{"id":64404,"date":"2021-02-10T19:36:30","date_gmt":"2021-02-10T18:36:30","guid":{"rendered":"https:\/\/fjala.info\/?p=64404"},"modified":"2021-02-10T19:36:30","modified_gmt":"2021-02-10T18:36:30","slug":"procesi-kafka","status":"publish","type":"post","link":"https:\/\/jehonashqiptare.al\/fjala\/procesi-kafka\/","title":{"rendered":"\u201cPROCESI\u201d \u2013 KAFKA"},"content":{"rendered":"

\"Xhelal Xhelal Zejneli<\/strong><\/p>\n

Pa kurrfar\u00eb dyshimi, Franc Kafka \u00ebsht\u00eb nj\u00eb prej shkrimtar\u00ebve bot\u00ebror\u00eb, m\u00eb t\u00eb r\u00ebnd\u00ebsish\u00ebm dhe m\u00eb largpam\u00ebs t\u00eb shekullit XX. Romani \u201cProcesi\u201d<\/em> \u00ebsht\u00eb pjes\u00eb e pandar\u00eb e artit letrar modern. Ka studiues q\u00eb thon\u00eb se p\u00ebr nj\u00eb \u201cProces\u201d<\/em> autentik, duhet t\u2019u kthehemi dor\u00ebshkrimeve burimore, duke i shmangur t\u00eb gjitha nd\u00ebrhyrjet e m\u00ebvonshme q\u00eb nuk burojn\u00eb nga dora e shkrimtarit. \u201cProcesi\u201d <\/em>na e ngjall at\u00eb q\u00eb edhe sot, n\u00eb m\u00ebnyr\u00eb vendimtare, e karakterizon ekzistenc\u00ebn ton\u00eb private dhe publike. K\u00ebshtu do t\u00eb jet\u00eb kurdo q\u00eb t\u00eb ballafaqohemi me absurdet dhe me an\u00ebn e panjer\u00ebzishme t\u00eb bot\u00ebs son\u00eb. N\u00eb t\u00eb nj\u00ebjt\u00ebn koh\u00eb, thell\u00eb n\u00eb vepr\u00ebn e Kafk\u00ebs, ekziston nj\u00eb qeshje me shum\u00eb kuptime e cila n\u00eb m\u00ebnyr\u00eb enigmatike ndikon q\u00eb \u00e7do dimension i \u201cProcesit\u201d <\/em>t\u00eb jet\u00eb thelb\u00ebsor, autobiografik dhe imagjinues, metafizik dhe religjioz, psikologjik dhe profetik, p\u00ebrfshi edhe dimensioni q\u00eb ka t\u00eb b\u00ebj me kritik\u00ebn e rendit opresiv apo me kufijt\u00eb e frik\u00ebs son\u00eb dhe t\u00eb mendimeve tona. Romani i Kafk\u00ebs \u00ebsht\u00eb nj\u00eb vep\u00ebr e madhe dhe pakap\u00ebrcyeshme e koh\u00ebs son\u00eb. Pa t\u00eb, kurr\u00eb nuk do t\u00eb mund t\u00eb thoshim se e njohim mjaftuesh\u00ebm bot\u00ebn e njeriut t\u00eb shekullit XX.<\/p>\n

*\u00a0\u00a0 *\u00a0\u00a0 *<\/strong><\/p>\n

\u201cProcesi\u201d<\/em> \u00ebsht\u00eb nj\u00eb prej romaneve m\u00eb t\u00eb r\u00ebnd\u00ebsishme t\u00eb shekullit XX. Dikush duhet t\u00eb ket\u00eb shpifur p\u00ebr Jozef K., ngase, pa b\u00ebr\u00eb kurrfar\u00eb t\u00eb keqeje, nj\u00eb m\u00ebngjes arrestohet. <\/em><\/p>\n

Jozef K., prokurist perspektiv i nj\u00eb banke t\u00eb madhe, u arrestua n\u00eb dit\u00eblindjen e tij t\u00eb 30-t\u00eb, her\u00ebt n\u00eb m\u00ebngjes, sapo i kishte \u00e7elur syt\u00eb. Akuza nuk dihet. Nuk duhet as se n\u00eb cil\u00ebn gjykat\u00eb zhvillohet procesi dhe \u00e7far\u00eb rrjedhe do t\u00eb ket\u00eb ai. Jozef K.-s\u00eb ia b\u00ebjn\u00eb me dije se gjykata nuk d\u00ebshiron t\u2019ia \u00e7rregulloj\u00eb m\u00ebnyr\u00ebn e r\u00ebndomt\u00eb t\u00eb jet\u00ebs dhe se ai, n\u00eb p\u00ebrputhje me k\u00ebt\u00eb, lirisht mund t\u2019u kthehet veprimtarive t\u00eb p\u00ebrditshme. Mir\u00ebpo, Jozef K., n\u00eb dit\u00ebt dhe n\u00eb muajt e ardhsh\u00ebm, gjithnj\u00eb m\u00eb tep\u00ebr ngat\u00ebrrohet n\u00eb rrjet\u00ebn e padukshme t\u00eb procesit t\u00eb vet dhe t\u00eb gjykat\u00ebs s\u00eb sk\u00ebterrshme q\u00eb e ka ngritur at\u00eb. Hap pas hapi, Jozef K. m\u00ebson se \u00e7do gj\u00eb \u00ebsht\u00eb n\u00eb duart e gjykat\u00ebs. N\u00eb prag t\u00eb dit\u00eblindjes s\u00eb tij t\u00eb 31-t\u00eb, nj\u00eb vit pas arrestimit, Jozef K. i pret xhelat\u00ebt me gatishm\u00ebri.<\/p>\n

Sot e k\u00ebsaj dite, Kafka \u00ebsht\u00eb nj\u00eb fenomen unik i let\u00ebrsis\u00eb bot\u00ebrore, nd\u00ebrsa dekadat q\u00eb kan\u00eb kaluar q\u00eb nga paraqitja e veprave t\u00eb tij, fare nuk e kan\u00eb pak\u00ebsuar karakterin modern t\u00eb tyre dhe aktualitetin e tyre. Te \u201cProcesi\u201d<\/em> ballafaqohemi me nj\u00eb bot\u00eb t\u00eb pabesueshme, shqet\u00ebsuese, p\u00ebrplot me individ\u00eb t\u00eb depersonalizuar dhe me ngjarje absurde, por q\u00eb autori i paraqet si fare normale dhe t\u00eb zakonshme. Proza groteske e Kafk\u00ebs n\u00eb kufirin e halucinacionit dhe t\u00eb reales, sot e k\u00ebsaj dite na t\u00ebrheq n\u00eb bot\u00ebn e vet shqet\u00ebsuese, sikur reflektimi n\u00eb nj\u00eb pasqyr\u00eb t\u00eb shtremb\u00ebruar, p\u00ebr t\u00eb cilin nuk dim\u00eb n\u00eb \u00ebsht\u00eb travesti<\/em><\/strong>, shtremb\u00ebrim, maskim apo diagnoz\u00eb profetike lucide. Apo, edhe nj\u00ebra edhe tjetra.<\/p>\n

*\u00a0\u00a0 *\u00a0\u00a0 *<\/strong><\/p>\n

\u201cProcesi\u201d<\/em> \u00ebsht\u00eb nj\u00eb prej veprave m\u00eb t\u00eb njohur gjermane t\u00eb t\u00eb gjitha koh\u00ebve. Kafka e shkroi n\u00eb vitin 1914 dhe 1915. Romani u botua postum<\/em><\/strong>, n\u00eb vitin 1925, i pap\u00ebrfunduar. Sidoqoft\u00eb, romani e ka kapitullin p\u00ebrfundimtar q\u00eb veprimin e \u00e7on deri n\u00eb fund. Romanin e p\u00ebrgatiti p\u00ebr shtyp miku i Kafk\u00ebs, Maks Brodi<\/strong>, i cili edhe e sistemoi dhe e renditi romanin sipas kapitujve. N\u00eb botimin e sot\u00ebm, vepra p\u00ebrmban dhjet\u00eb kapituj. Me titullin e vet, vepra sugjeron veprimin n\u00eb qend\u00ebr t\u00eb t\u00eb cilit vihet procesi gjyq\u00ebsor. Por, vepra n\u00eb t\u00eb v\u00ebrtet\u00eb \u00ebsht\u00eb revolt\u00eb e Kafk\u00ebs kund\u00ebr sistemit<\/em><\/strong> dhe burokracis\u00eb si\u00e7 e njeh ai. \u201cProcesi\u201d<\/em> \u00ebsht\u00eb nj\u00ebherazi proces i luft\u00ebs s\u00eb njeriut kund\u00ebr atyre q\u00eb jan\u00eb m\u00eb t\u00eb m\u00ebdhenj se ai, i njeriut t\u00eb mbetur pa ndihm\u00ebn e kujt. Gjykata e cila si nj\u00eb instanc\u00eb e padukshme<\/em><\/strong>, megjith\u00ebk\u00ebt\u00eb ekzistuese, shtrihet gjat\u00eb t\u00ebr\u00eb vepr\u00ebs Ajo e p\u00ebrndjek dhe e d\u00ebnon individin<\/em><\/strong> i cili nuk e di se p\u00ebrse akuzohet<\/em><\/strong>. K\u00ebsisoj, jeta e njeriut shnd\u00ebrrohet n\u00eb formular dhe p\u00ebrfshihet n\u00eb format e jet\u00ebs robotike, ku ligjet dhe sistemi jan\u00eb mbi jet\u00ebn.<\/p>\n

\u201cProcesi\u201d<\/em> interpretohet edhe si domosdoshm\u00ebri dhe pashmangshm\u00ebri e fatit, gj\u00eb q\u00eb e v\u00ebrejm\u00eb n\u00eb sjelljen e Jozef K.-s\u00eb n\u00eb fund t\u00eb romanit, ku ai, pa rezistenc\u00eb, i dor\u00ebzohet d\u00ebnimit me vdekje. I t\u00ebr\u00eb koncepti i tjet\u00ebrsimit q\u00eb e hasim edhe te \u201cMetamorfoza\u201d<\/em>, \u00ebsht\u00eb reflektim i p\u00ebrpjekjes s\u00eb Kafk\u00ebs p\u00ebr ta gjetur veten. Kafka, si nj\u00eb hebre \u00e7ek q\u00eb flet gjermanisht, gjithmon\u00eb dhe n\u00eb \u00e7far\u00ebdo mjedisi, e ka ndjer\u00eb veten t\u00eb huaj. Tjet\u00ebrsimi v\u00ebrehet m\u00eb s\u00eb miri n\u00eb pap\u00ebrcaktueshm\u00ebrin\u00eb e koh\u00ebs, t\u00eb vendit t\u00eb veprimit, t\u00eb numrit t\u00eb personazheve<\/em><\/strong> q\u00eb shfaqen vet\u00ebm nj\u00eb her\u00eb apo q\u00eb zhduken sakaq, mu n\u00eb mes t\u00eb veprimit. Tjet\u00ebrsimi v\u00ebrehet edhe n\u00eb rip\u00ebrkufizimin e fajit q\u00eb i ngjishet personazhit kryesor. N\u00eb situat\u00ebn konkrete, personazhi kryesor nuk mund t\u00eb b\u00ebj\u00eb dot gj\u00eb, pos ta pranoj\u00eb at\u00eb, q\u00eb n\u00eb fund edhe e b\u00ebn.<\/p>\n

Pjesa m\u00eb e madhe e personazheve jan\u00eb n\u00ebpun\u00ebs, qoft\u00eb bankar\u00eb, qoft\u00eb gjyq\u00ebsor\u00eb apo t\u00eb policis\u00eb. E bezdisshme \u00ebsht\u00eb edhe atmosfera e interier\u00ebve dhe e eksterier\u00ebve q\u00eb i paraqet Kafka n\u00eb roman. Hap\u00ebsirat e gjykatave ndodhen n\u00eb tavane, n\u00eb pjes\u00ebt e p\u00ebrhumbura, t\u00eb varfra t\u00eb qytetit. Pran\u00eb hap\u00ebsirave gjyq\u00ebsore kryhen pun\u00eb t\u00eb p\u00ebrditshme, si\u00e7 \u00ebsht\u00eb larja e rrobave. Ndjenjat e ankthit dhe paradoksalizmi i veprimit krijojn\u00eb dimensionin kafkian t\u00eb romanit dhe reflektojn\u00eb dimensionin psikologjik t\u00eb romanit. M\u00eb e keqja \u00ebsht\u00eb se si personazhi kryesor i \u201cProcesit\u201d<\/em> mund t\u00eb jet\u00eb cilido njeri i bot\u00ebs. Jozef K. \u00ebsht\u00eb i zakonsh\u00ebm dhe kjo v\u00ebrehet edhe n\u00eb emrin e tij. ai nuk ka nj\u00eb identitet t\u00eb plot\u00eb, por vet\u00ebm emrin dhe inicialin. N\u00eb vend t\u00eb tij mund t\u00eb jet\u00eb kushdo qoft\u00eb. K\u00ebtu q\u00ebndron edhe kanosja m\u00eb e madhe e k\u00ebtij romani. P\u00ebr k\u00ebt\u00eb arsye, \u201cProcesi\u201d<\/em> i Kafk\u00ebs \u00ebsht\u00eb b\u00ebr\u00eb sinonim i situatave absurde n\u00eb t\u00eb cilat vihet njeriu, pa fajin e vet dhe prej t\u00eb cilave nuk mund t\u00eb nxirret me logjik\u00eb. Atij s\u2019i mbetet tjet\u00ebr, pos ta pranoj\u00eb gjendjen n\u00eb t\u00eb cil\u00ebn ndodhet. \u00cbsht\u00eb nj\u00eb vep\u00ebr e madhe dhe e r\u00ebnd\u00ebsishme e modernes e cila, si askush deri m\u00eb sot, e tregon absurditetin e shoq\u00ebris\u00eb moderne dhe njeriun t\u00eb mb\u00ebrthyer n\u00eb t\u00eb<\/em><\/strong>.<\/p>\n

*\u00a0\u00a0 *\u00a0\u00a0 *<\/strong><\/p>\n

Elementet letrare<\/strong> t\u00eb \u201cProcesit\u201d<\/em> – Vepra i takon gjinis\u00eb letrare t\u00eb epik\u00ebs<\/em> dhe llojit letrar \u2013 romanit<\/em>. Vendi i zhvillimit t\u00eb veprimit<\/em><\/strong> \u2013 Veprimi zhvillohet n\u00eb nj\u00eb qytet evropian t\u00eb pap\u00ebrcaktuar. Veprimet zhvillohen: n\u00eb banesat e zonj\u00ebs Grubah (dhoma e Jozef K.-s\u00eb); n\u00eb gjykat\u00eb; n\u00eb banes\u00ebn e avokatit; n\u00eb bank\u00eb, n\u00eb banes\u00ebn e piktorit Titoreli, n\u00eb gurore. Koha e zhvillimit t\u00eb veprimi<\/em><\/strong> \u2013 Veprimi zhvillohet n\u00eb shekullin XX. Tema e romanit<\/em><\/strong> \u2013 Procesi gjyq\u00ebsor i njeriut, t\u00eb faj\u00ebsuar pa t\u00eb drejt\u00eb. Ideja e romanit <\/em><\/strong>\u2013 <\/em>Pasqyrimi i absurdit t\u00eb shoq\u00ebris\u00eb dhe i individit i cili nuk ka mund\u00ebsi t\u00eb dal\u00eb i pafajsh\u00ebm.<\/p>\n

*\u00a0\u00a0 *\u00a0\u00a0 *<\/strong><\/p>\n

\u00a0P\u00ebrmbajtja e vepr\u00ebs <\/strong><\/em>\u2013 Jozef K. \u00ebsht\u00eb nj\u00eb n\u00ebpun\u00ebs bankar i cili n\u00eb dit\u00eblindjen e tij t\u00eb 30-t\u00eb zgjohet nga nj\u00eb trokitje n\u00eb der\u00eb. N\u00eb dhom\u00eb i hyn nj\u00eb i panjohur, nd\u00ebrsa tjetri e pret n\u00eb dhom\u00ebn tjet\u00ebr. Ata prezantohen si n\u00ebpun\u00ebs t\u00eb gjykat\u00ebs t\u00eb cil\u00ebt kan\u00eb ardhur ta arrestojn\u00eb. Arsyen nuk duan t\u2019ia thon\u00eb. Jozef K. mendon se kjo, nuk \u00ebsht\u00eb ve\u00e7se nj\u00eb shaka e pakrip\u00eb e koleg\u00ebve t\u00eb byros\u00eb. Pajtohet me marrjen n\u00eb pyetje t\u00eb inspektor\u00ebve. Pas k\u00ebsaj, ata i thon\u00eb se \u00ebsht\u00eb i lir\u00eb p\u00ebr t\u00eb shkuar n\u00eb pun\u00eb, derisa t\u00eb mos filloj\u00eb gjykimi. Jozef K. e pa t\u00eb arsyeshme q\u00eb rastin t\u2019ia rr\u00ebfej\u00eb pronares s\u00eb banes\u00ebs, zonj\u00ebs Grubah (Grubach) si dhe zonjush\u00ebs Byrstner (B\u00fcrstner), dhom\u00ebn e s\u00eb cil\u00ebs, personat q\u00eb e mor\u00ebn n\u00eb pyetje, e kishin zaptuar at\u00eb m\u00ebngjes. P\u00ebr ta trim\u00ebruar, Jozef K. e mbuloi zonjush\u00ebn Byrstner (B\u00fcrstner) me t\u00eb puthura. Nj\u00eb thirrje telefonike e njoftoi Jozef K.-n\u00eb se hetimi i rastit t\u00eb tij \u00ebsht\u00eb caktuar p\u00ebr t\u00eb diel\u00ebn. Gjat\u00eb bised\u00ebs telefonike ia kishin treguar vet\u00ebm adres\u00ebn se ku do t\u00eb kryhej hetimi, nd\u00ebrsa or\u00ebn e hetimit – jo. Jozef K. supozoi se do t\u00eb merrej n\u00eb d\u00ebgjim n\u00eb or\u00ebn n\u00ebnt\u00eb n\u00eb m\u00ebngjes. N\u00eb k\u00ebt\u00eb q\u00eb po p\u00ebrjetonte, nuk deshi ta ngat\u00ebrronte as shoferin taksist, ndaj u nis vet\u00eb. Kur mb\u00ebrriti para nd\u00ebrtes\u00ebs, nuk u ndje mir\u00eb kur pa para vetes nj\u00eb godin\u00eb tejet t\u00eb madhe shum\u00ebkat\u00ebshe me shkall\u00eb t\u00eb ve\u00e7anta. Nuk dinte ku t\u00eb drejtohej.<\/p>\n

U ngjit n\u00eb do shkall\u00eb dhe n\u00eb t\u00eb ecur, zhbironte \u00e7do hap\u00ebsir\u00eb, me shpres\u00eb se do ta gjente at\u00eb q\u00eb k\u00ebrkonte. Krejt q\u00eb kishte par\u00eb, ishin do familje t\u00eb varfra. U thoshte se e k\u00ebrkon zdrukth\u00ebtarin Lanz. N\u00eb katin e pest\u00eb kalon pran\u00eb nj\u00eb gruaje e cila lante do tesha f\u00ebmij\u00ebsh. Ajo e udh\u00ebzon se ku duhet t\u00eb shkoj\u00eb. Hap pas hapi, i afrohet nj\u00eb hap\u00ebsire q\u00eb duket si sall\u00eb gjykate. Njeriu t\u00eb cilin e mori p\u00ebr gjyqtar i tha se ka ardhur me nj\u00eb or\u00eb vones\u00eb. Publiku n\u00eb gjykat\u00eb, e p\u00ebrsh\u00ebndet her\u00eb me duartrokitje, her\u00eb me heshtje. Sakaq, gjyqtari kryesor filloi me pyetjet. Midis tjerash, e pyeti Jozef K.-n\u00eb n\u00eb ishte bojaxhi. Jozef K. menj\u00ebher\u00eb nisi t\u00eb arsyetohet, duke e hedhur notesin e gjyqtarit dhe duke e p\u00ebrshkruar arrestimin e vet. I ra n\u00eb sy se t\u00eb gjith\u00eb n\u00eb sall\u00eb kan\u00eb do brosh\u00eb. Tha me vete se t\u00eb gjith\u00eb k\u00ebta, nuk jan\u00eb ve\u00e7se n\u00ebpun\u00ebs t\u00eb ndyr\u00eb. Deshi t\u00eb dal\u00eb dhe t\u00eb largohet, nd\u00ebrsa gjyqtari ia b\u00ebri me dije se me k\u00ebt\u00eb veprim i v\u00eb n\u00eb dyshim t\u00eb gjitha favoret q\u00eb do t\u00eb mund t\u2019i kishte si nj\u00eb i pafajsh\u00ebm. Doli me t\u00eb shpejt duke l\u00ebn\u00eb pas vetes nj\u00eb hordhi njer\u00ebzish t\u00eb cil\u00ebt filluan ta analizojn\u00eb rastin e tij.<\/p>\n

Jozef K. vendosi q\u00eb vet\u00eb t\u00eb paraqitet n\u00eb gjykat\u00eb. E priti po ajo grua q\u00eb e kishte par\u00eb duke lar\u00eb tesha. N\u00eb bised\u00eb e sip\u00ebr, m\u00ebsoi se ajo ishte grua e sh\u00ebrbyesit t\u00eb gjyqtarit dhe se aty, si kompensim p\u00ebr pun\u00ebn q\u00eb b\u00ebjn\u00eb, banojn\u00eb pa paguar qira. Bised\u00ebn e tyre e nd\u00ebrpreu studenti i drejt\u00ebsis\u00eb q\u00eb nisi ta p\u00ebrqafoj\u00eb gruan e re. Jozef K. u largua duke i shikuar nga larg. Vjen burri i saj dhe ia qan\u00eb hallin Jozef K.-s\u00eb p\u00ebr lidhjen e s\u00eb shoqes me studentin. Por, p\u00ebr t\u00eb mos e humbur pun\u00ebn, k\u00ebt\u00eb s\u2019ia thot\u00eb askujt tjet\u00ebr. Sh\u00ebrbyesi i gjykat\u00ebs e p\u00ebrcjell Jozef K.-n\u00eb n\u00ebp\u00ebr gjykat\u00eb. ngjiten n\u00ebp\u00ebr do shkall\u00eb t\u00eb larta, hyjn\u00eb n\u00eb sall\u00ebn e pritjes ku presin t\u00eb akuzuarit. Nga t\u00eb ecurit, Jozef K. u ndje i lodhur. Iu lut sh\u00ebrbyesit q\u00eb t\u00eb dilnin jasht\u00eb, por ky e refuzoi. Jozef K.-s\u00eb nisi t\u2019i dhemb koka, ndaj filloi t\u00eb b\u00ebrtas\u00eb. Britm\u00ebn e tij e d\u00ebgjoi nj\u00eb grua e zyr\u00ebs q\u00eb ndodhej aty pran\u00eb. Ajo mundohet ta bind\u00eb se k\u00ebshtu ndjehen t\u00eb gjith\u00eb q\u00eb vijn\u00eb p\u00ebr her\u00eb t\u00eb par\u00eb n\u00eb gjykat\u00eb. K\u00ebrkon nga kolegu i zyr\u00ebs q\u00eb Jozef K.-n\u00eb ta d\u00ebrgoj\u00eb n\u00eb ambulanc\u00eb. Por, Jozef K. i lut q\u00eb ta \u00e7ojn\u00eb jasht\u00eb. M\u00eb n\u00eb fund, i shoq\u00ebruar nga dy polic\u00eb q\u00eb e mbajn\u00eb p\u00ebr krahu, e nxjerrin jasht\u00eb. Jozef K. mendon me vete sesi gjykata, sikur ajri i ndotur, ndodhet kudo p\u00ebrreth, e ky s\u2019e sheh.<\/p>\n

Dit\u00eb p\u00ebr dit\u00eb, Jozef K. tenton t\u00eb bisedoj\u00eb me zonjush\u00ebn Byrstner (B\u00fcrstner), por ajo i shmanget. I d\u00ebrgon edhe let\u00ebr, por nuk merr p\u00ebrgjigje. T\u00eb diel\u00ebn v\u00ebren se n\u00eb dhom\u00ebn e saj \u00ebsht\u00eb vendosur nj\u00eb banuese tjet\u00ebr, zonjusha Montag. M\u00eb n\u00eb fund, Jozef K. i drejtohet edhe pronares s\u00eb banes\u00ebs, zonj\u00ebs Grubah, me t\u00eb cil\u00ebn s\u2019kishte folur me jav\u00eb t\u00eb t\u00ebra.<\/p>\n

Rasti kur takon dy n\u00ebpun\u00ebs pran\u00eb t\u00eb cil\u00ebve ndodhet rrah\u00ebsi me shkop, e huton edhe m\u00eb shum\u00eb. N\u00eb t\u00eb v\u00ebrtet\u00eb, rrah\u00ebsi me shkop kishte marr\u00eb detyr\u00eb t\u2019i rrah\u00eb t\u00eb dy n\u00ebpun\u00ebsit p\u00ebr arsye se Jozef K. i ishte ankuar ndaj tyre – gjykat\u00ebsit. Jozef K. p\u00ebrpiqet ta bind\u00eb rrah\u00ebsin q\u00eb t\u2019i liroj\u00eb, por ai nuk o t\u2019ia dij\u00eb. Jozef K.-s\u00eb s\u2019i mbetej tjet\u00ebr, pos t\u00eb largohej.<\/p>\n

Jozef K.-n\u00eb e viziton xhaxhai i vet Karli. Ai \u00ebsht\u00eb i brengosur p\u00ebr rastin e Jozef K.-s\u00eb ngase prej k\u00ebsaj \u00e7\u00ebshtjeje do t\u00eb kishte pasoja krejt familja. Ai i propozon t\u00eb shkojn\u00eb te nj\u00eb avokat q\u00eb e ka shok, i cili do ta p\u00ebrfaq\u00ebsonte. Me t\u00eb mb\u00ebrritur tek avokati, mbet\u00ebn t\u00eb habitur kur kuptuan se ai ishte i njoftuar me rastin. Madje, tek ai kishte qen\u00eb edhe padit\u00ebsi kryesor. Avokati Huld, i s\u00ebmur\u00eb, ndodhet n\u00eb shtrat. P\u00ebr t\u00eb kujdeset Leni. Ajo e t\u00ebrheq Jozef K.-n\u00eb dhe q\u00eb t\u00eb dy l\u00ebshohen n\u00eb nj\u00eb afer\u00eb dashurie. Duke qen\u00eb se mungoi me or\u00eb t\u00eb t\u00ebra, xha Karli e qorton Jozef K.-n\u00eb q\u00eb e kishte l\u00ebn\u00eb padit\u00ebsin t\u00eb pres\u00eb. Po n\u00ebse vajza \u00ebsht\u00eb dashnore e avokatit?!<\/p>\n

Jozef K.-n\u00eb gjithnj\u00eb m\u00eb tep\u00ebr e preokupojn\u00eb mendimet lidhur me rastin e tij. N\u00eb pun\u00eb nuk mund ta ushtroj\u00eb detyr\u00ebn si duhet, mendimet nd\u00ebrkaq ka s\u2019i shkojn\u00eb. T\u00eb gjith\u00eb jan\u00eb t\u00eb njoftuar p\u00ebr rastin e tij, saq\u00eb edhe nj\u00eb fabrikant i cili e k\u00ebshillon ta vizitoj\u00eb piktorin Titoreli. Ai\u00a0 pikturon portrete n\u00ebpun\u00ebsish t\u00eb gjykat\u00ebs dhe si i till\u00eb ndoshta do t\u00eb\u00a0 mund t\u2019i ndihmonte. Jozef K. e viziton. Ky jetonte n\u00eb pjes\u00ebn edhe m\u00eb t\u00eb varf\u00ebr t\u00eb qytetit, m\u00eb t\u00eb varf\u00ebr edhe se zona ku ndodhej gjykata n\u00eb t\u00eb cil\u00ebn shkoi p\u00ebr her\u00eb t\u00eb par\u00eb. Piktori i ofron ndihm\u00eb n\u00ebp\u00ebrmjet lidhjeve q\u00eb i ka n\u00eb gjykat\u00eb. Ai i jep sqarime p\u00ebr epilog\u00ebt e mundsh\u00ebm t\u00eb rastit t\u00eb tij. Derisa piktori i fliste p\u00ebr opsionet e aktgjykimit, Jozef K.-s\u00eb p\u00ebrs\u00ebri nisin t\u2019i merren mendt\u00eb, nd\u00ebrsa bul\u00e7imi ia z\u00eb frym\u00ebn. U largua nga banesa e piktorit, pa th\u00ebn\u00eb se cila prej aktgjykimeve do t\u00eb kishte qen\u00eb m\u00eb e favorshme. Piktori e p\u00ebrcjell jasht\u00eb n\u00ebp\u00ebr korridor q\u00eb i ngjante dhom\u00ebs s\u00eb pritjes, me byrot\u00eb e avokat\u00ebve, n\u00eb t\u00eb cilat her\u00ebn e par\u00eb kishte z\u00ebn\u00eb neveria. At\u00ebher\u00eb, me goj\u00ebn t\u00eb mbyllur me shami dhe i shoq\u00ebruar nga sh\u00ebrbyesi i gjykat\u00ebs, Jozef K. kishte dal\u00eb nga nd\u00ebrtesa.<\/p>\n

Jozef k. vendos q\u00eb rastin ta marr\u00eb n\u00eb duart e veta. Shkon te avokati q\u00eb t\u2019i thot\u00eb se e nd\u00ebrpret bashk\u00ebpunimin. Avokati e akuzon duke th\u00ebn\u00eb se nuk \u00ebsht\u00eb i duruesh\u00ebm. Megjith\u00ebk\u00ebt\u00eb, Jozef K. e nd\u00ebrpret bashk\u00ebpunimin. P\u00ebr Jozef K.-n\u00eb, pun\u00ebt nd\u00ebrlikohen. Nj\u00eb dit\u00eb, i japin nj\u00eb detyr\u00eb n\u00eb pun\u00eb q\u00eb nj\u00eb italiani t\u2019ia tregoj\u00eb katedralen. Edhe pse klienti nuk paraqitet, Jozef K. hyn vet\u00eb. Aty takon priftin i cili ia rr\u00ebfen parabol\u00ebn p\u00ebr njeriun nga fshati dhe p\u00ebr rojtarin. Prifti e k\u00ebshillon q\u00eb n\u00eb procesin e tij, t\u00eb mos mb\u00ebshtet gjithaq te ndihma e huaj dhe t\u2019u shmanget femrave.<\/p>\n

Vepra fillon me dit\u00eblindjen e 30-t\u00eb t\u00eb Jozef K.-s\u00eb p\u00ebr t\u00eb p\u00ebrfunduar me dit\u00eblindjen e 31-t\u00eb. Vijn\u00eb pas tij dy meshkuj t\u00eb veshur me t\u00eb zeza. Jozef K. i pret fare i p\u00ebrgatitur. Thua ti se i priste, i veshur me rrobat e tij t\u00eb zeza. Nuk b\u00ebn rezistenc\u00eb. Lejon ta marrin dhe ta shpijn\u00eb deri n\u00eb gurore. Kok\u00ebn ia v\u00ebn\u00eb mbi gur. Nj\u00ebri prej tyre e nxjerr thik\u00ebn nga kapota. Kan\u00eb luajtur me thik\u00ebn sikur t\u00eb prisnin se vet\u00eb ai do t\u2019ua marr\u00eb, p\u00ebr ta therur veten. M\u00eb n\u00eb fund, nj\u00ebri prej tyre ia nguli thik\u00ebn mu n\u00eb zem\u00ebr Jozef K.-s\u00eb dhe mbyti.<\/p>\n

Fjal\u00ebt e fundit t\u00eb tij ishin: \u201cSikur qenin!\u201d<\/em> Mendoi p\u00ebr turpin e t\u00ebr\u00eb procesit q\u00eb do ta p\u00ebrjet\u00ebsoj\u00eb.<\/p>\n

*\u00a0\u00a0 *\u00a0\u00a0 *<\/strong><\/p>\n

Personazhet <\/em><\/strong>e romanit<\/em> – Jozef K., zonjusha Byrstner (B\u00fcrstner), zonja Grubah, zonjusha Montag, n\u00ebpun\u00ebsit gjyq\u00ebsor\u00eb, inspektori, avokati Huld, xhaxha Karl, vasha Leni, piktori Titoreli, studenti i drejt\u00ebsis\u00eb, sh\u00ebrbyesi gjyq\u00ebsor etj.<\/p>\n

*\u00a0\u00a0 *\u00a0\u00a0 *<\/strong><\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Kafka \u00ebsht\u00eb shkrimtar hebre q\u00eb ka l\u00ebn\u00eb gjurm\u00eb n\u00eb let\u00ebrsi me m\u00ebnyr\u00ebn karakteristike t\u00eb t\u00eb shkruarit dhe me temat interesante, paksa t\u00eb zymta. P\u00ebr Kafk\u00ebn \u00ebsht\u00eb shkruar shum\u00eb, k\u00ebshtu q\u00eb p\u00ebr gjendjen psikike t\u00eb tij ka nj\u00eb num\u00ebr t\u00eb madh teorish. Asgj\u00eb nga kjo nuk \u00ebsht\u00eb d\u00ebshmuar. T\u00eb gjitha kan\u00eb qen\u00eb supozime, deri n\u00eb \u00e7astin kur ka tentuar t\u00eb b\u00ebj\u00eb vet\u00ebvrasje. Kjo ka qen\u00eb d\u00ebshmi e nj\u00eb paq\u00ebndrueshm\u00ebrie psikike. Kafka lindi n\u00eb Prag\u00eb m\u00eb 3 korrik 1883. U rrit n\u00ebn hijen e t\u00eb atit dhe kjo ka l\u00ebn\u00eb gjurm\u00eb t\u00eb thella n\u00eb shpirtin e tij. Vjen nga nj\u00eb familje e kamur n\u00eb t\u00eb cil\u00ebn mbizot\u00ebron babai Herman Kafka, t\u00eb cilin Profesor Stenli Korngold<\/strong> (Stanly Corngold, 1934-1968) e p\u00ebrshkruan si nj\u00eb person dominues q\u00eb e njihte mir\u00eb natyr\u00ebn njer\u00ebzore. Prej viti 1889 deri n\u00eb vitin 1893 Kafka u shkollua n\u00eb Shkoll\u00ebn gjermane p\u00ebr f\u00ebmij\u00eb. Pas mbarimit t\u00eb shkoll\u00ebs fillore, kreu gjimnazin. M\u00eb pas studioi kimin\u00eb. Pas kimis\u00eb, kalon n\u00eb let\u00ebrsin\u00eb dhe historin\u00eb gjermane. Pas k\u00ebsaj regjistrohet n\u00eb drejt\u00ebsi. Gjat\u00eb jet\u00ebs fitonte duke punuar si jurist, ndon\u00ebse gjithmon\u00eb d\u00ebshironte t\u00eb b\u00ebhej shkrimtar. P\u00ebrkund\u00ebr faktit se ishte n\u00eb marr\u00ebdh\u00ebnie pune, n\u00eb saje t\u00eb babait, materialisht Kafka ishte i siguruar. E kan\u00eb p\u00ebrshkruar si nj\u00eb person t\u00eb cilin gjithmon\u00eb e ka munduar epshi. Dihet se gjat\u00eb jet\u00ebs shpesh i ka vizituar bordelet.<\/p>\n

Lidhje paksa t\u00eb gjat\u00eb ka pasur me Felice Bauer <\/strong>(1887-1960) me t\u00eb cil\u00ebn koh\u00eb pas kohe shihej, por m\u00eb tep\u00ebr ka komunikuar me letra. me t\u00eb, ka qen\u00eb e fejuar dy her\u00eb. Fejes\u00ebn e dyt\u00eb e ka nd\u00ebrprer\u00eb kur e ka goditur s\u00ebmundja e r\u00ebnd\u00eb e tuberkulozes. N\u00eb vitin 1920 \u00ebsht\u00eb fejuar me Julie Wohryzek <\/strong>(1891-1944), nj\u00eb pun\u00ebtore dhomash hoteli. Derisa ishte i fejuar me Felice Bauer, ishte n\u00eb lidhje intime me shoqen e sa, Margaret\u00ebn<\/strong> (Margarethe) e cila jetonte n\u00eb Berlin dhe e cila, sikur edhe vet\u00eb Kafka, ishte \u00e7ifute. \u00cbsht\u00eb th\u00ebn\u00eb se Kafka ka pasur f\u00ebmij\u00eb me Margarit\u00ebn, p\u00ebr t\u00eb cilin ai nuk ka ditur gj\u00eb dhe i cili pask\u00ebsh vdekur shpejt pas lindjes. Por, ka q\u00eb thon\u00eb se kjo nuk \u00ebsht\u00eb e v\u00ebrtet\u00eb. Kafka nuk ka pasur f\u00ebmij\u00eb me t\u00eb, as edhe me ndonj\u00eb tjet\u00ebr. Edhe pse kurr\u00eb nuk u martua, Kafka e ka \u00e7muar institucionin e martes\u00ebs dhe t\u00eb familjes. Nj\u00eb prej dashnoreve t\u00eb Kafk\u00ebs ka qen\u00eb edhe Dora Diamant <\/strong>(1898-1952). N\u00eb vitet 1920-1923 Kafka ka qen\u00eb n\u00eb lidhje me \u00e7eken Milena Jesenska <\/strong>(1896-1944).<\/p>\n

N\u00eb vitin 1952 botohet \u201cLetra Milen\u00ebs\u201d <\/em><\/strong>(Briefe an Milena)<\/em>, dokument trondit\u00ebs p\u00ebr p\u00ebrjetimet shpirt\u00ebrore n\u00eb periudh\u00ebn e miq\u00ebsis\u00eb me Milena Jesensk\u00ebn.<\/p>\n

Motrat e Kafk\u00ebs u vran\u00eb nga nazist\u00ebt gjerman\u00eb n\u00eb kampet e p\u00ebrqendrimit. Po k\u00ebshtu, edhe dy dashnoret e tij \u2013 Milena Jesenska dhe Jukie Wohryzek.<\/p>\n

*\u00a0\u00a0 *\u00a0\u00a0 *<\/strong><\/p>\n

Krijimtaria e Kafk\u00ebs ka kaluar n\u00eb shenj\u00eb t\u00eb tregimeve, t\u00eb aforizmave, t\u00eb romaneve dhe t\u00eb letrave. T\u00eb gjitha k\u00ebto i ka lidhur uniteti shpirt\u00ebror. p\u00ebrkund\u00ebr faktit se ka vepruar n\u00ebn mbresat e romantizmit, t\u00eb tradit\u00ebs evropiane <\/strong>si\u00e7 e kan\u00eb kultivuar Johan Volfgang fon G\u00ebte <\/strong>(Johann Wolfgang von Goethe, 1749-1832), Fjodor Mihajlovi\u00e7 Dostojevski <\/strong>(1821-1881) dhe Gystav Floberi<\/strong> (Gustave Flaubert, 1821-1880) dhe t\u00eb m\u00ebsimit heterodoks hebraik<\/strong>, Kafka sot e k\u00ebsaj dite ka mbetur si nj\u00eb prej autor\u00ebve t\u00eb rrall\u00eb i cili nuk mund t\u00eb radhitet n\u00eb asnj\u00eb drejtim letrar.<\/p>\n

Veprat e tij p\u00ebrshkruajn\u00eb realitetin e eg\u00ebr dhe t\u00eb turbullt n\u00eb t\u00eb cilin personazhet, kryesisht t\u00eb shtypur, ndodhen n\u00eb luft\u00eb t\u00eb pand\u00ebrprer\u00eb me sistemin burokratik t\u00eb eg\u00ebr. Kjo v\u00ebrehet m\u00eb s\u00eb shumti n\u00eb veprat si: \u201cAmerika\u201d<\/em>, \u201cProcesi\u201d<\/em>, \u201cK\u00ebshtjella\u201d<\/em> dhe \u201cMetamorfoza\u201d<\/em>, si vep\u00ebr m\u00eb e njohur e Kak\u00ebs. N\u00eb veprat e Kafk\u00ebs ndihet nj\u00eb atmosfer\u00eb n\u00eb t\u00eb cil\u00ebn personazhet \u00a0\u00a0jan\u00eb disi t\u00eb humbur dhe nuk jan\u00eb n\u00eb gjendje t\u00eb komunikojn\u00eb me t\u00eb tjer\u00eb. \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/strong>\u00a0\u00a0<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0.<\/p>\n

Kafka u largua prej pik\u00ebpamjeve religjioze dhe iu kthye filozofis\u00eb, p\u00ebr t\u2019u b\u00ebr\u00eb nj\u00eb prej shkrimtar\u00ebve shpirt\u00ebror\u00eb m\u00eb t\u00eb njohur t\u00eb shekullit XX.<\/p>\n

Sa qe gjall\u00eb iu botuan dy p\u00ebrmbledhje tregimesh. Shkrime t\u00eb caktuara iu botuan edhe n\u00ebp\u00ebr revista. N\u00eb t\u00eb gjall\u00eb iu botuan tregimet \u201cV\u00ebzhgimi\u201d<\/em>, \u201cMjeku i fshatit\u201d<\/em>, \u201cNdez\u00ebsi\u201d, \u201cMetamorfoza\u201d <\/em>dhe \u201cGjykimi\u201d<\/em>.<\/p>\n

Kafka i kishte l\u00ebn\u00eb porosi poetit, tregimtarit, dramaturgut dhe eseistit \u00e7ek me prejardhje hebraike Maks Brod <\/strong>(Max Brod, Prag\u00eb, 1884 \u2013 Tel Aviv, 1968) q\u00eb t\u2019i digjte \u201cProcesin\u201d<\/em>, \u201cK\u00ebshtjell\u00ebn\u201d<\/em> dhe \u201cAmerik\u00ebn\u201d<\/em> q\u00eb ishin dor\u00ebshkrime. Brodi nuk e \u00e7oi n\u00eb vend porosin\u00eb e mikut t\u00eb vet, t\u00eb shnd\u00ebrruar n\u00eb mit dhe n\u00eb kryeidhull t\u00eb modernizmit. \u201cProcesi\u201d <\/em>u botua m\u00eb 1925, \u201cK\u00ebshtjella\u201d<\/em> \u2013 m\u00eb 1926, nd\u00ebrsa \u201cAmerika\u201d<\/em> \u2013 m\u00eb 1927. K\u00ebto tre romane t\u00eb Kafk\u00ebs u quajt\u00ebn trilogji e vetmis\u00eb<\/em><\/strong>.<\/p>\n

Tuberkulozi nga i cili l\u00ebngonte q\u00eb nga viti 1917, n\u00eb vitin 1924 iu p\u00ebrkeq\u00ebsua. U kthye n\u00eb Prag\u00eb. K\u00ebtu u kujdes p\u00ebr t\u00eb e motra Otla (Ottla). Kafka vdiq nga tuberkulozi m\u00eb 3 qershor 1924 n\u00eb Vjen\u00eb.<\/p>\n

N\u00eb vitin 1931 u botuan tregimet \u201cGjat\u00eb nd\u00ebrtimit t\u00eb murit kinez\u201d<\/em>.<\/p>\n

Kafka \u00ebsht\u00eb nj\u00eb prej shkrimtar\u00ebve m\u00eb t\u00eb r\u00ebnd\u00ebsish\u00ebm t\u00eb let\u00ebrsis\u00eb bot\u00ebrore bashk\u00ebkohore dhe t\u00eb romanit bashk\u00ebkohor. P\u00ebr k\u00ebt\u00eb d\u00ebshmon literatura e gjer\u00eb. T\u00eb gjith\u00eb romancier\u00ebt q\u00eb kan\u00eb ardhur pas tij, u referohen veprave t\u00eb tij si fillim i proz\u00ebs tregimtare moderne.<\/p>\n","protected":false},"excerpt":{"rendered":"

Xhelal Zejneli Pa kurrfar\u00eb dyshimi, Franc Kafka \u00ebsht\u00eb nj\u00eb prej shkrimtar\u00ebve bot\u00ebror\u00eb, m\u00eb t\u00eb r\u00ebnd\u00ebsish\u00ebm dhe m\u00eb largpam\u00ebs t\u00eb shekullit XX. Romani \u201cProcesi\u201d \u00ebsht\u00eb pjes\u00eb e pandar\u00eb e artit letrar modern. Ka studiues q\u00eb thon\u00eb se p\u00ebr nj\u00eb \u201cProces\u201d autentik, duhet t\u2019u kthehemi dor\u00ebshkrimeve burimore, duke i shmangur t\u00eb gjitha nd\u00ebrhyrjet e m\u00ebvonshme q\u00eb nuk […]<\/p>\n","protected":false},"author":1,"featured_media":64405,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[35,8,11],"tags":[],"class_list":["post-64404","post","type-post","status-publish","format-standard","has-post-thumbnail","category-kulture","category-letersi","category-roman"],"yoast_head":"\n\u201cPROCESI\u201d \u2013 KAFKA - FJALA e LIR\u00cb<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/jehonashqiptare.al\/fjala\/procesi-kafka\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u201cPROCESI\u201d \u2013 KAFKA - FJALA e LIR\u00cb\" \/>\n<meta property=\"og:description\" content=\"Xhelal Zejneli Pa kurrfar\u00eb dyshimi, Franc Kafka \u00ebsht\u00eb nj\u00eb prej shkrimtar\u00ebve bot\u00ebror\u00eb, m\u00eb t\u00eb r\u00ebnd\u00ebsish\u00ebm dhe m\u00eb largpam\u00ebs t\u00eb shekullit XX. 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