{"id":58199,"date":"2020-07-20T17:01:15","date_gmt":"2020-07-20T15:01:15","guid":{"rendered":"https:\/\/fjala.info\/?p=58199"},"modified":"2020-07-20T17:06:18","modified_gmt":"2020-07-20T15:06:18","slug":"novele-me-vlere-e-perftuar-mbi-modelin-e-perralles-gojore","status":"publish","type":"post","link":"https:\/\/jehonashqiptare.al\/fjala\/novele-me-vlere-e-perftuar-mbi-modelin-e-perralles-gojore\/","title":{"rendered":"NOVEL\u00cb ME VLER\u00cb E P\u00cbRFTUAR MBI MODELIN E P\u00cbRRALL\u00cbS GOJORE"},"content":{"rendered":"<blockquote><p>Sh\u00ebnime p\u00ebr librin \u201cGjahtar\u00ebt e Nuselal\u00ebs\u201d, rr\u00ebfenj\u00eb e shkrimtarit H. Kobellari.<\/p><\/blockquote>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignright\" src=\"https:\/\/fjala.info\/wp-content\/uploads\/2020\/07\/anton_nike_berisha.jpg\" alt=\"Anton Nik\u00eb Berisha\" width=\"250\" height=\"300\" \/> Nga <strong>Prof. Dr. Anton Nik\u00eb Berisha<\/strong><\/p>\n<p>Novela \u201cGjahtar\u00ebt e Nuselal\u00ebs\u201d e shkrimtarit Hysen Kobellari, me m\u00ebnyr\u00ebn e nd\u00ebrtimit, t\u00eb shqiptimit t\u00eb dukurive t\u00eb bot\u00ebs si dhe t\u00eb p\u00ebrftimit t\u00eb rr\u00ebfimit poetik, t\u00eb ve\u00e7ant\u00eb e t\u00eb pasur, afrohet p\u00ebr shum\u00eb\u00e7ka me bot\u00ebn e p\u00ebrrall\u00ebs gojore, e cila shekuj me radh\u00eb u p\u00ebrcoll prej nj\u00eb individi tek tjetri, prej nj\u00eb brezi n\u00eb tjetrin. Njoh\u00ebsit e p\u00ebrrall\u00ebs gojore thon\u00eb se ajo, si krijim letrar, i p\u00ebrket koh\u00ebs s\u00eb gurit. Mir\u00ebpo, n\u00eb qoft\u00eb se them se rr\u00ebfimet me p\u00ebrb\u00ebr\u00ebs mitik\u00eb jan\u00eb edhe m\u00eb t\u00eb hershme, nuk them di\u00e7ka t\u00eb re. Si form\u00eb e t\u00eb shprehurit t\u00eb dukurive e t\u00eb ngjarjeve q\u00eb kan\u00eb ndodhur ose q\u00eb kan\u00eb mundur t\u00eb ndodhin ose t\u00eb shqiptimit t\u00eb bot\u00ebs s\u00eb brendshme t\u00eb subjekteve, q\u00eb i krijonin dhe i p\u00ebrcillnin ato gojarisht, rr\u00ebfimi qe pjes\u00eb e pandashme e njeriut qysh n\u00eb periudh\u00ebn kur ai u b\u00eb i vet\u00ebdijsh\u00ebm p\u00ebr veten e p\u00ebr jet\u00ebn \u2013 fatin e tij.<\/p>\n<p>P\u00ebrralla \u00ebsht\u00eb, pa dyshim, nj\u00eb nga format m\u00eb t\u00eb ngritura dhe m\u00eb magjepse si lloj e form\u00ebsim letrar, jo vet\u00ebm i let\u00ebrsis\u00eb gojore, por edhe i artit t\u00eb fjal\u00ebs n\u00eb p\u00ebrgjith\u00ebsi. Pik\u00ebrisht me artin dhe me bot\u00ebn e saj p\u00ebr shum\u00eb\u00e7ka t\u00eb ve\u00e7ant\u00eb, duke u bartur gojarisht n\u00ebp\u00ebr shekuj, p\u00ebrralla b\u00ebri nj\u00eb ndikim t\u00eb jasht\u00ebzakonsh\u00ebm n\u00eb shpirtin dhe n\u00eb imagjinat\u00ebn e njeriun. K\u00ebtu dhe duhen k\u00ebrkuar disa nga arsyet pse p\u00ebrralla u quajt \u201ckthjellt\u00ebsi e poezis\u00eb mbret\u00ebrore\u201d (J. G. Busching), q\u00eb \u201ce shpie d\u00ebgjuesin n\u00eb qen\u00ebsin\u00eb e ekzistenc\u00ebs njer\u00ebzore\u201d (Max L\u00fcthi) dhe q\u00eb \u201cFilozofin\u00eb time t\u00eb par\u00eb dhe t\u00eb fundit, at\u00eb n\u00eb t\u00eb cil\u00ebn besoj me v\u00ebrtet\u00ebsin\u00eb e pamposhtur, e kam m\u00ebsuar n\u00eb dhom\u00ebn e f\u00ebmij\u00ebve (&#8230;) ato n\u00eb t\u00eb cilat at\u00ebher\u00eb m\u00eb s\u00eb shumti kam besuar, jan\u00eb gj\u00ebrat q\u00eb quhen p\u00ebrralla\u201d (Chesterton).<\/p>\n<p>N\u00eb rrjedh\u00eb t\u00eb qindvjetshave, n\u00ebn ndikimin e p\u00ebrrall\u00ebs gojore dhe sipas modelit t\u00eb saj, shum\u00eb shkrimtar\u00eb i hartuan veprat e tyre poetike ose i p\u00ebrftuan p\u00ebrrallat e shkuara, t\u00eb cilat me artin e tyre ndikuan n\u00eb pasurimin e let\u00ebrsis\u00eb n\u00eb p\u00ebrgjith\u00ebsi e n\u00eb pasurimin e shpirtit t\u00eb njeriut n\u00eb ve\u00e7anti.<\/p>\n<p>Pra, me ndryshimin e kushteve jet\u00ebsore, ndryshoi edhe m\u00ebnyra e bartjes s\u00eb k\u00ebtij krijimi letrar: nga procesi i bartjes gojore, nga rr\u00ebfimi gojor, ajo filloi t\u00eb b\u00ebj\u00eb jet\u00ebn e krijimit t\u00eb shkruar, t\u00eb shnd\u00ebrruar n\u00eb shkronja (pra, p\u00ebrmes botimeve t\u00eb p\u00ebrrallave gojore ose t\u00eb p\u00ebrrallave t\u00eb shkruara) n\u00eb t\u00eb cil\u00ebn form\u00eb ajo vazhdoi jet\u00ebn, pasurimin dhe ndikimin e saj.<\/p>\n<p>Natyrisht, vlera e jasht\u00ebzakonshme e p\u00ebrrall\u00ebs (pra dhe interesimi shum\u00eb i madh p\u00ebr studimin e saj si krijim poetik dhe si bot\u00eb e pasur tematike) d\u00ebshmohet nga shum\u00eb p\u00ebrb\u00ebr\u00ebs t\u00eb saj, q\u00eb k\u00ebtu, nuk e shoh t\u00eb arsyeshme t\u2019i v\u00ebshtroj. Megjithat\u00eb, po them vet\u00ebm se p\u00ebrrall\u00ebn e b\u00ebn t\u00eb till\u00eb, para s\u00eb gjithash gjuha e pasur dhe simbolike, her\u00eb \u2013 her\u00eb abstrakte (q\u00eb i p\u00ebrgjigjet plot\u00ebsisht imagjinat\u00ebs s\u00eb f\u00ebmij\u00ebve), sistemi i t\u00eb shprehurit dhe i shtjellimit, konteksti kuptimor dhe poetologjik (q\u00eb p\u00ebrligjet n\u00ebp\u00ebrmjet tekstit) dhe shqiptimit t\u00eb bot\u00ebs, t\u00eb realitetit.<\/p>\n<p>P\u00ebrralla, nj\u00ebmend, niset nga realiteti konkret jet\u00ebsor, mir\u00ebpo, p\u00ebrmes tekstit krijon nj\u00eb realitet tjet\u00ebr, imagjinativ, shum\u00eb m\u00eb t\u00eb pasur se ai i zakonshmi; realitet i shprehur n\u00ebp\u00ebrmjet struktur\u00ebs gjuh\u00ebsore poetike. Pra, p\u00ebrralla, si bot\u00eb, m\u00eb tep\u00ebr \u00ebsht\u00eb projektim i realitetit, i liris\u00eb s\u00eb veprimit, i p\u00ebrmbushjes s\u00eb d\u00ebshirave, por edhe ballafaqim dhe p\u00ebrjetim i asaj q\u00eb gjakohet. N\u00eb qen\u00ebsin\u00eb e vet ajo \u00ebsht\u00eb e kund\u00ebrta e realitetit: \u00ebsht\u00eb kund\u00ebrv\u00ebnie e rregullave dhe e kufizimeve. Qen\u00ebsisht p\u00ebrralla shpreh realizimin e personazhit e t\u00eb gjakimit t\u00eb tij jet\u00ebsor. Mjafton q\u00eb ai t\u00eb shfaq\u00eb d\u00ebshir\u00ebn p\u00ebr di\u00e7ka dhe, pa marr\u00eb parasysh v\u00ebshtir\u00ebsit\u00eb q\u00eb i dalin, e p\u00ebrmbush at\u00eb. Kuptimi i d\u00ebshir\u00ebs n\u00eb p\u00ebrrall\u00eb \u00ebsht\u00eb shum\u00eb m\u00eb i gjer\u00eb: n\u00ebnkupton edhe veprimin, edhe ekzistimin.<\/p>\n<p>Rr\u00ebfimi n\u00eb p\u00ebrrall\u00eb shpreh bot\u00ebn e brendshme, subjektive, realitetin subjektiv, q\u00eb ekziston e funksionon vet\u00ebm brenda struktur\u00ebs p\u00ebrkat\u00ebse t\u00eb tekstit. P\u00ebrralla i mund\u00ebson d\u00ebgjuesit ose lexuesit krijimin e ides\u00eb m\u00eb t\u00eb plot\u00eb p\u00ebr dukurit\u00eb e p\u00ebr kuptim\u00ebsin\u00eb e bot\u00ebs; ia thellon v\u00ebshtrimin p\u00ebr zbulimin e thell\u00ebsive t\u00eb jet\u00ebs e t\u00eb veprimit, t\u00eb gj\u00ebrave t\u00eb panjohura (a nuk thuhet me t\u00eb drejt\u00eb: qen\u00ebsorja \u00ebsht\u00eb e padukshme), ia thellon v\u00ebshtrimin, ia zhvillon mendjen dhe ndjeshm\u00ebrin\u00eb, ia forcon q\u00ebndrueshm\u00ebrin\u00eb, ia nxit guximin dhe virtytet e tjera; po ashtu, mund\u00ebson pjekurin\u00eb psikologjike, pavar\u00ebsin\u00eb dhe domosdon\u00eb e veprimit.<\/p>\n<p>N\u00ebp\u00ebrmjet rr\u00ebfimit t\u00eb ngjarjeve, n\u00eb pjes\u00ebn m\u00eb t\u00eb madhe t\u00eb mrekullueshme, t\u00eb ballafaqimit t\u00eb personazheve me v\u00ebshtir\u00ebsi t\u00eb jasht\u00ebzakonshme, po dhe t\u00eb kap\u00ebrcimit t\u00eb tyre (ballafaqimi, fjala vjen, me ku\u00e7edr\u00ebn, me gjarp\u00ebrin, me divin, me shtrig\u00ebn, me rojet e t\u00eb Bukur\u00ebs s\u00eb Dheut e me qenie t\u00eb tjera mitike e t\u00eb rrezikshme), t\u00eb flijimit p\u00ebr at\u00eb q\u00eb gjakohet, p\u00ebrralla i k\u00ebnaq dhe i plot\u00ebson k\u00ebrkesat shpirt\u00ebrore dhe mendore. Me fjal\u00eb t\u00eb tjera, ajo e nxit vet\u00ebdijen e marr\u00ebsin (receptuesin), por edhe e aktivizon n\u00ebnvet\u00ebdijen (subkoshienc\u00ebn) e tij p\u00ebrball\u00eb realitetit jet\u00ebsor. Si e k\u00ebtill\u00eb p\u00ebrralla shpreh p\u00ebrjetimet, ku secili e gjen identitetin e vet dhe e nxit, i jep krah\u00eb, imagjinat\u00ebs s\u00eb vet.<\/p>\n<p>N\u00eb k\u00ebt\u00eb krijim letrar poetik, gj\u00ebrat nga realiteti konkret marrin p\u00ebrmas\u00eb e kuptim tjet\u00ebr nga ato t\u00eb p\u00ebrditshm\u00ebris\u00eb. K\u00ebshtu, fjala vjen, gjahu n\u00eb natyr\u00eb nuk n\u00ebnkupton vrasjen e kafsh\u00ebve, po nj\u00ebsimin me natyr\u00ebn, me bukurin\u00eb dhe me lirin\u00eb q\u00eb e cil\u00ebson at\u00eb; ngadh\u00ebnjimi mbi ku\u00e7edr\u00ebn nuk n\u00ebnkupton vet\u00ebm ngadh\u00ebnjimin mbi t\u00eb keqen, por para s\u00eb gjithash ngadh\u00ebnjimin e s\u00eb mir\u00ebs. Po k\u00ebshtu ndodh dhe me personazhet q\u00eb jetojn\u00eb n\u00eb oborret mbret\u00ebrore: ata nuk shprehin p\u00ebrpar\u00ebsin\u00eb (superioritetin) ndaj t\u00eb varf\u00ebrve, por shprehin vizionin e tyre jet\u00ebsor, nevoj\u00ebn (projektimin) p\u00ebr jet\u00eb t\u00eb lumtur. N\u00eb p\u00ebrrall\u00eb (p\u00ebr f\u00ebmij\u00ebn) nuk \u00ebsht\u00eb e r\u00ebnd\u00ebsishme \u201cA duhet t\u00eb jem i mir\u00eb?\u201d, por \u201cN\u00eb cilin dua t\u00eb p\u00ebrngjaj\u201d?<\/p>\n<p>N\u00eb k\u00ebt\u00eb rrafsh p\u00ebrralla i ofron marr\u00ebsit (receptuesit) t\u00eb saj m\u00eb tep\u00ebr se secili krijim tjet\u00ebr i proz\u00ebs gojore.<br \/>\nI vet\u00ebdijsh\u00ebm p\u00ebr r\u00ebnd\u00ebsin\u00eb e p\u00ebrrall\u00ebs dhe t\u00eb p\u00ebrb\u00ebr\u00ebsve t\u00eb qen\u00ebsish\u00ebm q\u00eb u p\u00ebrmend\u00ebn m\u00eb lart, Hysen Kobellari, n\u00ebp\u00ebrmjet nj\u00eb rr\u00ebfimi t\u00eb p\u00ebrftuar me shkatht\u00ebsi, n\u00ebp\u00ebrmjet novel\u00ebs s\u00eb tij p\u00ebr Nuselal\u00ebn, p\u00ebrrall\u00ebs s\u00eb shkruar, na fut n\u00eb bot\u00ebn e k\u00ebtill\u00eb t\u00eb mrekullueshme, ku \u201cmidis kullave t\u00eb gurta ku ata jetonin (personazhet)\u201d dhe ku \u201c\u00e7do k\u00ebng\u00eb kishte bukurin\u00eb e vet, bukurin\u00eb e jet\u00ebs&#8230;\u201d dhe \u201cmes pyjeve madh\u00ebshtor\u00eb t\u00eb Oparit\u201d, g\u00ebrsheton veprime nga bota konkrete me dukurit\u00eb e bot\u00ebs imagjinative; shpreh bukurin\u00eb si gjakim dhe ideal jet\u00ebsor t\u00eb njeriut, me nevoj\u00ebn e njohjes s\u00eb bot\u00ebs, q\u00eb n\u00ebnkupton gjakimin p\u00ebr pjekurin\u00eb shpirt\u00ebrore e mendore. Gjith\u00eb novela \u201cGjahtar\u00ebt e Nuselal\u00ebs\u201d p\u00ebrqendrohet rreth gjetjes dhe lirimit t\u00eb Nuselal\u00ebs, q\u00eb n\u00eb qen\u00ebsi \u00ebsht\u00eb e Bukura e Dheut, aq shum\u00eb e pranishme n\u00eb p\u00ebrrallat tona gojore. Nuselala, si bukuri e mir\u00ebsi, b\u00ebhet q\u00ebllimi kryesor i rr\u00ebfimit dhe i veprimit t\u00eb t\u00ebr\u00eb v\u00ebllez\u00ebrve gjahtar\u00eb.<\/p>\n<p>N\u00eb novel\u00eb dallohet sidomos v\u00ebllai i vog\u00ebl, Fatmiroshi (edhe n\u00eb p\u00ebrrallat gojore zakonisht v\u00ebllai i vog\u00ebl d\u00ebshmon aft\u00ebsi dhe shkatht\u00ebsi m\u00eb t\u00eb m\u00ebdha), i cili gjat\u00eb p\u00ebrmbushjes s\u00eb q\u00ebllimit d\u00ebshmon aft\u00ebsi dhe guxim t\u00eb jasht\u00ebzakonsh\u00ebm, po i shfryt\u00ebzon dhe i p\u00ebrdor me men\u00e7uri dhe mjetet mitike si kalin, Dori Vet\u00ebtim\u00ebn, pul\u00ebn Ham\u00ebse, \u201ctopuzin magjik\u201d, dhe b\u00ebn gjith\u00e7ka t\u00eb mb\u00ebrrij\u00eb q\u00ebllimin (\u201cDy dit\u00eb e dy net pa pushim zgjati lufta e tyre e madhe, dh\u00ebmb p\u00ebr dh\u00ebmb me band\u00ebn e arinjve, me n\u00eb krye Ari Trashaliun\u201d). K\u00ebto cil\u00ebsi i d\u00ebshmon edhe gjat\u00eb ballafaqimit me Shtrig\u00ebn, Dumlacin (djali i mbretit), kryeroje e burgjeve t\u00eb mbretit Kanxhallozit t\u00eb zi.<\/p>\n<p>Pra, shkrimtari Kobellari, n\u00ebp\u00ebrmjet nj\u00eb rr\u00ebfimi t\u00eb p\u00ebrftuar me p\u00ebrkushtim, na \u201cgjezdis\u201d, p\u00ebrkat\u00ebsisht na kthen n\u00eb nj\u00eb bot\u00eb sa t\u00ebrheq\u00ebse, aq dhe t\u00eb ve\u00e7ant\u00eb, t\u00eb pasur e t\u00eb mrekullueshme, q\u00eb jeta e p\u00ebrditshme na e largon pand\u00ebrprer\u00eb, po rr\u00ebfimi na e p\u00ebrt\u00ebrin p\u00ebrmes magjis\u00eb s\u00eb tij, duke e \u201cringjallur\u201d nga n\u00ebnvet\u00ebdija jon\u00eb, aty ku gj\u00ebrat, si\u00e7 thuhet, mbesin p\u00ebrher\u00eb. Me nj\u00eb fjal\u00eb, \u201cGjahtar\u00ebt e Nuselal\u00ebs\u201d na plot\u00ebson sado pak at\u00eb q\u00eb, ndoshta, shum\u00eb prej lexuesve t\u00eb sot\u00ebm, nuk e kan\u00eb p\u00ebrjetuar m\u00eb par\u00eb, si\u00e7 thot\u00eb me t\u00eb drejt\u00eb Herderi: \u201cN\u00eb karakterin e f\u00ebmij\u00ebs, q\u00eb nuk ka d\u00ebgjuar p\u00ebrralla, mbetet nj\u00eb zbraz\u00ebti q\u00eb m\u00eb von\u00eb nuk mund t\u00eb kompensohet\u201d.<\/p>\n<p><img decoding=\"async\" class=\"aligncenter\" title=\"Hysen Kobellari\" src=\"https:\/\/fjala.info\/2020\/hysen_kobellari.jpg\" alt=\"\" width=\"600\" border=\"0\" \/><\/p>\n<p><em>Fituesit e Fondit \u201cKrijimtaria letrare p\u00ebr f\u00ebmij\u00eb\u201d, Ministria e Kultur\u00ebs, 2019,<br \/>\nN\u00eb kategorin\u00eb rr\u00ebfenja fitues u shpall <strong>Hysen Kobellari<\/strong>, me motivacionin: \u201cP\u00ebr merita t\u00eb spikatura n\u00eb q\u00ebmtimin, p\u00ebrpunimin dhe sjelljen n\u00eb nj\u00eb kontekst t\u00eb ri letrar t\u00eb nj\u00eb trash\u00ebgimie folklorike q\u00eb kemi nevoj\u00eb ta kultivojm\u00eb tek f\u00ebmij\u00ebt tan\u00eb si pasuri identitare\u201d.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Sh\u00ebnime p\u00ebr librin \u201cGjahtar\u00ebt e Nuselal\u00ebs\u201d, rr\u00ebfenj\u00eb e shkrimtarit H. Kobellari. Nga Prof. Dr. Anton Nik\u00eb Berisha Novela \u201cGjahtar\u00ebt e Nuselal\u00ebs\u201d e shkrimtarit Hysen Kobellari, me m\u00ebnyr\u00ebn e nd\u00ebrtimit, t\u00eb shqiptimit t\u00eb dukurive t\u00eb bot\u00ebs si dhe t\u00eb p\u00ebrftimit t\u00eb rr\u00ebfimit poetik, t\u00eb ve\u00e7ant\u00eb e t\u00eb pasur, afrohet p\u00ebr shum\u00eb\u00e7ka me bot\u00ebn e p\u00ebrrall\u00ebs gojore, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":58200,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[8,11],"tags":[],"class_list":["post-58199","post","type-post","status-publish","format-standard","has-post-thumbnail","category-letersi","category-roman"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>NOVEL\u00cb ME VLER\u00cb E P\u00cbRFTUAR MBI MODELIN E P\u00cbRRALL\u00cbS GOJORE - FJALA e LIR\u00cb<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/jehonashqiptare.al\/fjala\/novele-me-vlere-e-perftuar-mbi-modelin-e-perralles-gojore\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"NOVEL\u00cb ME VLER\u00cb E P\u00cbRFTUAR MBI MODELIN E P\u00cbRRALL\u00cbS GOJORE - FJALA e LIR\u00cb\" \/>\n<meta property=\"og:description\" content=\"Sh\u00ebnime p\u00ebr librin \u201cGjahtar\u00ebt e Nuselal\u00ebs\u201d, rr\u00ebfenj\u00eb e shkrimtarit H. Kobellari. 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