{"id":64886,"date":"2021-02-21T01:07:33","date_gmt":"2021-02-21T00:07:33","guid":{"rendered":"https:\/\/fjala.info\/?p=64886"},"modified":"2021-02-21T01:07:33","modified_gmt":"2021-02-21T00:07:33","slug":"ngritje-cilesore-poetike","status":"publish","type":"post","link":"https:\/\/jehonashqiptare.al\/fjala\/ngritje-cilesore-poetike\/","title":{"rendered":"NGRITJE CIL\u00cbSORE POETIKE"},"content":{"rendered":"

Me rastin e kalimit n\u00eb amshim t\u00eb k\u00ebng\u00ebtarit, poetit dhe intelektualit t\u00eb shquar arb\u00ebresh, Zef Kakoc\u00ebs<\/strong> (Pina Cacozza<\/strong>) po e ribotoj k\u00ebt\u00eb Parath\u00ebnie p\u00ebr librin e tij \u201cAlbum Fund shekulli\u201d, t\u00eb shkruar m\u00eb 1994 n\u00eb Kozenc\u00eb.<\/p><\/blockquote>\n

Anton Nik\u00eb Berisha<\/strong><\/p>\n

\u00cbsht\u00eb gj\u00eb e natyrshme q\u00eb vepra e re e nj\u00eb poeti t\u00eb vler\u00ebsohet duke pasur parasysh ose duke e krahasuar me vepr\u00ebn ose me veprat e m\u00ebparshme t\u00eb tij. Kjo p\u00ebrqasje b\u00ebhen para s\u00eb gjithash p\u00ebr t\u00eb par\u00eb sesa ai ka ngritur dhe e ka pasuruar bot\u00ebn e vet poetike: m\u00ebnyr\u00ebn e perceptimit e t\u00eb shqiptimit t\u00eb dukurive e t\u00eb p\u00ebrsiatjeve, sistemin e t\u00eb shprehurit, kontekstin poetologjik etj.<\/p>\n

N\u00eb qoft\u00eb se vepr\u00ebn m\u00eb t\u00eb re t\u00eb Zef Kakoc\u00ebs (Pino Cacozza) \u201cAlbum Fund shekulli\u201d e v\u00ebm\u00eb n\u00eb rrafshin krahasues me vepr\u00ebn e par\u00eb t\u00eb tij \u201cJemi nj\u00eb kultur\u00eb \u00e7\u00eb ng\u00eb m\u00ebnd vdes\u201d (1989), at\u00ebher\u00eb mund t\u00eb them se ai ka b\u00ebr\u00eb nj\u00eb hap cil\u00ebsor p\u00ebrpara duke d\u00ebshmuar nj\u00eb bot\u00eb t\u00eb ve\u00e7ant\u00eb poetike.<\/p>\n

\"\" N\u00eb \u201cJemi nj\u00eb kultur\u00eb\u2026<\/em>\u201d bien n\u00eb sy dy rrafshe kryesore t\u00eb perceptimit e t\u00eb shpreh\u00ebsis\u00eb artistike: k\u00ebnga dhe poezia. N\u00eb rrafshin e par\u00eb struktura tekstore i n\u00ebnshtrohet ligj\u00ebsive t\u00eb k\u00ebndimit, pra tiparet e vargut q\u00eb k\u00ebndohet; mesazhi n\u00eb to \u00ebsht\u00eb i drejtp\u00ebrdrejt\u00eb dhe pa fuqin\u00eb dhe ngjyrimin e mir\u00ebfillt\u00eb artistik, nd\u00ebrsa n\u00eb t\u00eb dytin mbipeshon teksti dhe mesazhi artistik. Si e k\u00ebtill\u00eb, kjo vep\u00ebr e par\u00eb dha shenja t\u00eb r\u00ebnd\u00ebsishme t\u00eb bot\u00ebs poetike t\u00eb k\u00ebtij autori.<\/p>\n

Me \u201cAlbum Fund shekulli\u201d Kakoca rid\u00ebshmoi prirjen dhe aft\u00ebsin\u00eb krijuese poetike. Kjo v\u00ebrehet n\u00eb m\u00ebnyr\u00ebn e shtjellimit t\u00eb objekteve artistike, n\u00eb p\u00ebrftimin e struktur\u00ebs s\u00eb tekstit, t\u00eb frym\u00ebs e t\u00eb ngjyrimit q\u00eb i p\u00ebrshkon poezit\u00eb e k\u00ebtij v\u00ebllimi. Derisa, fjala vjen, n\u00eb \u201cJemi nj\u00eb kultur\u00eb\u2026\u201d mbipeshon k\u00ebng\u00ebtimi, n\u00eb \u201cAlbum\u2026\u201d v\u00ebrejm\u00eb poetin q\u00eb para s\u00eb gjithash gjakon shqiptimin artistik t\u00eb dukurive t\u00eb bot\u00ebs e t\u00eb shqet\u00ebsimeve t\u00eb tij t\u00eb brendshme.<\/p>\n

N\u00eb v\u00ebllimin m\u00eb t\u00eb ri Kakoca pa pasuruar, edhe m\u00ebnyr\u00ebn e shqiptimit e t\u00eb strukturimit t\u00eb tekstit artistik, edhe sasin\u00eb e objekteve poetike; ka pasuruar m\u00ebnyr\u00ebn e shqiptimit t\u00eb ndjesive dhe t\u00eb reagimeve ndaj bot\u00ebs arb\u00ebreshe, por edhe ndaj jet\u00ebs dhe fatit t\u00eb njeriut n\u00eb p\u00ebrgjith\u00ebsi.<\/p>\n

Poezia n\u00eb k\u00ebt\u00eb v\u00ebllim \u00ebsht\u00eb poezi e shqet\u00ebsimit (\u201cPo s\u2019kam paqe n\u00eb shpirt<\/em>\u201d), e pak\u00ebnaq\u00ebsis\u00eb dhe e protest\u00ebs (edhe pse, natyrisht ndonj\u00ebher\u00eb poeti trajton edhe ndonj\u00eb aspekt t\u00eb jet\u00ebs s\u00eb bukur e t\u00eb hareshme). N\u00eb qen\u00ebsi kjo poezi \u00ebsht\u00eb e drejtp\u00ebrdrejt\u00eb, e r\u00ebnd\u00eb dhe e ashp\u00ebr. Shtypja e r\u00ebnd\u00eb q\u00eb b\u00ebn jeta, shterp\u00ebsia e saj, q\u00eb autori i shenj\u00ebzon q\u00eb n\u00eb v\u00ebllimin e par\u00eb \u201cJemi nj\u00eb kultur\u00eb\u2026\u201d me vargjet \u201cK\u00ebnga ime \u00ebsht\u00eb e r\u00ebnd\u00eb\u201d dhe \u201c\u00cbsht\u00eb poezi e dhezur dhe zem\u00ebrore\u201d n\u00eb \u201cFund shekulli<\/em>\u2026\u201d merr nj\u00eb p\u00ebrmas\u00eb edhe m\u00eb t\u00eb gjer\u00eb.<\/p>\n

Kjo e ka baz\u00ebn n\u00eb vet\u00eb jet\u00ebn dhe n\u00eb fatin e njeriut, qoft\u00eb kur nd\u00ebrlidhet me arb\u00ebreshin, qoft\u00eb me njeriun si qenie, me mend\u00ebsin\u00eb dhe me veset q\u00eb e cil\u00ebsojn\u00eb. Pra, kjo poezi \u00ebsht\u00eb shprehje e vet\u00eb jet\u00ebs, p\u00ebrkat\u00ebsisht e pak\u00ebnaq\u00ebsis\u00eb, e vuajtjeve dhe e tragjikes s\u00eb individit n\u00eb rrjedh\u00ebn e gjallimit t\u00eb p\u00ebrditsh\u00ebm. Poeti e shqipton jet\u00ebn e r\u00ebnd\u00eb e t\u00eb err\u00ebt, t\u00eb mbushura me t\u00eb k\u00ebqija e t\u00eb papritura (se e err\u00ebt \u00eb\u2019 jeta\u201d); ajo ia ngushton frym\u00ebmarrjen, ia shprish mendimet, ia trazon shpirtin, prandaj \u201cE nata s\u2019t\u00eb jep gjum, por milingona e dridhje\u201d dhe \u201cNd\u00ebr mes t\u2019maleve jam i burgosur<\/em>\u201d. Th\u00ebn\u00eb ndryshme, jeta \u00ebsht\u00eb \u201ce shkundur nga fati, me mjegulla e t\u00ebtime\u201d, \u00ebsht\u00eb vjesht\u00eb s\u00eb \u201cm\u00ebdhezet mbr\u00ebnda\u201d.<\/p>\n

Nj\u00eb jet\u00eb e k\u00ebtill\u00eb ka nxitur e ka shkaktuar nevoj\u00ebn e gjallimit jasht\u00eb realitetit, prandaj poeti gjakon hap\u00ebsira t\u00eb tjera, nj\u00eb jet\u00eb e nj\u00eb hap\u00ebsir\u00eb tjet\u00ebr nga ajo e p\u00ebrditshmja.<\/p>\n

Un\u00eb sh\u00ebtis me h\u00ebn\u00ebn
\n<\/em>dhe me ylzit ngalosh
\n<\/em>n\u00eb fushat e gjera t\u00eb qiellit.
\n<\/em>Me Ojionin shkoj dimrin e t\u00ebr\u00eb (\u2026)
\n<\/em>K\u00ebshtu konsumoj jet\u00ebn.
\n<\/em>(Jasht\u00eb realitetit)<\/p>\n

Ose i kthehet \u00ebndrr\u00ebs, t\u00eb p\u00ebrdorur aq shpesh nga shkrimtar\u00ebt arb\u00ebresh\u00eb t\u00eb tradit\u00ebs, gj\u00eb q\u00eb, po ashtu, n\u00ebnkupton kund\u00ebrv\u00ebnien jet\u00ebs s\u00eb till\u00eb, p\u00ebrkat\u00ebsisht edhe tragjiken e saj.<\/p>\n

\u00cbnd\u00ebrrimi <\/em><\/h2>\n

\u00ebsht\u00eb i nevojsh\u00ebm.
\n<\/em>T\u00eb ndihesh t\u00eb mos plakohesh,
\n<\/em>t\u00eb fluturosh nga nj\u00eb mot e nj\u00ebt\u00ebr,
\n<\/em>t\u00eb b\u00ebhesh mbret i bukur,
\n<\/em>personazh i mir\u00ebpritur,
\n<\/em>t\u00eb jesh si nuk je.<\/em><\/p>\n

(\u00cbnd\u00ebrrimi<\/strong>)<\/p>\n

Pra, poezia e Kakoc\u00ebs nuk \u00ebsht\u00eb poezi e qet\u00eb dhe e hareshme, e but\u00eb dhe p\u00ebrk\u00ebdhel\u00ebse, por, si tham\u00eb, zem\u00ebrore dhe e ashp\u00ebr, \u00ebsht\u00eb \u201cr\u00ebr\u00eb p\u00ebrv\u00ebluese\u201d, ku nd\u00ebr rryme ngjyrash t\u00eb kuqe si gjak enden vargje (poeti thot\u00eb \u201cfjal\u00eb\u201d) q\u00eb t\u00eb goditin r\u00ebnd\u00eb n\u00eb shpirt, thuajse t\u00eb rr\u00ebnojn\u00eb. Ndonj\u00ebher\u00eb kjo form\u00eb e shqiptimit ka ndikuar n\u00eb vet\u00eb shprehjen poetike, prandaj her\u00eb \u2013 her\u00eb v\u00ebrehen edhe pohime q\u00eb e zvog\u00eblojn\u00eb mund\u00ebsin\u00eb e komunikimit dhe t\u00eb ndikimit t\u00eb nj\u00ebmendt\u00eb artistik.<\/p>\n

Gjith\u00eb shqet\u00ebsimi dhe pak\u00ebnaq\u00ebsia e poetit Kakoca baz\u00ebn e kan\u00eb ose nd\u00ebrlidhen me bot\u00ebn arb\u00ebreshe, meqen\u00ebse ka z\u00ebn\u00eb e \u201cshuhet zjarri arb\u00ebresh\u201d. K\u00ebt\u00eb rrezik e k\u00ebt\u00eb plag\u00eb, q\u00eb e kan\u00eb ndier dhe e kan\u00eb theksuar thuajse t\u00eb gjith\u00eb shkrimtar\u00ebt arb\u00ebresh\u00eb, e ndjen dhe e b\u00ebn objekt trajtimi poetik edhe Kakoca. Pik\u00ebrisht gjendja e r\u00ebnd\u00eb e fatit arb\u00ebresh \u2013 \u201cdeg\u00eb e \u00e7ar\u00eb\u201d \u2013 e shqet\u00ebson thell\u00eb dhe e plagos shpirtin e poetit, por nuk e gjunj\u00ebzon, nuk e b\u00ebn t\u00eb dor\u00ebzohet.<\/p>\n

P\u00ebrkundrazi, ai \u00ebsht\u00eb i vet\u00ebdijsh\u00ebm p\u00ebr domosdon\u00eb e q\u00ebndres\u00ebs, p\u00ebr t\u00eb qen\u00eb e p\u00ebr t\u00eb mbetur i vetvetes, p\u00ebr t\u2019i ruajtur \u201crr\u00ebnj\u00ebt e lisit\u201d e jo ashtu di e duan t\u00eb tjer\u00ebt \u201cm\u00eb duan qen besnik, pa sy e pa gjuh\u00eb\u201d. P\u00ebr k\u00ebt\u00eb arsye ai ka besim se \u201czjarri arb\u00ebresh\u201d do t\u00eb vazhdoj\u00eb t\u00eb jet\u00eb i ndezur; vet\u00eb ai do t\u00eb d\u00ebshmoj\u00eb k\u00ebt\u00eb duke q\u00ebndruar ai q\u00eb \u00ebsht\u00eb: arb\u00ebresh dhe n\u00eb truallin e vet: \u201cUn\u00eb dua t\u00eb rri k\u00ebtu \/ E mos me b\u00ebni faj. \/ Eni e m\u00eb k\u00ebrkoni \/ pa b\u00ebn vaj.\u201d<\/em><\/p>\n

Format e shtjellimit t\u00eb struktur\u00ebs s\u00eb tekstit poetik n\u00eb k\u00ebt\u00eb poezi jan\u00eb t\u00eb shumta e t\u00eb ndryshme (brenda k\u00ebtyre edhe soneti). Kakoca p\u00ebrdor vargun metrik e me rim\u00eb, por edhe vargun e lir\u00eb. N\u00eb disa poezi komunikimi artistik synohet t\u00eb mb\u00ebrrihet n\u00ebp\u00ebrmjet elementeve stilistik\u00eb e t\u00eb bashk\u00ebting\u00ebllimit dhe t\u00eb ve\u00e7antive t\u00eb vargut q\u00eb k\u00ebndohet.<\/p>\n

Libri m\u00eb i ri \u201cAlbum Fund shekulli\u201d i Zef Kakoc\u00ebs d\u00ebshmon p\u00ebr vlera t\u00eb r\u00ebnd\u00ebsishme dhe kam plot arsye t\u00eb besoj se me pun\u00ebn e m\u00ebtejshme krijuese ai do ta pasuroj\u00eb e do ta ngrit\u00eb edhe m\u00eb tej rrafshin e poezis\u00eb s\u00eb tij.<\/p>\n

Kozenc\u00eb, qershor 1994<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Me rastin e kalimit n\u00eb amshim t\u00eb k\u00ebng\u00ebtarit, poetit dhe intelektualit t\u00eb shquar arb\u00ebresh, Zef Kakoc\u00ebs (Pina Cacozza) po e ribotoj k\u00ebt\u00eb Parath\u00ebnie p\u00ebr librin e tij \u201cAlbum Fund shekulli\u201d, t\u00eb shkruar m\u00eb 1994 n\u00eb Kozenc\u00eb. Anton Nik\u00eb Berisha \u00cbsht\u00eb gj\u00eb e natyrshme q\u00eb vepra e re e nj\u00eb poeti t\u00eb vler\u00ebsohet duke pasur parasysh […]<\/p>\n","protected":false},"author":1,"featured_media":64887,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2,35,6],"tags":[],"class_list":["post-64886","post","type-post","status-publish","format-standard","has-post-thumbnail","category-artikuj","category-kulture","category-lajme"],"yoast_head":"\nNGRITJE CIL\u00cbSORE POETIKE - FJALA e LIR\u00cb<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/jehonashqiptare.al\/fjala\/ngritje-cilesore-poetike\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"NGRITJE CIL\u00cbSORE POETIKE - FJALA e LIR\u00cb\" \/>\n<meta property=\"og:description\" content=\"Me rastin e kalimit n\u00eb amshim t\u00eb k\u00ebng\u00ebtarit, poetit dhe intelektualit t\u00eb shquar arb\u00ebresh, Zef Kakoc\u00ebs (Pina Cacozza) po e ribotoj k\u00ebt\u00eb Parath\u00ebnie p\u00ebr librin e tij \u201cAlbum Fund shekulli\u201d, t\u00eb shkruar m\u00eb 1994 n\u00eb Kozenc\u00eb. 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