antonen Arto<\/strong> (Antonin Arthaud, 1896-1948)<\/em>, n\u00eb p\u00ebrmbledhjen me artikuj e manifeste \u201cTeatri dhe kipci\u201d,<\/em><\/strong> t\u00eb botuar n\u00eb vitin 1938, i shtroi para teatrit ato k\u00ebrkesa, t\u00eb cilat vet\u00ebm pas disa vitesh do t\u00eb realizohen n\u00eb dramat e dramaturg\u00ebve t\u00eb absurdit, e sidomos te Joneskoja dhe te dramaturgu francez me prejardhje irlandeze Samuel Beket<\/strong>\u00a0\u00a0(Samuel Beckett, 1906-1989).<\/em><\/p>\n

Babai i surrealizmit<\/strong> Andre Bretoni<\/strong> (Andr\u00e9 Breton, 1896-1966)<\/em> e p\u00ebrsh\u00ebndet paraqitjen e Joneskos n\u00eb bot\u00ebn letrare dhe thot\u00eb: \u201cJa ajo q\u00eb kemi dashur t\u00eb b\u00ebjm\u00eb ne 30 vjet m\u00eb par\u00eb\u201d.<\/em><\/strong><\/p>\n

*\u00a0\u00a0\u00a0*\u00a0\u00a0\u00a0*<\/p>\n

P\u00ebr t\u00eb hyr\u00eb n\u00eb bot\u00ebn e Joneskos duhet k\u00ebrkuar bota e Bodlerit<\/strong> (Charles Baudelaire, 1821-1867),<\/em> t\u00eb Pol Verlenit<\/strong> (Paul Verlaine, 1844-1896),<\/em> t\u00eb Stefan Malarmes\u00eb<\/strong> (Stephane Malarm\u00e8, 1842-1898),<\/em> t\u00eb Teofil Gotjes\u00eb<\/strong> (Theophile Gautier, 1811-1872)<\/em> dhe t\u00eb Artur Rembos\u00eb<\/strong> (Arthur Rimbaud, 1854-1891)<\/em> – poet\u00eb francez\u00eb, t\u00eb formuar sipas parimeve t\u00eb shkoll\u00ebs parnasiane t\u00eb \u201cartit p\u00ebr art<\/em>\u201d.<\/p>\n

P\u00ebr t\u00eb gjetur dimensionin e koh\u00ebs dhe t\u00eb hap\u00ebsir\u00ebs te Joneskoja, duhet k\u00ebrkuar \u201ckoh\u00ebn e humbur\u201d<\/em><\/strong> t\u00eb Marsel Prustit<\/strong> (Marcel Proust, 1871-1922),<\/em> i cili po ashtu g\u00ebrryen romanin dhe zhduk subjektin.<\/p>\n

Romani \u201cUlisi\u201d<\/em><\/strong> i Xhejms Xhojsit<\/strong> (James Joyce, 1882-1941)<\/em> paraqet goditje t\u00eb re p\u00ebr let\u00ebrsin\u00eb tradicionale, ku pos tjerash p\u00ebrdoret teknika e \u201cp\u00ebrroit psikik\u201d.<\/em><\/strong><\/p>\n

Absurdin e Joneskos dhe t\u00eb Beketit duhet k\u00ebrkuar edhe te kryeidhulli i modernizmit Franc Kafka<\/strong> (Franz Kafka, 1883-1924)<\/em>. (Kafka \u00ebsht\u00eb tregimtari dhe romancieri m\u00eb misterioz i k\u00ebtij qindvje\u00e7ari. Lindi dhe u rrit n\u00eb Prag\u00eb, nj\u00eb koh\u00eb t\u00eb gjat\u00eb jetoi n\u00eb Gjermani dhe n\u00eb Austri, shkroi gjermanisht, ka prejardhje hebraike, ndon\u00ebse p\u00ebr prejardhjen, arsimimin dhe jet\u00ebn e tij ka shum\u00eb t\u00eb dh\u00ebna t\u00eb paqarta dhe kund\u00ebrth\u00ebn\u00ebse. Vdiq n\u00eb mosh\u00ebn 41-vje\u00e7are af\u00ebr Vjen\u00ebs. Maks Brodi<\/strong> (Prag\u00eb 1884 \u2013 Tel Aviv 1968), pas vdekjes s\u00eb Kafk\u00ebs, n\u00eb tryez\u00ebn e pun\u00ebs t\u00eb tij gjeti nj\u00eb cop\u00eb let\u00ebr, n\u00eb t\u00eb cil\u00ebn e porosiste q\u00eb t\u2019i djeg\u00eb veprat n\u00eb dor\u00ebshkrim \u2013 romanet \u201cProcesi\u201d (1914-1915) botuar m\u00eb 1925; \u201cK\u00ebshtjella\u201d (1922), botuar m\u00eb 1926 dhe \u201cAmerika\u201d (1912-1914), botuar m\u00eb 1927. Maks Brodi nuk e \u00e7oi n\u00eb vend porosin\u00eb e Kafk\u00ebs dhe veprat e sip\u00ebrp\u00ebrmendura i botoi).<\/p>\n

Nihilizmi<\/em><\/strong> dhe pesimizmi<\/em><\/strong> i Joneskos dhe i teatrit absurd<\/strong> \u00ebsht\u00eb i pandar\u00eb nga ai i Artur Shopenhauerit<\/strong> (Arthur Schopenhauer, 1788-1860)<\/em> dhe i Fridrih Ni\u00e7es<\/strong> (Friderich Nietzsche, 1844-1900).<\/em><\/p>\n

Vetmia te Jonesko, kriza e nd\u00ebrgjegjes, individualizmi, mohimi i gneseologjis\u00eb – i mund\u00ebsis\u00eb s\u00eb njohjes s\u00eb bot\u00ebs dhe kriza totale e frym\u00ebs (e shpirtit) ndodhet edhe n\u00eb filozofin\u00eb ekzistencialiste t\u00eb Zhan Pol Sartrit<\/strong> (Jean-Paul Sartre, 1905-1980)<\/em> si dhe t\u00eb Alber Kamys\u00eb<\/strong> (Albert Camus, 1913-1960).<\/em><\/p>\n

Intuita n\u00eb dramat e Joneskos ka rr\u00ebnj\u00eb t\u00eb thella n\u00eb filozofin\u00eb idealiste t\u00eb filozofit francez me prejardhje \u00e7ifute Henri Bergsonit<\/strong> (Henri Bergson, 1859-1941).<\/em><\/p>\n

Frojdizmi<\/strong> po ashtu i ka sh\u00ebrbyer Beketit dhe Joneskos p\u00ebr krijimin e opusit t\u00eb tyre letrar, artistik dhe filozofik.<\/p><\/blockquote>\n

Gjat\u00eb viteve \u201950 dhe \u201960 t\u00eb shekullit XX krijohet romani pa fabul \u2013 romani i ri<\/em><\/strong>\u00a0\u00a0(Nouveau Roman)<\/em><\/strong>, \u201cantiromani\u201d<\/em><\/strong>.<\/em> N\u00eb planin estetik, nism\u00ebtar\u00eb jan\u00eb krijuesit letrar\u00eb: shkrimtari dhe regjisori Alen Rob-Grije, shkrimtarja franceze me origjin\u00eb \u00e7ifute, e lindur n\u00eb Rusi Natali Sarot<\/strong> (Nathalie Sarraute, 1900-1999)<\/em>, poeti, romansieri dhe eseisti francez Mishel Bytor<\/strong> (Michel Butor, 1926 – 2016)<\/em> dhe romancieri francez i lindur n\u00eb Madagaskar Klod Simon<\/strong> (Claude Simon, 1913-2005)<\/em>, laureat i \u00e7mimit Nobel n\u00eb vitin 1985.<\/p>\n

Jonesko mohon arsyen, sulmon n\u00eb m\u00ebnyr\u00eb t\u00eb ashp\u00ebr edhe racionalizmin e Rene Dekartit<\/strong> (Ren\u00e9 Descartes, 1596-1650)<\/em>. Beranzheja, protagonisti i disa dramave t\u00eb Joneskos thot\u00eb: \u201cE v\u00ebrteta \u00ebsht\u00eb n\u00eb nj\u00eb lloj nervoze\u201d<\/em><\/strong>.<\/p>\n

Jeta te ky dramaturg \u00ebsht\u00eb absurditet tragjik dhe komik. Hap\u00ebsira dhe koha jan\u00eb irrelevante. Personazhet jan\u00eb shpesh pa identitet. Dialogu, komunikimi dhe konverzacioni jan\u00eb v\u00ebn\u00eb n\u00eb dyshim, jan\u00eb rr\u00ebnuar. Jonesko dyshon n\u00eb mund\u00ebsin\u00eb e komunikimit nd\u00ebrmjet njer\u00ebzve.<\/p>\n

Te \u201cK\u00ebng\u00ebtarja tullace\u201d<\/em><\/strong>, ai synon t\u00eb realizoj\u00eb \u201ctragjedin\u00eb e t\u00eb folurit\u201d<\/em><\/strong>. Personazhet jan\u00eb t\u00eb gjymt\u00eb, jeta \u00ebsht\u00eb fatkeq\u00ebsi, gjith\u00e7ka \u00ebsht\u00eb e kot\u00eb, njeriu \u00ebsht\u00eb i humbur dhe i d\u00ebnuar t\u00eb vdes\u00eb. Personazhet e Joneskos nuk mund t\u00eb q\u00ebndrojn\u00eb n\u00eb shoq\u00ebrin\u00eb e njer\u00ebzve. Ata n\u00eb t\u00eb v\u00ebrtet\u00eb, n\u00eb t\u00eb shumt\u00ebn e rasteve jan\u00eb marionet\u00eb, vazhdimisht p\u00ebsojn\u00eb disfat\u00eb, kudo mbizot\u00ebron hi\u00e7i, asgj\u00ebja. P\u00ebr ta njohur bot\u00ebn, Jonesko mb\u00ebshtetet n\u00eb intuitiviz\u00ebm<\/em><\/strong>.<\/p>\n

N\u00eb dram\u00ebn \u201cKarrigat\u201d<\/em><\/strong>, oratori q\u00eb duhet ta kumtoj\u00eb porosin\u00eb nuk do t\u00eb mund ta b\u00ebj\u00eb nj\u00eb gj\u00eb t\u00eb till\u00eb, ngase \u00ebsht\u00eb memec. Por edhe sikur t\u00eb mos ishte memec, kot, ngase Plaku 95-vje\u00e7ar dhe Plaka 94-vje\u00e7are \u2013 Semiramija<\/em>, gruaja e Plakut, n\u00eb at\u00eb \u00e7ast hedhen nga dritarja.<\/p>\n

Jonesko injoron rezistenc\u00ebn e organizuar. Lidhur me \u201cRinocerontin\u201d<\/em><\/strong>, Jonesko shkruan: \u201cSikur p\u00ebrball\u00eb ideologjive t\u00eb tjera t\u00eb gatshme, t\u00eb vija nj\u00eb ideologji timen t\u00eb gatshme, kjo \u00ebsht\u00eb nj\u00ebsoj sikur p\u00ebrball\u00eb nj\u00eb sistemi sloganesh rinocerike t\u00eb v\u00eb nj\u00eb tjet\u00ebr sistem sloganesh rinocerike<\/em>\u201d.<\/p>\n

Jonesko \u00ebsht\u00eb n\u00eb kund\u00ebrshti me dramaturgjin\u00eb realiste t\u00eb poetit, dramaturgut dhe regjisorit gjerman t\u00eb teatrit Bertold Brehtit<\/strong> (Bertolt Brecht, 1898-1956),<\/em> i cili deri n\u00eb vdekje i q\u00ebndroi besnik marksizmit. P\u00ebr t\u00eb, Jonesko thoshte se nuk i sh\u00ebrben artit por ideologjis\u00eb.<\/p>\n

Bota, t\u00eb cil\u00ebn e pasqyron Jonesko mb\u00ebshtetet mbi nj\u00eb sistem vlerash false.<\/p>\n

*\u00a0\u00a0\u00a0*\u00a0\u00a0\u00a0*<\/p>\n

\u201cPoeti i absurdit\u201d<\/em><\/strong> vdiq n\u00eb\u00a0Paris\u00a0n\u00eb pasditen e 28 marsit t\u00eb vitit 1994. Vdekja e tij u b\u00eb preokupim qendror i mediumeve franceze. \u201cQuotidiene\u201d<\/em> njofton p\u00ebr vdekjen e nj\u00eb mbreti, e ky mbret p\u00ebr francez\u00ebt n\u00eb fund t\u00eb k\u00ebtij mileniumi \u00ebsht\u00eb nj\u00ebri nga shkrimtar\u00ebt dhe dramaturg\u00ebt m\u00eb t\u00eb m\u00ebdhenj t\u00eb k\u00ebtij qindvje\u00e7ari, q\u00eb shkroi n\u00eb gjuh\u00ebn fr\u00ebnge \u2013 Joneskoja.<\/p>\n

Q\u00eb kur ishte gjall\u00eb, veprat e tij u botuan n\u00eb Bibliotek\u00ebn e Galimardit \u201cPleiade<\/em>\u201d, t\u00eb rezervuar vet\u00ebm p\u00ebr t\u00eb pavdekshmit. E quanin \u201cpoet i absurdit<\/em>\u201d. Askush n\u00eb k\u00ebt\u00eb shekull nuk e hulumtoi absurdin rreth nesh dhe n\u00eb ne, me aq zjarr sa Jonesko. \u201cLe Figaro litt\u00e9raire\u201d<\/em> botoi nj\u00ebrin nga tekstet e fundit t\u00eb Joneskos, duke e quajtur \u201cTestamenti i Ezhen Joneskos\u201d.<\/em><\/p>\n

Para\u00a0se t\u00eb vdiste, gjurmuesi m\u00eb i thell\u00eb i fatkeq\u00ebsis\u00eb njer\u00ebzore dhe i d\u00ebshp\u00ebrimeve t\u00eb njeriut<\/em><\/strong>, t\u00eb shqet\u00ebsimit metafizik, p\u00ebr t\u00eb cilin njeriu nuk ka p\u00ebrgjigje, konkludoi se m\u00eb mir\u00eb \u00ebsht\u00eb q\u00eb bota t\u00eb p\u00ebrfytyrohet me Zotin, se pa t\u00eb.<\/p>\n

I d\u00ebbuar nga gjimnazi, nga sht\u00ebpia e d\u00ebboi edhe njerka, u end pa para n\u00eb xhep n\u00ebp\u00ebr rrug\u00ebt e Parisit. Qiran\u00eb nuk e paguante dot, ngase s\u2019kishte para. Arriti t\u00eb vendoset n\u00eb Boulevard du Montparnasse Nr. 96 n\u00eb Paris. U b\u00eb an\u00ebtar i Akademis\u00eb Franceze n\u00eb mesin e 40 akademik\u00ebve t\u00eb pavdeksh\u00ebm.<\/p>\n

U b\u00eb themelues i teatrit t\u00eb ri.<\/p>\n","protected":false},"excerpt":{"rendered":"

Xhelal Zejneli \u00a0\u201cVdiq nj\u00eb mbret\u201d! Me k\u00ebto fjal\u00eb u p\u00ebrcoll vdekja e nj\u00ebrit nga dramaturg\u00ebt m\u00eb t\u00eb m\u00ebdhenj t\u00eb k\u00ebtij qindvje\u00e7ari \u2013 Ezhen Joneskos (Eug\u00e8ne Ionesco, 1909-1994). Sipas enciklopedive dhe leksikoneve, Jonesko lindi n\u00eb vitin 1912. Por, sipas poetit me origjin\u00eb rumune t\u00eb lindur n\u00eb V\u00ebrshac t\u00eb Serbis\u00eb Petru K\u00ebrdu (1952-2011), Jonesko ka lindur m\u00eb […]<\/p>\n","protected":false},"author":1,"featured_media":45187,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2,4,35,8],"tags":[],"class_list":["post-45186","post","type-post","status-publish","format-standard","has-post-thumbnail","category-artikuj","category-histori","category-kulture","category-letersi"],"yoast_head":"\nJONESKO \u2013 POET I ABSURDIT - FJALA e LIR\u00cb<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/jehonashqiptare.al\/fjala\/jonesko-poet-i-absurdit\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"JONESKO \u2013 POET I ABSURDIT - FJALA e LIR\u00cb\" \/>\n<meta property=\"og:description\" content=\"Xhelal Zejneli \u00a0\u201cVdiq nj\u00eb mbret\u201d! Me k\u00ebto fjal\u00eb u p\u00ebrcoll vdekja e nj\u00ebrit nga dramaturg\u00ebt m\u00eb t\u00eb m\u00ebdhenj t\u00eb k\u00ebtij qindvje\u00e7ari \u2013 Ezhen Joneskos (Eug\u00e8ne Ionesco, 1909-1994). Sipas enciklopedive dhe leksikoneve, Jonesko lindi n\u00eb vitin 1912. Por, sipas poetit me origjin\u00eb rumune t\u00eb lindur n\u00eb V\u00ebrshac t\u00eb Serbis\u00eb Petru K\u00ebrdu (1952-2011), Jonesko ka lindur m\u00eb […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/jehonashqiptare.al\/fjala\/jonesko-poet-i-absurdit\/\" \/>\n<meta property=\"og:site_name\" content=\"FJALA e LIR\u00cb\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/facebook.com\/fjala.info\/\" \/>\n<meta property=\"article:author\" content=\"https:\/\/facebook.com\/shkoder.net\/\" \/>\n<meta property=\"article:published_time\" content=\"2019-09-24T05:35:23+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2019-09-24T05:51:31+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/jehonashqiptare.al\/fjala\/wp-content\/uploads\/2019\/09\/Eugene_Ionesco.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"600\" \/>\n\t<meta property=\"og:image:height\" content=\"895\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"admin\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@https:\/\/twitter.com\/acokaj\" \/>\n<meta name=\"twitter:site\" content=\"@acokaj\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"admin\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"10 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/jehonashqiptare.al\\\/fjala\\\/jonesko-poet-i-absurdit\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/jehonashqiptare.al\\\/fjala\\\/jonesko-poet-i-absurdit\\\/\"},\"author\":{\"name\":\"admin\",\"@id\":\"https:\\\/\\\/jehonashqiptare.al\\\/fjala\\\/#\\\/schema\\\/person\\\/9c9fccf4f6449d25e258607d9b4275cb\"},\"headline\":\"JONESKO \u2013 POET I ABSURDIT\",\"datePublished\":\"2019-09-24T05:35:23+00:00\",\"dateModified\":\"2019-09-24T05:51:31+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/jehonashqiptare.al\\\/fjala\\\/jonesko-poet-i-absurdit\\\/\"},\"wordCount\":1993,\"commentCount\":0,\"image\":{\"@id\":\"https:\\\/\\\/jehonashqiptare.al\\\/fjala\\\/jonesko-poet-i-absurdit\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/jehonashqiptare.al\\\/fjala\\\/wp-content\\\/uploads\\\/2019\\\/09\\\/Eugene_Ionesco.jpg\",\"articleSection\":[\"Artikuj\",\"Histori\",\"Kultur\u00eb\",\"Let\u00ebrsi\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/jehonashqiptare.al\\\/fjala\\\/jonesko-poet-i-absurdit\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/jehonashqiptare.al\\\/fjala\\\/jonesko-poet-i-absurdit\\\/\",\"url\":\"https:\\\/\\\/jehonashqiptare.al\\\/fjala\\\/jonesko-poet-i-absurdit\\\/\",\"name\":\"JONESKO \u2013 POET I ABSURDIT - 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