{"id":55133,"date":"2020-05-03T10:54:29","date_gmt":"2020-05-03T09:54:29","guid":{"rendered":"https:\/\/fjala.info\/?p=55133"},"modified":"2020-05-03T12:43:11","modified_gmt":"2020-05-03T11:43:11","slug":"anton-pashku-romani-psikologjik","status":"publish","type":"post","link":"https:\/\/jehonashqiptare.al\/fjala\/anton-pashku-romani-psikologjik\/","title":{"rendered":"ANTON PASHKU \u2013 ROMANI PSIKOLOGJIK"},"content":{"rendered":"

\"XhelalXhelal Zejneli<\/strong><\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Anton Pashku<\/strong> (1937-1995) \u00ebsht\u00eb shkrimtar q\u00eb nuk synon masat e gjera t\u00eb publikut, por lexuesin e shkolluar q\u00eb p\u00eblqen shkrimet hermetike<\/em> <\/strong>dhe imt\u00ebsit\u00eb e analiz\u00ebs s\u00eb karakterit n\u00eb romanet psikologjike<\/em><\/strong>. Shtypja e eg\u00ebr politike mbi brezin e par\u00eb t\u00eb prozator\u00ebve n\u00eb fund t\u00eb viteve \u201950, e b\u00ebri t\u00eb t\u00ebrhiqet nga shtrati kryesor i krijimtaris\u00eb letrare dhe t\u00eb krijoj\u00eb nj\u00eb bot\u00eb hermetike t\u00eb vet\u00ebn. Lindi n\u00eb Grazhdanik af\u00ebr Prizrenit n\u00eb nj\u00eb familje fshatare t\u00eb mal\u00ebsis\u00eb s\u00eb Hasit.<\/p>\n

Tregimet, romanet dhe pjes\u00ebt teatrore eksperimentale t\u00eb Pashkut d\u00ebshmojn\u00eb afri me veprat e prozatorit anglez Xhorxh Oruell<\/strong> (George Orwell, emri i v\u00ebrtet\u00eb Eric Blair, 1903-1950), t\u00eb prozatorit austriak me prejardhje hebraike Franc Kafka <\/strong>(Franz Kafka, 1883-1924) dhe t\u00eb tregimtarit, eseistit e dramaturgut austriak Robert Musil <\/strong>(Robart Musil, 1880-1942).<\/p>\n

Krijimet letrare kryesore t\u00eb Pashkut jan\u00eb hermetike<\/em><\/strong>. Hermetizmi n\u00ebnkupton shkall\u00ebn e ul\u00ebt t\u00eb komunikimit n\u00eb vepr\u00ebn letrare. Kjo u b\u00eb karakteristik\u00eb e nj\u00eb pjese t\u00eb madhe t\u00eb let\u00ebrsis\u00eb bashk\u00ebkohore. N\u00eb radh\u00eb t\u00eb par\u00eb nd\u00ebrlidhet me poezin\u00eb lirike t\u00eb<\/strong> parnasist\u00ebve, t\u00eb dekadent\u00ebve <\/strong>dhe t\u00eb simbolist\u00ebve <\/strong>t\u00eb shekullit XIX.<\/p>\n

*\u00a0\u00a0 *\u00a0\u00a0 *<\/strong><\/p>\n

Poezi hermetike krijuan: poeti francez i cili i takon rrethit t\u00eb ngusht\u00eb t\u00eb simbolist\u00ebve Artur Rembo <\/strong>(Arthur Rimbaud, 1854-1891); simbolisti francez Stefan Malarme <\/strong>(St\u00e9phane Mallarm\u00e9, 1842-1898) si dhe poeti e eseisti francez, p\u00ebrfaq\u00ebsues i njohur hermetizmit Pol Valeri <\/strong>(Paul Valery, 1871-1945).<\/p>\n

Let\u00ebrsi hermetike krijuan edhe: poeti dhe prozatori italian Masimo<\/strong> Bontempeli <\/strong>(Massimo Bontempelli, 1878-1960); poeti italian Euxhenio Montale <\/strong>(Eugenio Montale, 1896-1981); liriku italian q\u00eb solli n\u00eb italisht Shekspirin – Xhuzepe Ungareti <\/strong>(Giuseppe Ungaretti, 1888-1970) dhe nj\u00ebri nd\u00ebr p\u00ebrfaq\u00ebsuesit m\u00eb t\u00eb r\u00ebnd\u00ebsish\u00ebm t\u00eb poezis\u00eb hermetike italiane, i cili p\u00ebrktheu n\u00eb italisht poet\u00ebt antik\u00eb grek\u00eb e latin\u00eb, Shekspirin, Molierin, Pablo Nerud\u00ebn – Salvatore Kuazimodo <\/strong>(Salvatore Quasimodo, 1901-1968).<\/p>\n

*\u00a0\u00a0 *\u00a0\u00a0 *<\/strong><\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Anton Pashku renditet nd\u00ebr stilist\u00ebt m\u00eb t\u00eb mir\u00eb n\u00eb let\u00ebrsin\u00eb shqiptare. Vepra e tij zuri vend n\u00eb krye t\u00eb panteonit letrar komb\u00ebtar. Krijimet e tij jan\u00eb studime t\u00eb holla dhe mjesht\u00ebrore t\u00eb njeriut, q\u00eb nga lexuesi i thjesht\u00eb k\u00ebrkojn\u00eb durim.<\/p>\n

Tregimet e para: \u201cN\u00eb stuhi\u201d <\/em>dhe \u201cKlithma\u201d <\/em>i botoi n\u00eb vitin 1957. \u00cbsht\u00eb koha e aksionit fam\u00ebkeq t\u00eb UDB-s\u00eb p\u00ebr mbledhjen e arm\u00ebve n\u00eb Kosov\u00eb. Ai q\u00eb s\u2019kishte arm\u00eb p\u00ebr t\u00eb dor\u00ebzuar, duhej ta nxirrte nj\u00eb t\u00eb till\u00eb, qoft\u00eb edhe n\u00ebntoka. Ndryshe, i n\u00ebnshtrohej dhun\u00ebs policore serbe. Si pasoj\u00eb e k\u00ebtij aksioni, qindra mij\u00eb shqiptar\u00eb u shp\u00ebrngul\u00ebn dhunsh\u00ebm p\u00ebr n\u00eb Anadolli. Krimi serb mbi shqiptar\u00ebt e pambrojtur paraqiste shqet\u00ebsim t\u00eb madh p\u00ebr Pashkun. Si \u00e7do art i madh, edhe arti i tij, krimin serb n\u00eb Kosov\u00eb do ta stigmatizoj\u00eb n\u00eb shkall\u00eb universale<\/em>. P\u00ebr t\u00eb qen\u00eb i pakapsh\u00ebm p\u00ebr censur\u00ebn antishqiptare, n\u00eb shkrimet e veta p\u00ebrdori edhe stilin hermetik.<\/p>\n

VEPRAT<\/strong>: Nd\u00ebr botime t\u00eb tij p\u00ebrmenden: p\u00ebrmbledhjet me tregime \u201cTregime\u201d<\/em> (1961), \u201cNj\u00eb pjes\u00eb e lindjes\u201d<\/em> (1965), \u201cKulla\u201d<\/em> (1968), \u201cKjasina\u201d <\/em>(1973), \u201cLutjet e mbr\u00ebmjes\u201d<\/em> (1978); romani \u201cOh\u201d<\/em><\/strong> (1971); dramat \u201cSinkopa\u201d<\/em> (1969) dhe \u201cGof\u201d<\/em> (1976). Veprat e sip\u00ebrth\u00ebna u botuan n\u00eb Prishtin\u00eb.<\/p>\n

N\u00eb tregimin \u201cKulla\u201d<\/em><\/strong>, p\u00ebrpos tem\u00ebs s\u00eb dashuris\u00eb<\/em> jan\u00eb t\u00eb pleksura: motivi i lasht\u00ebsis\u00eb, i dram\u00ebs s\u00eb shqiptar\u00ebve n\u00ebp\u00ebr shekuj, i q\u00ebndres\u00ebs, i ekzistenc\u00ebs, i aktualitetit dhe vizioni i s\u00eb nes\u00ebrmes. N\u00eb k\u00ebt\u00eb rr\u00ebfim, n\u00ebp\u00ebrmjet jet\u00ebs s\u00eb dy brezave, t\u00eb shtrir\u00eb n\u00eb t\u00ebr\u00ebsin\u00eb ekzistenciale kolektive t\u00eb kombit, pasqyrohet aktualiteti i r\u00ebnd\u00eb dhe ankthi i banor\u00ebve t\u00eb kull\u00ebs. Plaka vdes, nd\u00ebrsa Djali, bazuar n\u00eb p\u00ebrvoj\u00ebn e saj, projekton t\u00eb nes\u00ebrmen e vet, duke e mbartur tutje p\u00ebrvoj\u00ebn nga e kaluara. Duke par\u00eb ankthsh\u00ebm se q\u00ebndresa dhe ekzistenca e Kull\u00ebs \u00ebsht\u00eb n\u00eb rrezik, biri sajon mekanizmin mbrojt\u00ebs pik\u00ebrisht n\u00eb saje t\u00eb trash\u00ebgimis\u00eb simbolike t\u00eb saj. P\u00ebr t\u2019i b\u00ebr\u00eb ball\u00eb shprishjes nga dhuna e ushtruar, rr\u00ebfyesi e gjen mbrojtjen n\u00eb thesarin shpirt\u00ebror kolektiv<\/em>. Me lidhjen jetike t\u00eb Birit me truallin dhe me kull\u00ebn, n\u00eb k\u00ebt\u00eb tregim antologjik ngadh\u00ebnjen e nes\u00ebrmja.<\/p>\n

Tema e vetmis\u00eb<\/em>, t\u00ebrheqja n\u00eb vetvete nga censura dhe shtypja si dhe tema e dhun\u00ebs <\/em>dhe e krimit<\/em> z\u00ebn\u00eb vend qendror n\u00eb proz\u00ebn tregimtare t\u00eb Pashkut. Temat e tilla jan\u00eb rrjedhoj\u00eb e gjenocidit t\u00eb kryer ndaj qenies kolektive shqiptare, historikisht dhe sot. N\u00eb proz\u00ebn e tij krimi universalizohet si vler\u00eb artistike dhe si mesazh, si filozofi dhe si parim moral.<\/p>\n

ROMANI <\/strong>\u201cOh\u201d <\/strong>\u2013 Ky krijim artistik \u00ebsht\u00eb nj\u00eb shembull i stilit dhe i krijimit t\u00eb groteskut<\/em><\/strong>. Di\u00e7ka e pashoqe, karakteristike dhe e ve\u00e7ant\u00eb n\u00eb let\u00ebrsin\u00eb shqiptare. Kur u paraqit, u cil\u00ebsua si vep\u00ebr hermetike<\/em><\/strong>. U tha se \u00ebsht\u00eb jehon\u00eb e antiromanit<\/em><\/strong>.<\/p>\n

Vepra \u00ebsht\u00eb vazhdim\u00ebsi e tregimeve pararend\u00ebse t\u00eb autorit, n\u00eb kuptimin e mir\u00ebfillt\u00eb t\u00eb nocionit moderniz\u00ebm<\/em>. \u00cbsht\u00eb nj\u00eb proz\u00eb q\u00eb i thyen konvencionet tradicionale, q\u00eb realitetin e artikulon n\u00ebp\u00ebrmjet figuracionit t\u00eb ve\u00e7ant\u00eb dhe burimor. Ky roman \u00ebsht\u00eb fabul klasike pa nj\u00eb lidhje subjekti, pa rrjedh\u00eb kronologjike, pa rr\u00ebfyes t\u00eb artikuluar qart\u00eb dhe pa k\u00ebndv\u00ebshtrimin e fiksuar t\u00eb autorit.<\/p>\n

N\u00eb fillim t\u00eb romanit kemi nj\u00eb mjedis t\u00eb mbyllur: N\u00eb dhom\u00eb, burri e gruaja dhe nj\u00eb akuarium me tre peshq. Burri niset n\u00eb nj\u00eb udh\u00ebtim imagjinar n\u00ebp\u00ebr t\u00eb kaluar\u00ebn<\/em> dhe t\u00eb ardhmen<\/em>. Ai vepron me imagjinat\u00ebn e vet, pa nd\u00ebrmarr\u00eb di\u00e7 konkrete. Gruaja nd\u00ebrkaq, nd\u00ebrton kulla r\u00ebre<\/em>. Fundi i romanit \u00ebsht\u00eb p\u00ebrs\u00ebritje e tekstit fillestar. Gruaja largohet n\u00eb m\u00ebnyr\u00eb protestuese apo demonstrative. Dy peshqit e vegj\u00ebl nuk jan\u00eb m\u00eb gjall\u00eb, nd\u00ebrsa i treti, me pika t\u00eb kuqe, noton n\u00ebp\u00ebr akuarium si nj\u00eb triumfues.<\/p>\n

Rr\u00ebfimi n\u00eb roman shtrihet deri n\u00eb koh\u00ebn ilire<\/strong> dhe jepet n\u00ebp\u00ebrmjet ngjyrimit ironik <\/em><\/strong>dhe alegorik<\/em><\/strong>. K\u00ebsisoj b\u00ebhet m\u00eb e z\u00ebshme ideja qendrore e romanit – historia shqiptare e dhimbshme dhe e p\u00ebrs\u00ebritur<\/em><\/strong>. Autori shpalos munges\u00ebn e substanc\u00ebs s\u00eb formuar t\u00eb qenies. N\u00eb kuad\u00ebr t\u00eb k\u00ebsaj, n\u00eb vizionin e Pashkut as e ardhmja nuk \u00ebsht\u00eb shpres\u00ebdh\u00ebn\u00ebse<\/em><\/strong>. <\/em>Ky vizion i autorit ting\u00ebllon aktual edhe sot. N\u00eb k\u00ebt\u00eb pik\u00ebpamje, romani \u201cOh\u201d<\/em> mund t\u00eb konsiderohet edhe si roman historik, por pik\u00ebs\u00ebpari \u00ebsht\u00eb roman ideje<\/em>, apo edhe roman<\/em> filozofik<\/em>.<\/p>\n

Rr\u00ebfimi i ngjarjeve n\u00eb roman realizohet n\u00eb disa nivele kohore: e tashmja<\/em> q\u00eb rrjedh si dialog i Burrit, rr\u00ebfyesit me \u201cbashk\u00ebbiseduesen\u201d e pranishme. M\u00eb pas ky dialog kalon n\u00eb shkall\u00ebn e retrospektiv\u00ebs<\/em> dhe shnd\u00ebrrohet n\u00eb dialog me Plakun. N\u00eb vijim kemi kalimin n\u00eb koh\u00ebn dhe n\u00eb bot\u00ebn ilire<\/em><\/strong>. Me fjal\u00eb t\u00eb tjera, kemi tri nyje kohore: e tashmja dhe dy shkall\u00ebt e koh\u00ebs s\u00eb shkuar. N\u00ebp\u00ebrmjet tyre pasqyrohet p\u00ebrs\u00ebritja e historis\u00eb, e dram\u00ebs kolektive shqiptare.<\/em> <\/strong><\/p>\n

Romani ka nj\u00eb struktur\u00eb t\u00eb nd\u00ebrlikuar. Lidhja e nyjave kohore dhe dep\u00ebrtimi i rr\u00ebfyesit n\u00eb retrospektiv\u00ebn e nj\u00ebfisht\u00eb dhe t\u00eb dyfisht\u00eb send\u00ebrtohet n\u00ebp\u00ebrmjet teknik\u00ebs moderne, q\u00eb \u00ebsht\u00eb karakteristik\u00eb e romanit psikologjik modern<\/em><\/strong>, apo e \u201cromanit t\u00eb ri\u201d<\/em><\/strong> (nouveau roman)<\/em>, p\u00ebrkat\u00ebsisht e antiromanit<\/em><\/strong>. Duke b\u00ebr\u00eb nj\u00eb k\u00ebrcim parabolik n\u00eb koh\u00eb, rr\u00ebfyesi shk\u00ebputet nga realiteti aktual. N\u00ebp\u00ebrmjet thirrjes s\u00eb brendshme shfaqen t\u00eb gjalla koh\u00ebt e shkuara, ngjarjet historike dhe ato t\u00eb sajuara. Duke dep\u00ebrtuar thell\u00eb n\u00eb lasht\u00ebsi, rr\u00ebfyesi e paraqet vizionin p\u00ebr t\u00eb ardhmen<\/em> q\u00eb pasqyrohet n\u00eb pjes\u00ebn e dyt\u00eb t\u00eb romanit.<\/p>\n

Sistemi i rr\u00ebfimit n\u00eb romanin \u201cOh\u201d<\/em> nxit interpretime shum\u00ebshtresore. Kjo p\u00ebrb\u00ebn tiparin dallues t\u00eb stilit t\u00eb autorit. Pik\u00ebrisht p\u00ebr k\u00ebt\u00eb, Anton Pashkun e kan\u00eb quajtur Xhojsi shqiptar.<\/p>\n

DRAMAT<\/strong>: Edhe n\u00eb k\u00ebt\u00eb gjini, Pashku \u00ebsht\u00eb i ve\u00e7ant\u00eb. Tekstin e dram\u00ebs e nd\u00ebrton mbi konvencionet klasike, sidomos t\u00eb tragjedis\u00eb dhe tregon prirje t\u00eb qart\u00eb drejt antidram\u00ebs<\/strong>.<\/p>\n

Teksti i dram\u00ebs \u201cGof\u201d<\/em><\/strong> del si ide, si portretizim i nj\u00eb dukurie apo gjendjeje, nga ku n\u00ebp\u00ebrmjet ironis\u00eb, analogjive dhe parabolave kohore pasqyrohen realitete t\u00eb tjera. Mund t\u00eb thuhet se teksti i k\u00ebsaj drame \u00ebsht\u00eb m\u00eb i tensionuari dhe m\u00eb i ankthshmi n\u00eb dramaturgjin\u00eb shqiptare. Autori e merr koh\u00ebn e pushtimit fashist t\u00eb vitit 1939, por pa i p\u00ebrmendur fjal\u00ebt fashiz\u00ebm,\u00a0 pushtim apo dhun\u00eb. Nuk shpreh patetiz\u00ebm, as patriotiz\u00ebm.<\/p>\n

Drama p\u00ebrmban dy pjes\u00eb dhe tre personazhe: Lulashi, Lulua dhe Luani. Tekstin e thot\u00eb vet\u00ebm Lulashi, i cili shpeshher\u00eb e thyen monologun apo nd\u00ebrhyrjet e paramenduara t\u00eb t\u00eb tjer\u00ebve. Monologu p\u00ebrmban nj\u00eb mori tekstesh dhe dokumentesh t\u00eb koh\u00ebs, si: afishe, deklarata, urime, fal\u00ebnderime, kanosje, reklama. T\u00eb gjitha k\u00ebto paraqesin grumbull njer\u00ebzish, nj\u00eb mori vlerash, antivlerash, ngjarjesh, ambiciesh apo \u00ebnd\u00ebrrimesh.<\/p>\n

Kemi nj\u00eb mjedis shoq\u00ebror kompleks, ku individi e humb personalitetin e vet, pra e humb vetveten. Lulashi \u00ebsht\u00eb, sa i shp\u00ebtuar aq edhe i humbur. N\u00eb p\u00ebr\u00e7artje, ai shpreh mendime q\u00eb jehojn\u00eb si kritika t\u00eb ashpra, nd\u00ebrsa ankthi<\/em> dhe ironia<\/em> shkall\u00ebzohen n\u00eb sarkaz\u00ebm<\/em>. Krijohet nj\u00eb atmosfer\u00eb rr\u00ebmuje. N\u00eb shoq\u00ebrin\u00eb e k\u00ebtij mjedisi mbizot\u00ebron nj\u00eb gjendje kaotike,\u00a0 rr\u00ebmuj\u00eb e p\u00ebrgjithshme, shthurje morale dhe anarki idesh. Kemi n\u00ebp\u00ebrk\u00ebmbjen e plot\u00eb t\u00eb vlerave dhe p\u00ebrmbysjen e tyre. Kudo sundon mashtrimi, dhuna dhe hipokrizia. Pashku e parandien dhe e paralajm\u00ebron p\u00ebrs\u00ebritjen e ngjarjeve tragjike t\u00eb shoq\u00ebris\u00eb shqiptare t\u00eb s\u00eb kaluar\u00ebs.<\/p>\n

Drama \u201cGof\u201d<\/em> \u00ebsht\u00eb aktuale n\u00eb t\u00eb gjitha hap\u00ebsirat shqiptare, sot si gjysm\u00eb shekulli m\u00eb par\u00eb. Po k\u00ebt\u00eb, autori e ka paralajm\u00ebruar edhe n\u00eb romanin \u201cOh\u201d<\/em>.<\/p>\n

Edhe drama \u201cSinkopa\u201d<\/em><\/strong> p\u00ebrb\u00ebhet prej dy pjes\u00ebve. Pjesa e par\u00eb zhvillohet n\u00eb dhom\u00ebn e Xhexheut. Aty kemi nj\u00eb telefon dhe nj\u00eb thik\u00eb. Telefoni simbolizon p\u00ebrgjimin <\/em>apo manipulimin<\/em>, nd\u00ebrsa thika \u2013 dhun\u00ebn<\/em> dhe krimin<\/em>. \u00c7do gj\u00eb n\u00eb dram\u00eb rrotullohet rreth Xhexheut. Ky flet me telefon me nj\u00eb tjet\u00ebr i cili ndodhet n\u00eb skajin tjet\u00ebr t\u00eb pajisjes. Numri i pajisjes s\u00eb tij \u00ebsht\u00eb nj\u00ebshi me 11 zero pas si dhe 11 zero, para nj\u00ebshit n\u00eb fund. \u00cbsht\u00eb numri i vet. Fjal\u00ebt e tjetrit mund t\u2019i marrim me mend aq sa lejon monologu i Xhaxheut. Tjetri ndodhet n\u00eb dhom\u00ebn e Xhaxheut. Ai \u00ebsht\u00eb i patrajt\u00eb, pra s\u2019ka trajt\u00eb personale. \u00cbsht\u00eb mekaniz\u00ebm dhe sistem, q\u00eb t\u00eb ndrydh dhe q\u00eb t\u00eb ngujon brenda grilave t\u00eb hekurt.<\/p>\n

Pjesa e dyt\u00eb e dram\u00ebs zhvillohet n\u00eb nj\u00eb lokal publik. K\u00ebtu ndodhen Rruga e Trimave dhe Kozmodromi. Njer\u00ebzit e grumbulluar aty zhvillojn\u00eb biseda t\u00eb kota. Me nj\u00eb rebelim t\u00eb vendosur Xhaxheu synon t\u00eb shk\u00ebputet nga ky realitet.<\/p>\n

N\u00eb pjes\u00ebn e par\u00eb, rr\u00ebfimi dramatik shfaqet me an\u00eb t\u00eb z\u00ebrit, n\u00ebp\u00ebrmjet monologut, t\u00eb reflektuar nga bashk\u00ebbiseduesi imagjinar. N\u00eb pjes\u00ebn e dyt\u00eb nd\u00ebrkaq, ngjarjen mund ta shohim. Ajo \u00ebsht\u00eb vizuale.<\/p>\n

Autori p\u00ebrdor n\u00eb dram\u00eb nj\u00eb gjuh\u00eb simbolike: simbolike jan\u00eb numrat n\u00eb t\u00eb dyja an\u00ebt e aparatit fol\u00ebs. Po k\u00ebshtu edhe thika dhe emrat e personazheve. Xhaxheu simbolizon p\u00ebrpjekjet p\u00ebr rezistenc\u00eb, Lumnia simbolizon iden\u00eb e realitetit t\u00eb pandryshuesh\u00ebm, Lumtunia p\u00ebrfaq\u00ebson idealin e synuar, nd\u00ebrsa Shpresa nd\u00ebrlidhet me mb\u00ebshtetjen e brendshme t\u00eb personazhit.<\/p>\n

Teksti i hapur i dram\u00ebs \u201cSinkopa\u201d<\/em>, t\u00eb p\u00ebrkujton teorin\u00eb e \u201cvepr\u00ebs s\u00eb hapur\u201d<\/em> <\/strong>t\u00eb teoricienit, kritikut dhe romancierit italian Umberto Eko <\/strong>(Umberto Eco, 1932-2016). Sipas k\u00ebtij profesori t\u00eb estetik\u00ebs, t\u00eb semiotik\u00ebs dhe t\u00eb komunikimeve vizuale, p\u00ebrfundimi i vepr\u00ebs letrare artistike duhet t\u2019i lihet lexuesit<\/em>.<\/p>\n

*\u00a0\u00a0 *\u00a0\u00a0 *<\/strong><\/p>\n

Antidrama <\/strong>ose drama e absurdit <\/strong>\u00ebsht\u00eb drejtim n\u00eb krijimtarin\u00eb dramatike, q\u00eb u paraqit n\u00eb Franc\u00eb n\u00eb vitet \u201950 t\u00eb shekullit XX. P\u00ebrfaq\u00ebsues t\u00eb dram\u00ebs s\u00eb absurdit ishin dramaturgu francez me prejardhje rumune Ezhen Jonesko <\/strong>(Eug\u00e9ne Ionesco, 1912-1994), romancieri dhe dramaturgu irlandez Semjuel Beket <\/strong>(Samuel Beckett, 1906-1989), dramaturgu francez me prejardhje armene Artur Adamov <\/strong>(Arthur Adamov, 1908-1970) dhe poeti, romancieri e dramaturgu francez, i cili prind\u00ebrit e vet nuk i pa kurr\u00eb Zhan Zhenet<\/strong> (Jean Genet, 1910-1986). M\u00eb von\u00eb drama e absurdit u shtri edhe n\u00eb vende t\u00eb tjera.<\/p>\n

Krahas termit dram\u00eb e absurdit<\/strong>, p\u00ebrdoren edhe termat drama avangarde, antidrama, teatri i ri <\/em><\/strong>(n\u00eb analogji me termin \u201cromani i ri\u201d<\/strong>, metateat\u00ebr, teat\u00ebr i protest\u00ebs<\/strong><\/em>.<\/p>\n

Drama e absurdit ka nj\u00eb tradit\u00eb t\u00eb af\u00ebrt dhe t\u00eb larg\u00ebt. Shembull i dram\u00ebs s\u00eb absurdit <\/em>konsiderohet \u201cMbreti Yby\u201d<\/em> (Ubu <\/em>roi, 1888)<\/em> i dramaturgut, romancierit dhe poetit francez, t\u00eb kualifikuar si poet dekadent<\/em> Alfred Zhari <\/strong>(Alfred Jarry, 1873-1907); drama surrealiste \u201cGjinjt\u00eb e Tiresias\u201d<\/em> (Les mamelles de Tir<\/em>\u00e9<\/em>sias<\/em>, 1917)<\/em> e poetit francez, i cili Faik Konic\u00ebn<\/strong> e quajti enciklopedia q\u00eb ec\u00ebn<\/em>, Gijom<\/strong> Apoliner <\/strong>(Guillaume Apollinaire, emri i v\u00ebrtet\u00eb Wilhelm Apollinaris de Kostrowitzky, 1880-1918); drama \u201cViktori ose f\u00ebmij\u00ebt n\u00eb pushtet\u201d (Victor ou les Enfants au pouvoir<\/em>, 1928)<\/em> e poetit dhe dramaturgut francez Rozhe Vitrak <\/strong>(Roger Vitrac, 1899-1952).<\/p>\n

Pasojn\u00eb dramat ekspresioniste, futuriste, dadaiste <\/strong>dhe surrealiste<\/strong>. K\u00ebtu b\u00ebjn\u00eb pjes\u00eb dramat \u201cN\u00eb xhungl\u00ebn e qyteteve\u201d (Im Dickicht der Stade<\/em>, 1923)<\/em> dhe \u201cNjeriu \u00ebsht\u00eb njeri\u201d (Mann ist Mann<\/em>, 1925) <\/em>t\u00eb dramaturgut, poetit dhe tregimtarit gjerman Bertolt Breht <\/strong>(Bertolt Brecht, 1898-1956).<\/p>\n

Shfaqja e dram\u00ebs \u201cK\u00ebng\u00ebtarja tullace\u201d (La Cantratice chauve<\/em>, 1950)<\/em> t\u00eb Joneskos, e dram\u00ebs \u201cInvadimi\u201d<\/em> (L\u2019Inavasion<\/em>, 1950)<\/em> t\u00eb Adamovit dhe e dram\u00ebs \u201cDuke pritur Godon\u00eb\u201d<\/em> <\/strong>(En attendant Godot<\/em>, 1952, shfaqur m\u00eb 1953)<\/em> t\u00eb Beketit \u2013 sh\u00ebnon lindjen e dram\u00ebs s\u00eb absurdit<\/em> si drejtim teatror.<\/p>\n

E lindur n\u00eb klim\u00ebn e pas luft\u00ebs, drama e absurdit<\/em> i ka rr\u00ebnj\u00ebt n\u00eb filozofin\u00eb e ekzistencializmit<\/strong>, postulatet thelb\u00ebsore t\u00eb s\u00eb cil\u00ebs v\u00ebrehen te shum\u00eb dramaturg\u00eb: absurditeti i ekzistenc\u00ebs, paq\u00ebndrueshm\u00ebria e vlerave, mungesa e komunikimit, dykuptim\u00ebsia e ndjenjave, gjestet e paarsyeshme dhe mekanike, shnd\u00ebrrimi i gjuh\u00ebs n\u00eb formula t\u00eb privuara nga dometh\u00ebnia, tjet\u00ebrsimi <\/em><\/strong>etj. N\u00eb dramat e sip\u00ebrth\u00ebna ndjenja e absurdit shprehet nj\u00ebsoj, si n\u00eb p\u00ebrmbajtjen<\/em> ashtu edhe n\u00eb form\u00ebn<\/em> e dram\u00ebs s\u00eb absurdit, n\u00eb gjuh\u00ebn e sken\u00ebs dhe n\u00eb gjuh\u00ebn n\u00eb p\u00ebrgjith\u00ebsi.<\/p>\n

*\u00a0\u00a0 *\u00a0 *<\/strong><\/p>\n

EKZISTENCIALIZMI <\/strong>\u2013 \u00ebsht\u00eb drejtim dhe doktrin\u00eb filozofike q\u00eb pati nj\u00eb jehon\u00eb t\u00eb thell\u00eb n\u00eb let\u00ebrsi dhe n\u00eb art. Ekzistencializmi modern fillon me shkrimtarin dhe filozofin danez S\u00ebren<\/strong> Kierkegor <\/strong>(S\u00f8ren Kierkegaard, 1813-1855). Pas tij vijn\u00eb: filozofi gjerman Martin Hajdeger <\/strong>(Martin Heideger, 1889-1976) dhe filozofi e psikiatri gjermano-zviceran Karl Jaspers <\/strong>(1883-1969). N\u00eb kuptimin e mir\u00ebfillt\u00eb t\u00eb fjal\u00ebs ekzistencialist\u00eb jan\u00eb: romancieri, filozofi, dramaturgu dhe kritiku francez Zhan-Pol Sartri <\/strong>(Jean-Paul Sartre, 1905-1980), filozofi francez i fenomenologjis\u00eb<\/em> Merlo-Ponti <\/strong>(Maurice Merleau-Ponty, 1908-1961) i ndikuar nga themeluesi i fenomenologjis\u00eb, <\/strong>filozofi gjerman me prejardhje hebraike, Edmund Huserl <\/strong>(1859-1938) si dhe nga Martin Hajdegeri. K\u00ebtij grupi i takon edhe romancieri, eseisti dhe dramaturgu francez Alber Kamy<\/strong> (Albert Camus, 1913-1960).<\/p>\n

*\u00a0\u00a0 *\u00a0\u00a0 *<\/strong><\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 ROMANI PSIKOLOGJIK<\/strong> \u2013 Ky lloj romani \u00ebsht\u00eb i p\u00ebrqendruar n\u00eb bot\u00ebn emocionale<\/em> dhe n\u00eb jet\u00ebn e brendshme<\/em> t\u00eb heroit kryesor. P\u00ebr k\u00ebt\u00eb arsye, shpeshher\u00eb shkruhet n\u00eb vet\u00ebn e par\u00eb<\/em> (ich-Form) <\/strong>ose n\u00eb form\u00ebn epistolare <\/strong>(n\u00eb form\u00eb letrash). N\u00eb romanin e till\u00eb veprimi i n\u00ebnshtrohet p\u00ebrjetimit t\u00eb brendsh\u00ebm, motiveve dhe reaksioneve shpirt\u00ebrore t\u00eb heronjve kryesor\u00eb. Preokupimi me jet\u00ebn shpirt\u00ebrore dhe emocionale, historikisht \u00ebsht\u00eb i nd\u00ebrlidhur me romanin<\/em><\/strong> moralist <\/em><\/strong>t\u00eb klas\u00ebs borgjeze.<\/p>\n

T\u00eb parat romane psikologjike klasike<\/em><\/strong> konsiderohen veprat e prozatorit anglez me arsimim modest Semjuel Ri\u00e7\u00ebrdson <\/strong>(Samuel Richardson, 1689-1761) \u201cPamela\u201d<\/em> (1740), \u201cKlarisa Harlou\u201d<\/em> (Clarrisa: or The History of a Young Lady<\/em>, 1748-49)<\/em>.<\/p>\n

Pasojn\u00eb: romani \u201cEloiza e re\u201d<\/em> (Julie ou La Nouvelle <\/em>H\u00e9lo\u00efse 1761)<\/em> i shkrimtarit dhe filozofit francez, pa shkollim sistematik Zhan-Zhak Ruso<\/strong> (Jean-Jacques Rousseau, 1712-1778); romani \u201cTristram Shendi\u201d<\/em> (The Life and Opinions of Tristram Shandy<\/em>, Gentleman<\/em>, 1759-67)<\/em> i romancierit anglez t\u00eb shkolluar n\u00eb Cambridge Lorens Stern <\/strong>(Laurence Sterne, 1713-1768) dhe romani epistolar \u201cVuajtjet e djaloshit Verter\u201d<\/em> (Die Leiden des jungen Werthers,<\/em> 1774)<\/em> i shkrimtarit gjerman G\u00ebte <\/strong>(Johann Wofgang Goethe, 1749-1832).<\/p>\n

N\u00eb t\u00eb gjitha k\u00ebto romane bota e brendshme e heroit kryesor mbizot\u00ebron n\u00eb vep\u00ebr dhe shprehet n\u00eb form\u00ebn n\u00eb t\u00eb cil\u00ebn mbizot\u00ebron perspektiva e<\/em> vet\u00ebs s\u00eb par\u00eb<\/em>.<\/p>\n

Nj\u00eb zhvillim t\u00eb ve\u00e7ant\u00eb n\u00eb drejtim t\u00eb dep\u00ebrtimit m\u00eb t\u00eb thell\u00eb n\u00eb motivimin e n\u00ebnvet\u00ebdijes<\/em><\/strong> dhe n\u00eb reaksionet e psik\u00ebs njer\u00ebzore, ky roman arrin n\u00eb shekullin XIX, sidomos te romancieri dhe novelisti rus Dostojevski <\/strong>(Fjodor Mihajlovi\u00e7 Dostojevski, 1821-1881).<\/p>\n

Jan\u00eb tipa dhe lloje t\u00eb ndryshme t\u00eb romanit t\u00eb ri<\/em>, n\u00eb t\u00eb cil\u00ebt psikologjia<\/em><\/strong> e irracionales <\/em><\/strong>dhe e n\u00ebnvet\u00ebdijes<\/em><\/strong>, shpeshher\u00eb e nd\u00ebrlidhur edhe me psikanaliz\u00ebn<\/strong>, paraqet baz\u00ebn e tematik\u00ebs dhe t\u00eb organizimit formal. K\u00ebshtu lindi romani i p\u00ebrroit t\u00eb nd\u00ebrgjegjes <\/strong>dhe romani i ri<\/strong>.<\/p>\n

Lindja e k\u00ebtij romani nd\u00ebrlidhet me romanin \u201cAmbasador\u00ebt\u201d<\/em> (The Ambassadors<\/em>, 1903)<\/em> t\u00eb romancierit, novelistit dhe kritikut amerikan Henri Xhejmz <\/strong>(Henry James, 1843-1916), n\u00eb t\u00eb cilin t\u00ebr\u00eb veprimi \u00ebsht\u00eb dramatizuar n\u00ebp\u00ebrmjet pik\u00ebpamjes unike, d.m.th. \u00ebsht\u00eb paraqitur p\u00ebrmes nd\u00ebrgjegjes<\/em> s\u00eb heroit kryesor dhe transformimit t\u00eb k\u00ebsaj nd\u00ebrgjegjeje p\u00ebrgjat\u00eb rrjedh\u00ebs s\u00eb romanit.<\/p>\n

Krijues t\u00eb m\u00ebdhenj t\u00eb shekullit XX si: romancieri francez Marsel Prust <\/strong>(Marcel Proust, 1871-1922), poeti dhe prozatori irlandez Xhejmz Xhojs <\/strong>(James joyce, 1882-1941), prozatorja dhe eseistja angleze, me arsimim joformal Virxhinia Ulf <\/strong>(Virginia Woolf, 1882-1941), prozatori amerikan Uillijam Fokner <\/strong>(William Faulkner, 1897-1962) \u2013 me t\u00eb madhe e kan\u00eb p\u00ebrdorur dhe e kan\u00eb zhvilluar teknik\u00ebn e vet\u00ebs s\u00eb par\u00eb<\/em><\/strong>, sidomos monologun e brendsh\u00ebm<\/strong>, si dhe disa m\u00ebnyra dhe mjete t\u00eb tjera t\u00eb paraqitjes s\u00eb vet\u00ebdijes s\u00eb njeriut n\u00eb vepr\u00ebn letrare.<\/p>\n

Prosedeun e ri t\u00eb stilit, d.m.th. p\u00ebrroin e nd\u00ebrgjegjes<\/em><\/strong> dhe monologun e brendsh\u00ebm<\/em><\/strong> e p\u00ebrdori me mjeshtri prozatori dhe poeti irlandez Xhejmz<\/strong> Xhojsi <\/strong>(James Joyce, 1882-1941) n\u00eb p\u00ebrmbledhjen e novelave \u201cDublinasit\u201d (Dubliners<\/em>, 1914)<\/em> si dhe n\u00eb romanin autobiografik \u201cPortreti i artistit n\u00eb rini\u201d<\/em> (A Portrait of the Artist as a Young, Man<\/em>, 1916).<\/em> Me k\u00ebto dy vepra Xhojsi ua hapi rrug\u00ebt prosedeve t\u00eb reja t\u00eb stilit: rrjedhja e pand\u00ebrprer\u00eb e mbresave dhe e asociacioneve n\u00eb vet\u00ebdijen e njeriut \u00ebsht\u00eb tem\u00eb kryesore e krijimit artistik. Nuk kemi fabul as t\u00eb dh\u00ebna p\u00ebr personazhet apo p\u00ebr ngjarjet. Tanim\u00eb nuk synohet paraqitja objektive dhe sa m\u00eb e plot\u00eb e veprimit. Lexuesi i njeh personazhet e vepr\u00ebs drejtp\u00ebrs\u00ebdrejti nga preokupimet e tyre t\u00eb n\u00ebnvet\u00ebdijshme. Prosedeun e till\u00eb t\u00eb stilit Xhojsi e p\u00ebrdori n\u00eb m\u00ebnyr\u00eb t\u00eb plot\u00eb n\u00eb romanin \u201cUliksi\u201d (Ulysses<\/em>, 1922)<\/em>.<\/p>\n

N\u00eb k\u00ebt\u00eb mes, interpretimet e jet\u00ebs shpirt\u00ebrore t\u00eb njeriut<\/em> sipas psikanaliz\u00ebs <\/strong>s\u00eb neurologut austriak me prejardhje hebraike Sigmund<\/strong> Frojdit <\/strong>(Sigmund Freud, 1856-1939), z\u00ebn\u00eb nj\u00eb vend fundamental.<\/p>\n

*\u00a0\u00a0 *\u00a0\u00a0 *<\/strong><\/p>\n

K\u00ebtu b\u00ebjn\u00eb pes\u00eb edhe p\u00ebrfaq\u00ebsuesit e \u201c<\/strong>ROMANIT T\u00cb RI\u201d (NOUVEAU ROMAN)<\/em><\/strong>. Kjo shkoll\u00eb e romanit lindi n\u00eb Franc\u00eb n\u00eb vitet \u201950 t\u00eb shekullit XX. Paraqet form\u00ebn m\u00eb t\u00eb r\u00ebnd\u00ebsishme t\u00eb romanit psikologjik <\/strong>evropian m\u00eb t\u00eb ri. P\u00ebrfaq\u00ebsuesit e \u201cromanit t\u00eb ri\u201d <\/strong>\u00a0p\u00ebrdor\u00ebn teknik\u00ebn e p\u00ebrroit t\u00eb nd\u00ebrgjegjes<\/strong> dhe aktualizuan konceptin kafkian <\/strong>p\u00ebr njeriun si nj\u00eb qenie e send\u00ebrzuar. Duke i lidhur k\u00ebto elemente me p\u00ebrjetimin vetanak t\u00eb historis\u00eb moderne dhe t\u00eb njeriut, krijojn\u00eb bot\u00ebn\u00a0 e vet artistike t\u00eb ve\u00e7ant\u00eb.<\/p>\n

P\u00ebrfaq\u00ebsues t\u00eb \u201cromanit t\u00eb ri\u201d <\/strong>jan\u00eb: prozatorja, eseistja dhe dramaturgia franceze me prejardhje ruse Natali Sarot <\/strong>(1902-1999), romancieri dhe eseisti francez Alen Rob-Grije <\/strong>(Alain Robbe-Grillet, 1922-2008), romancieri dhe dramaturgu irlandez, kryesisht i shprehjes franceze Semjuel Beket<\/strong> (Samuel Becket, 1906-1989), romancieri, poeti dhe eseisti francez Mishel Bytor <\/strong>(Michel Butor, 1926-2016), prozatorja franceze e lindur dhe e rritur n\u00eb kolonin\u00eb franceze af\u00ebr Sajgonit (Ho-Shi-Minn) Margaret Dura<\/strong> (Marguerite Duras, 1914-1996) dhe romancieri francezi i cili studioi n\u00eb Paris, Oxford dhe Cambridge Klod Simon <\/strong>(Claude Simon, 1913-2005). Viti 1953 merret si vit i lindjes s\u00eb \u201cromanit t\u00eb ri\u201d<\/strong>, kur u botua \u201cGomat\u201d (Les Gommes<\/em>, 1953)<\/em> i Rob-Grijes\u00eb. P\u00ebr k\u00ebt\u00eb roman teoricieni i let\u00ebrsis\u00eb, filozofi, kritiku dhe semiotiku francez Rolan Bart \u00a0<\/strong>(Roland Barthes, 1915-1980) shkroi me entuziaz\u00ebm n\u00eb revist\u00ebn Critique <\/em>t\u00eb Parisit.<\/p>\n","protected":false},"excerpt":{"rendered":"

Xhelal Zejneli \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Anton Pashku (1937-1995) \u00ebsht\u00eb shkrimtar q\u00eb nuk synon masat e gjera t\u00eb publikut, por lexuesin e shkolluar q\u00eb p\u00eblqen shkrimet hermetike dhe imt\u00ebsit\u00eb e analiz\u00ebs s\u00eb karakterit n\u00eb romanet psikologjike. Shtypja e eg\u00ebr politike mbi brezin e par\u00eb t\u00eb prozator\u00ebve n\u00eb fund t\u00eb viteve \u201950, e b\u00ebri t\u00eb t\u00ebrhiqet nga shtrati kryesor […]<\/p>\n","protected":false},"author":1,"featured_media":55134,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2,4,35,8],"tags":[],"class_list":["post-55133","post","type-post","status-publish","format-standard","has-post-thumbnail","category-artikuj","category-histori","category-kulture","category-letersi"],"yoast_head":"\nANTON PASHKU \u2013 ROMANI PSIKOLOGJIK - FJALA e LIR\u00cb<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/jehonashqiptare.al\/fjala\/anton-pashku-romani-psikologjik\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"ANTON PASHKU \u2013 ROMANI PSIKOLOGJIK - FJALA e LIR\u00cb\" \/>\n<meta property=\"og:description\" content=\"Xhelal Zejneli \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Anton Pashku (1937-1995) \u00ebsht\u00eb shkrimtar q\u00eb nuk synon masat e gjera t\u00eb publikut, por lexuesin e shkolluar q\u00eb p\u00eblqen shkrimet hermetike dhe imt\u00ebsit\u00eb e analiz\u00ebs s\u00eb karakterit n\u00eb romanet psikologjike. Shtypja e eg\u00ebr politike mbi brezin e par\u00eb t\u00eb prozator\u00ebve n\u00eb fund t\u00eb viteve \u201950, e b\u00ebri t\u00eb t\u00ebrhiqet nga shtrati kryesor […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/jehonashqiptare.al\/fjala\/anton-pashku-romani-psikologjik\/\" \/>\n<meta property=\"og:site_name\" content=\"FJALA e LIR\u00cb\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/facebook.com\/fjala.info\/\" \/>\n<meta property=\"article:author\" content=\"https:\/\/facebook.com\/shkoder.net\/\" \/>\n<meta property=\"article:published_time\" content=\"2020-05-03T09:54:29+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2020-05-03T11:43:11+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/jehonashqiptare.al\/fjala\/wp-content\/uploads\/2020\/05\/anton-pashku.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"800\" \/>\n\t<meta property=\"og:image:height\" content=\"830\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"admin\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@https:\/\/twitter.com\/acokaj\" \/>\n<meta name=\"twitter:site\" content=\"@acokaj\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"admin\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"17 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/jehonashqiptare.al\\\/fjala\\\/anton-pashku-romani-psikologjik\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/jehonashqiptare.al\\\/fjala\\\/anton-pashku-romani-psikologjik\\\/\"},\"author\":{\"name\":\"admin\",\"@id\":\"https:\\\/\\\/jehonashqiptare.al\\\/fjala\\\/#\\\/schema\\\/person\\\/9c9fccf4f6449d25e258607d9b4275cb\"},\"headline\":\"ANTON PASHKU \u2013 ROMANI PSIKOLOGJIK\",\"datePublished\":\"2020-05-03T09:54:29+00:00\",\"dateModified\":\"2020-05-03T11:43:11+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/jehonashqiptare.al\\\/fjala\\\/anton-pashku-romani-psikologjik\\\/\"},\"wordCount\":3397,\"commentCount\":0,\"image\":{\"@id\":\"https:\\\/\\\/jehonashqiptare.al\\\/fjala\\\/anton-pashku-romani-psikologjik\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/jehonashqiptare.al\\\/fjala\\\/wp-content\\\/uploads\\\/2020\\\/05\\\/anton-pashku.jpg\",\"articleSection\":[\"Artikuj\",\"Histori\",\"Kultur\u00eb\",\"Let\u00ebrsi\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/jehonashqiptare.al\\\/fjala\\\/anton-pashku-romani-psikologjik\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/jehonashqiptare.al\\\/fjala\\\/anton-pashku-romani-psikologjik\\\/\",\"url\":\"https:\\\/\\\/jehonashqiptare.al\\\/fjala\\\/anton-pashku-romani-psikologjik\\\/\",\"name\":\"ANTON PASHKU \u2013 ROMANI PSIKOLOGJIK - FJALA e LIR\u00cb\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/jehonashqiptare.al\\\/fjala\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/jehonashqiptare.al\\\/fjala\\\/anton-pashku-romani-psikologjik\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/jehonashqiptare.al\\\/fjala\\\/anton-pashku-romani-psikologjik\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/jehonashqiptare.al\\\/fjala\\\/wp-content\\\/uploads\\\/2020\\\/05\\\/anton-pashku.jpg\",\"datePublished\":\"2020-05-03T09:54:29+00:00\",\"dateModified\":\"2020-05-03T11:43:11+00:00\",\"author\":{\"@id\":\"https:\\\/\\\/jehonashqiptare.al\\\/fjala\\\/#\\\/schema\\\/person\\\/9c9fccf4f6449d25e258607d9b4275cb\"},\"breadcrumb\":{\"@id\":\"https:\\\/\\\/jehonashqiptare.al\\\/fjala\\\/anton-pashku-romani-psikologjik\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/jehonashqiptare.al\\\/fjala\\\/anton-pashku-romani-psikologjik\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/jehonashqiptare.al\\\/fjala\\\/anton-pashku-romani-psikologjik\\\/#primaryimage\",\"url\":\"https:\\\/\\\/jehonashqiptare.al\\\/fjala\\\/wp-content\\\/uploads\\\/2020\\\/05\\\/anton-pashku.jpg\",\"contentUrl\":\"https:\\\/\\\/jehonashqiptare.al\\\/fjala\\\/wp-content\\\/uploads\\\/2020\\\/05\\\/anton-pashku.jpg\",\"width\":800,\"height\":830,\"caption\":\"Anton Pashku\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/jehonashqiptare.al\\\/fjala\\\/anton-pashku-romani-psikologjik\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/jehonashqiptare.al\\\/fjala\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"ANTON PASHKU \u2013 ROMANI PSIKOLOGJIK\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/jehonashqiptare.al\\\/fjala\\\/#website\",\"url\":\"https:\\\/\\\/jehonashqiptare.al\\\/fjala\\\/\",\"name\":\"FJALA e LIR\u00cb\",\"description\":\""E para ishte fjala..." - n\u00eb Shkoder.net\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/jehonashqiptare.al\\\/fjala\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/jehonashqiptare.al\\\/fjala\\\/#\\\/schema\\\/person\\\/9c9fccf4f6449d25e258607d9b4275cb\",\"name\":\"admin\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/be103c95acc3db7547b619bb966688693542eac057aaed7ec4502234d461b6e3?s=96&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/be103c95acc3db7547b619bb966688693542eac057aaed7ec4502234d461b6e3?s=96&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/be103c95acc3db7547b619bb966688693542eac057aaed7ec4502234d461b6e3?s=96&r=g\",\"caption\":\"admin\"},\"description\":\"Arben \u00c7okaj - M\u00ebsues Fizike & Informatike :: Gazetar & Analist i pavarur :: Autor librash :: Ueb- & Grafik dizajner\",\"sameAs\":[\"https:\\\/\\\/fjala.info\\\/\",\"https:\\\/\\\/facebook.com\\\/shkoder.net\\\/\",\"https:\\\/\\\/linkedin.com\\\/in\\\/acokaj\\\/\",\"https:\\\/\\\/x.com\\\/https:\\\/\\\/twitter.com\\\/acokaj\",\"https:\\\/\\\/youtube.com\\\/channel\\\/UCWHTIr21i1vLKsLzVv1TM-w\"]}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"ANTON PASHKU \u2013 ROMANI PSIKOLOGJIK - FJALA e LIR\u00cb","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/jehonashqiptare.al\/fjala\/anton-pashku-romani-psikologjik\/","og_locale":"en_US","og_type":"article","og_title":"ANTON PASHKU \u2013 ROMANI PSIKOLOGJIK - FJALA e LIR\u00cb","og_description":"Xhelal Zejneli \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Anton Pashku (1937-1995) \u00ebsht\u00eb shkrimtar q\u00eb nuk synon masat e gjera t\u00eb publikut, por lexuesin e shkolluar q\u00eb p\u00eblqen shkrimet hermetike dhe imt\u00ebsit\u00eb e analiz\u00ebs s\u00eb karakterit n\u00eb romanet psikologjike. Shtypja e eg\u00ebr politike mbi brezin e par\u00eb t\u00eb prozator\u00ebve n\u00eb fund t\u00eb viteve \u201950, e b\u00ebri t\u00eb t\u00ebrhiqet nga shtrati kryesor […]","og_url":"https:\/\/jehonashqiptare.al\/fjala\/anton-pashku-romani-psikologjik\/","og_site_name":"FJALA e LIR\u00cb","article_publisher":"https:\/\/facebook.com\/fjala.info\/","article_author":"https:\/\/facebook.com\/shkoder.net\/","article_published_time":"2020-05-03T09:54:29+00:00","article_modified_time":"2020-05-03T11:43:11+00:00","og_image":[{"width":800,"height":830,"url":"https:\/\/jehonashqiptare.al\/fjala\/wp-content\/uploads\/2020\/05\/anton-pashku.jpg","type":"image\/jpeg"}],"author":"admin","twitter_card":"summary_large_image","twitter_creator":"@https:\/\/twitter.com\/acokaj","twitter_site":"@acokaj","twitter_misc":{"Written by":"admin","Est. reading time":"17 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/jehonashqiptare.al\/fjala\/anton-pashku-romani-psikologjik\/#article","isPartOf":{"@id":"https:\/\/jehonashqiptare.al\/fjala\/anton-pashku-romani-psikologjik\/"},"author":{"name":"admin","@id":"https:\/\/jehonashqiptare.al\/fjala\/#\/schema\/person\/9c9fccf4f6449d25e258607d9b4275cb"},"headline":"ANTON PASHKU \u2013 ROMANI PSIKOLOGJIK","datePublished":"2020-05-03T09:54:29+00:00","dateModified":"2020-05-03T11:43:11+00:00","mainEntityOfPage":{"@id":"https:\/\/jehonashqiptare.al\/fjala\/anton-pashku-romani-psikologjik\/"},"wordCount":3397,"commentCount":0,"image":{"@id":"https:\/\/jehonashqiptare.al\/fjala\/anton-pashku-romani-psikologjik\/#primaryimage"},"thumbnailUrl":"https:\/\/jehonashqiptare.al\/fjala\/wp-content\/uploads\/2020\/05\/anton-pashku.jpg","articleSection":["Artikuj","Histori","Kultur\u00eb","Let\u00ebrsi"],"inLanguage":"en-US","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/jehonashqiptare.al\/fjala\/anton-pashku-romani-psikologjik\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/jehonashqiptare.al\/fjala\/anton-pashku-romani-psikologjik\/","url":"https:\/\/jehonashqiptare.al\/fjala\/anton-pashku-romani-psikologjik\/","name":"ANTON PASHKU \u2013 ROMANI PSIKOLOGJIK - FJALA e LIR\u00cb","isPartOf":{"@id":"https:\/\/jehonashqiptare.al\/fjala\/#website"},"primaryImageOfPage":{"@id":"https:\/\/jehonashqiptare.al\/fjala\/anton-pashku-romani-psikologjik\/#primaryimage"},"image":{"@id":"https:\/\/jehonashqiptare.al\/fjala\/anton-pashku-romani-psikologjik\/#primaryimage"},"thumbnailUrl":"https:\/\/jehonashqiptare.al\/fjala\/wp-content\/uploads\/2020\/05\/anton-pashku.jpg","datePublished":"2020-05-03T09:54:29+00:00","dateModified":"2020-05-03T11:43:11+00:00","author":{"@id":"https:\/\/jehonashqiptare.al\/fjala\/#\/schema\/person\/9c9fccf4f6449d25e258607d9b4275cb"},"breadcrumb":{"@id":"https:\/\/jehonashqiptare.al\/fjala\/anton-pashku-romani-psikologjik\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/jehonashqiptare.al\/fjala\/anton-pashku-romani-psikologjik\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/jehonashqiptare.al\/fjala\/anton-pashku-romani-psikologjik\/#primaryimage","url":"https:\/\/jehonashqiptare.al\/fjala\/wp-content\/uploads\/2020\/05\/anton-pashku.jpg","contentUrl":"https:\/\/jehonashqiptare.al\/fjala\/wp-content\/uploads\/2020\/05\/anton-pashku.jpg","width":800,"height":830,"caption":"Anton Pashku"},{"@type":"BreadcrumbList","@id":"https:\/\/jehonashqiptare.al\/fjala\/anton-pashku-romani-psikologjik\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/jehonashqiptare.al\/fjala\/"},{"@type":"ListItem","position":2,"name":"ANTON PASHKU \u2013 ROMANI PSIKOLOGJIK"}]},{"@type":"WebSite","@id":"https:\/\/jehonashqiptare.al\/fjala\/#website","url":"https:\/\/jehonashqiptare.al\/fjala\/","name":"FJALA e LIR\u00cb","description":""E para ishte fjala..." - n\u00eb Shkoder.net","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/jehonashqiptare.al\/fjala\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Person","@id":"https:\/\/jehonashqiptare.al\/fjala\/#\/schema\/person\/9c9fccf4f6449d25e258607d9b4275cb","name":"admin","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/secure.gravatar.com\/avatar\/be103c95acc3db7547b619bb966688693542eac057aaed7ec4502234d461b6e3?s=96&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/be103c95acc3db7547b619bb966688693542eac057aaed7ec4502234d461b6e3?s=96&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/be103c95acc3db7547b619bb966688693542eac057aaed7ec4502234d461b6e3?s=96&r=g","caption":"admin"},"description":"Arben \u00c7okaj - M\u00ebsues Fizike & Informatike :: Gazetar & Analist i pavarur :: Autor librash :: Ueb- & Grafik dizajner","sameAs":["https:\/\/fjala.info\/","https:\/\/facebook.com\/shkoder.net\/","https:\/\/linkedin.com\/in\/acokaj\/","https:\/\/x.com\/https:\/\/twitter.com\/acokaj","https:\/\/youtube.com\/channel\/UCWHTIr21i1vLKsLzVv1TM-w"]}]}},"_links":{"self":[{"href":"https:\/\/jehonashqiptare.al\/fjala\/wp-json\/wp\/v2\/posts\/55133","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jehonashqiptare.al\/fjala\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jehonashqiptare.al\/fjala\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jehonashqiptare.al\/fjala\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jehonashqiptare.al\/fjala\/wp-json\/wp\/v2\/comments?post=55133"}],"version-history":[{"count":3,"href":"https:\/\/jehonashqiptare.al\/fjala\/wp-json\/wp\/v2\/posts\/55133\/revisions"}],"predecessor-version":[{"id":55141,"href":"https:\/\/jehonashqiptare.al\/fjala\/wp-json\/wp\/v2\/posts\/55133\/revisions\/55141"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/jehonashqiptare.al\/fjala\/wp-json\/wp\/v2\/media\/55134"}],"wp:attachment":[{"href":"https:\/\/jehonashqiptare.al\/fjala\/wp-json\/wp\/v2\/media?parent=55133"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jehonashqiptare.al\/fjala\/wp-json\/wp\/v2\/categories?post=55133"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jehonashqiptare.al\/fjala\/wp-json\/wp\/v2\/tags?post=55133"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}