{"id":51937,"date":"2020-02-29T02:19:30","date_gmt":"2020-02-29T01:19:30","guid":{"rendered":"https:\/\/fjala.info\/?p=51937"},"modified":"2020-02-29T02:19:41","modified_gmt":"2020-02-29T01:19:41","slug":"komedia-klasike-greke","status":"publish","type":"post","link":"https:\/\/jehonashqiptare.al\/fjala\/komedia-klasike-greke\/","title":{"rendered":"KOMEDIA KLASIKE GREKE"},"content":{"rendered":"\n

\"XhelalXhelal Zejneli<\/strong><\/p>\n\n\n\n

            Komedia klasike greke, pas\ntragjedis\u00eb, \u00ebsht\u00eb deg\u00ebzimi i dyt\u00eb i poezis\u00eb dramatike. Paraqitja e komedis\u00eb\nnd\u00ebrlidhet me kultin e per\u00ebndis\u00eb s\u00eb vreshtit dhe t\u00eb rrushit, Dionisit<\/strong>, t\u00eb cilit i faleshin, sidomos\nfshatar\u00ebt. P\u00ebr nder t\u00eb tij organizoheshin festat<\/em>\ndionisiane<\/em> n\u00eb t\u00eb cilat k\u00ebndoheshin\nk\u00ebng\u00eb  g\u00ebzimi, k\u00ebng\u00eb demaskuese, satirike\ndhe tall\u00ebse.<\/p>\n\n\n\n

            Komedia klasike greke ka\nnjohur mbi 150 autor\u00eb me rreth 900 komedi nga t\u00eb cilat kan\u00eb mbetur vet\u00ebm emrat,\ntitujt dhe fragmente t\u00eb shk\u00ebputura. <\/p>\n\n\n\n

            I pari q\u00eb shkroi pjes\u00eb\nkomike me baz\u00eb mitologjike ishte Epiharmi<\/strong>.\nKy lindi n\u00eb Sicili n\u00eb nj\u00eb koloni greke. Veprimtarin\u00eb letrare e zhvilloi n\u00eb\nvitet e fundit t\u00eb shekullit VI para K. Shkroi rreth 40 komedi prej t\u00eb cilave\nkan\u00eb mbetur vet\u00ebm fragmente. Komedi shkroi edhe Eupolidi <\/strong>i cili n\u00eb komedit\u00eb e veta demaskoi plag\u00ebt e shoq\u00ebris\u00eb s\u00eb koh\u00ebs<\/em>. Me satirat<\/em> e veta sulmoi\nnjer\u00ebzit t\u00eb cil\u00ebt me demagogji synonin t\u00eb nxirrnin p\u00ebrfitime vetjake<\/em>.\nKomedit\u00eb e k\u00ebtilla gjet\u00ebn hap\u00ebsir\u00eb t\u00eb p\u00ebrshtatshme n\u00eb nj\u00eb koh\u00eb kur ishte i\ngjall\u00eb interesi i qytetar\u00ebve p\u00ebr problemet politike dhe shoq\u00ebrore. M\u00eb von\u00eb, kur\nqyteti-shtet \u2013 Athina filloi ta humb\u00eb fuqin\u00eb e dikurshme, edhe komedia shkoi\ndrejt r\u00ebnies.     <\/p>\n\n\n\n

*   *   *<\/strong><\/p>\n\n\n\n

ARISTOFANI\n<\/strong>\u2013 M\u00eb i madhi nd\u00ebr komediograf\u00ebt ishte Aristofani. Lindi n\u00eb Athin\u00eb diku nga\nviti 445 para K. Krijoi n\u00eb koh\u00ebn kur filloi t\u00eb ndihej kriza ekonomike dhe\nideologjike n\u00eb struktur\u00ebn e shtetit demokratik skllavopronar. Shprehje e gjall\u00eb\ne kriz\u00ebs n\u00ebp\u00ebr t\u00eb cil\u00ebn kalonte Greqia, ishte lufta e Peloponezit nd\u00ebrmjet\nAthin\u00ebs dhe Spart\u00ebs q\u00eb shp\u00ebrtheu n\u00eb vitin 431 para K. p\u00ebr t\u00eb p\u00ebrfunduar n\u00eb\nvitin 404 para K. Ishte nj\u00eb luft\u00eb ku greku luftoi kund\u00ebr grekut. Aty nga\nfillimi i luft\u00ebs, Athin\u00ebn e pllakosi edhe epidemia\ne murtaj\u00ebs<\/em> e cila shfarosi nj\u00eb t\u00eb tret\u00ebn e popullsis\u00eb.  <\/p>\n\n\n\n

            Ky realitet historik me\nshum\u00eb trazira, u pasqyrua me forc\u00eb t\u00eb madhe godit\u00ebse n\u00eb komedit\u00eb e Aristofanit.\nMe nj\u00eb satir\u00eb t\u00eb fuqishme, demaskoi p\u00ebrfaq\u00ebsuesit\ne padenj\u00eb t\u00eb shtetit t\u00eb cil\u00ebt fshiheshin pas parullave demokratike<\/em>. K\u00ebtu\nb\u00ebnin pjes\u00eb n\u00ebpun\u00ebsit q\u00eb grabitnin ark\u00ebn\ne shtetit, demagog\u00ebt t\u00eb cil\u00ebt p\u00ebr q\u00ebllime t\u00eb veta politike mashtronin popullin,\norator\u00ebt e shitur apo mercenar\u00eb, njer\u00ebzit q\u00eb hiqeshin si filozof\u00eb e q\u00eb s\u2019kishin\nide filozofike t\u00eb mir\u00ebfillta<\/em>. Vepra e komediografit t\u00eb madh merr n\u00eb\nsh\u00ebnjest\u00ebr edhe degjenerimin moral t\u00eb\nshoq\u00ebris\u00eb<\/em>.     <\/p>\n\n\n\n

            Aristofani\nshkroi 44 komedi. Prej tyre kan\u00eb arritur vet\u00ebm 11: \u201cAharnian\u00ebt\u201d, \u201cKalor\u00ebsit\u201d,\n\u201cRet\u00eb\u201d, \u201cGrer\u00ebzat\u201d, \u201cPaqja\u201d, \u201cZogjt\u00eb\u201d, \u201cLisistrata\u201d, \u201cThesmoforiet\u201d, \u201cBretkosat\u201d,\n\u201cGrat\u00eb n\u00eb parlament\u201d <\/em><\/strong>dhe \u201cPluti\u201d<\/em><\/strong>.<\/p>\n\n\n\n

            N\u00eb komedin\u00eb \u201cRet\u00eb\u201d<\/em><\/strong>\nautori trajton problemin e edukimit t\u00eb\nrinis\u00eb me normat e moralit tradicional.<\/em> Fshatari Strepsiad, i rr\u00ebnuar\nekonomikisht nga i biri, i edukuar keq nga e \u00ebma, shkon n\u00eb \u201cmendimtoren\u201d e Sokratit<\/strong> p\u00ebr t\u00eb m\u00ebsuar artin e\ng\u00ebnjeshtr\u00ebs. Plaku k\u00ebrkon t\u00eb m\u00ebsoj\u00eb m\u00ebnyr\u00ebn sesi t\u00eb mos i shlyej\u00eb borxhet.\nS\u2019m\u00ebson dot gj\u00eb. E d\u00ebbojn\u00eb nga mendimtorja. Tani e d\u00ebrgon t\u00eb birin. Ky ia del\nt\u2019i p\u00ebrvet\u00ebsoj\u00eb m\u00ebsimet. Aft\u00ebsohet p\u00ebr t\u2019i p\u00ebrcjell\u00eb duarthat\u00eb t\u00eb gjith\u00eb ata q\u00eb\ni trokitnin n\u00eb der\u00eb p\u00ebr t\u2019ia k\u00ebrkuar borxhet. M\u00eb von\u00eb djali e rreh t\u00eb atin dhe\nk\u00ebrc\u00ebnon t\u00eb \u00ebm\u00ebn. I zhg\u00ebnjyer nga ky lloj edukimi i t\u00eb birit, Strepsiadi shkon\ndhe i v\u00eb zjarrin mendimtores s\u00eb mallkuar. Komedia p\u00ebrshkohet nga nj\u00eb ironi e\nholl\u00eb qes\u00ebndis\u00ebse. Sipas Aristofanit, doktrina filozofike e Sokratit u ngjan\nreve q\u00eb e ndryshojn\u00eb form\u00ebn sipas er\u00ebrave q\u00eb fryjn\u00eb. <\/p>\n\n\n\n

            N\u00eb komedit\u00eb \u201cKalor\u00ebsit\u201d,\n\u201cAharnian\u00ebt\u201d, \u201cLisistrata\u201d <\/em><\/strong>dhe \u201cPaqja\u201d<\/em><\/strong> autori trajton  \u00e7\u00ebshtjen\ne luft\u00ebs dhe t\u00eb paqes<\/em>. I jep nj\u00eb goditje\nsatirike luft\u00ebs s\u00eb Peloponezit<\/em>. Ishte kjo nj\u00eb luft\u00eb e gjat\u00eb dhe e kobshme\np\u00ebr hegjemoni e dominim midis qyteteve-shtete t\u00eb Greqis\u00eb. <\/p>\n\n\n\n

N\u00eb\nkomedin\u00eb \u201cKalor\u00ebsit<\/strong>\u201d <\/em>autoriv\u00eb n\u00eb pozit\u00eb komike<\/em> edhe demosin<\/em><\/strong>\n(popullin)<\/em>, i cili, i rrjedhur paksa\nnga trut\u00eb, hiqet p\u00ebr hunde nga demagog\u00eb<\/em>\nt\u00eb till\u00eb si Paflagoni, q\u00eb me g\u00ebnjeshtra e lajka synon t\u00eb nxjerr\u00eb fitime p\u00ebr\nvete.<\/p>\n\n\n\n

N\u00eb komedin\u00eb \u201cPaqja\u201d<\/em><\/strong> autori flet p\u00ebr fshatarin\nTrigje i cili rend pas paqes<\/em>. Ky\nhip\u00ebn mbi nj\u00eb brumbull dhe shkon n\u00eb qiell p\u00ebr t\u00eb liruar Paqen (Iren\u00ebn) q\u00eb luft\u00ebnxit\u00ebsit\ne kishin mbyllur n\u00eb nj\u00eb guv\u00eb. Me ardhjen e paqes n\u00eb tok\u00eb jeta fillon t\u00eb \u00e7elet.\nFshatar\u00ebt e goditur nga pasojat e luft\u00ebs nisin pun\u00ebn n\u00eb arat, q\u00eb p\u00ebr kaq vjet\nme radh\u00eb ishin l\u00ebn\u00eb pa zot. Aristofani rikujton\nedhe koh\u00ebt e dikurshme kur njer\u00ebzit jetonin n\u00eb paqe e begati<\/em>. Evokon me\nnostalgji koh\u00ebn e dikurshme plot virtyte e heroiz\u00ebm. <\/p>\n\n\n\n

Komediografi i madh trajton edhe problemet\npolitike<\/em><\/strong>. Sulmon furish\u00ebm t\u00eb gjith\u00eb shkaktar\u00ebt e luft\u00ebs s\u00eb Peloponezit\nku p\u00ebrplaseshin interesat e klasave sunduese t\u00eb Spart\u00ebs dhe t\u00eb Athin\u00ebs. Shkaktar\u00eb kryesor\u00eb t\u00eb luft\u00ebs ishin\ndemagog\u00ebt q\u00eb q\u00ebndronin n\u00eb krye t\u00eb partive politike.<\/strong> Nj\u00eb prej tyre ishte\nedhe udh\u00ebheq\u00ebsi i partis\u00eb radikale n\u00eb Athin\u00eb \u2013 Kleoni<\/em><\/strong>. Te Kleoni, autori\nsheh luft\u00ebnxit\u00ebsin dhe mbrojt\u00ebsin e\nflakt\u00eb t\u00eb prirjeve hegjemoniste<\/em> t\u00eb Athin\u00ebs n\u00eb rivalitet me Spart\u00ebn. T\u00eb\nk\u00ebtill\u00eb e paraqet Kleonin n\u00eb komedit\u00eb \u201cKalor\u00ebsit\u201d, \u201cGrer\u00ebzat\u201d<\/em><\/strong> etj. <\/p>\n\n\n\n

N\u00eb komedin\u00eb \u201cKalor\u00ebsit\u201d<\/em><\/strong>,tehun e satir\u00ebs<\/em> s\u00eb tij autori e drejton edhe<\/em> kund\u00ebr\nparlamentit<\/em><\/strong> t\u00eb Athin\u00ebs p\u00ebr\npaaft\u00ebsin\u00eb e tij p\u00ebr drejtimin e vendit dhe p\u00ebr prirjet luft\u00ebnxit\u00ebse, duke u\nb\u00ebr\u00eb k\u00ebshtu veg\u00ebl n\u00eb duart e demagog\u00ebve<\/em>. <\/p>\n\n\n\n

Parlamentin e ka paraqitur edhe n\u00eb komedin\u00eb \u201cAharnian\u00ebt\u201d<\/em><\/strong>,\npor tani me ngjyra t\u00eb karikatur\u00ebs dhe t\u00eb groteskut<\/em>.\nDuke qen\u00eb se burrat u treguan t\u00eb paaft\u00eb p\u00ebr t\u00eb drejtuar jet\u00ebn e vendit, tani\njan\u00eb grat\u00eb q\u00eb e marrin fuqin\u00eb n\u00eb parlament dhe b\u00ebjn\u00eb reforma q\u00eb synojn\u00eb t\u00eb\neliminojn\u00eb dallimet sociale<\/em> dhe t\u2019u\nvijn\u00eb n\u00eb ndihm\u00eb t\u00eb varf\u00ebrve. Por, edhe\nk\u00ebto reforma mbet\u00ebn t\u00eb parealizuara<\/em>. Nuk ishin ve\u00e7se nj\u00eb \u00ebnd\u00ebrr e bukur.\nGjendja mbeti po ajo q\u00eb qe. <\/p>\n\n\n\n

Aristofani \u00ebsht\u00eb komediograf thell\u00ebsisht realist<\/em><\/strong>,\npor shpesh mban edhe q\u00ebndrim romantik<\/em><\/strong>. \u00cbsht\u00eb \u00ebnd\u00ebrrues p\u00ebr t\u00eb\ngjetur zgjidhje, qoft\u00eb dhe n\u00eb fantazi<\/em>\napo n\u00eb m\u00ebnyr\u00eb utopike,<\/em> p\u00ebr problemet\nq\u00eb kan\u00eb t\u00eb b\u00ebjn\u00eb me fatin e shoq\u00ebris\u00eb njer\u00ebzore. N\u00eb k\u00ebt\u00eb frym\u00eb i ka shkruar\nkomedit\u00eb \u201cGrat\u00eb n\u00eb parlament\u201d, \u201cZogjt\u00eb\u201d <\/em><\/strong>dhe \u201cPluti\u201d<\/em><\/strong>. <\/p>\n\n\n\n

N\u00eb komedin\u00eb \u201cZogjt\u00eb\u201d<\/em><\/strong> dy qytetar\u00eb t\u00eb Athin\u00ebs, t\u00eb\npak\u00ebnaqur nga jeta plot v\u00ebshtir\u00ebsi dhe\npadrejt\u00ebsi<\/em>, shkojn\u00eb t\u00eb nd\u00ebrtojn\u00eb nj\u00eb qytet midis qiellit dhe tok\u00ebs p\u00ebr t\u00eb\njetuar nd\u00ebr zogj q\u00eb b\u00ebjn\u00eb nj\u00eb jet\u00eb t\u00eb qet\u00eb. Poeti \u00ebsht\u00eb futur i t\u00ebri n\u00eb bot\u00ebn e\nfantazis\u00eb p\u00ebrmes s\u00eb cil\u00ebs v\u00eb n\u00eb loj\u00eb nj\u00eb realitet\nkonkret<\/em> \u2013 Athin\u00ebn dhe qytetar\u00ebt e saj. P\u00ebr t\u00eb nxjerr\u00eb fitime, disa prej\ntyre rendin p\u00ebr n\u00eb qytetin e ri.<\/p>\n\n\n\n

N\u00eb komedin\u00eb \u201cPluti\u201d<\/em><\/strong> autori trajton problemin e mpreht\u00eb t\u00eb ndarjes s\u00eb padrejt\u00eb t\u00eb pasuris\u00eb si dhe\nkontrastin e madh nd\u00ebrmjet t\u00eb pasurve dhe t\u00eb varf\u00ebrve.<\/em> Fshatari i varf\u00ebr,\nKremili, per\u00ebndin\u00eb e pasuris\u00eb – Plutin, i cili ishte i verb\u00ebr, e shpie te per\u00ebndia\ne sh\u00ebndetit \u2013 Asklepi, i cili e sh\u00ebron dhe ia sjell shikimin. Pluti tani i sheh\ngabimet e r\u00ebnda q\u00eb i kishte b\u00ebr\u00eb gjat\u00eb jet\u00ebs, ndaj premton se sot e tutje do t\u00eb\nbashk\u00ebpunoj\u00eb vet\u00ebm te njer\u00ebzit e mir\u00eb, pun\u00ebtor\u00eb dhe t\u00eb virtytsh\u00ebm. Aristofani i\nv\u00ebren veset e k\u00ebqija dhe an\u00ebt e err\u00ebta t\u00eb shoq\u00ebris\u00eb s\u00eb koh\u00ebs, prirjen p\u00ebr t\u2019u pasuruar n\u00eb \u00e7far\u00ebdo m\u00ebnyre\nqoft\u00eb<\/em>, pavar\u00ebsisht nga d\u00ebmi q\u00eb u shkaktojn\u00eb t\u00eb tjer\u00ebve. <\/p>\n\n\n\n

Me veprat e veta, Aristofani dyzet vjet me radh\u00eb e\nparaqiti pasqyr\u00ebn e gjall\u00eb t\u00eb jet\u00ebs politike, shoq\u00ebrore dhe ideologjike t\u00eb\nAthin\u00ebs midis shekullit V dhe VI para K. <\/p>\n\n\n\n

N\u00eb komedit\u00eb e k\u00ebtij komediografi m\u00eb t\u00eb madh t\u00eb\nantikitetit spikatin shpesh nota t\u00eb nj\u00eb lirizmi <\/em><\/strong>t\u00eb holl\u00eb, dashuria p\u00ebr t\u00eb bukur\u00ebn, nostalgjia p\u00ebr natyr\u00ebn e virgj\u00ebr e\nt\u00eb pamolepsur nga prap\u00ebsit\u00eb, puna me djers\u00eb e bujkut, kontrasti midis\nrealitetit dhe \u00ebndrr\u00ebs, midis asaj q\u00eb \u00ebsht\u00eb dhe asaj q\u00eb duhet t\u00eb jet\u00eb.<\/em> <\/p>\n\n\n\n

P\u00ebr vepr\u00ebn eAristofanit, poeti dhe eseisti\ngjerman me prejardhje hebraike Hajnrih\nHajne <\/strong>(Heinrich Heine, 1797-1856) thot\u00eb: \u201c<\/em><\/strong>Vepra e tij \u00ebsht\u00eb nj\u00eb pem\u00eb madh\u00ebshtore ku kacavirren majmun\u00ebt dhe\nk\u00ebndojn\u00eb zogjt\u00eb\u201d<\/em>.<\/p>\n\n\n\n

*   *   *<\/strong><\/p>\n\n\n\n

\u201cBRETKOSAT\u201d<\/em><\/strong> <\/strong>\u2013 N\u00eb t\u00eb gjitha\nkomedit\u00eb eAristofanit, p\u00ebrpos n\u00eb\nkomedin\u00eb \u201cBretkosat\u201d<\/em>,  <\/strong>trajtohen\n\u00e7\u00ebshtje politike, shoq\u00ebrore, morale dhe filozofike. N\u00eb \u201cBretkosat\u201d<\/em><\/strong> trajtohet problemi i artit dhe i rolit t\u00eb\ntij n\u00eb shoq\u00ebri.<\/em> Vepra u shfaq n\u00eb vitin 405 para K., kur ende ishte i\nfresk\u00ebt kujtimi p\u00ebr dy poet\u00ebt e m\u00ebdhenj, Eskilin\n<\/strong>dhe Euripidin<\/strong>, i cili kishte\nvdekur nj\u00eb vit m\u00eb par\u00eb. <\/p>\n\n\n\n

N\u00eb \u201cBretkosat\u201d\n<\/em>t\u00eb flitet p\u00ebr Dionisin<\/em><\/strong>, me kultin e t\u00eb cilit zuri fill poezia dramatike.\nDionisi \u00ebsht\u00eb i d\u00ebshp\u00ebruar ngaq\u00eb n\u00eb Athin\u00eb nuk po shfaqej ndonj\u00eb poet i shquar\ntragjik. Duke qen\u00eb se teatri i Athin\u00ebs kishte mbetur shkret\u00eb,  Dionisi vendos t\u00eb zbres\u00eb n\u00eb bot\u00ebn e p\u00ebrtejme,\np\u00ebr t\u00eb sjell\u00eb p\u00ebrs\u00ebri n\u00eb tok\u00eb poetin e parap\u00eblqyer t\u00eb tij \u2013 Euripidin. <\/p>\n\n\n\n

Ndon\u00ebse \u00ebsht\u00eb per\u00ebndi, Dionisi ka frik\u00eb t\u00eb zbres\u00eb n\u00eb\nbot\u00ebn e t\u00eb vdekurve: P\u00ebr t\u2019u treguar trim, vesh l\u00ebkur\u00ebn e luanit q\u00eb e kishte\nveshur dikur Herakliu kur kishte zbritur n\u00eb bot\u00ebn e n\u00ebntok\u00ebs – n\u00eb Had. Hadi\n\u00ebsht\u00eb paraqitur si nj\u00eb vend i qet\u00eb, me pijetore, k\u00ebrcimtar\u00eb, furrtar\u00eb, mu si n\u00eb\nbot\u00ebn e gjall\u00eb. N\u00eb k\u00ebt\u00eb udh\u00ebtim, Dionisi, i shoq\u00ebruar nga skllavi i tij Ksantia,\ntakon p\u00ebrbind\u00ebsh t\u00eb ndrysh\u00ebm, skena t\u00eb frikshme dhe tmerrohet. Takon edhe Eskilin,<\/strong> t\u00eb ulur n\u00eb fronin e\ntragjedis\u00eb, t\u00eb cilin synon t\u2019ia z\u00ebr\u00eb Euripidi<\/strong>.\nMidis dy poet\u00ebve zhvillohet nj\u00eb dyluftim me fjal\u00eb, p\u00ebr t\u00eb argumentuar secili\nep\u00ebrsin\u00eb e vet ndaj tjetrit. Pas debatit t\u00eb tyre, Dionisi bindet se Eskili\nq\u00ebndron m\u00eb lart se kund\u00ebrshtari i tij. E merr at\u00eb me vete p\u00ebr ta b\u00ebr\u00eb zot n\u00eb\nsken\u00ebn e teatrit t\u00eb Athin\u00ebs. <\/p>\n\n\n\n

N\u00eb fillim t\u00eb udh\u00ebtimit t\u00eb tij q\u00eb shoq\u00ebrohej nga kori i bretkosave<\/em>, nga e ka marr\u00eb dhe\nemrin komedia, Dionisi takon Herakliun, t\u00eb cilit i lutet t\u2019ia tregoj\u00eb rrug\u00ebn\np\u00ebr n\u00eb Had. Me t\u00eb par\u00eb Dionisin t\u00eb veshur me l\u00ebkur\u00eb luani, ai qesh\u00ebn me t\u00eb\nmadhe. Dionisi i mburret Heraklit, duke i folur p\u00ebr heroizmat e tij, duke i\nth\u00ebn\u00eb se ka mbytur edhe anije armike. I tregon sesi kur rrinte n\u00eb anijen e vet\ndhe lexonte tragjedin\u00eb \u201cAndromeda\u201d<\/em> t\u00eb\nEuripidit, nj\u00eb mall i fort ia pushtonte zemr\u00ebn. <\/p>\n\n\n\n

Q\u00eb k\u00ebtu nis t\u00eb shpaloset tendenca e Aristofanit p\u00ebr\nta v\u00ebn\u00eb n\u00eb loj\u00eb Euripidin. Herakliu e pyet: \u201cP\u00ebrse\nt\u00eb mori malli p\u00ebr Euripidin\u201d<\/em>? Dionisi i p\u00ebrgjigjet po me pyetje: \u201cPo ty …t\u00eb ka marr\u00eb malli ndonj\u00ebher\u00eb p\u00ebr\nlakra\u201d<\/em>? Me \u201cmallin p\u00ebr lakra\u201d <\/em>Aristofani\nironizon me Euripidin, i cili, sipas goj\u00ebdh\u00ebn\u00ebs, ishte bir i nj\u00eb shit\u00ebseje\nperimesh. <\/p>\n\n\n\n

Dionisi i zhg\u00ebnjyer nga poet\u00ebt tragjik\u00eb q\u00eb ishin\ngjall\u00eb, i thot\u00eb se do t\u00eb shkoj\u00eb posht\u00eb n\u00eb Had p\u00ebr ta marr\u00eb me vete Euripidin.\nN\u00eb rrug\u00eb e sip\u00ebr, Dionisi dhe skllavi i tij Ksantia arrijn\u00eb n\u00eb ferr n\u00eb pallatin\ne Plutonit. Rojtari i tij, Eaku, me t\u00eb par\u00eb Dionisin, pandeh se \u00ebsht\u00eb Herakliu,\nndaj i v\u00ebrsulet. Ksantia k\u00ebnaqet kur e sheh padronin e tij t\u00eb haj\u00eb dru. Dionisi\np\u00ebrpiqet t\u2019ia b\u00ebj\u00eb me dije rojtarit se \u00ebsht\u00eb per\u00ebndi, se \u00ebsht\u00eb Dionisi, i biri\ni Zeusit. Rojtari e pyet skllavin n\u00eb jan\u00eb t\u00eb v\u00ebrteta pohimet e tij. Ky i\np\u00ebrgjigjet: \u201cM\u00eb p\u00ebr k\u00ebt\u00eb duhet t\u00eb haj\u00eb\ndru, madje pak e ka<\/em>. Po qe hyj,\ndhembje s\u2019do t\u00eb ndjej\u00eb\u201d<\/em>.  <\/em> <\/p>\n\n\n\n

            Me k\u00ebt\u00eb situat\u00eb komike\nautori duket sikur synon t\u00eb shp\u00ebrfill\u00eb\npaprekshm\u00ebrin\u00eb e per\u00ebndive<\/em>. P\u00ebrmes komizmit<\/em>\nzbulon kontrastin midis asaj q\u00eb thon\u00eb dhe asaj q\u00eb jan\u00eb n\u00eb t\u00eb v\u00ebrtet\u00eb. Rojtari\ns\u00ebrish i m\u00ebshon per\u00ebndis\u00eb s\u00eb vreshtit dhe t\u00eb rrushit dhe e pyet n\u00eb i dhemb. Ky\nia kthen: \u201cS\u2019ndjeva dot gj\u00eb\u201d<\/em>.\nRojtari: \u201cPo \u00e7\u2019jan\u00eb k\u00ebta lot\u201d<\/em>?\nDionisi: \u201cNdjej er\u00eb qep\u00ebsh\u201d<\/em>. Tani rojtari\nua m\u00ebshon t\u00eb dyve: edhe Dionisit edhe skllavit t\u00eb tij – Ksantias. Por, edhe\nskllavi hiqet sikur s\u2019ndjen dhimbje. At\u00ebher\u00eb rojtari, Eaku b\u00ebn be p\u00ebr hyjnesh\u00ebn\nDemetra, duke th\u00ebn\u00eb se nuk ia del dot t\u00eb m\u00ebsoj\u00eb se cili prej k\u00ebtyre dyve \u00ebsht\u00eb per\u00ebndi.\nM\u00eb n\u00eb fund, q\u00eb t\u00eb dy i fton t\u00eb hyjn\u00eb n\u00eb pallat n\u00eb m\u00ebnyr\u00eb q\u00eb dilem\u00ebn ta zgjidhin\nPlutoni dhe Persefona. <\/p>\n\n\n\n

*   *   *<\/strong><\/p>\n\n\n\n

            N\u00eb pjes\u00ebn e dyt\u00eb<\/em> t\u00eb komedis\u00eb b\u00ebhet\nfjal\u00eb p\u00ebr problemin e artit dhe p\u00ebr rolin e tij n\u00eb shoq\u00ebri<\/em>. Nis nj\u00eb\ndiskutim i gjat\u00eb. \u00c7do krijues letrar mbron vepr\u00ebn e vet dhe i shpalos t\u00eb metat\ndhe mang\u00ebsit\u00eb e tjetrit. N\u00eb t\u00eb v\u00ebrtet\u00eb, kjo pjes\u00eb e \u201cBretkosave\u201d <\/em>\u00ebsht\u00eb nj\u00eb shkrim\ni \u00e7muar i kritik\u00ebs letrare<\/strong><\/em> q\u00eb\nsapo kishte filluar t\u00eb hedh\u00eb hapat e par\u00eb n\u00eb shekullin V. <\/p>\n\n\n\n

Si pik\u00ebnisje n\u00eb k\u00ebt\u00eb debat letrar, dy poet\u00ebt\npranojn\u00eb mendimin se arti duhet t\u2019i\nedukoj\u00eb njer\u00ebzit<\/em>. \u00c7donj\u00ebri prej tyre p\u00ebrpiqet t\u00eb provoj\u00eb ep\u00ebrsin\u00eb e vet\nndaj tjetrit. Duke qen\u00eb se debati zhvillohet pa gjetur zgjidhje, at\u00ebher\u00eb Dionisi\nk\u00ebrkon q\u00eb fjal\u00ebt dhe vargjet t\u2019i v\u00ebn\u00eb n\u00eb peshore p\u00ebr t\u00eb par\u00eb se vepra e kujt\npeshon m\u00eb tep\u00ebr. Peshorja anon her\u00eb nga nj\u00ebri, her\u00eb nga tjetri, por m\u00eb shpesh\nnga Eskili. Deshi s\u2019deshi, Dionisi e merr autorin e \u201cPrometeut t\u00eb mb\u00ebrthyer\u201d<\/em> p\u00ebr ta kthyer n\u00eb bot\u00ebn e t\u00eb gjall\u00ebve. <\/p>\n\n\n\n

Me konservatorizmin e vet, Aristofani ishte kund\u00ebr\nrisive q\u00eb kishte sjell\u00eb Euripidi n\u00eb sken\u00ebn e teatrit grek. Tek Euripidi v\u00ebrejm\u00eb\nprirjen p\u00ebr t\u00eb sjell\u00eb n\u00eb vep\u00ebr gj\u00ebrat q\u00eb\nndodhin n\u00eb jet\u00ebn e p\u00ebrditshme, gj\u00ebrat q\u00eb i jetojm\u00eb, prirjen p\u00ebr t\u2019i ulur\nheronjt\u00eb n\u00eb nivelin e njer\u00ebzve t\u00eb zakonsh\u00ebm, me virtytet dhe dob\u00ebsit\u00eb e tyre<\/em>.\n<\/p>\n\n\n\n

Aristofani nuk mund ta p\u00ebrfytyroj\u00eb rolin edukues t\u00eb tragjedis\u00eb<\/em>. Heronjt\u00eb tragjik\u00eb, sipas tij, jan\u00eb figura vigane dhe monumentale. P\u00ebr baban\u00eb e komedis\u00eb antike<\/em> \u2013 Aristofanin<\/strong>,poet i sken\u00ebs heroike \u00ebsht\u00eb babai i tragjedis\u00eb antike<\/em> \u2013 Eskili<\/strong>.  <\/p>\n","protected":false},"excerpt":{"rendered":"

Xhelal Zejneli             Komedia klasike greke, pas tragjedis\u00eb, \u00ebsht\u00eb deg\u00ebzimi i dyt\u00eb i poezis\u00eb dramatike. Paraqitja e komedis\u00eb nd\u00ebrlidhet me kultin e per\u00ebndis\u00eb s\u00eb vreshtit dhe t\u00eb rrushit, Dionisit, t\u00eb cilit i faleshin, sidomos fshatar\u00ebt. P\u00ebr nder t\u00eb tij organizoheshin festat dionisiane n\u00eb t\u00eb cilat k\u00ebndoheshin k\u00ebng\u00eb  g\u00ebzimi, k\u00ebng\u00eb demaskuese, satirike dhe tall\u00ebse.             Komedia […]<\/p>\n","protected":false},"author":1,"featured_media":51938,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2,4,35,8],"tags":[],"class_list":["post-51937","post","type-post","status-publish","format-standard","has-post-thumbnail","category-artikuj","category-histori","category-kulture","category-letersi"],"yoast_head":"\nKOMEDIA KLASIKE GREKE - FJALA e LIR\u00cb<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/jehonashqiptare.al\/fjala\/komedia-klasike-greke\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"KOMEDIA KLASIKE GREKE - FJALA e LIR\u00cb\" \/>\n<meta property=\"og:description\" content=\"Xhelal Zejneli             Komedia klasike greke, pas tragjedis\u00eb, \u00ebsht\u00eb deg\u00ebzimi i dyt\u00eb i poezis\u00eb dramatike. Paraqitja e komedis\u00eb nd\u00ebrlidhet me kultin e per\u00ebndis\u00eb s\u00eb vreshtit dhe t\u00eb rrushit, Dionisit, t\u00eb cilit i faleshin, sidomos fshatar\u00ebt. 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