{"id":57796,"date":"2020-07-07T15:21:22","date_gmt":"2020-07-07T13:21:22","guid":{"rendered":"https:\/\/fjala.info\/?p=57796"},"modified":"2020-07-07T15:21:22","modified_gmt":"2020-07-07T13:21:22","slug":"ritem-dinamik-i-formave","status":"publish","type":"post","link":"https:\/\/jehonashqiptare.al\/fjala\/ritem-dinamik-i-formave\/","title":{"rendered":"RITEM DINAMIK I FORMAVE"},"content":{"rendered":"

Adem Rusinovci, \u201cPa titull\u201d<\/i><\/span><\/p>\n

EKSPOZITA<\/strong><\/p>\n

\"\" Shkruan: Prof. dr. Hivzi Muharremi<\/strong>\u00a0<\/strong><\/p>\n

Me rastin e ekspozit\u00ebs Biennali t\u00eb vizatimit hapur koh\u00eb m\u00eb par\u00eb n\u00eb\u00a0<\/strong>Galerin\u00eb Komb\u00ebtare t\u00eb Kosov\u00ebs. <\/strong><\/p>\n

Bienali i vizatimit, i pari me radh\u00eb, organizuar nga Asociacioni i Artist\u00ebve Vizual t\u00eb Kosov\u00ebs, \u00ebsht\u00eb manifestim i t\u00eb arriturave m\u00eb cil\u00ebsore t\u00eb krijuesve n\u00eb fush\u00ebn e vizatimit, n\u00eb t\u00eb cilin shpalosen shtresat m\u00eb t\u00eb thella e m\u00eb subtile t\u00eb nd\u00ebrdijes dhe vet\u00ebdijes s\u00eb krijuesve figurativ\u00eb.<\/strong><\/p>\n

Vija si element dominant dhe thelb\u00ebsor i vizatimit \u00ebsht\u00eb bart\u00ebse e ngjarjes, ides\u00eb, porosis\u00eb dhe problemit figurative t\u00eb vepr\u00ebs. Ajo mund\u00ebson definime t\u00eb drejtp\u00ebrdrejta n\u00eb rrjedh\u00ebn spontane t\u00eb mendimeve dhe pulsimeve kreative e emocionale. Ngjyra si element piktural dhe materialet grafike t\u00eb shlyeshme dhe k\u00ebsisoji t\u00eb p\u00ebrshtatshme p\u00ebr p\u00ebrmir\u00ebsimin e l\u00ebshimeve dhe d\u00ebshtimeve gjat\u00eb procesit krijues sic \u00ebsht\u00eb p\u00ebrdorja e lapsave, krejoneve t\u00eb ngjyrosura, p\u00ebrdorja e impasteve, t\u00eb ngjyr\u00ebs temper\u00eb me tushin e laviruar, kollazheve etj jan\u00eb realizuar nga nj\u00eb num\u00ebr i konsideruesh\u00ebm t\u00eb krijues\u00ebve figurativ. Vija dhe ngjyra jan\u00eb dy elemente par\u00ebsore n\u00eb realizimin e vizatimeve, ashtu sic \u00ebsht\u00eb rasti edhe me grafik\u00ebn.<\/p>\n

Ekspozita e Biennalit t\u00eb vizatimit nd\u00ebrkomb\u00ebtar \u00ebsht\u00eb eveniment i cili ka nj\u00eb tradit\u00eb t\u00eb gjat\u00eb q\u00eb nga vitet e shtat\u00ebdhjeta e deri n\u00eb mbyllj\u00ebn e saj, ashtu sic ka ndodhur me t\u00eb gjitha aktivitet kultuore n\u00eb Kosov\u00eb para dhe gjat\u00eb luft\u00ebs.\u00a0 Ky projekt i cili ka qen\u00eb pjes\u00eb p\u00ebrb\u00ebrese e Shoqat\u00ebs s\u00eb Artist\u00ebve figurativ\u00eb t\u00eb<\/p>\n

Kosov\u00ebs, pas nj\u00eb periudhe t\u00eb gjat\u00eb mosfunksionimi, me themelimin e Asociacionit t\u00eb arist\u00ebve vizual t\u00eb Kosov\u00ebs e fillon funksionalizimin n\u00eb aspektin institucional dhe \u00ebsht\u00eb e para q\u00eb organizoh\u00ebt n\u00eb ambientet e Galeris\u00eb s\u00eb Arteve. Nga kjo ekspozit\u00eb cdo t\u00eb dyten vjet n\u00eb vijim\u00ebsi artdash\u00ebsit kan\u00eb mund\u00ebsi me i vrojtu veprat e autor\u00ebve si vendor poashtu edhe nd\u00ebrkomb\u00ebtar.<\/p>\n

N\u00eb ekspozit\u00ebn e par\u00eb t\u00eb Biennalit t\u00eb vizatimit morr\u00ebn pjes\u00eb dyzeten\u00ebnt\u00eb autor\u00eb. P\u00ebrmes vizatimeve jan\u00eb munduar ta shprehin karakteristikat m\u00eb thelb\u00ebsore t\u00eb drejtimeve apo stilit q\u00eb e kultivojn\u00eb gjat\u00eb krijimtaris\u00eb s\u00eb tyre artistike. P\u00ebrmes elementeve figurative nj\u00eb shp\u00ebrfaqje e till\u00eb reflekton tek shumica e pjesmarr\u00ebsve t\u00eb k\u00ebtij manifestimi. Punimet e autor\u00ebve n\u00eb p\u00ebrgjith\u00ebsi vecoh\u00ebn p\u00ebr nga trajtimi i frym\u00ebs reale, ekspresive, surreale e deri tek ato me primesa abstrakte t\u00eb koncepteve t\u00eb ndryshme t\u00eb artit modern. N\u00eb frym\u00ebn e k\u00ebtyre drejtimeve cdo autor\u00eb e shp\u00ebrfaq ndjenjat dhe bot\u00ebn e vet\u00eb shpirt\u00ebore p\u00ebrmes linjave, formave, ngjyrave dhe raporteve t\u00eb drit\u00eb hijeve.<\/p>\n

P\u00ebrmes k\u00ebtyre elementeve figurative krijuesit arrijn\u00eb t\u2019i shprehin p\u00ebrmes fabull\u00ebs s\u00eb imazheve t\u00eb trajtura edhe an\u00ebn p\u00ebrmbajt\u00ebsore, gj\u00eb q\u00eb, nj\u00eb mpleksje e till\u00eb akoma e m\u00eb shum\u00eb e dinamizon ritmin kompozicional t\u00eb vizatimit. Nj\u00eb rit\u00ebm i till\u00eb dinamik\u00eb m\u00eb s\u00eb miri mund t\u00eb venerrohet n\u00eb vizatimin e krijuesit Adem Rusinovci<\/strong>, ku e v\u00eb n\u00eb spikam\u00eb aktualitetin e kontekstit kohor, me transformime dhe metamorfoza t\u00eb p\u00ebrjet\u00ebsimit t\u00eb ngjarjeve t\u00eb ndryshme historike, t\u00eb trajtuara me nj\u00eb gjuh\u00eb sa ekspresive, dramatike po aq edhe optimiste n\u00eb nj\u00eb lart\u00ebsim estetik t\u00eb detajeve t\u00eb vizatuara, gjithnj\u00eb e m\u00eb shum\u00eb shp\u00ebrfaq\u00eb t\u00eb dy an\u00ebt artistike at\u00eb vizatimore dhe p\u00ebrmbajt\u00ebsore. Nj\u00eb ravijizim kompozicional i vepr\u00ebs e em\u00ebrtuar\u201d Pa titull\u201d \u00ebsht\u00eb realizuar n\u00eb frym\u00ebn moderne me primesa t\u00eb artit surreal e metafizik. Punimi i autorit Rusinovci, ka fituar Cmimin e nderit, \u201cMiqt e Biennales\u201d, cmim qe ipet nga miqt\u00eb e Biennalit.<\/p>\n

Gjithashtu edhe t\u00eb autori Agim Salihu, <\/strong>n\u00eb vizatimin e em\u00ebrtuar \u201cPa titull\u201d, dominon hap\u00ebsira n\u00eb trajtim t\u00eb dy figurave ku trupi nudo zhytet me kok\u00eb dhe duar t\u00eb deformuar asocon n\u00eb nj\u00eb qenie fantazmagorike dhe nd\u00ebrlidhet plot\u00ebsisht me aktualitetin kohor t\u00eb globit bot\u00ebror ku si aksentim i t\u00ebr\u00eb fabull\u00ebs kompozicionale<\/p>\n

\u00ebsht\u00eb nj\u00eb detaj i ngjarj\u00ebs pandemike si nj\u00eb virus asociativ n\u00eb siluet\u00eb q\u00eb n\u00eb t\u00ebr\u00ebsi e ka trondit t\u00ebr\u00eb globin bot\u00ebror.<\/p>\n

P\u00ebrmes portreteve piktori Alban Meka <\/strong>e mpleks aktualitetin e nj\u00eb atmosfere sa t\u00eb bezdishme po aq e llahtarshme. T\u00ebr\u00eb kjo reflekton n\u00eb shpirtin e tyre, q\u00eb p\u00ebrmes<\/p>\n

shikimit t\u00eb tyre portretet shp\u00ebrfaqin gjendjen e p\u00ebrgjithshme dramatike. N\u00eb m\u00ebnyr\u00eb studimore jan\u00eb realizuar n\u00eb raporte drit\u00eb hije.<\/p>\n

Tek autorja nga Maqedonia Blagoje Mineski<\/strong>, \u201cE fshehur e dukshme\u201d, dhe \u201cFuriozo\u201d, spikat\u00eb nj\u00eb frym\u00eb moderne, me nj\u00eb teknik\u00eb mjaft\u00eb t\u00eb theksuar n\u00eb definim t\u00eb planeve me shum\u00ebllojshm\u00ebri formash nga ato t\u00eb p\u00ebrvijuara nga fokusimi\u00a0 kah qendra e deri tek format diagonale t\u00eb cilat spikasin me nj\u00eb ekspresivitet t\u00eb vet\u00eb struktur\u00ebs kompozicionale t\u00eb vizatimit.<\/p>\n

Tek autori nga Sllovenia, Crtomir Frelih<\/strong> \u201cMoti i keq I, II\u201d, nj\u00ebherit fitues i Cmimit kryesor t\u00eb Bienales \u201cGjelosh Gjokaj\u201d, \u00ebsht\u00eb vizatim asociativ simbolik\u00eb q\u00eb n\u00eb esenc\u00eb paraqet nj\u00eb koh\u00eb t\u00eb nj\u00eb atmosfere t\u00eb nj\u00eb tendosjeje t\u00eb Globit n\u00eb p\u00ebrgjith\u00ebsi. N\u00eb aspektin teknik e artistik realizim studimor sa q\u00eb duket si vep\u00ebr grafikore me poteze ekspresive dhe dramatike t\u00eb ngjyr\u00ebs s\u00eb zez\u00eb me nuancime t\u00eb ngjyr\u00ebs ok\u00ebr. Vizatimet e Crtomirit, vecohen me hap\u00ebsira imagjinative t\u00eb kolonizuara me figura n\u00eb l\u00ebvizje ekliptike, ku dallojm\u00eb nj\u00eb begati t\u00eb definimeve valerike t\u00eb motivit.<\/p>\n

P\u00ebrfaq\u00ebsuesi nga Bosnja e Hercegovina Dzeko Hodzic<\/strong>, p\u00ebrmes ngjyrave subtile dhe formave kontrastive realizon dy vizatime n\u00eb frym\u00ebn ekspresive, p\u00ebrmes deformimit t\u00eb kokave q\u00eb kalojn\u00eb n\u00eb abstraksion.<\/p>\n

N\u00eb vizatimet e piktorit Gani Llalloshi<\/strong>, i cili jeton dhe vepron n\u00eb Slloveni. N\u00eb ekspozit\u00ebn e Bienalit t\u00eb vizatimit prezantohet me dy punime \u2013vizatime, \u201c\u00cbndrra I, II\u201d,\u00a0 Q\u00eb t\u00eb dyja vizatime n\u00eb aspektin kompozicional ravij\u00ebzohen p\u00ebrmes dy ndarjeve kompozicionale ku autori e shp\u00ebrfaq figurat sidomos n\u00eb pjesen e sip\u00ebrme t\u00eb planit t\u00eb dyt\u00eb q\u00eb p\u00ebrfundon n\u00eb nj\u00eb transformim nga bardh\u00ebsia e sfondit kompozicional. N\u00eb k\u00ebto dy vizatime deri n\u00eb nj\u00eb mas\u00eb gufon spontaniteti ekspresiv i p\u00ebrmbyllur n\u00eb kompozicion racional, gjall\u00ebron ritmi dinamik i formave dhe vijave, q\u00eb hyjn\u00eb n\u00eb funksion t\u00eb ikonografis\u00eb s\u00eb tij me figura dhe ambientin e n\u00ebnqiellit ton\u00eb.<\/p>\n

Vizatimet e Haxhi Kastratit<\/strong>, vecohen me hap\u00ebsira imagjinative t\u00eb kolonizuara me figura nudo t\u00eb transformuara n\u00eb koka t\u00eb gjallesave, fokave. \u00cbsht\u00eb nj\u00eb sintetizim i formave, t\u00eb l\u00ebvizjes ekliptike, ku dallojm\u00eb nj\u00eb begati t\u00eb definimeve valerike t\u00eb motivit, p\u00ebrkat\u00ebsisht formave nudo kompozicionale.<\/p>\n

Gjithashtu edhe Helidon Haliti<\/strong>, prezentohet me dy vizatime \u201cPa titull\u201d, Vizatime k\u00ebto t\u00eb realizuara n\u00eb nj\u00eb frym\u00eb moderne, t\u00eb thjesht\u00ebsuara, por shum\u00eb dometh\u00ebn\u00ebse si \u00a0n\u00eb aspektin p\u00ebrmbajt\u00ebsor, poashtu edhe figurativ me nj\u00eb rit\u00ebm dinamik si t\u00eb formave njer\u00ebzore poashtu edhe t\u00eb kafsh\u00ebve. K\u00ebto skena jan\u00eb mjaft\u00eb t\u00eb suksesshme, t\u00eb shprehura n\u00eb kompozicion. t\u00eb qarta e racionale, n\u00eb t\u00eb cilin cdo element definohet me maturi dhe p\u00ebrkushtim.<\/p>\n

Piktori Isa Alimusaj<\/strong> para ardash\u00ebsve t\u00eb Prishtin\u00ebs prezantohet me vizatimet nga cikli \u201cProfile Dardane\u201d. Vizatimet e kokave dardane kryesisht jan\u00eb t\u00eb trajtuara n\u00eb nj\u00eb atmosfer\u00eb sa dramatike po aq edhe metafizike. Duksh\u00ebm dallojn\u00eb nga pikturat e cikleve m\u00eb t\u00eb hershme t\u00eb realizuara n\u00eb t\u00eb njejt\u00ebn tem\u00eb, meq\u00eb autori mbi dyzet vjet \u00ebsht\u00eb duke u marr\u00eb me trajtimin e k\u00ebsaj teme, andaj, duksh\u00ebm reflekton nj\u00eb qasje shum\u00eb m\u00eb e avansuar si n\u00eb aspektin p\u00ebrmbajt\u00ebsor po ashtu edhe n\u00eb vizatim.<\/p>\n

Vizatimet e Ismet Jonuzit<\/strong> \u201cD\u00ebmi\u201d dhe \u201cHijet\u201d, jan\u00eb dy punime q\u00eb n\u00eb aspektin e dometh\u00ebnies p\u00ebrmbajt\u00ebsore nd\u00ebrlidhen si dy koncepte. Koncepti i d\u00ebmit \u00ebsht\u00eb pasoj\u00eb e nj\u00eb atmosfere t\u00eb brisht\u00eb arkitektonike e nj\u00eb periudhe t\u00eb shkuar n\u00eb aspektin historik e q\u00eb hija gjithmon e p\u00ebrcjell n\u00eb aspektin filozofik. Hijet jan\u00eb pjes\u00eb p\u00ebrb\u00ebr\u00ebse e cdo fenomeni dhe n\u00eb m\u00ebnyr\u00eb t\u00eb nd\u00ebrsjell nd\u00ebrlidhet me imazhet e ndryshme kohore. Realizim i dinjitetsh\u00ebm dhe studimor.<\/p>\n

Vizatimi \u201cPa titull\u201d i Jakup Ferrit <\/strong>\u00ebsht\u00eb nj\u00eb konglomerat imazhesh t\u00eb trajtuara n\u00eb nj\u00eb hap\u00ebsir\u00eb kompozicionale me shp\u00ebrfaqje t\u00eb nj\u00eb relaxi, t\u00eb nj\u00eb pushimi jo vet\u00ebm nga lodhja apo rezitja, por nga brengat e p\u00ebrditshm\u00ebris\u00eb s\u00eb jet\u00ebs dinamike. E t\u00ebr\u00eb fabula e skenave t\u00eb trajtuara evokohet n\u00eb sfondin e zi, svond i cili ndikon n\u00eb theksueshm\u00ebrin\u00eb e kontrasteve koloristike. \u00cbsht\u00eb laureat i Cmimit t\u00eb Bienales \u201cGjelosh Gjokaj\u201d,(nj\u00eb cmim i barabart p\u00ebr dy autor\u00eb, nj\u00ebri nga Sllovenia e tjetri nga Kosova).<\/p>\n

P\u00ebr nga realizimi poetiko-asociativ t\u00eb vizatimi t\u00eb autorit Musa Prelvukaj <\/strong>\u201cZ\u00ebri i m\u00ebngjesit, vecohet vizatimi p\u00ebr nga trajtimi i nj\u00eb fryme moderne t\u00eb figurave t\u00eb realizuara n\u00eb frym\u00ebn surreale. Figura ku identifikoh\u00ebn nga kokat e tyre t\u00eb st\u00ebrlodhura dhe t\u00eb raskapitura dhe t\u00eb transformuara n\u00eb trupin e shpez\u00ebs bibanit. Aksentin kryesor t\u00eb ngjarj\u00ebs e fikson n\u00eb planin e par\u00eb kompozicional.<\/p>\n

K\u00ebtyre iu bashkohet edhe Naim Spahiu<\/strong>, me vizatimin \u201cNotuesit e koh\u00ebs\u201d me figur\u00eb gjigante n\u00eb planin kompozicional, ku mbi kok\u00ebn dhe trupin e figur\u00ebs spikasin kokat e figurave t\u00eb cilat e kan\u00eb humbur pamjen e imazhit dhe duk\u00ebn si t\u00eb tretura n\u00eb aktin monumental t\u00eb figur\u00ebs qendrore. T\u00eb gjitha k\u00ebto jan\u00eb t\u00eb harmonish\u00ebm dhe vecohen me nj\u00eb tekstur\u00eb t\u00eb pasur t\u00eb vijave t\u00eb kombinuara me tush t\u00eb laviruar.<\/p>\n

Nimon Lokaj<\/strong>, me atmosfer\u00eb t\u00eb nj\u00eb apokalipse kohore n\u00eb vizatimin \u201cPlaku\u201d evokon nj\u00eb periudh\u00eb t\u00eb gjat\u00eb kohore t\u00eb p\u00ebrmbushura me ngjarje dhe skena sa t\u00eb llahtarshme po aq edhe dramatike. Plaku, litari, ngulfatja jan\u00eb metafora t\u00eb p\u00ebrjet\u00ebsuara t\u00eb nj\u00eb etnie q\u00eb nga periudhat e hershme e deri me sot. T\u00eb definuar me forma t\u00eb sintetizuara dhe kompozicion adekuat, i kund\u00ebrv\u00eb vijat t\u00eb drejta e t\u00eb lakuara me shrafura t\u00eb dendura n\u00eb masat e err\u00ebta.<\/p>\n

Metafora dhe simbolika e bised\u00ebs me figurat e kafsh\u00ebs, jan\u00eb dy punime t\u00eb realizuara me p\u00ebrkushtim nga autorja Ormira Lulani. <\/strong>\u00cbsht\u00eb punim studimor si n\u00eb aspektin analitik poashtu edhe p\u00ebrmbajt\u00ebsor. Pra, efekti kryesor i vizatimit \u00ebsht\u00eb shp\u00ebrfaqja e aspektit psikologjik dhe realizimi figural anatomik.<\/p>\n

Vizatimet e Nehat Beqirit<\/strong> \u201cLoja\u201d dhe \u201cP\u00ebrtej\u201d, sh\u00ebmb\u00ebllejn\u00eb me konseguenc\u00eb tekniciste dhe njohje t\u00eb ligjshm\u00ebrive t\u00eb shprehjes vizatimore. Jan\u00eb vepra shum\u00eb t\u00eb t\u00eb suksesshme dhe me nj\u00eb frym\u00eb moderne t\u00eb realizimit, T\u00ebr\u00ebsisht i shkarkuar nga elementet e teperta dhe punimi duket si i kryer prej nj\u00eb fryme.<\/p>\n

Vizatimet e Majlinda Kelmendit<\/strong> jan\u00eb studioze me shrafura elegante, n\u00eb t\u00eb cilat nd\u00ebrhyn edhe intervenca ting\u00eblluese koloristike t\u00eb pasura me forma t\u00eb imazheve abstrakte kompozicionale.<\/p>\n

Vizatimet e Paolo Ferluga <\/strong>vecohen p\u00ebr nga strukturimi subtil i njollave valerike t\u00eb pasura me tekstur\u00eb prej t\u00eb cilave sublimohen format e nj\u00eb imazhi dhe interpretimet pikturale.<\/p>\n

Shyqri Gjurkaj,<\/strong> prezentohet me vizatimet nga cikli, \u201cGjurm\u00eb n\u00eb koh\u00eb\u201d dhe \u201cPa titull\u201d, t\u00eb cil\u00ebt n\u00eb vete ng\u00ebrthejn\u00eb elemente nga fryma e artit modern. T\u00ebr\u00eb ngjarja n\u00eb vete ng\u00ebrthen nj\u00eb histori gjat\u00eb kontesteve t\u00eb ndryshme kohore, q\u00eb m\u00eb s\u00eb miri venerohet p\u00ebrmes akcentimit t\u00eb ngjyr\u00ebs s\u00eb kuqe n\u00eb mes t\u00eb gur\u00ebve si imazhe par\u00ebsore t\u00eb vizatimit asociativo-simbolik\u00eb.<\/p>\n

Zake Prelvukaj<\/strong>: \u201cTemporaliteti\u201d Vizatim i shprehur me shp\u00ebrthim eruptiv t\u00eb vijave t\u00eb inkuadruara brenda dy formave kuadrante dhe gjys\u00ebm kuadronte t\u00eb nd\u00ebrlidhur n\u00eb m\u00ebnyr\u00eb ekstenzive p\u00ebr kompozim, ku zhvillohet n\u00eb nj\u00eb loj\u00eb sa ekspresive po aq edhe melodioze t\u00eb konturave spontane q\u00eb e gjall\u00ebrojn\u00eb ngjarjen e brendshme t\u00eb figur\u00ebs dhe kokave.<\/p>\n

Kamuran Goranci<\/strong> i kushtohet definimit t\u00eb variacioneve imagjinative t\u00eb formave me p\u00ebrshtypje relievore n\u00eb vizatimet \u201cIluzioni I, II\u201d. Ku p\u00ebrfiton nj\u00eb rit\u00ebm dinamik p\u00ebrmes linjave subtile. Vizatimet e Agron Mulliqit<\/strong>, i karakterizon tekstura e fresk\u00ebt dhe spontaniteti i heqjes s\u00eb vijave, si dhe nga vizatimi ekspresiv me loj\u00eb t\u00eb gjall\u00eb t\u00eb drit\u00eb-hijeve dhe ritmit patetik t\u00eb formave. Gjurm\u00ebt infantile t\u00eb figuracionit n\u00eb form\u00eb siluete reflektohen n\u00eb vizatimet e Remus Willson<\/strong>.<\/p>\n

D\u00ebrgoi p\u00ebr publikim, Ilir Muharremi<\/strong>, kritik arti<\/em><\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"

Adem Rusinovci, \u201cPa titull\u201d EKSPOZITA Shkruan: Prof. dr. Hivzi Muharremi\u00a0 Me rastin e ekspozit\u00ebs Biennali t\u00eb vizatimit hapur koh\u00eb m\u00eb par\u00eb n\u00eb\u00a0Galerin\u00eb Komb\u00ebtare t\u00eb Kosov\u00ebs. Bienali i vizatimit, i pari me radh\u00eb, organizuar nga Asociacioni i Artist\u00ebve Vizual t\u00eb Kosov\u00ebs, \u00ebsht\u00eb manifestim i t\u00eb arriturave m\u00eb cil\u00ebsore t\u00eb krijuesve n\u00eb fush\u00ebn e vizatimit, n\u00eb t\u00eb […]<\/p>\n","protected":false},"author":1,"featured_media":57797,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2,35],"tags":[],"class_list":["post-57796","post","type-post","status-publish","format-standard","has-post-thumbnail","category-artikuj","category-kulture"],"yoast_head":"\nRITEM DINAMIK I FORMAVE - FJALA e LIR\u00cb<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/jehonashqiptare.al\/fjala\/ritem-dinamik-i-formave\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"RITEM DINAMIK I FORMAVE - FJALA e LIR\u00cb\" \/>\n<meta property=\"og:description\" content=\"Adem Rusinovci, \u201cPa titull\u201d EKSPOZITA Shkruan: Prof. dr. 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