{"id":63072,"date":"2021-01-12T11:15:30","date_gmt":"2021-01-12T10:15:30","guid":{"rendered":"https:\/\/fjala.info\/?p=63072"},"modified":"2021-01-12T11:15:30","modified_gmt":"2021-01-12T10:15:30","slug":"plagosja-e-qellimshme","status":"publish","type":"post","link":"https:\/\/jehonashqiptare.al\/fjala\/plagosja-e-qellimshme\/","title":{"rendered":"Plagosja e q\u00ebllimshme"},"content":{"rendered":"

Nexhat Halimi<\/strong><\/p>\n

E porosita nj\u00eb kafe dhe nd\u00ebrsa e pija me p\u00ebrpima fishk\u00ebllime ngaq\u00eb nuk m\u00eb ndiqte askush, mendja se\u00e7 m\u00eb vajti te ai. Kjo ndodhte vite m\u00eb von\u00eb, ngaq\u00eb nuk ishim par\u00eb as n\u00eb qytet e as n\u00eb ndonj\u00eb ekspozit\u00eb. E kisha mik t\u00eb mir\u00eb dhe shum\u00eb gj\u00ebra i m\u00ebsoja nga ai p\u00ebr artin. Piktori i shquar ngjau t\u00eb udh\u00ebtonte p\u00ebr n\u00eb Paris, t\u00eb begatoj\u00eb hapen e nj\u00eb ekspozite t\u00eb nj\u00eb pike gjaku nga bylyku yn\u00eb, nga damari i nj\u00ebrit nga guri yn\u00eb, t\u00eb cilin ky vizatues i p\u00ebrmendur e kishte tep\u00ebr n\u00eb qejf ta p\u00ebrdorte n\u00eb skica e vizatime dhe n\u00eb vargjet e Gjakshkrimit t\u00eb vet dhe n\u00eb ato t\u00eb Simfonis\u00eb s\u00eb kalt\u00ebr … Papritur nga atje, nga kryeqyteti i artit e i kultur\u00ebs, koh\u00eb m\u00eb von\u00eb do t\u00eb kthehet i l\u00ebnduar, ende i s\u00ebmur\u00eb, gjysm\u00eb i gjymt\u00eb, ve\u00e7 ende i aft\u00eb t\u00eb ligj\u00ebroi dhe t\u00eb pikturoi. \u00c7far\u00eb ndodhi atje?<\/p>\n

Me em\u00ebr e me mbiem\u00ebr m’i p\u00ebrmendi ata q\u00eb e kishin shkaktuar k\u00ebt\u00eb gj\u00eb, p\u00ebr t’ia prer\u00eb hovin e rrjedh\u00ebs s\u00eb tij t\u00eb pap\u00ebrmbajtur n\u00eb krijimtari.
\nKoh\u00eb m\u00eb von\u00eb e takova, me vullnet t\u00eb humbur.<\/p>\n

– E pim\u00eb nga nj\u00eb kafe n\u00eb nj\u00eb mbr\u00ebmje t\u00eb ftoht\u00eb dimri n\u00eb nj\u00eb Restorant n\u00eb Prishtin\u00eb, me \u00e7’ rasat m\u00eb foli e m\u00eb foli sesi nuk i kan\u00eb mund\u00ebsuar krer\u00ebt e profesionit t\u00eb marrte klas\u00ebn e vet t\u00eb artit, t’i m\u00ebsonte student\u00ebt me zanatin m\u00eb t\u00eb vjet\u00ebr t\u00eb t\u00ebrheqjes s\u00eb vij\u00ebs s\u00eb flet\u00ebn e bardh\u00eb. M\u00eb tha se dilte rrall\u00eb dhe at\u00eb e b\u00ebnte n\u00eb prani t\u00eb bashk\u00ebshortes. Delte t\u00eb sh\u00ebtiste mbr\u00ebmjesh n\u00eb qytet dhe me ndonj\u00eb rast t\u00eb ve\u00e7ant\u00eb. E mua m\u00eb kujtua nj\u00ebra nga fjalit\u00eb e shk\u00ebputura at\u00eb mbr\u00ebmje dimri, sesi mir\u00eb i kujtohej cila dor\u00eb e zez\u00eb e shtyu nga ballkoni i katit t\u00eb tret\u00eb e ky kishte r\u00ebn\u00eb posht\u00eb n\u00eb rrug\u00eb apo trotuar i pavet\u00ebdijsh\u00ebm dhe me t’u zgjuar iu kishte kujtuar ngjarja dhe e kishte par\u00eb veten n\u00eb spital me p\u00ebsimet q\u00eb tashm\u00eb i ka n\u00eb vete.<\/p>\n

Vetvetiu m’u kujtua nj\u00eb bised\u00eb e hershme me t\u00eb, t\u00eb cil\u00ebn e kishte realizuar n\u00eb fillim t\u00eb pun\u00ebs s\u00eb gazetarit p\u00ebr Rilindjen. Natyrisht, me porosi t\u00eb gazet\u00ebs s\u00eb vetme t\u00eb p\u00ebrditshme n\u00eb bot\u00eb n\u00eb gjuh\u00ebn shqipe…<\/p>\n

E kujtoj at\u00eb bised\u00eb me ndonj\u00eb ndryshim dhe tash, t\u00eb b\u00ebr\u00eb me rastin e Shp\u00ebrblimit t\u00eb Dhjetorit p\u00ebr t\u00eb arritura t\u00eb suksesshme n\u00eb fush\u00ebn e artit aplikativ p\u00ebr vitin 1973, ndar\u00eb piktorit akademik, eseistit e poetit Nebih Muriqi.<\/p>\n

Ky shp\u00ebrblim, m\u00eb i larti tek ne erdhi pas sukseseve t\u00eb shumta t\u00eb tij t\u00eb arritura n\u00eb Kosov\u00eb dhe n\u00eb vend, p\u00ebr \u00e7far\u00eb edhe mori pes\u00eb shp\u00ebrblime, tri prej t\u00eb cilave jan\u00eb me karakter nd\u00ebrkomb\u00ebtar. M\u00eb 1969 p\u00ebr vizatim nga shp\u00ebrblimi i Universitetit t\u00eb Beogradit, m\u00eb 1971 n\u00eb manifestimin \u201ePenda e art\u00eb e Beogradit” p\u00ebr ilustrimin e poezis\u00eb mori \u201ePend\u00ebn e art\u00eb”, po n\u00eb k\u00ebt\u00eb vit n\u00eb Beograd, n\u00eb ekspozit\u00ebn \u201eUshtar\u00ebt- artist\u00eb figurativ\u00eb” u shp\u00ebrblye p\u00ebr piktur\u00eb. Nd\u00ebrkaq, n\u00eb vitin 1972, p\u00ebrs\u00ebri, p\u00ebr ilustrimin e poezis\u00eb fitoi \u201ePlaket\u00ebn e art\u00eb t\u00eb Beogradit” dhe \u201ePen\u00ebn e art\u00eb t\u00eb Rilindjes”. Deri tash ky krijues i talentuar organizoi edhe gjasht\u00eb ekspozita personal\u00eb . M\u00eb 1969 ekspozoi n\u00eb \u201eKolektivin Grafik” n\u00eb Beograd, m\u00eb 1971 n\u00eb Sombor dhe Zemun, nd\u00ebrsa m\u00eb 1972 n\u00eb Beograd dhe n\u00eb Ferizaj, e m\u00eb 1973 n\u00eb Prishtin\u00eb, me \u00e7\u2019 rast ekspozoi m\u00eb se dyzet e dy punime, pikturat dhe vizatime.<\/p>\n

N\u00eb k\u00ebto ekspozita ai u angazhua q\u00eb edhe shikuesi i r\u00ebndomt\u00eb mund t\u00eb komunikoj\u00eb leht\u00eb me veprat e tij, t\u00eb cilat n\u00eb vete ng\u00ebrthejn\u00eb porosi t\u00eb qart\u00eb, por gjithnj\u00eb duke respektuar edhe vlera artistike, rrymimet e reja n\u00eb artin bashk\u00ebkoh\u00ebs, q\u00eb n\u00eb v\u00ebrtet\u00eb \u00ebsht\u00eb specifik\u00eb e k\u00ebtij krijuesi. T\u00eb cekim (kalimthi) se krahas aktivitetit n\u00eb l\u00ebmin e artit aplikativ e sidomos n\u00eb at\u00eb figurativ, Nebih Muriqi \u00ebsht\u00eb paraqitur edhe me shkrime eseistike dhe me kritika t\u00eb artit figurativ, si dhe aktivisht \u00ebsht\u00eb marr\u00eb me poezi. Si frut\u00eb i gjith\u00eb k\u00ebsaj jan\u00eb dy v\u00ebllimet e tij me poezi \u201cN\u00eb synin e pranver\u00ebs” dhe \u201eKariatidet” dhe disa proza poetike …<\/p>\n

Mbi preokupimet e tij t\u00eb m\u00ebtejme dhe mbi \u00e7\u00ebshtje t\u00eb ndryshme estetike zhvilluam k\u00ebt\u00eb bised\u00eb me t\u00eb . Ai m\u00eb d\u00ebgjonte dhe natyrisht p\u00ebrgjigjej, e \u00e7monte fjal\u00ebn dhe sado t\u00eb jet\u00eb p\u00ebr koh\u00ebn e paarsyeshme prap\u00eb ia jepte respektin e duhur p\u00ebr lexuesit e Rilindjes.
\n-Njeriu si qeneje e nd\u00ebrlikuar, me t\u00eb gjitha p\u00ebrpjekjet e tij shpirt\u00ebrore, psikofizike \u00ebsht\u00eb subjekt tejet interesant p\u00ebr trajtim artistike. Krijimtaria artistike me shekuj qe pjes\u00eb p\u00ebrb\u00ebr\u00ebse e qenies njer\u00ebzore, qe vet\u00eb jeta dhe ideali i tij, synimi dhe ekzistenca e tij n\u00eb hap\u00ebsir\u00eb e koh\u00eb. Edhe qeniet m\u00eb primitive q\u00eb jetonin n\u00eb shpella artin e kishin pjes\u00eb t\u00eb pandar\u00eb t\u00eb qenies s\u00eb tyre.<\/p>\n

\u00c7’e nxit\u00eb krijimtarin\u00eb time artistike, nuk \u00ebsht\u00eb e leht\u00eb ta them me fjal\u00eb, ngase veprimtaria artistike \u00ebsht\u00eb akt i nd\u00ebrlikuar dhe krijues i domosdosh\u00ebm p\u00ebr \u00e7do qenie njer\u00ebzore humane dhe me ideale t\u00eb larta. Krijimtaria, andaj, \u00ebsht\u00eb ushqim shpirt\u00ebror, pjes\u00eb ekzistenciale e vet\u00eb dijes. Krijuesi q\u00eb ver\u00ebn me men\u00e7uri t\u00eb mpreht\u00eb fenomenet e ndryshimeve qen\u00ebsor\u00eb psikofizike t\u00eb njeriut bashk\u00ebkoh\u00ebs, t\u00eb huajsohet dhe b\u00ebhet thesar i begatsh\u00ebm ndjenjash t\u00eb fisnikuara. K\u00ebto ndjenja, duan t\u00eb shp\u00ebrthejn\u00eb dhe duke u materializuar n\u00eb varg, ngjyr\u00eb, vij\u00eb lindin veprat artistike: poezia, piktura, grafika. K\u00ebto vepra jan\u00eb vet\u00eb shpirti i njer\u00ebzve, i hap\u00ebsir\u00ebs dhe koh\u00ebs q\u00eb kalit\u00ebn nga mendje e mpreht\u00eb e krijuesit artistik\u2026<\/p>\n

– \u2026 Mediokritet me ambicie t\u00eb m\u00ebdha dhe mund\u00ebsi t\u00eb vogla kreative t\u00ebr\u00eb jet\u00ebn bredhin rreth \u00e7\u00ebshtjeve periferike, duke mos prekur kurr\u00eb thelboren e ekzistenc\u00ebs s\u00eb njeriut. Po nj\u00ebk\u00ebshtu me vler\u00ebsuesit pseudo krijues. t\u00eb cil\u00ebt duke mos poseduar aft\u00ebsi krijuese dhe njohuri t\u00eb gjer\u00eb teorike favorizojn\u00eb mediokritetet, duke sjell k\u00ebshtu mjegulli n\u00eb artin e bashk\u00ebkoh\u00ebs, por k\u00ebto fenomene nuk jan\u00eb t\u00eb reja, ngase nj\u00ebk\u00ebshtu ndodhi edhe n\u00eb kaluar\u00ebn. T\u00eb kthehemi tash te krijuesi i cili qenien njer\u00ebzore nuk e ka preokupim kryesor: kjo \u00e7\u00ebshtje ka t\u00eb b\u00ebj me vet\u00eb humanizmin njer\u00ebzor. Si do t’i qaset ai nj\u00eb problemi varet nga pjekuria dhe past\u00ebrtia e tij shpirt\u00ebrore, e cila duhet t\u00eb ec n\u00eb harmoni me mund\u00ebsit\u00eb kreative t\u00eb krijuesit.<\/p>\n

\u2026 Krijuesi duhet t\u00eb mish\u00ebrohet n\u00eb at\u00eb q\u00eb krijon, po deshi q\u00eb vepra e tij t\u00eb mos mbetet thjesht\u00eb eksperiment, ose t\u00eb mos mbetet e vlershme vet\u00ebm nga aspekti formal . Eksperimentet dhe tendencat e tjera q\u00eb ekzistojn\u00eb sot n\u00eb t\u00eb gjitha l\u00ebmit e artit nga nj\u00eb an\u00eb ndihmojn\u00eb zhvillimin e m\u00ebtejm\u00eb t\u00eb artit n\u00eb p\u00ebrgjith\u00ebsi, meq\u00eb ky synim duhet t\u00eb jet\u00eb edhe evolucion n\u00eb krijimtari, por mendoi se nga ana tjet\u00ebr edhe n\u00eb d\u00ebm t\u00eb madh t\u00eb artit, n\u00ebse eksperimentet mbeten vet\u00ebm eksperimente q\u00eb konsiderohen si zbulime t\u00eb reja t\u00eb artit bashk\u00ebkoh\u00ebs. K\u00ebto eksperimente t\u00eb cilat po i pag\u00ebzojm\u00eb me \u201ckriz\u00eb\u201d v\u00ebrtet duhet t’i konsiderojm\u00eb si embrion t\u00eb cilat, n\u00eb t\u00eb ardhmen, duhet t\u00eb lind di\u00e7 e re dhe evolutive.<\/p>\n

N\u00ebse flitet p\u00ebr nj\u00eb far\u00eb krize t\u00eb atit bashk\u00ebkoh\u00ebs fjala \u00ebsht\u00eb p\u00ebr komercializimin e tij- v\u00ebrshimin e ki\u00e7it n\u00eb tregun bot\u00ebror\u00eb, fenomene k\u00ebto q\u00eb i kusht\u00ebzojn\u00eb marr\u00ebdh\u00ebniet shoq\u00ebrore dhe vet\u00eb ndryshimet shoq\u00ebrore historike, lindjet e mendimeve t\u00eb reja, si kund\u00ebr jan\u00eb televizionet e t\u00eb tjera. Sot nuk ndodh si n\u00eb koh\u00ebn e Baironit, q\u00eb nj\u00eb, fem\u00ebr t\u00eb dashurohet n\u00eb vargjet e tij dhe t\u00eb bie viktim\u00eb e dashuris\u00eb. Nj\u00eb dukuri. e till\u00eb humane q\u00eb ka t\u00eb b\u00ebj me ndjenjat, e fisnikuara t\u00eb njeriut sot kishte p\u00ebr t\u00eb qen\u00eb qesharake, ngase sot femra m\u00eb shum\u00eb e \u00e7mon vler\u00ebn formale materiale t\u00eb njeriut se sa at\u00eb shpirt\u00ebrore.<\/p>\n

Sot as krijuesi nuk ka, guxim as mund\u00ebsi t\u00eb mbyllet mes kat\u00ebr muresh kat\u00ebr vjet, sikund\u00ebr ndodhi me Mikllangjellon n\u00eb Kapel\u00ebn e Sikstinit, nga se edhe n\u00ebse sakrifikon sh\u00ebndetin n\u00eb krijimtari t\u00eb k\u00ebtill\u00eb bie viktim\u00eb e pafajshme e mardh\u00ebnjve bashk\u00ebkoh\u00ebse, e zhvillimit t\u00eb teknik\u00ebs e cila \u00ebsht\u00eb duke z\u00ebvend\u00ebsuar shpirtin e njeriut, duke kusht\u00ebzuar t\u00ebhuajsimin dhe varf\u00ebrin\u00eb e tij shpirt\u00ebrore. P\u00ebrkund\u00ebr kriz\u00ebs n\u00eb bot\u00eb, por ka edhe krijues t\u00eb denj\u00eb dhe t\u00eb rryer, t\u00eb cil\u00ebt i kan\u00eb mbetur besnik\u00eb koh\u00ebs s\u00eb tashme plot rr\u00ebnime, p\u00ebsime, q\u00ebndresa, progrese.<\/p>\n

\u2026Shpesh her\u00eb vizitor\u00ebt e r\u00ebndomt\u00eb q\u00eb nga arti k\u00ebrkojn\u00eb prehje shpirt\u00ebrore. demoralizohen kur kontaktojn\u00eb me veprat e piktor\u00ebve q\u00eb trajtojn\u00eb probleme t\u00eb m\u00ebdha njer\u00ebzore. Ndodh kjo me ata q\u00eb nga arti k\u00ebrkojn\u00eb \u00e7lodhje psikike, e, e p\u00ebrjetojn\u00eb t\u00eb kund\u00ebrt\u00ebn. Krijuesi bashk\u00ebkoh\u00ebs n\u00eb veprat e t\u00eb cilit vie n\u00eb shprehje gjuha artistike universale dhe n\u00eb t\u00eb cilat trajtohen problemet qen\u00ebsor\u00eb ekzistenc\u00ebs s\u00eb njeriut nuk mund te jet\u00eb edhe aq optimist\u00eb p\u00ebr shkak t\u00eb vet\u00eb Situat\u00ebs, e cila mbret\u00ebron sot n\u00eb bot\u00eb. Sot teknika, ka z\u00ebvend\u00ebsuar shum\u00eb funksione t\u00eb njeriut duke e rrezikuar edhe qenien e tij.<\/p>\n

P\u00ebrdorja e bomb\u00ebs atomike dhe pasojat e saj n\u00eb imagjinat\u00ebn e krijuesit krijojn\u00eb vizion t\u00eb atill\u00eb, t\u00eb cilin e p\u00ebrshkon shkat\u00ebrrimi material e shpirt\u00ebror i qenjeve njer\u00ebzore n\u00eb hap\u00ebsir\u00eb e koh\u00eb. Vepra e piktorit, q\u00eb ng\u00ebrthen nj\u00eb porosi t\u00eb k\u00ebtill\u00eb nuk mund t\u00eb konsiderohet si dekadente, ngase t\u00eb v\u00ebrtet\u00ebn duhet ta shikojm\u00eb me sy real. Porosit\u00eb e piktorit duhet te na sh\u00ebrbejn\u00eb si v\u00ebrejtje se \u00e7far\u00eb duhet b\u00ebr\u00eb q\u00eb t\u00eb pengohet nj\u00eb katakliz\u00ebm e till\u00eb. E ne, shpesh her\u00eb nuk jemi real, jemi pa arsye optimist\u00eb dhe veprat e tilla i konsiderojm\u00eb si dekadente, por kuptohet se kjo ndodh vet\u00eb me shikues t\u00eb r\u00ebndomt\u00eb. K\u00ebshtu nuk ndodh\u00eb me vler\u00ebsuesit dhe estet\u00ebt e rryer.<\/p>\n

T\u00eb cil\u00ebt k\u00ebto vepra i konsiderojn\u00eb si shkencore dhe me vlera t\u00eb larta artistike. Nj\u00eb nga piktor\u00ebt e spikatur bot\u00ebror\u00eb \u00ebsht\u00eb edhe Dada Gjuriqi, i cili t\u00ebr\u00eb jet\u00ebn ia ka kushtuar krijimtaris\u00eb e mbyllur n\u00eb nj\u00eb mulli t\u00eb vjet\u00ebr af\u00ebr Parisit, jeton nga, krijimtaria e till\u00eb artistike. Veprat e tij na bindin me fuqin\u00eb e shprehis\u00eb artistike. Si dhe me tema aktuale nga realiteti njer\u00ebzor.<\/p>\n

– \u2026N\u00eb atelien\u00eb time, th\u00ebn\u00eb m\u00eb mir\u00eb n\u00eb dhom\u00ebn time ndodhen piktura t\u00eb kryera, t\u00eb posa filluara, nj\u00eb num\u00ebr i madh vizatimesh dhe disa p\u00eblhura t\u00eb p\u00ebrpunuara, q\u00eb presin ngjyr\u00ebn, vij\u00ebn, form\u00ebn. Me fjal\u00eb t\u00eb tjetra presin l\u00ebvizjen e qenies sime. \u00c7far\u00eb porosie do t\u00eb ng\u00ebrthejn\u00eb do t\u00eb shohim n\u00eb t\u00eb ardhmen, Dhe p\u00ebr to do t\u00eb flet vet\u00eb opinioni.<\/p>\n

Mendoj n\u00eb p\u00eblhurat q\u00eb jan\u00eb t\u00eb p\u00ebrgatitura dhe presin frym\u00ebzimet. Nd\u00ebrkaq p\u00ebr veprat e kryera dhe t\u00eb ekspozuara e dhan\u00eb mendimin e vet t\u00eb mir\u00eb shum\u00eb kritik\u00eb eminent\u00eb, Oto Bihali Merin, Gjorgje Kadieviq, dr Pavle Vasiq e Mila Rajkoviq e t\u00eb tjer\u00eb. Andaj nuk \u00ebsht\u00eb e rrug\u00ebs t\u00eb riflitet p\u00ebr to, meq\u00eb me elementet e artit figurativ kam th\u00ebn\u00eb \u00e7far\u00eb kam pasur t\u00eb them. E at\u00eb q\u00eb nuk e ka kapur brusha, qoft\u00eb p\u00ebr shkak t\u00eb kushteve materiale, n\u00eb t\u00eb cilat krijoj, qoft\u00eb p\u00ebr shkak t\u00eb rasteve t\u00eb tjera, e thash me pen\u00eb n\u00ebp\u00ebrmjet vargjeve n\u00eb dy p\u00ebrmbledhje t\u00eb botuara dhe n\u00eb nj\u00eb t\u00eb p\u00ebrgatitur p\u00ebr shtyp\u2026<\/p>\n

E k\u00ebpus perin e mendimit p\u00ebr Krijuesin t\u00eb cilin Zoti na e d\u00ebrgoi, por vet\u00eb e plagos\u00ebm shum\u00eb her\u00eb, t\u00eb mos mund t\u00eb ec\u00eb tutje, ve\u00e7 t\u00eb m\u00ebdhenjt\u00eb mbesin gjithnj\u00eb t\u00eb m\u00ebdhenj, t\u00eb pap\u00ebrs\u00ebritsh\u00ebm\u2026 E n\u00eb baz\u00eb t\u00eb veprave t\u00eb tyre na njeh bota e artit sot e gjithmon\u00eb\u2026 Ikja ende p\u00ebrmbi radh\u00ebt e bised\u00ebs, t\u00eb zhvilluar para afro pes\u00ebdhjet\u00eb vjet\u00ebsh m\u00eb par\u00eb. Ka koh\u00eb nuk e kisha par\u00eb vullkanin e tij t\u00eb pashuar artistik. Vet\u00ebm mund t\u00eb paramendoja se ai gjendej mir\u00eb dhe prisja ta shikoja ndonj\u00eb ekspozit\u00eb t\u00eb re apo ndonj\u00eb lib\u00ebr me kritika apo me poezi, me \u00e7far\u00eb ai di t\u00eb m\u00eb befasoj\u00eb. Kurrsesi nuk e prisja plag\u00ebn e dhjet\u00eb t\u00eb Gjergj Elez Alis\u00eb, sado q\u00eb ai tashm\u00eb qe m\u00ebsuar me plagosje t\u00eb tilla.<\/p>\n

– Kamerier, eja t\u00eb paguaj?
\n– Kafen\u00eb e ke prej sht\u00ebpis\u00eb!<\/p>\n","protected":false},"excerpt":{"rendered":"

Nexhat Halimi E porosita nj\u00eb kafe dhe nd\u00ebrsa e pija me p\u00ebrpima fishk\u00ebllime ngaq\u00eb nuk m\u00eb ndiqte askush, mendja se\u00e7 m\u00eb vajti te ai. Kjo ndodhte vite m\u00eb von\u00eb, ngaq\u00eb nuk ishim par\u00eb as n\u00eb qytet e as n\u00eb ndonj\u00eb ekspozit\u00eb. E kisha mik t\u00eb mir\u00eb dhe shum\u00eb gj\u00ebra i m\u00ebsoja nga ai p\u00ebr artin. […]<\/p>\n","protected":false},"author":1,"featured_media":40303,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[8,12],"tags":[],"class_list":["post-63072","post","type-post","status-publish","format-standard","has-post-thumbnail","category-letersi","category-tregime"],"yoast_head":"\nPlagosja e q\u00ebllimshme - FJALA e LIR\u00cb<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/jehonashqiptare.al\/fjala\/plagosja-e-qellimshme\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Plagosja e q\u00ebllimshme - FJALA e LIR\u00cb\" \/>\n<meta property=\"og:description\" content=\"Nexhat Halimi E porosita nj\u00eb kafe dhe nd\u00ebrsa e pija me p\u00ebrpima fishk\u00ebllime ngaq\u00eb nuk m\u00eb ndiqte askush, mendja se\u00e7 m\u00eb vajti te ai. Kjo ndodhte vite m\u00eb von\u00eb, ngaq\u00eb nuk ishim par\u00eb as n\u00eb qytet e as n\u00eb ndonj\u00eb ekspozit\u00eb. E kisha mik t\u00eb mir\u00eb dhe shum\u00eb gj\u00ebra i m\u00ebsoja nga ai p\u00ebr artin. 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