{"id":58122,"date":"2020-07-17T10:53:47","date_gmt":"2020-07-17T08:53:47","guid":{"rendered":"https:\/\/fjala.info\/?p=58122"},"modified":"2020-07-17T17:59:43","modified_gmt":"2020-07-17T15:59:43","slug":"qenesia-e-thjeshtesise-poetike","status":"publish","type":"post","link":"https:\/\/jehonashqiptare.al\/fjala\/qenesia-e-thjeshtesise-poetike\/","title":{"rendered":"QEN\u00cbSIA E THJESHT\u00cbSIS\u00cb POETIKE"},"content":{"rendered":"

Anton Nik\u00eb Berisha<\/strong><\/p>\n

Mbi poezin\u00eb e Enca Skutarit<\/strong>
\nMe rastin e vdekjes se poetes arb\u00ebreshe Enca Skutari (Enza Scutari)
\n<\/em><\/p>\n

Fjala dhe mendimi<\/h3>\n

Fjala \u00ebsht\u00eb qenie dhe qen\u00ebsi e mendimit, e komunikimit dhe e gjallimit t\u00eb njeriut n\u00eb koh\u00eb dhe n\u00eb hap\u00ebsir\u00eb. N\u00ebp\u00ebrmjet saj gj\u00ebrat dhe dukurit\u00eb marrin kuptimet p\u00ebrkat\u00ebse dhe si t\u00eb tilla shfryt\u00ebzohen n\u00eb jet\u00ebn dhe n\u00eb veprimin e p\u00ebrditsh\u00ebm. Kjo qen\u00ebsi dhe r\u00ebnd\u00ebsi e fjal\u00ebs shprehet n\u00eb m\u00ebnyr\u00eb t\u00eb qart\u00eb n\u00eb Ungjillin sipas Gjonit, ku thuhet: N\u00eb fillim ishte Fjala \/ e Fjala ishte n\u00eb Hyjin \/ e Fjala ishte Hyj\u2026\/ Prej saj u b\u00eb \u00e7do gj\u00eb1<\/a>.<\/p>\n

Edhe n\u00eb artin e fjal\u00ebs, e mbrenda tij dhe n\u00eb poezi, fjala \u2013 gjuha, b\u00ebn qen\u00ebsin\u00eb e \u00e7do shprehje e \u00e7do kumti, e \u00e7do mendimi q\u00eb del nga struktura e tekstit konkret; ajo b\u00ebn thelbin e komunikimit artistik mes njer\u00ebzve e t\u00eb p\u00ebrvoj\u00ebs jet\u00ebsore dhe p\u00ebrvoj\u00ebs artistike, q\u00eb njeriu, nga fillimi i gjallimit t\u00eb tij, e shfryt\u00ebzoi dhe e barti prej nj\u00eb brezi te tjeri, duke ua l\u00ebn\u00eb trash\u00ebgim atyre q\u00eb erdh\u00ebn m\u00eb von\u00eb.<\/p>\n

N\u00eb artin letrar poetik n\u00ebp\u00ebrmjet fjal\u00ebve sajohet mendimi. Dhe pik\u00ebrisht marr\u00ebdh\u00ebniet mes fjal\u00ebve, p\u00ebrkat\u00ebsisht nga kuptimet q\u00eb dalin nga nd\u00ebrlidhja, ballafaqimi dhe kund\u00ebrv\u00ebnia e tyre p\u00ebrligjin fuqin\u00eb shpreh\u00ebse, ting\u00ebllueshm\u00ebrin\u00eb dhe muzikalitetin, madh\u00ebshtin\u00eb artistike. S\u00eb k\u00ebndejmi gjith\u00eb m\u00ebvet\u00ebsia dhe madh\u00ebshtia e nj\u00eb poeti p\u00ebrligjet pik\u00ebrisht nga m\u00ebnyra e p\u00ebrdorimit t\u00eb fjal\u00ebve, p\u00ebrkat\u00ebsisht e gjuh\u00ebs poetike q\u00eb p\u00ebrdor, nga shum\u00ebsia e mendimeve ose e simbolik\u00ebs q\u00eb dalin nga fjal\u00ebt, nga tablot q\u00eb p\u00ebrftohen e nga n\u00ebnteksti poetologjik q\u00eb rrjedh nga ato. Pra, fjala qe dhe mbetet thelbi i \u00e7do mendimi dhe pik\u00ebrisht mendimi ishte ai q\u00eb i parapriu \u00e7do veprimi t\u00eb njeriut n\u00eb jet\u00ebn e tij t\u00eb p\u00ebrditshme; i ndihmoi atij ta njoh\u00eb e ta kuptoj\u00eb qenien e vet, po dhe shpirtin e tjetrit, bot\u00ebn dhe fatin e njeriut n\u00eb p\u00ebrgjith\u00ebsi, t\u2019i njoh\u00eb e t\u2019i shpjegoj\u00eb dukurit\u00eb e shumta, qen\u00ebsin\u00eb, ekzistimin dhe mbijetimin e tyre.<\/p>\n

Fjala dhe mendimi n\u00eb poezin\u00eb e poetes arb\u00ebreshe, Enca Skutari (Enxa Scutari \u2013 1926)2<\/a>, paraqesin dy qen\u00ebsi q\u00eb shkrihen n\u00eb nj\u00eb t\u00ebr\u00ebsi dhe kan\u00eb nj\u00eb rol t\u00eb dor\u00ebs s\u00eb par\u00eb. \u00c7\u2019\u00ebsht\u00eb e v\u00ebrteta, k\u00ebto p\u00ebrb\u00ebjn\u00eb shpirtin e poezis\u00eb, e k\u00ebng\u00ebs s\u00eb saj. P\u00ebr k\u00ebt\u00eb arsye autorja u kushton kujdes t\u00eb madh fjal\u00ebve q\u00eb p\u00ebrdor n\u00eb tekstin e poezis\u00eb dhe kuptimeve q\u00eb dalin prej tyre e prej marr\u00ebdh\u00ebnieve q\u00eb krijojn\u00eb ato mbrenda struktur\u00ebs s\u00eb tekstit p\u00ebrkat\u00ebs poetik. P\u00ebr Skutarin pik\u00ebrisht n\u00eb fjal\u00eb fshehet fuqia magjike shpreh\u00ebse. Si e till\u00eb ajo \u00ebsht\u00eb mbizot\u00ebruese p\u00ebr arsye se \u00ebsht\u00eb n\u00eb gjendje t\u00eb shpreh\u00eb fsheht\u00ebsi t\u00eb bot\u00ebs, t\u00eb dukurive t\u00eb saj, t\u00eb shpirtit t\u00eb njeriut dhe t\u00eb shqiptoj\u00eb ve\u00e7antin\u00eb e marr\u00ebdh\u00ebnieve midis njer\u00ebzve si dhe t\u00eb ndri\u00e7oj\u00eb e t\u00eb p\u00ebrjet\u00ebsoj\u00eb fsheht\u00ebsit\u00eb e Hyjit e t\u00eb krijimit t\u00eb bot\u00ebs si dhe nd\u00ebrliq\u00ebsin\u00eb e natyr\u00ebs dhe bukurit\u00eb e saj.<\/p>\n

Mendimi q\u00eb del nga fjal\u00ebt, nga vargu, p\u00ebr Skutarin \u00ebsht\u00eb qen\u00ebsi dhe nd\u00ebrliq\u00ebsi, \u00ebsht\u00eb, si thot\u00eb metaforikisht ajo, nata q\u00eb p\u00ebrshkon dit\u00ebn dhe e ngatrron bot\u00ebn; \u00ebsht\u00eb z\u00ebri i fshehur q\u00eb ndeshet me gjith\u00eb\u00e7ka q\u00eb synon ta pengoj\u00eb. Mendimi p\u00ebrballon dhe malet dhe synon ta mb\u00ebrrij\u00eb (ta z\u00ebr\u00eb) yllin m\u00eb t\u00eb shk\u00eblqyer q\u00eb ndrit n\u00eb hap\u00ebsir\u00ebn qiellore.<\/p>\n

Ti je nata
\n<\/em>\u00e7\u00eb kap\u00ebrxen dit\u00ebn
\n<\/em>e ngaterren jet\u00ebn.
\n<\/em>Ti je z\u00ebri i fshehur
\n\u00e7\u00eb lufton
\n<\/em>me malet.
\n<\/em>(Mendimi)<\/p><\/blockquote>\n

Poezia – k\u00ebnga p\u00ebr Skutarin \u00ebsht\u00eb nj\u00ebsim i fjal\u00ebs (i gjuh\u00ebs) me mendimin dhe mjet i pand\u00ebrmjem\u00eb i frym\u00ebmarrjes, i gjallimit shpirt\u00ebror. Vet\u00ebm krijesa gjuh\u00ebsore shpreh\u00ebse q\u00eb i p\u00ebrngjet rrjedh\u00ebs s\u00eb ujit t\u00eb lumit \u00ebsht\u00eb k\u00ebng\u00eb e mir\u00ebfillt\u00eb, krijes\u00eb poetike q\u00eb meriton t\u00eb mbijetoj\u00eb n\u00ebp\u00ebr koh\u00eb. Poetja gjithnj\u00eb \u00ebsht\u00eb n\u00eb gjakim t\u00eb k\u00ebng\u00ebs si krijes\u00eb q\u00eb e b\u00ebn t\u00eb p\u00ebrballoj\u00eb pesh\u00ebn e r\u00ebnd\u00eb t\u00eb jet\u00ebs s\u00eb p\u00ebrditshme, vuajtjet dhe p\u00ebsimet shpirt\u00ebrore.<\/p>\n

e lumi reshten gur\u00eb
\n<\/em>si fleta lisi,
\n<\/em>po n\u00ebng d\u00ed
\n<\/em>se k\u00ebndon k\u00ebnk\u00ebn
\n<\/em>\u00e7\u00eb u\u2019 k\u00ebrkonj
\n<\/em>mos t\u00eb harronj
\n<\/em>se jam e gjall\u00eb.
\n<\/em>(Mos t\u2019harronj)<\/p><\/blockquote>\n

Qart\u00ebsia dhe r\u00ebnd\u00ebsia e komunikimit<\/h3>\n

Koncepti poetik i Enca Skutarit ngrihet mbi baz\u00ebn e thjesht\u00ebsis\u00eb, t\u00eb qart\u00ebsis\u00eb dhe t\u00eb ngjesh\u00ebsis\u00eb s\u00eb p\u00ebrftimit t\u00eb tekstit artistik e t\u00eb mesazhit q\u00eb del prej tij. Poetja gjakon q\u00eb dukurit\u00eb e bot\u00ebs e t\u00eb natyr\u00ebs, pastaj shqet\u00ebsimet, p\u00ebsimet, fatin e njeriut, t\u2019i shpreh\u00eb n\u00ebp\u00ebrmjet nj\u00eb strtukture t\u00eb thjesht\u00eb tekstore, po t\u00eb p\u00ebrftuar me p\u00ebrkushtim. Ajo p\u00ebrdor fjal\u00eb dhe shprehje q\u00eb ofrojn\u00eb mund\u00ebsi t\u00eb ndryshme p\u00ebr receptimin (pranimin) e mesazhit q\u00eb del nga teksti. Pra, qen\u00ebsore p\u00ebr autoren ton\u00eb \u00ebsht\u00eb q\u00eb krijesa gjuh\u00ebsore poetike t\u00eb mund t\u00eb komunikoj\u00eb me nj\u00eb rreth sa m\u00eb t\u00eb gjer\u00eb lexuesish arbrishtfol\u00ebs, t\u00eb jet\u00eb e kuptueshme dhe rrjedhimisht me k\u00ebt\u00eb t\u00eb b\u00ebj\u00eb ndikimin p\u00ebrkat\u00ebs. N\u00ebp\u00ebrmjet fjal\u00ebve, gjuh\u00ebs poetike, ajo gjakon t\u00eb v\u00ebr\u00eb nj\u00eb dialog me dukurit\u00eb dhe me gj\u00ebrat q\u00eb heqin pesh\u00eb p\u00ebr jet\u00ebn e p\u00ebrditshme t\u00eb njeriut ose p\u00ebr bot\u00ebn e mbrendshme.<\/p>\n

N\u00eb k\u00ebt\u00eb m\u00ebnyr\u00eb synohet njohja thell\u00ebsore e bot\u00ebs dhe e shpirtit t\u00eb njeriut, po dhe pasurimi i saj, si p\u00ebrvoj\u00eb konkrete dhe artistike. Poezia e saj ngrihet mbi baz\u00ebn q\u00eb Benedeto Kro\u00e7e (Benedetto Croce) e p\u00ebrmbledh n\u00eb k\u00ebt\u00eb m\u00ebnyr\u00eb: \u201c\u00c7do shfaqje e past\u00ebr artistike \u00ebsht\u00eb n\u00eb vetvete gjith\u00ebsia (universi), gjith\u00ebsia n\u00eb form\u00ebn individuale, n\u00eb form\u00ebn individuale si gjith\u00ebsi. N\u00eb \u00e7do shqiptim t\u00eb poetit, n\u00eb \u00e7do krijes\u00eb t\u00eb imagjinat\u00ebs s\u00eb tij, \u00ebsht\u00eb i gjith\u00eb fati njer\u00ebzor, t\u00eb gjitha shpresat, t\u00eb gjitha iluzionet, dhimbjet, g\u00ebzimet, madh\u00ebshtit\u00eb dhe dob\u00ebsit\u00eb njer\u00ebzore; e gjith\u00eb drama e nj\u00ebmend\u00ebsis\u00eb (e realitetit) q\u00eb ngjet e rritet n\u00eb veprim me vetveten, duke vuajtur e duke u arg\u00ebtuar\u201d.<\/p>\n

Si struktura tekstore shpreh\u00ebse poezit\u00eb e Enca Scutarit jan\u00eb t\u00eb shkurt\u00ebra. Ato nuk ngrihen mbi baz\u00ebn e nj\u00eb sistemi metaforash t\u00eb zgjedhura e simbolesh t\u00eb rralla, t\u00eb p\u00ebrqendruara n\u00eb leksema t\u00eb ve\u00e7anta e me nyjetim t\u00eb shumt\u00eb kuptimor; nuk shprehin pathosin dhe emocionin e sforcuar, por jan\u00eb poezi t\u00eb nj\u00eb rr\u00ebfimi t\u00eb ve\u00e7ant\u00eb e t\u00eb ndjesh\u00ebm lirik, t\u00eb krijuar n\u00ebp\u00ebrmjet nj\u00eb gjuhe t\u00eb kuptueshme, ndonj\u00ebher\u00eb simbolike, po jo abstrakte. Autorja i parap\u00eblqen tablot si p\u00ebrb\u00ebr\u00ebse t\u00eb r\u00ebnd\u00ebsishme t\u00eb krijes\u00ebs s\u00eb saj shpreh\u00ebse poetike, t\u00eb cilat, t\u00eb nd\u00ebrlidhura mes veti, b\u00ebjn\u00eb qen\u00ebsin\u00eb e mozaikut artistik. N\u00eb t\u00eb v\u00ebrtet\u00eb, n\u00eb baz\u00eb t\u00eb p\u00ebrafrimit, t\u00eb ballafaqimit ose t\u00eb kund\u00ebrv\u00ebnieve t\u00eb fjal\u00ebve, q\u00eb shprehin kuptime e nuancime, gjendje e \u00e7aste t\u00eb ndryshme, poetja krijon p\u00ebrfytyrimin e bot\u00ebs e t\u00eb gjith\u00ebsis\u00eb (universit), t\u00eb jet\u00ebs e t\u00eb fatit t\u00eb individit, krijon nj\u00ebmend\u00ebsin\u00eb (realitetin) poetike n\u00ebp\u00ebrmjet struktur\u00ebs gjuh\u00ebsore. Kjo m\u00ebnyr\u00eb e p\u00ebrftimit artistik shkakton nj\u00eb n\u00ebntekst t\u00eb pasur poetologjik, q\u00eb secili e recepton dhe e zhvillon n\u00eb m\u00ebnyr\u00ebn e vet.<\/p>\n

Mll\u00ebnja
\n<\/em>te \u00e7uka
\n<\/em>lisit:
\n<\/em>nj\u00eb vul\u00eb e zez\u00eb
\n<\/em>nd\u00ebr qiell
\n<\/em>nj\u00eb fishkat
\n<\/em>vjerr te era.
\n<\/em>Dheu ka adurin
\n<\/em>e bor\u00ebs.
\n<\/em>(Adur borje)<\/p><\/blockquote>\n

Her\u00eb-her\u00eb nj\u00eb simbolik\u00eb sa e pasur aq e ve\u00e7ant\u00eb shprehet n\u00ebp\u00ebrmjet ballafaqimit e kund\u00ebrv\u00ebnies s\u00eb kuptimit t\u00eb fjal\u00ebve, q\u00eb merr form\u00ebn e nj\u00eb \u201cloje\u201d dometh\u00ebn\u00ebse t\u00eb bot\u00ebs s\u00eb mbrendshme ose t\u00eb fsheht\u00ebsis\u00eb s\u00eb dukurive.<\/p>\n

M\u00eb tha vashez
\n<\/em>e u\u2019 qesha,
\n<\/em>m\u00eb tha mall
\n<\/em>e u\u2019 ja pata bes\u00eb,
\n<\/em>m\u00eb tha nuse
\n<\/em>e u\u2019 b\u00ebra k\u00ebshet,
\n<\/em>m\u00eb tha grua
\n<\/em>e u\u2019 shtura dega,
\n<\/em>m\u00eb tha zonj\u00eb
\n<\/em>e u\u2019 ngava qiellen
\n<\/em>me nj\u00eb glisht.
\n<\/em>(M\u00eb tha)<\/p><\/blockquote>\n

Poezia e Enca Skutarit \u00ebsht\u00eb thell\u00ebsisht poezi subjektive, e \u00e7ilt\u00ebr dhe e sinqert\u00eb. Autorja nuk gjakon e nuk trajton t\u00eb ashtuquajtura \u201ctema t\u00eb m\u00ebdha\u201d, po n\u00ebp\u00ebrmjet imt\u00ebsive, \u201cvog\u00eblsive\u201d, pjes\u00ebve e gjendjeve t\u00eb ve\u00e7anta jet\u00ebsore, shpreh \u00e7\u00ebshtje q\u00eb gjallojn\u00eb mbrenda qenies dhe shpirtit t\u00eb saj, p\u00ebrkat\u00ebsisht trajton dukuri q\u00eb lidhen me bot\u00ebn e njeriut n\u00eb p\u00ebrgjith\u00ebsi. P\u00ebrvoja e gjat\u00eb jet\u00ebsore i ka mund\u00ebsuar njohjen e drejtp\u00ebrdrejt\u00eb dhe t\u00eb thell\u00eb t\u00eb jet\u00ebs; ajo ka provuar e ka p\u00ebrjetuar n\u00eb jet\u00eb vetmin\u00eb, pasigurin\u00eb, dhimbjen, pik\u00ebllimin, prandaj n\u00eb poezin\u00eb e saj jeta trajtohet ashtu \u00e7far\u00eb \u00ebsht\u00eb n\u00eb t\u00eb v\u00ebrtet\u00eb: e mir\u00eb dhe e keqe, e bukur dhe e sh\u00ebmtuar, e hareshme dhe e helmueshme (e pik\u00ebllueshme), me p\u00ebsime e me tragjik\u00eb. K\u00ebt\u00eb p\u00ebrvoj\u00eb ajo e shpreh her\u00eb-her\u00eb n\u00eb m\u00ebnyr\u00eb t\u00eb drejtp\u00ebrdrejt\u00eb: Vet\u00ebm ti e di \/ o Zot, sa driza \/<\/em> gilmonjen \/ lkur\u00ebn time; <\/em>ose U ndihem si nj\u00eb zog \/ i bjerr\u00eb pa penda; <\/em>ose Nj\u00eb dit\u00eb pa<\/em> gjurm\u00eb… pa lot \/ pa gaz<\/em>, po shpesh edhe n\u00ebp\u00ebrmjet simbolik\u00ebs dhe n\u00ebntekstit t\u00eb pasur: Udh\u00ebs mjegullat \/ m\u00eb mbajn\u00eb frym\u00ebn; <\/em>ose Je \u00ebnd\u00ebrr \/ pa kurm…\/ Je Umbra \/ \u00e7\u00eb s\u2019duron \/ kur dihet!<\/em><\/p>\n

N\u00eb poezin\u00eb e k\u00ebsaj autoreje nuk mohohen g\u00ebzimet e jet\u00ebs, mir\u00ebpo mbipeshon shqiptimi i vuajtjes e i d\u00ebshp\u00ebrimit, q\u00eb shenj\u00ebzohen n\u00ebp\u00ebrmjet territ, mjegull\u00ebs, zogut pa krah\u00eb, brumbullit t\u00eb zi, gj\u00ebmbave, suval\u00ebs, llavin\u00ebs, lisit t\u00eb that\u00eb, sh\u00ebrtim\u00ebs, thengjillit t\u00eb pashuar, nuses pa keze, k\u00ebrkimit t\u00eb drit\u00ebs s\u00eb diellit, m\u00ebshir\u00ebs s\u00eb Hyjit e fjal\u00ebve t\u00eb tjera me ngjyrim t\u00eb k\u00ebtill\u00eb.<\/p>\n

Gjendja shpirt\u00ebrore e trazuar, droja, p\u00ebsimet shprehen sidomos n\u00ebp\u00ebrmjet simbolik\u00ebs s\u00eb er\u00ebs, q\u00eb \u00ebsht\u00eb funksionalizuar mjesht\u00ebrisht n\u00eb disa poezi; ajo ia prish poetes drejtpeshimin shpirt\u00ebror e mendor; e bart dhe e tret si kashtez\u00eb dhe e b\u00ebn at\u00eb t\u00eb pik\u00ebllueshme n\u00eb gjallimin dhe n\u00eb veprimin e p\u00ebrditsh\u00ebm.<\/p>\n

era m\u00eb spurrunxis
\n<\/em>nd\u00ebp\u00ebr jet\u00eb si nj\u00eb
\n<\/em>fillith kasht\u00eb
\n<\/em>e birem nd\u00ebr llargat
\n<\/em>\u00e7\u00eb e liga farmakos.
\n<\/em>(Si nj\u00eb fillith kasht\u00eb)<\/p><\/blockquote>\n

Ndonj\u00ebher\u00eb era merr edhe ngjyrim t\u00eb subjektit t\u00eb personifikuar, t\u00eb shpirtit t\u00eb zem\u00ebruar, q\u00eb rresht (shp\u00ebrndan) ret n\u00eb qiell, k\u00ebput deg\u00eb lisash e gremis gur\u00eb dhe \u00e7\u00eb m\u00eb fryn \/ nd\u00ebr vesh \/ si nj\u00eb shpirt \/ i rraxhuar!<\/em>, q\u00eb shenj\u00ebzon para s\u00eb gjithash vuajtjen dhe mjerimin, gj\u00eb q\u00eb e trazon poeten dhe e b\u00ebn t\u00eb vuaj\u00eb.<\/p>\n

Si nj\u00eb rreth
\n<\/em>dielli,
\n<\/em>si nj\u00eb rreth
\n<\/em>h\u00ebnza,
\n<\/em>si nj\u00eb rreth
\n<\/em>nga illith
\n<\/em>si di rrethe
\n<\/em>sit\u2019 e tu
\n<\/em>pa gaz.
\n<\/em>(Mallangun\u00ed)<\/p><\/blockquote>\n

Poetja jo nj\u00eb her\u00eb ka p\u00ebrjetuar n\u00eb jet\u00eb hidh\u00ebrimin dhe helmin: ka k\u00ebrkuar nj\u00eb lule e ka gjetur nj\u00eb gj\u00ebmb; ka k\u00ebrkuar nj\u00eb qingj e ka gjetur nj\u00eb ujk, po shkall\u00ebzimi shpesh ka qen\u00eb edhe m\u00eb i madh.<\/p>\n

Kirkonja nj\u00eb zog
\n<\/em>e gjeta nj\u00eb gjarp\u00ebr.
\n<\/em>\u00c7\u00eb dit\u00eb pafan!
\n<\/em>(Kirkonja nj\u00eb lule)<\/p><\/blockquote>\n

Skutari shpesh e shqipton jet\u00ebn si gjakim, si projektim, si \u00ebnd\u00ebrr. N\u00ebp\u00ebrmjet nj\u00eb strategjie t\u00eb k\u00ebtill\u00eb t\u00eb shqiptimit ajo n\u00eb t\u00eb v\u00ebrtet\u00eb i kund\u00ebrvihet jet\u00ebs s\u00eb r\u00ebnd\u00eb konkrete. Poetja parap\u00eblqen jet\u00ebn \u00ebnd\u00ebrr dhe p\u00ebrmes saj gjakohet sidomos qielli dhe h\u00ebnza, t\u00eb cilat nuk mund t\u2019i shuaj\u00eb shiu mbi dh\u00e9 (simbolik\u00eb e p\u00ebsimeve n\u00eb jet\u00eb); \u00ebndrra i p\u00ebrngjan nj\u00eb fluture q\u00eb prehet vet\u00ebm te h\u00ebnza, q\u00eb, pos tjerash, simbolizon edhe nd\u00ebrlidhjen me qiellin, me hyjnoren.<\/p>\n

\u00cbndrra ime:
\nnj\u00eb flutur
\n<\/em>\u00e7\u00eb fl\u00eb
\n<\/em>te<\/em> h\u00ebnza
\n<\/em>(\u00cbndrra ime)<\/p><\/blockquote>\n

Hyji dhe p\u00ebrshpirtshm\u00ebria<\/h3>\n

Duke e v\u00ebshtruar dhe shqiptuar bot\u00ebn dhe fatin e njeriut n\u00eb nj\u00eb rrafsh thell\u00ebsor, Skutari thekson se jeta tok\u00ebsore \u00ebsht\u00eb kalimtare, i p\u00ebrngjet bor\u00ebs buz\u00ebdetit, prandaj mir\u00ebsia, flijimi p\u00ebr nj\u00eb jet\u00eb t\u00eb nj\u00ebmend\u00ebt e t\u00eb p\u00ebrvujt\u00eb, duhet ta cil\u00ebsoj\u00eb veprimin e secil\u00ebs vehtje. Ajo k\u00ebrkon q\u00eb midis njer\u00ebzve t\u00eb mbret\u00ebroj\u00eb mir\u00ebkuptimi dhe gatishm\u00ebria p\u00ebr t\u2019i ndihmuar nj\u00ebri tjetrit, pra T\u00eb duhemi mir\u00eb<\/em>, p\u00ebr t\u00eb ngadh\u00ebnjyer m\u00eb leht\u00eb mbi v\u00ebshtir\u00ebsit\u00eb e t\u00eb papriturat e gjallimit, p\u00ebr t\u00eb zbutur sado pak vuajtjet dhe p\u00ebr t\u00eb gjetur udh\u00ebn e jet\u00ebs qiellore, p\u00ebrmas\u00eb q\u00eb thell\u00ebsisht e p\u00ebrshkon poezin\u00eb e saj.<\/p>\n

se kjo jet\u00eb rron
\n<\/em>si bora te ohta.
\n<\/em>Me t\u00eb but
\n<\/em>e dh\u00ebmb\u00ebs\u00ed
\n<\/em>me fermic\u00eb
\n<\/em>e lipis\u00ed,
\n<\/em>tue kapirxjer
\n<\/em>gropa e timba
\n<\/em>gjen udh\u00ebn e gjer\u00eb
\n<\/em>pir jet\u00ebn \u00e7\u00eb nik shkon.
\n<\/em>(Udha e gjer\u00eb)<\/p><\/blockquote>\n

Duke b\u00ebr\u00eb objekt trajtimi artistik hirin, m\u00ebshir\u00ebn, ngroht\u00ebsin\u00eb dhe drit\u00ebn e Hyjit, autorja ka shprehur disa nga ndjesit\u00eb dhe fsheht\u00ebsi m\u00eb t\u00eb thella shpirt\u00ebrore.<\/p>\n

P\u00ebrmes artit t\u00eb fjal\u00ebs poetike, Skutari k\u00ebrkon nga Zoti m\u00ebshir\u00eb, p\u00ebrkujdesje e ndihm\u00eb t\u00eb vijueshme (ki lipis\u00ed \/ pir trenin tim \/ \u00e7\u00eb rrang\u00e1r pa rola!) p\u00ebr p\u00ebrballimin dhe zgjidhjen e v\u00ebshtir\u00ebsive t\u00eb p\u00ebrditshme e sidomos leht\u00ebsimin e shqet\u00ebsimeve dhe t\u00eb vuajtjeve shpirt\u00ebrore, t\u00eb cilat i r\u00ebndojn\u00eb dhe e trazojn\u00eb n\u00eb rrjedh\u00ebn e veprimit e t\u00eb mendimit.<\/p>\n

Q\u00ebndrimi p\u00ebrball\u00eb Zotit dhe hirit t\u00eb tij shprehet n\u00eb m\u00ebnyr\u00eb sa thell\u00ebsore e t\u00eb m\u00ebvet\u00ebsishme. Kjo arsyetohet me t\u00eb dh\u00ebn\u00ebn se Hyji shenj\u00ebzon drit\u00ebsin\u00eb e gjallimit t\u00eb p\u00ebrditsh\u00ebm p\u00ebr secil\u00ebn krijes\u00eb, po nj\u00ebherit m\u00ebshir\u00ebsin\u00eb, p\u00ebrvujtnin\u00eb dhe shp\u00ebrblimin shpirt\u00ebror. Sipas poetes Per\u00ebndia \u00ebsht\u00eb burim i p\u00ebrhersh\u00ebm i drit\u00ebs dhe i m\u00ebshir\u00ebs, nga i cili ajo merr fuqin\u00eb shpirt\u00ebrore, ngush\u00ebllimin dhe p\u00ebrvujtnin\u00eb (Pirpara t\u00ebn Zot \/ sos t\u00eb kesh \/ te z\u00ebmra \/ nj\u00eb pik\u00ebz mjal\u00eb \/ t\u00eb kulluar), prandaj me nj\u00eb p\u00ebrkushtim e p\u00ebrshpirtje t\u00eb thell\u00eb, i drejtohet Krijuesit t\u00eb gjith\u00ebpushtetsh\u00ebm; Ai \u00ebsht\u00eb jeta e saj dhe mbrenda drit\u00ebs s\u00eb tij ajo gjallon.<\/p>\n

Ti je jeta ime
\n<\/em>udha e gjer\u00eb
\n<\/em>prej qielles.
\n<\/em>Te fjala jote
\n<\/em>u\u2019 n\u00ebng birem,
\n<\/em>te drita jote
\n<\/em>u\u2019 marr fuqi
\n<\/em>Ti je lumi
\n<\/em>\u00e7\u00eb ban\u00eb deshiret e mi
\n<\/em>Ti je deti mbr\u00ebnda detit
\n<\/em>Shpirti pa vdekur
\n<\/em>mbr\u00ebnda shpirtit tim.
\n<\/em>(Ti, o Zot)<\/p><\/blockquote>\n

Poetja nuk shqet\u00ebsohet dhe nuk vuan vet\u00ebm p\u00ebr at\u00eb q\u00eb p\u00ebson ajo si vetje, po edhe p\u00ebr at\u00eb q\u00eb p\u00ebsojn\u00eb t\u00eb tjer\u00ebt, p\u00ebr fatin e njer\u00ebzve e t\u00eb gjallesave n\u00eb p\u00ebgjith\u00ebsi; fatkeq\u00ebsin\u00eb e t\u00eb tjer\u00ebve ajo e sheh dhe e p\u00ebrjeton si fatkeq\u00ebsi t\u00eb veten, gj\u00eb q\u00eb d\u00ebshmon p\u00ebr nj\u00eb shpirt sa t\u00eb ndjesh\u00ebm e fisnik, po aq t\u00eb pasur e njer\u00ebzor, prandaj i drejtohet Hyjit me plot p\u00ebrkushtim.<\/p>\n

U\u2019 t\u00eb lutenj, o Zot,
\n<\/em>pir lisin pa rr\u00ebnj\u00eb
\n<\/em>pir lumin pa uj\u00eb
\n<\/em>pir qingjin pa j\u00ebm\u00eb
\n<\/em>pir fjal\u00ebn time pa gol\u00eb.
\n<\/em>(Kalm prej er\u00ebs)<\/p><\/blockquote>\n

Poezia e Enca Skutarit, si dhe poezia bashk\u00ebkohore e arb\u00ebresh\u00ebve t\u00eb Italis\u00eb n\u00eb p\u00ebrgjith\u00ebsi, \u00ebsht\u00eb krijes\u00eb n\u00ebp\u00ebrmjet s\u00eb cil\u00ebs ajo gjakon njohjen dhe zbulimin e s\u00eb v\u00ebrtet\u00ebs mbrenda vetvetes dhe tek tjetri; \u00ebsht\u00eb p\u00ebrftes\u00eb ku shp\u00ebrnd\u00ebrrohen e nj\u00ebsohen nuancimet e mendimeve, t\u00eb ting\u00ebllimeve e t\u00eb ritmit t\u00eb shprehur n\u00ebp\u00ebrmjet gjuh\u00ebs poetike, p\u00ebrkat\u00ebsisht ballafaqimit t\u00eb fjal\u00ebve e t\u00eb kuptimeve t\u00eb tyre; \u00ebsht\u00eb shqiptim i mbrend\u00ebsis\u00eb shpirt\u00ebrore dhe hyjnore p\u00ebrball\u00eb realitetit, \u00ebsht\u00eb k\u00ebrkim i nj\u00ebsimit me qen\u00ebsin\u00eb e t\u00eb qenunit dhe me qen\u00ebsin\u00eb e s\u00eb v\u00ebrtet\u00ebs; \u00ebsht\u00eb p\u00ebrftes\u00eb (krijes\u00eb) q\u00eb lind nga fuqia shpirt\u00ebrore e krijuesit dhe nga nevoja p\u00ebr ta shprehur bot\u00ebn e mbrendshme dhe thelbin e gjallimit, t\u00eb veprimit, t\u00eb mendimit dhe t\u00eb p\u00ebrsosjes s\u00eb njeriut si dhe jet\u00ebn e pasosur. Th\u00ebn\u00eb metaforikisht: poezia e saj (si dhe ajo e poet\u00ebve t\u00eb tjer\u00eb bashk\u00ebkohor\u00eb arb\u00ebresh\u00eb)3<\/a> \u00ebsht\u00eb lindje q\u00eb gjakon vijimisht rilindjen e p\u00ebrhershme n\u00ebp\u00ebr koh\u00eb. Si e k\u00ebtill\u00eb poezia e saj cil\u00ebsohet me vlera t\u00eb r\u00ebnd\u00ebsishme poetike dhe e pasuron n\u00eb m\u00ebnyr\u00eb qen\u00ebsore poezin\u00eb bashk\u00ebkohore t\u00eb arb\u00ebresh\u00ebve t\u00eb Italis\u00eb.<\/p>\n

Enca Skutari<\/strong><\/p>\n

Kosova 1999<\/strong>[1]<\/p>\n

Duhet t\u00eb jet\u00eb era e lindjes
\nq\u00eb m\u00eb sjell jehon\u00ebn e rr\u00ebmetit
\nn\u00eb rritje t\u00eb pandalur, nj\u00eb shp\u00ebrndrrim
\n\u00e7asti t\u00eb drit\u00ebs n\u00eb pirgun e g\u00ebrmadhave.
\nO Zoti im!\u2026 ul\u00ebrijn\u00eb qent\u2026 gjithkah
\nshp\u00ebrndarje e trupave njer\u00ebzish t\u00eb coptuar,
\nnj\u00eb gj\u00ebmim i gjat\u00eb, i p\u00ebrhapur tej p\u00ebr tej, lot pelimi
\nt\u00eb jet\u00ebs s\u00eb shp\u00ebtuar nga kthetrat e vdekjes, as pa
\nnj\u00eb shamiz\u00eb p\u00ebr t\u2019i fshir\u00eb.
\nSi t\u00eb lirohet mendja nga posht\u00ebrimi
\ni dit\u00ebve t\u00eb lara trishtuesh\u00ebm n\u00eb gjak,
\nq\u00eb i jepen peng mij\u00ebvje\u00e7arit t\u00eb ri
\nme nj\u00eb faqe historie t\u00eb llahtarshme.<\/p><\/blockquote>\n

________________________________________
\n[1] K\u00ebt\u00eb poezi t\u00eb botuar edhe n\u00eb gjuh\u00ebn aglishte n\u00eb \u201cEmerging poets (At the end of the millennium), e p\u00ebrktheu nga italishtja n\u00eb gjuh\u00ebn e sotme Anton Nik\u00eb Berisha.<\/em><\/p>\n

R E F E R E N C A<\/strong>:<\/p><\/blockquote>\n

1.<\/a> Shih Shkrimi Shenjt Bes\u00eblidhja e vjet\u00ebr dhe Bes\u00eblidhja e re<\/em>. P\u00ebrktheu dhe shtjelloi Dom Simon Filipaj. Drita, Ferizaj 1994, f. 1504.<\/p>\n

2.<\/a> Deri m\u00eb tash Enca Skutari botoi v\u00ebllimin me tregime nga tradita gojore arb\u00ebreshe e Sh\u00ebn Kostantinit Plaka rr\u00ebfen…<\/em> Vita e storia di un comunit\u00e0 albanese della Lucania attraverso la \u201cvoce\u201d della sua gente (San Costantino Albanese 1987), p\u00ebrmbledhjen me poezi n\u00eb arb\u00ebrisht Bubuqja<\/em> (Gemme) – K\u00ebnka arb\u00ebresh\u00eb \u2013 Quaderni di \u201cBasilicata \u2013 Comunit\u00e0 Arb\u00ebresh\u00eb\u201d, 1984 dhe p\u00ebrmbledhjen n\u00eb dor\u00ebshkrim Lule shtogu, <\/em>(titulluar m\u00eb von\u00eb H\u00ebna fshihet prapa malit<\/em>).<\/p>\n

M\u00eb 1997 botoi n\u00eb italisht p\u00ebrmbledhjen me poezi Vega<\/em>. Libroitaliano, Editrice Letteraria Internazionale, Ragusa.<\/p>\n

Shkrimtarja Enca Skutari, duke iu p\u00ebrgjigjur ftes\u00ebs s\u00eb p\u00ebrbashk\u00ebt me kolegun, Prof. Fran\u00e7esko Altimarin, nisur shkrimtar\u00ebve arb\u00ebresh\u00eb n\u00eb fillim t\u00eb vitit 1994 p\u00ebr t\u00eb na d\u00ebrguar sh\u00ebnimet p\u00ebrkat\u00ebse bio-bibliografike dhe mund\u00ebsisht edhe veprat e tyre p\u00ebr Arkivin e shkrimtar\u00ebve bashk\u00ebkohor\u00eb t\u00eb arb\u00ebresh\u00ebve t\u00eb Italis\u00eb, ngritur pran\u00eb Katedr\u00ebs s\u00eb gjuh\u00ebs dhe let\u00ebrsis\u00eb shqiptare t\u00eb Universitetit t\u00eb Kalabris\u00eb, na i d\u00ebrgoi veprat e veta, midis t\u00eb cilave dhe dor\u00ebshkrimin Qina<\/em> (La piena). N\u00eb letr\u00ebn p\u00ebrcjell\u00ebse (dt. 10. 02. 1994) d\u00ebrguar bashk\u00eb me veprat, shkrimtarja k\u00ebrkonte, me p\u00ebrvujtni t\u00eb ve\u00e7ant\u00eb, mendimin ton\u00eb p\u00ebr vler\u00ebn e dor\u00ebshkrimit Qina<\/em>. Po n\u00eb t\u00eb nj\u00ebjt\u00ebn let\u00ebr E. Scutari na b\u00ebnte t\u00eb ditur se po vazhdonte pun\u00ebn n\u00eb p\u00ebrgatitjen e poezive n\u00eb stilin e vepr\u00ebs Bubuqja.<\/em> N\u00eb p\u00ebrgjigjen time t\u00eb dt. 17 shkurt, pos tjerash, i shkrova: \u201cBubuqja<\/em> dhe Qina <\/em>jan\u00eb dy vepra t\u00eb llojit, t\u00eb karakterit dhe t\u00eb cil\u00ebsis\u00eb s\u00eb ndryshme (…) n\u00eb Bubuqja<\/em> ka poezi q\u00eb i cil\u00ebson nj\u00eb ndjeshm\u00ebri e ve\u00e7ant\u00eb lirike, q\u00eb nuk gjindet n\u00eb pjes\u00ebn tjet\u00ebr t\u00eb poezis\u00eb bashk\u00ebkohore arb\u00ebreshe… T\u00eb kishte Bubuqja <\/em>edhe ndonj\u00eb simot\u00ebr (…) Meqen\u00ebse m\u00eb b\u00ebni me dije se po vazhdoni pun\u00ebn n\u00eb p\u00ebrgatitjen e poezive n\u00eb stilin e Bubuqjes, <\/em>ju them me gjith\u00eb mend se do t\u2019i g\u00ebzohesha nj\u00eb dor\u00ebshkrimi t\u00eb till\u00eb (…) Poezia arb\u00ebreshe ka nevoj\u00eb p\u00ebr poezi t\u00eb radh\u00ebs s\u00eb lart\u00eb artistike. Me disa poezi Ju keni d\u00ebshmuar se mund t\u00eb krijoni t\u00eb tilla dhe ta pasuroni at\u00eb.\u201d<\/p>\n

Dhe g\u00ebzimi im nuk qe i vog\u00ebl kur n\u00eb fillim t\u00eb prillit shkrimtarja m\u00eb d\u00ebrgoi (nga Padova) dor\u00ebshkrimin e ri H\u00ebnza fshehet prapa malevet<\/em> bashk\u00eb me nj\u00eb let\u00ebr (dt. 2. 04. 1994), ku nd\u00ebr t\u00eb tjera, m\u00eb shkruante: \u201cN\u00ebse e shihni t\u00eb arsyeshme, do t\u00eb d\u00ebshiroja t\u2019i b\u00ebnit nj\u00eb parath\u00ebnie…\u201d<\/p>\n

Nj\u00eb k\u00ebrkes\u00eb e p\u00ebrvujt\u00eb, q\u00eb d\u00ebshmon madh\u00ebshtin\u00eb shpirt\u00ebrore t\u00eb krijueses.<\/p>\n

Pas pes\u00eb vjet\u00ebsh poetja m\u00eb d\u00ebrgoi s\u00ebrish dor\u00ebshkrimin e rishikuar e t\u00eb plot\u00ebsuar me dhjetra poezi t\u00eb tjera.<\/p>\n

3.<\/a> P\u00ebr poezin\u00eb bashk\u00ebkohore t\u00eb arb\u00ebresh\u00ebve t\u00eb Italis\u00eb shih librin tim: Antologji e poezis\u00eb bashk\u00ebkohore arb\u00ebreshe. Antologia della poesia contemporanea italo-albanese<\/em>. P\u00ebrktheu dhe rishikoi p\u00ebrkthimet n\u00eb italisht Vin\u00e7enc Belmonte. Centro Editoriale e Librario Universit\u00e0 degli Studi della Calabria. Rende (CS) 1999.<\/p>\n","protected":false},"excerpt":{"rendered":"

Anton Nik\u00eb Berisha Mbi poezin\u00eb e Enca Skutarit Me rastin e vdekjes se poetes arb\u00ebreshe Enca Skutari (Enza Scutari) Fjala dhe mendimi Fjala \u00ebsht\u00eb qenie dhe qen\u00ebsi e mendimit, e komunikimit dhe e gjallimit t\u00eb njeriut n\u00eb koh\u00eb dhe n\u00eb hap\u00ebsir\u00eb. N\u00ebp\u00ebrmjet saj gj\u00ebrat dhe dukurit\u00eb marrin kuptimet p\u00ebrkat\u00ebse dhe si t\u00eb tilla shfryt\u00ebzohen n\u00eb […]<\/p>\n","protected":false},"author":1,"featured_media":58123,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[8,10],"tags":[],"class_list":["post-58122","post","type-post","status-publish","format-standard","has-post-thumbnail","category-letersi","category-poezi"],"yoast_head":"\nQEN\u00cbSIA E THJESHT\u00cbSIS\u00cb POETIKE - FJALA e LIR\u00cb<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/jehonashqiptare.al\/fjala\/qenesia-e-thjeshtesise-poetike\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"QEN\u00cbSIA E THJESHT\u00cbSIS\u00cb POETIKE - FJALA e LIR\u00cb\" \/>\n<meta property=\"og:description\" content=\"Anton Nik\u00eb Berisha Mbi poezin\u00eb e Enca Skutarit Me rastin e vdekjes se poetes arb\u00ebreshe Enca Skutari (Enza Scutari) Fjala dhe mendimi Fjala \u00ebsht\u00eb qenie dhe qen\u00ebsi e mendimit, e komunikimit dhe e gjallimit t\u00eb njeriut n\u00eb koh\u00eb dhe n\u00eb hap\u00ebsir\u00eb. 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