{"id":53398,"date":"2020-04-05T22:14:58","date_gmt":"2020-04-05T21:14:58","guid":{"rendered":"https:\/\/fjala.info\/?p=53398"},"modified":"2020-04-05T22:22:21","modified_gmt":"2020-04-05T21:22:21","slug":"isopolifonia-kjo-perle-shqiptare-e-jugut","status":"publish","type":"post","link":"https:\/\/jehonashqiptare.al\/fjala\/isopolifonia-kjo-perle-shqiptare-e-jugut\/","title":{"rendered":"ISOPOLIFONIA \u2013 KJO PERL\u0401 SHQIPTARE E JUGUT"},"content":{"rendered":"

Nga Fatmir Minguli<\/strong><\/p>\n

(Sh<\/em>\u0451<\/em>nime mbi librin \u201cIdentiteti iso-polifonik \u201c Milosao, 2018 t<\/em>\u0451<\/em> studiuesit Timo\u00a0<\/em>M<\/em>\u0451<\/em>rkuri)<\/em><\/p><\/blockquote>\n

Pra isoja <\/em>\u0451<\/em>sht<\/em>\u0451<\/em> mb<\/em>\u0451<\/em>shtetje,<\/em>
\naprovim, unanimitet.
\n<\/em>Ismail Kadare,<\/em><\/p>\n

\u201cAutobiografia e popullit n<\/em>\u0451<\/em> vargje\u201d f.9<\/em><\/strong><\/p>\n

Fshatrat tona kishin m<\/em>\u0451<\/em> shum<\/em>\u0451
\n<\/em>qytetari se \u00e7\u2019kan<\/em>\u0451<\/em> sot disa
\n<\/em>qytetar<\/em>\u0451<\/em>. Kishin m<\/em>\u0451<\/em> shum<\/em>\u0451
\n<\/em>diplomaci se disa diplomat<\/em>\u0451<\/em> t<\/em>\u0451
\n<\/em>sot<\/em>\u0451<\/em>m. Qysh dje shikonin m<\/em>\u0451
\n<\/em>larg se e sotmja jon<\/em>\u0451<\/em>, shikonin te e
\n<\/em>nes<\/em>\u0451<\/em>rmja q<\/em>\u0451<\/em> do t<\/em>\u0451<\/em> vij<\/em>\u0451<\/em> edhe p\u00ebr ne.<\/em><\/p>\n

Timo M<\/em>\u0451<\/em>rkuri, \u201cIdentiteti isopolifonik\u201d, f.111<\/em><\/strong><\/p>\n

S\u2019ka shum\u0451 koh\u0451 q\u0451 pa drit\u0451n e botimit libri i poetit dhe studjuesit bregdetas t\u0451 Sarand\u0451s, Timo M\u0451rkuri, q\u0451 edhe pse mban p\u0451rcaktimin \u201csprov\u0451\u201d nuk \u0451sht\u0451 i till\u0451, por ka formatin e nj\u0451 vepre dinjitoze me plot argumetime serioze n\u0451 l\u0451mi t\u0451 artit popullor t\u0451 Jugut shqiptar.<\/p>\n

N\u0451se do t\u0451 diskutoj mbi struktur\u0451n e k\u0451tij libri, do thosha se \u0451sht\u0451 nj\u0451 model mbi m\u0451nyr\u0451n e zb\u0451rthimit t\u0451 nj\u0451 pasurie kulturore tashm\u0451 me vlera t\u0451 jasht\u0451zakonshme, at\u0451 t\u0451 iso-polifonis\u0451.<\/p>\n

N\u0451 k\u0451t\u0451 lib\u0451r kemi nj\u0451 p\u0451rq\u0451ndrim t\u0451 ideve t\u0451 shprehura m\u0451 par\u0451 n\u0451 disa libra t\u0451 botuar nga po ky autor, mes t\u0451 cilave po p\u0451rmend \u201cMadh\u0451ria e saj- k\u0451nga isopolifonike\u201d sprov\u0451, \u201cSh\u0451njt\u0451ria e isos\u201d \u2013 sprov\u0451, \u201cVesa mbi k\u0451ng\u0451\u201d \u2013 sprov\u0451, \u201cVajz\u0451 e val\u0451ve\u201d \u2013 sprov\u0451, libra q\u0451 trajtojn\u0451 gjer\u0451sisht k\u0451t\u0451 tradit\u0451 madh\u0451shtore t\u0451 nj\u0451 populli t\u0451 lasht\u0451.<\/p>\n

Duke qen\u0451 lib\u0451r q\u0451 vesh petkun e bazuar n\u0451 fakte, ai ndeshet dhe i kund\u0451rshton llogjikat e gabuara t\u0451 shprehura n\u0451 libra e artikuj t\u0451 ndrysh\u0451m, ku k\u0451rkohet p\u0451rjashtimi i fjal\u0451s \u201cisopolifoni\u201d dhe t\u0451 z\u0451vend\u0451sohet me fjal\u0451n e thjesht\u0451 \u201cpolifoni\u201d. Madje k\u0451rkohet nga nj\u0451 grup njer\u0451zish q\u0451 t\u0451 zhb\u0451het klasifikimi nga UNESKO i k\u0451tij thesari popullor shqiptar, duke hequr fjal\u0451n \u201ciso\u201d nga em\u0451rtimi \u201ciso-polifoni\u201d.<\/p>\n

1. P\u0451rse termi iso-polifoni?<\/strong><\/p>\n

Kuptohet se Timo M\u0451rkuri nuk \u0451sht\u0451 zgjeruar n\u0451 shum\u0451 emra njer\u0451zish q\u0451 e kund\u0451rshtojn\u0451 k\u0451t\u0451 fjal\u0451 q\u0451 ka fituar vendin e saj t\u0451 merituar n\u0451 UNESKO. Pak r\u0451nd\u0451si ka p\u0451r t\u0451. Ai zgjedh rrug\u0451n e v\u0451rtetimit me an\u0451 t\u0451 argumentave jet\u0451sore, me vet\u0451 librat e tij t\u0451 shumt\u0451 q\u0451 analizojn\u0451 gjer n\u0451 kapilar\u0451t m\u0451 t\u0451 holl\u0451 l\u0451vizjen e gjakut poetik dhe muzikor t\u0451 k\u0451ng\u0451s iso-polifonike labe dhe himjariote e m\u0451 tej, gjak q\u0451 rrjedh dhe n\u0451 damar\u0451t e vet\u0451 Timo M\u0451rkurit.<\/p>\n

K\u0451ta damar\u0451 e kapilar\u0451 n\u0451 trupin e k\u0451ng\u0451tar\u0451ve madh\u0451shtor\u0451 t\u0451 iso-polifonis\u0451 nuk jan\u0451 gj\u0451 tjet\u0451r ve\u00e7se \u201c \u00e7arje shpirti\u201d, ashtu si uji i kulluar i maleve mbi det q\u0451 \u00e7an shk\u0451mbin e rrjedh teposht\u0451 brigjeve t\u0451 jet\u0451s. \u00cbsht\u0451 ky kumt q\u0451 vjen nga p\u0451rkufizimi q\u0451 vet\u0451 Timo M\u0451rkuri ka b\u0451r\u0451 p\u0451r natyralitetin magjik t\u0451 lindjes s\u0451 k\u0451ng\u0451s polifonike. Dhe gjith\u00e7ka ka arom\u0451n e pavar\u0451sis\u0451!<\/p>\n

Atje, n\u0451 at\u0451 vend ku pavar\u0451sia \u0451sht\u0451 e paprekur dhe origjinale edhe kultura e till\u0451 \u0451sht\u0451. E brenda kultur\u0451s \u0451sht\u0451 dhe k\u0451nga, prandaj me t\u0451 drejt\u0451 Timo M\u0451rkuri n\u0451 librin e tij m\u0451 t\u0451 fundit\u201dHonestra e k\u0451ng\u0451s himariote\u201d shkruan:<\/p>\n

\u201cK\u0451shtu ndodh edhe me k\u0451ng\u0451n popullore. Honestra e k\u0451ng\u0451s grumbullon n\u0451 vet\u0451dijen ton\u0451 ngjarje, p\u0451rvoja, p\u0451rjetime momentale, luftra, akte individuale ose kolektive t\u0451 cialt jan\u0451 \u201cshiu\u201d, \u201cuji\u201d i t\u0451 cilit dep\u0451rton n\u0451 tok\u0451 e mbush honestr\u0451n, ku pas \u201cfiltrimit\u201d prej tij precipiton e zakonshmja n\u0451 harres\u0451 dhe mbetet esencialja, q\u0451 rrjedh si uj\u0451t e burimit n\u0451p\u0451r k\u0451ng\u0451. Ne njohim k\u0451ng\u0451tarin autor, at\u0451 q\u0451 k\u0451ndon i pari dhe nuk na shkon mendja se ai \u0451sht\u0451 thjesht\u0451 \u201cgryka e burimit\u201d, shk\u0451mbi q\u0451 u \u00e7a nga dhimbja a nga malli dhe n\u0451p\u0451r t\u0451 \u201c\u00e7ar\u0451n e shpirtit\u201d t\u0451 t\u0451 cilit buroi k\u0451nga\u201d.\u00b9<\/p>\n

T\u0451 p\u0451rjashtosh ison nga polifonia \u0451sht\u0451 nj\u0451lloj sikur t\u0451 barazosh k\u0451ng\u0451t hipnotizuese labe e toske me k\u0451ng\u0451t polifonike q\u0451 tashm\u0451 jan\u0451 zhdukur t\u0451 vendeve t\u0451 Ballkanit.\u00b2<\/p>\n

Vet\u0451 p\u0451rcaktimi i termit polifoni \u0451sht\u0451 i qart\u0451 kur nuk p\u0451rmendet pjesa strukturale q\u0451 \u0451sht\u0451 grupi i isos. P\u0451r k\u0451t\u0451 mjafton q\u0451 t\u0451 shihet pa syze deformuese ky p\u0451rcaktim n\u0451 wikipedia.\u00b3<\/p>\n

Fenomeni i iso-polifonis\u00eb popullore shqiptare \u00ebsht\u00eb shpallur si “Kryevep\u00ebr e trash\u00ebgimis\u00eb gojore dhe jo-materiale t\u00eb njer\u00ebzimit” nga UNESCO. Termi “iso” i referohet stilit q\u00eb shoq\u00ebron k\u00ebndimin iso-polifonik dhe lidhet me “iso-nin” e muzik\u00ebs kishtare bizantine, ku grupi i k\u0451tij stili t\u0451 k\u0451nduari shoq\u00ebron k\u00ebng\u00ebn.\u2074<\/p>\n

Dhe gazetarja e dit\u0451ve tona, shqiptaro-italiania Brunilda Ternova, n\u0451 artikullin e saj mbi isopolifonin\u0451 shqiptare shkruan:<\/p>\n

\u201cKjo \u00ebsht\u00eb arsyeja pse iso-polifonia u k\u00ebndua nga shqiptar\u00ebt kudo, si n\u00eb raste g\u00ebzimi dhe fatkeq\u00ebsie, n\u00eb dasma dhe vajtimet n\u0451 vdekje, para dhe pas betejave, brenda dhe jasht\u00eb n\u00eb natyr\u00eb t\u00eb hapur, duke u dh\u0451n\u0451 shpirt dit\u00ebve t\u0451 zakonshme dhe atyre festive. N\u00eb vend t\u00eb instrumenteve, z\u00ebri i qenies njer\u00ebzore \u00ebsht\u00eb shprehja e qart\u00eb e shpirtit t\u00eb shnd\u00ebrruar n\u00eb art.\u201d\u2075<\/p>\n

Po nuk mungojn\u0451 dhe analizat e studiueses tjet\u0451r italiane, Anna Maria Ragno, q\u0451 n\u0451 artikullin e saj \u201cShenjat e tingujve q\u0451 i takojn\u0451 isopolifonis\u0451 shqiptare\u201d shkruan:<\/p>\n

\u201cIso-polifonia shqiptare karakterizohet nga pjes\u00eb t\u00eb p\u00ebrb\u00ebra kryesisht nga dy pjes\u00eb solo, nj\u00ebra pjes\u00eb kompozon melodin\u00eb dhe tjetra kryen nj\u00eb kund\u00ebr-k\u00ebng\u00eb me nj\u00eb iso korale. Struktura e k\u00ebtyre pjes\u00ebve solo ndryshon sipas m\u00ebnyrave t\u00eb ndryshme t\u00eb t\u00eb k\u00ebnduarit pasi \u00e7do grup e p\u00ebrshtat struktur\u00ebn sipas nevojave t\u00eb tyre. Sidoqoft\u00eb, si\u00e7 kemi par\u00eb tashm\u00eb, mund t\u00eb dallohen tre makro modele: tosk, laborator dhe \u00e7am.\u201d\u2076<\/p>\n

E mbas k\u0451tyre p\u0451rcaktimeve t\u0451 sjella nga t\u0451 huajt p\u0451r iso-polifonin\u0451 shqiptare dhe vetit\u0451 e saj le t\u0451 shohim se \u00e7far\u0451 ka shkruar Ismail Kadare q\u0451 n\u0451 vitin 1980:<\/p>\n

\u201cKjo ndodh sepse anonimati \u0451sht\u0451 form\u0451 e ekzistenc\u0451s s\u0451 poezis\u0451 popullore. Ai \u0451sht\u0451 nj\u0451 nga mekanizmat baz\u0451 t\u0451 t\u0451 k\u0451tij sistemi. Ai \u0451sht\u0451 n\u0451 \u00e7do qeliz\u0451 t\u0451 tij. N\u0451 k\u0451ng\u0451n polifonike t\u0451 Jugut, isoja, pavar\u0451sisht se nuk ka fjal\u0451 ( dhe kjo tregon se \u0451sht\u0451 nj\u0451 form\u0451 akoma m\u0451 e vjet\u0451r se kori antik), nuk \u0451sht\u0451 vet\u0451m form\u0451 ekzekutimi, por b\u0451n pjes\u0451 n\u0451 p\u0451rmbajtjen e k\u0451ng\u0451s. K\u0451nga polifonike e jugut nuk mund t\u0451 ekzistoj\u0451 ve\u00e7se e rrethuar prej isos. Madje kjo murmurim\u0451 kolektive, anonime, \u0451sht\u0451 ndoshta m\u0451 e r\u0451nd\u0451sishme se vet\u0451 k\u0451nga. N\u0451qoft\u0451se isoja nd\u0451rpritet, kjo do t\u0451 thot\u0451 se k\u0451nga duhet t\u0451 nd\u0451rpritet. Pra isoja \u0451sht\u0451 mb\u0451shtetja, aprovim, unanimitet. Me an\u0451 t\u0451 isos, populli jep t\u0451 drejt\u0451n p\u0451r t\u0451 vazhduar k\u0451ng\u0451n. Me nd\u0451rprejen e saj, ai e heq at\u0451 t\u0451 drejt\u0451.\u2077<\/p>\n

A e kan\u0451 lexuar vall\u0451 ithtar\u0451t e zhb\u0451rjes s\u0451 iso-polifonis\u0451!?<\/strong><\/p>\n

Timo M\u0451rkuri, duke shp\u0451rthyer, ve\u00e7 forc\u0451s argumentuese edhe shpirtin poetik q\u0451 vlon brenda tij, shkruan: \u201cDuke i hequr em\u0451rtimit t\u0451 k\u0451ng\u0451s fjal\u0451n \u201ciso\u201d \u0451sht\u0451 si t\u2019i pres\u0451sh lisit rr\u0451nj\u0451t\u201d.\u2078<\/p>\n

M\u0451 tej, duke b\u0451r\u0451 nj\u0451 analiz\u0451 strukturale t\u0451 k\u0451ng\u0451s me iso, ai shkruan: \u201cIso nuk \u0451sht\u0451 e kusht\u0451zuar nga marr\u0451si. Marr\u0451si \u0451sht\u0451 sinjali i nisjes s\u0451 anijes nga porti, por isoja \u0451sht\u0451 deti n\u0451p\u0451r t\u0451 cilin lundron flota e k\u0451ng\u0451s. Anija mund t\u0451 nis\u0451 lundrimin edhe jasht\u0451 portit, por gjithsesi n\u0451p\u0451r det do t\u0451 lundroj\u0451. [\u2026] Dhe bukuria e k\u0451ng\u0451s nuk \u0451sht\u0451 te teksti, as te z\u0451ri brilant i marr\u0451sit. Bukuria e k\u0451ng\u0451s \u0451sht\u0451 te iso-ja. [\u2026] \u201cIso-ja\u201d \u0451sht\u0451 lumi i lot\u0451ve q\u0451 buroi nga syt\u0451 e n\u0451nave dhe krijoi detin e k\u0451ng\u0451s, prandja k\u0451nga jon\u0451 popullore (shum\u0451z\u0451r\u0451she) \u0451sht\u0451 n\u0451 radh\u0451 t\u0451 par\u0451 k\u0451ng\u0451 me iso. \u2079<\/p>\n

Lind pyetja: e p\u0451rse duhet zhdukur kjo fjal\u0451 nga em\u0451rtimi i k\u0451ng\u0451s si iso- polifoni? P\u0451r hir t\u0451 cilit arsyetim?<\/p>\n

Me sa lexohet n\u0451p\u0451r portale t\u0451 ndryshme sheh se UNESKO \u2013ja ka futur n\u0451 list\u0451n e trash\u0451gimnis\u0451 jo materiale k\u0451ng\u0451n polifonike t\u0451 Sardenj\u0451s dhe t\u0451 Kaukazit. Pra, i ka dalluar ato nga iso-polifonia, e cila \u0451sht\u0451 e ve\u00e7ant\u0451 n\u0451 t\u0451 gjith\u0451 aeralin e k\u0451ng\u0451s polifonike.<\/p>\n

Pa e ditur mir\u0451 arsyetimin e k\u0451rkesave p\u0451r t\u0451 hequr \u201cison\u201d, mendja t\u0451 shkon se k\u0451rkohet nj\u0451 uniformitet mes k\u0451ng\u0451ve polifonike t\u0451 popujve t\u0451 ndrysh\u0451m e k\u0451nga shqiptare iso- polifonike t\u0451 humbas\u0451 mes tyre e t\u0451 mos ket\u0451 identitet shqiptar. Kjo k\u0451rkes\u0451 duket nj\u0451lloj sikur t\u0451 tentoje q\u0451 Beratit t\u2019i hiqen 1000 dritaret, Gjirokastr\u0451s t\u2019i hiqen sokaket me pllaka guri, Butrintit t\u2019i hiqen skulpturat dhe muret.<\/p>\n

Dhe vet\u0451 Timo M\u0451rkuri me ironin\u0451 e holl\u0451 q\u0451 kan\u0451 gjith\u0451 bregdetasit, nj\u0451 ironi poetike, e \u0451mb\u0451l dhe jo ther\u0451se, thot\u0451:<\/p>\n

\u201cNuk di pse thirrjet \u201chiqni iso-n\u201d m\u0451 ngjajn\u0451 me thirrjet \u201chiqeni sorr\u0451n nga flamuri\u201d, thirrje mjerane e disa \u201cdumbabistave\u201d qysh n\u0451 dyvjetorin e shtetit shqiptar\u201d.\u00b9\u00ba<\/p>\n

Pak a shum\u0451 ndodh si at\u0451here kur n\u0451 koh\u0451 t\u0451 ndryshme, mbas vitit 1990 n\u0451 Shqip\u0451ri anatemohej her\u0451 B.B.C-ja e her\u0451 \u201cNew York Times\u201d, nga forca t\u0451 ndryshme politike. Ndoshta kemi t\u0451 b\u0451jm\u0451 me interesa t\u0451 vogla, p\u0451r mbajtjen e pushtetit mbi k\u0451ng\u0451n polifonike nga disa njer\u0451z t\u0451 cil\u0451t nuk pranojn\u0451 krijimin e \u201cRrjetit Komb\u0451tar t\u0451 Shoqatave t\u0451 Polifonis\u0451\u201d?<\/p>\n

Ndoshta!<\/p>\n

2. Iso-ja shqiptare – nj\u0451 histori e lasht\u0451<\/strong><\/p>\n

Kund\u0451rshtuesit le t\u0451 studjojn\u0451 akoma m\u0451 mir\u0451 historin\u0451 e k\u0451ng\u0451s iso-polifonike, le t\u0451 lexojn\u0451 me qet\u0451si librin e Timo M\u0451rkurit \u201cIdentiteti iso-polifonik\u201d por edhe mendimet e Ismail Kadares\u0451, i cili shkruan p\u0451rs\u0451ri kur argumenton jet\u0451n e gjat\u0451 t\u0451 k\u0451ng\u0451s polifonike shqiptare:<\/p>\n

\u201c\u2026 Kjo s\u2019ishte ve\u00e7se n\u0451 nj\u0451 gj\u0451 e rastit. Nd\u0451rkaq, popujt e Ballkanit, ashtu si nj\u0451mij\u0451, dymij\u0451 vjet m\u0451 par\u0451, vazhdonin t\u0451 shoq\u0451ronin varrimet e tyre me vaje e k\u0451ng\u0451 polifonike. Muzika, ajo q\u0451 sipas Ni\u00e7es, kishte heshtur e turp\u0451ruar n\u0451 periudh\u0451n e zvet\u0451nimit t\u0451 tragjedis\u0451, ishte kthyer p\u0451rs\u0451ri n\u0451 ritet mortore t\u0451 ballkanasve\u201d. \u00b9\u00b9<\/p>\n

Pra, me t\u0451 drejt\u0451 n\u0451 argumetimet e tij, Timo M\u0451rkuri i referohet lasht\u0451sis\u0451 s\u0451 k\u0451ng\u0451s shqiptare t\u0451 Jugut kur merr n\u0451 studim jo vet\u0451m tragjedit\u0451 e Eskilit por dhe at\u0451 t\u0451 Shekspirit duke dal\u0451 n\u0451 konkluizionin se tragjedian\u0451t e m\u0451dhej antik\u0451 e kan\u0451 marr\u0451 nga populli ritin mortor dhe ceremonialin e vajtimit me ligje dhe e kan\u0451 v\u0451n\u0451 n\u0451 veprat e tyre. Nuk ka ndodhur e kund\u0451rta.- shkruan ai me t\u0451 drejt\u0451.<\/p>\n

Nuk mbetet me kaq, ai di t\u0451 sqaroj\u0451 bukur dhe shenjtin Jan Kukuzeli cili studjoi metodat e mbajtjes s\u0451 isos n\u0451 himnet e kish\u0451s, gj\u0451 q\u0451 e mori nga populli, mori pik\u0451risht ison. Edhe pse \u201cnuk dinte t\u0451 k\u0451ndonte lab\u00e7e\u201d!? Ia vlen q\u0451 t\u0451 njihesh mir\u0451 me studimin e po k\u0451tij autori ku trajton gjer\u0451sisht veprimtarin\u0451 e shqiptarit Jan Kukuzeli n\u0451 hartimin e veprave t\u0451 tij origjinale muzikore kishtare.\u00b9\u00b2<\/p>\n

N\u0451 shkrimin e tij, q\u0451 nuk \u0451sht\u0451 i botuar n\u0451 librin \u201cIdentiteti iso-polifonik\u201d ai kund\u0451rshton me bindje iden\u0451 e hedhur nga ata q\u0451 duan t\u0451 eleminojn\u0451 fenomenin \u201ciso\u201d nga trojet dhe kultura shqiptare. Ja argumetimet q\u0451 jep studjuesi Timo M\u0451rkuri:<\/p>\n

\u201c- Duke ja veshur Jan Kukuzelit ( krijimin e fjal\u0451s \u201ciso\u201d- F.M.) q\u00eb jetoi n\u00eb shekullin e XIII k\u00ebt\u00eb autor\u00ebsi, pa dashje zvog\u00eblojm\u00eb \u201cmosh\u00ebn\u201d e iso-polifonis\u00eb.<\/p>\n

– E quajm\u00eb iso-polifonin\u00eb vep\u00ebr dhe kontribut individual ose s\u00eb paku, vep\u00ebr e nj\u00eb grupi prift\u00ebrinjsh, n\u00eb nj\u00eb koh\u00eb q\u00eb ajo \u00ebsht\u00eb vep\u00ebr e gjith\u00eb kombit.<\/p>\n

– E quajm\u00eb iso-polifonin\u00eb vep\u00ebr dhe kontribut, vet\u00ebm i ortodoks\u00ebve, kur edhe n\u00eb krahina t\u00eb myslimanizuara t\u00eb vendit ton\u00eb, iso-polifonia ka q\u00ebn\u00eb edhe \u00ebsht\u00eb\u2026pjes\u00eb e \u201cgenit\u201d ton\u00eb t\u00eb identitetit komb\u00ebtar.<\/p>\n

– E quajm\u00eb iso-polifonin\u00eb vep\u00ebr e \u2026popujve ortodoks\u00eb, por ortodoks\u00eb nuk jan\u00eb vet\u00ebm shqiptar\u00ebt, pra humbet k\u00ebshtu karakteri komb\u00ebtar i k\u00ebsaj vlere t\u00eb madhe.<\/p>\n

Dhe p\u00ebr k\u00ebt\u00eb, p\u00ebrdoret kontributi fetar i nj\u00eb bashk\u00ebkombasi ton\u00eb, emri dhe lavdia e t\u00eb cilit p\u00ebr kontributin e dh\u00ebn\u00eb i ka kaluar q\u00eb n\u00eb ngjallje t\u00eb tij kufijt\u00eb e mir\u00ebnjohjes s\u00eb thjesht\u00eb ballkanase, duke u shndruar n\u00eb nj\u00eb sh\u00ebnjtor t\u00eb besimit ortodoks.\u201d<\/p>\n

Nuk duhet lejuar ky keqp\u0451rdorim sepse edhe n\u0451 k\u0451t\u0451 lloj gjykimi dalin paralele q\u0451 iso-polifonia t\u0451 jet\u0451 nj\u0451lloj si e shteteve t\u0451 tjera, n\u0451se ka ekzituar nd\u0451r ta, kur dhe k\u0451nga polifonike nuk ekziston m\u0451. Dihet se qeveria maqedonase, sipas \u201cTetova sot\u201d, vjedh dhe nj\u0451 figur\u0451 t\u0451 kultur\u0451s shqiptare dhe e sllavizon n\u0451 projektin skulptural duke e vendosur statuj\u0451n e tij n\u0451 nj\u0451 nga urat e lumit \u201cVardar\u201d dhe ia kan\u0451 v\u0451n\u0451 emrin Jovan. Po k\u0451shtu serb\u0451t, bullgar\u0451t tentojn\u0451 ndrrimin e emrit t\u0451 durrsakut Jan Kukuzeli. Pra k\u0451rkohet p\u0451rvet\u0451simi i Jan Kukuzelit q\u0451 mori ison nga k\u0451ng\u0451t shqiptare, ashtu si\u00e7 k\u0451rkohet p\u0451rvet\u0451simi i lahut\u0451s duke e kthyer n\u0451 guzl\u0451n serbe. Pra k\u0451rkohet q\u0451 edhe iso-polifonia t\u0451 p\u0451rvet\u0451sohet nga t\u0451 tjer\u0451t, me dashje apo pa dashje t\u0451 atyre q\u0451 k\u0451rkojn\u0451 elemininim e \u201ciso-s\u201d!?<\/p>\n

K\u0451nga iso-polifonike \u0451sht\u0451 k\u0451nduar gjithmon\u0451 nga burrat \u2013 thot\u0451 studjuesi dhe poeti Moikom Zeqo- vet\u0451m n\u0451 koh\u0451n e monizmit u fut\u0451n dhe grat\u0451 n\u0451 grupin e k\u0451ng\u0451s iso-polifonike. Esht\u0451 nj\u0451 thesar i madh dhe i past\u0451r i kultur\u0451s son\u0451 muzikologjike shqiptare,- vazhdon ai- nj\u0451 thesar shum\u0451 i vjet\u0451r nd\u0451r trojet shqiptare. Jan\u0451 gjetur terrakota ku duken figura t\u0451 burrave q\u0451 jan\u0451 me goj\u0451 t\u0451 hapur e q\u0451 k\u0451ndojn\u0451. Kjo kultur\u0451 \u0451sht\u0451 zhdukur n\u0451 vendet e tjera nga koha n\u0451 koh\u0451. Iso- poifonia \u0451sht\u0451 k\u0451nga q\u0451 p\u0451rmbledh gjith\u0451 bukurit\u0451 shqiptare n\u0451 shekuj dhe sot \u0451sht\u0451 n\u0451 lul\u0451zim t\u0451 plot\u0451.<\/p>\n

Fakti q\u0451 ekziston n\u0451 muzik\u0451n kishtare, \u0451sht\u0451 dometh\u0451n\u0451s dhe patjet\u0451r ka t\u0451 b\u0451j\u0451 me historin\u0451 shum\u0451 t\u0451 lasht\u0451 t\u0451 isos e cila u p\u0451rdor nga kisha bizantine q\u0451 p\u0451rpara shekullit t\u0451 XII-t\u0451. Edhe Eqrem \u00c7abej e ka v\u0451n\u0451 n\u0451 dukje \u201cse ka nj\u0451 lidhje mes muzik\u0451s bizantine dhe nj\u0451 pjese t\u0451 k\u0451ng\u0451ve tona.\u201d\u00b9\u00b3<\/p>\n

Lidhur me origjinat e k\u0451ng\u0451s polifonike mund t\u0451 p\u0451rmendim paragrafin e m\u0451posht\u0451m: \u201c Po t\u0451 shoh\u0451sh historin\u0451 e folklotit shqiptar gjen se muzika u shfaq shum\u0451 her\u0451t n\u0451 vende t\u0451 ndryshme sipas disa ligj\u0451sive. Sipas studjuesit t\u0451 muzik\u0451s dr. Sokol Shupo, sistemi pentatonik si fryma e par\u0451 muzikale ishte mjaft i p\u0451\u00e7rhapur n\u0451 Ballkan, shfaqet nj\u0451koh\u0451sisht edhe n\u0451 Lindjen e larg\u0451t, si n\u0451 Kin\u0451 etj, dhe te indigjen\u0451t e Amerik\u0451s. K\u0451t\u0451 p\u0451rhapje kaq t\u0451 shp\u0451rndar\u0451 n\u0451 t\u0451 cilat sistemi identifikohet si i njejt\u0451 pavar\u0451sisht nga dallimet q\u0451 i p\u0451rkasin kryesisht an\u0451s stilistike, t\u0451 b\u0451jn\u0451 t\u0451 mendosh se sistemet melodike jan\u0451 frut i zhvillimit t\u0451 nd\u0451rgjegjews njer\u0451zore.\u201d\u00b9\u2074<\/p>\n

Ky mendim detajohet si m\u0451 posht\u0451: \u201c Dhe p\u0451r m\u0451 tep\u0451r, si\u00e7 thekson p\u0451rs\u0451ri dr. Sokol Shupo, -po aq qart\u0451, kjo dukuri ( k\u0451ndimi monodik- F.M.) dallohet edhe n\u0451 z\u0451rin e par\u0451 t\u0451 k\u0451ng\u0451s polifonike labe si dhe n\u0451 z\u0451rat e par\u0451 t\u0451 k\u0451ng\u0451ve polifonike toske me alternativ\u0451 t\u0451 gjer\u0451.\u201d\u00b9\u2075<\/p>\n

P\u0451r ta mbyllur k\u0451t\u0451 v\u00ebzhgim mbi hershm\u0451rin\u0451 e isos n\u0451 mijra vje\u00e7ar\u0451, \u00e7ka vet\u0451 autori Timo M\u0451rkuri e ka zb\u0451rthyer kaq bukur, do doja t\u0451 sillja nj\u0451 koment t\u0451 bukur q\u0451 Fotaq Andrea, ky studjues i historis\u0451 s\u0451 kultur\u0451s s\u0451 popullit ton\u0451: \u201c …ndoshta e ke par\u0451 filmin e fundit \u201cAleksandri i madh\u201d t\u0451 Oliver Ston…shum\u0451 her\u0451 n\u0451 skenat e betejave t\u0451 famshme, n\u0451 hovet e gjeniut luftarak, muzika edhe pse shp\u0451rthyese, kish n\u0451 sfond nj\u0451 polifoni t\u0451 p\u0451rpunuar e t\u0451 habitshnme me melodiozitet sa epik dhe dramatik, edhe mua at\u0451here, m\u0451 ngrihej qimja e parakolpit p\u0451rpjet\u0451 e mishi m\u0451 shpurpurizohej n\u0451 krejt trupin i p\u0451rpir\u0451 nga skenat madh\u0451shtore.\u00b9\u2076<\/p>\n

3. Iso-polifonia n\u0451 shpirtin e poet\u0451ve dhe k\u0451ng\u0451tar\u0451ve<\/strong><\/p>\n

N\u0451 librin e tij \u201cIdentiteti iso-polifonik\u201d Timo M\u0451rkuri sjell shpirtin, zemr\u0451n e poet\u0451ve t\u0451 jugut, t\u0451 atyre \u201cbard\u0451ve\u201d k\u0451ng\u0451tar\u0451 apo poet\u0451, e \u00e7\u2019r\u0451nd\u0451si ka se poet\u0451t jan\u0451 k\u0451ng\u0451tar\u0451 dhe k\u0451ng\u0451tar\u0451t jan\u0451 poet\u0451. Ja protagonist\u0451t q\u0451 mbartin iso- polifonin\u0451 n\u0451 k\u0451t\u0451 lib\u0451r: Anonim\u0451t e k\u0451ng\u0451s labe dhe himariote, \u00a0\u00a0\u00a0\u00a0\u00a0 Ne\u00e7o Muka, poet\u0451t anonim\u0451 t\u0451 Pilurit, Lefter \u00c7ipa, poet\u0451t anonim\u0451 vlonjat\u0451, poet\u0451t anonim\u0451 t\u0451 k\u0451ng\u0451s \u201cFyelli i Tan\u0451s\u201d, legjenda e Kostandinit, Vasil Gjivogli, Anton Nik\u0451 Berisha, Petrit Ruka, Agim Mato, Fatmir Terziu.<\/p>\n

A mjaftojn\u0451 poezit\u0451 dhe veprat e k\u0451tyre autor\u0451ve shqiptar\u0451 q\u0451 t\u0451 bindin ata q\u0451 duan t\u0451 \u00e7rr\u0451njosin iso-n nga trualli i shqiptar\u0451ve! Po nuk jan\u0451 t\u0451 gjith\u0451 sepse jan\u0451 me qindra k\u0451ng\u0451tar\u0451t e isos-polifonis\u0451 n\u0451 jugun shqiptar. Jan\u0451 fakte, jan\u0451 jeta e shqiptar\u0451ve, ashtu si\u00e7 jan\u0451 lahuta e veriut, ashtu si\u00e7 jan\u0451 eposet e kreshnik\u0451ve, ashtu si\u00e7 \u0451sht\u0451 fustanella, ashtu si\u00e7 \u0451sht\u0451 dhe vet\u0451 figura shenjtore e durrsakut Jan Kukuzelit.<\/p>\n

\u201cT\u0451 lexosh nj\u0451 poezi nuk mjafton t\u0451 dish shkrim e k\u0451ndim, apo t\u0451 kesh nj\u0451 diplom\u0451. T\u0451 lexosh nj\u0451 poezi do t\u0451 thot\u0451 t\u0451 jetosh n\u0451 poezi\u201d\u00b9\u2076- k\u0451shtu shkruan vet\u0451 autori i k\u0451tij libri. Nd\u0451rsa shkrimtari dhe studjuesi nga Londra, Fatmir Terziu p\u0451r iso-polifonin\u0451 shkruan:<\/p>\n

…Jon, a e d\u0451gjon\/deri k\u0451tu n\u0451 Lond\u0451r ndjehet isoja jote,
\n…a t\u0451 kujtohet kur lanim lot\u0451t bashk\u0451\/ …\u00ebsht\u0451 isoja jote n\u0451 k\u0451t\u0451 guack\u0451\/
\n\u0451sht\u0451 k\u0451nga nga q\u0451 erdhi dashuria e past\u0451r e Af\u0451rdit\u0451s…
\n…e ndjej pulsin t\u0451nd ku p\u0451rlotet planeti\/
\n…nj\u0451 shp\u0451rthim nga de(r)ti.\u00b9\u2077<\/p>\n

P\u0451rmes faqeve q\u0451 shfletojm\u0451 n\u0451 librin e Timo M\u0451rkurit do t\u0451 gjejm\u0451 dhe nj\u0451 p\u0451rgjigje p\u0451r ekzistenc\u0451n e eposeve ndryshe n\u0451 Jugun shqiptar, natyrisht n\u0451n okielon e studimit t\u0451 studiuesit prishtinas Anton Nik\u0451 Berisha.<\/p>\n

Pik\u0451risht brenda kontekstit t\u0451 studimeve pa fund t\u0451 k\u0451tij shkenc\u0451tari kosovar, Timo M\u0451rkuri na konfirmon se \u201c Kund\u0451rshtar\u0451t e em\u0451rtimit \u201ciso-polifoni\u201d t\u0451 shum\u0451z\u0451r\u0451shit ton\u0451 popullor, duke u shndruar n\u0451 m\u0451nyr\u0451 t\u0451 pavet\u0451dishme (?!) n\u0451 kund\u0451rshtar\u0451 t\u0451 lasht\u0451sis\u0451 s\u0451 k\u0451ng\u0451s son\u0451 popullore, t\u0451 qar\u0451t me bot\u0451 nuk e pranojn\u0451 si filles\u0451 t\u0451 k\u0451ng\u0451s iso- polifonike sesxpe i ngjaka \u201c..ul\u0451rim\u0451s s\u0451 ujq\u0451rve…(si\u00e7), dhe sepse \u201c…polifonia \u0451sht\u0451 krijimtari e nd\u0451rgjegj\u0451shme artistike(si\u00e7). \u00b9\u2078<\/p>\n

Nuk mungojn\u0451 dhe p\u0451rsiatjet e poetit t\u0451 jugut Agim Mato q\u0451 sjell rapsodit\u0451 e arb\u0451resh\u0451ve si reminishenca t\u0451 largimit nga dheu am\u0451. Nd\u0451rsa Petrit Ruka, ky bard q\u0451 mbijeton me poezin\u0451 e tij brilante sjell n\u0451 bot\u0451n shpirt\u0451rore t\u0451 Jugut poezit\u0451 e tij t\u0451 cilat nuk jan\u0451 ve\u00e7se rrjedha t\u0451 k\u0451ng\u0451s polifonike labe. T\u0451 gjith\u0451 k\u0451ng\u0451tar\u0451t dhe kantautor\u0451t, bard\u0451t arb\u0451ror\u0451 i kan\u0451 k\u0451nduar jet\u0451s n\u0451 gjith\u0451 komlekset e saj, duke filluar nga lindja e gjer n\u0451 cakun e fundit, vdekjes, dhe kjo n\u0451p\u0451rmes eposeve n\u0451 Veri dhe iso-polofonis\u0451 n\u0451 Jug.<\/p>\n

Si shembull Timo M\u0451rkuri citon pjes\u0451 nga thesari i humorit t\u0451 Lefter voglit, k\u0451tij lapidari t\u0451 k\u0451ng\u0451s isopolifonike.<\/p>\n

Duke mos folur shum\u0451 p\u0451r personin e bardit tjet\u0451r t\u0451 Jugut, Lefter \u00c7ip\u0451n mjafton t\u0451 tregoj se si e p\u0451rcakton Timo M\u0451rkuri, nj\u0451 fash\u0451 t\u0451 portretit t\u0451 tij: \u201ckrijimi i variantit t\u0451 k\u0451ng\u0451s piluriote, vija e saj melodike dhe struktura e grupit, novacioni i shoq\u0451rimit t\u0451 k\u0451ng\u0451s me fyell etj, \u0451sht\u0451 nj\u0451 nga suksete m\u0451 t\u0451 m\u0451dha t\u0451 k\u0451ng\u0451s popullore shqiptare. Ky sukses ka firm\u0451n e autor\u0451sis\u0451 s\u0451 Lefter \u00c7ip\u0451s.\u201d\u00b9\u2079<\/p>\n

Jan\u0451 njer\u0451zit q\u0451 e b\u0451jn\u0451 k\u0451ng\u0451n, jan\u0451 jet\u0451t e njer\u0451zve n\u0451 vite e shekuj q\u0451 thurin notat e nj\u0451 muzike origjinale mbi nj\u0451 tok\u0451 origjinale. Pik\u0451risht k\u0451to t\u0451 dyja nuk mund t\u0451 zhduk\u0451 askush, si rrjedhoj\u0451 as termin k\u0451ng\u0451 poli- fonike.<\/p>\n

Q\u0451 kur isha i vog\u0451l fare, im at\u0451 m\u0451 fliste p\u0451r k\u0451ng\u0451t e Nivic\u0451- Bubarit, fshatit t\u0451 origjin\u0451s, e m\u0451 tej n\u0451 m\u0451nyr\u0451 t\u0451 pakuptueshme k\u0451nga me iso hyri n\u0451 shpirtin tim, k\u0451nga e Himar\u0451s, e Pilurit e t\u0451 gjitha krahinave t\u0451 tjera. Isoja \u0451sht\u0451 sfondi i nj\u0451 muzike t\u0451 pashlyeshme shpirt\u0451rore. Duhet t\u0451 jesh jugor q\u0451 ta kuptosh m\u0451 mir\u0451 se t\u0451 tjer\u0451t k\u0451t\u0451 magji t\u0451 pazb\u0451rthyer…<\/p>\n

Durr\u0451s, 5 prill 2020 <\/em><\/p>\n

\n

REFERENCA<\/strong>:<\/p>\n

\u00b9) Timo M\u0451rkuri, \u201cHonestra e k\u0451ng\u0451s himariote\u201d, Milosao, 2018, f. 4<\/p>\n

\u00b2)N\u0451 Ballkan kan\u0451 ekzistuar disa forma k\u0451ng\u0451sh polifonike t\u0451 ndara sipas kombeve t\u0451 ndrysh\u0451m ballkanik\u0451. Esht\u0451 njohur k\u0451nga bizantine, k\u0451nga \u201cojkanja\u201d dhe \u201cgauqe\u201d n\u0451 Kroaci, Serbi, Bosnje-H ercegovin\u0451, k\u0451nga \u201cepiriote\u201d n\u0451 Greqi, isopolifonia n\u0451 Shqip\u0451ri, k\u0451nga \u201cgusla\u201d n\u0451 Serbi, Mal i Zi, Bosnje- Hercegovin\u0451, Kroaci, k\u0451nga \u201clazarika\u201d n\u0451 Serbi dhe k\u0451nga me kore grash\u0451 n\u0451 Bullgari. (Sipas es.wikipedia.org\/wiki\/polifonia )<\/p>\n

\u00b3) Termi polifoni p\u00ebrcakton n\u00eb muzik\u00eb nj\u00eb stil kompozicioni q\u00eb nd\u00ebrthur dy ose m\u00eb shum\u00eb z\u00ebra t\u00eb pavarur (vokal dhe \/ ose instrumental), t\u00eb quajtur edhe pjes\u00eb. Ata evoluojn\u00eb nj\u00ebkoh\u00ebsisht n\u00eb rrjedh\u00ebn e p\u00ebrb\u00ebrjes, duke mbetur t\u00eb ndrysh\u00ebm nga nj\u00ebri-tjetri nga pik\u00ebpamja melodike dhe p\u00ebrgjith\u00ebsisht edhe ritmike, nd\u00ebrsa rregullohen nga parimet harmonike. N\u00eb nj\u00eb kuptim kompozitor termi polifoni bie n\u00eb kund\u00ebrshtim me at\u00eb t\u00eb monodis\u00eb me nj\u00eb z\u00eb t\u00eb vet\u00ebm. Termi polifoni rrjedh nga greqishtja e lasht\u00eb q\u00eb do t\u00eb thot\u00eb:shum\u00eb z\u00ebra.(sipas it.wikipedia.org\/wiki\/polifonia )<\/p>\n

\u2074) es.wikipedia.org\/wiki\/polifonia )<\/p>\n

\u2075) Brunilda Ternova, \u201d Iso-polifonia shqiptare, gjenialiteti artistik i tingullit t\u0451 shpirtit\u201d. 9 dhjetor 2009 https:\/\/www.albanianews.it\/cultura\/isopolifonia-albanese-patrimonio-unesco<\/a><\/p>\n

\u2076) Anna Maria Ragno. Shenjat e tingujve q\u0451 i takojn\u0451 isopolifonis\u0451 shqiptare. Arberianews.blogspot.com\/2013\/08\/-i-segni-sonori-dellappartenza-liso-4.html<\/p>\n

\u2077) Ismail Kadare. \u201cAutobiografia e popullit n\u0451 vargje\u201d, Tiran\u0451. 1980. f. 9.<\/p>\n

\u2078) Timo M\u0451rkuri. \u201cIdentiteti iso-polifonik\u201d Milosao, Sarand\u0451, 2018, f. 11<\/p>\n

\u2079) Po aty, f.13<\/p>\n

\u00b9\u00ba) Po aty. f.38<\/p>\n

\u00b9\u00b9) Ismail Kadare. \u201cEskili, ky humb\u0451s i madh\u201d, Onufri, Tiran\u0451 2001, f. 148<\/p>\n

\u00b9\u00b2) Fjala e lir\u0451, 19 tetor 2011<\/p>\n

\u00b9\u00b3) Eqrem \u00c7abej. \u201cShqip\u0451ria midis per\u0451ndimit dhe lindjes\u201d f. 55<\/p>\n

\u00b9\u2074) Fatmir Minguli, \u201cDaniel Arnaut- simptoma t\u0451 poezis\u0451 s\u0451 shkruar shqipe n\u0451 shek. XII \u2013XIII\u201d \u201c2M printing\u201d, Durr\u0451s, 2018, f.20<\/p>\n

\u00b9\u2075) Po aty, f. 21<\/p>\n

\u00b9\u2076) Fatmir Minguli,\u201dTatuazhet e shpirtit-translet\u0451rsia e Moikom Zeqos\u201d, Erik, Tiran\u0451 2017, f. 50-51<\/p>\n

\u00b9\u2076) Timo M\u0451rkuri, \u201cIdentiteti iso-polifonik\u201d Milosao, Sarand\u0451, 2018. f. 171<\/p>\n

\u00b9\u2077) Po aty, f. 168<\/p>\n

\u00b9\u2078) Po aty, f. 121-122<\/p>\n

\u00b9\u2079) Po aty, f. 73<\/p>\n

D\u00ebrgoi p\u00ebr publikim, Anton Nik\u00eb Berisha<\/strong>, studiues, poet, shkrimtar<\/em><\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"

Nga Fatmir Minguli (Sh\u0451nime mbi librin \u201cIdentiteti iso-polifonik \u201c Milosao, 2018 t\u0451 studiuesit Timo\u00a0M\u0451rkuri) Pra isoja \u0451sht\u0451 mb\u0451shtetje, aprovim, unanimitet. Ismail Kadare, \u201cAutobiografia e popullit n\u0451 vargje\u201d f.9 Fshatrat tona kishin m\u0451 shum\u0451 qytetari se \u00e7\u2019kan\u0451 sot disa qytetar\u0451. Kishin m\u0451 shum\u0451 diplomaci se disa diplomat\u0451 t\u0451 sot\u0451m. Qysh dje shikonin m\u0451 larg se e […]<\/p>\n","protected":false},"author":1,"featured_media":53399,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4,35,8],"tags":[],"class_list":["post-53398","post","type-post","status-publish","format-standard","has-post-thumbnail","category-histori","category-kulture","category-letersi"],"yoast_head":"\nISOPOLIFONIA \u2013 KJO PERL\u0401 SHQIPTARE E JUGUT - FJALA e LIR\u00cb<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/jehonashqiptare.al\/fjala\/isopolifonia-kjo-perle-shqiptare-e-jugut\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"ISOPOLIFONIA \u2013 KJO PERL\u0401 SHQIPTARE E JUGUT - FJALA e LIR\u00cb\" \/>\n<meta property=\"og:description\" content=\"Nga Fatmir Minguli (Sh\u0451nime mbi librin \u201cIdentiteti iso-polifonik \u201c Milosao, 2018 t\u0451 studiuesit Timo\u00a0M\u0451rkuri) Pra isoja \u0451sht\u0451 mb\u0451shtetje, aprovim, unanimitet. 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