{"id":59779,"date":"2020-09-21T10:36:14","date_gmt":"2020-09-21T08:36:14","guid":{"rendered":"https:\/\/fjala.info\/?p=59779"},"modified":"2020-09-21T10:36:14","modified_gmt":"2020-09-21T08:36:14","slug":"realizmi-magjik","status":"publish","type":"post","link":"https:\/\/jehonashqiptare.al\/fjala\/realizmi-magjik\/","title":{"rendered":"REALIZMI MAGJIK"},"content":{"rendered":"

Xhelal Zejneli<\/strong><\/p>\n

Realizmi magjik \u00ebsht\u00eb drejtim letrar artistik n\u00eb t\u00eb cilin elementet e fantastikes <\/em><\/strong>nd\u00ebrthuren me realitetin, duke u identifikuar n\u00eb k\u00ebt\u00eb m\u00ebnyr\u00eb me t\u00eb dhe duke krijuar nj\u00eb t\u00ebr\u00ebsi t\u00eb harmonishme t\u00eb bazuar n\u00eb raportin objektiv. \u00cbsht\u00eb stil i trillimeve dhe i zhanrit letrar q\u00eb pasqyron nj\u00eb sken\u00eb, pamje apo ngjarje reale t\u00eb bot\u00ebs moderne, duke shtuar edhe elemente magjike.<\/p>\n

Termi realiz\u00ebm magjik (Magical Realism) <\/em>nisi t\u00eb p\u00ebrdoret prej vitit 1925 e k\u00ebndej p\u00ebr shkoll\u00ebn e piktor\u00ebve.<\/p>\n

Sot m\u00eb s\u00eb shumti nd\u00ebrlidhet me proz\u00ebn e Jorge Luis Borgesit<\/strong>, t\u00eb Gabriel Garsia Markezit<\/strong>, t\u00eb Gynter Grasit<\/strong> dhe t\u00eb romancierit anglez, t\u00eb shkolluar n\u00eb Oksford Xhon Robert Faulz <\/strong>(John Fowles, 1926-).<\/p>\n

Prej shkrimtar\u00ebve t\u00eb brezit t\u00eb ri k\u00ebtij grupi i takojn\u00eb edhe Izabel Alende<\/strong>. Realizmi magjik nd\u00ebrlidhet edhe me krijimtarin\u00eb e Franc Kafk\u00ebs<\/strong>, t\u00eb prozatorit e dramaturgut rus Mihail Afanasjevi\u00e7 Bullgakov<\/strong> (Kiev, 1891 \u2013 Mosk\u00eb, 1940) dhe t\u00eb Salman Ruzhdi<\/strong>-ut.<\/p>\n

*\u00a0\u00a0 *\u00a0\u00a0 *<\/strong><\/p>\n

N\u00eb veprat dhe n\u00eb rr\u00ebfimet e realizmit magjik, jeta e p\u00ebrditshme b\u00ebhet magjike. N\u00eb jet\u00ebn e p\u00ebrditshme t\u00eb let\u00ebrsis\u00eb s\u00eb realizmit magjik kemi thurjen e fantazis\u00eb<\/em> dhe mitit<\/em>. \u00c7\u2019\u00ebsht\u00eb reale? \u00c7\u2019\u00ebsht\u00eb e p\u00ebrfytyruar? N\u00eb bot\u00ebn e realizmit magjik, e zakonshmja b\u00ebhet e jasht\u00ebzakonshme, nd\u00ebrsa magjikja b\u00ebhet e zakonshme.<\/p>\n

I njohur si \u201crealiz\u00ebm i jasht\u00ebzakonsh\u00ebm\u201d<\/em> apo si \u201crealiz\u00ebm fantastik\u201d,<\/em> realizmi magjik nuk \u00ebsht\u00eb stil ose zhan\u00ebr aq sa m\u00ebnyr\u00eb p\u00ebr hulumtimin e natyr\u00ebs s\u00eb realitetit<\/em>.<\/p>\n

N\u00eb romane, tregime, poezi, drama dhe film faktet e narrativit dhe t\u00eb fantazis\u00eb s\u00eb bujshme kombinohen p\u00ebr t\u00eb zbuluar shoq\u00ebrin\u00eb dhe natyr\u00ebn shoq\u00ebrore. Termi \u201crealizmi magjik\u201d nd\u00ebrlidhet edhe me veprat artistike reale dhe figurative \u2013 me pikturat, vizatimet dhe skulptur\u00ebn \u2013 q\u00eb p\u00ebrmbajn\u00eb nj\u00eb ide t\u00eb fsheht\u00eb. Pikturat jet\u00ebsore, si\u00e7 \u00ebsht\u00eb portreti i Frid Kahlos, t\u00eb paraqitur lart, ng\u00ebrthejn\u00eb n\u00eb vete mister dhe mrekulli.<\/p>\n

Historia <\/em><\/strong>–<\/em> S\u2019ka asgj\u00eb t\u00eb re p\u00ebr t\u2019u inficuar te t\u00eb huajt p\u00ebr njer\u00ebzit\u00a0 e r\u00ebndomt\u00eb. Studiuesit kan\u00eb gjetur elemente t\u00eb realizmit magjik te prozatorja dhe poetja angleze plot pasion Emili Xhein Br\u00ebntei* (<\/strong>Emily Jane Bront\u00eb, 1818-1848), i mallkuari Heathcliff (Wuhering Heights, <\/em>1848)<\/em> dhe fatkeqi Gregor Zamza i Franc Kafk\u00ebs <\/strong>(1883-1924) i cili u shnd\u00ebrrua n\u00eb insekt gjigant (Metamorfoza, <\/em>1915). <\/em>Por, shprehja \u201crealiz\u00ebm magjik\u201d ka lindur nga l\u00ebvizjet letrare specifike artistike dhe letrare q\u00eb jan\u00eb paraqitur nga mesi i shekullit XX.<\/p>\n

Sh\u00ebnim<\/strong>: Emili Xhein Br\u00ebntei* (<\/strong>Emily Jane Bront\u00eb), prozatorja dhe poetja Sharlot Br\u00ebntei <\/strong>(Charlotte Bront\u00eb, 1816-1855) dhe prozatorja e poetja En Br\u00ebntei <\/strong>(Anne Bront\u00eb, 1820-1849) jan\u00eb motra<\/em><\/p>\n

*\u00a0\u00a0 *\u00a0\u00a0 *<\/strong><\/p>\n

Termin realiz\u00ebm magjik <\/strong>(Magischer Realismus; Magic Realismus)<\/em> e krijoi n\u00eb vitin 1925 kritiku i artit figurativ, historiani dhe fotografi gjerman Franc Roh<\/strong> (Franz Roh, 1890-1965) p\u00ebr t\u00eb p\u00ebrcaktuar me t\u00eb krijimtarin\u00eb e piktor\u00ebve n\u00eb faz\u00ebn e postmodernizmit<\/em><\/strong>. \u00cbsht\u00eb autor i vepr\u00ebs \u201cKah ekspresionizmi: realizmi magjik\u201d (Nach Expressionismus: Magischer Realismus)<\/em>. \u00a0\u00a0<\/strong><\/p>\n

Deri n\u00eb vitet \u201940 dhe \u201950 t\u00eb shekullit XX, kritik\u00ebt dhe studiuesit e kan\u00eb p\u00ebrdorur k\u00ebt\u00eb term p\u00ebr artin e traditave t\u00eb ndryshme. Pikturat me lule t\u00eb m\u00ebdha t\u00eb piktores amerikane, e quajtur \u201cn\u00ebna e modernizmit amerikan\u201d<\/em> Georgia Totto O\u2019Keeffe <\/strong>(1887-1986), portretet psikologjike t\u00eb piktores meksikane Frida Kahlo<\/strong> (1907-1954) dhe skenat urbane t\u00eb piktorit realist amerikan Edward Hopper<\/strong> (1882-1967) b\u00ebjn\u00eb pjes\u00eb n\u00eb l\u00ebmin e realizmit magjik<\/em>.<\/p>\n

N\u00eb let\u00ebrsi, realizmi magji ka evoluar si nj\u00eb l\u00ebvizje e ve\u00e7ant\u00eb, p\u00ebrve\u00e7 realizmit magjik misterioz t\u00eb qet\u00eb t\u00eb artist\u00ebve vizual\u00eb. Shkrimtari kuban Alejo Carpentier <\/strong>(1904-1980) paraqiti konceptin ”\u00a0lo real maravilloso<\/em>\u00a0” (e drejta magjike)<\/em> kur n\u00eb vitin 1949 botoi esen\u00eb \u201cP\u00ebr realitetin e \u00e7uditsh\u00ebm n\u00eb Amerik\u00ebn spanjolle\u201d. <\/em>Carpentier besonte se Amerika Latine, me historin\u00eb dhe gjeografin\u00eb e saj dramatike, n\u00eb syt\u00eb e bot\u00ebs ka marr\u00eb aur\u00eb<\/em> fantastike.<\/p>\n

N\u00eb vitin 1955, kritiku letrar nga Porto-Rika Angel Flores <\/strong>(1900-1992) p\u00ebrdori termin \u00a0\u00a0magjikja realiste<\/strong>, <\/em>p\u00ebr dallim nga realizmi magjik<\/em><\/strong>,<\/em> p\u00ebr t\u00eb analizuar veprat e autor\u00ebve latinoamerikan\u00eb t\u00eb cil\u00ebt \u201ct\u00eb zakonshmen dhe t\u00eb p\u00ebrditshmen e kishin shnd\u00ebrruar n\u00eb t\u00eb pabesueshme\u201d<\/em>. \u00a0<\/em><\/p>\n

Sipas krikut Angel Flores<\/strong>, realizmi magji<\/em> ka filluar me nj\u00eb tregim t\u00eb vitit 1935 t\u00eb shkrimtarit argjentinas Jorge Luis Borges <\/strong>(1899-1986). Paraqitjen e k\u00ebsaj l\u00ebvizjeje kritik\u00ebt e nd\u00ebrlidhin me shkrimtar\u00eb t\u00eb ndrysh\u00ebm. Por, s\u2019ka dyshim se vendosja e themelit t\u00eb realizmit magjik latinoamerikan \u00ebsht\u00eb merit\u00eb e Borgesit<\/strong>. Ai konsiderohet unik, nd\u00ebrsa veprat e tij\u00a0 dallohen nga veprat e shkrimtar\u00ebve evropian\u00eb, me p\u00ebrjashtim t\u00eb veprave t\u00eb Kafk\u00ebs<\/strong>.<\/p>\n

Autor\u00eb t\u00eb tjer\u00eb spanjoll\u00eb t\u00eb k\u00ebsaj tradite jan\u00eb: Isabel Allende, Miguel Angel Asturias, Laura Esquivel, Elena Garro, R\u00f3mulo Gallegos, Gabriel Garc\u00eda Marquez <\/strong>dhe Juan Rulfo<\/strong>.<\/p>\n

Sh\u00ebnim<\/strong>: Isabel Allende Llona <\/strong>(Lim\u00eb, Venezuel\u00eb, 1942- ) prozatore kiliane; Miguel Angel Asturias <\/strong>(1899-1974) prozator, poet guatemalas; nj\u00eb nd\u00ebr p\u00ebrfaq\u00ebsuesit m\u00eb t\u00eb shquar t\u00eb realizmit magjik<\/em>; Laura Esquivel <\/strong>(1950- ) shkrimtare meksikane e<\/em> realizmit magjik<\/em>; Elena Garro <\/strong>(1916-1998) prozatore dhe dramaturge meksikane, e njohur p\u00ebr tregime t\u00eb shkurtra; konsiderohet nism\u00ebtare e l\u00ebvizjes s\u00eb<\/em> realizmit magjik<\/em>; R\u00f3mulo Gallegos <\/strong>(1884-1969) shkrimtar venezuelas; Gabriel Garc\u00eda Marquez <\/strong>(1927-2014) shkrimtar kolumbian; m\u00eb 1982 mori \u00e7mimin \u201cNobel\u201d; dhe Juan Rulfo<\/strong> (1918-1986) romancier meksikan.<\/p>\n

\u201cSurrealizmi ec\u00ebn n\u00ebp\u00ebr rrug\u00eb\u201d<\/em> thot\u00eb Garsia<\/strong> Markezi <\/strong>n\u00eb nj\u00eb intervist\u00eb p\u00ebr The Atlantic.<\/em> Markezi i ik shprehjes \u201crealiz\u00ebm magjik\u201d<\/em> ngaq\u00eb ishte i bindur se rrethanat e jasht\u00ebzakonshme n\u00eb Kolumbin\u00eb e tij jan\u00eb pjes\u00eb e jet\u00ebs. N\u00eb nj\u00eb shkrim t\u00eb tij t\u00eb \u00e7uditsh\u00ebm, por real thuhet: \u201cPlaku me krah\u00eb gjigant\u00eb\u201d<\/em> apo \u201cNjeri m\u00eb i marr\u00eb n\u00eb bot\u00eb\u201d.<\/em><\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/strong>Sot realizmi magjik merret si tendenc\u00eb nd\u00ebrkomb\u00ebtare, shpikje e shprehjes n\u00eb shum\u00eb vende dhe kultura. Recensent\u00ebt e veprave, agjent\u00ebt letrar\u00eb, publicist\u00ebt dhe vet\u00eb autor\u00ebt e kan\u00eb pranuar etiket\u00ebn si m\u00ebnyr\u00eb e p\u00ebrshkrimit t\u00eb veprave q\u00eb krijojn\u00eb skena reale me fantazin\u00eb dhe legjend\u00ebn.<\/p>\n

Elemente t\u00eb realizmit magjik mund t\u00eb hasen n\u00eb shkrimet e Atkinsonit<\/strong>, t\u00eb Italo Kalvinos <\/strong>(Italo Calvino), t\u00eb Angela Karterit <\/strong>(Angela Carter), t\u00eb Neil Gaimanit <\/strong>(Neil Gaiman), t\u00eb Gynter Grasit<\/strong> (G\u00fcnter Grass), t\u00eb Mark Helprin <\/strong>(Mark Helprin), t\u00eb Alise Hofman <\/strong>(Alice Hoffman), t\u00eb Kobo Abe <\/strong>(Kobo Abe), t\u00eb Haruki Murakami <\/strong>(Haruki Murakami), t\u00eb Toni Morrison <\/strong>(Toni Morrison), t\u00eb Salman Rushdi<\/strong> (Salman Rushdie), t\u00eb Derek Uallkot<\/strong> (Derek Walcott) dhe t\u00eb shum\u00eb shkrimtar\u00ebve t\u00eb tjer\u00eb t\u00eb bot\u00ebs.<\/p>\n

Sh\u00ebnim<\/strong>: Rowan Sebastian Atkinson<\/strong> (1955-) aktor, komediograf dhe shkrimtar anglez; Italo Calvino <\/strong>(Santiago, Kub\u00eb, 1923 \u2013 Siena, 1985) prozator italian; Angela Carter <\/strong>(1940-1992) prozatore angleze; Neil Richard MacKinnon Gaiman <\/strong>(1960- ) shkrimtar anglez; G\u00fcnter Grasse<\/strong> (1927-2015) romancier, dramaturg dhe poet gjerman; baba i gjasht\u00eb f\u00ebmij\u00ebve; m\u00eb 1999 iu dha \u00e7mimi \u201cNobel\u201d; Mark Helprin <\/strong>(1947- ) shkrimtar amerikan; Alice Hoffman <\/strong>(1952- ) shkrimtare amerikane; Kobo Abe <\/strong>i lindur si Abe Kimifusa (1924-1993) shkrimtar dhe dramaturg japonez; Haruki Murakami <\/strong>(1949-) shkrimtar japonez, i p\u00ebrkthyer n\u00eb 50 gjuh\u00eb t\u00eb bot\u00ebs; bestseller n\u00eb Japoni dhe jasht\u00eb vendit; Toni Morrison<\/strong>, emri i v\u00ebrtet\u00eb Chloe Anthony Wofford (1931-2019) prozatore amerikane; Salman Rushdie <\/strong>(1947- ) prozator anglez me prejardhje indiane; prej vitit 1961 jeton n\u00eb Angli; studioi n\u00eb Universitetin e Kembrixhit (Cambridge); Derek Alton Walcott <\/strong>(1930-2017) poet, dramaturg dhe eseist i Karaibeve, Saint Lucian; nga n\u00ebna dhe babai ka prejardhje afrikane, angleze dhe Zelande t\u00eb Re; pik\u00ebpamjet e veta estetike dhe filozofike i paraqiti n\u00eb esen\u00eb \u201cAntilet: fragment kujtimi epik\u201d (The Antilles: Fragment of Epic Memory)<\/em>; m\u00eb 1992 iu dha \u00e7mimi \u201cNobel\u201d; esen\u00eb e sip\u00ebrth\u00ebn\u00eb e lexoi me rastin e ndarjes s\u00eb \u00e7mimit.<\/p>\n

*\u00a0\u00a0 *\u00a0\u00a0 *<\/strong><\/p>\n

Karakteristikat<\/em><\/strong> \u2013 Realizmi magjik<\/em> leht\u00eb mund t\u00eb ngat\u00ebrrohet me format e ngjashme t\u00eb t\u00eb shkruarit imagjinues. Por, p\u00ebrrallat<\/em> nuk jan\u00eb realiz\u00ebm magjik. As tregimet e frikshme, tregimet p\u00ebr shpirtrat, fantastika shkencore, fantastika distopike, fantastika paranormale, let\u00ebrsia e absurdit dhe fantazia e shpatave dhe e mrekullib\u00ebr\u00ebsve. P\u00ebr t\u00eb qen\u00eb pjes\u00eb e tradit\u00ebs s\u00eb realizmit magjik, shkrimi duhet t\u00eb p\u00ebrmbaj\u00eb gjasht\u00eb karakteristika<\/em>, apo disa nga ato:<\/p>\n

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  1. Situatat dhe ngjarjet q\u00eb e definojn\u00eb logjik\u00ebn<\/strong>: N\u00eb romanin Si uji p\u00ebr \u00e7okollat\u00ebn\u201d <\/em>t\u00eb Laura Eskivelit <\/strong>(Laura Esquivel), gruaja s\u00eb cil\u00ebs i \u00ebsht\u00eb ndaluar t\u00eb martohet, derdh magji n\u00eb ushqim. N\u00eb \u201cBeloved\u201d<\/em> autori amerikan Toni Morison <\/strong>(Morrison) sjell nj\u00eb tregim m\u00eb t\u00eb err\u00ebt: robi \u00ebsht\u00eb zhvendosur n\u00eb nj\u00eb sht\u00ebpi t\u00eb cil\u00ebn e ka shkelur shpirti i f\u00ebmij\u00ebs i cili ka vdekur para shum\u00eb koh\u00ebsh. K\u00ebto tregime dallohen shum\u00eb prej nj\u00ebra-tjetr\u00ebs, por q\u00eb t\u00eb dyja jan\u00eb vendosur n\u00eb nj\u00eb bot\u00eb n\u00eb t\u00eb cil\u00ebn v\u00ebrtet mund t\u00eb ndodh\u00eb di\u00e7ka.<\/li>\n
  2. Motivet dhe legjendat: <\/strong>Shum\u00eb t\u00eb panjohura t\u00eb realizmit magjik burojn\u00eb nga folklori, nga parabolat religjioze, nga alegorit\u00eb dhe nga bes\u00ebtytnit\u00eb. P. sh. Abiku, f\u00ebmij\u00eb shpirt\u00ebror afrikano-per\u00ebndimor, n\u00eb tregimin \u201cThe Famished Road\u201d<\/em> t\u00eb poetit, prozatorit dhe eseistit nigerian Ben Okri <\/strong>(1959- ). P\u00ebr t\u00eb krijuar anakronizma t\u00eb ngat\u00ebrruara dhe tregime t\u00eb ngjeshura e t\u00eb nd\u00ebrlikuara, legjendat e vendeve dhe t\u00eb koh\u00ebve t\u00eb ndryshme shpeshher\u00eb vendosen bashk\u00eb. N\u00eb romanin \u201cA Man Went Down the Road<\/em>, 1973\u201d, <\/em>shkrimtari gjeorgjian Otar Shilaxe <\/strong>(Otar Chiladze, 1933-2009), mitin e lasht\u00eb helen e lidh me ngjarjet trondit\u00ebse dhe historin\u00eb dramatike t\u00eb vendit t\u00eb tij euro-aziatik pran\u00eb Detit t\u00eb Zi. N\u00eb romanet e veta mitet sumere i nd\u00ebrthur me ato helene.<\/li>\n
  3. Konteksti historik dhe brenga shoq\u00ebrore<\/strong>: P\u00ebr t\u2019i hulumtuar \u00e7\u00ebshtjet q\u00eb kan\u00eb t\u00eb b\u00ebjn\u00eb me racizmin, seksizmin, intoleranc\u00ebn dhe me l\u00ebshimet e tjera njer\u00ebzore ngjarjet politike dhe l\u00ebvizjet shoq\u00ebrore t\u00eb bot\u00ebs reale p\u00ebrshkohen me fantazi. Romani \u201cF\u00ebmij\u00ebt e mesnat\u00ebs\u201d<\/em> (Midnight’s Children)<\/em> i shkrimtarit Salman Rushdi <\/strong>(Salman Rushdie) \u00ebsht\u00eb sag\u00eb p\u00ebr njeriun t\u00eb lindur n\u00eb koh\u00ebn e pavar\u00ebsis\u00eb s\u00eb Indis\u00eb<\/em>. Personazhi i tij \u00ebsht\u00eb i lidhur n\u00eb m\u00ebnyr\u00eb telepatike me mij\u00ebra f\u00ebmij\u00eb magjik\u00eb t\u00eb lindur n\u00eb t\u00eb nj\u00ebjt\u00ebn or\u00eb, nd\u00ebrsa jeta e tij reflekton ngjarjet kryesore t\u00eb vendit t\u00eb tij.<\/li>\n
  4. Koha e shtremb\u00ebruar dhe sekuenca<\/strong>: N\u00eb realizmin magjik karakteret mund t\u00eb l\u00ebvizin prapa, t\u00eb k\u00ebrcejn\u00eb para apo zigzag nd\u00ebrmjet t\u00eb kaluar\u00ebs dhe t\u00eb ardhmes. Duhet par\u00eb sesi e trajton koh\u00ebn<\/em> Gabriel Garsia <\/strong>Markezi<\/strong> n\u00eb romanin e tij \u201cNj\u00ebqind vjet vetmi\u201d (<\/em>Cien A\u00f1os de Soledad, <\/em>1967)<\/em>. Ndryshimet e befasishme n\u00eb narrativ dhe paraqitja e gjithmbarshme e shpirtrave dhe e parandjenjave te lexuesi krijojn\u00eb ndjenj\u00ebn se ngjarjet sillen rreth nj\u00eb nyje t\u00eb pafund. <\/a><\/li>\n
  5. Premisat e bot\u00ebs reale <\/strong>\u2013 Shkrimtar\u00ebt e realizmit magjik\u00eb (magic) nuk jan\u00eb hulumtues t\u00eb gjith\u00ebsis\u00eb apo magjistar\u00eb. Shembuj t\u00eb qasjes nuk jan\u00eb \u201c<\/em>Star Wars<\/em><\/a>\u201d\u00a0dhe\u00a0\u201c<\/em>Harry Potter<\/em><\/a>\u201d<\/em>. N\u00eb nj\u00eb shkrim p\u00ebr The Telegraph<\/em>, Salman Rushdi<\/strong> thot\u00eb se \u201cMagjikja n\u00eb realizmin magjik i ka rr\u00ebnj\u00eb thell\u00eb n\u00eb realitet\u201d<\/em><\/strong>. Ndon\u00ebse \u00e7do dit\u00eb ballafaqohen me ngjarje t\u00eb jasht\u00ebzakonshme, personazhet jan\u00eb t\u00eb zakonsh\u00ebm. Dihet se n\u00eb \u00e7\u2019vende jetojn\u00eb ata.<\/li>\n
  6. Materiali i tonit <\/strong>\u2013 Karakteristika m\u00eb e p\u00ebrhapur e realizmit magjik \u00ebsht\u00eb z\u00ebri narrativ armiq\u00ebsor. Ngjarjet bizare p\u00ebrshkruhen n\u00eb nj\u00eb m\u00ebnyr\u00eb t\u00eb pazakonshme. Karakteret nuk i v\u00ebn\u00eb dyshim situatat surrealiste n\u00eb t\u00eb cilat ndodhen. P\u00ebr shembull, n\u00eb vepr\u00ebn e shkurt\u00ebr \u201cJet\u00ebt tona b\u00ebhen t\u00eb par\u00ebnd\u00ebsishme\u201d<\/em>, tregimtari luan dram\u00ebn e zhdukjes s\u00eb bashk\u00ebshortit t\u00eb saj: \u201cGifordi i cili q\u00ebndronte para meje, palm\u00ebs s\u00eb zgjeruar, ledhatohej nga ajri, nga rrobat gri dhe kravata e m\u00ebndafsht\u00eb vija-vija ia , mezi merrte frym\u00eb. Kur erdha m\u00eb von\u00eb, rrobat ishin avulluar, duke l\u00ebn\u00eb vet\u00ebm shk\u00eblqimin ngjyr\u00eb vjollc\u00eb n\u00eb mushk\u00ebrit\u00eb e tij dhe organin e tr\u00ebndafilt\u00eb dhe pulsues q\u00eb e kisha ngat\u00ebrruar me tr\u00ebndafilin. Kuptohet, ky s\u2019ishte se zemra e tij\u201d. <\/em><\/li>\n<\/ol>\n

    Sfidat<\/strong><\/p>\n

    P\u00ebr dallim nga arti vizual, let\u00ebrsia jo gjithmon\u00eb mund t\u00eb paloset n\u00eb nj\u00eb kuti. Kur prozatori anglez me prejardhje japoneze, i cili prej viti 1960 jeton n\u00eb Angli, Kazuo Ishiguro <\/strong>(Nagasaki, 1954- ; m\u00eb 2017 mori \u00e7mimin \u201cNobel\u201d) botoi romanin fantastik \u201cGjiganti i varrosur\u201d (The Buried Giant<\/em>, mars 2015)<\/em> studiuesit iu rrek\u00ebn pun\u00ebs p\u00ebr t\u00eb par\u00eb se cilit zhan\u00ebr i p\u00ebrket vepra. Mbase subjekti \u00ebsht\u00eb nj\u00eb fantazi ngase zhvillohet n\u00eb bot\u00ebn e p\u00ebrbind\u00ebshave, por narracioni \u00ebsht\u00eb objektiv dhe me elemente t\u00eb theksuara t\u00eb p\u00ebrrall\u00ebs. \u201cMegjith\u00ebk\u00ebt\u00eb, shkak i lemeris\u00eb nuk jan\u00eb p\u00ebrbind\u00ebshat e till\u00eb… Ka edhe shum\u00eb gj\u00ebra t\u00eb tjera tmerruese\u201d.<\/em> A \u00ebsht\u00eb \u201c<\/em>Gjiganti i varrosur\u201d <\/em>nj\u00eb fantazi e kulluar, apo Ishiguro <\/strong>ka dep\u00ebrtuar n\u00eb mbret\u00ebrin\u00eb e magjikes? \u00cbsht\u00eb e mundur q\u00eb veprat e k\u00ebtij lloji t\u00eb b\u00ebjn\u00eb pjes\u00eb n\u00eb t\u00eb gjitha zhanret.<\/p>\n

    N\u00eb \u201cReview: Kazou Ishigurooy\u201d<\/em>, studim i publikuar m\u00eb 24.02.2015 nga Washington Post<\/em>, qasje digjitale,<\/em>\u00a0Web 9.10.2017, <\/em>shkrimtarja dhe kritikja amerikane e lindur n\u00eb Lima t\u00eb Perus\u00eb Mari Arana<\/strong> Kempell<\/strong> (Marie Arana Campbell, 1949- ) thot\u00eb: \u201cThe Buried Giant<\/em> d\u00ebshmon se kategorizimi i vepr\u00ebs n\u00eb zhanre nuk \u00ebsht\u00eb pun\u00eb e thjesht\u00eb\u201d<\/em>.<\/p>\n

    Burimet<\/em><\/strong>:<\/em><\/p>\n

      \n
    1. Ashley Opseci,<\/strong> \u201cOrigjina e realizmit magjik t\u00eb Gabriel Garsia Markezit\u201d<\/em>,<\/strong> Atlantik<\/em>, 17.04.2014, shtypur nga Atlantic Archive,<\/em>Web <\/em>9.10.2017;<\/li>\n
    2. Flores Angel, \u201cRealizmi magjik n\u00eb fantastik\u00ebn spanjolle-amerikane\u201d<\/em>;<\/strong> Hispania 38, maj 1955: 187-192; shtypur nga JSTOR. Web 11.10.2017; \u00a0<\/em><\/li>\n
    3. Ken Keegan,<\/strong> \u201cP\u00ebrse tregimet Fabulist dhe New Wave Fabulist n\u00eb antologji jan\u00eb em\u00ebruar parasfera?\u201d<\/em><\/strong> Parasferat: Dalja jasht\u00eb sfer\u00ebs s\u00eb fantastikes letrare dhe t\u00eb zhanrit.<\/strong> Ed. Rusty Morrison dhe Ken Keegan, Omnidawn Publishing, 2006, f. 625-637;<\/em><\/li>\n
    4. Luis Leal,<\/strong> \u201cRealizmi magjik n\u00eb let\u00ebrsin\u00eb spanjolle dhe amerikane\u201d,<\/em><\/strong> Trans. <\/em>Wendy B. Faris, \u201cRealizmi magjik: teoria, historia, bashk\u00ebsia\u201d,<\/strong> <\/em>Ed. Lois Parkinson Yamora dhe Wendy B. Faris.<\/em>Duke University Press, 1995, f. 119-124;<\/em><\/li>\n
    5. Alberto Rios,<\/strong> \u201cRealizmi magjik: p\u00ebrkufizimet\u201d;<\/em><\/strong> Universiteti shtet\u00ebror i Arizon\u00ebs, <\/em>23.05.2002; Web 11.10.027;<\/li>\n
    6. Salman Rushdie,<\/strong> \u201cSalman Rushdi p\u00ebr Gabriel Garsia Markezin: Bota e tij ishte edhe bot\u00eb e ime\u201d;<\/em><\/strong> Telegraf, <\/em>25.04.2014; shtypur nga Telegraf Media Group.<\/em>Web, <\/em>9.10.2017;<\/li>\n
    7. Jeffrey Wechsler,<\/em><\/strong>“Realizmi magjik: P\u00ebrkufizimi i t\u00eb palejueshmes.”<\/em><\/strong>Art Journal,<\/em>\u00a0V\u00ebll.\u00a045, Nr. 4,<\/em> 1985: 293-298,<\/em>\u00a0shtypur nga Web <\/em>14.10.2017;<\/li>\n<\/ol>\n","protected":false},"excerpt":{"rendered":"

      Xhelal Zejneli Realizmi magjik \u00ebsht\u00eb drejtim letrar artistik n\u00eb t\u00eb cilin elementet e fantastikes nd\u00ebrthuren me realitetin, duke u identifikuar n\u00eb k\u00ebt\u00eb m\u00ebnyr\u00eb me t\u00eb dhe duke krijuar nj\u00eb t\u00ebr\u00ebsi t\u00eb harmonishme t\u00eb bazuar n\u00eb raportin objektiv. \u00cbsht\u00eb stil i trillimeve dhe i zhanrit letrar q\u00eb pasqyron nj\u00eb sken\u00eb, pamje apo ngjarje reale t\u00eb bot\u00ebs […]<\/p>\n","protected":false},"author":1,"featured_media":59781,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2,4,35],"tags":[],"class_list":["post-59779","post","type-post","status-publish","format-standard","has-post-thumbnail","category-artikuj","category-histori","category-kulture"],"yoast_head":"\nREALIZMI MAGJIK - FJALA e LIR\u00cb<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/jehonashqiptare.al\/fjala\/realizmi-magjik\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"REALIZMI MAGJIK - 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