{"id":63981,"date":"2021-02-03T23:31:21","date_gmt":"2021-02-03T22:31:21","guid":{"rendered":"https:\/\/fjala.info\/?p=63981"},"modified":"2021-02-03T23:31:21","modified_gmt":"2021-02-03T22:31:21","slug":"mencuraku-i-perbuzur-gjergj-komnino","status":"publish","type":"post","link":"https:\/\/jehonashqiptare.al\/fjala\/mencuraku-i-perbuzur-gjergj-komnino\/","title":{"rendered":"MEN\u00c7URAKU I P\u00cbRBUZUR – GJERGJ KOMNINO"},"content":{"rendered":"

Gjergj Komnino (1919-1996)<\/em><\/span><\/p>\n

\"\" Nga Sinan GASHI<\/strong><\/p>\n

Gjergj kombino \u00ebsht\u00eb nd\u00ebr krijuesit m\u00eb fatkeq n\u00eb let\u00ebrsin\u00eb shqiptare dhe nj\u00ebkoh\u00ebsisht krijuesi m\u00eb idealist dhe i p\u00ebrcaktuar, q\u00eb gjithnj\u00eb t\u00eb jet\u00eb vet\u00ebm me fjal\u00ebn e bukur, magjia e s\u00eb cil\u00ebs e kishte z\u00ebn\u00eb q\u00eb kur ishte nx\u00ebn\u00ebs dhe e shoq\u00ebroi vazhdimisht n\u00eb ato pak dit\u00ebt e mira dhe shum\u00ebsin\u00eb e dit\u00ebve t\u00eb r\u00ebnda, q\u00eb ndrydhin edhe qenien e \u00e7do gjallese, e l\u00ebre m\u00eb shpirtin e ndjesh\u00ebm poetik t\u00eb nj\u00eb njeriu.<\/p>\n

Di\u00e7ka biografike<\/strong><\/p>\n

\u00cbsht\u00eb i lindure n\u00eb Brezhdan t\u00eb K\u00eblcyr\u00ebs (Dang\u00eblli-Shqip\u00ebri) m\u00eb 15 shkurt t\u00eb vitit 1919. Pas shkollimit fillestar n\u00eb Permet ku i ati merret me tregti, t\u00eb mes\u00ebm n\u00eb Gjirokast\u00ebr e Normalen n\u00eb Elbasan, kishte punuar m\u00ebsues n\u00eb Fier dhe Ballsh. I etur p\u00ebr dituri, ai m\u00eb 1941 i kishte vazhduar studimet p\u00ebr let\u00ebrsi n\u00eb Universitetin e Firences, n\u00eb Itali. Kur, m\u00eb 1943 ishte n\u00eb rrezik atdheu, kthehet t\u00eb gjith\u00eb student\u00ebt n\u00eb mbrojtjen e tij, veprim q\u00eb e b\u00ebri edhe Komnino idealist. Ai u bashkohet pastaj aradhave partizane, n\u00eb luft\u00ebn antifashiste, n\u00eb ve\u00e7anti evidencohet pjes\u00ebmarrja m\u00eb 17 n\u00ebntor 1944, n\u00eb \u00e7lirimin e Tiran\u00ebs.<\/p>\n

Ne fakt ai fillimisht ishte partizan n\u00eb Zagorie, Qarku i Gjirokastr\u00ebs, madje e marrin pran\u00eb Shtabit t\u00eb P\u00ebrgjithsh\u00ebm, ku sh\u00ebrbeu si p\u00ebrkthyes. Atje mbulonte sektorin e agjitpropit, duke p\u00ebrgatitur e shum\u00ebzuar trakte. Nj\u00eb trakt q\u00eb ia soll\u00ebn p\u00ebr shum\u00ebfishim ai e refuzoi, sepse b\u00ebnte thirrje p\u00ebr luft\u00eb v\u00ebllavrasje, p\u00ebr \u00e7ka arrestohet dhe e lidhin n\u00eb nj\u00eb ahur, duke e b\u00ebr\u00eb gati p\u00ebr pushkatim, kujton Agim Musta. P\u00ebr fat vjen urdhri p\u00ebr transferim n\u00eb Shtab n\u00eb Labinot, ku kryen pun\u00ebn e p\u00ebrkthyesit.<\/p>\n

Pas lirimit t\u00eb vendit, ai i vazhdon studimet p\u00ebr filozofi n\u00eb Universitetin e Zagrebit, duke u d\u00ebshmuar si studenti m\u00eb shembullor. Tema e diplom\u00ebs ishte \u201cL\u2019uomoe la societa di Luigi Pirandelo\u201d. Ngase kishte profesor\u00eb t\u00eb respektuarit t\u00eb shkenc\u00ebs, Peter Skok dhe Henrik Bari\u00e7, at\u00eb e k\u00ebshilluan q\u00eb t\u00eb rrinte aty, duke qen\u00eb profesor i gjuh\u00eb shqipe pran\u00eb k\u00ebtij universiteti.<\/p>\n

Ai, pas l\u00ebkundjeve politike, megjithat\u00eb kthehet n\u00eb atdhe, duke b\u00ebr\u00eb detyr\u00ebn e profesorit n\u00eb gjimnazin e Tiran\u00ebs \u201cQemal Stafa\u201d e pastaj n\u00eb at\u00eb t\u00eb Durr\u00ebsit \u201c16 shtatori\u201d, ku edhe aty u shqua n\u00eb detyr\u00ebn e shenjt\u00eb t\u00eb arsimimit t\u00eb brezave. Aty kishin mbaruar nx\u00ebn\u00ebs q\u00eb do b\u00ebhen pastaj emra t\u00eb shquar t\u00eb artit e shkenc\u00ebs, t\u00eb cil\u00ebt edhe e kujtojn\u00eb me respekt profesorin Komnino, si Bedri Dedja, po e z\u00ebm\u00eb. Duke u par\u00eb aft\u00ebsia e tij profesionale, ai caktohej q\u00eb t\u00eb punonte n\u00eb Institutin e Folklorit q\u00eb ishte b\u00ebrthama e Akademis\u00eb s\u00eb Shkencave, s\u00eb bashku me prof, Eqrem \u00c7abejn, Aleks Bud\u00ebn, Selahudin Toton, Sabiha Kasimatin, Jonuz Tafilajn e ndonj\u00eb tjet\u00ebr.<\/p>\n

Ishin ato vitet e para kur gjendja ishte e mjer\u00eb n\u00eb Shqip\u00ebri, si dhe dhuna ishte b\u00ebr\u00eb e vetmja m\u00ebnyr\u00eb e d\u00ebshmimit t\u00eb pushtetit totalitar. Varf\u00ebria e madhe dhe dhuna e manifestuar, t\u00eb cil\u00ebn e sheh Gjergj Komnino n\u00eb terren, b\u00ebri q\u00eb ai at\u00eb ta p\u00ebrjetonte tep\u00ebr r\u00ebnd\u00eb at\u00eb gjendje.<\/p>\n

Shum\u00eb vite m\u00eb von\u00eb, e bija Eminja, kujton: \u201cGjat\u00eb nj\u00eb ekspedite n\u00eb mal\u00ebsin\u00eb e Tiran\u00ebs n\u00eb vitin 1956, kur babi kishte shkuar p\u00ebr mbledhjen e folklorit, n\u00eb fshatin Sh\u00ebngjergj ai pa me syt\u00eb e tij terrorin e forcave policore dhe atyre t\u00eb Sigurimit t\u00eb Shtetit, t\u00eb cil\u00ebt n\u00ebn pretekstin p\u00ebr mbledhjen e arm\u00ebve dhe taksave, kishin mbledhur popullin n\u00eb xhamin\u00eb e fshatit, duke i rrahur ata n\u00eb m\u00ebnyr\u00eb masive. (Shqiptarja.com, 20 shkurt 2020).<\/p>\n

Duke mos mund ta l\u00ebr\u00eb n\u00eb heshtje k\u00ebt\u00eb gjendje makabre, ai i shkruan nj\u00eb let\u00ebr n\u00eb fr\u00ebngjisht OKB – s, ku b\u00ebn nj\u00eb ftes\u00eb p\u00ebr shp\u00ebtim nga regjimi enverist, p\u00ebr \u00e7ka do t\u00eb arrestohet nga sigurimi dhe, m\u00eb 1957 do t\u00eb d\u00ebnohet fillimisht me vdekje e pastaj i zbritet d\u00ebnimi n\u00eb 25 vjet, prej t\u00eb cilave i vuajti 15 sosh. Arrestimi n\u00eb t\u00eb nj\u00ebjt\u00ebn koh\u00eb i b\u00ebhet edhe bashk\u00ebshortes s\u00eb tij Veronika Dafo, e cila ishte shtatz\u00ebn\u00eb, s\u00eb bashku me vajz\u00ebn e vog\u00ebl Eminen. Ajo lirohet pas disa muajsh, p\u00ebr shkak t\u00eb shtat\u00ebzanis\u00eb, kur e lindi djalin Lirimin.<\/p>\n

Profesor Gjergjin e sorollaten nga nj\u00eb burg n\u00eb tjetrin, duke e p\u00ebrbuzur e fyer. Agim Musta, kujton: \u201cP\u00ebr at\u00eb s\u2019kujdesej njeri p\u00ebr ta kuruar, por i k\u00ebrkonin pun\u00eb dhe realizimin e norm\u00ebs. Gardian\u00ebt dhe oficer\u00ebt talleshin me t\u00eb, duke i ngjitur lloj-lloj epitetesh, dhe shpesh e lidhnin me litar n\u00ebp\u00ebr shtylla n\u00eb mes t\u00eb nxehtit, duke b\u00ebr\u00eb q\u00eb t\u2019i r\u00ebndohej gjendja e tij psikike. Me turbanin n\u00eb kok\u00eb dhe strajc\u00ebn e librave n\u00eb qaf\u00eb, ai fliste p\u00ebr or\u00eb t\u00eb t\u00ebra vetmevete p\u00ebr Pironin, Platonin, Aristotelin, Konfucin, Kantin, Kro\u00e7en dhe filozof t\u00eb tjer\u00eb. U lirua m\u00eb 1972 m\u00eb nj\u00eb koleksion s\u00ebmundjesh dhe me tronditje t\u00eb thella psikike.\u201d (Shih Agim Musta: \u201cD\u00ebshmoj p\u00ebr t\u00eb v\u00ebrtet\u00ebn\u201d, Tiran\u00eb 2004<\/em>)<\/p>\n

Edhe pas lirimit ai jeton n\u00eb ferrin e dyt\u00eb, duke pas\u00eb streh\u00eb nj\u00eb bodrum te Shallvaret, ku nat\u00ebn strehoheshin qent\u00eb endacak\u00eb. Atij as ndonj\u00eb pun\u00eb nuk i jepej, duke e etiketuar tashti si i \u2018deklasuar\u2019. P\u00ebr ekzistenc\u00eb, nat\u00ebn mblidhte \u00e7far\u00eb gjente n\u00eb kazan\u00ebt e plehrave.<\/p>\n

Ai u angazhua pas fillesave t\u00eb demokracis\u00eb, si n\u00eb grev\u00ebn e ish t\u00eb burgosurve, n\u00eb rr\u00ebnimin e shtatores s\u00eb diktatorit apo edhe n\u00eb nxjerrjen e periodikut.<\/p>\n

Pasi rehabilitohet paksa nga sh\u00ebndeti, m\u00eb 5 mars 1991, largohet p\u00ebr n\u00eb Itali dhe vendoset n\u00eb Rom\u00eb, ku jetoi n\u00ebn nj\u00eb kish\u00eb dhe me ndihmat e Caritasit, duke krijuar vazhdimisht, t\u00eb cilat e ngrohnin shpirt\u00ebrisht, deri sa dha frym\u00ebn e fundit m\u00eb 1996, me p\u00ebrcjelljen p\u00eb n\u00eb varr nga disa murgesha si dhe t\u00eb gruas Veronika dhe f\u00ebmij\u00ebve Eminja e Lirimi.<\/p>\n

Sh\u00ebnime bibliografike<\/strong><\/p>\n

Se sa \u00ebsht\u00eb nj\u00eb krijues i p\u00ebrkushtuar, shihet vet\u00ebm n\u00eb fund t\u00eb jet\u00ebs s\u00eb tij. K\u00ebso rastesh nuk jan\u00eb t\u00eb rralla n\u00eb let\u00ebrsin\u00eb shqiptare, t\u00eb vjetr\u00ebn e as t\u00eb m\u00ebvonshmen. Naim Frash\u00ebri, po e z\u00ebm\u00eb, deri n\u00eb fund t\u00eb jet\u00ebs mbante pran\u00eb pen\u00eb e kart\u00eb, apo Migjeni delikat, deri sa i punoi dora sh\u00ebnoi vargje, madje i mbet vargu i p\u00ebrgjysmuar n\u00eb p\u00ebrfundim t\u00eb jet\u00ebs \u201cI fundmi Skanderbe\u201d, sh\u00ebnuar me nj\u00eb kaligrafi t\u00eb shtremb\u00ebr t\u00eb nj\u00eb fuqie trupore t\u00eb k\u00ebputur.<\/p>\n

Gjergj Komnino her\u00ebt si f\u00ebmij\u00eb d\u00ebshmoi talentin krijues, kur vet\u00ebm dhjet\u00eb vje\u00e7ar kishte botuar vjersh\u00ebn \u201cValo flamur\u201d, q\u00eb n\u00eb vijim\u00ebsi i materializon n\u00eb vepra t\u00eb plota dhe madje i boton n\u00eb tok\u00ebn e huaj, duke zgjuar interesim edhe atje, te lexuesit shqiptar\u00eb q\u00eb ishin n\u00eb num\u00ebr t\u00eb pak\u00ebt, e m\u00eb tep\u00ebr te ndonj\u00eb studiues, i cili edhe kishte kritere p\u00ebr artin letrar.<\/p>\n

Ai kishte talent t\u00eb rrall\u00eb p\u00ebr poezin\u00eb lirike kryesisht, n\u00eb t\u00eb cilat fillimisht pasqyroheshin hallet e njer\u00ebzve t\u00eb vuajtur, p\u00ebrkat\u00ebsisht edhe t\u00eb atyre q\u00eb u \u00ebsht\u00eb mohuar vendlindja, si\u00e7 ishte rasti me \u00e7ameriot\u00ebt, t\u00eb cil\u00ebt u masakruan, u p\u00ebrzun\u00eb dhe mbetet rrug\u00ebve t\u00eb bot\u00ebs. Gj. Komnino, i cili kishte publikuar vjersha n\u00eb t\u00eb p\u00ebrkohshmen e emigrant\u00ebve n\u00eb Shqip\u00ebri, \u201cZ\u00ebri i \u00c7am\u00ebris\u00eb\u201d, si: \u201cRruga e kthimit\u201d, \u201cParamithi, Paramithi\u201d si dhe vjersh\u00eb p\u00ebr gruan trime \u00e7ame Sanije Bollati, me t\u00eb nj\u00ebjtin titull.<\/p>\n

Ja se si e pasqyron at\u00eb fat tragjik n\u00eb poezin\u00eb \u201cParamithi, Paramithi!\u201c, shkruar m\u00eb 1945, p\u00ebr ta p\u00ebrkujtuar masakr\u00ebn \u00e7njer\u00ebzore t\u00eb gjeneralit t\u00eb zi Zerva mbi civil\u00ebt \u00e7am\u00eb t\u00eb pafajsh\u00ebm, m\u00eb 27-29 qershor 1944:<\/p>\n

O pellg me gjak, o v\u00ebnd fatzi,<\/em>
\nAty ku hyn fashisti grek,<\/em>
\nKu hapen varre me hendek,<\/em>
\nKu \u00e7do hendek \u00ebsht\u00eb nj\u00eb varr,<\/em>
\nP\u00ebr \u00e7do \u00c7am p\u00ebr \u00e7do Shqiptar,<\/em>
\nKu nj\u00eb zervist, nazist-gjerman,<\/em>
\nNj\u00eb katil, nj\u00eb shpirt katran, po b\u00ebn bat\u00ebrdi,<\/em>
\nJi s\u2019\u00ebsht\u00eb grek, as palikar p\u00ebr trim\u00ebri,<\/em>
\nPo nj\u00eb kusar, nj\u00eb mercenar, nj\u00eb faqezi.<\/em>
\n…………………………………..<\/em>
\n………………………………….<\/em>
\nSe \u00e7\u2019vep\u00ebr t\u00eb ndot\u00eb, se \u00e7\u2019far\u00eb torture<\/em>
\nAskush s\u2019mund ta thot\u00eb.<\/em>
\nShiko kufomat, si qiellin munxosin,<\/em>
\nShiko zervistat, si po na farosin<\/em>
\nN\u00eb befasi!!<\/em>
\nAh! Hesht hipokrit, \u00e7\u2019b\u00ebn sikur s\u2019sheh<\/em>
\nKur klithma e jon\u00eb u ngjit gjer n\u00eb re.<\/em><\/p>\n

Komnino kishte shkruar vazhdimisht, edhe studime, si\u00e7 ishte studimi n\u00eb italisht \u201cIl romanticism precoce nelle di De Rada\u201d.<\/p>\n

Gjergj Komnino: Naimi poeti-njeri, Firenze 1943<\/strong><\/p>\n

M\u00eb sa dihet, vepra e tij e par\u00eb q\u00eb pa drit\u00ebn e botimit, \u00ebsht\u00eb \u201cNaimi – poeti njeri\u201d, e cila do dilte nga shtypshkronja \u201cMarzocco\u201d e Firences, m\u00eb 1943. \u00c7\u2019\u00ebsht\u00eb e v\u00ebrteta, sugjerimin p\u00ebr k\u00ebt\u00eb shtypshkronja ia kishte dh\u00ebn\u00eb studentit Gjergj Komnino studiuesi italian Angelo Leoti. \u00cbsht\u00eb e \u00e7uditshme se po kjo sht\u00ebpi botuese, n\u00eb kopertin\u00ebn e fundit t\u00eb vepr\u00ebs s\u00eb par\u00eb, reklamon edhe veprat e tjera po t\u00eb k\u00ebtij autori q\u00eb do i botonte n\u00eb vijim, si:<\/p>\n

\u201cVajet e kasolleve<\/em>\u201d – v\u00ebllim i par\u00eb i vjershave lirike,
\n\u201cVajet e kasolleve<\/em>\u201d- v\u00ebllim i dyt\u00eb i vjershave lirike,
\n\u201cEdlir\u00ebs<\/em>\u201d po ashtu vjersha lirike,
\n\u201cEmir\u00ebs<\/em>\u201d – v\u00ebllimin me vjersha elegjiake,
\n\u201cNd\u00ebshkimi i tradh\u00ebtis\u00eb<\/em>\u201d – tragjedi n\u00eb vargje, dhe
\n\u201cHeronjt\u00eb: Profet\u00eb<\/em>\u201d – tragjedi n\u00eb vargje.<\/p>\n

E t\u00ebr\u00eb kjo krijimtari fillestare, prej shtat\u00eb veprash, \u00ebsht\u00eb habi p\u00ebr nj\u00eb mosh\u00eb t\u00eb re krijuese dhe t\u00eb pa d\u00ebgjuar deri at\u00ebher\u00eb. Po ai s\u2019ndalon me kaq. Shkruan pand\u00ebrprer\u00eb edhe kur nuk ka mund\u00ebsi q\u00eb t\u2019i publikoj\u00eb.<\/p>\n

Kur punoi n\u00eb sektorin e folklorit, n\u00eb em\u00ebr t\u00eb atij Instituti ka botuar nj\u00eb v\u00ebllim me materiale folklorike, t\u00eb mbledhura kryesisht n\u00eb Sh\u00ebn Gjergj t\u00eb Tiran\u00ebs, nd\u00ebrsa q\u00eb v\u00ebllime t\u00eb t\u00ebra t\u00eb materialeve ruhen n\u00eb arkivin e atij institucioni.<\/p>\n

Shkrimet e tjera autoriale ai i kishte mbyllur n\u00eb nj\u00eb s\u00ebnduk n\u00eb Durr\u00ebs, t\u00eb cilat kishte sugjeruar familjar\u00ebve me nj\u00eb let\u00ebr nga Italia q\u00eb t\u00eb mos i hapin pa ardhur ai vet\u00eb. Por edhe m\u00eb tej, si\u00e7 shkruan nj\u00eb gazet\u00eb italiane, Gjergj Komnino ka vet\u00ebm nj\u00eb pasuri: \u00e7ant\u00ebn me letra e poezi, t\u00eb cilat i krijon n\u00ebn hijen e kishave dhe pallateve t\u00eb Rom\u00ebs. Se sa \u00ebsht\u00eb ruajtur talenti i tij i rrall\u00eb, dhe se sa ishte p\u00ebrcaktues p\u00ebr krijimtari letrare, d\u00ebshmon me nj\u00eb pjes\u00ebmarrje n\u00eb nj\u00eb konkurs letrar m\u00eb 1993, ku fiton \u00e7mimin e argjendt\u00eb nga Akademia Nd\u00ebrkomb\u00ebtare e Mi\u00e7encien\u00ebve, me poezin\u00eb \u201cRoma\u201d, shkruar n\u00eb italisht. Nga t\u00eb njohurit e pakt\u00eb t\u00eb tij, m\u00ebsijm\u00eb se ai kishte b\u00ebr\u00eb gati nj\u00eb vep\u00ebr t\u00eb re, me titullin \u201cTerrori \u00ebsht\u00eb nj\u00eb fatkeq\u00ebsi humane\u201d. Po ashtu kishte paralajm\u00ebruar botimin e kat\u00ebr studimeve p\u00ebr etnografin\u00eb shqiptare.<\/p>\n

Tragjedia n\u00eb vargje, vep\u00ebr q\u00eb d\u00ebshmon talentin e rrall\u00eb<\/strong><\/p>\n

Mund t\u00eb konstatohet nga t\u00eb dh\u00ebnat se Gjergj Komnino kryesisht ishte poet lirik. Lirizmi i tij, \u00ebsht\u00eb shpirt\u00ebror edhe letrar i theksuar, d\u00ebshmohet jo vet\u00ebm kur krijon poezi, por edhe n\u00eb gjinin\u00eb e dramaturgjis\u00eb. Vepra n\u00eb fjal\u00eb \u00ebsht\u00eb shkruar me frym\u00ebzim t\u00eb thell\u00eb ngase Naim Frash\u00ebri i madh nuk ishte vet\u00ebm i frym\u00ebzuar kur krijonte p\u00ebr motive e tema nd\u00ebr m\u00eb t\u00eb ndryshmet, nga ato atdhetare e deri te ato fetare, nga ato filozofike deri te ato erotike e tjer\u00eb, por edhe ishte frym\u00ebzues p\u00ebr t\u00eb tjer\u00ebt.<\/p>\n

Puna e sh\u00ebmb\u00ebllesa e tij kishin frym\u00ebzuar t\u00eb krijonin poezi Andon Zako \u00c7ajupi, Aleks Stavre Drenova – Asdreni, Lasgush Poradeci, madje disa sish krijuar lirika p\u00ebrkushtuese p\u00ebr ate, nga ata t\u00eb tradit\u00ebs e deri te ata t\u00eb dit\u00ebve t\u00eb sotme. Po ashtu p\u00ebr Naimin jan\u00eb shkruar me dhjet\u00ebra fjal\u00eb p\u00ebrkujtimore, vepra studimore, si nga N. Helenau, Safet Butka, Sevasti Doko, Terenc To\u00e7i, Lulo Maksori, Zoi Xoxa, Krfist Lepeteni, Et\u2019hem Haxhiademi, dr. Norbert Jokl, e dhjet\u00ebra t\u00eb m\u00ebvonsh\u00ebm.<\/p>\n

Si\u00e7 duket Gjergj Komninos m\u00eb s\u00eb shumti i kishte b\u00ebr\u00eb p\u00ebrshtypje jet\u00eb-krijimtaria e rrall\u00eb e Naimit, i cili do t\u2019ia kushtoj\u00eb t\u00ebr\u00eb nj\u00eb vep\u00ebr, t\u00eb cil\u00ebn, si\u00e7 sh\u00ebnon ai vet\u00eb n\u00eb parath\u00ebnie t\u00eb vepr\u00ebs q\u00eb e kishte shkruar n\u00eb Berat, t\u00eb cil\u00ebn e mbaroi m\u00eb 31 dhjetor 1941, kur ai ka ndjer\u00eb k\u00ebnaq\u00ebsi p\u00ebr koh\u00ebn e krijimit pran\u00eb Tomorrit historik, kur d\u00ebshmon se \u201cp\u00ebsova mundime, d\u00ebshp\u00ebrime t\u00eb patreguara, por u shp\u00ebrbleva dhe me d\u00ebfrime t\u00eb pa\u00e7muara. Me nj\u00eb fjal\u00eb – Jetova!\u201d<\/p>\n

Ngjarja n\u00eb vep\u00ebr zhvillohet n\u00eb nj\u00eb fshat rr\u00ebz\u00eb Tomorrit, Malit t\u00eb Shenjt\u00eb, ku kishte ndaluar P O E T I (N. Frash\u00ebri), p\u00ebr t\u00eb pushuar dhe q\u00eb \u201ct\u2019i falej Zan\u00ebs s\u00eb tij\u201d. Atje ishte nj\u00eb vendbanim me sht\u00ebpi e njer\u00ebz t\u00eb tjer\u00eb dhe nj\u00eb sundonj\u00ebs q\u00eb e kishte vendi. N\u00eb fillim P o e t i e hap vepr\u00ebn dhe po ai P o e t e mbylli ngjarjen – jet\u00ebn, si personazh kryesor q\u00eb \u00ebsht\u00eb. P\u00ebrndryshe, gjat\u00eb t\u00ebr\u00eb vepr\u00ebs enden, veprojn\u00eb, g\u00ebzohen, hidh\u00ebrohen, sulmojn\u00eb e p\u00ebrgj\u00ebrohen m\u00eb se nj\u00ebzeten\u00ebnt\u00eb njer\u00ebz – personazhe moshash, klasash si dhe intelektesh t\u00eb ndryshme, me n\u00eb krye P o e t i n madh\u00ebshtor, i cili \u00ebsht\u00eb i domosdosh\u00ebm me fjal\u00ebn e tij ledhatuese e me pranin\u00eb fizike, kur ngat\u00ebrresat arrijn\u00eb kulmin, qoft\u00eb si p\u00ebrjetim tragjik i fakteve, qoft\u00eb edhe si vazhdim\u00ebsi ngat\u00ebrrestare e manifestuar p\u00ebrmes sulmeve.<\/p>\n

\"\"<\/p>\n

Autori sikur q\u00ebllimisht i ka prezentuar n\u00eb sken\u00ebn e ngjarjes sundimtar\u00eb t\u00eb vrazhd\u00ebt, student\u00eb t\u00eb men\u00e7ur e p\u00ebrfaq\u00ebsues t\u00eb s\u00eb ardhmes, t\u00eb rinj q\u00eb jan\u00eb p\u00ebrplot emocione dhe q\u00eb kan\u00eb k\u00ebrkesa p\u00ebr t\u00eb jetuar koh\u00ebn, pavar\u00ebsisht nga p\u00ebrkat\u00ebsia klasore, asish q\u00eb jan\u00eb v\u00ebshtrimtar\u00eb, q\u00eb quhen popull, si dhe t\u00eb arratisur. Po ashtu n\u00eb vep\u00ebr funksionin e vet e kryen edhe K o r i, i cili leht\u00ebsonte hyrje – daljet dhe prezentimin e ndodhis\u00eb n\u00eb sken\u00eb. Mes gjith\u00eb k\u00ebtyre tipareve q\u00eb p\u00ebrfaq\u00ebsojn\u00eb secili klas\u00ebn e p\u00ebrkat\u00ebsin\u00eb e tij, moshore e intelektuale, klasore e begatore, \u00ebsht\u00eb figura e Naim Frash\u00ebrit – P o e t i t, q\u00eb m\u00eb shum\u00eb \u00ebsht\u00eb ide, mendime poetike, frym\u00eb qet\u00ebsuese, hije shafit\u00ebse e ndjenjave t\u00eb ndezura keq, se sa figur\u00eb fizike, q\u00eb mund t\u00eb kornizohet me pamje, gjeste e fizik p\u00ebrkufizues.<\/p>\n

Kori e hap vepr\u00ebn, kur nj\u00ebkoh\u00ebsisht paraqet shpirtin dhe idealin e poetit, me fjal\u00eb – k\u00ebng\u00eb:<\/p>\n

Si\u00e7 venitet rrez\u2019 e djellit<\/em>
\ne p\u00ebrgjakur n\u00ebp\u00ebr male<\/em>
\nshkrihet zemr\u2019 e tij e but\u00eb,<\/em>
\ndalngadale, dalngadale!<\/em><\/p>\n

……………………….<\/em>
\n……………………….<\/em><\/p>\n

Vjersh\u00ebtori s\u2019druan vdekjen,<\/em>
\np\u00ebr at\u00eb s\u2019ka vler\u00eb jeta;<\/em>
\nve\u00e7se do q\u00eb t\u00eb fitoj\u00eb:<\/em>
\nIdeali, e V\u00ebrteta.<\/em><\/p>\n

………………………<\/em>
\n………………………<\/em><\/p>\n

L\u00ebngon, duke shkruar p\u00ebrher\u00eb Poeti,<\/em>
\ns\u2019i shtrohet tiranit q\u2019e zuri n\u00eb fyt,<\/em>
\ni tha i patundur me bes\u00eb Profeti:<\/em>
\n\u201cS\u2019m\u00eb shtyp shkelmi yt\u201d.<\/em><\/p>\n

T\u00eb gjitha t\u00eb ngjarat n\u00eb vep\u00ebr nuk jan\u00eb pa gj\u00eb: ato jan\u00eb v\u00ebn\u00eb me synim q\u00eb ta portretizojn\u00eb m\u00eb bukur dhe m\u00eb bindsh\u00ebm poetin e shquar, q\u00ebndrueshm\u00ebrin\u00eb e tij, but\u00ebsin\u00eb e shprehur n\u00eb vargje dhe, p\u00ebr ta jet\u00ebsuar konkretisht vler\u00ebn e vepr\u00ebs s\u00eb tij t\u00eb madhe, artistikisht dhe praktikisht funksionale. E lexojn\u00eb shum\u00eb vepr\u00ebn e Naim Frash\u00ebrit rinia shqiptare e koh\u00ebs, madje fshehurazi edhe nga sistemi, edhe prind\u00ebrit dhe adhuruesit e tij. \u201cBag\u00ebti e bujq\u00ebsia\u201d dhe \u201cLulet e ver\u00ebs\u201d n\u00eb fragmente, sh\u00ebrbejn\u00eb edhe p\u00ebr nd\u00ebrtimin e k\u00ebsaj tragjedie n\u00eb vargje, ato q\u00eb mbahen fare pran\u00eb lexuesit dhe adhurohen deri n\u00eb p\u00ebrjet\u00ebsi, fjala e t\u00eb cilave ka misionin sh\u00ebrues dhe mobilizues n\u00eb raste.<\/p>\n

Njeriu i dashuruar qet\u00ebsohet shqiptarisht, njeriu ngat\u00ebrrestar e pa vet\u00ebdije komb\u00ebtare e njer\u00ebzore, habitet dhe sikur shtanget para fjal\u00ebs dhe vepr\u00ebs s\u00eb Naimit. P o e t i k\u00ebtu \u00ebsht\u00eb strumbullari i vepr\u00ebs. Gjergj Komnino ka dashur q\u00eb ta d\u00ebshmonte praktikisht vler\u00ebn e artit t\u00eb v\u00ebrtet\u00eb letrar, ta vendoste ngjarjen n\u00eb truallin shqiptar, ku poeti kishte d\u00ebshir\u00eb jetike t\u00eb jetonte, e t\u00eb krijonte, e t\u00eb vdiste.<\/p>\n

Freski vepr\u00ebs i japin jo vet\u00ebm me mosh\u00ebn e tyre, por me veprimet dhe konceptet p\u00ebr jet\u00ebn e shoq\u00ebrin\u00eb Edlira, Bardhoshja, Mirashi, Bekimi, Fatosi, Agimi, Shpejti e t\u00eb tjer\u00eb; nd\u00ebrsa q\u00eb t\u00ebr\u00eb vazhdim\u00ebsin\u00eb shpirt\u00ebrore e vepruese, q\u00eb pasqyrojn\u00eb krijesat njer\u00ebzore t\u00eb urryera, e mbajn\u00eb n\u00eb vete Sundonj\u00ebsi, pastaj e shoqja, si kategori m\u00eb vete, e po ashtu kategori t\u00eb s\u00eb p\u00ebrultes dhe urt\u00ebsis\u00eb nga vendshikimi b\u00ebjn\u00eb edhe Rrapushi, Lushi dhe N\u00ebnoja – sh\u00ebrb\u00ebtor\u00ebt e Sundonj\u00ebsit, q\u00eb e kap\u00ebrthejn\u00eb ngjarjen n\u00eb vep\u00ebr.<\/p>\n

Ndon\u00ebse me grimca vepruese dhe deklarative p\u00ebrmes fjal\u00ebs – dialog, q\u00eb duhet ta ket\u00eb gjinia e dramaturgjis\u00eb, e gjith\u00eb vepra hepon nga njer\u00ebzorja dhe e drejta, q\u00eb i ngjet jet\u00ebsores, dialektik\u00ebs s\u00eb ecjes p\u00ebrpara.<\/p>\n

Fundi i vepr\u00ebs \u00ebsht\u00eb nj\u00ebkoh\u00ebsisht edhe fundi i jet\u00ebs fizike t\u00eb P o e t i t, por jo edhe i jet\u00ebs reale t\u00eb fjal\u00ebs s\u00eb tij magjeps\u00ebse. S\u00eb pakut k\u00ebshtu e thot\u00eb Kori n\u00eb mbyllje:<\/p>\n

Po! K\u00ebnga e jote do t\u00eb jet\u2019 e amshuar,
\nsa koh\u2019 q\u00eb Shqiptarkat do pjellin f\u00ebmij\u00eb,
\nsa koh\u2019 q\u00eb kjo tok\u00eb s\u2019do jet\u00eb e shkretuar
\ndhe Drita do vij\u00eb!<\/em>
\n(Poetin e mbulojn\u00eb me lule<\/strong>)<\/p>\n

S\u00ebrish Komnino \u00ebsht\u00eb preciz n\u00eb ruajtjen e indit jet\u00ebsor t\u00eb poetit Frash\u00ebri. Ai vdes vet\u00ebm at\u00ebher\u00eb kur fashiten ngat\u00ebrresat dhe kur rinia realizon synimin n\u00eb jet\u00eb, q\u00eb k\u00ebtu p\u00ebrkufizohet me dashurin\u00eb mes dy t\u00eb rinjve, q\u00eb ishin penguar nga Sundonj\u00ebsi (k\u00ebtu e vjetra, e pajeta).<\/p>\n

Vepra ruan sensin e mas\u00ebs, duke mos l\u00ebn\u00eb asnj\u00ebher\u00eb hap\u00ebsir\u00eb p\u00ebr monotoni veprimi n\u00eb sken\u00eb, as p\u00ebr lodhje t\u00eb shikuesit p\u00ebrkat\u00ebsisht lexuesit, me pjes\u00eb a pamje q\u00eb nuk zgjojn\u00eb interes.<\/p>\n

Gjith\u00e7ka \u00ebsht\u00eb e lidhur harmonish\u00ebm, sikur vepra \u00ebsht\u00eb shkruar me nj\u00eb frym\u00eb. Vepra pra \u00ebsht\u00eb shkruar me nj\u00eb natyrshm\u00ebri veprimi e frym\u00ebzimi, kur edhe konfliktet nd\u00ebrthur\u00ebn bukur e natyrsh\u00ebm, duke mos e l\u00ebn\u00eb duke lexuesin q\u00eb t\u00eb pres\u00eb se \u00e7\u2019po ndodh\u00eb, dhe madje q\u00eb edhe ai t\u00eb futet n\u00eb dram\u00ebn njer\u00ebzore, familjare e moshore. Mbi t\u00eb gjitha k\u00ebtu \u00ebsht\u00eb shtrirja Atdhetare e indit t\u00eb vepr\u00ebs, pa t\u00eb cil\u00ebn nuk realizohet asgj\u00eb e mbar\u00eb, dhe pa t\u00eb cil\u00ebn nuk realizohet asgj\u00eb e drejt\u00eb.<\/p>\n

Gjergj Komnino, duke \u2018folur\u2019 shpesh n\u00eb em\u00ebr t\u00eb Naimit apo si Naimi, nj\u00ebjt\u00ebsohet me idet\u00eb e krijimtarin\u00eb e tij, me portretin e tij prej njeriu e poeti, n\u00eb mos ajo mbetet lakmi e \u00e7do krijuesi p\u00ebr ngjasim me krijuesit e njer\u00ebzit e m\u00ebdhenj.<\/p>\n

Vepra si t\u00ebr\u00ebsi \u00ebsht\u00eb e arrir\u00eb dhe me shprehje e gjuh\u00eb t\u00eb kulluar, q\u00eb i p\u00ebrafrohet shum\u00eb letrarishtes s\u00eb sotme, e cila e p\u00ebrafron leht\u00eb me lexuesin e dit\u00ebve t\u00eb sotme.<\/p>\n

Mendojm\u00eb se e vlen\u00eb q\u00eb t\u00eb ribotohet.<\/p>\n

Fjala p\u00ebrfudimtare<\/strong><\/p>\n

Kur d\u00ebgjon a m\u00ebson di\u00e7ka, por q\u00eb edhe nuk \u00ebsht\u00eb pran\u00eb t\u00ebr\u00ebsorja e asaj q\u00eb \u00ebsht\u00eb informacion, mbetet mendimi i pjessh\u00ebm, p\u00ebrkat\u00ebsisht jo i plot\u00eb as p\u00ebr vepr\u00ebn q\u00eb \u00ebsht\u00eb par\u00ebsore, mbase as p\u00ebr autorin e saj. Madje, tragjikat jet\u00ebsore e fatore sikur i ndjekin t\u00eb gjith\u00eb artist\u00ebt, ose ata skajohen deri n\u00eb mosnjohje, ose veprat e tyre q\u00eb mbajn\u00eb n\u00eb vete ndjenj\u00eb, shqet\u00ebsim, v\u00ebshtir\u00ebsi, k\u00ebnaq\u00ebsi, bukuri – mbesin pa komunikuar p\u00ebr asnj\u00ebher\u00eb me t\u00eb dedikuarin – lexuesin, gjeneratat.<\/p>\n

Sido q\u00eb t\u00eb jet\u00eb, k\u00ebt\u00eb radh\u00eb di\u00e7ka m\u00eb shum\u00eb \u00ebsht\u00eb dh\u00ebn\u00eb n\u00eb spikam\u00eb, nj\u00eb troh\u00eb borxhi i \u00ebsht\u00eb paguar diturakut, krijuesit e poetit t\u00eb p\u00ebrkushtuar, Gjergj Komnino.<\/p>\n

Arllat, janar 2011<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Gjergj Komnino (1919-1996) Nga Sinan GASHI Gjergj kombino \u00ebsht\u00eb nd\u00ebr krijuesit m\u00eb fatkeq n\u00eb let\u00ebrsin\u00eb shqiptare dhe nj\u00ebkoh\u00ebsisht krijuesi m\u00eb idealist dhe i p\u00ebrcaktuar, q\u00eb gjithnj\u00eb t\u00eb jet\u00eb vet\u00ebm me fjal\u00ebn e bukur, magjia e s\u00eb cil\u00ebs e kishte z\u00ebn\u00eb q\u00eb kur ishte nx\u00ebn\u00ebs dhe e shoq\u00ebroi vazhdimisht n\u00eb ato pak dit\u00ebt e mira dhe […]<\/p>\n","protected":false},"author":1,"featured_media":63982,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2,4,35],"tags":[],"class_list":["post-63981","post","type-post","status-publish","format-standard","has-post-thumbnail","category-artikuj","category-histori","category-kulture"],"yoast_head":"\nMEN\u00c7URAKU I P\u00cbRBUZUR - GJERGJ KOMNINO - FJALA e LIR\u00cb<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/jehonashqiptare.al\/fjala\/mencuraku-i-perbuzur-gjergj-komnino\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"MEN\u00c7URAKU I P\u00cbRBUZUR - 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