{"id":47432,"date":"2019-11-30T20:47:12","date_gmt":"2019-11-30T19:47:12","guid":{"rendered":"https:\/\/fjala.info\/?p=47432"},"modified":"2019-11-30T20:47:42","modified_gmt":"2019-11-30T19:47:42","slug":"arti-i-pergjithesimeve-ontologjike-2","status":"publish","type":"post","link":"https:\/\/jehonashqiptare.al\/fjala\/arti-i-pergjithesimeve-ontologjike-2\/","title":{"rendered":"ARTI I P\u00cbRGJITH\u00cbSIMEVE ONTOLOGJIKE"},"content":{"rendered":"

Studim<\/em> (2<\/em>)<\/p>\n

Mehmetali Rexhepi<\/strong><\/p>\n

Shefik Shkodra: \u201cAUREOL\u00cb E P\u00cbRHITUR\u201d SHB \u201cSogjetime\u201d; Gjilan, 2019<\/p><\/blockquote>\n

Poezia si kjo ng\u00ebrthen tipologji, q\u00eb e karakterizon d\u00ebftimin poetik p\u00ebrmes pleksjeve t\u00eb trajtave t\u00eb dhun\u00ebs, shfaqjes s\u00eb barbaris\u00eb, jo vet\u00ebm si pamje vrastare, por dhe si mend\u00ebsi imponuese \u201cnga psalme f\u00eblliqt\u00eb demoniane.\u201d P\u00ebrvoja dhe intuita e vet\u00ebdijes s\u00eb zgjuar, n\u00eb mesnat\u00ebn gjysm\u00eb t\u00eb fjetur, nuk kishte si t`i shmangej rip\u00ebrs\u00ebritjes s\u00eb fantazmave \u201cn\u00eb oborre t\u00eb robit.\u201d Fantazmat tashm\u00eb kishin hyr\u00eb, ishin thyer gardhiqet, \u201cnderen\u201d e p\u00ebrcaktonin \u201cyjt\u00eb e kuq!\u201d Mjerimi i psikologjis\u00eb s\u00eb robit shfaqte trajtat e servilizmit, dor\u00ebzimin pa kushte dhe radh\u00ebn e dark\u00ebs barbar\u00ebve t\u00eb rinj t\u00eb nj\u00ebmend\u00ebsis\u00eb ortodokse:<\/p>\n

\u201cDarka vazhdon me yjet e kuq shija krejt zerdelin\u00eb<\/em>
\nDhe s’pran\u00eb hareja me siklet t\u00eb rob\u00ebrimit mesjetar!<\/em>\u201d1<\/sup><\/p>\n

Teksti ka brenda vet\u00ebs epitetin \u201cyjet e kuq\u201d, gjendjen e detyrueshme kur \u201cs`pran\u00eb hareja me siklet.\u201d Mes dy kontrastesh hares\u00eb dhe sikletit kishte hyr\u00eb rob\u00ebrimi mesjetar! Si mund t\u00eb kishte hare dhe siklet nj\u00ebkoh\u00ebsisht?! Duke u thelluar m\u00eb tej k\u00ebsaj \u201chareje\u201d, n\u00eb p\u00ebrfytyrimin e poetit ndjehet e duket djall\u00ebzia partizane-\u00e7etnike, me stilin e ngadh\u00ebnjimtar\u00ebve barbar\u00eb: ju vram\u00eb, ua pushtuam truallin e konakun, duam dark\u00ebn solemne dhe, shkalla e cinizmit ngjitej n\u00eb grad\u00ebn m\u00eb t\u00eb lart\u00eb t\u00eb sikletit: t\u00eb na b\u00ebni atmosfer\u00eb hareje!?… Pleksjet ideore, gjendja psikologjike, dend\u00ebsia e tendosjes, zierja e mllefit… Kjo \u00ebsht\u00eb forca e vargut t\u00eb sprovuar, si d\u00ebshmi dhe si vizion, p\u00ebr t\u00eb mos u djegur kujtesa historike n\u00eb breza!…<\/p>\n

Foljen e shprehjes me ng\u00ebrthes\u00eb shpirt\u00ebrore siklet, fare leht\u00eb do ta z\u00ebvend\u00ebsonte emri skile, ose shum\u00ebsi i emrit skilet… K\u00ebshtu, mund t\u00eb zgjerohej fusha figurative e konotacionit, nga folja me barr\u00eb t\u00eb r\u00ebnd\u00eb emocionale, n\u00eb nj\u00eb em\u00ebr simbol dinak\u00ebrie e i dinak\u00ebris\u00eb shekullore… Poezia e k\u00ebtill\u00eb lejon mund\u00ebsi t\u00eb hapura p\u00ebr interpretime ideore-emocionale dhe modalitete t\u00eb tjera…<\/p>\n

Ontologjia poetike ia zgjeron gam\u00ebn e dep\u00ebrtimit poetit Shefik Shkodra, n\u00eb relieve pamjesh t\u00eb l\u00ebvizshme, t\u00eb ndryshueshme, sjelljesh vendnum\u00ebrimi dhe jasht\u00eb \u00ebndrrave t\u00eb gjakimeve, n\u00ebp\u00ebr kund\u00ebrth\u00ebnie sistemesh, sprovime qytet\u00ebrimesh n\u00eb kahet e absurdit dhe n\u00eb paradokset e njer\u00ebzimit: \u201cSi po u rritka njer\u00ebzimi me gjithfar\u00eb fare dhe gjinie…\u201d<\/p>\n

Poezia me gam\u00eb t\u00eb zgjeruar motivesh, doemos nuk mund t\u00eb mos kishte nj\u00eb bosht graviteti dhe nj\u00eb skelet rr\u00ebfimtar, ku jo \u00e7do fjal\u00eb do t\u00eb mbulohej me figura. Pohimi lidhet me poezit\u00eb e shtjellimeve me mbi dyzet vargje e tutje. \u00c7far\u00eb mund t\u00eb ndodhte p\u00ebrkitazi nd\u00ebrtimit t\u00eb kompozicionit homogjen t\u00eb tyre? Gjasat e daljes nga shinat, shkap\u00ebrderdhjes s\u00eb ides\u00eb qendrore do t\u00eb ishin af\u00ebr heterogjenes. Teksti, konteksti dhe n\u00ebnteksti poetik ose do t`i n\u00ebnshtroheshin nj\u00eb lloj rr\u00ebfimi, ose do t\u00eb mbuloheshin nga mjegullnaj\u00eb e hirt\u00eb e paqart\u00ebsis\u00eb?… Poezis\u00eb do t’i ndodhte humbja e koherenc\u00ebs nga mbind\u00ebrtimet fragmentare t\u00eb t\u00ebr\u00ebsis\u00eb. A i ndodhi nj\u00eb rr\u00ebshqitje e k\u00ebtill\u00eb poetit Shefik Shkodra? Kultura e p\u00ebrgjithshme letrare, p\u00ebrqendrimi, kujdesi, kriteri, disiplina e durimit krijues, fjalori ontologjik, talenti q\u00ebmtues, nuk lejuan q\u00eb poezis\u00eb s\u00eb k\u00ebtij poeti t`i mungoj\u00eb koherenca.<\/p>\n

Gjat\u00ebsia e vargjeve monokolor\u00eb e k\u00ebtyre shtjellimeve poetike do t\u00eb ishte e m\u00ebrzitshme, sikur mos t\u00eb shihnim kontraste drit\u00eb-hijesh, ndjeshm\u00ebri, emocione e k\u00ebnd-shikime dukurish ekzistenciale, me brenga njer\u00ebzore tej t\u00eb sotmes… Mandej, paraqitja e situatave shpirt\u00ebrore t\u00eb subjektit njer\u00ebzor me formulime metaforike, p\u00ebrfytyrime, simbole, epitete, krahasime, ironi e mozaik\u00eb karakteresh, gjendje drith\u00ebruese, lakime e dep\u00ebrtime shprehjesh labirinteve t\u00eb situatave…<\/p>\n

Leximi i sprovave historike, p\u00ebrgjith\u00ebsimi i ideve vetjake, kapja me an\u00eb t\u00eb vargut e inserteve t\u00eb s\u00eb ve\u00e7ant\u00ebs dhe shkrirja e tyre n\u00eb unin e p\u00ebrvoj\u00ebs gjith\u00ebnjer\u00ebzore…<\/p>\n

POETIKA E KARAKTERIT<\/strong><\/p>\n

Ku shpijn\u00eb caqet e ideve poetike t\u00eb Shefik Shkodr\u00ebs? Para s\u00eb gjithash te zgjimi i vet\u00ebdijes mohuese e pohuese t\u00eb lexuesit, jasht\u00eb suazave skematike bardh\u00eb e zi. Ngarendje p\u00ebr hap\u00ebrim t\u00eb p\u00ebrhersh\u00ebm p\u00ebr t\u00eb kapur guximin krijues… Poeti i dha dor\u00eb poezis\u00eb t\u00eb skaliste, sikurse nj\u00eb skulptor i shkatht\u00eb, fisnik\u00ebri tek njeriu, tek dukja dhe shpirti i njeriut. Trinomi i tij bie ndesh me \u201ck\u00ebnaqjen\u201d e nd\u00ebrgjegjes n\u00eb \u201cpaqen\u201d e kamufluar, manin\u00eb servile, psikologjin\u00eb e turm\u00ebs t\u00eb yshtur nga euforia, stereotipat e fantazmave, klient\u00ebt e dashuris\u00eb s\u00eb shitur, anatemat e urtis\u00eb… Nd\u00ebrmjet lirik\u00ebs me shenja onomastike bredh\u00ebrish rinore, vjen mall\u00ebngjimi vjeshtor i mosh\u00ebs; nj\u00ebher\u00ebsh dhe shartimi i \u00e7ilt\u00ebris\u00eb me djall\u00ebzi e smir\u00eb… Vet\u00ebm nj\u00eb perde e tejdukshme i ndan\u00eb t\u00eb mir\u00ebn nga e keqja, inatin nga sinqeriteti, \u00ebndjen nga m\u00ebkati, dhimbjen nga lumturia… K\u00ebtu \u00ebsht\u00eb karikatura e theksuar e narcisit, por dhe Feniksi bashk\u00ebkoh\u00ebs, konotacionet e Er\u00ebver\u00ebs si shtrojer\u00eb e shpirtit t\u00eb trazuar, si lajtmotiv p\u00ebr vizionin e lumturis\u00eb.<\/p>\n

Urtis\u00eb poetike t\u00eb k\u00ebtij autori inventiv, aty-k\u00ebtu do t`i stis\u00eb edhe ndonj\u00eb trajt\u00eb e vargut shpjegues, q\u00eb nuk p\u00ebrkon me nivelin e stilit figurativ e t\u00eb mendimit:<\/p>\n

\u201cNgjashm\u00ebri e pjell\u00ebs s\u00eb njeriut me dh\u00ebmb\u00eb kanibali<\/em>
\ndo pa ndjenja me shpirt-frym\u00eb kuptoje biologjikisht!<\/em>\u201d2<\/sup><\/p>\n

Veset e lig\u00ebsia e karaktereve kur vihen n\u00eb foljen e trajt\u00ebs s\u00eb pakryer, poenta poetike v\u00eb n\u00eb pah vazhdim\u00ebsin\u00eb e tyre t\u00eb pash\u00ebruar… Vijon padija dhe egoizmat, dashuria merr trajt\u00eb t\u00eb nj\u00eb \u201cdashurie narcise.\u201d M\u00ebkatet dhe makut\u00ebria e p\u00ebrshkojn\u00eb mjedisin e karaktereve t\u00eb autorit, gjithnj\u00eb n\u00eb trajt\u00ebn e foljes t\u00eb m\u00ebnyr\u00ebs s\u00eb pakryer… Si e till\u00eb atmosfera zot\u00ebruese e t\u00eb hirt\u00ebs, edhe vargut t\u00eb poetit, do t`i jepte ngjyr\u00eb t\u00eb zbeht\u00eb:<\/p>\n

\u201cFryt i dob\u00ebt do t\u00eb dilte k\u00ebnga pa d\u00ebgjues.\u201d K\u00ebsisoj, arti i k\u00ebng\u00ebs dhe i shkrimit paguajn\u00eb tagrin e injorimit! \u00c7ka i mbeti poetit? Poetit i mbetet ve\u00e7se \u201dshushurim\u00eb\u201d e gjetheve t\u00eb monologut t\u00eb vet! Kjo \u00ebsht\u00eb nj\u00eb vrasje e llojit t\u00eb indiferenc\u00ebs; qenia njer\u00ebzore p\u00ebr dallim prej kat\u00ebrk\u00ebmb\u00ebshve, ec\u00eb drejt tyre mbi dy k\u00ebmb\u00eb! Vetmia edhe pa plumb vret. K\u00ebshtu, poeti i dha konotacion iluminist poezis\u00eb, ngase ndezi fanar\u00eb n\u00eb bardh\u00ebsin\u00eb e dit\u00ebs, sikurse Diogjeni me fenerin e tij simbolik, duke k\u00ebrkuar njeriun!…<\/p>\n

Titulli dhe p\u00ebrmbajtja e poezis\u00eb \u201cInjoranca e egoizmi\u201d, jan\u00eb n\u00eb val\u00eb t\u00eb nj\u00ebjta me diskursin p\u00ebr ndri\u00e7imin e trurit t\u00eb njeriut. Pra, kjo not\u00eb i lyp\u00eb urtis\u00eb nj\u00eb rol reflektues, rrjedhimisht poeti b\u00ebhet m\u00ebsues! Mir\u00ebpo, poezia a mund t\u00eb ishte nj\u00eb m\u00ebsuese e moderuar me shkop n\u00eb dor\u00eb p\u00ebr psikologjin\u00eb e mjedisit ton\u00eb?! Poeti breng\u00ebs s\u00eb tij i dha trajt\u00ebn e foljes t\u00eb koh\u00ebs s\u00eb pakryer, ngase:<\/p>\n

\u201cMosdija dhe egoizmi jan\u00eb n\u00ebn\u00eb e bij\u00eb<\/em>\u201d3<\/sup><\/p>\n

Noli urtar do t\u00eb thoshte: Nuk i ka fajet druri po truri!
\nPoeti Shefik Shkodra \u201cNga kambanorja\u201de tij poetike motivohet dhe motivon kthimin te vetvetja, te pamjet e sh\u00ebmtis\u00eb, q\u00eb dep\u00ebrtojn\u00eb me ngjyra t\u00eb zeza n\u00eb shpirtra! Shtresimi bashk\u00ebkoh\u00ebs i k\u00ebnet\u00ebs kund\u00ebrmuese e helmuese, ia zgjon t\u00eb vjellat dhe i humbet oreksi p\u00ebr shum\u00eb\u00e7ka… Vajtje-ardhjet n\u00ebp\u00ebr k\u00ebt\u00eb anames jan\u00eb infektuese! Arti k\u00ebrkon kumbim t\u00eb fort\u00eb t\u00eb kamban\u00ebs, p\u00ebr shkundje t\u00eb sh\u00ebmtis\u00eb n\u00eb jet\u00ebn e njeriut ton\u00eb! Poeti njeriun e mjedisit t\u00eb vet e sheh, asisoj, si\u00e7 nuk \u00ebsht\u00eb duke e par\u00eb ai ende veten e tij. Pasqyra e t\u00eb parit t\u00eb vetvetes \u00ebsht\u00eb vet-mashtruese. Njeriu yn\u00eb \u00ebsht\u00eb katandisur keq n\u00eb sh\u00ebmti; pa asnj\u00eb parim t\u00eb etik\u00ebs njer\u00ebzore! Zgjerimi i gangren\u00ebs s\u00eb till\u00eb do ta paralizoj\u00eb ecjen drejt caqeve tona t\u00eb bardha!…<\/p>\n

Duke e zb\u00ebrthyer tekstin, frazat figurative, idet\u00eb e hapura dhe kontekstet mes tyre, shfrimet e ndjenjave autori i reduktoi n\u00eb p\u00ebrshkrime pamjesh, n\u00eb figura p\u00ebrfytyrimesh, n\u00eb epshe t\u00eb ndezura gjakndezjesh e gjak-fikjesh… Kur t\u00eb kumboj\u00eb kambana poetike, dridhjet e kumbimit t\u00eb saj shpijn\u00eb te nj\u00eb kumt drith\u00ebrues…Me gjas\u00eb alarmues!… Poezia e k\u00ebtill\u00eb nuk \u00ebsht\u00eb vet\u00ebm art p\u00ebr art. Ajo ng\u00ebrthen mision, porosi, urt\u00ebsi, ndjellamira… Ajo i vete prapa misionit udh\u00ebrr\u00ebfyes, si nj\u00eb urtari i p\u00ebrballjeve me trysnit\u00eb e pam\u00ebshirshme t\u00eb epokave, t\u00eb periudhave regjimesh t\u00eb egra; gjithnj\u00eb duke mos e l\u00ebn\u00eb t\u00eb vetmuar urt\u00ebsin\u00eb kthesave marramend\u00ebse…<\/p>\n

Para s\u00eb gjithash vokacioni i tipologjis\u00eb s\u00eb k\u00ebtill\u00eb poetike \u00ebsht\u00eb ontologjik. Ky vokacion thur\u00eb ledhe sprovash ekzistenciale me hua-marrje pleksjesh etike, historike, filozofike dhe vizionare. Pra, barra subjektive dhe universale q\u00eb kishte poeti n\u00eb shpirt, nuk ishte e leht\u00eb t\u00eb zbrazej n\u00eb let\u00ebr. Brusha e poezis\u00eb p\u00ebr tablon\u00eb e piktur\u00ebs s\u00eb vet ngjyen edhe n\u00eb diskurset tjera, me ndrojtje t\u00eb theksuar p\u00ebr humbje t\u00eb fytyr\u00ebs s\u00eb vet n\u00eb mozaikun e nd\u00ebrthurjes s\u00eb ngjyrave. Doemos duhej t\u00eb mbahej baraspesha e mos rr\u00ebshqitjes as n\u00eb nj\u00ebr\u00ebn, as n\u00eb tjetr\u00ebn sfer\u00eb t\u00eb superstruktur\u00ebs shpirt\u00ebrore, artistike e nd\u00ebrdisiplinore.<\/p>\n

LIRIKA E RRJEDH\u00cbS S\u00cb MALL\u00cbNGJIMIT<\/strong><\/p>\n

Motive josh\u00ebse n\u00eb librin e Shefik Shkodr\u00ebs \u201cAureol\u00eb e p\u00ebrhitur\u201d, jan\u00eb e blerta e barit dhe gjethimet rinore t\u00eb pyllit e malit; kujtesa e shkap\u00ebrderdhur e rinis\u00eb:<\/p>\n

\u201cp\u00ebr ta prek\u00eb k\u00ebt\u00eb tok\u00eb t\u00eb shenjt\u00eb si \u00ebnd\u00ebrr<\/em>
\nrruga s`ishte e tep\u00ebrt ve\u00e7 zor fund e maje<\/em>
\nniseshe k\u00ebmb\u00ebzbathur pas fluturave n\u00ebp\u00ebr bar<\/em>
\nato vrapime s`i tejkalonin vendnum\u00ebrimet<\/em>
\ns’t\u00eb linin t\u00eb dashuroje-vep\u00ebr heretike ishte<\/em>\u201d4<\/sup><\/p>\n

Lirika e motiveve rinore t\u00eb poetit p\u00ebrshkohet mes dy ambientesh: a) malore dhe, b) urbane, n\u00ebse mund t\u00eb konsiderohej e till\u00eb, p\u00ebr nivelin e rrethanave?… Ambienti i p\u00ebrthyer malor, pos ajrit, ujit t\u00eb krojeve, gurrave, p\u00ebrrenjve, lisave e jet\u00ebs baritore; asaj m\u00ebnyre jetese i p\u00ebrkonte dhe mend\u00ebsia patriarkale, e cila ndrydhte intimen e t\u00eb riut me disa tabu t\u00eb konservuara… Frenohej panatyrsh\u00ebm shfaqja e ndjenjave t\u00eb lirshme t\u00eb rinis\u00eb!… K\u00ebso cop\u00ebza dromcash, fragmentesh t\u00eb nj\u00eb bote tashm\u00eb t\u00eb per\u00ebnduar, kthehen te poeti si vran\u00ebsira t\u00eb mbarsura me shi n\u00eb stin\u00ebn e that\u00ebsis\u00eb… Ato fragmente t\u00eb periudh\u00ebs f\u00ebmij\u00ebrore e djaloshare, n\u00eb shkrimin artistik nuk vijn\u00eb drejt\u00eb p\u00ebr s\u00eb drejti, por shfaqen t\u00eb filtruara nga mosha e lakuar e pjekuris\u00eb. Si do t\u00eb pikasej ajo dhunti jete e avulluar?<\/p>\n

E \u00ebmbla rini e poetit la gjurm\u00ebt dhe shenjat e veta n\u00eb onomastik\u00ebn e nj\u00eb k\u00ebndi t\u00eb Arb-Dheut. Natyra dhe intimja vetjake t\u00eb ndrojtura dhe t\u00eb ndrydhura, gjakimet e fshehura dhe t\u00eb djegura, tipare t\u00eb g\u00ebrvishtura nga loj\u00ebrat me shtaga dhe \u201cgolfin\u201d e mal\u00ebsis\u00eb, shtigjet e mbyllura t\u00eb kasolles prej burgut t\u00eb bor\u00ebs… \u00c7do em\u00ebrtim, \u00e7do maje mali, l\u00ebndinat, gur\u00ebt, p\u00ebrrenjt\u00eb, dhiaret e lidhnin subjektin lirik me fije, cop\u00ebza ndodhish, b\u00ebmash \u00e7apk\u00ebne, patronime farefisesh dhe, t\u00eb shk\u00ebputura si ndjesi zemre e moshe, i japin trajt\u00eb rrjedhjes t\u00eb poetik\u00ebs s\u00eb p\u00ebrfytyrimit n\u00eb galerin\u00eb e kujtes\u00ebs, e lexuar me syzat e mall\u00ebngjimit.<\/p>\n

N\u00eb poezin\u00eb \u201cMe fyellin e vjesht\u00ebs\u201d, arkivi i kujtes\u00ebs n\u00eb kok\u00ebn e poetit, ruan perceptimet e saj n\u00eb hap\u00ebsir\u00eb e koh\u00eb, tingujt e ngjyrave t\u00eb melodis\u00eb… Melodia e fyellit, ngjyrat e zverdhura e lidhin poetin me pamjet e maleve, me p\u00ebrfytyrime, shfryrjet e shtr\u00ebngatave mbi lisa, ushtim\u00ebn, terratisje e zbardhje, f\u00ebshf\u00ebrima gjethesh, arom\u00eb e barit t\u00eb mugulluar, orkestr\u00ebn e zogjve pa dirigjent, p\u00ebllitje lop\u00ebsh, cing\u00ebrim\u00eb e kambanave t\u00eb grigj\u00ebs, kikiriku i or\u00ebs s\u00eb gjelave herak\u00eb dhe, fatkeq\u00ebsisht kthimi i shpin\u00ebs t\u00ebr\u00ebsisht vendlindjes! Poeti, jo p\u00ebr fajin e tij, ia kishte kthyer shpin\u00ebn virgj\u00ebris\u00eb s\u00eb maleve; atij relievi q\u00eb e brumosi dhe ende e josh, duke ia shpaluar ato faqe ngjyrash pranverore e vjeshtore, me joshjen e par\u00eb t\u00eb \u201ckasolles-k\u00ebshtjell\u00eb shkollore!\u201d<\/p>\n

Kush mund t’ia p\u00ebrpinte m\u00eb leht\u00eb shtigjet, kodrat, p\u00ebrrenjt\u00eb, lugjet hapave t\u00eb vetmis\u00eb s\u00eb poetit, pos melodis\u00eb? Melodia mall\u00ebngjyese e fyellit ia zbardhte t\u00eb p\u00ebrhitur\u00ebn e dit\u00ebs, si\u00e7 ia kishte zbardhur e praruar \u201cFyelli\u201d rilind\u00ebsit t\u00eb adhuruar, Naim Frash\u00ebrit shpres\u00ebn, e cila ia shpinte shpirtin te njer\u00ebzia, tek Per\u00ebndia n\u00eb tok\u00eb e qiell! Poeti e shpie melodin\u00eb e mall\u00ebngjimit n\u00eb \u00e7do skaj, ku d\u00ebgjohen tingujt e shqip-shqiptimit, p\u00ebr shtrirjen e dashuris\u00eb si shp\u00ebtim nga \u201cdeti i pambarim.\u201d<\/p>\n

Ta v\u00ebshtrosh ndjeshm\u00ebrin\u00eb poetike me nota mall\u00ebngjimi, si di\u00e7ka jasht\u00eb ritmeve t\u00eb mod\u00ebs, \u00ebsht\u00eb sikur t`ia shartosh njeriut nj\u00eb zem\u00ebr me trurin artificial?! Poetit dinamika e p\u00ebrditshm\u00ebris\u00eb ia than\u00eb pak\u00eb nga pak\u00eb lirik\u00ebn e mallit; mallin e pap\u00ebrmbushur si qenie djaloshare, e djeshme dhe e tashme, shk\u00eblqimet e \u201cp\u00ebrhitura\u201d t\u00eb thesarit djaloshar! Mushk\u00ebrit\u00eb e poezis\u00eb, me nota t\u00eb k\u00ebtilla, frymojn\u00eb dhe pulsojn\u00eb me ritmet, ngaz\u00ebllimin e hidh\u00ebrimet e asaj rinie, por me urtin\u00eb e sotme t\u00eb pleq\u00ebris\u00eb. Tek poeti Shefik Shkodra njom\u00ebshtia e atyre tablove ende kund\u00ebrmon, si kund\u00ebrmim i barit pas shkrirjes s\u00eb bor\u00ebs fund-marsit e fillim-prillit… Ato jan\u00eb thesare t\u00eb pa\u00e7muara, as shiten, as blihen!…<\/p>\n

MAJ\u00cbPENA TEJ-SHPUESE E IRONIS\u00cb<\/strong><\/p>\n

Librin \u201cAureol\u00eb e p\u00ebrhitur\u201d e karakterizon ironia e dep\u00ebrtimit n\u00eb karaktere t\u00eb shpifur njer\u00ebzor\u00eb. Pen\u00ebs s\u00eb poetit i dalin para e prapa shpin\u00ebs imitues, t\u00eb cil\u00ebt nuk arrijn\u00eb t\u00eb perceptojn\u00eb, as t\u00eb kap\u00ebrcejn\u00eb qarkun e trupit t\u00eb vet! Ky shtresim shoq\u00ebror t\u00ebr\u00eb mjesht\u00ebrin\u00eb e mbyll\u00eb n\u00eb nj\u00eb fletore \u201csi k\u00ebnaq\u00ebsi t\u00eb vetvetes.\u201d Intuita ftilluese e k\u00ebtij poeti, nxori n\u00eb pah ironin\u00eb e llojit t\u00eb mjediseve tona, p\u00ebr \u201c mjesht\u00ebrit\u201d mburracak\u00eb, sed\u00ebr-fodull, fjalaman\u00eb e smir\u00ebzinj!<\/p>\n

P\u00ebrballja me realitetin e elitave fodulle, \u00ebsht\u00eb nj\u00ebri nga parimet e pap\u00ebrkulshme, forca ideore-estetike dhe etike e shkrimtarit Shefik Shkodra. Nuk mjafton t\u00eb jesh i papajtuesh\u00ebm me \u201celit\u00ebn\u201d, e, t\u00eb mos ia prek\u00ebsh edhe maj\u00ebn e kupol\u00ebs! E kund\u00ebrta e p\u00ebrballjes rezulton: ta shoh\u00ebsh bor\u00ebn n\u00eb at\u00eb maj\u00eb nga dhoma e ngroht\u00eb dhe, t\u00eb pohosh: me mendje shpesh jam ngjitur atje!… Shigjet\u00ebn poetike shkrim-k\u00ebrkimtari ua drejtoi \u201celitave\u201d t\u00eb shthurura, atyre q\u00eb i trokasin ndjeshm\u00ebris\u00eb dhe cenojn\u00eb paqen, pastaj ia shporrin gjumin njer\u00ebzimit…<\/p>\n

Tet\u00ebdhjet\u00eb e kat\u00ebr vargjet e poezis\u00eb \u201cShqet\u00ebsime\u201d, p\u00ebrshkohen nga poetika e shqet\u00ebsimit, p\u00ebr t\u00eb ardhmen e urtis\u00eb njer\u00ebzore! Reflektimet fshikullojn\u00eb \u201celit\u00ebn\u201d politike, e mb\u00ebshtjell\u00eb me pancirin e pushtetit n\u00eb em\u00ebr t\u00eb shtetit?! \u00cbsht\u00eb i admiruesh\u00ebm portretizimi, asisoj si e kapin vargjet, an\u00ebt e jashtme dhe brendin\u00eb e \u201celitar\u00ebve\u201d tartuf\u00eb politik\u00eb; t\u00eb shk\u00ebputur nga vot\u00eb-besuesit, t\u00eb cil\u00ebt vet\u00eb iu dhan\u00eb krah\u00eb t\u00eb fluturonin mbi ta… Krah\u00eb t\u00eb till\u00eb fluturues evolucioni biologjik nuk ua kishte mund\u00ebsuar!…<\/p>\n

Poezia shtron m\u00ebdyshje p\u00ebrgjith\u00ebsuese p\u00ebr rikthimin e historis\u00eb n\u00eb esenc\u00ebn e s\u00eb keqes… Ishte arritur q\u00eb ledhi i faktor\u00ebve t\u00eb jasht\u00ebm t\u00eb zhb\u00ebrjes, t’i l\u00ebshonte udh\u00eb faktorit t\u00eb brendsh\u00ebm, por ky i brendshmi u b\u00eb po aq rr\u00ebnues!… E brendshmja rrethan\u00eb shtet-nd\u00ebrtuese e ligj-zbatuese, p\u00ebr fajin e mallkuar t\u00eb prijatar\u00ebve t\u00eb pangopur, q\u00eb p\u00ebrfituan vet\u00ebm p\u00ebr veten dhe klanet; u shnd\u00ebrruan n\u00eb tiran\u00eb t\u00eb m\u00ebdhenj e t\u00eb vegj\u00ebl zhvat\u00ebs, duke l\u00ebn\u00eb prapa heshtjen dhe turpin \u201d kund\u00ebr kusar\u00ebve ngadh\u00ebnjimtar\u00eb!\u201d5<\/sup><\/p>\n

Thell\u00ebsia dhe gjer\u00ebsia e till\u00eb art-jetike, me artikulime metaforike, simbolike dhe sistem figurativ, ofrojn\u00eb mund\u00ebsi t\u00eb gjithanshme qasjesh, q\u00eb brenda vet\u00ebs ng\u00ebrthejn\u00eb gjakime p\u00ebr t\u00eb bukur\u00ebn, breng\u00ebn e dhimbjen e p\u00ebrgjithshme, p\u00ebr mosp\u00ebrfillje vullnetesh individuale e kolektive, p\u00ebr shmangien e s\u00eb v\u00ebrtet\u00ebs, p\u00ebr standardizimin e psikologjis\u00eb s\u00eb gjysmak\u00ebve, p\u00ebr \u201cvler\u00ebn\u201d pa kritere! Para rrethanash sikurse k\u00ebto, poeti nuk dor\u00ebzohet, madje revoltohet dhe rebelohet… \u00c7far\u00eb \u00ebsht\u00eb ky rebelim? Rebelimi \u00ebsht\u00eb artistik. Ai t\u00eb fton t\u00eb bashk\u00eb-ndjesh, t`ia tumir\u00ebsh cakun fisnik… T\u00eb grish ta ndjek\u00ebsh kursin e tij, t\u00eb identifikohesh me t\u00eb para se t\u00eb hysh n\u00eb bot\u00ebn e nd\u00ebrliqshme, t\u00eb nj\u00eb realiteti t\u00eb cilin nuk e sheh, nuk e ndjen\u00eb, nuk e ke prekur, nuk e ke p\u00ebrjetuar, nuk e ke shijuar, ndaj meriton t\u00eb zb\u00ebrthehet… Si? Gjithnj\u00eb, sipas ngjyrave emocionale, etik\u00ebs njer\u00ebzore, filozofis\u00eb s\u00eb ideve, sprovave stilistike e jet\u00ebsore t\u00eb vargut.
\nPadyshim e \u00ebmbla dhe e hidhura jan\u00eb t\u00eb pleksura n\u00eb jet\u00ebn e njeriut.<\/p>\n

Shkrimtari personazhin kameleon e pikas\u00eb edhe mes nuancave m\u00eb t\u00eb holla, sado t\u00eb kamufluar prapa ngjyrave t\u00eb l\u00ebvizshme t\u00eb mjedisit. Arti i fjal\u00ebs s\u00eb q\u00ebmtuar vij\u00ebzon ambientet e helmuara, me vij\u00ebzime figurative… Ak\u00ebcilit personazh ia nxjerr karikatur\u00ebn, ashtu si nuk e shihte veten e tij n\u00eb pasqyr\u00eb. Autori personazhit t\u00eb tij, secil\u00ebn her\u00eb deshi t`ia shmangte ecjen n\u00eb kategorin\u00eb e sh\u00ebmtuar t\u00eb jet\u00ebs. K\u00ebshtu, njeriut prore m\u00ebtoi t`i ofronte dor\u00ebn e hijeshis\u00eb bleroshe, por dikush nuk ndalej s\u00eb pshurruri n\u00eb trungun e k\u00ebtush\u00ebm blerosh!?…<\/p>\n

N\u00ebse e ndjekim udh\u00eb-rr\u00ebfimin e autorit, kureshtja t\u00eb shtyn t`i afrohesh, t’i qasesh se ke p\u00ebr t\u00eb shtuar di\u00e7ka t\u00ebnden, por nuk arrin se \u00ebsht\u00eb fllusk\u00eb e frym\u00ebzimit, iluzion, arom\u00eb deh\u00ebse, diell p\u00ebrc\u00ebllues, tutje t\u00eb shfaqet aureolave t\u00eb biondeve n\u00eb fytyra, buz\u00eb e vija t\u00eb p\u00ebrsosura… M\u00eb par\u00eb se ti e un\u00eb, dhuntit\u00eb i kishte vjel\u00eb autori… Nuk i voli ve\u00e7se p\u00ebr veten e tij… Jarg\u00ebt e instinktit rrjedhin… Pra, lype: n\u00eb cil\u00ebn enigm\u00eb fshihet magjikja?…<\/p>\n

GJYQI SUPREM I NATYR\u00cbS<\/strong><\/p>\n

K\u00ebrkimet poetike e sjellin poetin n\u00eb nj\u00eb cak. Shpirti i tij arrin n\u00eb cakun e shpalimit t\u00eb flet\u00ebve, k\u00ebrcitjes s\u00eb eshtrave pas rropatjeve t\u00eb rrug\u00ebtimit. E madh\u00ebrishmja natyr\u00eb ia praroi drit\u00ebn, gjith\u00eb at\u00eb piktur\u00eb vigane dhe ecejaket mbi t\u00eb; tmerrin e shfryrjes s\u00eb t\u00ebrmeteve, shp\u00ebrthimin e bymimit t\u00eb llav\u00ebs, trazimin e paqes dhe, gjetjen e kodeve p\u00ebr t\u00eb madh\u00ebrishmen e jet\u00ebs?!… Poeti i ndodhur nga shtypje polesh t\u00eb k\u00ebtilla, ngarendte pas ligj\u00ebrat\u00ebs t\u00eb shurdh\u00ebris\u00eb s\u00eb fjal\u00ebve, ndoqi kthes\u00ebn e dit\u00ebs, ikjen e drit\u00ebs dhe k\u00ebrkimin e pish\u00ebs!… Mes t\u00ebrbimit t\u00eb natyr\u00ebs e t\u00eb dyk\u00ebmb\u00ebshit, diku n\u00eb nj\u00eb skaj e priste vetmia, lig\u00ebshtia e lakut dhe num\u00ebrimi i kujdessh\u00ebm i hapave, ngrysja mall\u00ebngjyese, trishtimi dhe nj\u00eb llamb\u00eb e zbeht\u00eb…<\/p>\n

E t\u00ebra kjo ishte kap\u00ebrcimi i ver\u00ebs dhe, arritja n\u00eb vjesht\u00ebn e p\u00ebrhitur e n\u00eb gjethet e flokut t\u00eb thinjur:<\/p>\n

\u201cT\u00ebrbimi i natyr\u00ebs s\u00eb p\u00ebrjetshme nuk kursen dhimbje e mall!<\/em>\u201d
\nKy \u00ebsht\u00eb ligji suprem i natyr\u00ebs t\u00eb cil\u00ebs nuk i b\u00ebn dot ball\u00eb!<\/p>\n

ONTOLOGJIA E P\u00cbRKUFIZIMIT<\/strong><\/p>\n

\u00c7ka zb\u00ebrthen ideja e vetmis\u00eb si hije e ftoht\u00eb? Poetin e trishton hija e vetmis\u00eb dhe d\u00ebshmon:
\n\u201cs’ka lezet muzika ve\u00e7 p\u00ebr egon-<\/em>
\npa ia th\u00ebn\u00eb askujt at\u00eb m\u00eb intime<\/em>\u201d6<\/sup>
\n\u00c7far\u00eb shkrimtari do t\u00eb ishte ai q\u00eb mbyllet n\u00eb kull\u00ebn e tij t\u00eb fildisht\u00eb? Kriza e \u00e7ilt\u00ebrsis\u00eb dhe indiferenca jan\u00eb tejet shqet\u00ebsuese p\u00ebr poetin, si qenie e nd\u00ebrvar\u00ebsis\u00eb shoq\u00ebrore. P\u00ebrgjigjja \u00ebsht\u00eb aty, n\u00ebn l\u00ebkur\u00ebn e rrjedh\u00ebs s\u00eb damar\u00ebve t\u00eb gjakut.<\/p>\n

\u201cAureol\u00eb e p\u00ebrhitur\u201d begatohet me poem\u00ebn \u201cBalad\u00eb verore\u201d e p\u00ebrmasave simbolike, p\u00ebr q\u00ebmtuesin e t\u00eb bukur\u00ebs, t\u00eb simbolik\u00ebs komb\u00ebtare dhe universale, p\u00ebr poetin e shkrimtarin Beqir Musliu. Poema ka shtrirje t\u00eb gjer\u00eb dhe prek\u00eb disa nga caqet e lakimit t\u00eb fjal\u00ebs, t\u00eb mjesht\u00ebris\u00eb s\u00eb hyrjes e daljes nga universi i nd\u00ebrdymes…<\/p>\n

Poeti p\u00ebr poetin kap lidhjet e universit njer\u00ebzor me universin poetik, urt\u00ebsin\u00eb dhe dram\u00ebn e nj\u00eb krye-personazhi emblematik. Spikat\u00eb kodet, enigmat q\u00eb i mb\u00ebshtjellin ato, duke vij\u00ebzuar t\u00eb madh\u00ebrishmen dhe dhimbjen e krijuesit, ontologjin\u00eb dhe alkimin\u00eb e shkrimit, sferat fantastike t\u00eb imagjinat\u00ebs e magjiken, vizionin e tej mesit kohor\u00eb; modernitetin e Mjeshtrit ton\u00eb me sy qielli e gjer\u00ebsi deti: robin e letrave shqipe, Beqir Musliun.<\/p>\n

Stili i t\u00eb shprehurit artistik i autorit Shefik Shkodra, brenda vet\u00ebs pleks edhe rr\u00ebfim, por rr\u00ebfimi nuk e p\u00ebrtrollit proz\u00ebn… Jan\u00eb p\u00ebr t`u theksuar ve\u00e7mas kompozitat, dy e m\u00eb shum\u00eb kuptimesh, si Er\u00ebver\u00eb, hapore; togfjal\u00ebshat e tipit: furk\u00eb e shtrigave, tis vegimor, skamja frymore… Hasim edhe ndonj\u00eb shprehje t\u00eb stilit shkencor, si \u201cMetaforikisht i rrisim gurrat\u201d n\u00eb poezin\u00eb \u201cBesimi n\u00eb ardhm\u00ebrin\u00eb\u201d7<\/sup><\/p>\n

Poezis\u00eb me titullin n\u00eb kllapa (Nj\u00eb profeci), i jep rit\u00ebm e dinamik\u00eb lidhshm\u00ebria anaforike, karakteristike si nd\u00ebrtim stilistik. Th\u00ebnies poetike t\u00eb vargjeve pa strofa, i japin shtytje p\u00ebrs\u00ebritjet ritmike t\u00eb anafor\u00ebs p\u00ebrmes lidh\u00ebz\u00ebs dhe. \u00c7far\u00eb kemi k\u00ebtu? K\u00ebtu kemi p\u00ebrshkall\u00ebzimin josh\u00ebs t\u00eb ritmik\u00ebs poetike, dram\u00ebn emocionale t\u00eb ngjitjes…<\/p>\n

Shijet dhe kultura e leximit mund ose nuk mund t\u00eb jen\u00eb t\u00eb p\u00ebrputhshme nga lexuesi n\u00eb lexues, var\u00ebsisht \u00e7far\u00eb k\u00ebrkon prej vargut nj\u00ebri a tjetri; megjith\u00ebse shija ndryshon, por, jo aq sa t\u00eb jet\u00eb n\u00eb skaje t\u00eb kund\u00ebrta.<\/p>\n

Cikli i poezive \u201cLigj\u00ebrat\u00eb mall\u00ebngjimi\u201d me shtat\u00eb nj\u00ebsi poetike, sipas shijes son\u00eb, arrin majat e rrumbullakimit artistik n\u00eb relievin e poezis\u00eb t\u00eb poetit Shefik Shkodra. K\u00ebtu do ta ve\u00e7onim nj\u00ebsin\u00eb poetike (Dyshime). Kjo poezi ng\u00ebrthen t\u00eb sotmen me t\u00eb gjitha mang\u00ebsit\u00eb, dinak\u00ebrit\u00eb, pabesin\u00eb, mizorin\u00eb e ambicieve, manit\u00eb-fodulle, hipokrizin\u00eb, karakterin tekanjoz, perversin, kurvarin, grabitqarin, makutin, hajnin\u00eb politike, karrieristin e s\u00ebmur\u00eb, byth\u00eb-l\u00ebpir\u00ebsit, paranoj\u00ebn… I gjith\u00eb ky konglomerat sillet rreth orbit\u00ebs poetike te kategoria e t\u00eb sh\u00ebmtuar\u00ebs. Fatkeqe, por e sh\u00ebmtuara i imponohet poezis\u00eb si kategori mbizot\u00ebruese estetike!<\/p>\n

P\u00ebrderisa teoria post-moderne p\u00ebr artin, porosit\u00eb e sforcuara ose krejt\u00ebsisht t\u00eb hapura t\u00eb ndonj\u00eb vepre, nuk i parap\u00eblqen ashtu, q\u00eb t`ua tumir\u00eb ak\u00ebcilit poet a shkrimtar; mir\u00ebpo, p\u00ebrkufizimet e q\u00ebndrueshme artistike nuk mund t\u00eb p\u00ebrjashtohen. P\u00ebrvojat e sprovave artistike as shekujt nuk i rr\u00ebzuan. Pohimin e d\u00ebshmoi kat\u00ebr\u00e7ip\u00ebrisht arti i teatrit t\u00eb William Shakespeare!<\/p>\n

Le t`i rendisim n\u00eb vijim disa p\u00ebrgjith\u00ebsime p\u00ebrkufizuese, filozofike t\u00eb cilat i pam\u00eb p\u00ebr gjat\u00eb shtjellimit t\u00eb k\u00ebtij libri poezish, ngase si t\u00eb k\u00ebtilla mbartin p\u00ebrvoj\u00eb men\u00e7uruake:<\/p>\n

1. \u201cPritja p\u00ebrs\u00ebrit\u00ebse u shnd\u00ebrrua n\u00eb koh\u00eb t\u00eb n\u00ebmur\u201d (Balad\u00eb p\u00ebr dashurin\u00eb);
\n2. \u201cM\u00eb shum\u00eb psher\u00ebtima ishte frym\u00ebmarrja jon\u00eb!\u201d (Sht\u00ebpia e or\u00ebve);
\n3. \u201cRuaju nga foljet e shumta e me dymend\u00ebsi!\u201d (Dyshime);
\n4. \u201cE vjet\u00ebr koha e vjet\u00ebr n\u00ebma e lasht\u00eb loja e gjuha detarisht\u201d (Bukuroshja e Adriatikut);
\n5. \u201cI pa koh\u00eb t\u00eb mjaftueshme sa p\u00ebr nj\u00eb k\u00ebng\u00eb mall\u00eb!\u201d (Me fyellin e vjesht\u00ebs);
\n6. \u201cSi t\u00eb ngryset nata kur dita duket e err\u00ebt\u201d (Margjinale);
\n7. \u201cT\u00eb mos keq\u00ebsohet mendja me shqisa t\u00eb mang\u00ebta!\u201d (Shtegtarit);
\n8. \u201cLe t`i djeg\u00eb rreze e drit\u00ebs rr\u00ebnj\u00ebt e hipokrizis\u00eb!\u201d (Shtegtarit);
\n9. \u201cLeht\u00ebsojani ngarkes\u00ebn n\u00eb bredh\u00ebritje bote apatridit!\u201d (Shtegtarit);
\n10. \u201cSi t\u00eb shp\u00ebtoje pezull n\u00eb hap\u00ebsir\u00ebn eterike!\u201d (E pa kryera);
\n11. \u201cDerri mbetet me zanatin e vet-i zhg\u00ebrryer f\u00eblliqt\u00eb\u201d (Shqet\u00ebsime);
\n12. \u201cDjajt\u00eb fshehtas prisnin rr\u00ebnim njer\u00ebzor nga epidemia\u201d (Shqet\u00ebsime);
\n13. \u201cShum\u00eb murmurisje dhe kur nuk dije asgj\u00eb t\u00eb k\u00ebndoje!\u201d (Portretizim n\u00eb t\u00eb pakryer\u00ebn);
\n14. \u201cE shkurt\u00eb \u00ebsht\u00eb koha p\u00ebr ditar\u00ebt me intrigant\u00eb?!\u201d (Narracion q\u00ebndrese);
\n15. \u201cE do ndryshimin e bot\u00ebs por jo dhe shpirtin e vet!\u201d (Narracion q\u00ebndrese);
\n16. \u201cK\u00ebta padron\u00eb si gjykim i marrin fakirat p\u00ebr dor\u00ebzan\u00eb!\u201d(Narracion q\u00ebndrese);
\n17. \u201cFesta po na kushton si Neroni i t\u00ebrbuar me Rom\u00ebn!\u201d(Rubikoni);
\n18. \u201cT\u00eb tradhtoi \u00ebndrra se ishe ende n\u00eb zenit t\u00eb dit\u00ebs!\u201d (Nga stina e but\u00eb);
\n19. \u201cGj\u00ebrat e imta i k\u00ebrkoje n\u00eb maje t`maj\u00ebs s\u00eb gjilp\u00ebr\u00ebs pickuese!\u201d (Balad\u00eb verore);
\n20. \u201cMerre hijen e atit t\u00ebnd-mos harro…!\u201d (Porosi e thjesht\u00eb).<\/p>\n

Gjilan, N\u00ebntor 2019<\/em><\/p>\n

REFERENCA<\/strong>:<\/p>\n

1. Po aty, f. 100
\n2. Po aty, f. 101
\n3. Po aty, f. 31
\n4. Pa aty, f. 40
\n5. Po aty, f.
\n6. Po aty, f. 127
\n7. Po aty, f. 51<\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"

Studim (2) Mehmetali Rexhepi Shefik Shkodra: \u201cAUREOL\u00cb E P\u00cbRHITUR\u201d SHB \u201cSogjetime\u201d; Gjilan, 2019 Poezia si kjo ng\u00ebrthen tipologji, q\u00eb e karakterizon d\u00ebftimin poetik p\u00ebrmes pleksjeve t\u00eb trajtave t\u00eb dhun\u00ebs, shfaqjes s\u00eb barbaris\u00eb, jo vet\u00ebm si pamje vrastare, por dhe si mend\u00ebsi imponuese \u201cnga psalme f\u00eblliqt\u00eb demoniane.\u201d P\u00ebrvoja dhe intuita e vet\u00ebdijes s\u00eb zgjuar, n\u00eb mesnat\u00ebn […]<\/p>\n","protected":false},"author":1,"featured_media":46890,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[8,10],"tags":[],"class_list":["post-47432","post","type-post","status-publish","format-standard","has-post-thumbnail","category-letersi","category-poezi"],"yoast_head":"\nARTI I P\u00cbRGJITH\u00cbSIMEVE ONTOLOGJIKE - FJALA e LIR\u00cb<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/jehonashqiptare.al\/fjala\/arti-i-pergjithesimeve-ontologjike-2\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"ARTI I P\u00cbRGJITH\u00cbSIMEVE ONTOLOGJIKE - 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