{"id":53712,"date":"2020-04-11T21:07:00","date_gmt":"2020-04-11T20:07:00","guid":{"rendered":"https:\/\/fjala.info\/?p=53712"},"modified":"2020-04-11T21:07:00","modified_gmt":"2020-04-11T20:07:00","slug":"alber-kamy-murtaja","status":"publish","type":"post","link":"https:\/\/jehonashqiptare.al\/fjala\/alber-kamy-murtaja\/","title":{"rendered":"ALBER KAMY – \u201cMURTAJA\u201d"},"content":{"rendered":"

\"XhelalXhelal Zejneli<\/strong><\/p>\n

Individi p\u00ebrball\u00eb epidemis\u00eb<\/strong><\/p>\n

Tri veprat e veta: romanin \u201cI huaji\u201d <\/em><\/strong>(L\u2019<\/em>\u00c9<\/em>tranger, 1942)<\/em>, dram\u00ebn <\/strong>\u201cKaligula\u201d (Caligula, 1944) <\/em>dhe esen\u00eb \u201cMiti i Sizifit\u201d <\/em><\/strong>(Le Mythe de Sisyph, 1942) <\/em>Alber <\/strong>Kamy<\/strong> i sistemoi n\u00eb ciklin e absurdit<\/em><\/strong>. P\u00ebr k\u00ebt\u00eb arsye e konsideronin si nj\u00eb nga p\u00ebrfaq\u00ebsuesit e let\u00ebrsis\u00eb ekzistencialiste me t\u00eb cil\u00ebn nd\u00ebrlidhet tema e absurdit t\u00eb jet\u00ebs dhe t\u00eb bot\u00ebs<\/em>.<\/p>\n

Duke konsideruar se shum\u00eb\u00e7ka e ndan prej rrethit ekzistencialist t\u00eb Sartrit<\/strong> (Jean-Paul Sartre, 1905-1980), sidomos pik\u00ebpamja mbi natyr\u00ebn apo karakterin e njeriut<\/em>, Kamy deklaroi se cikli i par\u00eb i tij \u00ebsht\u00eb vet\u00ebm nj\u00eb lloj pike fillestare. Me librat e par\u00eb d\u00ebshironte t\u00eb shpreh\u00eb klim\u00ebn e nihilizmit<\/em><\/strong> t\u00eb koh\u00ebs.<\/p>\n

Sh\u00ebnimet e tij n\u00eb form\u00eb ditari<\/em> paralajm\u00ebrojn\u00eb romanin \u201cMurtaja\u201d<\/em> (La Peste, 1947)<\/em> q\u00eb synon kah vlerat pozitive<\/em>. Me fjal\u00eb t\u00eb tjera, pak pas paraqitjes s\u00eb veprave t\u00eb ciklit t\u00eb absurdit<\/em>, lindin veprat e ciklit t\u00eb revolt\u00ebs<\/em><\/strong>: \u201cMurtaja\u201d<\/em><\/strong>, dramat \u201cShtetrrethimi\u201d <\/em><\/strong>(L\u2019<\/em>\u00c9<\/em>tat de si<\/em>\u00e8<\/em>ge, 1948),<\/em> \u201cT\u00eb drejt\u00ebt\u201d <\/em><\/strong>(Les Justes, 1950)<\/em> dhe eseja e madhe \u201cNjeriu i revoltuar\u201d <\/em><\/strong>(L\u2019Homme r<\/em>\u00e9<\/em>volt<\/em>\u00e9<\/em>, 1951)<\/em>.<\/p>\n

N\u00eb k\u00ebt\u00eb ese Kamy kritikon totalitarizmin e djatht\u00eb <\/em><\/strong>por edhe at\u00eb t\u00eb majt\u00eb<\/em><\/strong>. <\/em>Qerthulli i Sartrit <\/strong>ishte vet\u00ebm p\u00ebr kritik\u00ebn e totalitarizmit t\u00eb djatht\u00eb<\/em><\/strong>. P\u00ebr k\u00ebt\u00eb arsye, Kamyja u prit prej tyre n\u00eb tehun e shpat\u00ebs. Si reagim ndaj \u201cprogresist\u00ebve\u201d<\/em> t\u00eb Parisit, Kamy boton romanin \u201cR\u00ebnia\u201d <\/em><\/strong>(La Chute, 1956)<\/em>. Ky roman nuk i p\u00ebrket ciklit t\u00eb revolt\u00ebs<\/em><\/strong>, por nuk paralajm\u00ebron as ciklin e dashuris\u00eb<\/em><\/strong>. N\u00eb romanin \u201cNjeriu i par\u00eb\u201d <\/em><\/strong>(Le premier homme, 1994, <\/em>botuar posthum nga e bija Katherine<\/strong> ), Kamy u kthehet hap\u00ebsirave t\u00eb drit\u00ebs, t\u00eb dashuris\u00eb <\/em><\/strong>dhe t\u00eb lumturis\u00eb<\/em><\/strong>.<\/p>\n

*\u00a0\u00a0 *\u00a0\u00a0 *<\/strong><\/p>\n

\u201cMURTAJA\u201d <\/em><\/strong>\u00ebsht\u00eb vep\u00ebr q\u00eb flet p\u00ebr murtaj\u00ebn<\/em><\/strong> q\u00eb e p\u00ebrlau Oranin, qytet bregdetar i Algjerit, i banuar nga algjerian\u00eb dhe francez\u00eb. Epidemia fiktive n\u00eb roman shp\u00ebrthen n\u00eb prill t\u00eb vitit 1940 dhe zgjat deri n\u00eb shkurt t\u00eb vitit 1941. Vepra shtron nj\u00eb s\u00ebr\u00eb \u00e7\u00ebshtjesh q\u00eb kan\u00eb t\u00eb b\u00ebjn\u00eb me<\/em> natyr\u00ebn e fatit<\/em> dhe me<\/em> situat\u00ebn njer\u00ebzore.<\/em> T\u00eb gjitha personazhet, q\u00eb nga mjek\u00ebt dhe turist\u00ebt, e deri te ikanak\u00ebt, mund\u00ebsojn\u00eb p\u00ebr ta kuptuar ndikimin e murtaj\u00ebs ndaj popullsis\u00eb.<\/p>\n

Pun\u00ebn n\u00eb k\u00ebt\u00eb roman, Kamy e ka filluar n\u00eb prill t\u00eb vitit 1941, gj\u00eb q\u00eb shihet n\u00eb ditar\u00ebt e tij. N\u00eb mars t\u00eb vitit 1942 e njofton romancierin dhe eseistin francez Andre Malron\u00eb <\/strong>(Andr\u00e9 Malraux, 1901-1976) se \u00ebsht\u00eb duke shkruar roman p\u00ebr murtaj\u00ebn. \u00a0\u00a0<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/em><\/p>\n

Supozohet se vepra \u00ebsht\u00eb bazuar n\u00eb epidemin\u00eb e koler\u00ebs, e cila n\u00eb vitin 1849 ka vrar\u00eb nj\u00eb p\u00ebrqindje t\u00eb madhe t\u00eb popullat\u00ebs s\u00eb Oranit. Para se Kamy ta shkruante romanin, qyteti ka qen\u00eb i goditur nga murtaja disa her\u00eb. Sipas raporteve t\u00eb qendrave t\u00eb kontrollit dhe t\u00eb parandalimit t\u00eb s\u00ebmundjeve, Orani \u00ebsht\u00eb shkat\u00ebrruar nga murtaja n\u00eb vitet 1556 dhe 1678. \u00a0Epidemit\u00eb e m\u00ebvonshme, ajo e vitit 1921 (185 raste), e vitit 1931 (76 raste) dhe e vitit 1944 (95 raste) nuk kan\u00eb qen\u00eb n\u00eb p\u00ebrmasat si\u00e7 \u00ebsht\u00eb paraqitur n\u00eb roman. Murtaja q\u00eb shp\u00ebrtheu n\u00eb Oran n\u00eb vitin 2003 zgjati vet\u00ebm nj\u00eb muaj.<\/p>\n

Ndon\u00ebse romani p\u00ebrcjell p\u00ebrparimin e virusit specifik n\u00eb nj\u00eb qytet t\u00eb caktuar dhe brenda nj\u00eb kornize kohore, tema e v\u00ebrtet\u00eb e vepr\u00ebs shkon p\u00ebrtej kornizave t\u00eb atij vendi dhe t\u00eb asaj kohe<\/em><\/strong>.<\/p>\n

Q\u00ebllimi i autorit \u00ebsht\u00eb metaforik<\/em><\/strong>. Ai merret me \u00e7do infektim q\u00eb mund ta p\u00ebrlaj\u00eb \u00e7do shoq\u00ebri: q\u00eb nga kolera, gripi spanjoll, sida, sarsi e deri te kovid-19. Kamy ka par\u00eb lidhjen nd\u00ebrmjet infektimit fizik <\/em><\/strong>dhe atij psikologjik<\/em><\/strong>.<\/p>\n

Kamy nuk pajtohej ta konsideronin filozof ekzistencialist. Megjith\u00ebk\u00ebt\u00eb, romanin \u201cMurtaja\u201d<\/em> kritika letrare e ka quajtur vep\u00ebr klasike t\u00eb<\/em><\/strong> filozofis\u00eb ekzistencialiste<\/em><\/strong>. Kamy e quante veten shkrimtar dhe jo filozof.<\/p>\n

Toni narrativ \u00ebsht\u00eb i ngjash\u00ebm me at\u00eb t\u00eb Kafk\u00ebs, posa\u00e7\u00ebrisht me at\u00eb n\u00eb \u201cProces\u201d<\/em> <\/strong>ku fjalit\u00eb shpesh mund t\u00eb ken\u00eb dometh\u00ebnie t\u00eb shum\u00ebfishta, nd\u00ebrsa tematika theksuesh\u00ebm kumbon si nj\u00eb alegori<\/em><\/strong> e ashp\u00ebr e nd\u00ebrgjegjes s\u00eb lart\u00eb<\/em> dhe e gjendjes n\u00eb t\u00eb cil\u00ebn ndodhet njer\u00ebzimi. Kamy tregon n\u00eb m\u00ebnyr\u00eb t\u00eb figurshme<\/em> se n\u00eb \u00e7\u2019m\u00ebnyr\u00eb bota ballafaqohet me ekzistimin e absurdit, filozofi teorike kjo, p\u00ebr krijimin e s\u00eb cil\u00ebs Kamy kontribuoi me t\u00eb madhe.<\/p>\n

\u201cMurtaja\u201d<\/em> shpesh \u00ebsht\u00eb interpretuar si nj\u00eb pasqyrim alegorik t\u00eb q\u00ebndres\u00ebs ndaj pushtimit nazist.<\/p>\n

*\u00a0\u00a0 *\u00a0\u00a0 *<\/strong><\/p>\n

Veprimi i \u201cMurtaj\u00ebs\u201d<\/em> \u00ebsht\u00eb i ndar\u00eb n\u00eb pes\u00eb pjes\u00eb. Hero kryesor i vepr\u00ebs \u00ebsht\u00eb Dr. Rije<\/strong>. Pasojn\u00eb ish-revolucionari Zhan Taru<\/strong>, gazetari Ramber<\/strong>, zyrtari i qytetit Gran<\/strong>, hohshtapleri Kotar <\/strong>dhe kleriku Panlu<\/strong>. N\u00ebp\u00ebrmjet fatit t\u00eb tyre, autori synon t\u00eb jap\u00eb pasqyr\u00ebn e \u00e7\u00ebshtjeve thelb\u00ebsore n\u00eb muzgun e vlerave humane<\/strong>.<\/p>\n

Pjesa e par\u00eb<\/strong>: N\u00eb qytetin e Oranit, mij\u00ebra minj<\/em><\/strong>, n\u00eb fillim pa u v\u00ebn\u00eb re nga banor\u00ebt, fillojn\u00eb t\u00eb shfaqen dhe t\u00eb ngordhin n\u00ebp\u00ebr rrug\u00eb. Sakaq, njer\u00ebzve u hyn paniku. P\u00ebr ndodhit\u00eb e sip\u00ebrth\u00ebna nisin t\u00eb shkruajn\u00eb edhe gazetat vendore. N\u00ebn trysnin\u00eb e publikut, autoritetet i rreken pun\u00ebs p\u00ebr t\u2019i grumbulluar minjt\u00eb e ngordhur, duke b\u00ebr\u00eb nj\u00ebherazi edhe asgj\u00ebsimin e tyre me kremacion. Por, organet e pushtetit nuk qen\u00eb t\u00eb vet\u00ebdijsh\u00ebm se pik\u00ebrisht grumbullimi i minjve t\u00eb infektuar n\u00eb nj\u00eb vendgrumbullim, do t\u00eb jet\u00eb katalizator i murtaj\u00ebs<\/em><\/strong>.<\/p>\n

Nj\u00eb m\u00ebngjes, personazhi kryesor, Dr. Bernar Rije<\/strong> para dyerve t\u00eb banes\u00ebs s\u00eb vet v\u00ebren nj\u00eb mi t\u00eb ngordhur<\/em><\/strong>. Pas ca dit\u00ebsh, kujdestari i nd\u00ebrtes\u00ebs i cili e kishte m\u00ebnjanuar miun, vdes prej etheve<\/em><\/strong>. N\u00eb fillim, Dr. Rije nuk d\u00ebshiron t\u00eb nxjerr\u00eb ndonj\u00eb p\u00ebrfundim. K\u00ebshillohet me kolegun e vet, Dr. Kastelin<\/strong> p\u00ebr t\u00eb supozuar bashk\u00ebrisht se n\u00eb qytet \u00ebsht\u00eb shfaqur murtaja<\/em>. Q\u00eb t\u00eb dy u drejtohen mjek\u00ebve t\u00eb tjer\u00eb si dhe organeve t\u00eb qytetit. Asnj\u00ebri prej tyre nuk i beson teoris\u00eb se n\u00eb qytet do t\u00eb shp\u00ebrthej\u00eb murtaja<\/em>. Nuk mund t\u2019i besohet nj\u00eb supozimi t\u00eb till\u00eb p\u00ebr shkak t\u00eb vdekjes s\u00eb nj\u00eb personi t\u00eb vet\u00ebm. Por, numri i vdekjeve sa vjen e rritet. Tani duket qart\u00eb se kemi t\u00eb b\u00ebjm\u00eb me ndonj\u00eb epidemi<\/em>. Nd\u00ebrkoh\u00eb, gruaja e Rijes\u00eb mjekohet n\u00eb sanatoriumin e nj\u00eb qyteti tjet\u00ebr, nga nj\u00eb s\u00ebmurje kronike q\u00eb s\u2019ka t\u00eb b\u00ebj\u00eb me epidemin\u00eb e p\u00ebrhapur.<\/p>\n

Autoritetet, p\u00ebrfshi edhe prefektin, nuk duan t\u00eb besojn\u00eb se gjendja \u00ebsht\u00eb serioze<\/em><\/strong>. Lindin mosmarr\u00ebveshje dhe z\u00ebnka rreth masave q\u00eb duhen nd\u00ebrmarr\u00eb. Organet kompetente\u00a0 nd\u00ebrmor\u00ebn masa kontrolli dhe masa parandaluese. Njoftimet zyrtare<\/em><\/strong> t\u00eb organeve t\u00eb pushtetit qen\u00eb tep\u00ebr optimiste<\/em><\/strong>, ndaj s\u2019kishte p\u00ebrse t\u00eb nd\u00ebrmerreshin veprime emergjente<\/em><\/strong>. N\u00eb spital u hap nj\u00eb \u201crepart special\u201d<\/em>, 80 shtret\u00ebrit e t\u00eb cilit u zun\u00eb p\u00ebr tri dit\u00eb. Duke qen\u00eb se numri i t\u00eb infektuarve rritej me t\u00eb shpejt\u00eb, u nd\u00ebrmor\u00ebn masa m\u00eb drastike. Pas nj\u00eb pritjeje t\u00eb gjat\u00eb mb\u00ebrrijn\u00eb vaksinat, por me to mund t\u00eb mbulohen vet\u00ebm rastet ekzistuese. Rezervat p\u00ebr situatat emergjente t\u00eb vendit – jan\u00eb shterur. Kur numri i t\u00eb vdekurve brenda nj\u00eb dite arriti n\u00eb 30, kufijt\u00eb e qytetit u mbyll\u00ebn. M\u00eb n\u00eb fund, autoritetet kumtojn\u00eb se ka shp\u00ebrthyer epidemia e murtaj\u00ebs<\/em>.<\/p>\n

Pjesa e dyt\u00eb<\/strong>: Dyert e qytetit jan\u00eb t\u00eb mbyllura. Udh\u00ebtimi me hekurudh\u00eb \u00ebsht\u00eb ndaluar. Sh\u00ebrbimi postar \u00ebsht\u00eb nd\u00ebrprer\u00eb. P\u00ebrdorimi i linjave telefonike \u00ebsht\u00eb kufizuar vet\u00ebm p\u00ebr thirrjet e ngutshme<\/em>. I vetmi mjet komunikimi me miqt\u00eb dhe familjen jasht\u00eb qytetit jan\u00eb telegramet e shkurtra<\/em>. Ndarja ndikon n\u00eb veprimtarit\u00eb e dit\u00ebp\u00ebrditshme t\u00eb banor\u00ebve, t\u00eb cil\u00ebt fillojn\u00eb t\u00eb ndjehen t\u00eb izoluar, introvert\u00eb <\/em><\/strong>dhe t\u00eb deprimuar<\/em><\/strong>. Prania e murtaj\u00ebs<\/em> fillon t\u00eb ndikoj\u00eb edhe te personazhet e vepr\u00ebs.<\/p>\n

Nj\u00eb prej personazheve, gazetari Rajmon Ramber i cili kishte ardhur n\u00eb Oran me pun\u00eb, sajon nj\u00eb plan p\u00ebr t\u00eb ikur nga qyteti<\/em><\/strong> dhe p\u00ebr t\u2019iu kthyer gruas s\u00eb vet n\u00eb Paris, pasi q\u00eb autoritetet e qytetit e kishin refuzuar k\u00ebrkes\u00ebn e tij p\u00ebr vajtje. Ai miq\u00ebsohet me kriminel\u00ebt e n\u00ebntok\u00ebs<\/em><\/strong>, duke besuar se ata do t\u00eb mund ta nxjerrin nga qyteti i mbyllur.<\/p>\n

Personazhi tjet\u00ebr, kleriku Panlu<\/strong> e shfryt\u00ebzon murtaj\u00ebn si mund\u00ebsi p\u00ebr ta forcuar pozit\u00ebn e vet<\/em><\/strong> n\u00eb qytet duke th\u00ebn\u00eb se murtaja \u00ebsht\u00eb shfaqur si d\u00ebnim nga Zoti <\/em><\/strong>p\u00ebr m\u00ebkatet e qytetar\u00ebve. Predikimi i tij n\u00eb kish\u00eb ndikon te shum\u00eb banor\u00eb q\u00eb t\u2019i kthehen fes\u00eb<\/em><\/strong>, gj\u00eb q\u00eb n\u00eb rrethana normale nuk do ta b\u00ebnin. I pand\u00ebrgjegjshmi Kotard e kishte shfryt\u00ebzuar situat\u00ebn p\u00ebr t\u2019u pasuruar. Por erdhi nj\u00eb \u00e7ast kur ai nisi t\u00eb frik\u00ebsohet nga arrestimi, ndaj si akt pendimi<\/em> qe i gatsh\u00ebm edhe p\u00ebr vet\u00ebvrasje, e l\u00ebre m\u00eb t\u2019i kthehet fes\u00eb. Nd\u00ebrkoh\u00eb, Dr. Rije, zyrtari i qytetit, Gran dhe turisti Zhan Taru, b\u00ebjn\u00eb \u00e7mos p\u00ebr t\u2019u ndihmuar qytetar\u00ebve, duke i vizituar dhe duke i mjekuar n\u00ebp\u00ebr sht\u00ebpit\u00eb e tyre dhe n\u00ebp\u00ebr spitale.<\/p>\n

Pasi m\u00ebson nga Taru se ka edhe t\u00eb tjer\u00eb q\u00eb vuajn\u00eb p\u00ebr t\u00eb af\u00ebrmit e tyre q\u00eb ndodhen jasht\u00eb qytetit, e nj\u00eb prej tyre \u00ebsht\u00eb edhe Dr. Rije, Ramberi emocionohet, nd\u00ebrron mendjen p\u00ebr ikje<\/em><\/strong> dhe vendos t\u2019i bashk\u00ebngjitet treshit n\u00eb luft\u00ebn kund\u00ebr murtaj\u00ebs.<\/p>\n

Pjesa e tret\u00eb<\/strong>: Kah mesi i gushtit, gjendja b\u00ebhet edhe m\u00eb e r\u00ebnd\u00eb. Njer\u00ebzit p\u00ebrpiqen t\u00eb ikin<\/em><\/strong> prej qyteti, por rojet e armatosura i ndalojn\u00eb. N\u00eb p\u00ebrmasa t\u00eb vogla shp\u00ebrthejn\u00eb dhuna<\/em><\/strong> dhe vjedhjet<\/em><\/strong>, nd\u00ebrsa autoritetet reagojn\u00eb duke shpallur gjendjen ushtarake<\/em><\/strong> dhe duke vendosur or\u00eb policore<\/em><\/strong>. Varrimet <\/em><\/strong>kryhen shpejtas dhe pa kurrfar\u00eb ceremonie<\/em><\/strong> apo konsiderate ndaj familjes s\u00eb t\u00eb ndjerit. Banor\u00ebt i vuajn\u00eb n\u00eb m\u00ebnyr\u00eb pasive shqet\u00ebsimet n\u00eb rritje t\u00eb m\u00ebrgimit dhe t\u00eb ndarjes<\/em> <\/strong>gj\u00eb q\u00eb shkakton rr\u00ebnimin e tyre emocional dhe fizik<\/em>.<\/p>\n

Pjesa e kat\u00ebrt<\/strong>: N\u00eb shtator dhe n\u00eb tetor, qyteti ndodhet n\u00eb m\u00ebshir\u00ebn dhe pam\u00ebshir\u00ebn e murtaj\u00ebs. Dr. Rije<\/strong> merr lajme nga sanatoriumi se gjendja e gruas s\u00eb tij po p\u00ebrkeq\u00ebsohet<\/em><\/strong>. Megjith\u00ebk\u00ebt\u00eb, ai me zem\u00ebr t\u00eb fort\u00eb vazhdon ta ushtroj\u00eb detyr\u00ebn e vet<\/em><\/strong>. N\u00eb an\u00ebn tjet\u00ebr, Kotardit murtaja i shkon p\u00ebr shtati ngase, i ballafaquar me t\u00eb nj\u00ebjt\u00ebn fatkeq\u00ebsi sikur t\u00eb tjer\u00ebt, fillon t\u00eb ndjej\u00eb se edhe ai i p\u00ebrket bashk\u00ebsis\u00eb njer\u00ebzore<\/em><\/strong> dhe se \u00ebsht\u00eb n\u00eb lidhshm\u00ebri me t\u00eb. Kotardi dhe Taru shkojn\u00eb p\u00ebr t\u00eb par\u00eb<\/em><\/strong> oper\u00ebn n\u00eb tre akte \u201cOrfei dhe Euridika\u201d <\/em>(e para oper\u00eb reformiste Orfeo ed Erudica<\/em>) t\u00eb kompozitorit dhe dirigjentit gjerman Gluk <\/strong>(Cristoph Willibald Gluck, 1714-1787). Aktori q\u00eb e interpreton Orfeun, i infektuar nga murtaja dhe i p\u00ebrshkuar nga \u00a0ethet, bie n\u00eb sken\u00eb<\/em><\/strong>.<\/p>\n

Pas bisedimeve t\u00eb gjata me rojet, m\u00eb n\u00eb fund Ramberit<\/strong> i mund\u00ebsohet t\u00eb ik\u00eb nga qyteti<\/em><\/strong>. Por ai vendos t\u00eb mos largohet<\/em><\/strong>, duke th\u00ebn\u00eb se po t\u00eb ikte do t\u2019i vinte turp nga vetvetja.<\/p>\n

Kah fundi i tetorit Dr. Kasteli<\/strong> p\u00ebr her\u00eb t\u00eb par\u00eb e provon vaksin\u00ebn e vet kund\u00ebr murtaj\u00ebs, por ajo rezulton e pasuksesshme n\u00eb rastin e mjekimit t\u00eb nj\u00eb \u00e7uni, bir i zot\u00ebri Otonit.<\/p>\n

Nd\u00ebrkoh\u00eb kleriku Panlu <\/strong>i \u00ebsht\u00eb bashk\u00ebngjitur grupit<\/em><\/strong> t\u00eb vullnetar\u00ebve<\/em><\/strong> q\u00eb luftojn\u00eb kund\u00ebr murtaj\u00ebs. Ai mban predikimin e dyt\u00eb dhe flet p\u00ebr vuajtjet e f\u00ebmij\u00ebve t\u00eb pafajsh\u00ebm, duke shtuar se ky \u00ebsht\u00eb nj\u00eb sprov\u00eb q\u00eb k\u00ebrkon nga besimtar\u00ebt: o t\u00eb jen\u00eb besimtar\u00eb t\u00eb mir\u00ebfillt\u00eb, o t\u00eb heqin dor\u00eb nga feja<\/em>. Ai e fton bashk\u00ebsin\u00eb dhe e trim\u00ebron at\u00eb q\u00eb t\u00eb mos heq\u00eb dor\u00eb, por me t\u00eb gjitha forcat<\/em><\/strong> t\u00eb vazhdoj\u00eb luft\u00ebn kund\u00ebr murtaj\u00ebs<\/em><\/strong>.<\/p>\n

Disa dit\u00eb pas predikimit, s\u00ebmundja e p\u00ebrlan\u00eb edhe Panlun\u00eb. Simptomat e tij nuk p\u00ebrputhen me ato t\u00eb murtaj\u00ebs. Megjith\u00ebk\u00ebt\u00eb, s\u00ebmundja p\u00ebr t\u00eb ishte fatale. Ai vdes.<\/p>\n

Taru dhe Ramberi vizitojn\u00eb nj\u00eb nga kampet e izolimit<\/em><\/strong>. Aty takojn\u00eb Otonin. Pas p\u00ebrfundimit t\u00eb q\u00ebndrimit n\u00eb karantin\u00eb, Otoni vendos t\u00eb mbetet n\u00eb kamp<\/em><\/strong> p\u00ebr t\u00eb ndihmuar si vullnetar. Ai beson se kjo do t\u2019ia zbus\u00eb dhimbjen nga humbja e t\u00eb birit. Taru i flet Dr. Rijeut p\u00ebr jet\u00ebn e vet dhe p\u00ebr t\u2019i flakur mendimet nga epidemia, shkon n\u00eb det p\u00ebr t\u00eb b\u00ebr\u00eb not. Infektohet edhe Grani<\/strong>, por pas nj\u00eb kohe e merr veten<\/em><\/strong>. Numri i vdekjeve fillon t\u00eb sh\u00ebnoj\u00eb r\u00ebnie<\/em><\/strong>.<\/p>\n

Pjesa e pest\u00eb<\/strong>: Kah fundi i janarit murtaja t\u00ebrhiqet plot\u00ebsisht<\/em><\/strong>, nd\u00ebrsa qytetar\u00ebt festojn\u00eb hapjen e paralajm\u00ebruar t\u00eb dyerve<\/em><\/strong> t\u00eb qytetit t\u00eb mbyllur n\u00eb karantin\u00eb. Por, Otoni<\/strong> nuk ia del t\u2019i shp\u00ebtoj\u00eb vdekjes<\/em><\/strong> nga infektimi. Kotardi<\/strong> i cili me pun\u00ebt kontrabandiste p\u00ebrfitonte nga epidemia, tani \u00ebsht\u00eb i shqet\u00ebsuar p\u00ebr p\u00ebrfundimin e saj. E rrok paranoj. N\u00eb ikje e sip\u00ebr, e ndalin dy zyrtar\u00eb t\u00eb shtetit. Edhe se epidemia kishte marr\u00eb fund, edhe Taru<\/strong> u infektua nga murtaja dhe pas nj\u00eb lufte heroike, vdiq<\/em>. Dr. Rije<\/strong> njoftohet me telegram p\u00ebr vdekjen e gruas s\u00eb vet<\/em><\/strong>.<\/p>\n

N\u00eb shkurt qyteti hapet<\/em><\/strong>. Njer\u00ebzit p\u00ebrs\u00ebri bashkohen me t\u00eb af\u00ebrmit e tyre. Ramberi takon gruan e vet. N\u00eb gjendje \u00e7mendurie, Kotardi q\u00ebllon me arm\u00eb ndaj njer\u00ebzve t\u00eb nd\u00ebrtes\u00ebs ku banon, p\u00ebr t\u00eb p\u00ebrfunduar pas hekurave<\/em><\/strong>. Grani<\/strong> e vazhdon pun\u00ebn n\u00eb romanin q\u00eb e kishte nd\u00ebrprer\u00eb.<\/p>\n

Narratori i kronik\u00ebs e zbulon identitetin e vet, duke shprehur d\u00ebshir\u00ebn p\u00ebr t\u2019i paraqitur objektivisht pik\u00ebpamjet e veta lidhur me ngjarjet. Vjen n\u00eb p\u00ebrfundim se duhet pasur besim te njer\u00ebzit dhe jo t\u00eb urrehen ata<\/em><\/strong>.<\/p>\n

Kjo tem\u00eb e madhe e fatkeq\u00ebsis\u00eb dhe e luft\u00ebs, n\u00eb vepr\u00ebn e Kamys\u00eb merr nj\u00eb dometh\u00ebnie simbolike<\/em>. Romani \u00ebsht\u00eb i angazhuar dhe tejet aktual, sidomos sot kur paranoja shoq\u00ebrore, si pasoj\u00eb e kanosjeve t\u00eb vazhdueshme ndaj njer\u00ebzimit n\u00eb form\u00ebn e p\u00ebrhapjes s\u00eb viruseve vdekjeprur\u00ebse, t\u00eb shp\u00ebrthimit t\u00eb terrorizmit, t\u00eb katastrof\u00ebs b\u00ebrthamore apo natyrore,<\/em> ka marr\u00eb p\u00ebrmasa frik\u00ebsuese. E keqe vjen dhe ashtu si ka ardhur, njashtu dhe ik\u00ebn. Pas nj\u00eb kohe – n\u00eb nj\u00eb bot\u00eb si kjo \u2013 vjen nj\u00eb e keqe e re.<\/p>\n

E mira e p\u00ebrgjithshme nuk mund t\u00eb p\u00ebrfytyrohet jasht\u00eb fatit t\u00eb individit \u2013 Kamy. <\/em><\/strong><\/p>\n

*\u00a0\u00a0 *\u00a0\u00a0 *<\/strong><\/p>\n

Kritika letrare<\/strong>: Zherman Bre <\/strong>luft\u00ebn e personazheve kund\u00ebr murtaj\u00ebs e ka karakterizuar si \u201cjodramatike dhe t\u00eb p\u00ebrkushtueshme\u201d. Sipas tij, p\u00ebr dallim nga ideologjia \u201ce glorifikimit t\u00eb forc\u00ebs\u201d q\u00eb v\u00ebrehet n\u00eb romanet e Andre Malros\u00eb<\/strong>, personazhet e Kamys\u00eb, pa kurrfar\u00eb ideologjie dhe kundrejt sakrificave personale, vihen n\u00eb veprim p\u00ebr t\u00eb shp\u00ebtuar njer\u00ebz<\/em> dhe jo p\u00ebr ta asgj\u00ebsuar murtaj\u00ebn. Marina Varner <\/strong>v\u00eb n\u00eb dukje munges\u00ebn e personazheve femra<\/em>, duke shtuar se n\u00eb roman nuk kemi as personazhe arab\u00eb.<\/p>\n

Ajo thot\u00eb se romani i p\u00ebrmban edhe pik\u00ebpamjet filozofike t\u00eb Kamys\u00eb \u201cp\u00ebr angazhimin\u201d, \u201cp\u00ebr mendjempreht\u00ebsin\u00eb e zem\u00ebrgjer\u00ebsin\u00eb\u201d, \u201cp\u00ebr heroizmin e vog\u00ebl e qyqarin\u00eb\u00a0 e madhe\u201d, \u201cp\u00ebr problemet e ndryshme, thell\u00ebsisht humane, si\u00e7 jan\u00eb dashuria dhe mir\u00ebsia, lumturia dhe solidariteti i nd\u00ebrsjell\u00eb.\u201d Tomas Hana <\/strong>dhe Xhon Lusi<\/strong> jan\u00eb marr\u00eb temat q\u00eb kan\u00eb t\u00eb b\u00ebjn\u00eb me krishterimin<\/em><\/strong> n\u00eb roman, sidomos me angazhimin e klerikut Panlu dhe t\u00eb Dr. Rijes\u00eb. Lui Rosi <\/strong>flet shkurt p\u00ebr rolin e Tarus\u00eb n\u00eb roman. Elvin Sterling <\/strong>e ka analizuar rolin e Kotardit dhe aktin p\u00ebrfundimtar t\u00eb tij n\u00eb fund t\u00eb vepr\u00ebs.<\/p>\n","protected":false},"excerpt":{"rendered":"

Xhelal Zejneli Individi p\u00ebrball\u00eb epidemis\u00eb Tri veprat e veta: romanin \u201cI huaji\u201d (L\u2019\u00c9tranger, 1942), dram\u00ebn \u201cKaligula\u201d (Caligula, 1944) dhe esen\u00eb \u201cMiti i Sizifit\u201d (Le Mythe de Sisyph, 1942) Alber Kamy i sistemoi n\u00eb ciklin e absurdit. P\u00ebr k\u00ebt\u00eb arsye e konsideronin si nj\u00eb nga p\u00ebrfaq\u00ebsuesit e let\u00ebrsis\u00eb ekzistencialiste me t\u00eb cil\u00ebn nd\u00ebrlidhet tema e absurdit […]<\/p>\n","protected":false},"author":1,"featured_media":53713,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2,4,35],"tags":[],"class_list":["post-53712","post","type-post","status-publish","format-standard","has-post-thumbnail","category-artikuj","category-histori","category-kulture"],"yoast_head":"\nALBER KAMY - \u201cMURTAJA\u201d - FJALA e LIR\u00cb<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/jehonashqiptare.al\/fjala\/alber-kamy-murtaja\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"ALBER KAMY - \u201cMURTAJA\u201d - FJALA e LIR\u00cb\" \/>\n<meta property=\"og:description\" content=\"Xhelal Zejneli Individi p\u00ebrball\u00eb epidemis\u00eb Tri veprat e veta: romanin \u201cI huaji\u201d (L\u2019\u00c9tranger, 1942), dram\u00ebn \u201cKaligula\u201d (Caligula, 1944) dhe esen\u00eb \u201cMiti i Sizifit\u201d (Le Mythe de Sisyph, 1942) Alber Kamy i sistemoi n\u00eb ciklin e absurdit. 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