{"id":5569,"date":"2016-08-03T23:24:22","date_gmt":"2016-08-03T22:24:22","guid":{"rendered":"http:\/\/www.fjala.info\/?p=5569"},"modified":"2021-04-11T10:04:48","modified_gmt":"2021-04-11T09:04:48","slug":"mesova-arberisht-per-te-kenduar-arberisht","status":"publish","type":"post","link":"https:\/\/jehonashqiptare.al\/fjala\/mesova-arberisht-per-te-kenduar-arberisht\/","title":{"rendered":"M\u00ebsova arb\u00ebrisht p\u00ebr t\u00eb k\u00ebnduar arb\u00ebrisht"},"content":{"rendered":"

Nga Gazeta Shqip<\/a> – 28 Shkurt 2013<\/em><\/p>\n

N\u00eb fillim ishte pak e v\u00ebshtir\u00eb, sepse ende nuk e flisja gjuh\u00ebn arb\u00ebreshe, meqen\u00ebse n\u00eb familje flitej vet\u00ebm italishtja. P\u00ebr k\u00ebt\u00eb arsye, i k\u00ebrkova prof. Francesco Marchian\u00f2 \u2013 m\u00ebsues i gjuh\u00ebs arb\u00ebreshe \u2013 t\u00eb m\u00eb jepte m\u00ebsime private<\/p><\/blockquote>\n

Intervist\u00eb me k\u00ebng\u00ebtarin italo-arb\u00ebresh Claudio La Regina<\/em><\/strong><\/p>\n

Intervistoi: Brunilda Ternova<\/strong><\/p>\n

Jemi n\u00eb shoq\u00ebrin\u00eb e Claudio La Regina, autor k\u00ebng\u00ebsh dhe muzikant italo-arb\u00ebresh, t\u00eb cilin, publiku shqiptar ka pasur mund\u00ebsin\u00eb ta njoh\u00eb p\u00ebr her\u00eb t\u00eb par\u00eb n\u00eb vitin 2009, fal\u00eb Festivalit t\u00eb 48 Komb\u00ebtar t\u00eb K\u00ebng\u00ebs n\u00eb Tiran\u00eb. I lindur n\u00eb Cesena t\u00eb Italis\u00eb, m\u00eb 27 korrik 1976, me rr\u00ebnj\u00eb t\u00eb ngulura thell\u00eb n\u00eb trash\u00ebgimin\u00eb ende t\u00eb gjall\u00eb t\u00eb traditave muzikore arb\u00ebreshe, \u00ebsht\u00eb nj\u00eb p\u00ebrfaq\u00ebsues i denj\u00eb i muzik\u00ebs s\u00eb leht\u00eb arb\u00ebreshe dhe italiane.<\/p>\n

Brunilda Ternova: Klaudio, ju fal\u00ebnderoj p\u00ebr mund\u00ebsin\u00eb q\u00eb na krijuat p\u00ebr t\u00eb na dh\u00ebn\u00eb k\u00ebt\u00eb intervist\u00eb. S\u00eb pari, do d\u00ebshironim t\u00eb na tregonit di\u00e7ka nga vetja dhe nga fillesat e karrier\u00ebs tuaj artistike?<\/strong><\/p>\n

Claudio La Regina<\/strong>: I jam afruar bot\u00ebs s\u00eb muzik\u00ebs q\u00eb n\u00eb mosh\u00eb shum\u00eb t\u00eb re, kur isha shtat\u00eb vje\u00e7, e n\u00eb k\u00ebt\u00eb faz\u00eb t\u00eb jet\u00ebs fillova t\u00eb marr m\u00ebsimet e para n\u00eb instrumentin muzikor t\u00eb pianos. Kam luajtur n\u00eb piano rreth dhjet\u00eb vjet, por kur zhvillova provimin n\u00eb Konservatorin e Muzik\u00ebs nuk u pranova p\u00ebr shkak t\u00eb praktik\u00ebs s\u00eb p\u00ebrhapur t\u00eb rekomandimit q\u00eb ekziston n\u00eb Itali. M\u00eb pas, n\u00eb muajin maj t\u00eb vitit vijues, m\u00eb thirr\u00ebn s\u00ebrish p\u00ebr t\u00eb p\u00ebrs\u00ebritur provimin, por vendosa t\u00eb mos paraqitesha. Fillimet e mia artistike nisin n\u00eb nj\u00ebfar\u00eb m\u00ebnyre n\u00eb form\u00eb shakaje, kur s\u00eb bashku me disa miq formuam nj\u00eb grup muzikor, ku un\u00eb natyrisht duhej t\u00eb luaja n\u00eb tastier\u00eb. Meqen\u00ebse nj\u00eb nga miqt\u00eb e mi m\u00eb t\u00eb mir\u00eb, i cili i binte kitar\u00ebs, kishte nj\u00eb dor\u00eb me dimensione t\u00eb vogla p\u00ebr t\u2019i r\u00ebn\u00eb akordeve specifike muzikore, vendos\u00ebm q\u00eb ai t\u2019i binte tastier\u00ebs, nd\u00ebrsa un\u00eb t\u00eb k\u00ebndoja. Faktikisht nuk kisha k\u00ebnduar asnj\u00ebher\u00eb deri n\u00eb ato momente dhe fillova ta b\u00ebja thjesht p\u00ebr zbavitje, por nga kjo loj\u00eb lindi si rrjedhoj\u00eb nj\u00eb pasion i shfrenuar p\u00ebr k\u00ebng\u00ebn, gj\u00eb q\u00eb m\u00eb shtyu t\u00eb marr m\u00ebsime private p\u00ebr dhjet\u00eb vjet t\u00eb tjera rresht.<\/p>\n

Brunilda Ternova: Sipas jush, cila \u00ebsht\u00eb gj\u00ebja m\u00eb e v\u00ebshtir\u00eb p\u00ebr t\u00eb komunikuar p\u00ebr nj\u00eb artist?<\/strong><\/p>\n

Claudio La Regina<\/strong>: N\u00eb qoft\u00eb se akti i komunikimit nuk ka nj\u00eb mesazh n\u00eb vetvete, at\u00ebher\u00eb do t\u00eb thot\u00eb se i mungon historia, i mungon ideja, i mungon akti i t\u00eb rr\u00ebfyerit dhe i p\u00ebrvoj\u00ebs s\u00eb dobishme. Nuk mund t\u00eb flasim p\u00ebr komunikimin sikur t\u00eb ishte nj\u00eb objekt pa nj\u00eb mesazh t\u00eb qart\u00eb, pasi n\u00eb at\u00eb rast, komunikimi transformohet n\u00eb nj\u00eb guask\u00eb boshe. Rregullorja, n\u00ebse mund ta quajm\u00eb k\u00ebshtu n\u00eb rastin tim, \u00ebsht\u00eb q\u00eb t\u00eb jem n\u00eb gjendje t\u00eb shpjegoj p\u00ebrmes muzik\u00ebs thjesht\u00ebsin\u00eb e jet\u00ebs. Shpesh ndodh q\u00eb njer\u00ebzit kan\u00eb tendenc\u00ebn t\u2019i komplikojn\u00eb gj\u00ebrat dhe p\u00ebr k\u00ebt\u00eb arsye, si rrjedhoj\u00eb, komplikojn\u00eb edhe jet\u00ebn e tyre n\u00eb m\u00ebnyr\u00eb t\u00eb ekzagjeruar. Si artist, duhet t\u00eb jesh n\u00eb gjendje ti b\u00ebsh njer\u00ebzit t\u00eb kuptojn\u00eb se kur fshihen pas p\u00ebrdorimit t\u00eb drog\u00ebs, pas shishes s\u00eb alkoolit ose t\u00eb di\u00e7kaje tjet\u00ebr nuk \u00ebsht\u00eb se i zgjidhin problemet e tyre, por p\u00ebrkundrazi i zmadhojn\u00eb akoma m\u00eb shum\u00eb \u2013 qofshin ato probleme ekzistenciale ose t\u00eb ndonj\u00eb natyre tjet\u00ebr.<\/p>\n

\u00cbsht\u00eb e r\u00ebnd\u00ebsishme t\u00eb kuptohet se nuk duhen keqtrajtuar njer\u00ebzit pa mbrojtje si femrat, f\u00ebmij\u00ebt, t\u00eb moshuarit, etj., p\u00ebr t\u2019u ndier t\u00eb fort\u00eb e p\u00ebr t\u00eb k\u00ebnaqur egoizmin p\u00ebr \u201csuperioritet\u201d. Un\u00eb besoj se njer\u00ebzit e k\u00ebtij lloji nuk kan\u00eb kuptuar se p\u00ebr \u00e7far\u00eb sh\u00ebrben v\u00ebrtet jeta dhe se \u00e7far\u00eb kuptimi ka ajo, sepse \u00ebsht\u00eb dialogu mjeti i vet\u00ebm i komunikimit q\u00eb i kund\u00ebrvihet \u00e7do forme dhune. Kur jeta t\u00eb v\u00eb n\u00eb frontin e vendimeve t\u00eb r\u00ebnd\u00ebsishme ose kur t\u00eb \u201cgodet dhunsh\u00ebm\u201d duke t\u00eb fundosur e \u201cshkallmuar\u201d ekzistenc\u00ebn n\u00eb at\u00eb mas\u00eb sa nuk d\u00ebshiron t\u00eb reagosh, pik\u00ebrisht ai \u00ebsht\u00eb momenti kur duhet t\u00eb reagosh, t\u00eb ngrihesh e t\u00eb ec\u00ebsh p\u00ebrpara edhe n\u00eb qoft\u00eb se rruga \u00ebsht\u00eb e v\u00ebshtir\u00eb dhe e pjerr\u00ebt. Duhet t\u00eb rr\u00ebzohesh n\u00eb m\u00ebnyr\u00eb q\u00eb t\u00eb kuptosh sesa je i aft\u00eb p\u00ebr t\u2019u ringritur s\u00ebrish.<\/p>\n

\"\"<\/p>\n

T\u00eb shkosh kund\u00ebr rrym\u00ebs n\u00eb shoq\u00ebrin\u00eb e sotme nuk do t\u00eb thot\u00eb t\u00eb jesh i rr\u00ebmbyer, t\u00eb mos respektosh rregullat ose t\u00eb jesh moskok\u00eb\u00e7ar\u00ebs ndaj gjith\u00e7kaje e ndaj t\u00eb gjith\u00ebve. Mund t\u00eb jesh i fort\u00eb edhe kur qan, dhe nj\u00eb person i cili \u00ebsht\u00eb i aft\u00eb t\u00eb shfaq\u00eb haptazi emocionet dhe ndjenjat e tij duke derdhur edhe lot p\u00ebr di\u00e7ka n\u00eb t\u00eb cil\u00ebn beson, qoft\u00eb ajo nj\u00eb dashuri, nj\u00eb pasion, apo di\u00e7ka tjet\u00ebr, \u00ebsht\u00eb v\u00ebrtet nj\u00eb Qenie Njer\u00ebzore. Por p\u00ebr t\u00eb b\u00ebr\u00eb k\u00ebt\u00eb gj\u00eb duhet t\u00eb jemi njer\u00ebz inteligjent, sepse inteligjenca \u00ebsht\u00eb aft\u00ebsia p\u00ebr t\u00eb zgjidhur problemet e jet\u00ebs.<\/p>\n

Brunilda Ternova: Si lindi ideja p\u00ebr t\u00eb marr\u00eb pjes\u00eb n\u00eb Festivalin e 48\u00b0 Komb\u00ebtar t\u00eb Tiran\u00ebs n\u00eb vitin 2009 dhe pse pik\u00ebrisht me k\u00ebng\u00ebn \u201cAve Maria\u201d n\u00eb gjuh\u00ebn arb\u00ebreshe?<\/strong><\/p>\n

Claudio La Regina<\/strong>: N\u00eb repertorin e k\u00ebng\u00ebve t\u00eb kompozuara nga v\u00ebllez\u00ebrit arb\u00ebresh Scaravaglione gjendej edhe k\u00ebnga e mrekullueshme \u201cAve Maria\u201d, me t\u00eb cil\u00ebn u dashurova marr\u00ebzisht dhe k\u00ebrkesa ime p\u00ebr ta interpretuar u pranua pozitivisht prej tyre. K\u00ebnga trajton tragjedin\u00eb e vitit 1997, kur nj\u00eb anije me emigrant\u00eb shqiptar\u00eb q\u00eb ndodheshin n\u00eb bordin e saj, fundoset n\u00eb ngushtic\u00ebn e Otrantos. Pas fitores n\u00eb Festivalin e K\u00ebng\u00ebs Arb\u00ebreshe (2007) i shpreha Francesco Scaravaglione-s d\u00ebshir\u00ebn p\u00ebr t\u00eb marr\u00eb pjes\u00eb n\u00eb Festivalin Komb\u00ebtar t\u00eb Tiran\u00ebs, duke marr\u00eb parasysh faktin se ata kishin qen\u00eb pjes\u00ebmarr\u00ebs vite m\u00eb par\u00eb. Ai me keqardhje u shpreh se nuk i kishte ruajtur kontaktet, por se do gjenim nj\u00eb m\u00ebnyr\u00eb p\u00ebr t\u2019i d\u00ebrguar pjes\u00ebt muzikore p\u00ebr p\u00ebrzgjedhjen n\u00eb Festival. Pas dy muajsh k\u00ebrkimi pat\u00ebm mund\u00ebsin\u00eb t\u00eb gjenim adres\u00ebn elektronike t\u00eb Festivalit, ku d\u00ebrgova tri k\u00ebng\u00eb, e nga t\u00eb cilat u p\u00ebrzgjodh pik\u00ebrisht \u201cAve Maria\u201d.<\/p>\n

Kjo k\u00ebng\u00eb u p\u00eblqye shum\u00eb nga mjeshtri Selim Ishmaku, q\u00eb p\u00ebr m\u00eb tep\u00ebr, kur mb\u00ebrrita n\u00eb Tiran\u00eb m\u00eb trajtoi sikur t\u00eb isha nipi i tij, duke u p\u00ebrkujdesur p\u00ebr mua e duke zgjidhur \u00e7far\u00ebdolloj problemi q\u00eb mund t\u00eb kisha. Gjithashtu nj\u00eb ndihm\u00eb t\u00eb madhe m\u00eb ka dh\u00ebn\u00eb edhe zonja Tina Tafa e Radio Tiran\u00ebs, e cila u tregua shum\u00eb miq\u00ebsore dhe e sjellshme. Nga p\u00ebrvoja e Festivalit t\u00eb Tiran\u00ebs kam m\u00ebsuar shum\u00eb. P\u00ebrjetova dhe njoha nga af\u00ebr realitetin shqiptar p\u00ebr t\u00eb cilin kisha d\u00ebgjuar kur isha akoma f\u00ebmij\u00eb nga rr\u00ebfimet e emigrant\u00ebve shqiptar\u00eb q\u00eb jetonin n\u00eb Spezzano Albanese. Fal\u00eb rr\u00ebfimeve t\u00eb tyre, nd\u00ebrsa m\u00eb flisnin p\u00ebr jet\u00ebn q\u00eb zhvillohej n\u00eb Shqip\u00ebri, kam d\u00ebgjuar p\u00ebr her\u00eb t\u00eb par\u00eb edhe p\u00ebr Festivalin Komb\u00ebtar t\u00eb K\u00ebng\u00ebs. Dhe kur pik\u00ebrisht un\u00eb u prezantova n\u00eb po t\u00eb nj\u00ebjt\u00ebn sken\u00eb bashk\u00ebrisht me artist\u00ebt m\u00eb t\u00eb mir\u00eb shqiptar\u00eb, p\u00ebr mua kjo ishte nj\u00eb \u00ebnd\u00ebrr q\u00eb m\u00eb n\u00eb fund b\u00ebhej realitet. Le ta themi midis nesh: kur isha n\u00eb sken\u00eb, k\u00ebmb\u00ebt m\u00eb dridheshin nga emocionet.<\/p>\n

Brunilda Ternova: Do t\u2019ju gjejm\u00eb s\u00ebrish n\u00eb Shqip\u00ebri n\u00eb vitin 2011 p\u00ebr t\u00eb marr\u00eb pjes\u00eb n\u00eb Festivalin e 50\u00b0 Komb\u00ebtar, dhe k\u00ebt\u00eb her\u00eb me k\u00ebng\u00ebn \u201cKur Te Pasha\u201d me muzik\u00eb te Francesco Scaravaglione. Fshihet ndonj\u00eb histori e v\u00ebrtet\u00eb me r\u00ebnd\u00ebsi personale prapa k\u00ebsaj k\u00ebnge aq sa t\u00eb zgjidhej p\u00ebr t\u00eb konkurruar n\u00eb nj\u00eb aktivitet artistik t\u00eb k\u00ebtij kalibri?<\/strong><\/p>\n

Claudio La Regina<\/strong>: K\u00ebnga \u201cKur Te Pasha\u201d n\u00eb fakt \u00ebsht\u00eb shkruar dhe kompozuar nga Francesco Scaravaglione, por n\u00eb koh\u00ebn kur u zhvillua Festivali, u transkriptua gabimisht sikur un\u00eb isha autori i tekstit. Vet\u00eb autori, Francesco, m\u00eb ka shpjeguar se k\u00ebnga \u00ebsht\u00eb e lidhur me nj\u00eb histori t\u00eb v\u00ebrtet\u00eb e shpreh gjendjen shpirt\u00ebrore t\u00eb dashuris\u00eb dhe pasionit p\u00ebr nj\u00eb person t\u00eb r\u00ebnd\u00ebsish\u00ebm t\u00eb jet\u00ebs s\u00eb tij. K\u00ebnga i \u00ebsht\u00eb dedikuar bashk\u00ebshortes s\u00eb tij, takimit t\u00eb tyre t\u00eb par\u00eb dhe \u00e7far\u00eb p\u00ebrfaq\u00ebsonte ky takim p\u00ebr autorin. Pra b\u00ebhet fjal\u00eb p\u00ebr vet\u00ebdijen e lindjes s\u00eb nj\u00eb dashurie t\u00eb madhe q\u00eb do t\u00eb zgjas\u00eb p\u00ebrgjithmon\u00eb.<\/p>\n

Brunilda Ternova: Nga e merrni frym\u00ebzimin p\u00ebr t\u00eb shkruar tekstet dhe p\u00ebr t\u00eb krijuar k\u00ebng\u00ebt tuaja?<\/strong><\/p>\n

Claudio La Regina<\/strong>: Frym\u00ebzimin e marr nga \u00e7do gj\u00eb q\u00eb m\u00eb transmeton emocione, nga natyra, nga thjesht\u00ebsia e gj\u00ebrave, nga nj\u00eb pik\u00eb loti apo nga nj\u00eb buz\u00ebqeshje, nga v\u00ebshtir\u00ebsit\u00eb dhe nga historit\u00eb e p\u00ebrjetuara p\u00ebrgjat\u00eb udh\u00ebtimit t\u00eb jet\u00ebs, etj. Nuk jam n\u00eb gjendje t\u00eb them sakt\u00ebsisht se ku e gjej frym\u00ebzimin, sepse ndonj\u00ebher\u00eb thjesht ndodh e m\u00eb s\u00eb shumti ndodh pa e kuptuar edhe un\u00eb vet\u00eb. Ndonj\u00ebher\u00eb shkruaj di\u00e7ka dhe m\u00eb ndodh t\u00eb pyes veten i habitur: \u201cPo kjo nga m\u00eb erdhi?\u201d. Mundohem gjithmon\u00eb n\u00ebp\u00ebrmjet muzik\u00ebs, emocioneve dhe teksteve t\u00eb mia t\u00eb sjell pak ngjyra aty ku gjith\u00e7ka \u00ebsht\u00eb e venitur, pak paqe aty ku ka shum\u00eb melankoli, t\u2019u sjell nj\u00eb gjendje t\u00eb re shpirt\u00ebrore atyre q\u00eb m\u00eb d\u00ebgjojn\u00eb duke marr\u00eb shtys\u00eb nga nj\u00eb reflektim apo nga di\u00e7ka tjet\u00ebr. P\u00ebr mua nuk \u00ebsht\u00eb e r\u00ebnd\u00ebsishme t\u00eb fitoj n\u00eb festivale ose konkurse, sepse un\u00eb fitoj sa her\u00eb q\u00eb arrij t\u00eb p\u00ebrcjell nj\u00eb emocion dikujt tjetri, sa her\u00eb q\u00eb lexoj entuziazmin n\u00eb syt\u00eb e atyre q\u00eb d\u00ebgjojn\u00eb at\u00eb q\u00eb kam shkruar dhe q\u00eb k\u00ebndoj. P\u00ebr mua \u00ebsht\u00eb e r\u00ebnd\u00ebsishme t\u00eb jap di\u00e7ka nga vetja, jo vet\u00ebm si nj\u00eb artist, por edhe si njeri. Mir\u00ebpo nuk e di n\u00ebse ia dal mban\u00eb gjithmon\u00eb.<\/p>\n

Brunilda Ternova: \u00cbsht\u00eb e v\u00ebrtet\u00eb se teknika dhe interpretimi jan\u00eb dy aspekte t\u00eb pandashme p\u00ebr nj\u00eb k\u00ebng\u00ebtar?<\/strong><\/p>\n

Claudio La Regina<\/strong>: Un\u00eb besoj se teknika dhe interpretimi jan\u00eb dy gj\u00ebra t\u00eb ndryshme, por n\u00ebse p\u00ebrdoren mir\u00eb mund t\u00eb shkrihen shum\u00eb bukur me organin vokal. Teknika rrjedh nga studimi dhe p\u00ebrgatitja didaktike, dhe nj\u00eb teknik\u00eb e mir\u00eb rrjedh nga nj\u00eb studim i plot\u00eb dhe me shum\u00eb sakrifica. Nd\u00ebrsa interpretimi mendoj se \u00ebsht\u00eb m\u00eb shum\u00eb subjektiv, sepse lind nga ndjenja, nga ve\u00e7oria e z\u00ebrit, nga thell\u00ebsia e shpirtit dhe nga \u00e7far\u00eb \u00ebsht\u00eb n\u00eb gjendje t\u00eb komunikoj\u00eb zemra p\u00ebrmes mjetit t\u00eb komunikimit q\u00eb n\u00eb k\u00ebt\u00eb rast \u00ebsht\u00eb \u201cz\u00ebri\u201d. Interpretimi nuk ka nevoj\u00eb p\u00ebr nj\u00eb zgjerim vokal maksimal edhe pse \u00ebsht\u00eb k\u00ebnaq\u00ebsi t\u00eb d\u00ebgjosh nj\u00eb k\u00ebng\u00ebtar i cili ka nj\u00eb shtrirje t\u00eb bukur vokale. Por ama, t\u00eb kesh nj\u00eb shtrirje t\u00eb madhe vokale pa pasur dhunti interpretuese nuk shpie gj\u00ebkundi dhe sakt\u00ebsia \u00ebsht\u00eb e pavler\u00eb, sepse t\u00eb duhet Origjinaliteti. Por ky \u00ebsht\u00eb vet\u00ebm mendimi im modest dhe m\u00ebnyra ime e t\u00eb parit t\u00eb gj\u00ebrave.<\/p>\n

Brunilda Ternova: Cilat jan\u00eb v\u00ebshtir\u00ebsit\u00eb q\u00eb p\u00ebrball nj\u00eb artist i ri n\u00eb Itali dhe cilat jan\u00eb problematikat p\u00ebrkat\u00ebse? \u00cbsht\u00eb e v\u00ebrtet\u00eb q\u00eb vet\u00ebm muzika e mir\u00eb n\u00eb dit\u00ebt e sotme nuk \u00ebsht\u00eb e mjaftueshme p\u00ebr t\u00eb krijuar baz\u00ebn e suksesit t\u00eb nj\u00eb artisti \u2013 pavar\u00ebsisht n\u00ebse ka apo jo talent?<\/strong><\/p>\n

Claudio La Regina<\/strong>: V\u00ebshtir\u00ebsit\u00eb e hasura nga nj\u00eb artist i ri n\u00eb Itali jan\u00eb nga m\u00eb t\u00eb ndryshmet, duke filluar nga skarciteti i vler\u00ebsimit t\u00eb talentit, nga mungesa e hap\u00ebsirave dhe nga ingranazhi shtyp\u00ebs i paras\u00eb \u2013 n\u00eb kuptimin se edhe n.q.s. ke talent, por nuk ke t\u00eb njohur e para, nuk realizon asgj\u00eb, stacionet radiofonike nuk i mb\u00ebshtesin talentet e reja por gjithmon\u00eb transmetojn\u00eb artist\u00ebt e mir\u00ebnjohur; sht\u00ebpit\u00eb diskografike t\u00eb k\u00ebrkojn\u00eb q\u00eb ta vet\u00ebfinancosh projektin t\u00ebnd dhe n\u00ebse gjith\u00e7ka shkon mir\u00eb, at\u00ebher\u00eb edhe mund t\u00eb bisedohet, etj. K\u00ebt\u00eb e v\u00ebrteton fare mir\u00eb Festivali i Sanremos, pjes\u00ebmarrja n\u00eb t\u00eb cilin kusht\u00ebzohet nga fakti n\u00ebse ke ose jo nj\u00eb sht\u00ebpi diskografike q\u00eb t\u00eb paguaj\u00eb p\u00ebr pjes\u00ebmarrjen t\u00ebnde. Di\u00e7ka krejt ndryshe n\u00eb Festivalin Komb\u00ebtar t\u00eb Tiran\u00ebs, i cili sipas mendimit tim nuk ka asgj\u00eb p\u00ebr t\u2019i pasur zili Sanremos italiane.<\/p>\n

Po t\u00eb tregoj nj\u00eb ngjarje q\u00eb m\u00eb ndodhi para pak dit\u00ebsh n\u00eb m\u00ebnyr\u00eb q\u00eb t\u00eb shpjegoj m\u00eb qart\u00eb at\u00eb q\u00eb dua t\u00eb them: ndodhesha n\u00eb nj\u00eb stacion privat radiofonik (emrin e t\u00eb cilit preferoj t\u00eb mos e z\u00eb n\u00eb goj\u00eb) n\u00eb Italin\u00eb Veriore, p\u00ebr t\u00eb pyetur n\u00ebse mund t\u00eb transmetonin disa nga k\u00ebng\u00ebt e mia dhe p\u00ebrgjigja ishte se k\u00ebt\u00eb gj\u00eb mund ta b\u00ebnin vet\u00ebm p\u00ebrkundrejt nj\u00eb pagese (t\u00eb cil\u00ebn e konsideroj edhe t\u00eb drejt\u00eb). At\u00ebher\u00eb i pyeta se si mund t\u00eb b\u00ebhen t\u00eb njohur artist\u00ebt e rinj, n\u00ebse stacionet radiofonike nuk u japin atyre mund\u00ebsin\u00eb p\u00ebr t\u00eb transmetuar k\u00ebng\u00ebt n\u00eb radio, sidomos, n\u00eb munges\u00eb t\u00eb burimeve financiare p\u00ebr t\u00eb paguar transmetimin. Reagimi nga ana e p\u00ebrfaq\u00ebsuesve t\u00eb stacionit t\u00eb radios ishte kjo: \u201cN\u00ebse un\u00eb vendos t\u00eb transmetoj k\u00ebng\u00ebt e tua dhe ti b\u00ebhesh i famsh\u00ebm, at\u00ebher\u00eb kush m\u00eb paguan mua?\u201d. Nga kjo mund t\u2019i nxjerr\u00ebsh vet konkluzionet.<\/p>\n

Brunilda Ternova: Sa e njihni muzik\u00ebn shqiptare dhe \u00e7far\u00eb mendoni p\u00ebr rrymat e ndryshme muzikore n\u00eb Shqip\u00ebri?<\/strong><\/p>\n

Claudio La Regina<\/strong>: Kam d\u00ebgjuar m\u00eb shum\u00eb muzik\u00ebn popullore folklorike q\u00eb ka origjin\u00eb shum\u00eb t\u00eb lasht\u00eb e q\u00eb dallon midis Veriut dhe Jugut t\u00eb Shqip\u00ebris\u00eb. \u00cbsht\u00eb nj\u00eb lloj i ve\u00e7ant\u00eb muzikor, i lidhur ngusht\u00eb me identitetin e vet kulturor dhe q\u00eb zhvillohet n\u00eb k\u00ebng\u00eb q\u00eb flasin p\u00ebr historin\u00eb, p\u00ebr heronj komb\u00ebtar\u00eb e n\u00eb k\u00ebng\u00eb t\u00eb tjera m\u00eb t\u00eb \u00ebmbla q\u00eb flasin p\u00ebr dashurin\u00eb, p\u00ebr pun\u00ebn, etj. \u00cbsht\u00eb nj\u00eb muzik\u00eb q\u00eb fal\u00eb infleksionit tipik t\u00eb sjell n\u00eb mendje n\u00eb m\u00ebnyr\u00eb t\u00eb pashmangshme zon\u00ebn ballkanike. Nuk e njoh dhe aq mir\u00eb muzik\u00ebn klasike, por di se ka lindur n\u00eb vitet \u201820 dhe p\u00ebrfaq\u00ebsuesi i saj m\u00eb i madh \u00ebsht\u00eb padyshim Zadeja.<\/p>\n

N\u00eb vitet e fundit, muzika shqiptare ka p\u00ebsuar shum\u00eb ndikimin e muzik\u00ebs per\u00ebndimore dhe si rezultat kan\u00eb lindur shum\u00eb grupe rock, pop, hip-hop dhe rap. N\u00eb Festivalin e K\u00ebng\u00ebs n\u00eb Tiran\u00eb pata mund\u00ebsi t\u00eb njoh shum\u00eb personazhe t\u00eb bot\u00ebs muzikore moderne shqiptare si Bojken Lako, Juliana Pasha, Keisi Tola e shum\u00eb t\u00eb tjer\u00eb. Muzika \u00ebsht\u00eb gjithmon\u00eb n\u00eb transformim t\u00eb vazhduesh\u00ebm, por un\u00eb mendoj se nuk duhet braktisur origjina jon\u00eb muzikore dhe t\u00eb merret vet\u00ebm ajo q\u00eb na propozohet nga vendet e tjera, sepse k\u00ebshtu nuk p\u00ebrmir\u00ebsohemi. Un\u00eb mendoj se duhet t\u00eb p\u00ebrpiqemi t\u00eb lidhim aspektet e vjetra me ato t\u00eb reja, duke shpikur nj\u00eb zhan\u00ebr t\u00eb ri, q\u00eb ndoshta mund t\u00eb krijoj\u00eb interesa t\u00eb reja, qofshin ato muzikore ose t\u00eb nj\u00eb lloji tjet\u00ebr.<\/p>\n

Brunilda Ternova: \u00c7far\u00eb dini p\u00ebr Shqip\u00ebrin\u00eb e regjimit komunist?<\/strong><\/p>\n

Claudio La Regina<\/strong>: Di q\u00eb komunizmi n\u00eb Shqip\u00ebri filloi menj\u00ebher\u00eb pas Luft\u00ebs s\u00eb Dyt\u00eb Bot\u00ebrore dhe ana e vetme pozitive ishte se fillimisht, shteti socialist u mundua t\u00eb rim\u00ebk\u00ebmb\u00eb vendin duke nd\u00ebrtuar fabrika, rrug\u00eb, centrale energjetike etj. Nd\u00ebrsa nga ana tjet\u00ebr, n\u00eb Shqip\u00ebri ishte vendosur nj\u00eb diktatur\u00eb totalitare e ngurt\u00eb q\u00eb kufizonte n\u00eb m\u00ebnyr\u00eb drastike lirin\u00eb e shprehjes dhe t\u00eb mendimit. Duke qen\u00eb se un\u00eb vet\u00eb nuk e kam jetuar nj\u00eb regjim t\u00eb till\u00eb nuk mund t\u00eb jap nj\u00eb gjykim objektiv, por duke folur me njer\u00ebz t\u00eb ndrysh\u00ebm q\u00eb e kan\u00eb p\u00ebrjetuar, di q\u00eb ishte nj\u00eb periudh\u00eb negative p\u00ebr popullin shqiptar.<\/p>\n

Brunilda Ternova: Muzika shpesh t\u00eb ndjell vendet dhe shijet e origjin\u00ebs s\u00eb nj\u00eb artisti. Bota arb\u00ebreshe \u00ebsht\u00eb shum\u00eb e pasur n\u00eb histori, kultur\u00eb, art e sidomos me muzik\u00eb folklorike, madje muzika arb\u00ebreshe \u00ebsht\u00eb kandidate n\u00eb UNESCO p\u00ebr t\u2019u p\u00ebrfshir\u00eb n\u00eb list\u00ebn e trash\u00ebgimis\u00eb jomateriale t\u00eb njer\u00ebzimit. Personalisht \u00e7far\u00eb mendimi keni p\u00ebr k\u00ebt\u00eb trash\u00ebgimi kulturore, pjes\u00eb e s\u00eb cil\u00ebs jeni dhe si i jeni afruar muzik\u00ebs arb\u00ebreshe?<\/strong><\/p>\n

Claudio La Regina<\/strong>: Nuk mund t\u00eb jetosh pa kultur\u00ebn dhe pa traditat e tua, pa vendet e tua t\u00eb origjin\u00ebs ku je rritur, pa m\u00ebnyr\u00ebn t\u00ebnde t\u00eb t\u00eb menduarit e t\u00eb vepruarit, pa njer\u00ebzit e tu dhe kjo \u00ebsht\u00eb arsyeja pse, bota ime muzikore, \u00ebsht\u00eb e lidhur ngusht\u00eb me kultur\u00ebn time, pra me t\u00eb qenurit Arb\u00ebresh! Kjo ndikon shum\u00eb n\u00eb formimin tim, qoft\u00eb muzikor ashtu edhe n\u00eb stilin tim t\u00eb jet\u00ebs, si pasoj\u00eb edhe karriera ime preket gjithmon\u00eb pozitivisht. Duke qen\u00eb arb\u00ebresh, p\u00ebrve\u00e7se italian, do t\u00eb thot\u00eb se jam m\u00eb i pasur si n\u00eb aspektin kulturor ashtu edhe gjuh\u00ebsor, dhe kjo m\u00eb b\u00ebn m\u00eb shum\u00eb t\u00eb vet\u00ebdijsh\u00ebm p\u00ebr at\u00eb q\u00eb un\u00eb jam dhe at\u00eb q\u00eb mund t\u00eb jem!<\/p>\n

N\u00eb bot\u00ebn e k\u00ebng\u00ebs arb\u00ebreshe m\u00eb kan\u00eb afruar v\u00ebllez\u00ebrit Scaravaglione, q\u00eb vler\u00ebsonin shum\u00eb z\u00ebrin dhe aft\u00ebsit\u00eb e mia interpretuese, dhe me t\u00eb cil\u00ebt gjat\u00eb viteve ka lindur nj\u00eb bashk\u00ebpunim i gjat\u00eb, q\u00eb i ka fillesat e veta n\u00eb vitin 2000. Nisa n\u00eb k\u00ebt\u00eb m\u00ebnyr\u00eb t\u00eb k\u00ebndoja n\u00eb arb\u00ebrisht. N\u00eb fillim ishte pak e v\u00ebshtir\u00eb, sepse ende nuk e flisja gjuh\u00ebn arb\u00ebreshe, meqen\u00ebse n\u00eb familje flitej vet\u00ebm italishtja. P\u00ebr k\u00ebt\u00eb arsye i k\u00ebrkova prof. Francesco Marchian\u00f2 \u2013 m\u00ebsues i gjuh\u00ebs arb\u00ebreshe \u2013 t\u00eb m\u00eb jepte m\u00ebsime private, dhe nga k\u00ebtu fillova t\u00eb k\u00ebndoja n\u00eb italisht dhe n\u00eb arb\u00ebresh.<\/p>\n

I t\u00ebrhequr nga kultura, gjuha, zakonet dhe traditat ku b\u00ebnte pjes\u00eb familja ime, dal\u00ebngadal\u00eb u ndjeva i p\u00ebrfshir\u00eb dhe fillova k\u00ebshtu t\u00eb vler\u00ebsoj nj\u00eb realitet t\u00eb ri. Fillova duke marr\u00eb pjes\u00eb n\u00eb Festivalin e 21\u00b0 t\u00eb K\u00ebng\u00ebs Arb\u00ebreshe (2002) i cili zhvillohet n\u00eb San Demetrio Corone (Kozenca t\u00eb Kalabris\u00eb) me tekste komplet t\u00eb reja, ku dhe fitova vendin e tret\u00eb. Gjat\u00eb Pashk\u00ebve t\u00eb vitit 2004 k\u00ebndova n\u00eb Spezzano Albanese p\u00ebr fest\u00ebn \u201cMadonna delle Grazie\u201d dhe me at\u00eb rast, nd\u00ebrsa zbrisja nga skena, kam takuar Dominico Rotondaro \u2013 pronarin e Radio Arb\u00ebresh\u00eb. Domenico, pasi m\u00eb b\u00ebri komplimentet e tij, m\u00eb k\u00ebrkoi t\u2019i jepja nj\u00eb CD me k\u00ebng\u00ebt e mia p\u00ebr t\u2019i transmetuar n\u00eb radio. K\u00ebshtu, nga ky takim, lindi nj\u00eb miq\u00ebsi e fort\u00eb si dhe nis\u00ebn transmetimet e para n\u00eb radio t\u00eb k\u00ebng\u00ebve t\u00eb mia n\u00eb Kalabri.<\/p>\n

N\u00eb vitin 2007, m\u00eb lindi ideja p\u00ebr t\u00eb sjell\u00eb n\u00eb Festivalin e K\u00ebng\u00ebs Arb\u00ebreshe nj\u00eb k\u00ebng\u00eb kund\u00ebr abuzimit t\u00eb f\u00ebmij\u00ebve p\u00ebr t\u00eb rritur nd\u00ebrgjegj\u00ebsimin kund\u00ebr pedofilis\u00eb dhe i k\u00ebrkova Francesco Scaravaglione t\u00eb shkruante n\u00eb gjuh\u00ebn arb\u00ebreshe nj\u00eb tekst. Lindi n\u00eb k\u00ebt\u00eb m\u00ebnyr\u00eb \u201cKur nget nje krijatur\u201d k\u00ebng\u00eb e cila fitoi n\u00eb Festivalin e atij viti dhe gjithashtu pati nj\u00eb hap\u00ebsir\u00eb t\u00eb dedikuar n\u00eb \u201cNational Geographic\u201d. Nj\u00eb pjes\u00eb e t\u00eb ardhurave t\u00eb k\u00ebsaj k\u00ebnge i \u00ebsht\u00eb dhuruar Shoqat\u00ebs \u201cMeter \u2013 Dalla parte dei Bambini\u201d i Don Fortunato Di Noto. N\u00eb ver\u00ebn e vitit 2008 formuam me v\u00ebllez\u00ebrit Scravaglione nj\u00eb grup muzikor t\u00eb quajtur \u201cMuziker\u00e8\u201d ku k\u00ebndojm\u00eb k\u00ebng\u00eb arb\u00ebreshe t\u00eb shkruara dhe t\u00eb kompozuara nga ata. Me k\u00ebt\u00eb rast jam njohur me Ferdinando Carlo Patitucci i cili \u2013 i interesuar mbi cil\u00ebsit\u00eb e mia interpretuese \u2013 m\u00eb k\u00ebrkoi n\u00ebse doja t\u00eb merrja pjes\u00eb n\u00eb \u201cSanremo Giovani\u201d, por un\u00eb duke njohur mir\u00eb sesi funksionojn\u00eb gj\u00ebrat n\u00eb at\u00eb realitet muzikor, nuk isha i interesuar.<\/p>\n

Brunilda Ternova: P\u00ebrve\u00e7 konkurseve n\u00eb gjuh\u00ebn arb\u00ebreshe keni marr\u00eb pjes\u00eb edhe n\u00eb gara t\u00eb ndryshme muzikore n\u00eb gjuh\u00ebn italiane. Mund t\u00eb na listoni disa prej tyre?<\/strong><\/p>\n

Claudio La Regina<\/strong>: Kam nisur t\u00eb k\u00ebndoj kur isha f\u00ebmij\u00eb n\u00ebp\u00ebr sheshe, n\u00eb lokale dhe konkurse t\u00eb ndryshme e fillimisht nj\u00eb nga k\u00ebng\u00ebt q\u00eb kam interpretuar ishte \u201cL\u2019acrobata\u201d e Michele Zarrillo, t\u00eb cil\u00ebn un\u00eb m\u00eb shum\u00eb se nj\u00eb k\u00ebng\u00eb e konsideroj nj\u00eb poezi. Jam p\u00ebrpjekur t\u00eb zgjedh k\u00ebng\u00eb t\u00eb ve\u00e7anta q\u00eb nuk i k\u00ebndojn\u00eb t\u00eb gjith\u00eb p\u00ebr t\u2019u dalluar n\u00eb stilin tim, p.sh., n\u00eb nj\u00eb konkurs kam k\u00ebnduar \u201cTi amo ancora di pi\u00f9\u201d te R. Cocciante, n\u00eb Festivalin e San Marinos jam paraqitur me k\u00ebng\u00ebn \u201cL\u2019impossibile vivere\u201d t\u00eb Renato Zero, etj. P\u00ebr mua ato ishin si nj\u00eb lloj trajnimi, sepse e ndieja brenda vetes se nj\u00eb dit\u00eb do shkruaja k\u00ebng\u00ebt e mia. N\u00eb vitin 1998 n\u00eb Festivalin e S. Marinos, jam takuar me mikun dhe basistin Iro Pagano i cili \u2013 i habitur dhe entuziast nga pjes\u00ebmarrja ime, sepse nuk ishte n\u00eb dijeni t\u00eb faktit se un\u00eb k\u00ebndoja \u2013 m\u00eb pyeti pse nuk isha pjes\u00ebmarr\u00ebs n\u00eb Festivalin Castrocaro. Kur i shpjegova se m\u00eb duhej t\u00eb paraqitesha me k\u00ebng\u00eb t\u00eb reja, e un\u00eb nuk kisha nisur t\u00eb shkruaja akoma, Iro m\u00eb tha se kishte disa k\u00ebng\u00eb t\u00eb tijat e n\u00ebse m\u00eb interesonin, mund t\u2019i k\u00ebndoja.<\/p>\n

Nga ky episod filloi bashk\u00ebpunimi yn\u00eb i gjat\u00eb dhe nj\u00eb vit m\u00eb pas (shtator 1999) isha pjes\u00ebmarr\u00ebs n\u00eb Festivalin Castrocaro me k\u00ebng\u00ebn \u201cVoglio fare un fuoco\u201d t\u00eb shkruar nga Iro. Kjo p\u00ebrvoj\u00eb m\u00eb dha mund\u00ebsin\u00eb p\u00ebr t\u00eb vet\u00ebprodhuar nj\u00eb mini-CD me titull \u201cUn posto per noi\u201d q\u00eb p\u00ebrmban kat\u00ebr k\u00ebng\u00eb t\u00eb reja dhe nga aty fillon pjes\u00ebmarrja ime n\u00eb konkurse t\u00eb ndryshme t\u00eb k\u00ebng\u00ebs italiane. M\u00eb von\u00eb kam shkruar k\u00ebng\u00ebn autobiografike \u201cCredo che sbagliare sia umano\u201d bazuar n\u00eb nj\u00eb histori dashurie, ku kuptova se duhet t\u00eb gabosh p\u00ebr t\u00eb m\u00ebsuar nga jeta, por ama jo t\u00eb rip\u00ebrs\u00ebrit\u00ebsh t\u00eb nj\u00ebjtin gabim s\u00ebrish. Kur kam marr\u00eb pjes\u00eb me k\u00ebng\u00ebn \u201cDodi\u201d t\u00eb Iro Paganos n\u00eb Festivalin \u201cFuoritempo\u201d t\u00eb mbajtur n\u00eb Rom\u00eb (mars 2003), jam njohur me kantautorin Stefano Manenti dhe mjesht\u00ebr Roberto Gori. K\u00ebtij t\u00eb fundit i k\u00ebrkova arranxhimin e nj\u00eb k\u00ebnge q\u00eb kisha shkruar p\u00ebr nj\u00eb gazetare t\u00eb re kalabreze t\u00eb vrar\u00eb m\u00eb 9 dhjetor 2002.<\/p>\n

\u00cbsht\u00eb historia ngjeth\u00ebse e vrasjes s\u00eb nj\u00eb gruaje q\u00eb m\u00eb preku jasht\u00ebzakonisht shum\u00eb saq\u00eb vendosa t\u2019i dedikoja nj\u00eb k\u00ebng\u00eb q\u00eb \u00ebsht\u00eb titulluar \u201cNotte D\u2019Inverno\u201d. Nd\u00ebrsa me Stefano Manenti me kalimin e koh\u00ebs, jemi b\u00ebr\u00eb miq t\u00eb mir\u00eb dhe bashkautor\u00eb t\u00eb k\u00ebng\u00ebve tona t\u00eb ndryshme. M\u00eb pas mora pjes\u00eb n\u00eb nj\u00eb emision televiziv n\u00eb Tele Spazio Calabria ku jam takuar me menaxherin e sht\u00ebpis\u00eb diskografike \u201cSuoneria Mediterranea\u201d Daniele Sanfilippo, njeri i thjesht\u00eb dhe i p\u00ebrulur, e me t\u00eb cilin kam zhvilluar n\u00eb koh\u00eb nj\u00eb num\u00ebr t\u00eb konsideruesh\u00ebm bashk\u00ebpunimesh. N\u00eb vitin 2004 kam shkruar nj\u00eb k\u00ebng\u00eb kund\u00ebr dhun\u00ebs ndaj grave me titull \u201cDentro una lacrima\u201d me muzik\u00eb t\u00eb v\u00ebllez\u00ebrve Scaravaglione dhe arranxhim t\u00eb mjeshtrit Franco Poggiali. Nd\u00ebr k\u00ebng\u00ebt e tjera t\u00eb mia \u00ebsht\u00eb edhe nj\u00eb dedikuar Pap\u00ebs Gjon Pali II e titulluar \u201cKarol\u201d me muzik\u00eb dhe tekst t\u00eb v\u00ebllez\u00ebrve Scaravaglione.<\/p>\n

Kam marr\u00eb pjes\u00eb n\u00eb manifestime t\u00eb shumta artistike dhe thjesht po p\u00ebrmend vet\u00ebm disa: n\u00eb konkursin \u201cVota La Voce\u201d u klasifikova n\u00eb vendin e 2\u00b0; n\u00eb \u201cSan Remo Nuovi Talenti\u201d u klasifikova n\u00eb vendin e 1\u00b0; n\u00eb Akademin\u00eb e K\u00ebng\u00ebs t\u00eb Sanremos n\u00eb shtator 1998; n\u00eb Festivalin e San Marinos n\u00eb mars 1999-2000; n\u00eb Festivalin e Castrocaro korrik 2002; n\u00eb konkursin \u201cCantarello 2000\u201d t\u00eb zhvilluar n\u00eb Ivrea t\u00eb Torinos; n\u00eb konkursin \u201cFesta Degli Sconosciuti\u201d n\u00eb shkurt t\u00eb vitit 2001 ku ishin t\u00eb pranish\u00ebm artist\u00ebt Rita Pavone, Teddy Reno dhe mjesht\u00ebri Paolo Olmi; n\u00eb Akademin\u00eb e K\u00ebng\u00ebs s\u00eb San Remos n\u00eb shtator 2001-2002; n\u00eb Festivalin e Napolit mb\u00ebrrita n\u00eb finale n\u00eb vitin 2002; n\u00eb Festivalin \u201cFuoritempo\u201d mbajtur n\u00eb Rom\u00eb n\u00eb mars 2003-2004; mb\u00ebrrita n\u00eb finale n\u00eb edicionin XIV\u00b0 t\u00eb \u00c7mimit t\u00eb Madh t\u00eb K\u00ebng\u00ebs Italiane \u201cVetrina per un Disco\u201d (festival p\u00ebr k\u00ebng\u00eb-autor\u00eb dhe k\u00ebng\u00ebtar\u00eb t\u00eb rinj) zhvilluar n\u00eb Rom\u00eb n\u00eb n\u00ebntor 2005 pran\u00eb Nuovo Teatro 33, etj.<\/p>\n

Brunilda Ternova: Kush \u00ebsht\u00eb Klaudio n\u00eb jet\u00ebn e tij private dhe n\u00eb koh\u00ebn e tij t\u00eb lir\u00eb? Cilat jan\u00eb pikat tuaja t\u00eb referimit n\u00eb jet\u00eb? A keni ndonj\u00eb pasion tjet\u00ebr p\u00ebrve\u00e7 muzik\u00ebs?<\/strong><\/p>\n

Claudio La Regina<\/strong>: Pikat e mia t\u00eb referimit jan\u00eb familja ime, q\u00eb m\u00eb mb\u00ebshtet gjithmon\u00eb n\u00eb \u00e7do vendim q\u00eb marr, dhe miqt\u00eb e mi t\u00eb v\u00ebrtet\u00eb q\u00eb jan\u00eb shum\u00eb t\u00eb pakt\u00eb. Pa mb\u00ebshtetjen e tyre mendoj se nuk realizon asgj\u00eb, pasi \u00ebsht\u00eb shum\u00eb e r\u00ebnd\u00ebsishme dhe e domosdoshme t\u00eb kesh dik\u00eb ku t\u00eb gjesh mir\u00ebbesim p\u00ebr t\u00eb hapur zemr\u00ebn, gj\u00eb q\u00eb t\u00eb sh\u00ebrben edhe p\u00ebr rritjen t\u00ebnde personale. Ndonj\u00ebher\u00eb, kam edhe momente kur dua t\u00eb rri vet\u00ebm p\u00ebr rritjen time shpirt\u00ebrore, sepse n.q.s. nuk arrin t\u00eb ndihesh mir\u00eb \u201cvet\u00ebm me veten t\u00ebnde\u201d nuk do arrish kurr\u00eb t\u00eb ndihesh mir\u00eb \u201cn\u00eb mes t\u00eb njer\u00ebzve t\u00eb tjer\u00eb\u201d. N\u00eb jet\u00ebn private jam nj\u00eb njeri miq\u00ebsor me t\u00eb gjith\u00eb pa p\u00ebrjashtim, jam shum\u00eb shoq\u00ebrues dhe nuk e mbaj veten me t\u00eb madh edhe pse disa thon\u00eb t\u00eb kund\u00ebrt\u00ebn \u2013 por s\u2019ka ndonj\u00eb problem.<\/p>\n

Maksimumin tim e nxjerr n\u00eb pah n\u00eb momentet m\u00eb t\u00eb v\u00ebshtira t\u00eb jet\u00ebs, sepse \u00ebsht\u00eb e leht\u00eb t\u00eb duash dik\u00eb ose ta kesh mik kur gjith\u00e7ka shkon mir\u00eb. N\u00ebse dikush si miqt\u00eb, familjar\u00ebt, personi q\u00eb dua dhe q\u00eb \u00ebsht\u00eb i r\u00ebnd\u00ebsish\u00ebm n\u00eb jet\u00ebn time, ka nevoj\u00eb p\u00ebr mua, jam i pranish\u00ebm p\u00ebr ta ndihmuar. Nuk toleroj falsitetin dhe gjysm\u00eb t\u00eb v\u00ebrtetat, preferoj m\u00eb shum\u00eb nj\u00eb t\u00eb v\u00ebrtet\u00eb t\u00eb sh\u00ebmtuar se sa nj\u00eb g\u00ebnjesht\u00ebr t\u00eb bukur. N\u00eb rrjedh\u00ebn e jet\u00ebs sime kam m\u00ebsuar mbi kurrizin tim t\u00eb jem i duruar, t\u00eb mos gjykoj, t\u00eb mos marr asgj\u00eb p\u00ebr t\u00eb dh\u00ebn\u00eb sepse askush nuk m\u00eb ka ndonj\u00eb detyrim, prandaj impenjohem me shum\u00eb sakrific\u00eb dhe p\u00ebrkushtim, duke derdhur lot dhe djers\u00eb n\u00eb \u00e7do gj\u00eb q\u00eb b\u00ebj.<\/p>\n

P\u00ebrve\u00e7 muzik\u00ebs, nj\u00eb nga pasionet e mia \u00ebsht\u00eb edhe sporti, praktikisht Body Building dhe Footing. Koh\u00ebn time t\u00eb lir\u00eb, m\u00eb p\u00eblqen ta kaloj mbr\u00ebmjeve n\u00eb shoq\u00ebrin\u00eb e miqve, duke b\u00ebr\u00eb shaka e duke rikujtuar koh\u00ebt e vjetra \u2013 kur ende nuk ekzistonte e gjith\u00eb kjo teknologji q\u00eb na b\u00ebn m\u00eb pak t\u00eb pranish\u00ebm fizikisht e shum\u00eb m\u00eb tep\u00ebr virtual.<\/p>\n

Brunilda Ternova: A keni ndonj\u00eb projekt t\u00eb ve\u00e7ant\u00eb q\u00eb do d\u00ebshironit t\u00eb realizonit ose q\u00eb p\u00ebrfaq\u00ebson nj\u00eb aspirat\u00eb p\u00ebr ju? N\u00eb t\u00eb ardhmen do kemi mund\u00ebsi t\u00eb shohim ndonj\u00eb album t\u00eb ri, ndonj\u00eb bashk\u00ebpunim t\u00eb ri artistik apo turne n\u00eb Itali, n\u00eb Shqip\u00ebri e gjetiu?<\/strong><\/p>\n

Claudio La Regina<\/strong>: Aktualisht, kriza ka prekur nga pak t\u00eb gjith\u00eb sektor\u00ebt e jet\u00ebs n\u00eb Itali, duke p\u00ebrfshir\u00eb edhe at\u00eb t\u00eb muzik\u00ebs, megjithat\u00eb, jam duke punuar mbi disa k\u00ebng\u00eb t\u00eb reja dhe nj\u00ebkoh\u00ebsisht n\u00eb disa projekte. I gjith\u00eb kapaciteti im krijues p\u00ebr momentin \u00ebsht\u00eb i p\u00ebrqendruar gjithmon\u00eb rreth muzik\u00ebs, nd\u00ebrsa p\u00ebr pjes\u00ebn tjet\u00ebr t\u00eb pyetjes t\u00ebnde me t\u00eb par\u00eb e me t\u00eb b\u00ebr\u00eb n\u00eb t\u00eb ardhmen.<\/p>\n

Brunilda Ternova: Nj\u00eb mesazh p\u00ebr admiruesit tuaj dhe lexuesit e k\u00ebsaj interviste.<\/strong><\/p>\n

Claudio La Regina<\/strong>: T\u00eb jen\u00eb gjithmon\u00eb vetvetja, edhe sepse t\u00eb b\u00ebsh nj\u00eb zgjedhje t\u00eb till\u00eb \u00ebsht\u00eb nj\u00eb rrug\u00eb q\u00eb jo t\u00eb gjith\u00eb din\u00eb ta p\u00ebrshkojn\u00eb. Nuk \u00ebsht\u00eb ajo q\u00eb mendon se je \u2013 e aq m\u00eb pak ajo q\u00eb ke, \u2013 por \u00ebsht\u00eb ajo q\u00eb realizon n\u00eb jet\u00eb, q\u00eb t\u00eb kualifikon, t\u00eb jep vler\u00eb dhe t\u00eb shp\u00ebrblen n\u00eb t\u00eb nj\u00ebjt\u00ebn koh\u00eb.<\/p>\n

Brunilda Ternova: Faleminderit Klaudio!<\/strong><\/p>\n

Claudio La Regina<\/strong>: Faleminderit ty dhe gjith\u00eb atyre q\u00eb na mund\u00ebsojn\u00eb ne artist\u00ebve t\u00eb rinj t\u00eb p\u00ebr\u00e7ojm\u00eb tek t\u00eb tjer\u00ebt artin ton\u00eb, pasionin ton\u00eb e mbi t\u00eb gjitha personin ton\u00eb. Faleminderit!<\/p>\n

Itali, 23 shkurt 2013<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Nga Gazeta Shqip – 28 Shkurt 2013 N\u00eb fillim ishte pak e v\u00ebshtir\u00eb, sepse ende nuk e flisja gjuh\u00ebn arb\u00ebreshe, meqen\u00ebse n\u00eb familje flitej vet\u00ebm italishtja. P\u00ebr k\u00ebt\u00eb arsye, i k\u00ebrkova prof. Francesco Marchian\u00f2 \u2013 m\u00ebsues i gjuh\u00ebs arb\u00ebreshe \u2013 t\u00eb m\u00eb jepte m\u00ebsime private Intervist\u00eb me k\u00ebng\u00ebtarin italo-arb\u00ebresh Claudio La Regina Intervistoi: Brunilda Ternova […]<\/p>\n","protected":false},"author":1,"featured_media":17695,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[],"class_list":["post-5569","post","type-post","status-publish","format-standard","has-post-thumbnail","category-intervista"],"yoast_head":"\nM\u00ebsova arb\u00ebrisht p\u00ebr t\u00eb k\u00ebnduar arb\u00ebrisht - FJALA e LIR\u00cb<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/jehonashqiptare.al\/fjala\/mesova-arberisht-per-te-kenduar-arberisht\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"M\u00ebsova arb\u00ebrisht p\u00ebr t\u00eb k\u00ebnduar arb\u00ebrisht - FJALA e LIR\u00cb\" \/>\n<meta property=\"og:description\" content=\"Nga Gazeta Shqip – 28 Shkurt 2013 N\u00eb fillim ishte pak e v\u00ebshtir\u00eb, sepse ende nuk e flisja gjuh\u00ebn arb\u00ebreshe, meqen\u00ebse n\u00eb familje flitej vet\u00ebm italishtja. 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