{"id":48432,"date":"2019-12-10T16:36:13","date_gmt":"2019-12-10T15:36:13","guid":{"rendered":"https:\/\/fjala.info\/?p=48432"},"modified":"2019-12-10T20:30:14","modified_gmt":"2019-12-10T19:30:14","slug":"poezi-e-pasur-dhe-shumekuptimore","status":"publish","type":"post","link":"https:\/\/jehonashqiptare.al\/fjala\/poezi-e-pasur-dhe-shumekuptimore\/","title":{"rendered":"POEZI E PASUR DHE SHUM\u00cbKUPTIMORE"},"content":{"rendered":"

Sherafedin Kadriu<\/strong><\/p>\n

Prologu si nxitje p\u00ebr interpretim<\/strong><\/p>\n

As e kisha d\u00ebgjuar si kishte hyr\u00eb n\u00eb zyr\u00ebn time, vet\u00ebm kur m\u2019u terrua para sysh. Ma kishte qitur p\u00ebrpara shuplak\u00ebn e t\u00eb djatht\u00ebs. Ngrita kok\u00ebn… Miku im Tahir Dalipi, profesor i fr\u00ebngjishtes, edhe vet\u00eb poet, po habitej pse isha thelluar aq shum\u00eb gjat\u00eb leximit!<\/p>\n

– H\u00eb, pse je habitur? \u00c7far\u00eb po lexon k\u00ebshtu?!, – m\u00eb pyeti si me t\u00eb qeshur.
\n– Nj\u00eb v\u00ebllim poetik t\u00eb Prend Buzhal\u00ebs.
\n– A, mir\u00eb, paske t\u00eb drejt\u00eb. T\u00eb paska marr\u00eb p\u00ebrpara poetika e tij.
\n– E njeh veprimtarin\u00eb letrare t\u00eb Prendit?
\n– Jo shum\u00eb. Po, ato poezi q\u00eb i kam lexuar prej tij, m\u00eb kan\u00eb b\u00ebr\u00eb p\u00ebrshtypje p\u00ebr bukurin\u00eb e shprehjes dhe shum\u00ebkuptim\u00ebsin\u00eb e tyre. N\u00eb to kam hasur poetin e sinqert\u00eb, t\u00eb cilin v\u00ebshtir\u00eb ta gjesh sot. Nj\u00eb sinqeritet t\u00eb till\u00eb poetik e kam v\u00ebrejtur dikur n\u00eb poezit\u00eb e MirkoGashit.
\nI k\u00ebtill\u00eb \u00ebsht\u00eb admirimi p\u00ebr poetin PrendBuzhala nga lexuesi, ve\u00e7an\u00ebrisht lexuesi elitar. Ky, nj\u00eb tjet\u00ebr fakt nxit\u00ebs p\u00ebr nj\u00eb interpretim.<\/p>\n

V\u00ebllimi poetik \u201cPsher\u00ebtima pergamene\u201d, i Prend Buzhal\u00ebs vjen si mozaik ngjyrash ylberore, i strukturuar n\u00eb n\u00ebnt\u00eb cikle poetike, nd\u00ebrsa p\u00ebrzgjedhja e poezive p\u00ebr secilin cik\u00ebl \u00ebsht\u00eb b\u00ebr\u00eb mjesht\u00ebrisht, duke u bazuar n\u00eb struktur\u00ebn poetike t\u00eb vet\u00eb poezive. Secili cik\u00ebl pastaj, ka ngjyr\u00ebn e tij shpreh\u00ebse estetike. N\u00eb k\u00ebt\u00eb p\u00ebrvijim, do t\u00eb thoshim se shp\u00ebrfaqja e s\u00eb bukur\u00ebs si t\u00ebr\u00ebsi ka z\u00ebn\u00eb vend mu mbi horizontin e tabanit t\u00eb tok\u00ebs s\u00eb vet, duke form\u00ebsuar relievin e ATDHEUT q\u00eb nga prehistoria, antika e mesjeta arb\u00ebrore dhe duke i v\u00ebn\u00eb cil\u00ebsit\u00eb e mira dhe veset sh\u00ebmtarake, si sh\u00ebmb\u00ebllim jo p\u00ebr t\u00eb sotmen, e cila nuk \u00ebsht\u00eb se meriton hyjnizim, sepse vet\u00eb sh\u00ebmtira nuk \u00ebsht\u00eb p\u00ebrjashtim. K\u00ebshtu si\u00e7 \u00ebsht\u00eb kompozuar, mbetet nj\u00eb sh\u00ebmb\u00ebllim p\u00ebr t\u00eb ardhmen konkrete, kurdo q\u00eb p\u00ebrsosm\u00ebria e jet\u00ebs t\u00eb arrij\u00eb bukurin\u00eb e vargut poetik.<\/p>\n

Ja, p\u00ebrpara e keni nj\u00eb urn\u00eb q\u00eb mban hirin e d\u00ebshirave t\u00eb zjarrta, \u00ebsht\u00eb vargu me t\u00eb cilin nis poezia e par\u00eb \u201cShk\u00eblqimi q\u00eb m\u00eb p\u00ebrcjell n\u00eb gjum\u00eb e \u00ebnd\u00ebrr\u201d e k\u00ebtij v\u00ebllimi, q\u00eb vjen n\u00ebn p\u00ebrzgjedhjen e prof. Anton Nik\u00eb Berish\u00ebs, i cili i ka dh\u00ebn\u00eb nj\u00eb tjet\u00ebr shk\u00eblqim poetik\u00ebs s\u00eb PrendBuzhal\u00ebs, si\u00e7 ka ndodhur dhe me \u00e7do vep\u00ebr q\u00eb ai e monumentalizon si p\u00ebrzgjedh\u00ebs. Duket se shtjellimi i k\u00ebtill\u00eb i k\u00ebtij v\u00ebllimi e shp\u00ebrfaq m\u00eb mir\u00eb unin poetik t\u00eb Prendit, at\u00eb unin q\u00eb e nxjerr prej vetvetes si nj\u00eb projeksion p\u00ebrfytyrues (fantastik, sipas Borhesit), q\u00eb k\u00ebsaj here form\u00ebsohet nga fjala poetike dhe dija hulumtuese (arkeologjike).<\/p>\n

Pra, \u00ebsht\u00eb urna, ajo karakteristik\u00eb e ritit t\u00eb varrimit dardan, q\u00eb p\u00ebrs\u00ebrit artin e jet\u00ebs dhe t\u00eb vdekjes nj\u00ebkoh\u00ebsisht, e q\u00eb n\u00eb poezin\u00eb e Buzhal\u00ebs vjen si simbolik\u00eb e kujtes\u00ebs q\u00eb lidh hirin me shk\u00eblqimin, fatkeq\u00ebsisht vet\u00ebm n\u00eb gjum\u00eb e \u00ebndrra, pa asnj\u00eb d\u00ebshmi shkronjash n\u00eb pergamen\u00eb, as pa far\u00eb synimi se do ta zbuloj\u00eb sekretin e s\u00eb ardhmes, aq m\u00eb pak duke provuar t\u00eb marr\u00eb rolin e orakullit, pse profecia edhe kur del e v\u00ebrtet\u00eb, e trand poezin\u00eb. Mjaftohemi me mesazhin: edhe kur humbim n\u00eb t\u00eb tashmen konkrete, e jo rrall\u00eb na ndodh, tek urna gjejm\u00eb at\u00eb pjes\u00eb t\u00eb vetes son\u00eb q\u00eb na mungon.<\/p>\n

\"\"<\/p>\n

Secila poezi n\u00eb vazhdim t\u00eb k\u00ebtij v\u00ebllimi poetik sjell mesazhe artistike q\u00eb t\u00eb shumt\u00ebn e her\u00ebve marrin nga sh\u00ebrbimi i keq njer\u00ebzor. Nga ai sh\u00ebrbim q\u00eb nuk do duhej ta b\u00ebnin njer\u00ebzit e g\u00ebzuar tej mase, kur thon\u00eb: q\u00ebndrestar\u00ebt me kok\u00ebn lart, po skuqen nga turpi, kur po na n\u00ebnshtrohen. Kjo \u00ebsht\u00eb th\u00ebnia filozofike m\u00eb se absurde e koh\u00ebs son\u00eb. Kjo \u00ebsht\u00eb th\u00ebnia etike e poetike e PrendBuzhal\u00ebs, e poetit pa mang\u00ebsi morale. Kjo \u00ebsht\u00eb th\u00ebnia q\u00eb k\u00ebshillon e lut, q\u00eb th\u00ebrret e vret nd\u00ebrgjegje, t\u00eb cilat s\u2019e kan\u00eb kuptuar, a nuk duan ta kuptojn\u00eb pasjen e armiq\u00ebsis\u00eb p\u00ebr t\u00eb bukur\u00ebn. Dhe, e bukura nuk \u00ebsht\u00eb p\u00ebrtallja e trimave, se at\u00ebher\u00eb d\u00ebshtojn\u00eb heronjt\u00eb (P\u00ebrpjekje p\u00ebr ta ndal\u00eb koh\u00ebn q\u00eb t\u00eb mos shprishet). E bukura \u00ebsht\u00eb ndryshe, \u00ebsht\u00eb shpirtgjer\u00ebsia, jo shpirtngusht\u00ebsia, se k\u00ebshtu si ka nisur pritja t\u00eb mos b\u00ebj\u00eb gj\u00eb, nj\u00eb dit\u00eb zgjimi do t\u00eb jet\u00eb i r\u00ebnd\u00eb (P\u00ebr nj\u00eb jet\u00eb t\u00eb zhveshur e krejt t\u00eb kot\u00eb). Kaq. Sikur nuk thot\u00eb m\u00eb shum\u00eb as nj\u00eb novel\u00eb e t\u00ebr\u00eb e GabrielGarsia Markezit, ajo me titull kuptimor: \u201cKolonelit s\u2019ka kush t\u2019i shkruaj\u00eb\u201d.<\/p>\n

Sa i mir\u00eb e i vendosur \u00ebsht\u00eb Prendi, se \u00ebsht\u00eb n\u00eb an\u00ebn e s\u00eb drejt\u00ebs. Nuk e ka droj\u00ebn ta thot\u00eb tro\u00e7: Jam k\u00ebtu p\u00ebr t\u00eb mos e humbur veten, ata e duan t\u00eb v\u00ebrtet\u00ebn e vdekur (I pathyer t\u00eb vazhdosh n\u00ebn kujdesin e yjeve). Tjet\u00ebr pun\u00eb \u00ebsht\u00eb n\u00ebse dikush e kupton ose do a s\u2019do ta kuptoj\u00eb.<\/p>\n

Kjo \u00ebsht\u00eb poezia e Buzhal\u00ebs, me nj\u00eb varg-fjali ndryshe, ku ballafaqohen p\u00ebrvoja e hidhur me \u00ebndrr\u00ebn e \u00ebnd\u00ebrruar, me vizionin e trazuar. Duket se Prend Buzhala s\u2019ka dhe as nuk duhet t\u00eb ket\u00eb ndonj\u00eb ankth p\u00ebr poezin\u00eb e tij, sepse gj\u00ebn\u00eb kryesore, fjal\u00ebn, ka ditur ta strukturoj\u00eb n\u00eb varg, ta thur\u00eb me t\u00eb poezin\u00eb si t\u00ebr\u00ebsi, p\u00ebr njeriun, p\u00ebr jet\u00ebn e tij, p\u00ebr momentet q\u00eb mund t\u00eb zvog\u00eblohen n\u00eb zhg\u00ebnjimin ndaj t\u00eb rriturit q\u00eb b\u00ebhet lut\u00ebs a lypsar duke u zvog\u00ebluar; p\u00ebr f\u00ebmij\u00ebn q\u00eb rritet me drejt\u00ebsin\u00eb e vog\u00eblsis\u00eb s\u00eb p\u00ebrvoj\u00ebs.<\/p>\n

P\u00ebr ta ndjer\u00eb at\u00eb trandje n\u00eb vargun poetik, poezin\u00eb e Buzhal\u00ebs duhet lexuar me kujdes, sepse b\u00ebhet fjal\u00eb p\u00ebr p\u00ebrzgjedhje t\u00eb fjal\u00ebve kuptimisht t\u00eb lidhura me tem\u00ebn e trajtuar dhe p\u00ebr kombinime nga m\u00eb t\u00eb ndryshmet, t\u00eb cilat i kan\u00eb dh\u00ebn\u00eb tekstit bukurin\u00eb e duhur artistike. Jo rrall\u00eb disa prej tyre (fjal\u00ebve) t\u00eb nisura me shkronj\u00eb t\u00eb madhe, nuk paraqesin ndonj\u00eb tekniciz\u00ebm, por secila ve\u00e7mas dhe n\u00eb kombinim me t\u00eb tjerat, jo vet\u00ebm theksohet ndryshe n\u00eb varg, por merr edhe trajt\u00eb simbolike.<\/p>\n

N\u00eb t\u00eb gjitha poezit\u00eb, n\u00eb nj\u00eb m\u00ebnyr\u00eb ose tjet\u00ebr, shprehet ndjesia p\u00ebr njeriun dhe vepr\u00ebn e tij, p\u00ebr m\u00ebsimet dhe p\u00ebr p\u00ebsimet, p\u00ebr jet\u00ebn dhe p\u00ebr vdekjen, pastaj p\u00ebr rolet e ndryshme t\u00eb personazheve lirike, p\u00ebr besimin dhe zbatimin, p\u00ebr situata konfuze n\u00eb koh\u00eb e hap\u00ebsir\u00eb, p\u00ebr trimat e p\u00ebr ndejtar\u00ebt, p\u00ebr bukurit\u00eb e p\u00ebr shkallmimet shpirt\u00ebrore.<\/p>\n

Pa dyshim q\u00eb ndjesia p\u00ebr Vendin \u00ebsht\u00eb e madhe. Ajo ka z\u00ebn\u00eb vend, si\u00e7 z\u00eb vend f\u00ebmija n\u00eb prehrin e n\u00ebn\u00ebs. I k\u00ebtill\u00eb \u00ebsht\u00eb PrendBuzhala n\u00eb krijimtari, nj\u00eb dashnor i refuzuar estetikisht (Dashnor i refuzuar, – se ku e kam lexuar k\u00ebt\u00eb shenj\u00eb gjuh\u00ebsore k\u00ebshtu bukur t\u00eb kombinuar?).<\/p>\n

Nj\u00eb nga personazhet lirike \u00ebsht\u00eb M\u00ebsuesi i Vjet\u00ebr, i b\u00ebr\u00eb Doracak p\u00ebr ndezjen e zemr\u00ebs s\u00eb luft\u00ebtarit. Ai q\u00eb n\u00eb mos tjet\u00ebr, t\u00eb m\u00ebson m\u00ebsimin e t\u00eb qen\u00ebt nx\u00ebn\u00ebs i p\u00ebrjetsh\u00ebm. N\u00eb da\u00e7 t\u00eb jesh i guximsh\u00ebm p\u00ebr t\u2019u p\u00ebrballur me jet\u00ebn. K\u00ebt\u00eb s\u2019e b\u00ebn askush tjet\u00ebr, as nuk di, e as nuk do ta b\u00ebj\u00eb. K\u00ebt\u00eb e b\u00ebn vet\u00ebm m\u00ebsuesi, i cili pa hezitim ua dhuron t\u00eb tjer\u00ebve edhe sh\u00ebtitjet deri te \u00ebndrra e tij. E, \u00ebndrra e m\u00ebsuesit \u00ebsht\u00eb lumturia e d\u00ebshiruar e nx\u00ebn\u00ebsit, fare m\u00eb pak se \u00e7\u2019i d\u00ebshiron prindi f\u00ebmij\u00ebs s\u00eb tij.<\/p>\n

\u00c7 \u2019\u00ebsht\u00eb e v\u00ebrteta, \u00ebsht\u00eb v\u00ebshtir\u00eb ta klasifikosh krijimtarin\u00eb artistike t\u00eb Prend Buzhal\u00ebs, jo t\u00eb t\u00ebr\u00ebn, po k\u00ebt\u00eb m\u00eb t\u00eb ren\u00eb, n\u00ebse \u00ebsht\u00eb proz\u00eb poetike, apo poezi e mir\u00ebfillt\u00eb. Teknikisht i afrohet proz\u00ebs p\u00ebr shkak t\u00eb strukturimit t\u00eb tekstit (t\u00eb them: form\u00ebs teknike). Poetikisht \u00ebsht\u00eb varg prozaik. Sidoqoft\u00eb, k\u00ebto shkrime paraqesin nj\u00eb model m\u00eb t\u00eb p\u00ebrpunuar se zakonisht, po dhe m\u00eb delikat gjithsesi. N\u00eb k\u00ebt\u00eb rrjedh\u00eb, kjo ndryshe, \u00ebsht\u00eb nj\u00ebfar\u00eb k\u00ebnaq\u00ebsie estetike dhe intelektuale q\u00eb buron nga cil\u00ebsit\u00eb e tekstit.<\/p>\n

Rrall\u00eb m\u00eb ka r\u00ebn\u00eb q\u00eb t\u00eb lexoj poezi p\u00ebrkujtimore a p\u00ebrkushtuese t\u00eb arrira artistikisht. Nj\u00eb e till\u00eb ndodhet n\u00eb k\u00ebt\u00eb v\u00ebllim poetik. Ajo q\u00eb i \u00ebsht\u00eb kushtuar \u00c1t Luigj Palajt, nj\u00eb figure emblematike t\u00eb rezistenc\u00ebs shqiptare gjat\u00eb pushtimit serbo-malazias t\u00eb viteve 1912-1913, t\u00eb cilin e vrasin xhandar\u00ebt serb\u00eb m\u00eb 7 mars 1913 (A. Kamberi). Fjal\u00ebsi kryesor i p\u00ebrdorur p\u00ebr k\u00ebt\u00eb poezi \u00ebsht\u00eb i p\u00ebrb\u00ebr\u00eb kryesisht nga shprehje t\u00eb ritit t\u00eb krishter\u00eb, por, madh\u00ebshtia e poezis\u00eb dhe e poetit q\u00ebndron n\u00eb p\u00ebrplot\u00ebsimin e tyre me element\u00eb t\u00eb rinj, q\u00eb marrin edhe kuptim komb\u00ebtar. K\u00ebshtu, lutja hyjnore \u201cAti yn\u00eb\u2026 Buk\u00ebn ton\u00eb t\u00eb p\u00ebrditshme na e jep sot\u201d, te PrendBuzhala del \u201cAti Yn\u00eb, falna Buk\u00ebn e Atdheun ton\u00eb sot\u201d.<\/p>\n

\u00cbsht\u00eb Atdheu q\u00eb ka dhurim vet\u00ebm flijimin e frym\u00ebs s\u00eb tij, at\u00eb frym\u00ebn elegjiake, e cila nuk vjen me vaje e t\u00eb r\u00ebna gjoksit, as edhe me shkulje flok\u00ebsh si p\u00ebr mort, por si nj\u00eb kontrast artistik e i \u00e7uditsh\u00ebm realisht. Kosova \u00ebsht\u00eb e bukura e burgosur. E mallkuar nga bukuria e vetmis\u00eb, e braktisur edhe nga historia si nj\u00eb figurin\u00eb, t\u00eb cil\u00ebn e duan vet\u00ebm p\u00ebr ta ekspozuar muzeve t\u00eb bot\u00ebs. Ndryshe, \u00ebsht\u00eb nj\u00eb princesh\u00eb e mbyllur, diktuar nga kobi i bukuris\u00eb, t\u00eb cil\u00ebs mund t\u2019i dhurohet vet\u00ebm flijimi i frym\u00ebs s\u00eb vet.<\/p>\n

\u00c7far\u00eb mund t\u00eb b\u00ebj\u00eb poeti tjet\u00ebr, pos t\u00eb ngre p\u00ebrmendore me fjal\u00eb t\u00eb latuara q\u00eb i burojn\u00eb nga shpirti e mendja. Ama, p\u00ebr t\u2019u realizuar bukuria vet\u00eb: u dashka q\u00eb Fjal\u00ebn Ton\u00eb ta d\u00ebrgojm\u00eb te Hyji p\u00ebr nj\u00eb bot\u00eb m\u00eb t\u00eb mir\u00eb, ashtu si\u00e7 thot\u00eb poezia me t\u00eb nj\u00ebjtin titull. E pra, \u00ebsht\u00eb fjala e shnd\u00ebrruar n\u00eb jet\u00eb, n\u00eb mos jeta e shnd\u00ebrruar n\u00eb Fjal\u00eb-lutje, \u00ebsht\u00eb dehja ndaj s\u00eb bukur\u00ebs q\u00eb gjith\u00e7ka fsheh, dhe si delikate q\u00eb \u00ebsht\u00eb, vet\u00ebm pak kuptimin e saj zbulon (Fjal\u00ebn Ton\u00eb ta d\u00ebrgojm\u00eb te Hyji).<\/p>\n

Nga Ati Yn\u00eb q\u00eb banon n\u00eb qiell, autori i kthehet vetes s\u00eb tij, i kthehet popullit t\u00eb vet. Se \u00e7\u2019ka me t\u00eb?! \u00ebsht\u00eb v\u00ebshtir\u00eb t\u00eb thuhet. Ama nj\u00eb tip k\u00ebshille, mbase si me inat ia thot\u00eb:<\/p>\n

Asgj\u00eb t\u00ebnden p\u00ebrreth nuk e v\u00ebren, at\u00ebher\u00eb e k\u00ebrkon veten e humbur
\nNuk e di ku e ke as emrin t\u00ebnd, testamentet e t\u00eb par\u00ebve i ke shitur
\nI kthehesh Librit t\u00eb Amz\u00ebs dhe aty filli t\u00eb b\u00ebhet krejt l\u00ebmsh
\nFutesh n\u00eb situat\u00eb tragjike: nuk e di kush je, kah vjen e ku shkon<\/p>\n

(Asgj\u00eb t\u00ebnden p\u00ebrreth nuk e v\u00ebren<\/strong>)<\/p><\/blockquote>\n

Mos \u00ebsht\u00eb ky nj\u00eb gjykim i ngutsh\u00ebm? Se, \u00e7\u2019\u00ebsht\u00eb e v\u00ebrteta, edhe fare pa baz\u00eb nuk \u00ebsht\u00eb gjykimi. Po, ndoshta mund t\u00eb thuhej pak\u00ebz m\u00eb but\u00eb, n\u00eb vend t\u00eb nj\u00eb mohimi hiperbolistik, ndoshta mund t\u00eb p\u00ebrdorej nj\u00eb litot\u00eb eufemistike.<\/p>\n

K\u00ebshtu shkruhen romanet e jet\u00ebs n\u00eb udh\u00ebtimin drejt diellit. K\u00ebt\u00eb pun\u00eb po e b\u00ebn p\u00ebrdit\u00eb Prend Buzhala, mir\u00eb e m\u00eb mir\u00eb. Ama, nj\u00eb dit\u00eb do t\u00eb vij\u00eb ai kapitulli i gjethes s\u00eb r\u00ebn\u00eb n\u00eb err\u00ebsir\u00eb. Vjen ajo dit\u00eb, kur kalohet Pragu i Jet\u00ebs p\u00ebr n\u00eb Qiell. E natyrshme q\u00eb dikush tjet\u00ebr fluturon n\u00eb vendin t\u00ebnd, por, k\u00ebtu nuk merr fund fundi. Lum si ai q\u00eb krijon me shpirt pafund\u00ebsisht t\u00eb ri, sepse edhe sythi q\u00eb shp\u00ebrthen do t\u00eb rr\u00ebfej\u00eb n\u00eb vend t\u00eb kall\u00ebzimit t\u00eb poetit.<\/p>\n

N\u00eb p\u00ebrfundim t\u00eb k\u00ebsaj qasjeje p\u00ebr k\u00ebt\u00eb v\u00ebllim poetik, them se poezia e Prend Buzhal\u00ebs \u00ebsht\u00eb fjal\u00eb e q\u00ebmtuar dhe e kombinuar me t\u00eb tjerat me shum\u00eb mjesht\u00ebri n\u00eb tekstin poetik t\u00eb p\u00ebrftuar. Vler\u00ebsimi i poezis\u00eb s\u00eb k\u00ebtij autori tejkalon \u00e7far\u00ebsin\u00eb e koncepteve teorike-letrare, sepse poezia e k\u00ebtij poeti \u201cnuk \u00ebsht\u00eb pasqyr\u00eb e natyr\u00ebs […], p\u00ebrkundrazi ajo riprodhon nj\u00eb hije t\u00eb natyr\u00ebs, duke shkaktuar p\u00ebrthyerjen e vet\u00eb natyr\u00ebs n\u00eb form\u00ebn e vet p\u00ebrmbajtjesore\u201d, nj\u00ebkoh\u00ebsisht karakterizohet me ide, t\u00eb cilat \u201cnuk jan\u00eb sajime reale, por formula verbale q\u00eb imitojn\u00eb sajimet reale\u201d (sipas Northo Fraj (Anatomia e kritik\u00ebs, f. 120<\/em>)<\/p>\n

D\u00ebrgoi p\u00ebr publikim, Anton Nik\u00eb Berisha<\/strong>, studiues i let\u00ebrisis\u00eb, poet e prozator<\/em><\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"

Sherafedin Kadriu Prologu si nxitje p\u00ebr interpretim As e kisha d\u00ebgjuar si kishte hyr\u00eb n\u00eb zyr\u00ebn time, vet\u00ebm kur m\u2019u terrua para sysh. Ma kishte qitur p\u00ebrpara shuplak\u00ebn e t\u00eb djatht\u00ebs. Ngrita kok\u00ebn… Miku im Tahir Dalipi, profesor i fr\u00ebngjishtes, edhe vet\u00eb poet, po habitej pse isha thelluar aq shum\u00eb gjat\u00eb leximit! – H\u00eb, pse […]<\/p>\n","protected":false},"author":1,"featured_media":48433,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[8,10],"tags":[],"class_list":["post-48432","post","type-post","status-publish","format-standard","has-post-thumbnail","category-letersi","category-poezi"],"yoast_head":"\nPOEZI E PASUR DHE SHUM\u00cbKUPTIMORE - FJALA e LIR\u00cb<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/jehonashqiptare.al\/fjala\/poezi-e-pasur-dhe-shumekuptimore\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"POEZI E PASUR DHE SHUM\u00cbKUPTIMORE - FJALA e LIR\u00cb\" \/>\n<meta property=\"og:description\" content=\"Sherafedin Kadriu Prologu si nxitje p\u00ebr interpretim As e kisha d\u00ebgjuar si kishte hyr\u00eb n\u00eb zyr\u00ebn time, vet\u00ebm kur m\u2019u terrua para sysh. 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