{"id":60817,"date":"2020-10-28T20:41:07","date_gmt":"2020-10-28T18:41:07","guid":{"rendered":"https:\/\/fjala.info\/?p=60817"},"modified":"2020-10-28T20:46:22","modified_gmt":"2020-10-28T18:46:22","slug":"madheshti-poetike-qe-do-te-jetoje-neper-kohe","status":"publish","type":"post","link":"https:\/\/jehonashqiptare.al\/fjala\/madheshti-poetike-qe-do-te-jetoje-neper-kohe\/","title":{"rendered":"MADH\u00cbSHTI POETIKE Q\u00cb DO T\u00cb JETOJ\u00cb N\u00cbP\u00cbR KOH\u00cb"},"content":{"rendered":"

Anton Nik\u00eb Berisha Rreth poezis\u00eb s\u00eb Visar Zhitit fjala.info<\/a><\/span><\/em><\/p>\n

(Mbi poezin\u00eb e Visar Zhitit<\/strong>)<\/em><\/p>\n

\"\" Interpretimi i poezis\u00eb s\u00eb deritashme t\u00eb Visar Zhiti<\/strong>t,[1]<\/a> sidomos i k\u00ebsaj t\u00eb k\u00ebtij v\u00ebllimi[2]<\/a>, ku jan\u00eb p\u00ebrfshir\u00eb poezit\u00eb artistikisht m\u00eb t\u00eb ngritura dhe kuptimisht m\u00eb t\u00eb pasura t\u00eb shkruara deri m\u00eb tash nga ky autor, nuk \u00ebsht\u00eb pun\u00eb e leht\u00eb. Kjo ndodh p\u00ebr arsye se ajo \u00ebsht\u00eb krijes\u00eb qen\u00ebs\u00edsh dhe vlerash t\u00eb m\u00ebdha artistike dhe ka n\u00eb vete nj\u00eb forc\u00eb e madh\u00ebshti poetike t\u00eb ve\u00e7ant\u00eb e origjinale.<\/p>\n

Tematika e saj nd\u00ebrlidhet me realitetin konkret e me p\u00ebrjetimet e vet\u00eb poetit dhe \u00ebsht\u00eb e kapshme dhe e qart\u00eb, nd\u00ebrsa struktura gjuh\u00ebsore shpreh\u00ebse dhe mesazhet q\u00eb dalin prej saj, q\u00eb n\u00eb v\u00ebshtrim t\u00eb par\u00eb duken t\u00eb zakonshme dhe t\u00eb thjeshta, jan\u00eb t\u00eb nyjshme e t\u00eb shum\u00ebllojshme. K\u00ebt\u00eb gj\u00eb e kusht\u00ebzon m\u00ebnyra e qasjes dhe e vrojtimit t\u00eb dukurive t\u00eb trajtuara e sidomos e shtjellimit t\u00eb tekstit. Poezia e tij ka nj\u00eb frym\u00ebmarrje sa t\u00eb gjer\u00eb aq edhe t\u00eb thell\u00eb, nj\u00eb lirshm\u00ebri, natyrshm\u00ebri e ve\u00e7anti shprehjeje e nj\u00eb thell\u00ebsi mendimi, q\u00eb v\u00ebshtir\u00eb mund ta p\u00ebrmbledh\u00ebsh brenda nj\u00eb formule ose ta sjell\u00ebsh brenda nj\u00eb kornize a vler\u00ebsimi, aq m\u00eb pak ta p\u00ebrcaktosh e ta interpretosh ashtu si\u00e7 u veprua me poezin\u00eb e t\u00eb ashtuquajturit soc realiz\u00ebm. Kjo \u00ebsht\u00eb krijes\u00eb e qen\u00ebsive dhe krijes\u00eb artistikisht qen\u00ebsore.<\/p>\n

Poezia e Zhitit \u00ebsht\u00eb fryt i perceptimit dhe i shqiptimit shum\u00ebsor poetik t\u00eb bot\u00ebs konkrete dhe i t\u00eb pazakonshmes brenda saj, nd\u00ebrthurur e p\u00ebrshkuar nga bota subjektive e tij. Poeti nuk e p\u00ebrfton poezin\u00eb mbi rregulla ose mbi dy ose tri modele. Trajtimi artistik i dukurive b\u00ebhet n\u00eb m\u00ebnyra t\u00eb ndryshme, her\u00eb-her\u00eb krejt t\u00eb ndryshme, edhe kur ato n\u00eb jet\u00eb jan\u00eb t\u00eb p\u00ebraf\u00ebrta ose t\u00eb ngjashme. Pra, zbatohet shum\u00ebsia dhe variantiteti i t\u00eb trajtuarit dhe i t\u00eb shprehurit, ku secila poezi p\u00ebrftohet si nj\u00eb krijes\u00eb e ve\u00e7ant\u00eb (Horhe Luis Borhes do t\u00eb thoshte: \u00c7do tem\u00eb m\u00eb dikton teorin\u00eb e vet.).<\/em><\/p>\n

Kjo gj\u00eb v\u00ebrehet edhe kur ligj\u00ebrimi poetik shpreh konkret\u00ebsin\u00eb jet\u00ebsore, edhe kur shprehet e krijohet e pazakonshmja brenda k\u00ebsaj konkret\u00ebsie, po edhe kur shqiptohen ndjesit\u00eb e bot\u00ebs vetjake. Temat dhe dukurit\u00eb e \u201cm\u00ebdha\u201d dhe t\u00eb \u201cvogla\u201d trajtohen natyrsh\u00ebm, pa ngarkes\u00ebn e hierarkis\u00eb e t\u00eb var\u00ebsis\u00eb midis tyre; shqiptimi dhe shtjellimi artistik – arti – \u00ebsht\u00eb p\u00ebrb\u00ebr\u00ebsi, elementi q\u00eb i b\u00ebn ato t\u00eb m\u00ebdha ose t\u00eb vogla. Strategjia e k\u00ebtill\u00eb mund\u00ebson zbulimin dhe njohjen m\u00eb t\u00eb plot\u00eb e m\u00eb t\u00eb thell\u00eb t\u00eb bot\u00ebs s\u00eb brendshme dhe t\u00eb jashtme dhe komunikimin m\u00eb intensiv me to.<\/p>\n

Duke pasur parasysh cil\u00ebsit\u00eb q\u00eb p\u00ebrmend\u00ebm, them se shkrimi diskursiv p\u00ebr k\u00ebt\u00eb poezi, sado t\u00eb synoj\u00eb t\u00eb jet\u00eb shterues, asnj\u00ebher\u00eb nuk do t’ia dal\u00eb ta shpreh\u00eb krejt\u00ebsisht at\u00eb; vet\u00ebm ajo e shpreh veten n\u00eb plotnin\u00eb e saj.<\/p>\n

Nj\u00ebsimi i s\u00eb v\u00ebrtet\u00ebs me t\u00eb bukur\u00ebn<\/strong><\/p>\n

Qen\u00ebsia e objektit artistik t\u00eb poezis\u00eb s\u00eb Visar Zhitit \u00ebsht\u00eb, si\u00e7 tham\u00eb, e zakonshmja, q\u00eb n\u00eb fakt shpreh t\u00eb v\u00ebrtet\u00ebn konkrete, p\u00ebrkat\u00ebsisht t\u00eb v\u00ebrtet\u00ebn jet\u00ebsore dhe t\u00eb v\u00ebrtet\u00ebn e mundshme, ku e v\u00ebrteta n\u00eb rrafshin thell\u00ebsor t\u00eb saj \u00ebsht\u00eb e bukura. Kjo e bukur krijohet e shprehet n\u00ebp\u00ebrmjet struktur\u00ebs tekstore poetike, n\u00ebp\u00ebrmjet fjal\u00ebsh e th\u00ebniesh t\u00eb zgjedhura, t\u00eb p\u00ebrafruara, t\u00eb ballafaquara e t\u00eb kund\u00ebrv\u00ebna, nga t\u00eb cilat dalin kuptime t\u00eb shumta e t\u00eb ndryshme mbi bot\u00ebn, mbi t\u00eb v\u00ebrtet\u00ebn jet\u00ebsore e mbi subjektiven e poetit. N\u00eb qen\u00ebsin\u00eb e vet kjo poezi \u00ebsht\u00eb nj\u00ebsim i s\u00eb v\u00ebrtet\u00ebs dhe i s\u00eb bukur\u00ebs. Alberto Moravia me t\u00eb drejt\u00eb thoshte “N\u00eb artin modern \u00ebsht\u00eb v\u00ebshtir\u00eb t\u00eb dish se ku mbaron e v\u00ebrteta e ku fillon e bukura.” <\/em><\/p>\n

N\u00eb artin e fjal\u00ebs, si\u00e7 ngjet edhe n\u00eb k\u00ebt\u00eb poezi, e bukura nuk \u00ebsht\u00eb e vet\u00ebdh\u00ebn\u00eb, po krijohet nga m\u00ebnyra e shqiptimit t\u00eb s\u00eb v\u00ebrtet\u00ebs dhe e s\u00eb v\u00ebrtet\u00ebs s\u00eb mundshme, q\u00eb n\u00eb thelb \u00ebsht\u00eb e v\u00ebrteta artistike. Kjo e v\u00ebrtet\u00eb e krijuar \u00ebsht\u00eb m\u00eb shum\u00eb dhe m\u00eb e vlefshme se e v\u00ebrteta e zakonshme, se e v\u00ebrteta jet\u00ebsore. Ndodh k\u00ebshtu p\u00ebr arsye se brenda t\u00eb v\u00ebrtet\u00ebs s\u00eb zakonshme, perceptohet dhe shqiptohet edhe e pazakonshmja, imagjinarja. S\u00eb k\u00ebndejmi, e v\u00ebrteta artistike \u00ebsht\u00eb ose rrjedhoj\u00eb e perceptimit dhe e njohjes s\u00eb realitetit konkret, ose krijohet mbi baz\u00ebn e p\u00ebrfytyrimit t\u00eb tij, pra \u00ebsht\u00eb fryt krijues i bot\u00ebs s\u00eb individit, n\u00eb rastin konkret, i Zhitit. Poeti e krijon t\u00eb v\u00ebrtet\u00ebn artistike dhe ajo \u00ebsht\u00eb m\u00eb e vlefshme dhe m\u00eb e qen\u00ebsishme.<\/p>\n

Poezia e Zhitit trajton sidomos aspekte t\u00eb ndryshme t\u00eb jet\u00ebs s\u00eb njeriut ton\u00eb, n\u00eb ve\u00e7anti tragjiken e saj. N\u00eb rrafshin thell\u00ebsor t\u00eb mesazhit t\u00eb saj poetik v\u00ebrejm\u00eb se jeta n\u00eb thelb \u00ebsht\u00eb vuajtje, \u00ebsht\u00eb p\u00ebsim. Kjo gj\u00eb nuk del p\u00ebr shkak se n\u00eb poezin\u00eb e k\u00ebtij poeti s’ka drit\u00eb, se nuk p\u00ebrfillet e nuk p\u00ebrkrahet njer\u00ebzorja; se nuk mb\u00ebltohet e nuk gjakohet t\u00eb mbillet mir\u00ebsi e mir\u00ebqenie, po pse k\u00ebto asnj\u00ebher\u00eb nuk jan\u00eb t\u00eb mjaftueshme dhe nuk i mjaftojn\u00eb jet\u00ebs s\u00eb njeriut.<\/p>\n

\"\"<\/p>\n

Mir\u00ebsia dhe mir\u00ebqenia jan\u00eb t\u00eb nevojshme p\u00ebr ta zbutur sado pak zhg\u00ebnjimin dhe tragjiken e jet\u00ebs (ato nuk mjaftojn\u00eb p\u00ebr arsye se nuk mund ta nd\u00ebrrojn\u00eb fatin e njeriut dhe qen\u00ebsin\u00eb e jet\u00ebs, e cila, jeta, nuk mund t\u00eb jet\u00eb ngadh\u00ebnjimtare si\u00e7 \u00ebsht\u00eb vdekja). N\u00eb qen\u00ebsin\u00eb e saj jeta e njeriut \u00ebsht\u00eb mospajtim, kund\u00ebrv\u00ebnie, vet\u00ebrr\u00ebnim. N\u00eb \u00e7do \u00e7ast e n\u00eb \u00e7do dit\u00eb t\u00eb gjallimit njeriu e rr\u00ebnon dhe, th\u00ebn\u00eb poetikisht, e vret at\u00eb – secil\u00ebn her\u00eb i afrohet fundit – ngadh\u00ebnjimit t\u00eb vdekjes (ose lindjes s\u00eb re; shkrimtari italian, Fran\u00e7esko Grizi do t\u00eb thot\u00eb: “Kush vdes vazhdon t\u00eb jetoj\u00eb.”). <\/em><\/p>\n

Meqen\u00ebse t\u00eb v\u00ebrtet\u00ebn jet\u00ebsore Zhiti e vrojton dhe e shpreh n\u00ebp\u00ebrmjet bot\u00ebs s\u00eb brendshme, poezia e tij \u00ebsht\u00eb thell\u00ebsisht e p\u00ebrshkuar dhe e shenj\u00ebzuar nga subjektivja (Borhes-i me t\u00eb drejt\u00eb thot\u00eb: “P\u00ebr veprat e mia do t\u00eb thosha se jan\u00eb thell\u00ebsisht personale dhe jam i bindur se vet\u00ebm personalja ka forc\u00eb estetike.”)<\/em>. Pra, bot\u00ebn dhe dramatik\u00ebn e saj poeti yn\u00eb e v\u00ebshtron n\u00ebp\u00ebrmjet tundimit dhe dramatikes s\u00eb bot\u00ebs s\u00eb vet. Ky ballafaqim dhe ky p\u00ebrafrim kusht\u00ebzon t\u00eb v\u00ebrtet\u00ebn artistike, q\u00eb, si\u00e7 u theksua, \u00ebsht\u00eb m\u00eb e pasur dhe m\u00eb e vlefshme se e v\u00ebrteta jet\u00ebsore. N\u00eb fakt, poezia e Zhitit \u00ebsht\u00eb nj\u00eb dialog, si\u00e7 do t\u00eb thoshte Martin Camaj, me veten dhe me t\u00eb tjer\u00ebt. Rr\u00ebfimi i tij poetik nuk ballafaqon bot\u00ebn e brendshme dhe t\u00eb jashtme p\u00ebr t\u00eb theksuar e p\u00ebr t\u00eb nxjerr\u00eb p\u00ebrpar\u00ebsin\u00eb e nj\u00ebr\u00ebs ndaj tjetr\u00ebs, por p\u00ebr t’i njohur sa m\u00eb mir\u00eb t\u00eb dyja.<\/p>\n

K\u00ebto, t\u00eb nj\u00ebsuara brenda subjektives s\u00eb tij, poeti ia kthen, n\u00eb form\u00ebn e artit, vetvetes dhe ia ofron edhe tjetrit si mund\u00ebsi njohjeje dhe komunikimi, po edhe ekzistimi shpirt\u00ebror dhe mendor. N\u00eb t\u00eb v\u00ebrtet\u00eb, kjo poezi sa ta zbulon bot\u00ebn e poetit, po aq mund\u00ebson njohjen dhe zbulimin e vetvetes si qenie, bot\u00ebn dhe qenien vetjake. Ky p\u00ebrcaktim i poetit nuk \u00ebsht\u00eb i rast\u00ebsish\u00ebm: pjes\u00ebt e fshehta t\u00eb gj\u00ebrave, t\u00eb jet\u00ebs s\u00eb njeriut e t\u00eb kuptimeve si dhe e panjohura brenda tyre, jan\u00eb qen\u00ebsia e artit n\u00eb p\u00ebrgjith\u00ebsi e brenda tij dhe e artit letrar. Duke trajtuar thell\u00ebsin\u00eb e gj\u00ebrave p\u00ebrplot\u00ebsohet realiteti vet\u00eb dhe njohurit\u00eb p\u00ebr t\u00eb, krijohet k\u00ebshtu realiteti, e v\u00ebrteta artistike, e cila, e g\u00ebrshetuar me dramatiken dhe tragjiken, \u00ebsht\u00eb e zonja t\u00eb nxis\u00eb e t\u00eb p\u00ebrmbush\u00eb katars\u00ebn shpirt\u00ebrore, nj\u00eb tjet\u00ebr q\u00ebllim i madh i artit t\u00eb fjal\u00ebs, pra dhe i poezis\u00eb.<\/p>\n

Pozicionet nga rr\u00ebfen poeti dhe i shpreh mendimet dhe ndjenjat e veta, jan\u00eb t\u00eb shumta e t\u00eb ndryshme. Ai u qaset dhe rr\u00ebfen p\u00ebr dukurit\u00eb her\u00eb nga af\u00ebr, her\u00eb nga nj\u00eb larg\u00ebsi e madhe, po shpesh ai nj\u00ebsohet me \u00e7\u00ebshtjet q\u00eb i trajton dhe, th\u00ebn\u00eb kushtimisht, \u00ebsht\u00eb brenda tyre. Kjo strategji dhe ky raport i zbatuar \u00ebsht\u00eb, si realizim, sa i qen\u00ebsish\u00ebm, po aq i papritur e befasues.<\/p>\n

Nj\u00eb r\u00ebnd\u00ebsi t\u00eb ve\u00e7ant\u00eb n\u00eb k\u00ebt\u00eb rrjedh\u00eb ka gjakimi i autorit q\u00eb n\u00ebp\u00ebrmjet artit ta liroj\u00eb njeriun nga e keqja, nga egoizmi e sidomos t\u00eb nxitet e t\u00eb kultivohet tek ai mir\u00ebsia e mir\u00ebsjellja, vet\u00ebdija p\u00ebr veten e p\u00ebr t\u00eb tjer\u00ebt. Nga mesazhi poetik i poezis\u00eb s\u00eb Zhitit del, qoft\u00eb nga teksti, qoft\u00eb nga n\u00ebnteksti, nj\u00eb shpirt i pasur, nj\u00eb ndjenj\u00ebsim thell\u00ebsor njer\u00ebzor. Poeti e ndjen dhimbjen e tjetrit, fatkeq\u00ebsin\u00eb, tragjiken. K\u00ebt\u00eb ndjenj\u00eb ai e shpreh edhe ndaj atyre q\u00eb ia err\u00ebsuan dhe ia plagos\u00ebn jet\u00ebn duke e burgosur e rr\u00ebnuar fizikisht dhe psikikisht. Ai ka fuqi shpirt\u00ebrore t\u00eb fal\u00eb e t\u00eb marr\u00eb nj\u00eb pjes\u00eb t\u00eb dhimbjes dhe t\u00eb fatkeq\u00ebsis\u00eb edhe t\u00eb atyre q\u00eb e martirizuan, prandaj: q\u00eb loti yt t\u00eb rrjedh\u00eb n\u00eb faqen time<\/em> ose Plaga jote n\u00eb trupin tim si diellth i vog\u00ebl. <\/em><\/p>\n

Ferri fizik dhe err\u00ebsira shpirt\u00ebrore<\/strong><\/p>\n

Me nj\u00eb natyrshm\u00ebri e me nj\u00eb thjesht\u00ebsi t\u00eb ve\u00e7ant\u00eb, Zhiti shqipton realitetin e r\u00ebnd\u00eb konkret shqiptar, duke filluar nga mosha e tij e re ose, si\u00e7 shenj\u00ebzohet nga titulli i ciklit hyr\u00ebs, Syth i or\u00ebs s\u00eb s\u00ebmur\u00eb<\/em>, p\u00ebr t\u00eb vazhduar me jet\u00ebn e r\u00ebnd\u00eb n\u00eb burg, p\u00ebrkat\u00ebsisht ferrin fizik dhe err\u00ebsir\u00ebn shpirt\u00ebrore t\u00eb bot\u00ebs shqiptare p\u00ebr gati nj\u00eb gjysm\u00eb qindvjetshi, po edhe jet\u00ebn pas rr\u00ebnimit t\u00eb diktatur\u00ebs komuniste. Pra, poeti shpreh dram\u00ebn dhe tragjiken personale, po asnj\u00ebher\u00eb nuk mbetet vet\u00ebm brenda saj. Ajo \u00ebsht\u00eb edhe pjes\u00eb e secilit prej nesh, pjes\u00eb e bot\u00ebs son\u00eb n\u00eb nj\u00eb koh\u00eb t\u00eb plagosur n\u00eb sy.<\/p>\n

Qen\u00ebsia e m\u00ebnyr\u00ebs s\u00eb k\u00ebtill\u00eb t\u00eb perceptimit e t\u00eb shqiptimit \u00ebsht\u00eb e shum\u00ebfisht\u00eb: brenda bot\u00ebs subjektive ekzistojn\u00eb e shprehen t\u00eb gjitha fsheht\u00ebsit\u00eb, ndjesit\u00eb, virtytet, veset; koekzistojn\u00eb e keqja (destruksioni) dhe e mira; aty \u00e7do gj\u00eb, th\u00ebn\u00eb lirsh\u00ebm, shprehet n\u00eb m\u00ebnyr\u00ebn burimore e t\u00eb ve\u00e7ant\u00eb; ajo \u00ebsht\u00eb \u00e7el\u00ebsi p\u00ebr ta kuptuar e p\u00ebr ta njohur individualen dhe t\u00eb p\u00ebrgjithshmen. N\u00eb k\u00ebt\u00eb rrafsh poezia e Zhitit sjell nj\u00eb dukuri t\u00eb qen\u00ebsishme n\u00eb poezin\u00eb shqipe (n\u00eb disa pik\u00eb p\u00ebrafrohet me poezin\u00eb e De Rad\u00ebs, ve\u00e7mas me “K\u00ebng\u00eb t\u00eb Milosaos”).<\/p>\n

Poezin\u00eb e Zhitit e cil\u00ebson lirizmi thell\u00ebsor dhe dramatika. N\u00eb thelbin e saj ajo \u00ebsht\u00eb shqiptim, k\u00ebmbim, nd\u00ebrlidhje dhe plot\u00ebsim i nd\u00ebrsjell\u00eb mjesht\u00ebror i mesazheve (kumteve) dhe i imazheve (tablove) poetike, t\u00eb cilat krijojn\u00eb nj\u00eb mozaik shum\u00ebsor. Ato jan\u00eb her\u00eb konkrete, her\u00eb p\u00ebrfytyruese, imagjinare ose her\u00eb t\u00eb nj\u00ebsuara nj\u00ebra me tjetr\u00ebn. Kjo i jep k\u00ebsaj poezie gjall\u00ebri (vitalitet), m\u00ebvet\u00ebsi dhe fisnik\u00ebrim poetik.<\/p>\n

Mesazhet dhe imazhet poetike krijohen e shprehen n\u00eb m\u00ebnyra e n\u00eb forma t\u00eb ndryshme, sidomos n\u00ebp\u00ebrmjet kontrasttit, shpesh befasues, t\u00eb pazakonsh\u00ebm, trondit\u00ebs, po artistikisht me vler\u00eb.<\/p>\n

S\u2019paska fund rruga. As rrug\u00eb nuk paska. As m\u00ebngjes.
\n<\/em>Thon\u00eb se jan\u00eb t\u00eb bukur yjet p\u00ebrmes lot\u00ebsh. Notojn\u00eb
\n<\/em>n\u00eb syt\u00eb e hapur t\u00eb t\u00eb vdekurve…<\/em><\/p>\n

*<\/p>\n

Edhe un\u00eb do t\u00eb vij t\u00eb rri n\u00eb buz\u00ebt tua,
\n<\/em>t\u00eb sh\u00ebtisim bashk\u00eb n\u00ebp\u00ebr flok\u00ebt e tua
\n<\/em>si n\u00eb nj\u00eb pyll
\n<\/em>(…) Do t\u00eb vij,
\n<\/em>i but\u00eb si zjarri, i eg\u00ebr si zjarri, i ngoht\u00eb si zjarri,
\n<\/em>i marr\u00eb dhe i men\u00e7ur si zjarri,
\n<\/em>tek ty do t\u00eb vdes si zjarri q\u00eb nuk vdes.<\/em><\/p>\n

*<\/p>\n

petalet plot ngyr\u00eb t\u00eb vdekjes
\n<\/em>q\u00eb kurr\u00eb s\u2019qe gjall\u00eb<\/em><\/p>\n

Kuptim\u00ebsit\u00eb, po dhe tablot\u00eb poetike, her\u00eb dalin n\u00eb plotnin\u00eb e tyre nga vet\u00eb struktura e tekstit, her\u00eb lihet mund\u00ebsia e plot\u00ebsimit t\u00eb tyre nga lexuesi mbi baz\u00ebn e p\u00ebrb\u00ebr\u00ebsve dhe elementeve q\u00eb jep poeti. Ato, qofshin konkrete, qofshin p\u00ebrfytyruese, sa t\u00eb cysin, t\u00eb joshin e t\u00eb ngaz\u00ebllejn\u00eb, po aq t\u00eb l\u00ebkundin dhe t\u00eb tronditin.<\/p>\n

Jo nj\u00eb her\u00eb Zhiti shpreh ashp\u00ebrsin\u00eb, eg\u00ebrsin\u00eb, dhun\u00ebn, p\u00ebsimet dhe tragjiken e gjallimit konkret individual, por edhe kolektiv shqiptar. Kjo del sheshazi, qoft\u00eb kur rr\u00ebfen p\u00ebr koh\u00ebn e f\u00ebmij\u00ebris\u00eb dhe rinis\u00eb s\u00eb vet, p\u00ebr koh\u00ebn n\u00eb burg, p\u00ebr hyrjen e galeris\u00eb (q\u00eb \u00ebsht\u00eb si goj\u00eb ku\u00e7edre) p\u00ebr k\u00ebpuc\u00ebt e spiunit (me lidh\u00ebset q\u00eb varen si shpifje n\u00ebp\u00ebr goj\u00eb), p\u00ebr vagon\u00ebt me bak\u00ebr vuajtjesh, p\u00ebr t\u00eb pushkatuarin me m\u00ebkatet e t\u00eb tjer\u00ebve, qoft\u00eb p\u00ebr jet\u00ebn pas daljes nga burgu: koh\u00ebn e frym\u00ebmarrjes e t\u00eb veprimit t\u00eb lir\u00eb n\u00eb atdhe ose p\u00ebr p\u00ebrjetimet (nga vizitat) n\u00eb vendet e tjera kaq t\u00eb ndryshme nga bota e err\u00ebt e koh\u00ebs s\u00eb s\u00ebmur\u00eb (komuniste) shqiptare.<\/p>\n

Zhiti \u00ebsht\u00eb i ve\u00e7ant\u00eb sa n\u00eb perceptimin dhe shqiptimin e dukurive e t\u00eb ideve, po aq n\u00eb shtjellimin e tekstit poetik. K\u00ebshtu, n\u00eb nj\u00eb perceptim burimor poeti p\u00ebrafron dhe ballafaqon fabrik\u00ebn e tullave me fatin dhe me tragjiken e grave q\u00eb punojn\u00eb aty. Ato i presin dhe i p\u00ebrgatisin tullat, po vet\u00ebm p\u00ebr sht\u00ebpit\u00eb e t\u00eb tjer\u00ebve; ngjajn\u00eb n\u00eb duaj t\u00eb r\u00ebna nga qerrja; bashk\u00eb me re\u00e7elin, vez\u00ebt, e specin si abort, han\u00eb edhe buz\u00ebqeshjet, premtimin, vazot. Nj\u00eb imazh q\u00eb, sa m\u00eb shum\u00eb thellohesh n\u00eb t\u00eb, t\u00eb trondit\u00eb m\u00eb shum\u00eb.<\/p>\n

U lodh\u00ebn grat\u00eb,
\n<\/em>u ul\u00ebn s\u00eb bashku, tuf\u00eb. Si duaj gruri ngjajn\u00eb –
\n<\/em>r\u00ebn\u00eb nga qerrja rrug\u00ebs.
\n<\/em>Po han\u00eb buk\u00eb: me gjalp\u00eb e re\u00e7el buz\u00ebqeshjesh nj\u00ebra
\n<\/em>vez\u00eb e djath\u00eb tjetra
\n<\/em>e nj\u00eb premtim
\n<\/em>pak kos e nj\u00eb vazo
\n<\/em>e nj\u00eb spec si abort i harruar.<\/em><\/p>\n

(Grat\u00eb e fabrik\u00ebs s\u00eb tullave<\/strong>)<\/p>\n

I ngjash\u00ebm \u00ebsht\u00eb edhe imazhi i rrath\u00ebve t\u00eb ferrit t\u00eb jet\u00ebs s\u00eb tij dhe t\u00eb bashkatdhetar\u00ebve n\u00eb burgjet e mbushur me t\u00eb burgosur, ku Gjella \u00ebsht\u00eb si \u00e7do dit\u00eb: me copa t\u00eb \u00e7izmeve t\u00eb vjetra t\u00eb diktatur\u00ebs <\/em>dhe Ne jemi funerali \/ q\u00eb s\u2019do t\u00eb shkojm\u00eb n\u00eb asnj\u00eb varr<\/em> ose Edhe i vdekur s’je m\u00eb i lir\u00eb.<\/em> T\u00eb burgosurit \u00ebnd\u00ebrrojn\u00eb edhe si ua rrahin \u00ebndrrat; shohim me sy se si t\u00eb vdekurit i varrosin me pranga dhe, n\u00eb rrethana t\u00eb tilla, ata e kan\u00eb zili at\u00eb q\u00eb e braktis fryma.<\/p>\n

Dhuna e jet\u00ebs s\u00eb k\u00ebtill\u00eb, q\u00eb bie edhe mbi vet\u00eb poetin, \u00ebsht\u00eb e r\u00ebnd\u00eb dhe me pasoja t\u00eb pazakonshme shpirt\u00ebrore; ai \u00ebsht\u00eb i zbraz\u00ebt dhe thuaja i paqen\u00eb: (Fjal\u00ebt e mia kan\u00eb vdekur si blet\u00ebt \/ n\u00ebp\u00ebr lule me helm<\/em>.). Mund\u00ebsia q\u00eb poeti t\u00eb nd\u00ebrmarr\u00eb di\u00e7ka e ta nd\u00ebrroj\u00eb gjendjen nuk ekziston. Ai b\u00ebn vet\u00ebm at\u00eb q\u00eb mund t\u00eb b\u00ebj\u00eb: ta flak\u00eb kok\u00ebn e vet n\u00eb terrin e universit ose t\u00eb b\u00ebhet rrug\u00eb p\u00ebr t\u00eb shkelur t\u00eb tjer\u00ebt mbi t\u00eb, q\u00eb t\u00eb kujton qen\u00ebsin\u00eb e mesazhit t\u00eb flijimit t\u00eb Krishtit, k\u00ebtu th\u00ebn\u00eb me art t\u00eb madh.<\/p>\n

\u00c7do gj\u00eb iku prej meje, me dhun\u00eb
\n<\/em>me copa t\u00eb m\u00ebdha si copa mishi, si copa qytetesh
\n<\/em>q\u00eb p\u00ebrmbyten befas. As panik. As revolt\u00eb.
\n<\/em>As brenda vetes. Dhe un\u00eb
\n<\/em>dua t\u00eb marr kok\u00ebn time, ta flak mes territ t\u00eb universit.<\/em><\/p>\n

(Braktisje<\/strong>)<\/p>\n

ose<\/p>\n

M\u00eb p\u00eblqen t\u00eb eci n\u00eb thell\u00ebsi t\u00eb nat\u00ebs
\n<\/em>vet\u00ebm, as me veten time.
\n<\/em>T\u00eb jem er\u00eb, pa er\u00ebn,
\n<\/em>q\u00eb thyen urt\u00ebsira pem\u00ebsh
\n<\/em>si njer\u00ebz prej gjethesh.
\n<\/em>T\u00eb jem rrug\u00eb pa rrug\u00ebn
\n<\/em>q\u00eb e shkelin t\u00eb tjer\u00ebt me k\u00ebmb\u00eb.<\/em><\/p>\n

(Vet\u00ebm, as me veten time<\/strong>)<\/p>\n

Cil\u00ebsia dhe madh\u00ebshtia e poezis\u00eb s\u00eb Zhitit, si\u00e7 tham\u00eb, shprehet sidomos kur shqiptohen t\u00eb nj\u00ebsuara konkretja dhe imagjinarja, kur krijohet realiteti artistik i ve\u00e7ant\u00eb, q\u00eb arrihet n\u00eb disa m\u00ebnyra. Jeta dhunuese e mbyt\u00ebse ia z\u00eb frym\u00ebn poetit (Gjith\u00eb ai myshk si mjek\u00ebr mbin \/ n\u00ebp\u00ebr fytyrat tona<\/em> ose \u00c7do nat\u00eb fle n\u00eb plag\u00ebt tona<\/em> ose Dua nj\u00eb kryq \/ t\u00eb mb\u00ebshtes k\u00ebto dhembje \/ t\u00eb pavdekshme<\/em>); brenda vetes s\u00eb zbraz\u00ebt, ai ka vet\u00ebm \u00ebndrr\u00ebn; sh\u00ebtit zgjimeve t\u00eb tij, nd\u00ebrsa bari \u00ebsht\u00eb jeta m\u00eb e past\u00ebr q\u00eb hesht.<\/p>\n

Do t\u00eb marr prej dore ty, \u00ebnd\u00ebrr,
\n<\/em>dhe do t\u00eb sh\u00ebtis zgjimeve t\u00eb mia
\n<\/em>si nj\u00eb i \u00e7mendur.
\n<\/em>…………………………….
\n<\/em>Njihu me barin, shijoje,
\n<\/em>me gjuh\u00ebn e ecjes. Bari \u00ebsht\u00eb
\n<\/em>jeta q\u00eb hesht, m\u00eb e thjeshta
\n<\/em>dhe m\u00eb e pastra jet\u00eb.<\/em><\/p>\n

(I zbathur dhe i \u00e7mendur<\/strong>)<\/p>\n

ose<\/p>\n

Bosh mbeti horizonti. Dhe pasqyra e mosh\u00ebs n\u00eb dhom\u00eb.
\n<\/em>Asnj\u00eb vajz\u00eb nuk kreh flok\u00ebt kumbues t\u00eb qet\u00ebsis\u00eb
\n<\/em>me kr\u00ebh\u00ebrin e bardh\u00eb si dh\u00ebmb\u00ebzit e nj\u00eb lirike.
\n<\/em>Dhe erdhi muzgu i vdekur. I kallkanosur. Q\u00eb s’l\u00ebviz.
\n<\/em>N\u00eb skajet e tij dergjen njollat e diellit dhe h\u00ebn\u00ebs. T\u00eb dy
\n<\/em>t\u00eb ftoht\u00eb, t\u00eb zbet\u00eb. Si p\u00ebll\u00ebmb\u00ebt e p\u00ebrgjakura t\u00eb Krishtit.<\/em>
\n<\/em><\/p>\n

(N\u00eb mosh\u00ebn e kryqit<\/strong>)<\/p>\n

N\u00eb realitetin e k\u00ebtill\u00eb jet\u00ebsor, ku \u00ebsht\u00eb rr\u00ebnuar \u00e7do gj\u00eb, edhe ndjenja m\u00eb intime, dashuria, \u00ebsht\u00eb e burgosur, e dhunuar, e paqen\u00eb. Ajo m\u00eb tep\u00ebr \u00ebsht\u00eb gjakim, projeksion, nevoj\u00eb \u00ebnd\u00ebrrimi dhe ikje nga realiteti ose nevoja e mbytjes s\u00eb realitetit t\u00eb till\u00eb. Dashuria n\u00eb poezin\u00eb e Zhitit \u00ebsht\u00eb m\u00eb tep\u00ebr form\u00eb e mbijetes\u00ebs p\u00ebrball\u00eb p\u00ebsimit e tragjikes t\u00eb shkaktuar nga njeriu. Poetit (t\u00eb burgosur) i mbetet vet\u00ebm gjakimi i p\u00ebrfytyrimit t\u00eb jet\u00ebs dhe i s\u00eb v\u00ebrtet\u00ebs, i hijes s\u00eb vajz\u00ebs, i harrimit.<\/p>\n

Na u plasarit\u00ebn syt\u00eb si xhamat…
\n<\/em>Zbathur shkelim mbi xhamat e syve tan\u00eb
\n<\/em>dhe s’t\u00eb arrijm\u00eb q\u00eb s’t\u00eb arrijm\u00eb dot si n\u00ebp\u00ebr ankthe.
\n<\/em>Me dor\u00eb hapim mjegullat si perdet…<\/em><\/p>\n

(Mir\u00ebnjohje<\/strong>)<\/p>\n

ose<\/p>\n

Do t\u00eb hap nj\u00eb rrug\u00eb mesp\u00ebrmes harrimit
\n<\/em>dhe do t\u00eb vij.
\n<\/em>Do t\u00eb shtyj lot\u00ebt me duar
\n<\/em>dhe do t\u00eb futem n\u00eb syt\u00eb e tu.<\/em><\/p>\n

(Hap nj\u00eb rrug\u00eb mesp\u00ebrmes harrimit<\/strong>)<\/p>\n

S\u2019ka dyshim se kjo poezi \u00ebsht\u00eb poezi e dhimbjes, e fatkeq\u00ebsis\u00eb, e tragjikes s\u00eb njeriut ton\u00eb, q\u00eb shenj\u00ebzohet n\u00ebp\u00ebrmjet ofsham\u00ebs, psher\u00ebtim\u00ebs, plag\u00ebve, ankthit, vdekjes, (nevoj\u00ebs s\u00eb) harrimit, fjal\u00ebve me helm, shpellave t\u00eb dhembjes, mendimit si shelgu lotues e t\u00eb tjera. Sidomos lotit, q\u00eb n\u00eb t\u00eb \u00ebsht\u00eb mjaft i pranish\u00ebm dhe ka nj\u00eb simbolik\u00eb t\u00eb qen\u00ebsishme e shum\u00ebsore.<\/p>\n

Poezia e Zhitit cil\u00ebsohet edhe me nj\u00eb p\u00ebrmas\u00eb t\u00eb protest\u00ebs, t\u00eb ironis\u00eb, t\u00eb grotesk\u00ebs. Poeti nuk mundi t\u00eb jet\u00eb indiferent ndaj dhun\u00ebs q\u00eb b\u00ebri njeriu i tij ndaj bashk\u00ebkomb\u00ebsve, po dhe t\u00eb keqes s\u00eb njeriut n\u00eb p\u00ebrgjith\u00ebsi. S\u00eb k\u00ebndejmi: Dua t’i k\u00ebndoj \u00e7lirimit t\u00eb hijes s\u00eb njeriut!<\/em> P\u00ebr ta shprehur k\u00ebt\u00eb q\u00ebndrim t\u00eb tij dhe fatkeq\u00ebsin\u00eb e njeriut ai ka nevoj\u00eb p\u00ebr:<\/p>\n

M\u00eb duhet fjala nat\u00eb
\n<\/em>dhe fjala lakuriq,
\n<\/em>fjala i verb\u00ebr m\u00eb duhet
\n<\/em>p\u00ebr t\u00eb shprehur fatin.<\/em><\/p>\n

(Lakuriq\u00ebt e nat\u00ebs<\/strong>)<\/p>\n

Her\u00eb-her\u00eb poeti thuajse nuk mund ta p\u00ebrmbaj\u00eb veten, prandaj shqiptimi \u00ebsht\u00eb i pand\u00ebrmjem\u00eb; shqet\u00ebsimi dhe pezmi shp\u00ebrthejn\u00eb, po kthehen brenda krijuesit; edhe flijimi \u00ebsht\u00eb i till\u00eb, i p\u00ebrmbrendsh\u00ebm. N\u00eb t\u00eb nj\u00ebjt\u00ebn koh\u00eb protest\u00eb e flijim i pashembullt i vetjes q\u00eb rr\u00ebfen, i poetit.<\/p>\n

N\u00ebn k\u00ebmb\u00eb
\n<\/em>m\u00eb hapet dita si nj\u00eb humner\u00eb e madhe.
\n<\/em>Me se ta mbush q\u00eb t\u00eb dal n\u00eb dit\u00ebn tjet\u00ebr?
\n<\/em>Me qindra her\u00eb hedh veten time
\n<\/em>dhe shkel mbi veten.<\/em><\/p>\n

(Molla e d\u00ebnimit<\/strong>)<\/p>\n

V\u00ebllim q\u00eb mund t\u00eb lexohet edhe si nj\u00eb poem\u00eb<\/strong><\/p>\n

Poezit\u00eb e v\u00ebllimit Koh\u00eb e vrar\u00eb n\u00eb sy<\/em> mund t\u00eb lexohen edhe si nj\u00eb poem\u00eb. Ciklet jan\u00eb pjes\u00eb q\u00eb nd\u00ebrlidhen si m\u00ebnyra perceptimi e shqiptimi, si tematik\u00eb dhe si sistem shpreh\u00ebs kuptimor e simbolik\u00eb. E nj\u00ebjta gj\u00eb ndodh dhe me poezit\u00eb brenda cikleve. Ato ruajn\u00eb m\u00ebvet\u00ebsin\u00eb si krijime, po nj\u00ebherit paraqesin pjes\u00eb t\u00eb mozaikut t\u00ebr\u00ebsor shpreh\u00ebs poetik.<\/p>\n

Pa dashur t\u00eb zgjatem n\u00eb ndri\u00e7imin e lidhjeve dhe t\u00eb kusht\u00ebzimeve t\u00eb nd\u00ebrsjella mes nj\u00ebsive t\u00eb niveleve t\u00eb ndryshme q\u00eb e b\u00ebjn\u00eb k\u00ebt\u00eb v\u00ebllim t\u00ebr\u00ebsor, po p\u00ebrmend vet\u00ebm t\u00eb dh\u00ebn\u00ebn se cikli i par\u00eb Syth i or\u00ebs s\u00eb s\u00ebmur\u00eb,<\/em> q\u00eb mund t\u00eb merret si nj\u00eb hyrje n\u00eb bot\u00ebn tematike e poetike t\u00eb vepr\u00ebs, nd\u00ebrlidhet n\u00eb disa aspekte me ciklet e tjera dhe me ciklin e fundit Zhgj\u00ebnd\u00ebrr e p\u00ebr\u00ebnd\u00ebrrt<\/em>. N\u00eb t\u00eb parin trajtohet konkret\u00ebsia jet\u00ebsore e koh\u00ebs s\u00eb f\u00ebmij\u00ebris\u00eb e rinis\u00eb, pasojat tragjike t\u00eb individit nga diktatura; gjakimi i liris\u00eb, i qet\u00ebsis\u00eb shpirt\u00ebrore dhe i qen\u00ebsis\u00eb individuale; i vet\u00ebqenies dhe i vet\u00ebveprimit t\u00eb lirsh\u00ebm. Ajo, me t\u00eb gjitha pasojat dhe tragjiken e saj, \u00ebsht\u00eb e vetvetes, e asaj vet\u00eb; \u00ebsht\u00eb “m\u00ebkatare” p\u00ebr t\u00eb gjitha p\u00ebsimet e rr\u00ebnimet fizike e shpirt\u00ebrore t\u00eb individit (z\u00eb fill me individin e merr p\u00ebrmasa t\u00eb kolektivitetit). Ajo mbipeshon n\u00eb \u00e7do gj\u00eb q\u00eb i p\u00ebrket jet\u00ebs dhe fatit t\u00eb individit, pra \u00ebsht\u00eb “vet\u00ebp\u00ebrgjegj\u00ebse” dhe “vet\u00ebdrejtuese”.<\/p>\n

N\u00eb ciklin e fundit Zhgj\u00ebnd\u00ebrr e p\u00ebr\u00ebnd\u00ebrrt<\/em> e tashmja nuk \u00ebsht\u00eb krejt e vetvetes. N\u00eb qen\u00ebsin\u00eb e saj ajo nuk “vet\u00ebdrejtohet”, edhe pse frym\u00ebmarrja e ekzistimit t\u00eb saj \u00ebsht\u00eb e madhe, po ashtu liria individuale e t\u00eb vet\u00ebqenit dhe e vet\u00ebveprimit. E tashmja \u00ebsht\u00eb e drejtuar nga e kaluara, nga pasojat e saj. Me fjal\u00eb t\u00eb tjera, e kaluara \u00ebsht\u00eb brenda s\u00eb tashmes dhe n\u00eb shum\u00eb pik\u00eb e drejton at\u00eb. E tashmja \u00ebsht\u00eb e gjykuar (nga e kaluara) t\u00eb jet\u00eb e till\u00eb. K\u00ebshtu tragjika n\u00eb ciklin e par\u00eb, \u00ebsht\u00eb pjes\u00eb edhe e s\u00eb tashmes n\u00eb ciklin e fundit: Poeti bart n\u00eb vete barr\u00ebn e s\u00eb kaluar\u00ebs, ferrin fizik dhe terrin shpirt\u00ebror, prandaj edhe n\u00eb jet\u00ebn e lir\u00eb nuk \u00ebsht\u00eb i lir\u00eb; edhe n\u00eb bot\u00ebn (n\u00eb jet\u00ebn) ku jan\u00eb t\u00eb rr\u00ebnuar muret, kufijt\u00eb, ai jeton dhe frymon n\u00ebn shtypjen e kufijve, t\u00eb ndalesave; me hijen e burgut, me zhurm\u00ebn e zinxhir\u00ebve t\u00eb t\u00eb burgosurit; jeta e lir\u00eb ngjet e zhvillohet n\u00ebp\u00ebrmjet reflektimit pasqyror<\/em> t\u00eb s\u00eb kaluar\u00ebs, t\u00eb p\u00ebsimeve, t\u00eb pasojave e t\u00eb dhun\u00ebs s\u00eb p\u00ebrjetuar.<\/p>\n

Kjo ia prish poetit drejtpeshimin dhe jeta n\u00eb t\u00eb tashmen i shkakton dhimbje (shpirt\u00ebrore), ndonj\u00ebher\u00eb tejet t\u00eb r\u00ebnda, n\u00eb mos edhe m\u00eb t\u00eb r\u00ebnda s\u00eb ato t\u00eb p\u00ebrjetuara nga dhuna konkrete n\u00eb t\u00eb kaluar\u00ebn. S\u00eb k\u00ebndejmi, tragjika e s\u00eb kaluar\u00ebs shtrihet dhe b\u00ebhet pjes\u00eb e gjallimit t\u00eb s\u00eb tashmes. E tashmja, th\u00ebn\u00eb me gjuh\u00ebn e poezis\u00eb, \u00ebsht\u00eb koh\u00eb e burgosur n\u00eb plag\u00ebt e s\u00eb kaluar\u00ebs. K\u00ebto dy cikle, po edhe ciklet e tjera, i nd\u00ebrlidh dhe i bashkon ve\u00e7mas tragjika jet\u00ebsore q\u00eb n\u00eb poezin\u00eb e Zhitit gjakon t\u00eb shpreh\u00eb absoluten, sidomos absoluten artistike, q\u00eb shenj\u00ebzon para s\u00eb gjithash katars\u00ebn shpirt\u00ebrore.<\/p>\n

Me shum\u00ebllojshm\u00ebrin\u00eb e shtjellimit t\u00eb teksteve dhe me natyrshm\u00ebrin\u00eb e shqiptimit t\u00eb \u00e7\u00ebshtjeve t\u00eb trajtuara, me qen\u00ebsin\u00eb dhe me forc\u00ebn e mesazhit e t\u00eb tablove poetike dhe me dramatiken e ve\u00e7ant\u00eb q\u00eb e p\u00ebrshkon at\u00eb dhe me n\u00ebntekstin e nyjsh\u00ebm q\u00eb krijohet nga struktura tekstore, poezia e Zhitit e tejkalon r\u00ebnd\u00ebsin\u00eb q\u00eb i takon nj\u00eb krijuesi, nj\u00eb gjenerate dhe nj\u00eb kohe dhe shtrihet n\u00eb diakronin\u00eb e gjith\u00eb poezis\u00eb shqipe, duke u b\u00ebr\u00eb pjes\u00eb e vlerave poetikisht m\u00eb t\u00eb ngritura t\u00eb saj.<\/p>\n

Kozenc\u00eb, tetor-dhjetor 1996<\/em><\/p>\n

[1]<\/a> Ky punim \u00ebsht\u00eb parath\u00ebnie e v\u00ebllimit me poezi t\u00eb zgjedhura t\u00eb Visar Zhitit, Koh\u00eb e vrar\u00eb n\u00eb sy<\/em>. Zgjedhur e shtjelluar nga un\u00eb. Rilindja, Prishtin\u00eb 1997.<\/p>\n

[2]<\/a> Zgjedhjen e poezive t\u00eb Visar Zhitit e b\u00ebra nga kat\u00ebr p\u00ebrmbledhjet \u201cKujtesa e ajrit\u201d (Tiran\u00eb 1993), \u201cHedh nj\u00eb kafk\u00eb te k\u00ebmb\u00ebt tuaja\u201d (Tiran\u00eb 1994), \u201cMbjellja e vet\u00ebtimave\u201d (Shkup 1994), \u201cDyert e gjalla\u201d (Tiran\u00eb 1995) dhe nga poezit\u00eb n\u00eb dor\u00ebshkrim, t\u00eb cilat autori pati mir\u00ebsin\u00eb e m\u2019i dha t\u2019i shfryt\u00ebzoj.<\/p>\n

Radhitjen e poezive, ndarjen n\u00eb cikle dhe em\u00ebrtimin e tyre e b\u00ebra n\u00eb baz\u00eb t\u00eb nj\u00eb koncepti t\u00eb caktuar dhe t\u00eb menduar. Kam em\u00ebrtuar disa poezi q\u00eb autori i ka botuar pa tituj, kam b\u00ebr\u00eb shkurtimin e ndonj\u00eb titulli, p\u00ebrmir\u00ebsimin e ndonj\u00eb gabimi shtypi, kam hequr ndonj\u00eb fjal\u00eb ose varg (me miratimin e autorit).<\/p>\n

N\u00eb parath\u00ebnie, p\u00ebr shkak t\u00eb natyr\u00ebs s\u00eb punimit, jan\u00eb v\u00ebr\u00eb n\u00eb dukje vet\u00ebm disa nga cil\u00ebsit\u00eb dhe vlerat e k\u00ebsaj poezie.<\/p>\n","protected":false},"excerpt":{"rendered":"

Anton Nik\u00eb Berisha Rreth poezis\u00eb s\u00eb Visar Zhitit fjala.info (Mbi poezin\u00eb e Visar Zhitit) Interpretimi i poezis\u00eb s\u00eb deritashme t\u00eb Visar Zhitit,[1] sidomos i k\u00ebsaj t\u00eb k\u00ebtij v\u00ebllimi[2], ku jan\u00eb p\u00ebrfshir\u00eb poezit\u00eb artistikisht m\u00eb t\u00eb ngritura dhe kuptimisht m\u00eb t\u00eb pasura t\u00eb shkruara deri m\u00eb tash nga ky autor, nuk \u00ebsht\u00eb pun\u00eb e leht\u00eb. Kjo […]<\/p>\n","protected":false},"author":1,"featured_media":60818,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[35,8,10],"tags":[],"class_list":["post-60817","post","type-post","status-publish","format-standard","has-post-thumbnail","category-kulture","category-letersi","category-poezi"],"yoast_head":"\nMADH\u00cbSHTI POETIKE Q\u00cb DO T\u00cb JETOJ\u00cb N\u00cbP\u00cbR KOH\u00cb - FJALA e LIR\u00cb<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/jehonashqiptare.al\/fjala\/madheshti-poetike-qe-do-te-jetoje-neper-kohe\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"MADH\u00cbSHTI POETIKE Q\u00cb DO T\u00cb JETOJ\u00cb N\u00cbP\u00cbR KOH\u00cb - FJALA e LIR\u00cb\" \/>\n<meta property=\"og:description\" content=\"Anton Nik\u00eb Berisha Rreth poezis\u00eb s\u00eb Visar Zhitit fjala.info (Mbi poezin\u00eb e Visar Zhitit) Interpretimi i poezis\u00eb s\u00eb deritashme t\u00eb Visar Zhitit,[1] sidomos i k\u00ebsaj t\u00eb k\u00ebtij v\u00ebllimi[2], ku jan\u00eb p\u00ebrfshir\u00eb poezit\u00eb artistikisht m\u00eb t\u00eb ngritura dhe kuptimisht m\u00eb t\u00eb pasura t\u00eb shkruara deri m\u00eb tash nga ky autor, nuk \u00ebsht\u00eb pun\u00eb e leht\u00eb. 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