{"id":57363,"date":"2020-06-23T00:51:40","date_gmt":"2020-06-22T22:51:40","guid":{"rendered":"https:\/\/fjala.info\/?p=57363"},"modified":"2020-06-23T00:56:42","modified_gmt":"2020-06-22T22:56:42","slug":"mbi-disa-vecanti-te-vepres-letrare-per-femije-te-rifat-kukajt","status":"publish","type":"post","link":"https:\/\/jehonashqiptare.al\/fjala\/mbi-disa-vecanti-te-vepres-letrare-per-femije-te-rifat-kukajt\/","title":{"rendered":"MBI DISA VE\u00c7ANTI T\u00cb VEPR\u00cbS LETRARE P\u00cbR F\u00cbMIJ\u00cb T\u00cb RIFAT KUKAJT"},"content":{"rendered":"

Me rastin e botimit t\u00eb librit \u201cVE\u00c7ANTI T\u00cb VEPR\u00cbS LETRARE P\u00cbR F\u00cbMIJ\u00cb T\u00cb RIFAT KUKAJT\u201d nga Argeta LMG, Tiran\u00eb 2020<\/em><\/p>\n

Anton Nik\u00eb Berisha<\/strong><\/p>\n

\n

Let\u00ebrsia p\u00ebr f\u00ebmij\u00eb mund t\u00eb mos p\u00ebrfillet me kusht q\u00eb t\u00eb mos p\u00ebrfillet as bota, n\u00eb t\u00eb cil\u00ebn nj\u00eb shpirt nacional formohet dhe ruhet[1]<\/strong><\/a>.
\n<\/em>PAUL HAZARD<\/p>\n<\/blockquote>\n

1. Krijimtari e pasur dhe e b\u00ebr\u00eb me p\u00ebrkushtim<\/h3>\n
\"Anton
.
Anton Nik\u00eb Berisha<\/figcaption><\/figure>\n

P\u00ebr ta krijuar vepr\u00ebn e vet letrare, Rifat Kukajt iu desh\u00ebn, t\u00eb thuash, mbi 50 vjet pune krijuese, q\u00eb e d\u00ebshmojn\u00eb rreth nj\u00ebqind vepra t\u00eb botuara llojesh t\u00eb ndryshme, t\u00eb dala nga mendja dhe nga dora e tij, t\u00eb cilat e pasuruan tradit\u00ebn ton\u00eb letrare n\u00eb fush\u00ebn e let\u00ebrsis\u00eb p\u00ebr f\u00ebmij\u00eb, po edhe krijuan nj\u00eb tradit\u00eb. Pak shkrimtar\u00eb shqiptar\u00eb deri m\u00eb sot nxor\u00ebn n\u00eb drit\u00eb nj\u00eb num\u00ebr kaq t\u00eb madh veprash letrare (p\u00ebr f\u00ebmij\u00eb e p\u00ebr t\u00eb rritur), duke ruajtur nj\u00eb rrafsh t\u00eb lart\u00eb t\u00eb shpreh\u00ebsis\u00eb poetike e kuptimore.<\/p>\n

Pra, t\u00eb merresh mir\u00ebfilli me k\u00ebt\u00eb vep\u00ebr dhe ta interpretosh at\u00eb n\u00eb m\u00ebnyr\u00eb meritore, n\u00ebse nuk lypset aq koh\u00eb sa iu desh autorit t\u00eb saj ta p\u00ebrftoj\u00eb at\u00eb, at\u00ebher\u00eb disa vjet jan\u00eb t\u00eb domosdosh\u00ebm. P\u00ebr k\u00ebt\u00eb arsye, k\u00ebtu po kufizohem t\u2019i p\u00ebrmend vet\u00ebm disa vlera e ve\u00e7anti, t\u00eb cilat i kam v\u00ebrejtur gjat\u00eb leximit t\u00eb nj\u00eb numri t\u00eb mir\u00eb t\u00eb veprave t\u00eb tij. P\u00ebr disa prej tyre, edhe sa qe gjall\u00eb autori, kam shkruar e p\u00ebr disa t\u00eb tjera kam qen\u00eb recensent ose m\u2019i ka dh\u00ebn\u00eb t\u2019i lexoj n\u00eb dor\u00ebshkrim dhe t\u2019ia them mendimin tim.<\/p>\n

2. Rifati jetoi me let\u00ebrsin\u00eb dhe jetoi p\u00ebr let\u00ebrsin\u00eb<\/h3>\n

Vepra letrare p\u00ebr f\u00ebmij\u00eb e Rifat Kukajt \u00ebsht\u00eb e r\u00ebnd\u00ebsishme dhe me vlera t\u00eb m\u00ebdha e t\u00eb pamohueshme (me k\u00ebt\u00eb nuk dua ta zvog\u00ebloj ndihmes\u00ebn q\u00eb dha ai edhe n\u00eb let\u00ebrsin\u00eb p\u00ebr t\u00eb rritur). Me romane, me p\u00ebrmbledhje tregimesh, me p\u00ebrmbledhje me poezi dhe me pjes\u00eb teatrale, q\u00eb i krijoi, ai e pasuroi dhe e ngriti let\u00ebrsin\u00eb ton\u00eb p\u00ebr f\u00ebmij\u00eb n\u00eb rrafshin m\u00eb t\u00eb lart\u00eb, q\u00eb ajo e mb\u00ebrriti deri m\u00eb sot. S\u00eb k\u00ebndejmi, vet\u00eb cil\u00ebsia e veprave poetike t\u00eb tij e radhiti at\u00eb p\u00ebr s\u00eb gjalli n\u00eb rrethin m\u00eb t\u00eb ngusht\u00eb t\u00eb shkrimtar\u00ebve tan\u00eb m\u00eb t\u00eb mir\u00eb p\u00ebr f\u00ebmij\u00eb t\u00eb t\u00eb gjitha koh\u00ebve. \u00cbsht\u00eb tjet\u00ebr gj\u00eb q\u00eb kritika jon\u00eb letrare, p\u00ebrkat\u00ebsisht studiuesit tan\u00eb t\u00eb let\u00ebrsis\u00eb, qoft\u00eb n\u00eb Kosov\u00eb, qoft\u00eb n\u00eb Shqip\u00ebri, nuk e theksuan k\u00ebt\u00eb n\u00eb m\u00ebnyr\u00eb t\u00eb qart\u00eb e meritore.<\/p>\n

Ky veprim, natyrisht, nuk \u00ebsht\u00eb munges\u00eb, as e Rifatit si krijues, as e veprave t\u00eb tij. \u00cbsht\u00eb munges\u00eb e jona dhe e atyre q\u00eb jan\u00eb marr\u00eb e merren me let\u00ebrsin\u00eb ton\u00eb dhe me studimin e veprave t\u00eb shkrimtar\u00ebve tan\u00eb p\u00ebr f\u00ebmij\u00eb q\u00eb nuk i kushtuan v\u00ebmendje t\u00eb mir\u00ebfillt\u00eb veprimtaris\u00eb s\u00eb tij letrare p\u00ebr f\u00ebmij\u00eb dhe nuk i ndri\u00e7uan vlerat e nj\u00ebmendta dhe qen\u00ebsore t\u00eb saj. \u00c7\u2019\u00ebsht\u00eb e v\u00ebrteta, n\u00eb disa punime jan\u00eb theksuar vlerat e vepr\u00ebs s\u00eb Rifatit, por n\u00eb krahasim me veprat e shkrimtar\u00ebve t\u00eb tjer\u00eb, q\u00eb jan\u00eb m\u00eb pak t\u00eb r\u00ebnd\u00ebsish\u00ebm, \u00ebsht\u00eb b\u00ebr\u00eb nj\u00ebmend pak p\u00ebr ndri\u00e7imin e mir\u00ebfillt\u00eb t\u00eb cil\u00ebsive dhe t\u00eb vlerave t\u00eb v\u00ebrteta t\u00eb vepr\u00ebs s\u00eb tij.<\/p>\n

Nuk i them k\u00ebto fjal\u00eb dhe nuk e b\u00ebj k\u00ebt\u00eb cil\u00ebsim duke u nisur nga rrethana konkrete, kur vdekja e poetit, p\u00ebrkat\u00ebsisht dhembja dhe pik\u00ebllimi m\u00eb tundin dhe m\u00eb r\u00ebndojn\u00eb ashp\u00ebr n\u00eb shpirt. R\u00ebnd\u00ebsin\u00eb dhe vler\u00ebn e vepr\u00ebs s\u00eb Rifatit i kam theksuar shum\u00eb vjet m\u00eb par\u00eb.<\/p>\n

P\u00ebr ta d\u00ebshmuar k\u00ebt\u00eb po sjell vet\u00ebm dy mendime.<\/p>\n

\"Rifat
.
Rifat Kukaj<\/figcaption><\/figure>\n

Duke interpretuar romanin e tij \u201cDita e xhufkave\u201d (1972), pata shkruar: \u201cMe cil\u00ebsit\u00eb q\u00eb i zum\u00eb n\u00eb goj\u00eb m\u00eb sip\u00ebr […] romani \u2018Dita e xhufkave\u2019, q\u00eb n\u00eb m\u00ebnyr\u00eb t\u00eb denj\u00eb d\u00ebshmon p\u00ebr rritjen dhe cil\u00ebsin\u00eb e proz\u00ebs romaneske p\u00ebr f\u00ebmij\u00eb n\u00eb gjuh\u00ebn shqipe, \u00ebsht\u00eb nj\u00eb vep\u00ebr artistike, t\u00eb cil\u00ebn do ta d\u00ebshironin edhe let\u00ebrsit\u00eb p\u00ebr f\u00ebmij\u00eb t\u00eb traditave edhe m\u00eb t\u00eb m\u00ebdha shkrimi e kulture sesa kjo jona[2]<\/a>\u201d. P\u00ebr p\u00ebrmbledhjen me tregime \u201cUjku me kamer\u00eb\u201d (1988) t\u00eb Rifatit, theksoja: \u201cNiveli i lart\u00eb i arritur pik\u00ebrisht n\u00eb m\u00ebnyr\u00ebn e perceptimit dhe t\u00eb transponimit t\u00eb \u00e7\u00ebshtjeve e t\u00eb dukurive t\u00eb ndryshme nga jeta e f\u00ebmij\u00ebs dhe e njeriut n\u00eb p\u00ebrgjith\u00ebsi si dhe e shtjellimit t\u00eb tekstit letrar si struktur\u00eb gjuh\u00ebsore, si mesazh poetik, e b\u00ebjn\u00eb k\u00ebt\u00eb vep\u00ebr p\u00ebr shum\u00eb\u00e7ka t\u00eb vlefshme, p\u00ebrkat\u00ebsisht na b\u00ebn t\u00eb nxjerrim p\u00ebrfundimin se kjo \u00ebsht\u00eb nd\u00ebr p\u00ebrmbledhjet m\u00eb t\u00eb r\u00ebnd\u00ebsishme t\u00eb proz\u00ebs tregimtare shqipe p\u00ebr f\u00ebmij\u00eb[3]<\/a>\u201d.<\/p>\n

Vlera e vepr\u00ebs letrare t\u00eb Kukajt lidhet me dukurin\u00eb e qen\u00ebsishme: nj\u00eb gjysm\u00eb qindvjetshi jete ky autor ia kushtoi let\u00ebrsis\u00eb. Pra, ai hyn n\u00eb rrethin e ngusht\u00eb t\u00eb shkrimtar\u00ebve tan\u00eb q\u00eb jetoi me let\u00ebrsin\u00eb dhe jetoi p\u00ebr let\u00ebrsin\u00eb. Th\u00ebn\u00eb ndryshe: ai e lexoi let\u00ebrsin\u00eb dhe e krijoi let\u00ebrsin\u00eb. Leximi ia p\u00ebrsosi dhe ia pasuroi prirjet dhe aft\u00ebsit\u00eb natyrore; i ndihmoi n\u00eb p\u00ebrcaktimin e qasjes s\u00eb dukurive, m\u00ebnyr\u00ebn e trajtimit dhe sidomos krijimin e sistemit t\u00eb t\u00eb shprehurit poetik.<\/p>\n

Dinte pse shkruante, si dhe \u00e7ka shkruante, q\u00eb n\u00eb nj\u00eb m\u00ebnyr\u00eb ose tjet\u00ebr del dhe nga kjo pjes\u00eb e poezis\u00eb \u201cDuartrokitje\u201d dhe nga poezia \u201cMes vargjeve\u201d:<\/p>\n

Per\u00ebndi!
\n<\/em>Ti q\u00eb talentin m\u2019dhurove,
\n<\/em>frym\u00ebzimet m\u00eb t\u00eb thella,
\n<\/em>m\u00eb t\u00eb reja, m\u00eb t\u00eb ndritura
\n<\/em>m\u2019i hedh k\u00ebndej\u2026<\/em><\/p>\n

K\u00ebta engj\u00ebj \u00ebnd\u00ebrrimtar\u00eb
\n<\/em>Kurr\u00eb t\u00eb mos i zhg\u00ebnjej![4]<\/strong><\/a>
\n<\/em>(Duartrokitje<\/strong>)<\/p>\n

2<\/p>\n

Mes vargjeve t\u00eb mia<\/em>
\nMund t\u2019u futen n\u00eb gji<\/em>
\nNdonj\u00eb kok\u00ebrr e qershis\u00eb<\/em>
\nPak gugatje t\u00eb kumris\u00eb,<\/em>
\nDhe cic\u00ebrimat<\/em>
\nE mij\u00ebra zogjve t\u00eb tjer\u00eb,<\/em>
\nMund t\u00eb ndehen shum\u00eb ylber\u00eb:<\/em>
\nBritha k\u00ebrmijsh,<\/em>
\nBuz\u00ebqeshje f\u00ebmij\u00ebsh,<\/em>
\nGj\u00ebegj\u00ebza, shpresa, \u00ebnd\u00ebrralla<\/em>
\nLegjenda edhe p\u00ebrralla…<\/em>
\nLule si n\u00ebp\u00ebr fush\u00eb e pyje,<\/em>
\nRreze dielli dhe yje…<\/em><\/p>\n

Po sot e mot e kan\u00eb kot<\/em>
\nVargjet e mia s\u2019pranojn\u00eb dot
\n<\/em>ASNJ\u00cb
\n<\/em>L
\n<\/em>O
\n<\/em>T[5]<\/strong><\/a>.<\/em> (Mes vargjeve<\/strong>)<\/p>\n

K\u00ebt\u00eb dukuri e p\u00ebrligj edhe ajo q\u00eb thuhet n\u00eb romanin \u201cZogu i bardh\u00eb\u201d:<\/p>\n

P\u00ebr poezin\u00eb, Zonj\u00eb e R\u00ebnd\u00eb, nuk keni \u00e7\u2019mendoni. Ajo lind vet\u00eb dhe shijohet vet\u00eb. Po s\u2019pat\u00ebt dridhje n\u00eb shpirt, thell\u00eb n\u00eb vete, ajo nuk mund t\u00eb ekzistoj\u00eb askund. Ja, e shihni drit\u00ebn e qiriut? Sapo ndizet qiriu, terri ia nis e k\u00eblthet me z\u00ebrin e mnersh\u00ebm p\u00ebr t\u2019u mbrojtur, kurse drita, duke shtrir\u00eb pushtetin e vet, qeshet. K\u00ebtu zhvillohet nj\u00eb betej\u00eb e hatash\u00adme mu n\u00eb zem\u00ebr t\u00eb heshtjes. K\u00ebt\u00eb luft\u00eb, n\u00ebse nuk e ndien njeriu, vet\u00ebm shtiret se e ndien poezin\u00eb. Edhe kjo poezi, po nuk u shtri si nj\u00eb brez drite agi\u00admi n\u00eb natyr\u00eb edhe n\u00eb piktur\u00eb, at\u00ebher\u00eb as kemi pik\u00adtur\u00eb, as poezi[6]<\/strong><\/a>.<\/em><\/p>\n

Sa her\u00eb q\u00eb e kam takuar m\u00eb fliste p\u00ebr dy gj\u00ebra: p\u00ebr at\u00eb q\u00eb lexonte dhe p\u00ebr at\u00eb q\u00eb shkruante \u2013 dy veprime pa t\u00eb cilat asnj\u00eb shkrimtar nuk b\u00ebhet i madh. K\u00ebt\u00eb fakt t\u00eb r\u00ebnd\u00ebsish\u00ebm: leximin e veprave letrare dhe hartimin e tyre m\u00eb s\u00eb miri e p\u00ebrligjin veprat q\u00eb i botoi dhe vlerat q\u00eb i cil\u00ebsojn\u00eb ato.<\/p>\n

Rifati krijoi n\u00eb vetmi dhe n\u00eb m\u00ebnyr\u00eb t\u00eb m\u00ebvet\u00ebsishme; i njohu grupet e ndryshme t\u00eb krijuesve dhe interesat e tyre, por nuk i takoi asnj\u00ebrit nga ata. Njihte vet\u00ebm nj\u00eb grup: at\u00eb t\u00eb njer\u00ebzve q\u00eb i p\u00ebrkushtohen pun\u00ebs dhe krijimit. As nuk i p\u00eblqente fjal\u00ebt e m\u00ebdha, as nuk ua thoshte t\u00eb tjer\u00ebve. \u201cLe t\u00eb flas\u00eb puna vet\u00eb\u201d, thoshte dhe k\u00ebsaj i p\u00ebrmbahej me k\u00ebmb\u00ebngul\u00ebsi.<\/p>\n

Krijimi i vepr\u00ebs letrare p\u00ebr t\u00eb kishte m\u00eb shum\u00eb se nj\u00eb kuptim, kishte m\u00eb shum\u00eb se nj\u00eb vler\u00eb. Ajo q\u00eb n\u00eb pun\u00ebn e tij krijuese ngrihet mbi t\u00eb gjitha \u00ebsht\u00eb nevoja e shqiptimit poetik t\u00eb dukurive t\u00eb bot\u00ebs e t\u00eb jet\u00ebs s\u00eb f\u00ebmij\u00ebve dhe t\u00eb njeriut, p\u00ebrkat\u00ebsisht e komunikimit me to.<\/p>\n

Krijimi dhe nevoja e komunikimit artistik p\u00ebr t\u00eb ishin p\u00ebrher\u00eb t\u00eb p\u00ebrshkuara dhe t\u00eb shoq\u00ebruara nga k\u00ebnaq\u00ebsia; k\u00ebnaq\u00ebsia q\u00eb e ndiente gjat\u00eb hartimit t\u00eb vepr\u00ebs letrare dhe k\u00ebnaq\u00ebsia q\u00eb me at\u00eb vep\u00ebr mund t\u2019i shkaktonte tjetrit, njeriut t\u00eb vet. Si e k\u00ebtill\u00eb kjo k\u00ebnaq\u00ebsi shnd\u00ebrrohej n\u00eb prehje shpirt\u00ebrore dhe n\u00eb arg\u00ebtim \u2013 p\u00ebr vete e p\u00ebr marr\u00ebsin (receptorin) e saj. T\u00eb dyja shnd\u00ebrroheshin n\u00eb loj\u00eb, ashtu si\u00e7 \u00ebsht\u00eb loj\u00eb jeta vet\u00eb: aq sa njeriu \u00ebsht\u00eb i vetvetes dhe ka nevoj\u00eb t\u00eb jet\u00eb i vetvetes, aq \u00ebsht\u00eb i lidhur me tjetrin, me mesin ku jeton dhe me kultur\u00ebn q\u00eb i p\u00ebrket.<\/p>\n

Me vet\u00ebdije, n\u00ebp\u00ebrmjet tekstit poetik, qoft\u00eb si njohje, qoft\u00eb si pasurim shpirt\u00ebror, Rifati ia p\u00ebrcolli k\u00ebnaq\u00ebsin\u00eb e vet tjetrit. Mir\u00ebpo, let\u00ebrsia p\u00ebr Rifatin, si\u00e7 ndodh dhe me t\u00eb gjith\u00eb shkrimtar\u00ebt e m\u00ebdhenj, ishte edhe vuajtje, ishte edhe p\u00ebsim. Kjo gj\u00eb d\u00ebshmohet nga fakti se shkrimtari nuk mund t\u00eb krijoj\u00eb di\u00e7ka t\u00eb madhe, t\u00eb vlefshme, pa mund, pa vuajtje dhe pa flijim. E kur mundi dhe flijim i till\u00eb shnd\u00ebrrohet n\u00eb vler\u00eb, b\u00ebhet e mir\u00eb edhe e t\u00eb tjer\u00ebve, merr kuptim tjet\u00ebr, shnd\u00ebrrohen n\u00eb ngush\u00ebllim t\u00eb madh shpirt\u00ebror.<\/p>\n

K\u00ebto ve\u00e7ori e cil\u00ebsuan Rifatin shkrimtar dhe pun\u00ebn e tij krijuese, q\u00eb njoh\u00ebsi i artit letrar nuk e ka v\u00ebshtir\u00eb t\u2019i v\u00ebrej\u00eb n\u00eb veprat e ndryshme q\u00eb i shkroi ai.<\/p>\n

3. Romansier i rrafshit t\u00eb lart\u00eb<\/h3>\n

N\u00eb fush\u00ebn e zhvillimit dhe t\u00eb pasurit t\u00eb romanit ton\u00eb p\u00ebr f\u00ebmij\u00eb, edhe si cil\u00ebsi, edhe si sasi, Rifati dha nj\u00eb ndihmes\u00eb madhore dhe me vlerat q\u00eb p\u00ebrftoi z\u00eb kryet e vendit.<\/p>\n

Romanet e tij nuk i n\u00ebnshtrohen nj\u00eb modeli (si\u00e7 ndodh edhe me llojet e tjera letrare q\u00eb i p\u00ebrftoi); ai, sa i nd\u00ebrtoi, i pasuroi modelet, konvencionet, po aq edhe i rr\u00ebnoi.<\/p>\n

Duke i pasur parasysh disa tipare kryesore, romanet e tij mund t\u00eb grupohen n\u00eb tri rrafshe. N\u00eb t\u00eb parin hyn lloji i romanit \u201cKok\u00ebrrmeli e pilivesa\u201d, n\u00eb t\u00eb dytin \u201cDita e xhufkave\u201d dhe n\u00eb t\u00eb tretin \u201cZogu i bardh\u00eb\u201d (dy t\u00eb fundit jan\u00eb romanet m\u00eb artistike q\u00eb dol\u00ebn nga pena e tij).<\/p>\n

N\u00eb rrafshin e par\u00eb p\u00ebrfshihen romanet q\u00eb nd\u00ebrtohen mbi bot\u00ebn e p\u00ebrrall\u00ebs e t\u00eb sistemit t\u00eb saj shtjellues e shpreh\u00ebs; n\u00eb t\u00eb dytin romanet e aksionit q\u00eb trajtojn\u00eb dukurit\u00eb e jet\u00ebs s\u00eb p\u00ebrditshme, po p\u00ebrher\u00eb t\u00eb g\u00ebrshetuara nga imagjinata e autorit. Rrafshin e tret\u00eb e b\u00ebjn\u00eb romanet q\u00eb trajtojn\u00eb nj\u00eb spekt\u00ebr dukurish, ku, t\u00eb them me shprehjen poetike, \u201cuj\u00ebvara\u201d e ideve shnd\u00ebrrohet n\u00eb nj\u00eb t\u00ebr\u00ebsi, q\u00eb heqin pesh\u00eb p\u00ebr jet\u00ebn, p\u00ebr fatin e njeriut e p\u00ebr veprimin e tij jet\u00ebsor, q\u00eb d\u00ebshmohet me romanin \u201cZogu i bardh\u00eb\u201d. Edhe romanet e dy grupeve t\u00eb fundit i cil\u00ebson arketipi i i rr\u00ebfimit letrar gojor, si rip\u00ebrt\u00ebritje dhe si pasurim.<\/p>\n

N\u00eb shumic\u00ebn e romaneve t\u00eb Rifatit d\u00ebshmohet uniteti kuptimor, form\u00ebsor dhe poetik, q\u00eb jo vet\u00ebm e p\u00ebrcaktojn\u00eb vler\u00ebn e tyre, por e kusht\u00ebzojn\u00eb edhe ndikimin estetik n\u00eb marr\u00ebsin. N\u00eb to autori nuk e kopjoi jet\u00ebn, por e krijoi at\u00eb n\u00ebp\u00ebrmjet struktur\u00ebs gjuh\u00ebsore shpreh\u00ebse. Pra, n\u00eb romanet e tij jeta nd\u00ebrtohet dhe projektohet. Nuk shqiptohet e v\u00ebrteta e jet\u00ebs dhe e dukurive t\u00eb saj si fakt, por gjakohet zbulimi, shpalimi dhe njohja e saj, krijimi i saj. Aksionet dhe veprimet g\u00ebrshetohen me episode, q\u00eb zgjojn\u00eb kureshtjen e f\u00ebmij\u00ebve, duke krijuar dramatiken e rr\u00ebfimit. Shqiptimi b\u00ebhet n\u00eb m\u00ebnyr\u00eb t\u00eb natyrshme; dukurit\u00eb nd\u00ebrlidhen dhe shqiptohen n\u00eb forma t\u00eb ndryshme dhe t\u00eb ve\u00e7anta. Nuk k\u00ebmb\u00ebngul dhe nuk i sforcon dukurit\u00eb dhe idet\u00eb q\u00eb i merr n\u00eb v\u00ebshtrim, por qen\u00ebsia e tyre del nga m\u00ebnyrat e natyrshme e rr\u00ebfimit.<\/p>\n

Rr\u00ebfimi i Rifatit \u00ebsht\u00eb i menduar dhe i p\u00ebrftuar me mjesht\u00ebri dhe kujdesin kryesor autori ia kushton t\u00eb shprehurit. Ai i k\u00ebrkon fjal\u00ebt dhe shprehjet dhe me to i krijon tablot\u00eb poetikisht sa m\u00eb t\u00eb plota. Kjo v\u00ebrehet n\u00eb p\u00ebrshkrimin e cil\u00ebsive t\u00eb bot\u00ebs s\u00eb personazheve, n\u00eb p\u00ebrshkrimet e natyr\u00ebs, t\u00eb veprimeve e t\u00eb ngjarjeve q\u00eb ndodhin n\u00eb t\u00eb.<\/p>\n

Dialogu gjall\u00ebrik, plot dinamiz\u00ebm dhe dramatik, \u00ebsht\u00eb nj\u00eb p\u00ebrb\u00ebr\u00ebs i qen\u00ebsish\u00ebm i romaneve t\u00eb tij, si\u00e7 jan\u00eb shum\u00eb funksional\u00eb tipizimi i personazheve dhe p\u00ebrshkrimet, qofshin ato q\u00eb kan\u00eb t\u00eb b\u00ebjn\u00eb me bot\u00ebn e brendshme t\u00eb personazheve, qofshin ato me fatet e me veprimet e tyre. Fjalia e tij ka natyrshm\u00ebri dhe drejtpeshim.<\/p>\n

P\u00ebr t\u00eb p\u00ebrligjur at\u00eb q\u00eb thash\u00eb m\u00eb lart, po p\u00ebrmend, fjala vjen, romanin \u201cZogu i bardh\u00eb\u201d, ku autori i g\u00ebrsheton dhe i shkrin bot\u00ebn reale dhe bot\u00ebn fiktive dhe p\u00ebrfton nj\u00eb bot\u00eb t\u00eb ve\u00e7ant\u00eb e t\u00eb pasur, bot\u00ebn e romanit, q\u00eb ekziston si e till\u00eb vet\u00ebm brenda struktur\u00ebs gjuh\u00ebsore shpreh\u00ebse t\u00eb vepr\u00ebs. Jo rast\u00ebsisht, edhe n\u00eb k\u00ebt\u00eb roman, autori niset nga p\u00ebrralla, gj\u00eb q\u00eb i mund\u00ebson t\u2019i qaset e ta v\u00ebshtroj\u00eb n\u00eb m\u00ebnyr\u00eb t\u00eb gjer\u00eb e t\u00eb thell\u00eb jet\u00ebn n\u00eb oborrin mbret\u00ebror, por edhe t\u00eb theksoj\u00eb \u00e7\u00ebshtje t\u00eb tjera, si\u00e7 jan\u00eb vetmia ose t\u00ebhuaj\u00ebsimi i njeriut t\u00eb sot\u00ebm, flijimi dhe q\u00ebndresa para v\u00ebshtir\u00ebsive. Kukaj niset nga bota e p\u00ebrrall\u00ebs, p\u00ebr ta shqiptuar m\u00eb plotnisht realitetin; niset nga e pabesueshmja p\u00ebr ta b\u00ebr\u00eb at\u00eb t\u00eb devotshme e t\u00eb besueshme, q\u00eb del si rrjedhoj\u00eb e rr\u00ebfimit dhe e struktur\u00ebs s\u00eb tekstit artistik; niset nga jeta e mbyllur e pallatit mbret\u00ebror dhe sjell shembuj p\u00ebr p\u00ebrpar\u00ebsit\u00eb dhe madh\u00ebshtin\u00eb e jet\u00ebs s\u00eb lir\u00eb, t\u00eb veprimit dhe t\u00eb menduarit t\u00eb lir\u00eb; niset nga forca egoiste e njeriut, p\u00ebr t’i dh\u00ebn\u00eb krah zem\u00ebrgjer\u00ebsis\u00eb, mir\u00ebsjelljes, dinjitetit, q\u00eb d\u00ebshmohen me veprim; niset mbi baz\u00ebn e kolektivitetit p\u00ebr t\u00eb treguar madh\u00ebshtin\u00eb e jet\u00ebs s\u00eb qet\u00eb individuale larg rr\u00ebmuj\u00ebs s\u00eb jet\u00ebs n\u00eb pallate mbret\u00ebrore e n\u00eb qytete; kritikon pa ngurrim veset e njer\u00ebzve brenda e jasht\u00eb Mbret\u00ebris\u00eb Larg, q\u00eb ishin kredhur n\u00eb jet\u00ebn luksoze dhe si sundimtar\u00eb ishin liruar nga cil\u00ebsit\u00eb njer\u00ebzore.<\/p>\n

\u00c7\u00ebshtjet q\u00eb shqiptohen e nd\u00ebrthuren n\u00eb forma t\u00eb ndryshme n\u00eb vep\u00ebr qesin n\u00eb shesh bot\u00ebn dhe natyr\u00ebn e nd\u00ebrliqshme t\u00eb njeriut; me nj\u00eb an\u00eb gjith\u00eb madh\u00ebshtin\u00eb p\u00ebr ideal t\u00eb denj\u00eb jet\u00ebsor e njer\u00ebzor, nd\u00ebrsa n\u00eb an\u00ebn tjet\u00ebr, gjith\u00eb vog\u00eblsin\u00eb dhe ult\u00ebsin\u00eb e tij. Princi d\u00ebshiron t\u00eb b\u00ebj\u00eb rrug\u00ebn e jet\u00ebs s\u00eb tij t\u00eb lir\u00eb e t\u00eb natyrshme, krejt tjet\u00ebr n\u00eb krahasim me prind\u00ebrit sundimtar\u00eb t\u00eb mbret\u00ebris\u00eb Larg; ai nuk d\u00ebshiron ta vras\u00eb jet\u00ebn e vet n\u00eb oborrin mbret\u00ebror, t\u00eb b\u00ebj\u00eb nj\u00eb jet\u00eb larg k\u00ebnaq\u00ebsive t\u00eb jet\u00ebs s\u00eb lir\u00eb e t\u00eb natyrshme.<\/p>\n

Ju k\u00ebshtu m\u2019i shuani t\u00eb gjitha g\u00ebzimet e mia…<\/em><\/p>\n

Hareja n\u00eb zemr\u00ebn time nuk hyn kur d\u00ebshironi ju. Zogu i \u00ebndrr\u00ebs nuk m\u2019u shfaq sipas d\u00ebshir\u00ebs suaj, por kur desh \u00ebndrra ime! Gjokun atje te shtegu ma tregoi Zogu im i bardh\u00eb…<\/em><\/p>\n

Jeta n\u00eb k\u00ebt\u00eb pallat nuk mund t\u00eb shndris\u00eb edhe pse ka shum\u00eb flori, sepse ka ikur gazi prej k\u00ebtu si\u00e7 ik\u00ebn rrezja nga dritarja ime me t\u00eb per\u00ebnduar dielli tej malit.<\/p>\n

4. Mjesht\u00ebr i tregimit t\u00eb shkurt\u00ebr<\/h3>\n

R\u00ebnd\u00ebsia dhe vlera e madhe e vepr\u00ebs letrare t\u00eb Rifatit d\u00ebshmohet edhe n\u00eb fush\u00ebn e tregimit t\u00eb shkurt\u00ebr p\u00ebr f\u00ebmij\u00eb. S\u2019do mend se edhe k\u00ebt\u00eb lloj poetik n\u00eb let\u00ebrsin\u00eb ton\u00eb ai e ngriti n\u00eb majat e tij. Pa dashur t\u00eb sjell k\u00ebtu tituj p\u00ebrmbledhjesh me tregime dhe tituj tregimesh, po p\u00ebrmend, si d\u00ebshmi p\u00ebrmbledhjen \u201cUjku me kamer\u00eb\u201d, ku nga 119 tregimet 100 jan\u00eb t\u00eb shkurta. Mjafton vet\u00ebm kjo p\u00ebrmbledhje p\u00ebr t\u2019i dh\u00ebn\u00eb autorit t\u00eb saj, si\u00e7 thuhet me gjuh\u00ebn poetike, kuror\u00ebn e dafin\u00ebs.<\/p>\n

Tregimi i tij ve\u00e7ohet me ngjesh\u00ebsin\u00eb (sintetizimin) dhe nj\u00ebsimin e rr\u00ebfimit, t\u00eb shtjellimit dhe t\u00eb sistemit shpreh\u00ebs, ku p\u00ebrkushtimi krijues d\u00ebshmohet n\u00eb rrafshe t\u00eb ndryshme. Temat nga realiteti i p\u00ebrditsh\u00ebm ose t\u00eb krijuara nga shkrimtari, dalin n\u00eb nj\u00eb funksion t\u00eb ri, vihen n\u00eb nj\u00eb kontekst kompleks dhe marrin kuptim\u00ebsi t\u00eb ndryshme dhe n\u00eb k\u00ebt\u00eb m\u00ebnyr\u00eb p\u00ebr lexuesin b\u00ebhen pjes\u00eb e realitetit dhe e bot\u00ebs. Pra, ato b\u00ebhen nj\u00eb realitet m\u00eb i pasur s\u00eb ai i jet\u00ebs.<\/p>\n

T\u00eb shprehurit e Rifatit n\u00eb k\u00ebto tregime \u00ebsht\u00eb i ngjeshur, konciz. \u00c7do objekt i trajtuar del barabar i r\u00ebnd\u00ebsish\u00ebm dhe e ka vler\u00ebn e vet t\u00eb pamohueshme. Pra, n\u00eb to rr\u00ebnohet p\u00ebrpar\u00ebsia e \u00e7do veprimi dhe e gjallimit t\u00eb f\u00ebmij\u00ebs n\u00eb krahasim me t\u00eb tjer\u00ebt.<\/p>\n

Brenda nj\u00eb modeli t\u00eb p\u00ebrgjithsh\u00ebm t\u00eb tekstit t\u00eb tregimit t\u00eb shkurt\u00ebr, Rifati krijoi nj\u00eb bot\u00eb t\u00eb nduarnduarshme (variante) formash e realizimesh t\u00eb ndryshme. N\u00eb to ve\u00e7antia e arketipit t\u00eb rr\u00ebfimit letrar gojor \u00ebsht\u00eb shpirt\u00ebzuar me mjesht\u00ebri. \u00c7do tregim \u00ebsht\u00eb pjell\u00eb e pasuris\u00eb shpirt\u00ebrore dhe e aft\u00ebsis\u00eb mendore t\u00eb shkrimtarit. Qen\u00ebsia e objektit t\u00eb trajtuar preket me fjalin\u00eb e par\u00eb, pa hyrje e pa zgjatje. Ky parim zbatohet edhe n\u00eb shtjellimin e tekstit. P\u00ebr k\u00ebt\u00eb arsye mund t\u00eb thuhet se tekstet e k\u00ebtilla mund\u00ebsojn\u00eb p\u00ebrsiatje m\u00eb t\u00eb pasura dhe natyrisht mund\u00ebsi m\u00eb t\u00eb m\u00ebdha komunikimi dhe ndikimi estetik.<\/p>\n

P\u00ebr t\u2019i par\u00eb disa nga k\u00ebto ve\u00e7ori po sjell tregimin \u201c\u00c7\u2019bisedojn\u00eb nin\u00ebzat[7]<\/a>\u201d, si krijes\u00eb e pap\u00ebrs\u00ebritshme t\u00eb mjeshtrit t\u00eb madh.<\/p>\n

\u00c7do gj\u00eb po l\u00ebviz para sht\u00ebpis\u00eb son\u00eb.<\/em><\/p>\n

Puhiza po ledhaton petalet e tr\u00ebndafilave. Nj\u00eb flutur e verdh\u00eb po q\u00ebndis di\u00e7ka rreth tyre. Posht\u00eb, n\u00eb barin e but\u00eb \u2013 kadife, po l\u00ebviz koka e macjes s\u00eb p\u00ebrhitur. Her\u00eb n\u00eb t\u00eb djatht\u00eb, her\u00eb n\u00eb t\u00eb majt\u00eb!<\/em><\/p>\n

Ti vog\u00eblushe po hap\u00ebron. Ke d\u00ebshir\u00eb ta z\u00ebsh Macjen, ajo ka d\u00ebshir\u00eb ka kap\u00eb flutur\u00ebn. Flutura ka d\u00ebshir\u00eb ta z\u00ebr\u00eb Petalen e lules. Petalja ka d\u00ebshir\u00eb ta z\u00ebr\u00eb Puhiz\u00ebn.<\/em><\/p>\n

Puhiza nuk po shihet.<\/em><\/p>\n

Ti vrapove drejt macjes, macja drejt lules, lulja drejt puhiz\u00ebs. U ndale. Edhe macja u ndal. Ti e macja ende nuk po e dini \u00e7\u2019\u00ebsht\u00eb flutura? Po ju sh\u00ebmb\u00ebllen n\u00eb petale, si nj\u00eb bij\u00eb lazdrake q\u00eb ka ikur pa leje nga kurora. Pse po mbani vesh? Mos po e th\u00ebrret kurora t\u00eb kthehet?<\/em><\/p>\n

Flutura vall\u00ebzon ajrit. Edhe kokat tuaja vall\u00ebzojn\u00eb. Gishtat e papar\u00eb t\u00eb puhiz\u00ebs po shpleksin me dashuri flok\u00ebt tuaja, po ledhatojn\u00eb edhe qimet e p\u00ebrhitura t\u00eb macjes.<\/em><\/p>\n

Bishti i saj po vizaton nj\u00eb rreth n\u00eb aj\u00ebr. Mbase po mendon se n\u00ebp\u00ebr t\u00eb do t\u00eb kaloj\u00eb flutura \u2013 ajo petale e pad\u00ebgjueshme.<\/em><\/p>\n

Ti e macja po shikoheni sy me sy! Kushedi \u00e7ka po bisedojn\u00eb nin\u00ebzat tuaja?
\n<\/em>Para sht\u00ebpis\u00eb \u00e7do gj\u00eb po l\u00ebviz.
\n<\/em>Flutura iku drejt res\u00eb s\u00eb bardh\u00eb.
\n<\/em>Edhe ajo po l\u00ebviz.<\/em><\/p>\n

5. Poezia si art, si arg\u00ebtim e si loj\u00eb<\/h3>\n

Edhe n\u00eb fush\u00ebn e poezis\u00eb p\u00ebr f\u00ebmij\u00eb Rifati e pasuroi tradit\u00ebn edhe e krijoi tradit\u00ebn; i vazhdoi shtigjet e nisura nga paraardh\u00ebsit, por edhe hapi shtigje t\u00eb reja. Edhe n\u00eb k\u00ebt\u00eb lloj letrar ai i rr\u00ebnoi modelet. Pra, n\u00eb poezin\u00eb e tij ai e krijoi modelin poetik, por edhe e rr\u00ebnoi at\u00eb. Ky rr\u00ebnim n\u00ebnkupton p\u00ebrpjekjen, hulumtimin p\u00ebr krijimin e di\u00e7kaje t\u00eb re, t\u00eb ve\u00e7ant\u00eb, t\u00eb pasur. Me nj\u00eb fjal\u00eb, pasurim n\u00ebp\u00ebrmjet shqiptimit dhe shtjellimit t\u00eb formave t\u00eb ndryshme.<\/p>\n

Kush i ka lexuar me v\u00ebmendje, fjala vjen, p\u00ebrmbledhjet me poezi \u201cK\u00ebshtjella e drit\u00ebs\u201d (1967), \u201cPrinci i Kruj\u00ebs\u201d (1969), dhe \u201cP\u00ebshurrani i gjyshit\u201d (1989)[8]<\/a> nuk e ka v\u00ebshtir\u00eb t\u00eb v\u00ebrej\u00eb se sa forma t\u00eb ndryshme poetike jan\u00eb p\u00ebrftuar nga autori; \u00e7far\u00eb shum\u00ebsie trajtimi e shqiptimi poetik zbatohet n\u00eb to. Vargje llojesh t\u00eb ndryshme, edhe brenda nj\u00eb p\u00ebrmbledhje, edhe brenda nj\u00eb vjershe. N\u00eb to p\u00ebrdoret nj\u00eb rit\u00ebm sa i natyrsh\u00ebm, aq edhe i ndrysh\u00ebm, i shum\u00ebnduarsh\u00ebm; her\u00eb \u2013 her\u00eb t\u00eb pushton me ngadal\u00ebsimin e tij, her\u00eb me at\u00eb t\u00eb shpejt\u00eb e her\u00eb shum\u00eb m\u00eb t\u00eb shpejt\u00eb, si vet\u00eb rrjedha e jet\u00ebs s\u00eb f\u00ebmij\u00ebs, e mendimit dhe e veprimit t\u00eb tij.<\/p>\n

Tekstet e poezive t\u00eb tij nuk jan\u00eb asgj\u00eb tjet\u00ebr pos nj\u00eb loj\u00eb e vijueshme vargjesh t\u00eb ndryshme, q\u00eb shprehin mendimet p\u00ebr dukuri e veprime, q\u00eb e cil\u00ebsojn\u00eb p\u00ebrditshm\u00ebrin\u00eb e njeriut; variante sa arg\u00ebtuese, aq edhe nxit\u00ebse, motivuese, jo vet\u00ebm p\u00ebr lexuesit e mosh\u00ebs q\u00eb i kushtohen. Poezia e tij e p\u00ebrligj n\u00eb m\u00ebnyr\u00eb t\u00eb mir\u00ebfillt\u00eb \u201cloj\u00ebn\u201d e artit dhe si e till\u00eb, si \u201cloj\u00eb\u201d edhe vet\u00eb b\u00ebhet art. Art, q\u00eb i q\u00ebndron koh\u00ebs dhe e p\u00ebrligj vler\u00ebn e nj\u00eb let\u00ebrsie t\u00eb t\u00ebr\u00eb, edhe pse n\u00eb qen\u00ebsi i kushtohet nj\u00eb shtrese t\u00eb caktuar t\u00eb lexuesve. Vlerat letrare t\u00eb mir\u00ebfillta nuk din\u00eb p\u00ebr shtresa e shtresime lexuesish, p\u00ebr kultura t\u00eb vogla e t\u00eb m\u00ebdha. Ato jan\u00eb vlera arti dhe i mjaftojn\u00eb vetvetes dhe atij q\u00eb i b\u00ebn pjes\u00eb t\u00eb veprimit dhe t\u00eb mendimit jet\u00ebsor. \u00cbsht\u00eb gj\u00eb tjet\u00ebr q\u00eb ato kusht\u00ebzohen, p\u00ebr t\u00eb mos th\u00ebn\u00eb imponohen, nga format dhe mund\u00ebsit\u00eb e ndryshme t\u00eb p\u00ebrhapjen, t\u00eb komunikimit. Po k\u00ebto nuk hyjn\u00eb n\u00eb vlera, edhe pse gjer\u00ebsia e komunikimit shpesh merret si vler\u00eb!<\/p>\n

6. Humor i natyrsh\u00ebm ose qesh e ngjesh<\/h3>\n

P\u00ebrb\u00ebr\u00ebs t\u00eb r\u00ebnd\u00ebsish\u00ebm t\u00eb veprave p\u00ebr f\u00ebmij\u00eb t\u00eb Rifatit jan\u00eb humori dhe thumbimi, q\u00eb shpesh autori i l\u00eb n\u00eb rrafshin thell\u00ebsor, po her\u00eb \u2013her\u00eb marrin p\u00ebrmas\u00eb m\u00eb t\u00eb dukshme e jan\u00eb m\u00eb t\u00eb pand\u00ebrmjem\u00eb. K\u00ebta p\u00ebrdor\u00ebn n\u00eb forma e n\u00eb raste t\u00eb ndryshme: i ndeshim n\u00eb veprat e tij n\u00eb poezi, n\u00eb romane, n\u00eb tregime dhe n\u00eb pjes\u00eb teatrale. N\u00eb ndonj\u00ebr\u00ebn prej veprave b\u00ebjn\u00eb boshtin e objektit t\u00eb trajtuar artistik, nd\u00ebrsa n\u00eb ndonj\u00eb tjet\u00ebr p\u00ebrb\u00ebr\u00ebs mjaft t\u00eb r\u00ebnd\u00ebsish\u00ebm t\u00eb m\u00ebnyr\u00ebs s\u00eb shqiptimit e t\u00eb komunikimit artistik me lexuesin.<\/p>\n

Humori i Rifatit \u00ebsht\u00eb i natyrsh\u00ebm, ashtu \u00e7far\u00eb ai e p\u00ebrdorte edhe n\u00eb komunikimin e p\u00ebrditsh\u00ebm me shok\u00eb ose me bashk\u00ebbisedues t\u00eb rastit. Humorin e kishte, si thuhet, t\u00eb lindur. I mjaftonte edhe rasti m\u00eb i zakonsh\u00ebm p\u00ebr ta d\u00ebshmuar e p\u00ebrdorur. P\u00ebr k\u00ebt\u00eb gj\u00eb pati ndikuar, pa pik\u00ebn e dyshimit, anekdota gojore, t\u00eb cil\u00ebn e dinte mir\u00ebfilli, por edhe dinte ta tregonte n\u00eb \u00e7astin e duhur.<\/p>\n

Ndonj\u00ebher\u00eb humori i tij merr nj\u00eb p\u00ebrmas\u00eb m\u00eb t\u00eb ndjeshme dhe mb\u00ebrrin n\u00eb rrafshin: qesh e ngjesh.<\/p>\n

Pa dashur t\u00eb zgjatem rreth k\u00ebsaj dukurie, po kujtoj k\u00ebtu vet\u00ebm humorin e q\u00eblluar, q\u00eb e p\u00ebrshkon, n\u00eb raste t\u00eb ndryshme, romanin \u201cZogu i bardh\u00eb\u201d, sidomos kur b\u00ebhet fjal\u00eb p\u00ebr veprimet e Pala\u00e7os ose t\u00eb Mbretit. Mir\u00ebpo, p\u00ebr k\u00ebt\u00eb gj\u00eb bindemi edhe nga titujt e disa veprave t\u00eb tij: \u201c\u00c7ka fshin dhelpra me bisht\u201d, Dy zagar\u00eb \u2013 kumbar\u00eb\u201d, \u201cDeti u baft kos\u201d, \u201cNj\u00eb xanxare, lozonjare\u201d, \u201cP\u00ebshurrani i gjyshit\u201d, \u201cNj\u00eb gaforre defatore\u201d, \u201cLepuri me pes\u00eb k\u00ebmb\u00eb\u201d etj.<\/p>\n

Me nj\u00eb fjal\u00eb: nj\u00eb vep\u00ebr me vler\u00eb t\u00eb madhe poetike, gj\u00eb q\u00eb d\u00ebshmohet nga shum\u00ebsia e qasjeve dhe e shqiptimit t\u00eb objekteve poetike t\u00eb trajtuara, nga m\u00ebnyra e t\u00eb shprehurit artistik, q\u00eb nuk u n\u00ebnshtrohet modeleve si dhe t\u00eb natyrshm\u00ebris\u00eb s\u00eb komunikimit q\u00eb ajo v\u00eb me lexuesin.<\/p>\n

Vepra letrare e Rifat Kukajt tashm\u00eb \u00ebsht\u00eb b\u00ebr\u00eb pjes\u00eb e artit ton\u00eb t\u00eb fjal\u00ebs, e pasuris\u00eb son\u00eb shpirt\u00ebrore, sidomos e asaj p\u00ebr f\u00ebmij\u00eb dhe me koh\u00eb do t\u00eb b\u00ebhet edhe m\u00eb shum\u00eb. Nj\u00eb gj\u00eb t\u00eb k\u00ebtill\u00eb e p\u00ebrcaktojn\u00eb dhe e p\u00ebrligjin vlerat e m\u00ebdha q\u00eb i cil\u00ebsojn\u00eb veprat e tij.<\/p>\n

R E F E R E N C \u00cb<\/strong>:<\/p>\n

[1]<\/a> Pual Hazard, Uomini, ragazzi e libri<\/em>. Letteratura infantile.<\/em> Seconda edizione. Armando Editore, Roma 1969, f. 95.
\n[2]<\/a> Shih librin tim Teksti poetik<\/em>, Rilindja, Prishtin\u00eb 1985, f. 127.
\n[3]<\/a> Shih librin tim Shum\u00ebsia kuptimore<\/em>, Rilindja, Prishtin\u00eb 1990, f. 142.
\n[4]<\/a> Rifat Kukaj, Ma jep gishtin e vog\u00ebl.<\/em> Poezi. Botues OJQ Pran\u00eb f\u00ebmij\u00ebve. Prishtin\u00eb 2005, f. 24.
\n[5]<\/a> Rifat Kukaj, Ma jep gishtin e vog\u00ebl,<\/em> vep. e p\u00ebrm. f. 30.
\n[6]<\/a> Rifat Kukaj, Zogu i bardh\u00eb. Roman p\u00ebr f\u00ebmij\u00eb. Botimi i tret\u00eb. Parath\u00ebnien Anton Nik\u00eb Berisha, Sht\u00ebpia botuese Faik Konica, Prishtin\u00eb 2019, f. 290.
\n[7]<\/a> Rifat Kukaj, Gjiri i delfinit.<\/em> Tregime p\u00ebr f\u00ebmij\u00eb. Libri shkollor, Prishtin\u00eb, 2002, f. 16 \u2013 17.
\n[8]<\/a> Shih dhe p\u00ebrmbledhjen e tij \u201cVjersha t\u00eb zgjedhura p\u00ebr f\u00ebmij\u00eb\u201d<\/em>, Prishtin\u00eb 1976.<\/p>\n","protected":false},"excerpt":{"rendered":"

Me rastin e botimit t\u00eb librit \u201cVE\u00c7ANTI T\u00cb VEPR\u00cbS LETRARE P\u00cbR F\u00cbMIJ\u00cb T\u00cb RIFAT KUKAJT\u201d nga Argeta LMG, Tiran\u00eb 2020 Anton Nik\u00eb Berisha Let\u00ebrsia p\u00ebr f\u00ebmij\u00eb mund t\u00eb mos p\u00ebrfillet me kusht q\u00eb t\u00eb mos p\u00ebrfillet as bota, n\u00eb t\u00eb cil\u00ebn nj\u00eb shpirt nacional formohet dhe ruhet[1]. PAUL HAZARD 1. Krijimtari e pasur dhe e […]<\/p>\n","protected":false},"author":1,"featured_media":57364,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[8],"tags":[],"class_list":["post-57363","post","type-post","status-publish","format-standard","has-post-thumbnail","category-letersi"],"yoast_head":"\nMBI DISA VE\u00c7ANTI T\u00cb VEPR\u00cbS LETRARE P\u00cbR F\u00cbMIJ\u00cb T\u00cb RIFAT KUKAJT - FJALA e LIR\u00cb<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/jehonashqiptare.al\/fjala\/mbi-disa-vecanti-te-vepres-letrare-per-femije-te-rifat-kukajt\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"MBI DISA VE\u00c7ANTI T\u00cb VEPR\u00cbS LETRARE P\u00cbR F\u00cbMIJ\u00cb T\u00cb RIFAT KUKAJT - FJALA e LIR\u00cb\" \/>\n<meta property=\"og:description\" content=\"Me rastin e botimit t\u00eb librit \u201cVE\u00c7ANTI T\u00cb VEPR\u00cbS LETRARE P\u00cbR F\u00cbMIJ\u00cb T\u00cb RIFAT KUKAJT\u201d nga Argeta LMG, Tiran\u00eb 2020 Anton Nik\u00eb Berisha Let\u00ebrsia p\u00ebr f\u00ebmij\u00eb mund t\u00eb mos p\u00ebrfillet me kusht q\u00eb t\u00eb mos p\u00ebrfillet as bota, n\u00eb t\u00eb cil\u00ebn nj\u00eb shpirt nacional formohet dhe ruhet[1]. 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