![\"\"](\"http:\/\/fjala.info\/2014\/xhemail_peci.jpg\" "\\"Xhemail")
<\/p>\n— nga Xhemail Peci<\/strong><\/p>\n (Fragmente nga sprova estetike: Akademia e Bukuris\u00eb<\/em>)<\/p>\n N\u00eb t\u00eb majt\u00eb t\u00eb bulevardit D\u00ebshmor\u00ebt e Kombit, rruga q\u00eb p\u00ebrshkon nj\u00eb pjes\u00eb bukur t\u00eb gjat\u00eb t\u00eb kryeqytetit t\u00eb Kosov\u00ebs (Prishtin\u00eb), e q\u00eb shpie andej kah fillon rreth-rrotullimi i cili deg\u00ebzon rrug\u00ebt p\u00ebr n\u00eb drejtime t\u00eb ndryshme (n\u00eb t\u00eb majt\u00eb t\u00eb tij rruga q\u00eb shpie tek konviktet e student\u00ebve, n\u00eb mes rruga q\u00eb shpie p\u00ebr n\u00eb Gjilan e Ferizaj, dhe n\u00eb t\u00eb djatht\u00eb rruga q\u00eb shpie p\u00ebr n\u00eb qytetin e Mitrovic\u00ebs), t\u00eb z\u00eb syri nj\u00eb mbishkrim q\u00eb dallon jo shum\u00eb p\u00ebr nga madh\u00ebsia e shpalljes, sa p\u00ebr titullin dhe dometh\u00ebnien q\u00eb ng\u00ebrthen: QENDRA STOMATOLOGJIKE DHE ESTETIKE<\/strong> – my beauty clinic<\/em>.<\/p>\n Nj\u00eb hyrje e r\u00ebndomt\u00eb (Ulpiana, D1, Hyrja 9, Nr. 6), q\u00eb nuk ndryshon aq shum\u00eb nga ato t\u00eb banesave t\u00eb godinave p\u00ebrreth, por q\u00eb tek ngjitesh shkall\u00ebve dhe afron p\u00ebr t\u2019i r\u00ebn\u00eb ziles s\u00eb numrit 6, t\u00eb t\u00ebrheq\u00eb v\u00ebmendjen sip\u00ebrfaqja e der\u00ebs e cila sikur z\u00eb dhe shpalos vetvetiu prapavij\u00ebn e saj.<\/p>\n Me t\u2019i r\u00ebn\u00eb ziles, hapet dera dhe p\u00ebrpara shfaqet nj\u00eb pamje n\u00eb t\u00eb cil\u00ebn dominon duksh\u00ebm ngjyra e bardh\u00eb, e n\u00eb m\u00ebnyr\u00eb t\u00eb ve\u00e7ant\u00eb nj\u00eb portret me nj\u00eb natyr\u00eb skofiare, tek e cila shquhet nj\u00eb eleganc\u00eb e rrall\u00eb.<\/p>\n Doktoresha ofron mir\u00ebseardhje dhe fillon me nj\u00eb bashk\u00ebbisedim q\u00eb l\u00eb p\u00ebrshtypje t\u00eb ve\u00e7ant\u00eb, si p\u00ebr m\u00ebnyr\u00ebn spontane ashtu edhe p\u00ebr v\u00ebmendjen e theksuar, shoq\u00ebruar me nj\u00eb takt q\u00eb d\u00ebshmon kultur\u00eb komunikimi dhe profesionaliz\u00ebm n\u00eb pun\u00eb, p\u00ebrkushtim tep\u00ebr t\u00eb rrall\u00eb dhe q\u00eb p\u00ebr prirje e synim ka gjithmon\u00eb suksesin.<\/p>\n Nj\u00eb pamje bardh\u00ebsie, e cila q\u00eb n\u00eb dukje t\u00eb par\u00eb sikur e shfaqte at\u00eb q\u00eb e thoshte Plutarku se piktura \u00ebsht\u00eb poezi e heshtur, nd\u00ebrsa poezia \u00ebsht\u00eb piktur\u00eb q\u00eb flet, p\u00ebrkat\u00ebsisht at\u00eb q\u00eb e thoshte Lesingu se poezia \u00ebsht\u00eb piktur\u00eb me fjal\u00eb, e piktura \u00ebsht\u00eb poezi pa fjal\u00eb.<\/p>\n Bardh\u00ebsia q\u00eb p\u00ebrshkonte muret e drejta, k\u00ebndet e tyre, sfondin dhe mjetet e pun\u00ebs profesionale, ishte nj\u00eb piktur\u00eb n\u00eb vete, nj\u00eb piktur\u00eb me fjal\u00eb e cila fliste n\u00eb vazhdim\u00ebsi n\u00ebp\u00ebrmes ngjyr\u00ebs s\u00eb bardh\u00eb.<\/p>\n Nj\u00ebkoh\u00ebsisht, gjithmon\u00eb sipas konceptit estetik t\u00eb Lesingut, kjo bardh\u00ebsi ishte edhe nj\u00eb poezi q\u00eb fliste pa fjal\u00eb, por q\u00eb gjithsesi edhe t\u00eb linte pa fjal\u00eb. Nj\u00eb bardh\u00ebsi q\u00eb shtrihej gjer n\u00eb mrekulli. Nj\u00eb mrekulli q\u00eb shtrihej gjer n\u00eb p\u00ebrsosm\u00ebri. Ngado q\u00eb mund t\u00eb hidhej shikimi, ngado q\u00eb shfaqeshin ato pamje t\u00eb nj\u00eb bardh\u00ebsie t\u00eb tejdukshme, v\u00ebrehej nj\u00eb shije e ve\u00e7ant\u00eb deri n\u00eb adhurim: p\u00ebr t\u00eb bardh\u00ebn dhe p\u00ebr t\u00eb p\u00ebrsosur\u00ebn, p\u00ebr t\u00eb bukur\u00ebn dhe t\u00eb madh\u00ebrishmen, p\u00ebr estetiken dhe p\u00ebr artistiken. Ja q\u00eb kishte t\u00eb drejt\u00eb Horhe Louis Borhesi tek shkruante n\u00eb tregimin e tij Ulrika: Mrekullia ka t\u00eb drejt\u00eb t\u00eb v\u00eb kushte.<\/p>\n Ajo q\u00eb m\u00eb tej binte n\u00eb sy ishte pamja e sfondeve q\u00eb shpalosnin nj\u00eb simetri gj\u00ebrash, q\u00eb d\u00ebshmonin p\u00ebr nj\u00eb shije bukurije, dhe q\u00eb m\u00eb tej gjithashtu d\u00ebshmonin p\u00ebr nj\u00eb natyr\u00eb tep\u00ebr sodit\u00ebse, e cila n\u00eb soditjen e saj s\u2019do mend se kishte p\u00ebrpunuar p\u00ebrfytyrimin e pamjeve, sa t\u00eb pap\u00ebrs\u00ebritshme po aq edhe estetike. Nga t\u00eb gjitha k\u00ebto, shquhej sfondi me ca flak\u00eb t\u00eb vock\u00ebla kandilash, t\u00eb cil\u00ebt sikur fshihnin n\u00eb vete nj\u00eb zjarr bubulak, ndri\u00e7imi i t\u00eb cil\u00ebve n\u00eb spektrin e p\u00ebrpunimit t\u00eb p\u00ebrhersh\u00ebm t\u00eb p\u00ebrfytyrimit, sa vete e rrritej, merrte nj\u00eb dometh\u00ebnie t\u00eb ve\u00e7ant\u00eb, duke u mish\u00ebruar aq bukur dhe n\u00eb nj\u00eb funskion t\u00eb mir\u00ebfillt\u00eb estetik me drit\u00ebn q\u00eb vinte nga jasht\u00eb dhe duke dep\u00ebrtuar sa p\u00ebrmes xhamave t\u00eb dritareve po aq edhe p\u00ebrmes bardh\u00ebsis\u00eb s\u00eb perdeve, pal\u00ebt e t\u00eb cilave t\u00eb renditura ashtu bukur dhe n\u00eb simetri t\u00eb plot\u00eb, n\u00eb vete shpalosnin nj\u00eb but\u00ebsi m\u00ebndafshi, nj\u00eb qet\u00ebsi dhe nj\u00eb bardh\u00ebsi shkrir\u00eb n\u00eb nj\u00ebra-tjetr\u00ebn, si nj\u00eb q\u00ebndism\u00eb ngjyrash dhe sfondesh t\u00eb b\u00ebra gati p\u00ebr t\u00eb hyr\u00eb enkas n\u00eb nj\u00eb kronik\u00eb bukurie. Fillimisht t\u00eb krijohej p\u00ebrshtypja se profesioni i mantelbardh\u00ebve ishte ai q\u00eb e kishte p\u00ebrcaktuar edhe sfondin, edhe hap\u00ebsir\u00ebn, edhe tablot\u00eb, edhe imazhet, por sa m\u00eb shum\u00eb q\u00eb kundrohej sfondi aq m\u00eb shum\u00eb thellohej mendimi, aq m\u00eb shum\u00eb krijohej p\u00ebrshtypja p\u00ebr nj\u00eb dometh\u00ebnie t\u00eb re\u2026<\/p>\n Nj\u00eb rend dhe nj\u00eb rregull sipas mendimit t\u00eb njohur q\u00eb pat shprehur dikur Rene Shatobriani (t\u00eb cilit i qe falur epiteti demoni i zemrave) se shija \u00ebsht\u00eb rregullator i talentit.<\/p>\n Nj\u00eb rend dhe nj\u00eb rregull i v\u00ebn\u00eb me aq kujdes, me aq p\u00ebrkushtim, me aq kompetenc\u00eb dhe gjithsesi me nj\u00eb delikates\u00eb t\u00eb ve\u00e7ant\u00eb, gati-gati sipas parimit t\u00eb njohur t\u00eb nj\u00ebrit prej erudit\u00ebve m\u00eb t\u00eb shquar t\u00eb kombit shqiptar, Hasan Tahsinit: secili send – n\u00eb vend t\u00eb tij. Gjithsesi, pa munguar edhe dora q\u00eb di ku t\u00eb v\u00eb sendet, pa munguar as shkatht\u00ebsia dhe as dashuria p\u00ebr p\u00ebrsosm\u00ebrin\u00eb, p\u00ebr modesten por edhe p\u00ebr t\u00eb hijshmen, p\u00ebr t\u00eb bukur\u00ebn por dhe p\u00ebr t\u00eb madh\u00ebrishmen.<\/p>\n E bardha ngjante aq shum\u00eb me nj\u00eb vall\u00ebzim t\u00eb engj\u00ebjve. E bardha shkrihej n\u00eb p\u00ebrjet\u00ebsi. E bardha p\u00ebrhapej gjithandej deri n\u00eb mrekulli. E bardha p\u00ebrpinte hap\u00ebsir\u00ebn rreth e rrotull. Gati \u00e7do gj\u00eb ishte e veshur me t\u00eb bardha: sfondet e mureve, cepet e tyre, sip\u00ebrfaqet e dhomave, kthinat, tavolinat, ul\u00ebset, uniformat\u2026<\/p>\n E bardha fliste me nj\u00eb gjuh\u00eb t\u00eb ve\u00e7ant\u00eb sepse n\u00eb heshtjen q\u00eb krijonte brenda asaj hap\u00ebsire, e bardha ishte gjuha me t\u00eb cil\u00ebn fliste gjith\u00e7ka, madje deri n\u00eb ato p\u00ebrmasa sa dukej sikur e bardha kishte zbritur aty si nj\u00eb pasqyr\u00eb n\u00eb t\u00eb cil\u00ebn mund t\u00eb shihej nj\u00eb nga pjes\u00ebt m\u00eb t\u00eb bukura q\u00eb n\u00eb vetvete kishte ng\u00ebrthyer fillimisht edhe imagjinata, n\u00eb t\u00eb cil\u00ebn u shfaq m\u00eb s\u00eb pari vet\u00eb \u00ebndrra, vet\u00eb parajsa.<\/p>\n Nd\u00ebrkaq, doktoresha fliste shtruar dhe me nj\u00eb informacion p\u00ebr t\u2019u admiruar e duke kaluar nga nj\u00eb spjegim n\u00eb tjetrin, nga nj\u00ebri sqarim n\u00eb tjetrin, me nj\u00eb rit\u00ebm t\u00eb gjall\u00eb t\u00eb l\u00ebvizjes s\u00eb duarve dhe me nj\u00eb natyr\u00eb duksh\u00ebm skofiare-shfaqur nga p\u00ebrmbajtja e fjal\u00ebve me t\u00eb cil\u00ebn shquhej n\u00eb m\u00ebnyr\u00eb t\u00eb theksuar nj\u00eb admirim i qart\u00eb p\u00ebr profesionin, por gjithsesi edhe nj\u00eb natyr\u00eb e fisme\u2026<\/p>\n ***<\/p>\n Tanusha, sofra e kreshnik\u00ebve dhe miti i bukuris\u00eb<\/strong><\/p>\n N\u00eb thelpinjt\u00eb e holl\u00eb lirik, k\u00ebnga popullore gjakoi p\u00ebr bukurin\u00eb. Nj\u00eb nd\u00ebr vargjet m\u00eb t\u00eb bukura \u00ebsht\u00eb ai q\u00eb n\u00eb net\u00ebt e gjata t\u00eb rob\u00ebris\u00eb, arriti t\u00eb shpaloste pamjen e nj\u00eb bardh\u00ebsie e cila do t\u2019u falte drit\u00eb k\u00ebshtjellave: Dhe mbet\u00ebn ll\u00ebr\u00ebt e zonjave si shandan\u00eb n\u00ebp\u00ebr k\u00ebshtjella! Nd\u00ebrkaq, vargjet tjera t\u00eb eposit t\u00eb kreshnik\u00ebve do t\u00eb nxirrnin n\u00eb sfond nj\u00eb portret nga m\u00eb t\u00eb bukurit n\u00eb gjakimin e epik\u00ebs kreshnike, t\u00eb asaj epike e cila q\u00ebndron n\u00eb palc\u00eb t\u00eb visareve t\u00eb kombit. Pasi q\u00eb Sokol Halili e kishte l\u00ebshuar zem\u00ebr-klithjen e tij: E un\u00eb, Tanush\u00ebn e kam pa!, ai dal\u00ebngadal\u00eb do t\u00eb jepte edhe detaje t\u00eb tjera t\u00eb portretit t\u00eb saj rrezatonj\u00ebs:<\/p>\n Dh\u00ebmb\u00ebt e bardh\u00eb si gur\u00ebzit e lumit Nj\u00eb sfond i bardh\u00eb i mermerit m\u00eb monumental Sfondi i shfaqur p\u00ebrpara \u00ebsht\u00eb vet\u00eb bardh\u00ebsia dhe pafaj\u00ebsia e saj engj\u00ebllore. Nj\u00eb mrekulli bukurie. Nj\u00eb bukuri mahnit\u00ebse. Nj\u00eb sfond n\u00eb prapavij\u00ebn e t\u00eb cilit shfaqen shekujt dhe \u00ebndrra e tyre e gjat\u00eb, p\u00ebrvijuese. M\u00eb tej n\u00eb p\u00ebrpunimin e nj\u00eb p\u00ebrfytyrimi sa epik po aq edhe lirik, troku i kuajve t\u00eb bardh\u00eb. Jan\u00eb krushqit e ngrir\u00eb. M\u00eb tej, jelet e bardha t\u00eb kalit q\u00eb mbi shpin\u00ebn e tij e bart\u00eb nj\u00eb hije! Hije e cila her\u00eb sh\u00ebmb\u00ebllen me lot\u00ebt e motr\u00ebs e her\u00eb me dhimbjen e v\u00ebllait. N\u00eb po t\u00eb nj\u00ebjtin sfond shfaqet her\u00eb Konstantini e her\u00eb e motra. Shtegu \u00ebsht\u00eb i gjat\u00eb, rruga \u00ebsht\u00eb e larg\u00ebt, shpresa \u00ebsht\u00eb e vak\u00ebt por ashtu si\u00e7 qart\u00ebsohet drita, ashtu ngjallet e forcohet edhe shpresa. Fillmisht ngadal\u00eb e pastaj m\u00eb shum\u00eb. Gjithnj\u00eb m\u00eb shum\u00eb derisa vetvetiu shfaqet pyetja: N\u00eb nd\u00ebrkoh\u00eb q\u00eb Doruntina troket n\u00eb port\u00ebn e sht\u00ebpis\u00eb s\u00eb vjet\u00ebr: N\u00ebn\u00eb, hape! Jam un\u00eb, Rina! N\u00eb nd\u00ebrkoh\u00eb q\u00eb n\u00ebna nuk u beson fillimisht vesh\u00ebve, e pastaj as syve: Kush troket n\u00eb k\u00ebt\u00eb nat\u00eb t\u00eb von\u00eb? A mos je lajm\u00ebtarja e vdekjes?! M\u00eb solli Konstantini i Vog\u00eblth! Nuk \u00ebsht\u00eb rast\u00ebsi pse pamja e shfaqur p\u00ebrpara \u00ebsht\u00eb bardh\u00ebsi n\u00eb vete. Gjurm\u00eb shekujsh e shtigje drite. Nj\u00eb bot\u00eb e nj\u00ebjt\u00eb me shamibardhat t\u00eb cilat i shpalosnin ato mes kuj\u00ebs dhe gjakut, p\u00ebr t\u2019i \u00e7uar mesazhe paqeje dhe shprese qiellit, n\u00ebp\u00ebrmjet lutjeve t\u00eb p\u00ebll\u00ebmb\u00ebve t\u00eb duarve t\u00eb tyre gjith\u00eb bekim per\u00ebndie. Gjithsesi, edhe gjurm\u00eb plisabardh\u00ebsh. Edhe hapa drejt shtigjeve t\u00eb bardha, ecur mbi tehun e shpatave dhe jatagan\u00ebve, mbi flak\u00ebt e vet\u00ebtimave. Nj\u00eb popull shpirtbardh\u00eb, si\u00e7 i shkruante Bajroni t\u00eb \u00ebm\u00ebs, n\u00eb nj\u00eb nga letrat e tij d\u00ebrguar nga Shqip\u00ebria.<\/p>\n E bardha e mermerit monumental, t\u00eb cil\u00ebn historia na e fragmentoi n\u00eb m\u00ebnyr\u00ebn m\u00eb t\u00eb pam\u00ebshirshme. E bardha e portretit q\u00eb shfaqet gjith\u00eb madh\u00ebshti dhe hijeshi: Teuta me skeptrin e saj mbret\u00ebror, kur ishte regjinesh\u00eb vet\u00eb (si\u00e7 do t\u00eb shprehej Mitrush Kuteli n\u00eb Poemthin Kosovar: kur isha zot vet, nga nj\u00ebri det n\u00eb tjetrin det), Hyjnesha e Butrintit. Pastaj Elikona ilire. Etleva dardane. Dodona dhe Tempulli i saj. Mermeri m\u00eb monumental i nj\u00eb kombi t\u00eb lasht\u00eb, \u00ebndrra e bardh\u00eb e t\u00eb cilit kishte hyr\u00eb n\u00ebn urdh\u00ebrat e bekimit hyjnor tre mij\u00eb vjet m\u00eb par\u00eb. Nuk \u00ebsht\u00eb pra rast\u00ebsi pse nj\u00eb nga poet\u00ebt m\u00eb t\u00eb shquar t\u00eb viteve \u201930-t\u00eb Ernest Koliqi, n\u00eb poezin\u00eb e tij Gjuha shqipe, do t\u00eb l\u00ebshonte zem\u00ebr-klithjen e tij lirike: O gjuh\u00eb e folun, tre mij\u00eb prandvera! Kurse poeti tjet\u00ebr i ting\u00ebllimave t\u00eb pap\u00ebrs\u00ebritshme Ndre Mjeda, do ta quante gjuh\u00ebn shqipe: nj\u00eb diell pa hije!…<\/p>\n * * *<\/p>\n N\u00eb p\u00ebrpunimin e nj\u00eb parafytyrimi p\u00ebr bardh\u00ebsin\u00eb dhe mrekullin\u00eb e saj-si prerlud i nj\u00eb gjakimi t\u00eb theksuar p\u00ebr p\u00ebrsosm\u00ebrin\u00eb, Doktoresha \u201cMaja\u201d (si\u00e7 e quajn\u00eb me perk\u00ebdheli), n\u00eb t\u00eb v\u00ebrtet\u00eb me pun\u00ebn dhe p\u00ebrkushtimin e saj, me dhuntin\u00eb dhe me profesionalizmin e saj, ka ngritur nj\u00eb: Akademi Bukurie.<\/p>\n \u00cbsht\u00eb imagjinata n\u00eb p\u00ebrc\u00ebllim t\u00eb realitetit!<\/strong> Duke e lidhur n\u00eb m\u00ebnyr\u00eb t\u00eb vetvetishme bardh\u00ebsin\u00eb tok\u00ebsore me at\u00eb qiellore, imagjinata n\u00eb p\u00ebrc\u00ebllim t\u00eb realitetit vetvetiu e ka p\u00ebrs\u00ebritur nj\u00eb lutje si ajo p\u00ebr t\u00eb cil\u00ebn shkroi Hygo. Dhe nj\u00eb lutje me nj\u00eb sfond t\u00eb till\u00eb estetik, nuk \u00ebsht\u00eb gj\u00eb tjet\u00ebr ve\u00e7se nj\u00eb p\u00ebrgj\u00ebrim p\u00ebr nj\u00eb paqe t\u00eb p\u00ebrjetshme. P\u00ebrgj\u00ebrim si ai q\u00eb b\u00ebri bardi i madh i letrave shqipe Jeronim de Rada (tek poema e tij Princesha e Magjepsur), e p\u00ebr t\u00eb cilin Ernest Koliqi me t\u00eb drejt\u00eb qe shprehur: I ndiesh\u00ebm ndaj s\u00eb bukur\u00ebs, dhurat\u00eb t\u00eb cil\u00ebn neve vdektar\u00ebve na e fali Per\u00ebndia.<\/p>\n Duket qart\u00eb se t\u00eb lindurit n\u00eb maj kan\u00eb nj\u00eb deboles\u00eb t\u00eb ve\u00e7ant\u00eb p\u00ebr t\u00eb bukur\u00ebn dhe p\u00ebr t\u00eb madh\u00ebrishmen. Pik\u00ebrisht n\u00eb k\u00ebt\u00eb q\u00ebndron edhe suksesi i tyre: ata gjithmon\u00eb ia dalin! Madje ia dalin t\u00eb prirur nga besimi p\u00ebr t\u00eb cilin Viktor Hygo shprehej: Vullneti gjen, liria zgjedh. (Sepse) njeriu i lir\u00eb \u00ebsht\u00eb ai q\u00eb gjen vullnetin e Zotit\u2026<\/p>\n * * *<\/p>\n \u00cbsht\u00eb e ditur se n\u00eb t\u00eb kaluar\u00ebn historike familjet fisnike kishin stemat dhe kishin shenjat dalluese, emblemat e tyre dhe mbishkrimet e tyre. Fjala vjen, moto e Der\u00ebs Mbret\u00ebrore t\u00eb Anglis\u00eb ishte: Zoti dhe drejt\u00ebsia ime; Konfederata e Zvicr\u00ebs: Nj\u00eb p\u00ebr t\u00eb gjith\u00eb, t\u00eb gjith\u00eb p\u00ebr nj\u00eb; Shtetet e Bashkuara t\u00eb Amerik\u00ebs: Prej shum\u00eb shteteve, vet\u00ebm nj\u00eb; Luigji i Dyt\u00eb n\u00eb emblem\u00ebn e cila kishte nj\u00eb tuf\u00eb me ferra, e vinte mbishkrimin: Kush e prek\u00eb-therret! Margarita e Austris\u00eb: \u00cbsht\u00eb nj\u00eb grindje t\u00eb cil\u00ebn \u00ebsht\u00eb v\u00ebshtir\u00eb ta spjegosh! Akademia e Shkencave e Parisit: Gjej dhe P\u00ebrkryej! Akademia Franceze: P\u00ebrjet\u00ebsisht! Akademia e Shkencave t\u00eb Petrogradit: Pak nga pak! Akademia Mbret\u00ebrore e Madridit: Pastro, fikso dhe jep shk\u00eblqim! N\u00eb godin\u00ebn e nj\u00eb opera gjermane shkruan: Bahu na dha fjal\u00ebn e Zotit, Mocarti na dha t\u00eb qeshur\u00ebn e Zotit, Bethoveni na dha zjarrin e Zotit, Zoti na dha muzik\u00ebn q\u00eb t\u00eb lutemi pa fjal\u00eb. E Faik Konica thoshte se: \u201cBahu, Bethoveni, Shuberti dhe Shopeni jan\u00eb emrat e per\u00ebndish\u00ebm, t\u00eb atyre njer\u00ebzve t\u00eb \u00e7uditshm q\u00eb flasin gjuh\u00ebn e shpirtit dhe t\u00eb qiellit, nj\u00eb gjuh\u00eb e p\u00ebrgjithshme q\u00eb kuptohet prej t\u00eb gjith\u00ebve, me pak durim dhe dashuri.\u201d<\/p>\n Mbi varrin e komediografit t\u00eb madh francez Zhan Batist Pok\u00eblen Lily Molier-it, \u00ebsht\u00eb shkruar epitafi: \u201cLavdia e tij, nuk ka nevoj\u00eb p\u00ebr asgj\u00eb, por e jona ka nevoj\u00eb p\u00ebr t\u00eb!\u201d Kardinali Rishelje: Mos braktis lart\u00ebsit\u00eb! Bertrand: Virtyti ma jep ate q\u00eb bukuria nuk ma jep! Gryphius (nj\u00eb i njohur francez i shekullit XVI-t\u00eb n\u00eb Lion): Me virtytin si udh\u00ebheq\u00ebs e me fatin si shok! Elzevir (nj\u00eb botues tjet\u00ebr i njohur holandez): Fal\u00eb mir\u00ebkuptimit, gj\u00ebrat e vogla b\u00ebhen t\u00eb m\u00ebdha. Poeti gjenial Omar Khajami: Me devotshm\u00ebri, duke shenjt\u00ebruar nd\u00ebrgjegjen time! Leonik Tomeu: Shpirti i njer\u00ebzish\u00ebm me mendime t\u00eb ul\u00ebta e t\u00eb err\u00ebta, nuk mund t\u00eb krenohet. Naum Veqilharxhi: M\u00eb mir\u00eb von\u00eb se kurr\u00eb, po nisemi nga p\u00ebrparimi, nga nd\u00ebrtimi dhe p\u00ebrhapja e shkoll\u00ebs shqipe! (si\u00e7 i shkruante t\u00eb nipit Jani Calit); Jeronim De Rada: Gjaku yn\u00eb i shprishur, fisi yn\u00eb i shp\u00ebrndar\u00eb. N\u00eb mbishkrimin e varrit t\u00eb Jeronim De Rad\u00ebs shkruan: \u201cP\u00cbRGJUJU ARB\u00cbRESH, K\u00cbTU PUSHON, JERONIM DE RADA, K\u00cbNG\u00cbTAR I SHQIP\u00cbRIS, UDH\u00cbHJEK\u00cbS I PAR\u00cb I LIRIS KOMB\u00cbTARE.\u201d<\/p>\n Kombit tim-i cop\u00ebtuar dhe i shp\u00ebrndar\u00eb, por nj\u00eb! (shkrimtari arb\u00ebresh Vin\u00e7enc Dorsa). Zef Skiroi: I mall\u00ebngjyesh\u00ebm bie n\u00eb gjunj\u00eb dhe puth\u00eb tok\u00ebn e andrrueme. D\u00ebgjon shpirtnat e mo\u00e7\u00ebm q\u00eb e p\u00ebrsh\u00ebndesin: O gjaku yn\u00eb, po kthehesh me zem\u00ebr t\u00eb past\u00ebr, ashtu si\u00e7 je largue! Faik Konica: Ati yn\u00eb q\u00eb je n\u00eb qiell, jepna fuqi t\u00eb mbajm\u00eb goj\u00ebn mbyllur, kur s\u2019kemi gj\u00eb p\u00ebr t\u00eb th\u00ebn\u00eb! Nikolla Na\u00e7o: Un\u00eb nuk marr parasysh p\u00ebrfilljet e \u00e7astit, po ngritem dhe v\u00ebrej qindvjet\u00ebt e ardhsh\u00ebm! Visar Dodani: Jemi bijt\u00eb e nj\u00eb kombi t\u00eb pamposhtur, t\u00eb nj\u00eb kombi q\u00eb na p\u00ebrkujton atdheun e na ndez\u00eb zemr\u00ebn zjarr.<\/p>\n Gjaku i Arb\u00ebrit nuk do t\u00eb shprishet kurr\u00eb! (si\u00e7 kan\u00eb besuar dhe besojn\u00eb: Arb\u00ebresh\u00ebt e Italis\u00eb, Arb\u00ebror\u00ebt e Greqis\u00eb, Arb\u00ebresh\u00ebt e Kroacis\u00eb dhe gjithandej ku rron gjaku i arb\u00ebrit); Musa Shehzade, me rastin e hapjes s\u00eb Lidhjes s\u00eb Dyt\u00eb t\u00eb Prizrenit: Na po e shpallim haptas, nuk kemi as m\u00eb t\u00eb voglin pretendim mbi asnj\u00eb cop\u00eb toke q\u00eb nuk asht e jona. Duem, pra vet\u00ebm gjith\u00e7ka asht tok\u00eb arbnore, e banueme prej nji popullsie shqiptare. Prandaj, fqinj\u00ebt t\u2019an\u00eb nuk kan\u00eb \u00e7ka druejn\u00eb prej nesh. At\u00eb Antonio Bellushi: Arb\u00ebria jon\u00eb n\u00eb Itali \u00ebsht\u00eb si nj\u00eb zjarr i fshehur, i pjekur, \u00ebsht\u00eb i vjet\u00ebr dhe \u00e7do her\u00eb q\u00eb e shikon, e zbulon, e admiron. Ministria e Arsimit e Republik\u00ebs s\u00eb Shqip\u00ebris\u00eb i ka v\u00ebn\u00eb fjal\u00ebt e poetit komb\u00ebtar Naim Frash\u00ebrit, p\u00ebr mbishkrim: Dhe drit\u00eb e dituris\u00eb p\u00ebrpara do na shpjer\u00eb!…<\/p>\n * * *<\/p>\n Faik Konica: Shileri ishte ithtar i parimit universal se: Rruga e liris\u00eb kalon n\u00ebp\u00ebr t\u00eb bukur\u00ebn! Nd\u00ebrkaq, fjala vjen Jeronim de Rada, ky shpirt i bardh\u00eb i Shqip\u00ebris\u00eb martire e ky martir i mendimit t\u00eb madh, shkroi dhe veproi-si\u00e7 e thoshte vet\u00eb \u201cp\u00ebr rilindjen intelektuale dhe morale t\u00eb atdheut ton\u00eb t\u00eb braktisur\u201d, duke besuar se \u201cajo prani e p\u00ebrhershme e virtytit hyjnor t\u00eb asaj Fjale e b\u00ebn fitimtar n\u00eb am\u00ebshim.\u201d<\/p>\n Edhe p\u00ebr De Rad\u00ebn fjala ishte fryma e fundit e shpirtit, ishte ajo q\u00eb i hapte portat e liris\u00eb. Poetika e emrave me t\u00eb cil\u00ebt Jeronim De Rada pag\u00ebzoi veprat e tij, si: Imotoe, Parayllja, Vantisana, Nasta, Agata e Pravat\u00ebs, Diana, Serafina Topia, Anmaria Kominiate, Adina, Videlaida, ka nj\u00eb dometh\u00ebnie t\u00eb ve\u00e7ant\u00eb, e ku emri Serafina Topia pa dyshim se e ka edhe simbolik\u00ebn e frym\u00ebzimit t\u00eb tij t\u00eb madh, por gjithsesi edhe vler\u00ebn e lart\u00eb ideo-estetike.<\/p>\n Poetik\u00ebn e emrave Jeronim De Rada e p\u00ebrpunoi n\u00eb p\u00ebrfytyrimin e tij t\u00eb lart\u00ebsimit t\u00eb shekullit t\u00eb XV-t\u00eb, t\u00eb shk\u00eblqimit t\u00eb lavdis\u00eb s\u00eb Arb\u00ebris\u00eb n\u00ebn arm\u00ebt e Gjergj Kastriotit – Sk\u00ebnd\u00ebrbeut. Pra, rruga p\u00ebr ta lart\u00ebsuar dor\u00ebn q\u00eb gjithmon\u00eb e ka p\u00ebrkundur djepin e liris\u00eb son\u00eb, ve\u00e7 ishte trasuar, por duhej vazhduar tutje: edhe me pen\u00eb.<\/p>\n Nga po ky rrafsh (i rrug\u00ebs s\u00eb shtruar nga pararend\u00ebsit), do t\u00eb fliste edhe Fan Noli, n\u00eb nj\u00eb nga gur\u00ebt e \u00e7muar t\u00eb oratoris\u00eb s\u00eb tij, p\u00ebrpara shqiptar\u00ebve t\u00eb Amerik\u00ebs: Iden\u00eb p\u00ebr nj\u00eb Shqip\u00ebri indipendente nuk e shpik\u00ebm ne. At\u00eb e gjet\u00ebm tek populli yn\u00eb, tek dy-varg\u00ebshi i k\u00ebng\u00ebs popullore: Sos p\u00ebr mua e sos p\u00ebr ti, por p\u00ebr gjith\u00eb Shqip\u00ebri!<\/p>\n Rrjedhimisht, edhe shija estetike p\u00ebr t\u00eb p\u00ebrfytyruar nj\u00eb akademi, nuk \u00ebsht\u00eb e pabaz\u00eb. S\u00ebrish ajo \u00ebsht\u00eb k\u00ebrkuar dhe gjetur tek zanafilla e poetik\u00ebs s\u00eb pag\u00ebzimit (e ku pa dyshim se mbizot\u00ebron shkronja F, sa her\u00eb q\u00eb m\u00ebtohet t\u00eb parathuhet e pritmja e fatit ton\u00eb, qoft\u00eb si fitore apo edhe qoft\u00eb si fati jon\u00eb): Flutura, Majlinda, Kaltrina\u2026<\/p>\n * * *<\/p>\n Zonj\u00eb, i kujt ishte vegimi hyjnor?<\/strong> Nd\u00ebrkaq, Robert Fitxherald n\u00eb esen\u00eb e tij Zonj\u00eb, tre leopard t\u00eb bardh\u00eb, mes tjerash ka shtruar pyetjet e nj\u00eb dometh\u00ebnieje t\u00eb ve\u00e7ant\u00eb: Zonj\u00eb, tre leopard t\u00eb bardh\u00eb rrin\u00eb n\u00ebn nj\u00eb d\u00ebllinj\u00eb. Kush \u00ebsht\u00eb zonja? E kujt \u00ebsht\u00eb d\u00ebllinja? \u00c7\u2019po b\u00ebjn\u00eb leopard\u00ebt? T\u00eb gjitha k\u00ebto pyetje i jan\u00eb n\u00ebnshtruar guximit t\u00eb vegimit\u2026<\/p>\n Gjithsesi, nj\u00eb dit\u00eb do t\u00eb ket\u00eb nj\u00eb Akademi t\u00eb Bukuris\u00eb, dhe se kurdo q\u00eb do t\u00eb shtrohet pyetja p\u00ebrmes nj\u00eb parafrazimi si m\u00eb lart: Zonj\u00eb, i kujt ishte vegimi hyjnor?, gjithmon\u00eb p\u00ebrgjigja do t\u00eb jet\u00eb e nj\u00ebjt\u00eb, mbase mbishkrimi m\u00eb i bukur p\u00ebr nj\u00eb Akademi t\u00eb Bukuris\u00eb\u2026<\/p>\n Me nj\u00eb qet\u00ebsi olimpike ku duket sikur asgj\u00eb nuk pip\u00ebtin\u00eb, me nj\u00eb bardh\u00ebsi deri n\u00eb pafund\u00ebsi – nj\u00eb bardh\u00ebsi q\u00eb t\u00eb p\u00ebrpin\u00eb rreth e rrotull studios, Majlinda Jusufi ka shkrir\u00eb n\u00eb nj\u00eb: mrekullin\u00eb me p\u00ebrjet\u00ebsin\u00eb. Duke krijuar nj\u00eb sfond t\u00eb till\u00eb, duke e shfaqur n\u00eb t\u00eb q\u00ebllimisht vet\u00ebm bardh\u00ebsin\u00eb, doktoresha Jusufi ka projektuar n\u00eb p\u00ebrfytyrimin estetik: Akademin\u00eb p\u00ebr Bukurin\u00eb. Kundruar nga ky priz\u00ebm, e bardha q\u00eb shfaqet rreth e qark, m\u00eb shum\u00eb se e profesionit t\u00eb mantelbardh\u00ebve, \u00ebsht\u00eb e bardha e nj\u00eb sfondi q\u00eb kalon caqet e simbolik\u00ebs deri n\u00eb ato kahje sa p\u00ebrmasa e saj n\u00eb vete ng\u00ebrthen prirjen p\u00ebr p\u00ebrsosm\u00ebrin\u00eb. E th\u00ebn\u00eb ndryshe, bardh\u00ebsia e vargjeve t\u00eb eposit t\u00eb kreshnik\u00ebve del q\u00eb andej dhe zbret n\u00eb shkatht\u00ebsit\u00eb e duarve q\u00eb gdhendin dh\u00ebmbin, sepse doktoresha e di se t\u00eb gdhend\u00ebsh ashtin nuk \u00ebsht\u00eb m\u00eb e leht\u00eb se sa t\u00eb gdhend\u00ebsh gurin.<\/p>\n Ve\u00e7mas kur gdhendja, p\u00ebrkat\u00ebsisht latimi b\u00ebhet n\u00eb at\u00eb m\u00ebnyr\u00eb sa shum\u00eb\u00e7ka ng\u00ebrthen t\u00eb v\u00ebrtetat e th\u00ebnies p\u00ebr dh\u00ebmb\u00ebt si inxhi. Pra, p\u00ebr dh\u00ebmb\u00ebt: si perla! Shk\u00eblqimi i dh\u00ebmb\u00ebve, bardh\u00ebsia e tyre, latimi si dhe zbardh\u00ebllimi, nxjerr n\u00eb sfond s\u00ebrish portretin e Tanush\u00ebs me \u201cdh\u00ebmb\u00ebt e bardh\u00eb si gur\u00ebzit e lumit, fill pas shiut kur po sh\u00ebndrit\u00eb dielli\u201d, t\u00eb asaj Tanushe t\u00eb cil\u00ebs poeti dhe shkrimtari Mitrush Kuteli, do t\u2019ia falte nj\u00eb nd\u00ebr krahasimet m\u00eb t\u00eb goditura: \u201cm\u00eb t\u00eb bukur\u00ebs, asaj q\u00eb duket si dielli kur bie nga deti…\u201d<\/p>\n Sa m\u00eb shum\u00eb q\u00eb e kundron t\u00eb bardh\u00ebn e k\u00ebsaj hap\u00ebsire dhe sa m\u00eb shum\u00eb q\u00eb kredhesh n\u00eb t\u00eb, aq m\u00eb shum\u00eb e kupton se m\u00eb tep\u00ebr se nj\u00eb studio ajo \u00ebsht\u00eb nj\u00eb Akademi Bukurie! N\u00eb t\u00eb v\u00ebrtet\u00eb, sa m\u00eb shum\u00eb q\u00eb e sodit\u00eb t\u00eb bardh\u00ebn e ngjashme me at\u00eb t\u00eb nj\u00eb mermeri monumental, aq m\u00eb shum\u00eb e kupton se t\u00eb bardh\u00ebn si ngjyr\u00eb nuk e ka p\u00ebrcaktuar profesioni i mjek\u00ebve. E bardha shpirtshpalosur b\u00ebhet k\u00ebshtu pjes\u00eb e pandashme e nj\u00eb kombi t\u00eb t\u00ebr\u00eb n\u00eb rrug\u00ebtimin e tij t\u00eb gjat\u00eb sa dhe t\u00eb mundimsh\u00ebm.<\/p>\n Ajo \u00ebsht\u00eb nj\u00eb \u00ebnd\u00ebrr shprese n\u00eb horizontin e s\u00eb ardhmes. Nj\u00eb brez i ri ka shpalosur nj\u00eb \u00ebnd\u00ebrr t\u00eb re, nj\u00eb shpres\u00eb t\u00eb re p\u00ebr triumfin e tij, duke sfiduar t\u00eb gjith\u00eb ata q\u00eb mboll\u00ebn male me varre e det me lot. Mbi ploj\u00ebn dhe gjam\u00ebn, mbi gjakun dhe vrrag\u00ebn, nj\u00eb \u00ebnd\u00ebrr e bardh\u00eb, nj\u00eb shpres\u00eb e re, nj\u00eb dit\u00eb e re shfaqet ngadh\u00ebnjimtare. Kjo \u00ebsht\u00eb mbase arsyeja kryesore, kjo \u00ebsht\u00eb shtytja, \u00ebsht\u00eb motivi q\u00eb \u00ebsht\u00eb shpalosur aq bukur dhe me aq shije nga Majlinda Jusufi.<\/p>\n Rrjedhimisht, ajo e ka projektuar me dhuntin\u00eb e saj t\u00eb lindur, me gjakimin e saj t\u00eb natyrsh\u00ebm e tep\u00ebr t\u00eb ve\u00e7ant\u00eb p\u00ebrjet\u00ebsin\u00eb, p\u00ebr t\u00eb cil\u00ebn Romen Rolan ka shkruar:<\/p>\n \u201cEkziston vet\u00ebm nj\u00eb g\u00ebzim: g\u00ebzimi i t\u00eb krijuarit, t\u00eb gjitha gj\u00ebrat tjera jan\u00eb hije, t\u00eb cilat si t\u00eb huaja n\u00eb bot\u00eb, rrin\u00eb pezull mbi tok\u00eb. Gjith\u00eb k\u00ebnaq\u00ebsia \u00ebsht\u00eb k\u00ebnaq\u00ebsi krijuese, k\u00ebnaq\u00ebsi e dashuris\u00eb, e gjeniut, e vepr\u00ebs. T\u00eb gjitha k\u00ebto kan\u00eb mbir\u00eb nga d\u00ebshira e zjarrt\u00eb: a krijohet n\u00eb sfer\u00ebn e vepr\u00ebs a t\u00eb shpirtit? Kjo gjithmon\u00eb \u00ebsht\u00eb ikje nga burgu i trupit, k\u00ebrcim n\u00eb shtr\u00ebngat\u00ebn e jet\u00ebs, \u00ebsht\u00eb t\u00eb ekzistuarit n\u00eb trajt\u00ebn hyjnore. T\u00eb krijosh, don t\u00eb thot\u00eb t\u00eb mund\u00ebsh vdekjen.\u201d<\/p>\n * * *<\/p>\n Lulet e kopshtit t\u00eb Faik Konic\u00ebs (Shqip\u00ebria kop\u00ebsht shk\u00ebmbor i Europ\u00ebs juglindore), aurora q\u00eb shfaqet me tri ngjyrat e saj (e kuqja, e bardha dhe e portokallta), poetika e emrave si pag\u00ebzim (ashtu sikurse edhe n\u00eb universin poetik t\u00eb Jeronim De Rad\u00ebs), e q\u00eb n\u00eb simbolik\u00ebn e vet bashkon (gjithmon\u00eb sipas konceptit t\u00eb Viktor Hygos\u00eb p\u00ebr t\u00eb lidhur tok\u00ebn me qiellin, dhe gjithmon\u00eb p\u00ebrmes lutjes): horizontet e fluturave (n\u00eb emrin Flutura), t\u00eb kuqen e m\u00ebndafsht\u00eb t\u00eb tr\u00ebndafilave t\u00eb majit (n\u00eb emrin Majlinda), si dhe t\u00eb kalt\u00ebrt\u00ebn e hap\u00ebsirave t\u00eb pafundshme t\u00eb qiellit dhe t\u00eb detit (n\u00eb emrin Kaltrina); zem\u00ebr-thirrja e cila sh\u00ebrben si nj\u00eb ylber fjal\u00ebsh, dhe q\u00eb doemos se t\u00eb kujton paqen e p\u00ebrjetshme sipas konceptit t\u00eb Kantit, p\u00ebrkat\u00ebsisht paqen shpirt\u00ebrore (si nj\u00eb ikje nga ajo q\u00eb Naim Frash\u00ebri e quante nj\u00eb bot\u00eb \u201cmes rr\u00ebmuj\u00ebs dhe rr\u00ebmetit\u201d), zem\u00ebr-thirrja e cila duke soditur nj\u00eb sfond bardh\u00ebsie sikur ka b\u00ebr\u00eb ftes\u00eb (p\u00ebr) n\u00eb studio, p\u00ebrkat\u00ebsisht ftes\u00eb p\u00ebr nj\u00eb Akademi Bukurie, akademi e cila gjithsesi tejkalon p\u00ebrmasat e nj\u00eb Saatchi Gallery, zem\u00ebr-thirrja q\u00eb si ca lenta ylberi p\u00ebrshkon letrat shqipe: \u201cVendi ku ndihesh v\u00ebrtet bukur, My Beauty Clinic\u2026\u201d, dhe s\u00ebrish pyetja e pashmangshme: Zonj\u00eb, i kujt ishte vegimi hyjnor?!<\/p>\n","protected":false},"excerpt":{"rendered":" Majlinda Jusufi — nga Xhemail Peci (Fragmente nga sprova estetike: Akademia e Bukuris\u00eb) N\u00eb t\u00eb majt\u00eb t\u00eb bulevardit D\u00ebshmor\u00ebt e Kombit, rruga q\u00eb p\u00ebrshkon nj\u00eb pjes\u00eb bukur t\u00eb gjat\u00eb t\u00eb kryeqytetit t\u00eb Kosov\u00ebs (Prishtin\u00eb), e q\u00eb shpie andej kah fillon rreth-rrotullimi i cili deg\u00ebzon rrug\u00ebt p\u00ebr n\u00eb drejtime t\u00eb ndryshme (n\u00eb t\u00eb majt\u00eb t\u00eb tij […]<\/p>\n","protected":false},"author":1,"featured_media":67069,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[],"class_list":["post-6308","post","type-post","status-publish","format-standard","has-post-thumbnail","category-artikuj"],"yoast_head":"\n![\"\"](\"http:\/\/fjala.info\/2016\/beauty_clinic.jpg\" "\\"my")
<\/p>\n![\"\"](\"http:\/\/fjala.info\/2016\/piling_mbreteror.jpg\" "\\"piling")
<\/p>\n![\"\"](\"http:\/\/fjala.info\/2016\/klinika_estetike.jpg\" "\\"klinika")
<\/p>\n![\"\"](\"http:\/\/fjala.info\/2016\/klinika_estetike1.jpg\" "\\"klinika")
<\/p>\n
\nFill pas shiut kur po i sh\u00ebndrit\u00eb dielli<\/strong><\/p>\n
\nKronika e pikave t\u00eb shiut si nj\u00eb valc vienez n\u00ebp\u00ebr xhamat e dritareve!. Kronika e sfondit t\u00eb bardh\u00eb. Pamja p\u00ebrpara sikur merr flatra: magjepsja ndaj mrekullis\u00eb s\u00eb bukuris\u00eb. Si nj\u00eb vello nus\u00ebrie kur Donika Arianiti hyri n\u00eb Manastirin e Ardenic\u00ebs. Mrekullimi p\u00ebrpara bukuris\u00eb. Nj\u00eb bardh\u00ebsi gjith\u00eb p\u00ebrsosm\u00ebri dhe gjith\u00eb p\u00ebrjet\u00ebsi, si frym\u00ebmarrja e atyre q\u00eb k\u00ebndojn\u00eb k\u00ebng\u00ebt polifonike n\u00eb iso. E bardha \u00ebsht\u00eb sfondi ku frym\u00ebzimi rri si nj\u00eb hyjni krejt\u00ebsisht e ve\u00e7ant\u00eb e artit.<\/p>\n![\"\"](\"http:\/\/fjala.info\/2016\/erza_goga_majlinda_jusufi_lumira_kelmendi.jpg\" "\\"Erza")
Erza Goga, Majlinda Jusufi, Lumira Kelmendi<\/strong><\/p>\n
\nKush e solli Doruntin\u00ebn?<\/p>\n
\nE s\u00ebrish z\u00ebri shfaqet n\u00eb nj\u00eb horizont me sfond t\u00eb bardh\u00eb: Jam Rina! N\u00ebn\u00eb!
\nDhe n\u00ebna shp\u00ebrthen n\u00eb ngash\u00ebrime: Rina?! Po kush t\u00eb solli?<\/p>\n
\nPa dyshim nj\u00eb sfond p\u00ebr t\u00eb cilin muzika do t\u00eb v\u00ebrtetonte th\u00ebnien se ajo \u00ebsht\u00eb thellim i qiellit. Pa dyshim nj\u00eb muzik\u00eb q\u00eb sh\u00ebmb\u00ebllen me nj\u00eb simfoni hyjnore.<\/p>\nNj\u00eb mbishkrim p\u00ebr Akademin\u00eb e Bukuris\u00eb<\/h3>\n
\nGjithsesi nj\u00eb pamje gjith\u00eb bardh\u00ebsi, e cila shfaqet dhe ri-shfaqet s\u00ebrish gjith\u00eb gjall\u00ebri e p\u00ebrplot p\u00ebrjet\u00ebsi.
\nEdhe nj\u00eb d\u00ebshmi se mbi sfondin e mermerit monumental t\u00eb ngjyr\u00ebs s\u00eb bardh\u00eb, \u00ebsht\u00eb ngritur p\u00ebr bukuri nj\u00eb Akademi, preludi i s\u00eb cil\u00ebs hyri n\u00eb p\u00ebrjet\u00ebsi q\u00eb n\u00eb lasht\u00ebsi, sepse si\u00e7 do t\u00eb shkruante poeti: \u201cuniversi \u00ebsht\u00eb nj\u00eb lule e re\u201d, se \u201cbota ka shpirt\u201d dhe se: \u201cKrijuesi Gazmor q\u00eb Vall\u00ebzon n\u00eb Am\u00ebshim\u201d (Alan Gizenberg), pik\u00ebrisht sepse e bekoi pamjen n\u00eb t\u00eb cil\u00ebn shfaqet e bardha dhe e m\u00ebshiroi qenien njer\u00ebzore tek fali lloj-lloj lulesh, por p\u00ebrmes nj\u00eb simbolike t\u00eb till\u00eb la edhe mund\u00ebsin\u00eb q\u00eb t\u2019i falemi p\u00ebrunj\u00ebsisht, madje n\u00eb ato p\u00ebrmasa p\u00ebr t\u00eb cilat Viktor Hygo pat shkruar: T\u00eb lidh\u00ebsh infinitin e lart\u00eb (Zotin) me infinitin e ul\u00ebt (shpirtin), kjo quhet lutje.<\/p>\n
\nQytet\u00ebria \u00ebsht\u00eb bukuria e mendjes. Drejt bukuris\u00eb s\u00eb mendimit<\/strong>
\nFaik Konica, p\u00ebr t\u00eb cilin \u00ebsht\u00eb th\u00ebn\u00eb me t\u00eb drejt\u00eb se \u201cfjala e Kristoforidhit p\u00ebr t\u00eb kishte nj\u00eb fuqi hyjnore\u201d, n\u00eb shkrimin e tij Lulja e Maleve, mallin p\u00ebr atdheun do ta quante si di\u00e7ka t\u00eb shenjt\u00eb, dhe do t\u00eb shpaloste si koncept ideo-estetik bukurin\u00eb e mendjes, duke shkruar: \u201cSa mir\u00eb i vjen njeriut kur, pas shum\u00eb vjet largimi, shkel p\u00ebrs\u00ebri n\u00eb bot\u00ebn e m\u00ebm\u00ebdheut t\u00eb tij, kur hyn n\u00eb sht\u00ebpi a n\u00eb kasolle, duket sikur edhe gur\u00ebt e mureve i thon\u00eb \u201cmir\u00eb se erdhe\u201d, lulet e kopshtit, posi vasha bukuroshe, duket sikur i zgjatin dor\u00ebn dhe buz\u00ebt e hirshme, era ngjan sikur \u00ebsht\u00eb veshur me t\u00eb bukur\u00ebn stoli p\u00ebr ta pritur mikun e saj. Qytet\u00ebria \u00ebsht\u00eb bukuria e mendjes dhe e flakta d\u00ebshir\u00eb p\u00ebr lirin\u00eb. Le t\u00eb ecim me \u00e7ap titani drejt bukuris\u00eb s\u00eb mendimit, le t\u00eb p\u00ebrpiqemi t\u00eb vdesim p\u00ebr lirin\u00eb pa s\u2019kemi nevoj\u00eb t\u00eb nd\u00ebrrojm\u00eb ato zakone aq bukuroshe.\u201d<\/p>\n
\nFridirih Shileri n\u00eb Letr\u00ebn e n\u00ebnt\u00eb, mes tjerash theksonte: \u201cAshtu si\u00e7 jeton arti fisnik m\u00eb gjat\u00eb se natyra fisnike, po ashtu ai ia kalon asaj edhe n\u00eb gjinin\u00eb frym\u00ebzuese q\u00eb vazhdimisht formon dhe zgjon shpirtra.\u201c<\/p>\n
\nPoeti romantik anglez Bajroni (i cili kujtes\u00ebs s\u00eb bjerrur europiane i fliste z\u00ebsh\u00ebm, duke shkruar se: \u2018Shqiptar\u00ebt jan\u00eb raca m\u00eb e bukur nga pik\u00ebpamja e ardhjes n\u00eb bot\u00eb\u2019, kurse atdheun e shqiptar\u00ebve-Shqip\u00ebrin\u00eb e quante \u2018toka e rimave dhe e shpirtrave t\u00eb pap\u00ebrkulur\u2019), besonte se rima ka fuqin\u00eb e nj\u00eb perandorie dhe se deti \u00ebsht\u00eb n\u00ebna e bukuris\u00eb, p\u00ebrdersia fjala vjen, kancelari i Austris\u00eb dhe diplomanti mendjempreht\u00eb Meterniku, p\u00ebr fenomelogjin\u00eb e shpirtit shprehte mendimin e tij t\u00eb njohur se: Bukuria \u00ebsht\u00eb e vetmja gjuh\u00eb n\u00eb t\u00eb cil\u00ebn flet shpirti!<\/p>\n
\nDuke ia falur t\u00eb bardh\u00ebn si ngjyr\u00eb dominuese studios s\u00eb saj t\u00eb bukuris\u00eb, ajo ka dashur t\u00eb jet\u00eb n\u00eb brend\u00ebsin\u00eb me t\u00eb cil\u00ebn ka projektuar p\u00ebrjet\u00ebsin\u00eb.<\/p>\n