{"id":6008,"date":"2016-08-23T09:46:32","date_gmt":"2016-08-23T08:46:32","guid":{"rendered":"http:\/\/www.fjala.info\/?p=6008"},"modified":"2018-03-23T13:18:34","modified_gmt":"2018-03-23T12:18:34","slug":"mes-shqiptareve-vritet-mozarti","status":"publish","type":"post","link":"https:\/\/jehonashqiptare.al\/fjala\/mes-shqiptareve-vritet-mozarti\/","title":{"rendered":"Mes shqiptar\u00ebve vritet Mozarti !"},"content":{"rendered":"

Sikur perandori Josephi i II-t\u00eb (populli) do ta arsyetonte me\u00a0epitetin e Mbretit t\u00eb Muzik\u00ebs, nuk do t\u00eb manipulohej nga Salieri. K\u00ebshtu, Mozarti n\u00eb t\u00eb gjall\u00eb do ta shijonte fam\u00ebn, q\u00eb iu b\u00eb e p\u00ebrjetshme pas vdekjes s\u00eb tij. Salieri nuk do t\u00eb ishte ky Salier. E, as Tahir Berisha nuk do ta thoshte nem\u00ebn e madhe: \u201cU bofsh, e mos pa\u00e7 ku\u201d!?<\/em><\/p><\/blockquote>\n

Agron Shala<\/strong>, 22 gusht 2016<\/em><\/p>\n

N\u00eb fillim t\u00eb shekullit XVI, n\u00eb Rom\u00eb lindi nj\u00eb histori interesante mes dy statujave antike, q\u00eb nga banor\u00ebt u quajt\u00ebn Paskuino<\/em> dhe Marforio<\/em>. K\u00ebto statuja \u201cflasin\u201d me nj\u00ebra-tjetr\u00ebn, p\u00ebrmes mesazheve satirike q\u00eb qytetar\u00ebt i vendosin tek to. Statujat q\u00eb njihen edhe si \u201cZ\u00ebri i Popullit\u201d, godasin dukurit\u00eb negative t\u00eb vendit. Ato d\u00ebshmojn\u00eb guximin, talentin, sensin e humorit dhe prirjen p\u00ebr ndryshime t\u00eb popullit italian.<\/p>\n

K\u00ebshtu, p\u00ebr shembull, kur Napoleon Bonaparti pla\u00e7kiti nga muzet\u00eb dhe kishat e Italis\u00eb veprat m\u00eb t\u00eb mira t\u00eb artit \u2013 p\u00ebr t\u2019i d\u00ebrguar ato n\u00eb Paris \u2013 Marforio pyet n\u00ebse \u00ebsht\u00eb e v\u00ebrtet\u00eb q\u00eb t\u00eb gjith\u00eb francez\u00ebt jan\u00eb hajdut\u00eb. Paskuino ia kthen: \u201cJo t\u00eb gjith\u00eb, por \u2018buona parte\u2019 (nj\u00eb pjes\u00eb e mir\u00eb e tyre)\u201d! E, kur Hitleri m\u00eb 1938 e viziton Rom\u00ebn, statujat \u201cthan\u00eb\u201d: \u201cE mjera Rom\u00eb e b\u00ebr\u00eb nga mermeri, t\u00eb kan\u00eb veshur me karton, q\u00eb t\u00eb admirohesh nga nj\u00eb piktor\u201d!<\/p>\n

Deri n\u00eb shtat\u00eb milion\u00eb njer\u00ebz jan\u00eb vrar\u00eb nga Luft\u00ebrat e Napoleonit (1803\u20131815), nd\u00ebrsa mbi 60 milion\u00eb gjat\u00eb Luft\u00ebs s\u00eb Dyt\u00eb Bot\u00ebrore (1939-1945) t\u00eb nxitur nga Hitleri. I pari pretendonte se e njeh artin, i dyti madje se e krijon at\u00eb. Por, si\u00a0nj\u00ebri ashtu edhe tjetri mbahen mend si dy prej m\u00eb mizor\u00ebve n\u00eb historin\u00eb e njer\u00ebzimit.<\/p>\n

KUSH VRET?<\/strong><\/p>\n

Kur Napoleoni ishte 18 vje\u00e7, n\u00eb vitin 1787, n\u00eb Oper\u00ebn e Parisit ka mundur ta shoh\u00eb premier\u00ebn e nj\u00eb vepre t\u00eb Antonio Salierit. \u00cbsht\u00eb fjala p\u00ebr oper\u00ebn \u201cTarare\u201d, me libretin e nj\u00eb francezi t\u00eb ve\u00e7ant\u00eb, Pierre-Augustin Caron de Beaumarchais \u2013 i cili kishte shkruar edhe komedin\u00eb \u201cMartesa e Figaros\u201d, q\u00eb p\u00ebr Napoleonin cil\u00ebsohej si \u201cRevolucioni n\u00eb aksion\u201d. Salieri ishte nj\u00eb nga kompozitor\u00ebt m\u00eb t\u00eb njohur t\u00eb koh\u00ebs s\u00eb tij. Nd\u00ebrsa, Beaumarchais<\/em> ishte edhe m\u00eb i ve\u00e7ant\u00eb \u2013 nj\u00eb person me prirje t\u00eb rralla eklektike: or\u00ebndreq\u00ebs, shpik\u00ebs, dramaturg, muzikant, diplomat, spiun, botues, kopshtar, tregtar arm\u00ebsh, satirist, financier, revolucionar\u2026 Meq\u00eb shk\u00eblqente n\u00eb \u00e7do fush\u00eb, cil\u00ebsohej gjeni nga miqt\u00eb dhe nga adhuruesit. E, n\u00eb an\u00ebn tjet\u00ebr, p\u00ebr xheloz\u00ebt dhe armiqt\u00eb ishte vras\u00ebs, pasi akuzohej se kishte mbytur dy gra t\u00eb tij, p\u00ebr t\u2019ua marr\u00eb pasurin\u00eb!<\/p>\n

Por, a mundet t\u00eb jet\u00eb vras\u00ebs nj\u00eb gjeni, nj\u00eb artist, nj\u00eb intelektual? A mund t\u00eb jet\u00eb vras\u00ebs Salieri apo Beaumarchais, si\u00e7 ishin kuazi-artist\u00ebt Napoleoni dhe Hitleri?<\/p>\n

K\u00ebt\u00eb tem\u00eb e trajton nj\u00eb nga poet\u00ebt m\u00eb t\u00eb m\u00ebdhenj, jo vet\u00ebm t\u00eb Rusis\u00eb, Alexander Sergeyevich Pushkin. N\u00eb vitin 1830, Pushkini shkruan dram\u00ebn e shkurt\u00ebr poetike, \u201cMozarti dhe Salieri\u201d. N\u00eb k\u00ebt\u00eb dram\u00eb, Wolfgang Amadeus Mozart thot\u00eb se gjeniu dhe keqb\u00ebr\u00ebsi jan\u00eb dy gj\u00ebra shum\u00eb t\u00eb ndryshme. Beamurchais ishte gjeni, si\u00e7 ishte ai dhe vet Salieri. E, t\u00eb till\u00ebt nuk mund t\u00eb vrasin.<\/p>\n

K\u00ebt\u00eb mendim e kishte Mozarti. Por, e v\u00ebrteta \u00ebsht\u00eb se gjeniu di t\u00eb jet\u00eb naiv. Dhe, i till\u00eb del ai \u2013 sipas Pushkinit \u2013 meq\u00eb helmohet nga Salieri, q\u00eb e perceptonte si person t\u00eb d\u00ebmsh\u00ebm q\u00eb do t\u00eb linte n\u00eb hije t\u00eb gjith\u00eb kompozitor\u00ebt e tjer\u00eb, e sidomos at\u00eb. T\u00eb vras\u00ebsh \u00ebsht\u00eb normale p\u00ebr t\u00eb. Madje, thuhej se edhe Michelangelo<\/em> \u2013 nj\u00eb prej artist\u00ebve m\u00eb t\u00eb m\u00ebdhenj t\u00eb Renesanc\u00ebs \u2013 kishte vrar\u00eb nj\u00eb t\u00eb ri, kot, p\u00ebr ta studiuar anatomin\u00eb e nj\u00eb trupi.<\/p>\n

Por, kjo nuk mund t\u00eb jet\u00eb e v\u00ebrtet\u00eb! Sepse, vet Beaumarchais ishte i kujdessh\u00ebm ndaj familjes dhe miqve. Michelangelo ishte krijues \u2013 nd\u00ebrtues i Vatikanit. Vras\u00ebs ishte Napoleoni. Ishte Hitleri, q\u00eb vrau p\u00ebr s\u00eb vdekuri edhe libretistin hebre t\u00eb Mozartit, Lorenzo Da Ponte! Tony Blair dhe Bill Clinton jan\u00eb roker\u00eb! Roker\u00eb nuk jan\u00eb kryeministri i Shqip\u00ebris\u00eb, Edi Rama, dhe kryetari i Kosov\u00ebs, Hashim Tha\u00e7i, q\u00eb i \u201cbashkoi\u201d m\u00eb 2013 nj\u00eb festival filmi n\u00eb Prizren e ku, si shum\u00eb t\u00eb tjer\u00eb, nuk e pan\u00eb asnj\u00eb film! Nd\u00ebrsa, Salieri\u2026 thjesht\u00eb nuk ishte gjeni!<\/p>\n

E V\u00cbRTETA E MUNDSHME!<\/strong><\/p>\n

Se, a ishte e v\u00ebrtet\u00eb historia e vrasjes s\u00eb Mozartit dhe Salierit, k\u00ebt\u00eb pakkush e beson. Por, \u00ebsht\u00eb nj\u00eb version i mundsh\u00ebm i fatit t\u00eb nj\u00eb gjeniu t\u00eb rrethuar nga mediokr\u00ebt, q\u00eb nuk e kuptojn\u00eb e as nuk e pranojn\u00eb vler\u00ebn e tij. Ky ka mundur t\u00eb jet\u00eb vet fati i Pushkinit, poetit m\u00eb t\u00eb madh rus t\u00eb koh\u00ebs, veprat e t\u00eb cilit censuroheshin nga sistemi perandorak (p\u00ebr shembull drama \u201cBoris Godunov\u201d).<\/p>\n

Sidoqoft\u00eb, Salieri sot ka m\u00eb shum\u00eb vler\u00eb si vras\u00ebs i Mozartit, sesa si miku i tij! Cilado qoft\u00eb e v\u00ebrteta, p\u00ebr njer\u00ebzimin \u00ebsht\u00eb m\u00eb i r\u00ebnd\u00ebsish\u00ebm versioni, q\u00eb frym\u00ebzon gjeneratat e ardh\u00ebshme. Shembull p\u00ebr k\u00ebt\u00eb \u00ebsht\u00eb historia e Skocis\u00eb!<\/p>\n

\u201cDo t\u2019ju tregoj p\u00ebr William Wallacen. Historian\u00ebt anglez\u00eb do t\u00eb thon\u00eb se jam g\u00ebnjeshtar. Por, historia shkruhet nga ata q\u00eb i varin heronjt\u00eb<\/em>\u201d. Me k\u00ebta rreshta fillon filmi \u201cBraveheart\u201d, nj\u00eb film q\u00eb flet p\u00ebr dashurin\u00eb dhe patriotizmin. Personazhi kryesor, William Wallace, martohet n\u00eb fsheht\u00ebsi p\u00ebr t\u00eb shmangur dekretin anglez t\u00eb quajtur \u201cprima nocta\u201d (q\u00eb nat\u00ebn e par\u00eb, me gruan e tij ta kalonte feudali pushtues anglez). Pasi ky ligj nuk p\u00ebrfillet, gruaja e tij vritet dhe kjo vrasje sh\u00ebnon fillimin e kryengritjes skoceze p\u00ebr pavar\u00ebsi dhe lindjen e mitit Wallace.<\/p>\n

Filmi ka dhjet\u00ebra gabime dhe keq-interpretime t\u00eb rrethanave historike. N\u00eb fakt, d\u00ebshmi t\u00eb sakta p\u00ebr k\u00ebt\u00eb hero \u2013 pos nj\u00eb p\u00ebrralle nga Harry i Verb\u00ebr \u2013 nuk ka. E, nuk ka d\u00ebshmi as p\u00ebr prima nocten<\/em>! Por, skocez\u00ebt kan\u00eb arsye ta vler\u00ebsojn\u00eb m\u00eb shum\u00eb nj\u00eb skenar filmi, sesa librat e historis\u00eb. Sepse, filmi shp\u00ebrfaq historin\u00eb q\u00eb atyre ua ktheu dinjitetin dhe q\u00eb i \u00e7liroi nga Anglia. K\u00ebt\u00eb nuk ka mundur ta b\u00ebj\u00eb nj\u00eb vagabond i r\u00ebndomt\u00eb apo nj\u00eb argat, q\u00eb u kishte sh\u00ebrbyer dikur pushtuesve!?<\/p>\n

E v\u00ebrteta \u00ebsht\u00eb pra ajo q\u00eb njeriu e beson! Andaj, William Wallace mbetet nj\u00eb burr\u00eb mbi dy metra i gjat\u00eb, q\u00eb vret qindra njer\u00ebz p\u00ebrnj\u00ebher\u00eb dhe q\u00eb djeg anglez\u00ebt me zjarrin e syve!<\/p>\n

LINDJA E MITIT<\/strong><\/p>\n

Dyshimet se Mozarti \u00ebsht\u00eb helmuar, kan\u00eb nisur q\u00eb nga Viti i Ri 1791. N\u00eb nj\u00eb nekrologji t\u00eb publikuar n\u00eb \u201cMusikalische Wochenblatt<\/em>\u201d t\u00eb Berlinit, thuhet se Mozarti ka vdekur dhe se ishte i s\u00ebmur\u00eb q\u00ebkur u kthye nga Praga, ku dha premier\u00ebn e oper\u00ebs me dy akte, \u201cLa clemenza di Tito<\/em>\u201d! Meq\u00eb trupi i tij thuhej se fryhej, u dyshua se kjo ndodhte nga helmimi.<\/p>\n

Pos k\u00ebsaj, edhe Mozarti besonte se do t\u00eb helmohej. K\u00ebshtu, kur punonte \u2013 mbase kryevepr\u00ebn e tij \u2013 \u201cRekuiemin<\/em>\u201d (i cili sipas Pushkinit ishte vdekja q\u00eb e ndiqte), i tha gruas se nuk do ta ket\u00eb gjat\u00eb, meq\u00eb ishte i sigurt se \u00ebsht\u00eb helmuar nga dikush!<\/p>\n

K\u00ebto dyshime forcohen m\u00eb von\u00eb kur vet Salieri, i cili nuk ishte mir\u00eb n\u00eb mendje n\u00eb pleq\u00ebri, \u201cpranon\u201d aktin e vrasjes! Kur ishte i kthjell\u00ebt, e sidomos pak para vdekjes, ai k\u00ebt\u00eb e mohonte bindsh\u00ebm. Por, ja q\u00eb deklarata e keqe, lajmi i keq, mbahet mend m\u00eb shum\u00eb e m\u00eb gjat\u00eb.<\/p>\n

E v\u00ebrteta \u00ebsht\u00eb se Mozarti dhe Salieri kishin raporte t\u00eb k\u00ebqia. Kjo d\u00ebshmohet edhe nga letrat e Mozartit. Por, \u00ebsht\u00eb po ashtu e v\u00ebrtet\u00eb se ata kishin edhe raporte t\u00eb mira. Madje, pas vdekjes s\u00eb Mozartit, gruaja e tij, Constanze, ia besoi ve\u00e7 Salierit edukimin muzikor t\u00eb djalit t\u00eb tyre, Franzit.<\/p>\n

Raportet e k\u00ebqija mes tyre, q\u00eb dominojn\u00eb sot n\u00eb opinion, duhet t\u00eb shikohen n\u00eb nj\u00eb aspekt tjet\u00ebr. Kur 25-vje\u00e7ari Mozart, nj\u00eb gjeni austriak, shkoi nga Salsburgu n\u00eb qendr\u00ebn bot\u00ebrore t\u00eb muzik\u00ebs, n\u00eb Vjen\u00eb, italiani Salieri ishte yll \u2013 kompozitori m\u00eb i njohur, m\u00eb me ndikim e m\u00eb i respektuar n\u00eb oborrin perandorak t\u00eb Habsburg\u00ebve! Meq\u00eb Mozarti \u00ebsht\u00eb nga ata q\u00eb fam\u00ebn m\u00eb t\u00eb madhe e ka marr\u00eb pas vdekjes, dyshohet se ky mit i helmimit t\u00eb tij \u00ebsht\u00eb pasoj\u00eb e konfliktit mes p\u00ebrfaq\u00ebsuesve t\u00eb shkollave austriake (gjermane) dhe italiane t\u00eb muzik\u00ebs! Pra, traditat dhe pik\u00ebpamjet e ndryshme muzikore, nxit\u00ebn thashethemet. K\u00ebto llafe shkuan te veshi i Pushkinit, q\u00eb krijoi nj\u00eb dram\u00eb t\u00eb shkurt\u00ebr, por q\u00eb do t\u00eb shtyj\u00eb t\u00eb tjer\u00ebt drejt\u00eb veprave m\u00eb t\u00eb m\u00ebdha: nj\u00eb oper\u00eb, nj\u00eb shfaqje dhe nj\u00eb film!<\/p>\n

FILMI SI SHKOLL\u00cb DHE MISH\u00cbRIMI ME T\u00cb \u201cV\u00cbRTET\u00cbN\u201d<\/strong><\/p>\n

M\u00eb 2 n\u00ebntor 1979, bazuar n\u00eb vepr\u00ebn e Pushkinit, jepet premiera e shfaqjes \u201cAmadeus<\/em>\u201d, e dramaturgut t\u00eb njohur anglez, Peter Shaffer. N\u00eb baz\u00eb t\u00eb k\u00ebsaj drame, do t\u00eb realizohet ca vite m\u00eb von\u00eb nj\u00eb nga veprat m\u00eb t\u00eb m\u00ebdha t\u00eb kinematografis\u00eb bot\u00ebrore: filmi \u201cAmadeus\u201d i vitit 1984, i regjisorit \u00e7ek Milos Forman. Ky film \u2013 q\u00eb fitoi tet\u00eb \u00e7mime \u201cOscar\u201d \u2013 m\u00eb shum\u00eb se \u00e7do gj\u00eb tjet\u00ebr do ta p\u00ebrforcoj\u00eb bindjen e masave, se Mozarti u vra dhe kjo\u00a0nga Salieri.<\/p>\n

Gjith\u00e7ka nisi me shfaqjen e Shafferit, t\u00eb cil\u00ebn Formani e kishte par\u00eb me hezitim t\u00eb madh. Thjesht, vinte nga nj\u00eb shtet komunist i asaj kohe, nga \u00c7ekosllovakia, ku veprat skenike me biografi t\u00eb muzikant\u00ebve preferoheshin nga pushteti, pasi p\u00ebrmes muzik\u00ebs mashtronin masat e nuk thoshin bash asgj\u00eb. Por, q\u00eb n\u00eb aktin e par\u00eb, ai u ndje i mahnitur. Ndaj, mezi e priste t\u00eb dytin, p\u00ebr t\u00eb vendosur p\u00ebr nj\u00eb film q\u00eb do t\u00eb jet\u00eb ndryshe. Sipas Formanit, n\u00eb teat\u00ebr gjith\u00e7ka \u00ebsht\u00eb e stilizuar: druri nuk \u00ebsht\u00eb dru, as Dielli nuk \u00ebsht\u00eb Diell, aktor\u00ebt ekzagjerojn\u00eb n\u00eb stilizim\u2026 Nd\u00ebrsa, filmi \u00ebsht\u00eb fotografi, e n\u00eb fotografi gjith\u00e7ka duhet t\u00eb jet\u00eb v\u00ebrtet\u00eb, jo si n\u00eb teat\u00ebr!<\/p>\n

Shkrimi i skenarit merr kat\u00ebr muaj, me nj\u00eb angazhim maksimal p\u00ebr pes\u00eb dit\u00eb n\u00eb jav\u00eb. Gjat\u00eb procesit t\u00eb pun\u00ebs, u vendos q\u00eb edhe muzika e Mozartit t\u00eb jet\u00eb karakter filmi, nd\u00ebrsa rolet kryesore t\u00eb mos u jepen aktor\u00ebve t\u00eb njohur, por t\u00eb jen\u00eb t\u00eb till\u00eb q\u00eb pas k\u00ebtij filmi t\u00eb mos harrohen. Q\u00ebllimi ishte t\u00eb shihej Mozarti dhe Salieri, e jo yjet, t\u00eb famshmit e asaj kohe!<\/p>\n

Hi\u00e7 m\u00eb pak se 1263 aktor\u00eb jan\u00eb shfaqur n\u00eb audicionin torturues, p\u00ebr shum\u00ebk\u00ebnd n\u00ebn\u00e7mues (pos p\u00ebr artist\u00ebt e mir\u00ebfillt\u00eb \u2013 q\u00eb t\u00eb pakt\u00eb jan\u00eb mes shqiptar\u00ebve \u2013 q\u00eb e din\u00eb se ishte shans i rrall\u00eb p\u00ebr t\u00eb punuar me nj\u00eb tekst t\u00eb nj\u00eb dramaturgu si Shafferi, e nj\u00eb regjisor si Formani).<\/p>\n

Gjat\u00eb tri jav\u00ebve t\u00eb xhirimeve t\u00eb Salierit plak, aktori F. Murray Abraham nga ora kat\u00ebr e m\u00ebngjesit duhej t\u00eb ishte gati p\u00ebr mask\u00ebn q\u00eb merrte kat\u00ebr or\u00eb p\u00ebr t\u2019u punuar. P\u00ebr mbi kat\u00ebr or\u00eb n\u00eb dit\u00eb, aktori q\u00eb luante Mozartin, Tom Hulce, ushtronte pjes\u00ebt muzikore n\u00eb piano, q\u00eb gjat\u00eb skenave t\u00eb interpretimit t\u00eb mos e gabonte asnj\u00eb not\u00eb. Dhe, nuk e gaboi, asnj\u00ebher\u00eb \u2013 gjat\u00eb t\u00ebr\u00eb filmit.<\/p>\n

Abraham dhe Hulce u mish\u00ebruan aq shum\u00eb n\u00eb karakteret e tyre, sa q\u00eb nis\u00ebn t\u00eb sillen si Salieri dhe Mozarti, e bile t\u00eb mos shoq\u00ebrohen me nj\u00ebri-tjetrin! Prandaj, ky \u00ebsht\u00eb nj\u00eb nga filmat e rrall\u00eb me dy nominime p\u00ebr aktorin m\u00eb t\u00eb mir\u00eb p\u00ebr Oscar (fiton Abraham)<\/p>\n

DHE VRAS\u00cbSI VRITET NGA VRAS\u00cbSI\u2026<\/strong><\/p>\n

N\u00eb k\u00ebt\u00eb film, Salieri portretizohet si fetar i madh (jo besimtar i sinqert\u00eb). Ai i lutej Zotit, ta b\u00ebnte muzikant, ta b\u00ebnte t\u00eb famsh\u00ebm, q\u00eb pas vdekjes njer\u00ebzit ta th\u00ebrrasin emrin e tij me dashuri. Por, shpejt kthehet kund\u00ebr Zotit, sepse mendon se po ia merr talentin.<\/p>\n

Salieri i shpall luft\u00eb Hyut Suprem, sepse Ai e zgjodhi p\u00ebr instrument nj\u00eb mburracak, nj\u00eb epshor, nj\u00eb t\u00eb ndyt\u00eb, nj\u00eb f\u00ebmij\u00eb\u2026 sepse Ai \u00ebsht\u00eb i padrejt\u00eb e i rrept\u00eb\u2026 ndaj do ta marr\u00eb rolin e t\u00eb Plotfuqishmit, ta shkat\u00ebrroj\u00eb krijes\u00ebn e Tij, mish\u00ebrimin e Tij \u2013 Mozartin!<\/p>\n

Ky film i mrekulluesh\u00ebm, e riktheu muzik\u00ebn e Salierit nga harresa, i b\u00ebri njer\u00ebzit \u201cta th\u00ebrrasin emrin e tij\u201d. Salieri u ringjall, por ve\u00e7 si vras\u00ebs i Mozartit.<\/p>\n

I till\u00eb n\u00eb kujtes\u00eb vjen nj\u00eb refugjat q\u00eb kishte ikur nga Franca p\u00ebr n\u00eb Rusi, q\u00eb e fitoi m\u00eb von\u00eb titullin Baron, e q\u00eb u b\u00eb senator i fuqish\u00ebm n\u00eb Perandorin\u00eb e Dyt\u00eb Franceze. Ky person t\u00eb cilin askush s\u2019e njohu si intelektual, pos si njeri t\u00eb thashethemeve, do t\u00eb futet n\u00eb histori si vras\u00ebs i nj\u00eb gjeniu dhe artisti tjet\u00ebr. M\u00eb 27 janar 1837, n\u00eb nj\u00eb duel, Georges-Charles de Heeckeren d\u2019Anth\u00e8s e q\u00ebllon me plumb Pushkinin. D\u2019Anthes \u00ebsht\u00eb vras\u00ebsi i Pushkinit.<\/p>\n

Dhe, vras\u00ebsi vritet nga vras\u00ebsi. Jesse James, lideri fam\u00ebkeq i nj\u00eb bande kriminale t\u00eb shekullit XIX n\u00eb SHBA, vritet nga vart\u00ebsi i tij Robert Ford. Ford u b\u00eb i famsh\u00ebm, si\u00e7 donte t\u00eb b\u00ebhej, sepse ishte \u201cnjeriu q\u00eb e vrau Jesse Jamesin\u201d. Fordi vritet pastaj nga Edward Capehart O\u2019Kelley, q\u00eb po ashtu do t\u00eb b\u00ebhet i famsh\u00ebm si \u201cnjeriu q\u00eb e vrau Robert Fordin q\u00eb e vrau Jesse Jamesin<\/em>\u201d.<\/p>\n

K\u00ebshtu pra, mediokr\u00ebt krijojn\u00eb qarkun e pandalsh\u00ebm t\u00eb vrasjeve fizike, shpirt\u00ebrore, artistike\u2026 N\u00eb nj\u00eb qark t\u00eb till\u00eb, urtaku i madh, Xhemal Abria, nga t\u00eb tijt\u00eb u quajt Xhemajlaqi. Nd\u00ebrsa, pleqnari Tahir Berisha, i rrethuar nga mendjem\u00ebdhenjt\u00eb, do ta thot\u00eb nem\u00ebn e madhe q\u00eb vet e vuante: \u201cU b\u00ebfsh, e mos pa\u00e7 ku me u bo<\/em>\u201d!<\/p>\n

Fatin e Tahirit shqiptar, e shp\u00ebrfaq edhe shkrimtarja amerikane, Ayn Rand, n\u00eb novel\u00ebn e saj t\u00eb vitit 1943, \u201cThe Fountainhead\u201d (i inskenuar n\u00eb film me po t\u00eb nj\u00ebjtin em\u00ebr, me rolin kryesor nga Gary Cooper). Aty ajo paraqet konfliktin mes arkitekt\u00ebve Howard Roark dhe Peter Keating. Keating \u00ebsht\u00eb njeriu q\u00eb kurr\u00eb nuk ia doli t\u00eb ishte ai q\u00eb do t\u00eb donte t\u00eb ishte (me imponimin e n\u00ebn\u00ebs u b\u00eb arkitekt). Roark (personifikimi i arkitektit Frank Lloyd Wright) ishte kreativi q\u00eb sabotohet nga mediokr\u00ebt.<\/p>\n

Roark \u00ebsht\u00eb nd\u00ebrtues i pakompromis \u2013 q\u00eb hedh n\u00eb aj\u00ebr objektin planin e s\u00eb cil\u00ebs ia ndryshojn\u00eb t\u00eb tjer\u00ebt (si metafor\u00eb e triumfit t\u00eb individualizmit ndaj stagnimit t\u00eb kolektivizmit debil) \u2013 si\u00e7 ishte Mozarti q\u00eb e dinte se \u201cnuk mund t\u00eb rishkruaj\u00eb di\u00e7ka q\u00eb \u00ebsht\u00eb b\u00ebr\u00eb perfekt\u201d dhe se \u00e7do vep\u00ebr e tij \u201cka nota aq sa duhet t\u00eb ket\u00eb\u201d! Keatingu ishte si Salieri, q\u00eb besonte se pranimi publik \u00ebsht\u00eb mas\u00eb e suksesit. Ndaj, lumturohej q\u00eb t\u00eb \u201cq\u00eb t\u00eb gjith\u00eb e donin dhe edhe un\u00eb e doja veten time\u201d.<\/p>\n

Ky \u00ebsht\u00eb realiteti i \u201cartist\u00ebve\u201d kudo, mediok\u00ebrve, shqiptar\u00eb kudo n\u00eb Ballkan: t\u00eb duhen e t\u00eb p\u00eblqehen, t\u00eb jen\u00eb t\u00eb pranish\u00ebm kudo, t\u00eb shihen e t\u00eb b\u00ebjn\u00eb kompromise me secilin, sepse k\u00ebshtu do t\u00eb krijojn\u00eb perceptimin se vlejn\u00eb!<\/p>\n

Por, sikur perandori Josephi i II-t\u00eb (populli) do ta arsyetonte tamam epitetin e Mbretit t\u00eb Muzik\u00ebs, nuk do t\u00eb manipulohej nga Salieri. K\u00ebshtu, Mozarti n\u00eb t\u00eb gjall\u00eb do ta shijonte fam\u00ebn, q\u00eb iu b\u00eb e p\u00ebrjetshme pas vdekjes s\u00eb tij. Salieri nuk do t\u00eb ishte ky Salier. E, as Tahir Berisha nuk do t\u00eb n\u00ebmte.<\/p>\n

KONFLIKTI I DY BOT\u00cbVE<\/strong><\/p>\n

Drama e Pushkinit, si nj\u00eb e v\u00ebrtet\u00eb e mundshme, ka inspiruar gjeneratat e ardhshme p\u00ebr t\u00eb zb\u00ebrthyer artistin, konfliktet dhe kompleksin e tij. Poet\u00ebt rus\u00eb Anna Akhmatova dhe Osip Mandelstam, thoshin se artist\u00ebt duhet t\u00eb p\u00ebrmbushin \u201cParimin e Mozartit\u201d (impulsi, inspirimi) dhe \u201cParimin e Salierit\u201d (puna). Nd\u00ebrsa, gruaja e Osipit, shkrimtarja Nadezhda Mandelstam, t\u00ebrheq paralele mes k\u00ebtyre kompozitor\u00ebve dhe vet\u00eb jet\u00ebs s\u00eb Pushkinit. Sipas saj, Akhmatova mendonte se Mozarti personifikohet me poetin polak Adam Mickiewicz, nd\u00ebrsa Pushkini e identifikonte veten me Salierin.<\/p>\n

Sipas eseistit Mikhail Gershenzon, \u201cMozarti dhe Salieri\u201d i Pushkinit shp\u00ebrfaq konfliktin mes dy filozofive. Ai thot\u00eb se tek Salieri shp\u00ebrfaqet bindja se drejt\u00ebsia bazohet tek barazia, se njer\u00ebzit kan\u00eb shanse t\u00eb barabarta t\u00eb p\u00ebrmir\u00ebsojn\u00eb pozit\u00ebn e tyre me pun\u00eb dhe angazhim. Te Mozarti suksesi nuk bazohej tek puna, po te talenti. Pra, ai nuk duhej t\u00eb punonte q\u00eb t\u00eb b\u00ebhej gjeni, sepse i till\u00eb lindi. Mu p\u00ebr k\u00ebt\u00eb, Salieri ndjen se ka t\u00eb drejt\u00eb ta vras\u00eb Mozartin, p\u00ebr ta mbrojtur iden\u00eb racionale t\u00eb progresit e ta shp\u00ebtoj\u00eb bot\u00ebn nga padrejt\u00ebsia e iracionalizmit t\u00eb universit.<\/p>\n

P\u00ebr Gershenzonin, k\u00ebto dy personazhe shfaqin vet\u00eb Pushkinin. N\u00eb art ishte Mozart, n\u00eb \u00e7do gj\u00eb tjet\u00ebr Salier, sepse jeta e p\u00ebrballi me sfida t\u00eb m\u00ebdha q\u00eb ta ndjente veten t\u00eb till\u00eb. Kjo shfaqet m\u00eb s\u00eb miri n\u00eb momentet e fundit t\u00eb jet\u00ebs s\u00eb tij, kur n\u00ebn\u00e7mohej nga francezi q\u00eb i sillej v\u00ebrdall\u00eb gruas s\u00eb tij. I lodhur nga borxhet dhe thashethemet, ai e fton n\u00eb duel D\u2019Anth\u00e8sin, n\u00eb ballafaqim me vdekjen.<\/p>\n

Por, artisti nuk vrau. Ai u vra! Ai vritet edhe k\u00ebtu, q\u00eb n\u00eb lindje, nga ata p\u00ebr t\u00eb cil\u00ebt epitafi i nj\u00eb viktime t\u00eb vrasjes p\u00ebr fam\u00eb thot\u00eb: \u201cNj\u00eb tradhtar dhe nj\u00eb qyqar emri i t\u00eb cilit nuk \u00ebsht\u00eb i denj\u00eb t\u00eb shfaqet k\u00ebtu\u201d.<\/p>\n

Prandaj, talent\u00ebt po zbulohen dhe nd\u00ebrtohen jasht\u00eb k\u00ebtyre trojeve! Sepse, shqiptar\u00ebt kan\u00eb salier\u00eb, t\u00eb versionit t\u00eb keq t\u00eb portretizuar nga arti: xheloz\u00eb mediok\u00ebr, q\u00eb vrasin intelektualin, artistin e gjeniun n\u00eb manin\u00eb e tyre p\u00ebr sundim dhe fam\u00eb. Ata i ke kudo, madje edhe ku m\u00eb s\u00eb paku duhet: duke i \u201cedukuar\u201d gjeneratat e reja!<\/p>\n

Salieri, \u00e7\u2019\u00ebsht\u00eb e v\u00ebrteta, \u00ebsht\u00eb nj\u00eb nga figurat kryesore t\u00eb oper\u00ebs s\u00eb shekullit XVIII, q\u00eb ka kontribuar n\u00eb zhvillimet muzikore t\u00eb koh\u00ebs, q\u00eb ka ndikuar tek kompozitor\u00ebt e koh\u00ebs, nd\u00ebrsa ishte m\u00ebsues i disa prej emrave m\u00eb t\u00eb m\u00ebdhenj t\u00eb muzik\u00ebs, si: Franz Liszt, Franz Schubert dhe Ludwig van Beethoven.<\/p>\n

E, k\u00ebtu, mes shqiptar\u00ebve, vjen n\u00eb pah shkat\u00ebrruesi e jo nd\u00ebrtuesi; k\u00ebtu vjen n\u00eb pah ai Salieri i Pushkinit, q\u00eb vret sepse xhelozon; ai i Formanit q\u00eb thot\u00eb: \u201cUn\u00eb flas n\u00eb em\u00ebr t\u00eb mediok\u00ebrve n\u00eb bot\u00eb\u2026 un\u00eb jam kampioni i tyre\u2026 mediokritet kudo!<\/p>\n

(Marr\u00eb nga Telegrafi<\/em>)<\/p>\n","protected":false},"excerpt":{"rendered":"

Sikur perandori Josephi i II-t\u00eb (populli) do ta arsyetonte me\u00a0epitetin e Mbretit t\u00eb Muzik\u00ebs, nuk do t\u00eb manipulohej nga Salieri. K\u00ebshtu, Mozarti n\u00eb t\u00eb gjall\u00eb do ta shijonte fam\u00ebn, q\u00eb iu b\u00eb e p\u00ebrjetshme pas vdekjes s\u00eb tij. Salieri nuk do t\u00eb ishte ky Salier. E, as Tahir Berisha nuk do ta thoshte nem\u00ebn e […]<\/p>\n","protected":false},"author":1,"featured_media":17514,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[],"class_list":["post-6008","post","type-post","status-publish","format-standard","has-post-thumbnail","category-artikuj"],"yoast_head":"\nMes shqiptar\u00ebve vritet Mozarti ! - FJALA e LIR\u00cb<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/jehonashqiptare.al\/fjala\/mes-shqiptareve-vritet-mozarti\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Mes shqiptar\u00ebve vritet Mozarti ! - FJALA e LIR\u00cb\" \/>\n<meta property=\"og:description\" content=\"Sikur perandori Josephi i II-t\u00eb (populli) do ta arsyetonte me\u00a0epitetin e Mbretit t\u00eb Muzik\u00ebs, nuk do t\u00eb manipulohej nga Salieri. K\u00ebshtu, Mozarti n\u00eb t\u00eb gjall\u00eb do ta shijonte fam\u00ebn, q\u00eb iu b\u00eb e p\u00ebrjetshme pas vdekjes s\u00eb tij. Salieri nuk do t\u00eb ishte ky Salier. 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K\u00ebshtu, Mozarti n\u00eb t\u00eb gjall\u00eb do ta shijonte fam\u00ebn, q\u00eb iu b\u00eb e p\u00ebrjetshme pas vdekjes s\u00eb tij. Salieri nuk do t\u00eb ishte ky Salier. 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