{"id":63695,"date":"2021-01-26T17:48:08","date_gmt":"2021-01-26T16:48:08","guid":{"rendered":"https:\/\/fjala.info\/?p=63695"},"modified":"2021-01-26T17:48:08","modified_gmt":"2021-01-26T16:48:08","slug":"rreth-disa-vecantive-te-veprave-dramatike-te-beqir-musliut","status":"publish","type":"post","link":"https:\/\/jehonashqiptare.al\/fjala\/rreth-disa-vecantive-te-veprave-dramatike-te-beqir-musliut\/","title":{"rendered":"RRETH DISA VE\u00c7ANTIVE T\u00cb VEPRAVE DRAMATIKE T\u00cb BEQIR MUSLIUT"},"content":{"rendered":"

\"\" Anton Nik\u00eb Berisha<\/strong><\/p>\n

\u00cbsht\u00eb e ditur se fillimet e dram\u00ebs avangarde e t\u00eb absurdit lidh\u00ebn me emrin e Alfred Jarry (1873 \u2013 1907), shkrimtar francez, autor i nj\u00eb varg veprash, midis t\u00eb cilave dhe \u201cMbreti Ubu\u201d (1897). Antiheroi i vepr\u00ebs s\u00eb tij \u00ebsht\u00eb i shfrenuar, i vrazhd\u00eb, i ngath\u00ebt dhe lakmitar dhe sipas fjal\u00ebve t\u00eb autorit, paraqet \u201c[…] krijes\u00ebn e neveritshme e cili na p\u00ebrngjan t\u00eb gjith\u00ebve n\u00eb thell\u00ebsit\u00eb m\u00eb t\u00eb m\u00ebvet\u00ebsishme[1]<\/a>\u201d.<\/p>\n

Armeni, Arthur Adamov (1908 \u2013 1970), i cili jetoi n\u00eb Paris, i dha nj\u00eb shtys\u00eb t\u00eb m\u00ebtejshme dram\u00ebs s\u00eb absurdit, po dy p\u00ebrfaq\u00ebsuesit m\u00eb t\u00eb shquar jan\u00eb: Eugene Ionesco (Ezhen Jonesko) dhe Samuel Beckett (Beket). Me veprat e tyre, sidomos me \u201cDuke pritur Godon\u00eb\u201d dhe m\u00eb \u201cK\u00ebng\u00ebtarja tullace\u201d, drama e absurdit ngrihet n\u00eb majat e saj.<\/p>\n

Drama \u201cDuke pritur Godon\u00eb\u201d u botua m\u00eb 1952 dhe u shfaq p\u00ebr her\u00ebn e par\u00eb n\u00eb Paris m\u00eb 1953 me regjin\u00eb e Roger Blin. Vepra p\u00ebrjetoi mbi 300 shfaqje. Ishte kjo dat\u00eb historike e teatrit[2]<\/a>.<\/p>\n

Beketi, nj\u00ebri nga themeluesit e \u201cteatrit t\u00eb absurdit\u201d, \u00ebsht\u00eb pa dyshim nga shkrimtar\u00ebt me ndikimin m\u00eb t\u00eb madh n\u00eb let\u00ebrsin\u00eb e shekullit XX.<\/p>\n

Duke folur p\u00ebr disa nga qen\u00ebsit\u00eb e dram\u00ebs s\u00eb absurdit, rumuni me prejardhje fr\u00ebnge, Ezhen Jonesko, shkruan: \u201cAbsurde \u00ebsht\u00eb ajo q\u00eb \u00ebsht\u00eb e zhveshur nga q\u00ebllimi. I shk\u00ebputur nga rr\u00ebnj\u00ebt e tij fetare, metafizike dhe transcendentale, njeriu \u00ebsht\u00eb i humbur, t\u00eb gjitha veprimet e tij b\u00ebhen t\u00eb pakuptimta, absurde, t\u00eb padobishme […] Teatri i absurdit e shtjellon karakterin e pakuptimt\u00eb t\u00eb jet\u00ebs njer\u00ebzore n\u00ebp\u00ebrmjet nj\u00eb q\u00ebndrimi tejet skeptik ndaj m\u00ebnyrave arsyetuese\u201d.<\/p>\n

Edhe pse drama e absurdit nuk pati nj\u00eb jet\u00eb t\u00eb gjat\u00eb, megjithat\u00eb ajo b\u00ebri nj\u00eb ndikim t\u00eb madh te shum\u00eb shkrimtar\u00eb, sidomos te dramaturg\u00ebt.<\/p>\n

Ky ndikim u shpreh dhe n\u00eb let\u00ebrsin\u00eb ton\u00eb. M\u00eb 1968 Anton Pashku botoi dram\u00ebn \u201cSinkopa\u201d, me t\u00eb cil\u00ebn b\u00ebri nj\u00eb thyerje t\u00eb ndjeshme n\u00eb m\u00ebnyr\u00ebn e t\u00eb shkruarit t\u00eb dram\u00ebs n\u00eb let\u00ebrsin\u00eb ton\u00eb.\u00a0K\u00ebt\u00eb e pasuroi dhe me dram\u00ebn tjet\u00ebr t\u00eb tij \u201cGof\u201d (1976<\/a>).<\/p>\n

N\u00eb \u201cSinkopa\u201d personazhet jan\u00eb Xhexheu dhe Gjegjeu, nd\u00ebrsa n\u00eb \u201cGof\u201d Lulashi, Lulua, Lulani, ku dyzimi shpirt\u00ebror i personazheve \u00ebsht\u00eb nj\u00eb nga p\u00ebrb\u00ebr\u00ebsit e r\u00ebnd\u00ebsish\u00ebm t\u00eb vepr\u00ebs dramatike[3]<\/a>.<\/p>\n

\"\"<\/p>\n

Duke folur p\u00ebr dram\u00ebn e absurdit t\u00eb Beketit \u201cDuke e pritur Godon\u00eb\u201d dhe dram\u00ebn e Anton Pashkut \u201cSinkopa\u201d, Mensur Raifi theksonte: \u201cN\u00eb pjes\u00ebn teatrale Duke pritur Godon\u00eb <\/em>t\u00eb Samuel Beketit, pritja \u00ebsht\u00eb pol i zbraz\u00ebt i tensionit dramatik, pritja \u00ebsht\u00eb perverse. Stragoni dhe Vlladimiri presin p\u00ebr t\u00eb pritur, sepse asgj\u00eb tjet\u00ebr nuk ndodh, jeta \u00ebsht\u00eb pritje. N\u00eb Sinkop\u00ebn<\/em> e Anton Pashkut k\u00ebrkimi \u00ebsht\u00eb i till\u00eb, i parezultat, i pacak, substitut i jetes\u00ebs, p\u00ebrmbushje e nj\u00eb zbraz\u00ebtire[4]<\/a>\u201d dhe \u201cNj\u00ebsoj si te Beketi, n\u00eb dramat e Anton Pashkut nuk ndodh asgj\u00eb[5]<\/a>\u201d.<\/p>\n

Nj\u00eb vep\u00ebr t\u00eb hartuar n\u00eb frym\u00ebn e dram\u00ebs s\u00eb absurdit e botoi m\u00eb 1974 arb\u00ebreshi Dushko Vetmo (Fran\u00e7esko Solano) Shkret\u00ebtira prej Gurit[6]<\/strong><\/a><\/em> n\u00eb Corigliano Calabro (Itali).<\/p>\n

P\u00ebr t\u00eb shqiptuar absurdin e jet\u00ebs n\u00eb koh\u00ebn e Luft\u00ebs s\u00eb dyt\u00eb bot\u00ebrore, p\u00ebrmbysjen e logjik\u00ebs s\u00eb veprimit, ai p\u00ebrdori si personazhe: Kukuvajk\u00ebn, Sorrat, Korbat, Skeletin I, Skeletin II, Z\u00ebrin, Vallen, po marrin pjes\u00eb, pa folur, edhe \u201cqent\u00eb e verdh\u00eb\u201d e skelete t\u00eb tjera.<\/p>\n

N\u00eb t\u00eb v\u00ebrtet\u00eb, n\u00eb k\u00ebt\u00eb pjes\u00eb dramaturgjike, jeta e njeriut shqiptohet si bot\u00eb e absurdit, e territ dhe e rr\u00ebnimit. Mjafton t\u2019u hedhim nj\u00eb sy emrave t\u00eb personazheve p\u00ebr t\u00eb th\u00ebn\u00eb se kemi t\u00eb b\u00ebjm\u00eb me gj\u00ebra jo t\u00eb r\u00ebndomta; e pazakonshmja d\u00ebshmohet edhe nga p\u00ebrshkrimi i vendit, ku vendosen ngjarja dhe personazhet.<\/p>\n

M\u00ebnyra e p\u00ebrftimit t\u00eb dramave t\u00eb Pashkut dhe t\u00eb Vetmos si dhe n\u00ebnteksti poetik q\u00eb del nga struktura tekstore p\u00ebrkat\u00ebse, d\u00ebshmojn\u00eb p\u00ebr krijesa t\u00eb menduara e t\u00eb shtjelluara me p\u00ebrkushtim t\u00eb madh q\u00eb, p\u00ebr t\u00eb dep\u00ebrtuar n\u00eb qen\u00ebsin\u00eb kuptimore t\u00eb tyre, k\u00ebrkohet m\u00eb shum\u00eb p\u00ebrpjekje se p\u00ebr krijimet e tjera letrare t\u00eb r\u00ebndomta, p\u00ebr arsye se shtresat kuptimore t\u00eb tekstit funksionojn\u00eb n\u00eb rrafshin thell\u00ebsor e n\u00eb forma t\u00eb ndryshme; ato jan\u00eb t\u00eb kapshme dhe mund t\u00eb vihet komunikim me to vet\u00ebm me lexim t\u00eb v\u00ebmendsh\u00ebm, po k\u00ebrkohet dhe dije p\u00ebr let\u00ebrsin\u00eb.<\/p>\n

R\u00ebnd\u00ebsia e kthes\u00ebs q\u00eb b\u00ebn\u00eb n\u00eb let\u00ebrsin\u00eb ton\u00eb veprat dramatike \u201cSinkopa\u201d, \u201cGof\u201d t\u00eb Anton Pashkut dhe \u201cShkret\u00ebtira prej guri\u201d t\u00eb Dushko Vetmos, duhet par\u00eb n\u00eb drit\u00ebn e p\u00ebrimtimeve dhe t\u00eb perceptimeve q\u00eb i p\u00ebrmend\u00eb Elioti: \u201cNuk do t\u00eb d\u00ebshiroja t\u00eb p\u00ebrfundoj pa u p\u00ebrpjekur t\u2019ju parashtroj, edhe pse vet\u00ebm n\u00eb vija m\u00eb t\u00eb p\u00ebrgjithshme, idealin p\u00ebr t\u00eb cilin duhet t\u00eb luftoj\u00eb dra\u00adma poetike. \u00cbsht\u00eb nj\u00eb ideal i paarritsh\u00ebm: mu p\u00ebr k\u00ebt\u00eb edhe m\u00eb intereson, sepse sjell nj\u00eb nxitje kah eksperimentimi dhe gjurmimi i m\u00ebtutjesh\u00ebm, pa marr\u00eb parasysh se a ka gjas\u00eb t\u00eb arrihet ndonj\u00eb q\u00ebllim. \u00cbsht\u00eb funksion i gjith\u00eb artit t\u00eb na jap\u00eb nj\u00eb perceptim t\u00eb nj\u00eb rendi n\u00eb jet\u00eb, duke e imponuar nj\u00eb rend mbi t\u00eb[7]<\/a>\u201d.<\/p>\n

Beqir Musliu i p\u00ebrket brezit t\u00eb shkrimtar\u00ebve tan\u00eb, t\u00eb cil\u00ebt n\u00eb vitet \u201970 soll\u00ebn e synuan di\u00e7ka t\u00eb ve\u00e7ant\u00eb n\u00eb let\u00ebrsin\u00eb ton\u00eb. P\u00ebrmes veprave t\u00eb tyre ata u p\u00ebrpoq\u00ebn t\u00eb b\u00ebjn\u00eb nj\u00eb hap n\u00eb pasurimin e let\u00ebrsis\u00eb, e cila po \u201cndrydhej\u201d nga zhvillimi tradicional, po dhe nga ngjyrime politike. Kjo vlen sidomos p\u00ebr at\u00eb pjes\u00eb t\u00eb let\u00ebrsis\u00eb son\u00eb q\u00eb krijohej n\u00eb Shqip\u00ebri, ku n\u00eb qen\u00ebsi let\u00ebrsia ishte shnd\u00ebrruar n\u00eb nj\u00eb mjet politik t\u00eb sistemit komunist[8]<\/a>.<\/p>\n

P\u00ebr kthes\u00ebn n\u00eb let\u00ebrsin\u00eb ton\u00eb d\u00ebshmojn\u00eb sidomos tregimet e Anton Pashkut[9]<\/a>, romani \u201cOh[10]<\/a>\u201d dhe dramat \u201cSinkopa\u201d dhe \u201cGof\u201d, poezit\u00eb e Azem Shkrelit, Mirko Gashit, Beqir Musliut, Musa Ramadanit, Sabri Hamitit etj., tregimet dhe romanet e Ymer Shkrelit dhe Zejnullah Rrahmanit, dramat e Teki Dervishit, Beqir Musliut, Ymer Shkrelit etj.<\/p>\n

P\u00ebrmbledhja me poezi \u201cBukuria e zez\u00eb\u201d (1968) e Beqir Musliut, \u00ebsht\u00eb nj\u00eb p\u00ebrpjekje ngulmuese, q\u00eb, s\u00eb paku, poezia t\u00eb shk\u00ebputet nga m\u00ebnyra tradicional e p\u00ebrftimit t\u00eb tekstit poetik, p\u00ebrkat\u00ebsisht nga shqiptimi bardh e zi si dhe nga kuptim\u00ebsia e thjesht\u00ebsuar dhe e kufizuar.<\/p>\n

T\u00eb nj\u00ebjt\u00ebn gj\u00eb Beqir Musliu synoi n\u00eb fush\u00ebn e dramaturgjis\u00eb me vepr\u00ebn \u201cRropullari\u201d, t\u00eb botuar m\u00eb 1978, n\u00eb m\u00ebnyr\u00eb t\u00eb ve\u00e7ant\u00eb me v\u00ebllimet \u201cShtrigani i Gjel \u2013 Hanit\u201d (\u201cRilindja\u201d, Prishtin\u00eb 1989) dhe \u201cRrakullima\u201d (\u201cFlaka e v\u00ebllaz\u00ebrimit\u201d, Shkup 1990).<\/p>\n

I nxitur nga tekstet e dram\u00ebs s\u00eb absurdit, n\u00eb ve\u00e7anti nga drama e Samuel Beketit \u201cDuke pritur Godon\u00eb\u201d, shfaqur dhe n\u00eb teatrin e Prishtin\u00ebs, po dhe nga tekstet e dramave t\u00eb Anton Pashkut, \u201cSinkopa\u201d dhe \u201cGof\u201d, Beqir Musliu e krijoi, si\u00e7 i quan ai, Librin \u2013 Teat\u00ebr (\u201cShtrigani i Gjel \u2013 Hanit\u201d) dhe Teat\u00ebr \u2013 Lib\u00ebr (\u201cRrakullima\u201d).<\/p>\n

N\u00eb t\u00eb k\u00ebto dy v\u00ebllimet me drama autori p\u00ebrdor t\u00eb thuash t\u00eb nj\u00ebjt\u00ebn qasje, t\u00eb nj\u00ebjtin koncept krijues, t\u00eb nj\u00ebjt\u00ebn strategji t\u00eb shqiptimit e t\u00eb shtjellimit, t\u00eb nj\u00ebjt\u00ebn gjuh\u00eb, po dhe personazhe q\u00eb jan\u00eb t\u00eb nj\u00ebjt\u00eb ose t\u00eb ngjash\u00ebm, jo vet\u00ebm si emra. N\u00eb k\u00ebto vepra gjith\u00e7ka p\u00ebrngjet n\u00eb nj\u00eb paraloj\u00eb, n\u00eb nj\u00eb loj\u00eb, n\u00eb nj\u00eb t\u00eb loj\u00eb t\u00eb projektuar, t\u00eb p\u00ebrfytyruar ose t\u00eb \u00ebnd\u00ebrruar.<\/p>\n

V\u00ebllimi \u201cShtrigani i Gjel \u2013 Hanit\u201d p\u00ebrfshin kat\u00ebr pjes\u00eb dramatike, ose si\u00e7 i quan autori, seanca: \u201cUn\u00eb Halil Garria\u201d, \u201cFaustina\u201d, \u201cOra e Kukavaj\u00ebs\u201d dhe \u201cPanairi i Gjilanit\u201d, ku v\u00ebshtrohen dukuri sado t\u00eb m\u00ebvet\u00ebsishme, po dhe t\u00eb af\u00ebrta, t\u00eb ngjashme ose t\u00eb nj\u00ebjta.<\/p>\n

Edhe v\u00ebllimi \u201cRrakullima\u201d ndahet n\u00eb kat\u00ebr pjes\u00eb \u2013 seanca: \u201cMurana\u201d, \u201cKori i Korbave\u201d, \u201cFamilja e Shenjt\u00eb\u201d dhe \u201cAntifona\u201d.<\/p>\n

N\u00eb qen\u00ebsi k\u00ebto krijesa dramatike nuk synojn\u00eb t\u00eb jen\u00eb t\u00eb ndryshme, t\u00eb p\u00ebrligjin m\u00ebvet\u00ebsin\u00eb e qasjes e t\u00eb shprehurit, t\u00eb ndryshojn\u00eb shum\u00ebsin\u00eb e qasjes e t\u00eb perceptimit t\u00eb objektit poetik, po paraqesin pamje t\u00eb nj\u00eb realiteti t\u00eb ve\u00e7ant\u00eb, t\u00eb krijuar p\u00ebrmes tekstit, p\u00ebrkat\u00ebsisht p\u00ebrmes rr\u00ebfimit, her\u00eb t\u00eb rr\u00ebfimtarit n\u00eb prapasken\u00eb, Elvan Jusufit (nj\u00eb lloj alterego e autorit), her\u00eb t\u00eb personazheve, her\u00eb p\u00ebrmes dialog\u00ebve t\u00eb tyre, t\u00eb kund\u00ebrv\u00ebnies e t\u00eb kund\u00ebrshtimit q\u00eb e cil\u00ebson bot\u00ebn e tyre. K\u00ebto pamje t\u00eb realitetit koh\u00ebsisht dhe gjeografikisht t\u00eb pap\u00ebrcaktuar mir\u00ebfilli, afrohen p\u00ebrmes rr\u00ebfimit q\u00eb synon t\u00eb jet\u00eb gjith\u00ebp\u00ebrfshir\u00ebs dhe gjith\u00ebkohor si dhe p\u00ebrmes personazheve.<\/p>\n

P\u00ebrqendrimi kryesor i Beqir Musliut n\u00eb k\u00ebto krijesa dramatike, n\u00eb k\u00ebto Teat\u00ebr \u2013 Lib\u00ebr ose Lib\u00ebr \u2013 Teat\u00ebr \u00ebsht\u00eb shqiptimi i bot\u00ebs s\u00eb brendshme t\u00eb individit e jo i rrethanave shoq\u00ebrore, kulturore e politike, ku ata jetojn\u00eb e veprojn\u00eb. Me fjal\u00eb t\u00eb tjera, bota e individit n\u00eb k\u00ebto seanca dramatike, sa t\u00eb r\u00ebndomt\u00eb aq dhe komplekse, gjurmohet nga k\u00ebnde e rrafshe t\u00eb ndryshme, deg\u00ebzohet sidomos n\u00eb vij\u00ebn vertikale.<\/p>\n

P\u00ebr ta shprehur bot\u00ebn e brendshme t\u00eb personazheve, autori p\u00ebrfton nj\u00eb realitet sa t\u00eb ve\u00e7ant\u00eb aq dhe t\u00eb par\u00ebndomt\u00eb, q\u00eb n\u00eb qen\u00ebsi afrohet m\u00eb s\u00eb shumti me bot\u00ebn e \u00ebndrr\u00ebs, ku kufijt\u00eb dhe rregullat e veprimit e t\u00eb menduarit zhb\u00ebhen; afrohen koh\u00ebt mij\u00ebvje\u00e7are, nd\u00ebrsa shtrihen n\u00eb pafund\u00ebsi \u00e7astet; ose gjith\u00e7ka gjakon t\u00eb lidhet me Dor\u00ebshkrimin e Mbledh\u00ebsit t\u00eb Pupurit, me tematikat e Bibl\u00ebs, t\u00eb Kuranin etj. Pra, autori p\u00ebrfton nj\u00eb realitet q\u00eb nj\u00ebsohet me m\u00ebnyr\u00ebn q\u00eb dukurit\u00eb ekzistojn\u00eb n\u00eb bot\u00ebn e brendshme t\u00eb individit, ku \u00e7do gj\u00eb gjallon mbi baza krejt\u00ebsisht t\u00eb tjera me ato t\u00eb realitetit t\u00eb p\u00ebrditsh\u00ebm. Pra, realiteti i krijuar n\u00eb k\u00ebto vepra dramatike ose Lib\u00ebr \u2013 Teat\u00ebr, nuk p\u00ebrkon me realitetin konkret, me logjik\u00ebn e zakonshme, q\u00eb mbret\u00ebron dhe p\u00ebrligjet n\u00eb jet\u00eb.<\/p>\n

N\u00eb nj\u00eb realitet t\u00eb till\u00eb b\u00ebhen nd\u00ebrrimet e zhvendosje t\u00eb pazakonshme; personazhet na shfaqet n\u00eb nj\u00eb shum\u00ebsi e deg\u00ebzim t\u00eb pafund; dalin si individ\u00eb t\u00eb tjet\u00ebr, edhe kipcat e tyre jan\u00eb disa e t\u00eb ndrysh\u00ebm; ata shnd\u00ebrrohen n\u00eb hije, n\u00eb z\u00ebra, n\u00eb maska (\u201cUn\u00eb jam doktor Fausti dhe zbrita nga maska ime n\u00eb fytyr\u00ebn t\u00ebnde q\u00eb ta luaj\u00eb at\u00eb q\u00eb ti k\u00eb \u00ebnd\u00ebrruar nj\u00eb mij\u00eb vjet…[11]<\/a>\u201d) dhe n\u00eb forma t\u00eb tjera; her\u00eb na paraqiten n\u00eb form\u00ebn e r\u00ebndomt\u00eb e her\u00eb t\u00eb kukudhit (\u201cUn\u00eb jam kukudhi dhe ju po ligj\u00ebroni vet\u00ebm z\u00ebrin tim t\u00eb shp\u00ebrnd\u00ebrruar n\u00eb disa z\u00ebra[12]<\/a>\u201d, her\u00eb t\u00eb qoft\u00eblargut, t\u00eb shtrig\u00ebs e t\u00eb shtriganit, t\u00eb korit q\u00eb merr rolin e personazhit ose t\u00eb personazheve (\u201cKori p\u00ebrvidhet n\u00ebp\u00ebr nd\u00ebrgjegjet e tyre dhe shp\u00ebrthen mbi ta…[13]<\/a>\u201d); personazhet her\u00eb jan\u00eb t\u00eb gjall\u00eb e her\u00eb t\u00eb vdekur q\u00eb ngjall\u00ebn (\u201cTa arnoj fytyr\u00ebn time me \u00e7do fytyr\u00eb tjet\u00ebr[14]<\/a>\u201d ose \u201cKush \u00ebsht\u00eb i vdekur? Un\u00eb apo qet\u00ebsia?[15]<\/a>\u201d); ata k\u00ebmbehen e nj\u00ebsohen me nj\u00ebri \u2013 tjetrin n\u00eb rrethana t\u00eb par\u00ebndomta; sa mendojn\u00eb se jan\u00eb tjetri, kujtohen se jan\u00eb ata (\u201cAi ka vdekur ende pa lindur mir\u00eb\u201d[16]<\/a>); ata \u00ebnd\u00ebrrojn\u00eb dhe n\u00eb \u00ebndrr\u00ebn e tjetrit.<\/p>\n

Me pak fjal\u00eb, autori e p\u00ebrfton nj\u00eb realitet q\u00eb l\u00eb p\u00ebrshtypjen e \u00ebndrr\u00ebs ose t\u00eb zgjimit t\u00eb \u00ebnd\u00ebrrt (\u201cK\u00ebtu luan jeta ime e ajo ik\u00ebn nga un\u00eb[17]<\/a>\u201d). N\u00eb qen\u00ebsi \u00e7do gj\u00eb ndodh brenda koh\u00ebs subjektive, q\u00eb ngjet jasht\u00eb rregullave t\u00eb koh\u00ebs konkrete, historike. Ky realitet ka cil\u00ebsi her\u00eb t\u00eb realitetit mistik, mitik, goj\u00ebdh\u00ebnor, her\u00eb p\u00ebrfytyrues. Ndonj\u00ebher\u00eb fitohet p\u00ebrshtypja se gjith\u00e7ka \u00ebsht\u00eb n\u00eb nj\u00eb shtegtim t\u00eb pandalsh\u00ebm, po aq bindesh se gjith\u00e7ka vendnum\u00ebron ose sillet n\u00eb nj\u00eb rreth t\u00eb hapur. Personazhet sa jan\u00eb t\u00eb mbyllura brenda bot\u00ebs subjektive, brenda mendimeve dhe ideve t\u00eb tyre, po aq i ngjasojn\u00eb dhe jan\u00eb tjetri, i nj\u00eb kohe ose i koh\u00ebve t\u00eb ndryshme.<\/p>\n

Personazhet veshin e zhveshin l\u00ebkura t\u00eb ndryshme; dyshojn\u00eb n\u00eb vetvete dhe n\u00eb tjetrin; vrasja e v\u00ebllait \u00ebsht\u00eb dhe vrasja e vetvetes; udh\u00ebtimi \u00ebsht\u00eb edhe udh\u00ebtim, edhe nj\u00eb lloj ndjekje e vetjake. Edhe tragjikat i japin nj\u00ebra \u2013 tjetr\u00ebn dhe e kusht\u00ebzojn\u00eb nj\u00ebra \u2013 tjetr\u00ebn. Brenda s\u00eb mir\u00ebs \u00ebsht\u00eb ngjizur e keqja; krahas hyjnores vepron djall\u00ebzorja; shqiptohen shum\u00ebsi gj\u00ebrash q\u00eb her\u00eb kan\u00eb e her\u00eb s\u2019kan\u00eb drejtim. Nj\u00eb lloj ferr i shum\u00ebfisht\u00eb, ku s\u2019ka rend, ku ndodh gjith\u00e7ka e nuk ndodh asgj\u00eb, var\u00ebsisht nga natyra dhe ndjeshm\u00ebria e bot\u00ebs s\u00eb marr\u00ebsit.<\/p>\n

Pjesa dramatike \u2013 teatrale n\u00eb t\u00eb nj\u00ebjt\u00ebn koh\u00eb \u00ebsht\u00eb nj\u00eb parap\u00ebrgatitje, nj\u00eb prov\u00eb, nj\u00eb shfaqje q\u00eb ngjet ose nj\u00eb shfaqje q\u00eb pritet t\u00eb luhet. Trupa teatrale \u00ebsht\u00eb n\u00eb t\u00eb nj\u00ebjt\u00ebn koh\u00eb trup\u00eb artist\u00ebsh, po dhe kund\u00ebrv\u00ebnie e dram\u00ebs q\u00eb mendohet t\u00eb luhet. Pra, drama e personazheve \u00ebsht\u00eb nj\u00eb antidram\u00eb, \u00ebsht\u00eb zhb\u00ebrje e veprimit t\u00eb tyre: \u201cMbas shp\u00ebrnd\u00ebrrimit t\u00eb par\u00eb shpirti m\u00eb mbeti jasht\u00eb i lir\u00eb, endej posht\u00eb e lart\u00eb, b\u00ebnte k\u00ebrcime gjeografike e gjeometrike, m\u2019i shp\u00ebrb\u00ebri viset e larg\u00ebta dhe m\u00eb n\u00eb fund u shp\u00ebrnd\u00ebrrua n\u00eb nj\u00eb flutur [\u2026] fsheht\u00ebsi djall\u00ebzore e palimpsestit [\u2026] kur t\u00eb kthehesh s\u00ebrish n\u00eb k\u00ebt\u00eb savan\u00eb t\u00eb llahtarshme t\u00eb Gjilanit do t\u00eb gjakosh s\u00ebrish trajt\u00ebn e flutur\u00ebs q\u00eb e gjete n\u00eb faqen e atij dor\u00ebshkrimi t\u00eb fsheht\u00eb, tri dit\u00eb pa e ndaluar[18]<\/a>\u201d.<\/p>\n

Kori merr cil\u00ebsi t\u00eb qenies s\u00eb gjall\u00eb dhe b\u00ebhet personazh (edhe kryesor) dhe e p\u00ebrcakton rrjedh\u00ebn e dram\u00ebs e t\u00eb rr\u00ebfimit. Personalitete historike nd\u00ebrlidhen dhe marrin funksion t\u00eb r\u00ebnd\u00ebsish\u00ebm n\u00eb shfaqjen q\u00eb p\u00ebrgatitet ose q\u00eb \u00ebsht\u00eb n\u00eb shfaqje e sip\u00ebr. Bota shnd\u00ebrrohet n\u00eb teat\u00ebr dhe anasjelltas.<\/p>\n

Pra, p\u00ebrftohet nj\u00eb realitet kaotik, pa fillim e pa fund; pa rrug\u00ebdalje e pa q\u00ebllim (\u201cViktima q\u00eb \u00ebsht\u00eb nxjerr\u00eb nga syt\u00eb tuaj[19]<\/a>\u201d). Ky realitet i par\u00ebndomt\u00eb dhe i p\u00ebrmbysur, s\u2019ka asnj\u00eb kufizim dhe asnj\u00eb rregull dhe gj\u00ebrat dhe dukurit\u00eb shum\u00ebzohet mbi parimin e pasqyr\u00ebs: \u201c[…] po fillon shp\u00ebnd\u00ebrrimi i p\u00ebrgjithsh\u00ebm, \u00e7do gj\u00eb q\u00eb do t\u00eb pasoj\u00eb k\u00ebtu e t\u00ebhu \u00ebsht\u00eb sipas diktatit t\u00eb loj\u00ebs sime hyjnore, ja, tash mund t\u00eb ri-njihesh me Xhamallin tim, a nuk po e sheh, ai u shp\u00ebrb\u00eb, shihe si u shp\u00ebrnd\u00ebrrua n\u00eb Viktim\u00eb dhe mund ta marr\u00ebsh me vete, un\u00eb po q\u00ebndroj ende n\u00eb k\u00ebt\u00eb Panair t\u00eb \u00e7uditsh\u00ebm, dua t\u00eb krijoj nj\u00eb stiv\u00eb t\u00eb t\u00ebr\u00eb me t\u00eb vrar\u00eb hijesh, n\u00eb k\u00ebt\u00eb m\u00ebnyr\u00eb do t\u00eb m\u00eb plot\u00ebsohet gjakimi im hyjnor, apo jo maestro[20]<\/a>\u201d ose \u201c[…] n\u00eb Amfiteatrin e Shtriganit t\u00eb Gjel-Hanit, n\u00eb tendat e tij purpurore desha q\u00eb t\u00eb ik\u00eb por n\u00eb der\u00eb t\u00eb daljes m\u00eb zuri Habili, tha kthema tash hijen time, si t\u00eb dal\u00eb tash n\u00eb sken\u00eb kur ai n\u00eb hijen time e njohu t\u00eb vet\u00ebn, k\u00ebshtu q\u00eb duhej t\u00eb zhvillohej nj\u00eb shp\u00ebrnd\u00ebrrim i menj\u00ebhersh\u00ebm[21]<\/a>\u201d.<\/p>\n

Realiteti kaotik q\u00eb shqiptohet n\u00eb pjes\u00ebt ose seancat dramatike p\u00ebrligjet edhe nga p\u00ebrs\u00ebritjet e shumta; qoft\u00eb t\u00eb rr\u00ebfimtarit, Elvan Jusufi (t\u00eb dy v\u00ebllimet \u201cShtrigani i Gjel \u2013 Hanit\u201d dhe \u201cRrakullima\u201d mbarojn\u00eb me t\u00eb nj\u00ebjtin tekst; te \u201cRrapullina\u201d \u00ebsht\u00eb nj\u00eb gabim q\u00eb e err\u00ebson krejt\u00ebsisht tekstin)[22]<\/a>, qoft\u00eb t\u00eb pjes\u00ebve t\u00eb teksteve, t\u00eb pamjeve e t\u00eb p\u00ebrshkrimeve. P\u00ebrs\u00ebriten shprehjet, dialog\u00ebt, emrat e personazheve, t\u00eb kipcave apo t\u00eb hijeve t\u00eb tyre, q\u00eb e b\u00ebjn\u00eb k\u00ebt\u00eb realiteti t\u00eb p\u00ebrmbysur.<\/p>\n

Duke e lexuar me v\u00ebmendje tekstin e k\u00ebtyre dramave, fiton p\u00ebrshtypjen se edhe vet\u00eb teksti merr her\u00eb \u2013 her\u00eb cil\u00ebsin\u00eb e realitetit q\u00eb shqiptohet. Simbolik\u00ebs s\u00eb fjal\u00ebve, shprehjeve ose pjes\u00ebve t\u00eb tekstit mund t\u2019i jap\u00ebsh cilindo drejtim dhe q\u00ebllim q\u00eb do e parap\u00eblqen.<\/p>\n

Mendoj se tekstet dramatike t\u00eb Beqir Musliut jan\u00eb shkruar para s\u00eb gjithash p\u00ebr t\u2019u lexuar sesa p\u00ebr t\u2019u shfaqur n\u00eb sken\u00eb. Nd\u00ebrhyrjet dhe shpjegimet e shpeshta, sidomos t\u00eb Elvan Jusufit, po dhe nd\u00ebrhyrjet e tjera, t\u00eb natyr\u00ebs komentuese, sikur nuk jan\u00eb tipike p\u00ebr tekstin q\u00eb shfaqet n\u00eb sken\u00eb.<\/p>\n

Prishtin\u00eb, janar 2021<\/em><\/p>\n

\n

[1]<\/a> Shih Zdenko \u0160kreb & Ante Stama\u0107, Uvod u knji\u017eevnost. Teorija, metodologija<\/em>. 3. prera\u0111eno izdanje. Grafi\u010dki zavod Hrvatske. Zagreb 1983, f. 605.<\/p>\n

[2]<\/a> Jelena Zuppa, Kazali\u0161te od egzistencializma do suvremenih traganja.<\/em> N\u00eb \u201ePovijest svjetske knji\u017eevnosti\u201c. Knjiga 3. Uredio Gabrijela Vidan. Mladost, Zagreb 1982, f. 698.<\/p>\n

[3]<\/a> Shih m\u00eb gjer\u00ebsisht p\u00ebr vepr\u00ebn dramatike t\u00eb Anton Pashkut n\u00eb v\u00ebllimin N\u00eb mbret\u00ebrin\u00eb poetike.<\/em> Kritik\u00eb letrare p\u00ebr vepr\u00ebn e Anton Pashkut. Zgjodhi dhe p\u00ebrgatiti p\u00ebr shtyp Anton Nik\u00eb Berisha. \u201cShpresa\u201d \u2013 Kuvendi Salezi1an, Prishtin\u00eb 2002, f. 189 \u2013 273.<\/p>\n

[4]<\/a> Mensur Raifi, Drama<\/em> e individit.<\/em> N\u00eb \u201eN\u00eb mbret\u00ebrin\u00eb poetike\u201d.<\/em> Kritik\u00eb letrare p\u00ebr vepr\u00ebn e Anton Pashkut, vep. e p\u00ebrm., f. 201.<\/p>\n

[5]<\/a> Mensur Raifi, Drama<\/em> e individit,<\/em> pun. i p\u00ebrm., f. 193.<\/p>\n

[6]<\/a> Shih p\u00ebr vepr\u00ebn letrar t\u00eb Dushko Vetmos studimin tim Sull\u2019opera Letteraria di Dushko Vetmo. Studio. Mbi vepr\u00ebn letrare t\u00eb Dushko Vetmos. Studim. <\/em>Universit\u00e0 della Calabria. Dipartimento di Linguistica, Sezione di Albanologia. Fondazione Universitaria \u201cFrancesco Solano\u201d, Rende (Italia) 2009, sidomos pjes\u00ebn IV: Pjes\u00ebt dramaturgjike\u2013shprehje e dram\u00ebs dhe rr\u00ebnimit shpirt\u00ebror t\u00eb njeriut.<\/p>\n

[7]<\/a> T. S. Eliot, Ese t\u00eb zgjedhura<\/em>. Zgjodhi dhe p\u00ebrktheu nga origjinali Isa Zymberi. Rilindja, Prishtin\u00eb 1982, f. 134 \u2013 135. Shih dhe Anton Nik\u00eb Berisha, Labinot Berisha, Ligj\u00ebrime rreth tekstit letrar poetik<\/em>. Faik Konica, Prishtin\u00eb 2017, f. 74.<\/p>\n

[8]<\/a> \u201cVox Clamantis in Deserto\u201d (Z\u00ebri i t\u00eb d\u00ebshp\u00ebruarit n\u00eb shkret\u00ebtir\u00eb). Botuar n\u00eb gazet\u00ebn Rilindja, e shtun\u00eb, 2 tetor, Prishtin\u00eb 1971.<\/p>\n

N\u00eb sh\u00ebnimet biografike t\u00eb shkruara nga vet\u00eb Pashku p\u00ebr \u201cVox Clamantis in deserto\u201d nd\u00ebr t\u00eb tjera thuhet: \u201c[…] \u00a0n\u00eb rubrik\u00ebn e kultur\u00ebs punova vet\u00ebm deri m\u00eb 1971, kur nj\u00eb grup i krijuesve t\u00eb rinj, n\u00eb mesin e t\u00eb cil\u00ebve isha edhe un\u00eb, e botoi nj\u00eb tekst problematik, i cili m\u00eb von\u00eb u pag\u00ebzua si \u2018Manifest\u2019, nj\u00eb shkrim kritik i botuar n\u00eb t\u00eb p\u00ebrditshmen \u2018Rilindja\u2019 me titull \u2018Vox Clamantis in Deserto\u2019 (Z\u00ebri i t\u00eb d\u00ebshp\u00ebruarit n\u00eb shkret\u00ebtir\u00eb) q\u00eb pat b\u00ebr\u00eb buj\u00eb t\u00eb madhe. \u2018Vox…\u2019-i n\u00eb t\u00eb v\u00ebrtet\u00eb ishte paraqitje e bindjeve kritike t\u00eb nj\u00eb gjenerate t\u00eb re t\u00eb letrar\u00ebve kosovar\u00eb lidhur me gjendjen n\u00eb kultur\u00eb, me pozit\u00ebn e krijuesve dhe frymat estetike t\u00eb asaj kohe. P\u00ebrmes tij, ne praktikisht i shpall\u00ebm luft\u00eb realizmit socialist dhe t\u00eb gjitha marr\u00ebzirave kulturore q\u00eb b\u00ebheshin tek ne, e q\u00eb ishin ndikim i Shqip\u00ebris\u00eb, gjegj\u00ebsisht i ideologjis\u00eb social-komuniste. E t\u00ebr\u00eb kjo u shnd\u00ebrrua n\u00eb nj\u00eb skandal t\u00eb madh q\u00eb filloi t\u00eb merrte edhe p\u00ebrmasa politike\u201d.<\/p>\n

[9]<\/a> Shih punimin tim p\u00ebr tregimin \u201cKulla\u201d, Vet\u00ebdija mitike e qen\u00ebsis\u00eb dhe e q\u00ebndres\u00ebs.<\/em> N\u00eb librin tim \u201cShum\u00ebsia kuptimore\u201d. Rilindja, Prishtin\u00eb 1985, f. 87 \u2013 96; shih dhe v\u00ebllimin N\u00eb mbret\u00ebrin\u00eb poetike.<\/em> Kritik\u00eb letrare p\u00ebr vepr\u00ebn e Anton Pashkut, vep. e p\u00ebrm., f. 112 \u2013 121.<\/p>\n

[10]<\/a> Shih Punimin tim Metaforika e tragjikes, e absurdit, e protest\u00ebs<\/em>. N\u00eb librin tim \u201cTeksti poetik\u201c, Rilindja, Prishtin\u00eb 1985, f. 98 \u2013 108; shih dhe Konstantet stilistike ose nga stilematika e \u201cOh\u201d<\/em>\u2013it. N\u00eb v\u00ebllimin N\u00eb mbret\u00ebrin\u00eb poetike.<\/em> Kritik\u00eb letrare p\u00ebr vepr\u00ebn e Anton Pashkut, vep. e p\u00ebrm., f. 168 \u2013 188.<\/p>\n

[11]<\/a> Beqir Musliu, Shtrigani i Gjel \u2013 Hanit. <\/em>Lib\u00ebr \u2013 Teat\u00ebr. Tetralogji. Un\u00eb Halil Garria. Faustina. Ora e Kukavaj\u00ebs. Panairi i Gjilanit. Rilindja, Prishtin\u00eb 1989, f. 168.<\/p>\n

[12]<\/a> Beqir Musliu, Shtrigani i Gjel \u2013 Hanit,<\/em> vep. e p\u00ebrm., f. 395.<\/p>\n

[13]<\/a> Beqir Musliu, Shtrigani i Gjel \u2013 Hanit, <\/em>vep. e p\u00ebrm., f. 167.<\/p>\n

[14]<\/a> Beqir Musliu, Shtrigani i Gjel \u2013 Hanit,<\/em> vep. e p\u00ebrm., f. 25.<\/p>\n

[15]<\/a> Beqir Musliu, Shtrigani i Gjel \u2013 Hanit, <\/em>vep. e p\u00ebrm., f. 46.<\/p>\n

[16]<\/a> Beqir Musliu, Shtrigani i Gjel \u2013 Hanit, <\/em>vep. e p\u00ebrm., f. 13.<\/p>\n

[17]<\/a> Beqir Musliu, Shtrigani i Gjel \u2013 Hanit, <\/em>vep. e p\u00ebrm., f. 47.<\/p>\n

[18]<\/a> Beqir Musliu, Rrakullima<\/em>. Teat\u00ebr \u2013 Lib\u00ebr. Tetraptik. Murana. Kroi i Korbave. Familja e shenjt\u00eb. Antifona. \u201cFlaka e v\u00ebllaz\u00ebrimit\u201d, Shkup 1990, f. 50.<\/p>\n

[19]<\/a> Beqir Musliu, Shtrigani i Gjel \u2013 Hanit, <\/em>vep. e p\u00ebrm., f. 416.<\/p>\n

[20]<\/a> Beqir Musliu, Shtrigani i Gjel \u2013 Hanit, <\/em>vep. e p\u00ebrm., f. 408.<\/p>\n

[21]<\/a> Beqir Musliu, Rrakullima<\/em>, vep. e p\u00ebrm., f. 240 \u2013 241.<\/p>\n

[22]<\/a> Shih Beqir Musliu, Shtrigani i Gjel \u2013 Hanit,<\/em> vep. e p\u00ebrm., f. 578; Beqir Musliu, Rrakullima<\/em>, f. 500.<\/p>\n","protected":false},"excerpt":{"rendered":"

Anton Nik\u00eb Berisha \u00cbsht\u00eb e ditur se fillimet e dram\u00ebs avangarde e t\u00eb absurdit lidh\u00ebn me emrin e Alfred Jarry (1873 \u2013 1907), shkrimtar francez, autor i nj\u00eb varg veprash, midis t\u00eb cilave dhe \u201cMbreti Ubu\u201d (1897). Antiheroi i vepr\u00ebs s\u00eb tij \u00ebsht\u00eb i shfrenuar, i vrazhd\u00eb, i ngath\u00ebt dhe lakmitar dhe sipas fjal\u00ebve t\u00eb […]<\/p>\n","protected":false},"author":1,"featured_media":63697,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2,35,8],"tags":[],"class_list":["post-63695","post","type-post","status-publish","format-standard","has-post-thumbnail","category-artikuj","category-kulture","category-letersi"],"yoast_head":"\nRRETH DISA VE\u00c7ANTIVE T\u00cb VEPRAVE DRAMATIKE T\u00cb BEQIR MUSLIUT - FJALA e LIR\u00cb<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/jehonashqiptare.al\/fjala\/rreth-disa-vecantive-te-veprave-dramatike-te-beqir-musliut\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"RRETH DISA VE\u00c7ANTIVE T\u00cb VEPRAVE DRAMATIKE T\u00cb BEQIR MUSLIUT - FJALA e LIR\u00cb\" \/>\n<meta property=\"og:description\" content=\"Anton Nik\u00eb Berisha \u00cbsht\u00eb e ditur se fillimet e dram\u00ebs avangarde e t\u00eb absurdit lidh\u00ebn me emrin e Alfred Jarry (1873 \u2013 1907), shkrimtar francez, autor i nj\u00eb varg veprash, midis t\u00eb cilave dhe \u201cMbreti Ubu\u201d (1897). Antiheroi i vepr\u00ebs s\u00eb tij \u00ebsht\u00eb i shfrenuar, i vrazhd\u00eb, i ngath\u00ebt dhe lakmitar dhe sipas fjal\u00ebve t\u00eb […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/jehonashqiptare.al\/fjala\/rreth-disa-vecantive-te-veprave-dramatike-te-beqir-musliut\/\" \/>\n<meta property=\"og:site_name\" content=\"FJALA e LIR\u00cb\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/facebook.com\/fjala.info\/\" \/>\n<meta property=\"article:author\" content=\"https:\/\/facebook.com\/shkoder.net\/\" \/>\n<meta property=\"article:published_time\" content=\"2021-01-26T16:48:08+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/jehonashqiptare.al\/fjala\/wp-content\/uploads\/2021\/01\/Beqir_Musliu-Shtrigani_i_Gjel_Hanit.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"500\" \/>\n\t<meta property=\"og:image:height\" content=\"752\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"admin\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@https:\/\/twitter.com\/acokaj\" \/>\n<meta name=\"twitter:site\" content=\"@acokaj\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"admin\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"14 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/jehonashqiptare.al\\\/fjala\\\/rreth-disa-vecantive-te-veprave-dramatike-te-beqir-musliut\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/jehonashqiptare.al\\\/fjala\\\/rreth-disa-vecantive-te-veprave-dramatike-te-beqir-musliut\\\/\"},\"author\":{\"name\":\"admin\",\"@id\":\"https:\\\/\\\/jehonashqiptare.al\\\/fjala\\\/#\\\/schema\\\/person\\\/9c9fccf4f6449d25e258607d9b4275cb\"},\"headline\":\"RRETH DISA VE\u00c7ANTIVE T\u00cb VEPRAVE DRAMATIKE T\u00cb BEQIR MUSLIUT\",\"datePublished\":\"2021-01-26T16:48:08+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/jehonashqiptare.al\\\/fjala\\\/rreth-disa-vecantive-te-veprave-dramatike-te-beqir-musliut\\\/\"},\"wordCount\":3497,\"commentCount\":1,\"image\":{\"@id\":\"https:\\\/\\\/jehonashqiptare.al\\\/fjala\\\/rreth-disa-vecantive-te-veprave-dramatike-te-beqir-musliut\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/jehonashqiptare.al\\\/fjala\\\/wp-content\\\/uploads\\\/2021\\\/01\\\/Beqir_Musliu-Shtrigani_i_Gjel_Hanit.jpg\",\"articleSection\":[\"Artikuj\",\"Kultur\u00eb\",\"Let\u00ebrsi\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/jehonashqiptare.al\\\/fjala\\\/rreth-disa-vecantive-te-veprave-dramatike-te-beqir-musliut\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/jehonashqiptare.al\\\/fjala\\\/rreth-disa-vecantive-te-veprave-dramatike-te-beqir-musliut\\\/\",\"url\":\"https:\\\/\\\/jehonashqiptare.al\\\/fjala\\\/rreth-disa-vecantive-te-veprave-dramatike-te-beqir-musliut\\\/\",\"name\":\"RRETH DISA VE\u00c7ANTIVE T\u00cb VEPRAVE DRAMATIKE T\u00cb BEQIR MUSLIUT - FJALA e LIR\u00cb\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/jehonashqiptare.al\\\/fjala\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/jehonashqiptare.al\\\/fjala\\\/rreth-disa-vecantive-te-veprave-dramatike-te-beqir-musliut\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/jehonashqiptare.al\\\/fjala\\\/rreth-disa-vecantive-te-veprave-dramatike-te-beqir-musliut\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/jehonashqiptare.al\\\/fjala\\\/wp-content\\\/uploads\\\/2021\\\/01\\\/Beqir_Musliu-Shtrigani_i_Gjel_Hanit.jpg\",\"datePublished\":\"2021-01-26T16:48:08+00:00\",\"author\":{\"@id\":\"https:\\\/\\\/jehonashqiptare.al\\\/fjala\\\/#\\\/schema\\\/person\\\/9c9fccf4f6449d25e258607d9b4275cb\"},\"breadcrumb\":{\"@id\":\"https:\\\/\\\/jehonashqiptare.al\\\/fjala\\\/rreth-disa-vecantive-te-veprave-dramatike-te-beqir-musliut\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/jehonashqiptare.al\\\/fjala\\\/rreth-disa-vecantive-te-veprave-dramatike-te-beqir-musliut\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/jehonashqiptare.al\\\/fjala\\\/rreth-disa-vecantive-te-veprave-dramatike-te-beqir-musliut\\\/#primaryimage\",\"url\":\"https:\\\/\\\/jehonashqiptare.al\\\/fjala\\\/wp-content\\\/uploads\\\/2021\\\/01\\\/Beqir_Musliu-Shtrigani_i_Gjel_Hanit.jpg\",\"contentUrl\":\"https:\\\/\\\/jehonashqiptare.al\\\/fjala\\\/wp-content\\\/uploads\\\/2021\\\/01\\\/Beqir_Musliu-Shtrigani_i_Gjel_Hanit.jpg\",\"width\":500,\"height\":752,\"caption\":\"Beqir Musliu - Shtrigani i Gjel Hanit\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/jehonashqiptare.al\\\/fjala\\\/rreth-disa-vecantive-te-veprave-dramatike-te-beqir-musliut\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/jehonashqiptare.al\\\/fjala\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"RRETH DISA VE\u00c7ANTIVE T\u00cb VEPRAVE DRAMATIKE T\u00cb BEQIR MUSLIUT\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/jehonashqiptare.al\\\/fjala\\\/#website\",\"url\":\"https:\\\/\\\/jehonashqiptare.al\\\/fjala\\\/\",\"name\":\"FJALA e LIR\u00cb\",\"description\":\""E para ishte fjala..." - n\u00eb Shkoder.net\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/jehonashqiptare.al\\\/fjala\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/jehonashqiptare.al\\\/fjala\\\/#\\\/schema\\\/person\\\/9c9fccf4f6449d25e258607d9b4275cb\",\"name\":\"admin\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/be103c95acc3db7547b619bb966688693542eac057aaed7ec4502234d461b6e3?s=96&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/be103c95acc3db7547b619bb966688693542eac057aaed7ec4502234d461b6e3?s=96&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/be103c95acc3db7547b619bb966688693542eac057aaed7ec4502234d461b6e3?s=96&r=g\",\"caption\":\"admin\"},\"description\":\"Arben \u00c7okaj - M\u00ebsues Fizike & Informatike :: Gazetar & Analist i pavarur :: Autor librash :: Ueb- & Grafik dizajner\",\"sameAs\":[\"https:\\\/\\\/fjala.info\\\/\",\"https:\\\/\\\/facebook.com\\\/shkoder.net\\\/\",\"https:\\\/\\\/linkedin.com\\\/in\\\/acokaj\\\/\",\"https:\\\/\\\/x.com\\\/https:\\\/\\\/twitter.com\\\/acokaj\",\"https:\\\/\\\/youtube.com\\\/channel\\\/UCWHTIr21i1vLKsLzVv1TM-w\"]}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"RRETH DISA VE\u00c7ANTIVE T\u00cb VEPRAVE DRAMATIKE T\u00cb BEQIR MUSLIUT - FJALA e LIR\u00cb","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/jehonashqiptare.al\/fjala\/rreth-disa-vecantive-te-veprave-dramatike-te-beqir-musliut\/","og_locale":"en_US","og_type":"article","og_title":"RRETH DISA VE\u00c7ANTIVE T\u00cb VEPRAVE DRAMATIKE T\u00cb BEQIR MUSLIUT - FJALA e LIR\u00cb","og_description":"Anton Nik\u00eb Berisha \u00cbsht\u00eb e ditur se fillimet e dram\u00ebs avangarde e t\u00eb absurdit lidh\u00ebn me emrin e Alfred Jarry (1873 \u2013 1907), shkrimtar francez, autor i nj\u00eb varg veprash, midis t\u00eb cilave dhe \u201cMbreti Ubu\u201d (1897). Antiheroi i vepr\u00ebs s\u00eb tij \u00ebsht\u00eb i shfrenuar, i vrazhd\u00eb, i ngath\u00ebt dhe lakmitar dhe sipas fjal\u00ebve t\u00eb […]","og_url":"https:\/\/jehonashqiptare.al\/fjala\/rreth-disa-vecantive-te-veprave-dramatike-te-beqir-musliut\/","og_site_name":"FJALA e LIR\u00cb","article_publisher":"https:\/\/facebook.com\/fjala.info\/","article_author":"https:\/\/facebook.com\/shkoder.net\/","article_published_time":"2021-01-26T16:48:08+00:00","og_image":[{"width":500,"height":752,"url":"https:\/\/jehonashqiptare.al\/fjala\/wp-content\/uploads\/2021\/01\/Beqir_Musliu-Shtrigani_i_Gjel_Hanit.jpg","type":"image\/jpeg"}],"author":"admin","twitter_card":"summary_large_image","twitter_creator":"@https:\/\/twitter.com\/acokaj","twitter_site":"@acokaj","twitter_misc":{"Written by":"admin","Est. reading time":"14 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/jehonashqiptare.al\/fjala\/rreth-disa-vecantive-te-veprave-dramatike-te-beqir-musliut\/#article","isPartOf":{"@id":"https:\/\/jehonashqiptare.al\/fjala\/rreth-disa-vecantive-te-veprave-dramatike-te-beqir-musliut\/"},"author":{"name":"admin","@id":"https:\/\/jehonashqiptare.al\/fjala\/#\/schema\/person\/9c9fccf4f6449d25e258607d9b4275cb"},"headline":"RRETH DISA VE\u00c7ANTIVE T\u00cb VEPRAVE DRAMATIKE T\u00cb BEQIR MUSLIUT","datePublished":"2021-01-26T16:48:08+00:00","mainEntityOfPage":{"@id":"https:\/\/jehonashqiptare.al\/fjala\/rreth-disa-vecantive-te-veprave-dramatike-te-beqir-musliut\/"},"wordCount":3497,"commentCount":1,"image":{"@id":"https:\/\/jehonashqiptare.al\/fjala\/rreth-disa-vecantive-te-veprave-dramatike-te-beqir-musliut\/#primaryimage"},"thumbnailUrl":"https:\/\/jehonashqiptare.al\/fjala\/wp-content\/uploads\/2021\/01\/Beqir_Musliu-Shtrigani_i_Gjel_Hanit.jpg","articleSection":["Artikuj","Kultur\u00eb","Let\u00ebrsi"],"inLanguage":"en-US","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/jehonashqiptare.al\/fjala\/rreth-disa-vecantive-te-veprave-dramatike-te-beqir-musliut\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/jehonashqiptare.al\/fjala\/rreth-disa-vecantive-te-veprave-dramatike-te-beqir-musliut\/","url":"https:\/\/jehonashqiptare.al\/fjala\/rreth-disa-vecantive-te-veprave-dramatike-te-beqir-musliut\/","name":"RRETH DISA VE\u00c7ANTIVE T\u00cb VEPRAVE DRAMATIKE T\u00cb BEQIR MUSLIUT - FJALA e LIR\u00cb","isPartOf":{"@id":"https:\/\/jehonashqiptare.al\/fjala\/#website"},"primaryImageOfPage":{"@id":"https:\/\/jehonashqiptare.al\/fjala\/rreth-disa-vecantive-te-veprave-dramatike-te-beqir-musliut\/#primaryimage"},"image":{"@id":"https:\/\/jehonashqiptare.al\/fjala\/rreth-disa-vecantive-te-veprave-dramatike-te-beqir-musliut\/#primaryimage"},"thumbnailUrl":"https:\/\/jehonashqiptare.al\/fjala\/wp-content\/uploads\/2021\/01\/Beqir_Musliu-Shtrigani_i_Gjel_Hanit.jpg","datePublished":"2021-01-26T16:48:08+00:00","author":{"@id":"https:\/\/jehonashqiptare.al\/fjala\/#\/schema\/person\/9c9fccf4f6449d25e258607d9b4275cb"},"breadcrumb":{"@id":"https:\/\/jehonashqiptare.al\/fjala\/rreth-disa-vecantive-te-veprave-dramatike-te-beqir-musliut\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/jehonashqiptare.al\/fjala\/rreth-disa-vecantive-te-veprave-dramatike-te-beqir-musliut\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/jehonashqiptare.al\/fjala\/rreth-disa-vecantive-te-veprave-dramatike-te-beqir-musliut\/#primaryimage","url":"https:\/\/jehonashqiptare.al\/fjala\/wp-content\/uploads\/2021\/01\/Beqir_Musliu-Shtrigani_i_Gjel_Hanit.jpg","contentUrl":"https:\/\/jehonashqiptare.al\/fjala\/wp-content\/uploads\/2021\/01\/Beqir_Musliu-Shtrigani_i_Gjel_Hanit.jpg","width":500,"height":752,"caption":"Beqir Musliu - Shtrigani i Gjel Hanit"},{"@type":"BreadcrumbList","@id":"https:\/\/jehonashqiptare.al\/fjala\/rreth-disa-vecantive-te-veprave-dramatike-te-beqir-musliut\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/jehonashqiptare.al\/fjala\/"},{"@type":"ListItem","position":2,"name":"RRETH DISA VE\u00c7ANTIVE T\u00cb VEPRAVE DRAMATIKE T\u00cb BEQIR MUSLIUT"}]},{"@type":"WebSite","@id":"https:\/\/jehonashqiptare.al\/fjala\/#website","url":"https:\/\/jehonashqiptare.al\/fjala\/","name":"FJALA e LIR\u00cb","description":""E para ishte fjala..." - n\u00eb Shkoder.net","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/jehonashqiptare.al\/fjala\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Person","@id":"https:\/\/jehonashqiptare.al\/fjala\/#\/schema\/person\/9c9fccf4f6449d25e258607d9b4275cb","name":"admin","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/secure.gravatar.com\/avatar\/be103c95acc3db7547b619bb966688693542eac057aaed7ec4502234d461b6e3?s=96&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/be103c95acc3db7547b619bb966688693542eac057aaed7ec4502234d461b6e3?s=96&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/be103c95acc3db7547b619bb966688693542eac057aaed7ec4502234d461b6e3?s=96&r=g","caption":"admin"},"description":"Arben \u00c7okaj - M\u00ebsues Fizike & Informatike :: Gazetar & Analist i pavarur :: Autor librash :: Ueb- & Grafik dizajner","sameAs":["https:\/\/fjala.info\/","https:\/\/facebook.com\/shkoder.net\/","https:\/\/linkedin.com\/in\/acokaj\/","https:\/\/x.com\/https:\/\/twitter.com\/acokaj","https:\/\/youtube.com\/channel\/UCWHTIr21i1vLKsLzVv1TM-w"]}]}},"_links":{"self":[{"href":"https:\/\/jehonashqiptare.al\/fjala\/wp-json\/wp\/v2\/posts\/63695","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jehonashqiptare.al\/fjala\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jehonashqiptare.al\/fjala\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jehonashqiptare.al\/fjala\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jehonashqiptare.al\/fjala\/wp-json\/wp\/v2\/comments?post=63695"}],"version-history":[{"count":1,"href":"https:\/\/jehonashqiptare.al\/fjala\/wp-json\/wp\/v2\/posts\/63695\/revisions"}],"predecessor-version":[{"id":63698,"href":"https:\/\/jehonashqiptare.al\/fjala\/wp-json\/wp\/v2\/posts\/63695\/revisions\/63698"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/jehonashqiptare.al\/fjala\/wp-json\/wp\/v2\/media\/63697"}],"wp:attachment":[{"href":"https:\/\/jehonashqiptare.al\/fjala\/wp-json\/wp\/v2\/media?parent=63695"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jehonashqiptare.al\/fjala\/wp-json\/wp\/v2\/categories?post=63695"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jehonashqiptare.al\/fjala\/wp-json\/wp\/v2\/tags?post=63695"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}