{"id":65942,"date":"2021-03-20T21:50:42","date_gmt":"2021-03-20T20:50:42","guid":{"rendered":"https:\/\/fjala.info\/?p=65942"},"modified":"2021-03-20T21:50:42","modified_gmt":"2021-03-20T20:50:42","slug":"dy-gjysmat-e-jetes","status":"publish","type":"post","link":"https:\/\/jehonashqiptare.al\/fjala\/dy-gjysmat-e-jetes\/","title":{"rendered":"DY GJYSMAT E JET\u00cbS"},"content":{"rendered":"

Mehmetali Rexhepi<\/strong><\/p>\n

NEXHAT REXHA: \u201dDALJA PREJ ANATEM\u00cbS\u201d
\n<\/strong>Sht\u00ebpa botuese \u00a0<\/strong>Beqir Musliu;<\/strong> Gjilan, 2021<\/strong><\/p>\n

SHP\u00cbRTHIMET E HERSHME DHE AKUMULIMI<\/strong><\/p>\n

P\u00ebr aq sa dim\u00eb, poeti Nexhat Rexha paraqitjen e par\u00eb me v\u00ebllimin autorial e arriti, kryesisht pas Luft\u00ebs \u00c7lirimtare n\u00eb Kosov\u00eb. V\u00ebllimin e par\u00eb me poezi \u201cNdrydhja e pik\u00ebs K<\/em>\u201d, e nxori\u00a0 n\u00eb vitin 2003; at\u00ebher\u00eb autori ishte n\u00eb mosh\u00eb t\u00eb pjekur, kishte dyzet e tet\u00eb vjet. Kjo e dh\u00ebn\u00eb zgjon kureshtjen dhe kureshtja pyetjen p\u00ebr ta zb\u00ebrthyer m\u00ebdyshjen p\u00ebr jet\u00ebshkrimin e poetit… \u00c7ka e kusht\u00ebzoi nj\u00eb k\u00ebso ardhje t\u00eb von\u00eb e tharmit poetik tek ky poet?<\/p>\n

Padyshim rrethana mund t\u00eb jet\u00eb e brendshme, por dhe e jashtme. Nga jet\u00ebshkrimet e yjve t\u00eb poezis\u00eb e t\u00eb proz\u00ebs bot\u00ebrore, disave prej tyre, iu kishte zgjatur p\u00ebrmbyllja e jet\u00ebs t\u00eb gjall\u00eb, sa periudha e para publikimit t\u00eb autorit ton\u00eb me lib\u00ebr t\u00eb par\u00eb, madje edhe m\u00eb pak: Charles Baudelaire (1821-1867) 46 vjet; Jack London (1876-1916) 40 vjet; Franz Kafka (1883-1924) 41 vjet; Vladimir Majakovskij (1893-1930) 37 vjet; Sergei Yesenin (1895-1925) 30 vjet; Albert Camys (1913-1960) 47 vjet…<\/p>\n

Dukuria e shp\u00ebrthimit t\u00eb hersh\u00ebm t\u00eb luleve e ngjyrave t\u00eb talentit, tek ak\u00ebcil\u00ebt poet\u00eb a shkrimtar\u00eb, ose e akumulimit p\u00ebr shp\u00ebrthimin e m\u00eb vonsh\u00ebm, n\u00eb peshoren e matjes s\u00eb vlerave nuk e prish baraspesh\u00ebn e tyre. P\u00ebrkund\u00ebr p\u00ebrkufizimeve, p\u00ebr arritje t\u00eb pashmangshme t\u00eb sakt\u00ebsis\u00eb p\u00ebr dijen e matematik\u00ebs dhe t\u00eb simotrave t\u00eb saj; diskursi p\u00ebr sfer\u00ebn e ndjeshm\u00ebris\u00eb e t\u00eb imagjinat\u00ebs figurative-artistike \u00ebsht\u00eb relativisht i q\u00ebndruesh\u00ebm, madje n\u00ebp\u00ebr epoka mund t\u00eb l\u00ebviz\u00eb lart\u00eb-posht\u00eb…<\/p>\n

N\u00eb k\u00ebt\u00eb pik\u00ebv\u00ebshtrim jam paksa n\u00eb an\u00ebn e atyre, q\u00eb kan\u00eb vjel\u00eb p\u00ebrvoj\u00eb krijuese, mandej ajo t\u00eb ket\u00eb shp\u00ebrthyer e v\u00ebzhguar nga sogjetari i letrave: edhe si ndjeshm\u00ebri, edhe si arsye. Natyrisht, duke i takuar k\u00ebsaj sfere, k\u00ebsaj prirjeje, ana subjektive e not\u00ebs \u00a0\u00ebsht\u00eb e dukshme. Megjithat\u00eb, jo kurdoher\u00eb, vler\u00ebn e forc\u00ebs artistike e p\u00ebrcakton kategoria e mosh\u00ebs, as sasia\u00a0 e v\u00ebllimeve poetike.<\/p>\n

SODITJA E ZEZ\u00cb E HISTORIS\u00cb<\/strong><\/p>\n

Poeti Nexhat Rexha si dhe bashk\u00ebkoh\u00ebsit e tij, filluan t`i ndjenin p\u00ebrballjet me projektin nam-keq t\u00eb Akademis\u00eb s\u00eb Shkencave t\u00eb Serbis\u00eb, q\u00eb ishte vijim\u00ebsia e m\u00ebvonshme \u00a0e \u201cNa\u00e7ertanie-s\u201d p\u00ebr zhb\u00ebrjen e etnis\u00eb autoktone, me t\u00eb gjitha m\u00ebnyrat dhe mjetet e mundshme!Ishte e pashmangshme t\u00eb mos reflektohej kanosja ekzistenciale tek \u00e7do zem\u00ebr shqiptare! Ve\u00e7mas ndjeshm\u00ebria e till\u00eb reflektoi n\u00eb vet\u00ebdijen dhe nd\u00ebrdymen e letrarit Nexhat Rexha.<\/p>\n

Me k\u00ebt\u00eb trash\u00ebgimi ndjeshm\u00ebrie, vargu poetik nuk mund t\u00eb mos ngarkohej me pesh\u00ebn e parandjenjave e t\u00eb konotacioneve apokaliptike. Djajt\u00eb e k\u00ebtij apokalipsi ia kishin v\u00ebn\u00eb flak\u00ebn Dardanis\u00eb! Duhej ecur\u00a0 n\u00ebp\u00ebr flak\u00eb, qoft\u00eb dhe i p\u00ebrc\u00eblluar p\u00ebr t`i g\u00eblltitur kafshatat e pelinit, t\u00eb rrojtjes me shije pelini. Koha ishte n\u00eb timonin e duarve vrastare, ndon\u00ebse bindja p\u00ebr dukjen e drit\u00ebs n\u00eb tunelin figurativ t\u00eb varg-thur\u00ebsit ende nuk ishte shuar:<\/p>\n

\u201cE ti mate koh\u00ebn<\/em>
\nSe fundi do t\u00eb vij\u00eb Skiron<\/em>\u201d<\/p>\n

Poezia \u201c Koh\u00eb apokalipsi\u201d sh\u00ebnon nism\u00ebn, edhe pse kjo nuk \u00ebsht\u00eb poezia e par\u00eb e k\u00ebtij autori, nism\u00ebn e nj\u00eb rrumbullakimi relativ t\u00eb opusit krijues, p\u00ebrbrenda jubileut gjasht\u00eb dhjet\u00eb e pes\u00eb vje\u00e7ar t\u00eb edukatorit e veprimtarit kulturor, ve\u00e7mas opusin artistik t\u00eb poetit Nexhat Rexha. Pik\u00ebrisht m\u00eb nj\u00eb shkurt t\u00eb vitit dymij\u00eb e nj\u00ebzet e nj\u00eb (1.02. 2021), p\u00ebrmbyllen periudhat e ciklit veprues t\u00eb zbraz-mbushjeve poetike t\u00eb k\u00ebtij autori, p\u00ebr t\u00eb vijuar m\u00eb tutje me pjekuri t\u00eb shtuar n\u00eb mosh\u00ebn e tret\u00eb.<\/p>\n

Autori u p\u00ebrcaktua k\u00ebsisoj, duke pasur durimin e tumiren, p\u00ebr p\u00ebrzgjedhje t\u00eb gjasht\u00eb dhjet\u00eb e pes\u00eb poezish nga v\u00ebllimet e tij t\u00eb deritashme dhe t\u00eb nj\u00eb dor\u00ebshkrimi… N\u00eb qoft\u00eb se kriteret e p\u00ebrzgjedhjes kan\u00eb p\u00ebsuar rr\u00ebshqitje pjerrt\u00ebsive t\u00eb figurave n\u00eb v\u00ebllimin \u201cDalja prej anatem\u00ebs<\/strong>\u201d, shkarjet i p\u00ebrkasin p\u00ebrzgjedh\u00ebsit. N\u00eb k\u00ebt\u00eb pik\u00ebv\u00ebshtrim poeti i ka duart e pastra.<\/p>\n

Mes poezis\u00eb \u201cKoh\u00eb apokalips\u201d dhe asaj, q\u00eb p\u00ebrmbyll k\u00ebt\u00eb v\u00ebllim poetik jubilar,\u201dDi\u00e7ka troket p\u00ebr dit\u00eb\u201d, \u00ebsht\u00eb p\u00ebrafruar moria e motiveve, fragmente temash, trajta vlimesh t\u00eb ndjeshm\u00ebris\u00eb njer\u00ebzore, sprova t\u00eb unit poetik t\u00eb shkrir\u00eb e nj\u00ebzuar, t\u00eb identifikuar me unin etnik. Gjithnj\u00eb, duke e shp\u00ebrfaqur gam\u00ebn e gjer\u00eb t\u00eb asaj ndjeshm\u00ebrie, q\u00eb ia nxori dhimbja e Dardanis\u00eb, i vardiseshin pyetje pa p\u00ebrgjigje; ndaj ithtari i poezis\u00eb Nexhat Rexha ngulmoi p\u00ebr ngritjen dhe zgjerimin e konceptit p\u00ebr lirin\u00eb, si domosdo e dialektik\u00ebs s\u00eb jet\u00ebs.<\/p>\n

N\u00eb t\u00ebr\u00ebsin\u00eb e saj poezia e k\u00ebtij poeti nuk ng\u00ebrthen vet\u00ebm tipare etnike, ajo m\u00ebton t\u00eb zb\u00ebrthej\u00eb pleksje tiparesh etike, heroike, tragjike, sadiste, hipokrite, skofiare, me nj\u00eb fjal\u00eb: universalen. Parimi themelor i t\u00eb drejt\u00ebs s\u00eb popujve \u00ebsht\u00eb liria… Mir\u00ebpo, etnia e poetit q\u00eb e k\u00ebrkon lirin\u00eb mbi tok\u00ebn e vet, si nj\u00eb e drejt\u00eb themelore njer\u00ebzore, \u00ebsht\u00eb v\u00ebn\u00eb n\u00eb zgripe asgj\u00ebsimi:<\/p>\n

\u201cN\u00eb n\u00ebnt\u00ebdhjet\u00eb e n\u00ebnt\u00eb llahtari<\/em>
\nPa pushuar n\u00ebp\u00ebr \u00e7do stuhi<\/em>
\nKur sodiste e zeza histori<\/em>\u201d (Do t\u00eb vij\u00eb<\/strong>)<\/p>\n

Vizioni i poetit l\u00ebvizte mes g\u00ebnjeshtr\u00ebs dhe zhg\u00ebnjimit… Ishte revoltuese! Vargjet e k\u00ebtij poeti konstatojn\u00eb p\u00ebrmas\u00ebn e tmerrshme, nj\u00ebkoh\u00ebsisht t\u00eb madh\u00ebrishme, q\u00eb vet\u00ebm forca e \u201cmiliona dashurive\u201d e shtyu vlimin e gjakut, ende t\u00eb mpiksur, t\u00eb rrjedh\u00eb deri te caku… M\u00eb tutje, vazhdim\u00ebsis\u00eb s\u00eb shtegtimit poetik, do ta shohim p\u00ebrdhosjen e pik\u00eb-cakut shekullor! P\u00ebrgjumet vijim\u00ebsia dhe mund t`i merret timoni p\u00ebr prapakthim?!<\/p>\n

Koncepti i liris\u00eb nuk mbahej dot vet\u00ebm mbi shtylla t\u00eb idealizmit. Ai k\u00ebrkonte p\u00ebrmbushje t\u00eb tjera, p\u00ebrderisa nuk mund t`ia tumirte p\u00ebr\u00e7udnimet klas\u00ebs s\u00eb re me klane t\u00eb vjetra, as rr\u00ebnimin e shtyllave\u00a0 t\u00eb ngulitura n\u00eb dheun prej gjaku, n\u00eb em\u00ebr t\u00eb \u201cmeritave…\u201d Poeti do t`ia vesh\u00eb dhimbjes fare bindsh\u00ebm metafor\u00ebn e ng\u00ebrthyer me ironin\u00eb e konotacionit\u00a0 euforik:<\/p>\n

\u201cN\u00eb em\u00ebr t\u00eb flamurit fishk\u00ebllejn\u00eb fishekzjarr\u00ebt<\/em>
\nPa i peshuar or\u00ebt e dhimbjes<\/em>
\nGj\u00ebmimin e rrug\u00ebve t\u00eb vrara<\/em>
\nDhe kurr\u00eb s`e dit\u00ebm sa peshon dita me drit\u00eb<\/em>\u201d (Betejat e mia<\/strong>)<\/p>\n

BRENGA DHE IRONIA E LIRIS\u00cb<\/strong><\/p>\n

Drama e etnis\u00eb u thur q\u00eb nga p\u00ebrkundja n\u00eb djep e foshnjave tona… Luft\u00ebrat humb\u00ebse humbnin bashk\u00eb me namin e vet. N\u00eb aren\u00ebn e luft\u00ebs s\u00eb fundme, t\u00eb Luft\u00ebs \u00c7lirimtare me bashk\u00eb-aleat\u00ebt e Aleanc\u00ebs Veri-Atlantike, pos n\u00eb k\u00ebt\u00eb m\u00ebsymje iu shtua nami pushk\u00ebs ton\u00eb! Pushka jon\u00eb ishte n\u00eb dor\u00ebn \u00e7lirimtare, nuk ishte n\u00eb duar t\u00eb terrorist\u00ebve. Lufta p\u00ebr nd\u00ebrtimin dhe forcimin e paqes lyp arm\u00eb tjet\u00ebr, arm\u00ebn e mendje-pen\u00ebs.<\/p>\n

Lajtmotivi i fronit dhe udha \u201cshterp\u00eb\u201d e tij, \u00ebsht\u00eb etika dhe estetika, t\u00eb cil\u00ebn nuk mund ta kap\u00ebrcente koncepti i liris\u00eb. K\u00ebtu merr trajt\u00eb intonimi i tekstit ironik:<\/p>\n

\u201cJam zhytur n\u00eb bot\u00ebn time<\/em>
\nPlot salltanet p\u00ebr ty atdhe<\/em>\u201d<\/p>\n

Ironia e p\u00ebrfitimit prej atdheut p\u00ebr luksin vetjak ose klanor ndodh tash, kur ende kullojn\u00eb plag\u00ebt dhe gjaku mbeti i njom\u00eb, luhen loj\u00ebrat \u201cakrobatike t\u00eb antikoh\u00ebs.\u201d N\u00eb konceptin e zbraz\u00ebt t\u00eb liris\u00eb ka hyr\u00eb djall\u00ebzia. Poeti n\u00eb vargun me pyetje retorike:<\/p>\n

\u201cKu je ti heshtje e fshehur rebele\u201d, m\u00ebton t\u00eb ngre\u00a0 p\u00ebrgjigje t\u00eb atill\u00eb, t\u00eb cil\u00ebn nuk e jep vet, por topin e qet tek nj\u00eb antitez\u00eb e padukshme, tek antiteza e fshehur, e strukur diku n\u00eb aktin e heshtur t\u00eb mburracak\u00ebve. K\u00ebshtu, poeti ngre nj\u00eb ve\u00e7ori ideore, stilistike dhe estetike karakteristike p\u00ebr poezin\u00eb moderne; fshehje p\u00ebr gjetje t\u00eb rebusit ideor n\u00eb antitez\u00ebn e n\u00ebnkuptuar. Me qasje t\u00eb k\u00ebtill\u00eb autori arrin, q\u00eb t`i jap\u00eb tipare t\u00eb tilla stilistike thurjes s\u00eb shkrimit, ose mbetjes pezull t\u00eb p\u00ebrfytyrimeve t\u00eb th\u00ebnies pas leximit sip\u00ebrfaq\u00ebsor… Fati i p\u00ebrhersh\u00ebm i p\u00ebrndjekjes, i pushtimit t\u00eb hap\u00ebsirave bukanike dhe shpirt\u00ebrore, i dha t\u00eb drejt\u00eb form\u00ebsimit p\u00ebrkufizues p\u00ebrmes vargut \u201cP\u00ebrball\u00eb krismave identitet.\u201d \u00c7far\u00eb sugjeron ky varg\u00a0 i poezis\u00eb \u201cTejdukshm\u00ebri\u201d?<\/p>\n

Identiteti afishohej n\u00eb krisma, p\u00ebrderisa humbja e tij zhb\u00ebhej pa krisma. Si e shihte paradoksin e etnis\u00eb poeti Din Mehmeti? Ai e apostrofonte moton e identitetit t\u00eb vet epik: \u201cKrism\u00eb \u00ebsht\u00eb emri im!\u201d N\u00eb poezin\u00eb shqipe Ali Podrimja identifikohet me togfjal\u00ebshin tipizues t\u00eb shenj\u00ebz\u00ebs \u201cdhimb e bukur.\u201d Stilistika poetike e Nexhat Rexh\u00ebs, n\u00eb frym\u00ebmarrjet e saj, gjithsesi e bart\u00eb dhimbjen si koncept poetik dhe jet\u00ebsor. Si e till\u00eb, dhimbja e k\u00ebtij poeti, nuk \u00ebsht\u00eb dhimbje e p\u00ebrmas\u00ebs estetike t\u00eb Ali Podrimjes. Dhimbja e Rexh\u00ebs hyn n\u00eb p\u00ebrmasa viktimash, azilesh, mall\u00ebngjime pelegrin\u00ebsh, n\u00eb m\u00ebnyra jet\u00ebsh t\u00eb dyfishta, me trupin n\u00eb diaspor\u00eb e shpirtin n\u00eb vendlindje… Si t\u00eb thuash: jet\u00eb e dy gjysmave, ose dy gjysmat e jet\u00ebs pa e arritur t\u00ebr\u00ebsin\u00eb!…<\/p>\n

Pothuajse t\u00eb gjitha motivet, q\u00eb sjellin vargjet e poezis\u00eb s\u00eb Nexhat Rexh\u00ebs, prekin plag\u00ebt e dhimbjes… Plag\u00eb t\u00eb nj\u00eb dhimbjeje q\u00eb kund\u00ebrmon atmosfer\u00ebn e trishtimit e t\u00eb pushtimit, viktimizimi i t\u00ebr\u00ebsish\u00ebm i nj\u00eb etnie… P\u00ebrse ndodh k\u00ebshtu?\u00a0 Ndodh k\u00ebshtu sepse ndodhemi\u00a0 n\u00eb udh\u00ebkryqin e p\u00ebrplasjes s\u00eb qytet\u00ebrimeve…<\/p>\n

Poeti e kapi bindsh\u00ebm metafor\u00ebn e p\u00ebrfytyrimit t\u00eb llahtaris\u00eb; rrjedh\u00ebn e konotacioneve t\u00eb trishtuara t\u00eb stin\u00ebs, e Kull\u00ebs me Kafka Muresh, kokat e t\u00eb par\u00ebve mostra kullash t\u00eb murosura, arkitektur\u00eb sh\u00ebmb\u00ebllese e barbaris\u00eb! E shurdh\u00ebr dhe memece goja e historis\u00eb… Rrjedha e variacioneve p\u00ebr b\u00ebrjen e konceptit t\u00eb liris\u00eb p\u00ebr atdheun, nga brezi n\u00eb brez nuk rrumbullakohej dot! A do t\u00eb kapitullonte pritja n\u00eb geton kolektive?! P\u00ebr poetin, koncepti i rrumbullakimit t\u00eb atdheut, \u00ebsht\u00eb p\u00ebrmasa (j)etike, identifikuese, filozofike dhe estetike.<\/p>\n

\u201cDhe si t’i ngi syt\u00eb n\u00eb vetmi<\/em>
\nMe faqet tua atdhe<\/em>\u201d (Vetmia<\/strong>)<\/p>\n

Kujt ia drejtonte pyetjen poeti p\u00ebr urin\u00eb e tij t\u00eb pangopur? Natyrisht pyetja u drejtohet t\u00eb gjith\u00eb atyre, q\u00eb u identifikuan, u sakrifikuan dhe gjakuan p\u00ebrmas\u00ebn e plot\u00eb p\u00ebr atdheun. P\u00ebrmasa e atdheut n\u00eb thelb ka shenjt\u00ebrin\u00eb e vet… Shenjt\u00ebrin\u00eb e pararend\u00ebsve, me gjasa t\u00eb parashikuara edhe t\u00eb pas-rend\u00ebsve. Fati tragjik dhe shtyrja p\u00ebrpjet\u00ebs s\u00eb pjerrt\u00eb e Gurit mitologjik t\u00eb Sizifit p\u00ebr konceptin atdhe i lir\u00eb, ose liri p\u00ebr atdheun, t\u00eb shumt\u00ebn e her\u00ebve mbyllej brenda nj\u00eb kodi t\u00eb fshehur, brenda sirtar\u00ebsh t\u00eb kancelarive… Nd\u00ebrsa atdheut kurr\u00eb-nj\u00ebher\u00eb nuk iu pren\u00eb teshat tamam, ngase edhe fet\u00eb ia nd\u00ebrronin fytyr\u00ebn:<\/p>\n

\u201cArb\u00ebria mbeti enigm\u00eb n\u00eb udh\u00ebkryq<\/em>\u201d<\/p>\n

NERVI \u00a0I \u00a0TRISHTIMIT<\/strong><\/p>\n

Imponohet pyetja: pse n\u00eb ligj\u00ebrimin poetik t\u00eb v\u00ebllimeve me poezi, autori sikur \u00ebsht\u00eb i prir\u00eb t`i rrekej kryesisht an\u00ebs tragjike t\u00eb jet\u00ebs? Tragjikja si kategori estetike \u00ebsht\u00eb \u00a0aq e ngjizur me identitetin ton\u00eb etnik dhe etik, sa nuk ka t\u00eb krahasuar me sh\u00ebmb\u00ebllesa t\u00eb tjera etnish. \u00cbsht\u00eb n\u00ebnvizuar n\u00eb filles\u00ebn e k\u00ebtij shkrimi, q\u00eb poeti kishte mbyllur n\u00eb heshtjen akumuluese adoleshenc\u00ebn e belb\u00ebzimeve poetike, p\u00ebrc\u00ebllimat e drith\u00ebrimat e dashuris\u00eb…<\/p>\n

Duket qart\u00eb, se termometri i poezis\u00eb tij nuk \u00ebsht\u00eb i p\u00ebrqendruar p\u00ebr matjen e amplitudave t\u00eb temperatur\u00ebs vetjake. Kundrimet, konstatimet, obsesionet, mynxyrat, kontrastet e forta shpirt\u00ebrore, gjithandej \u00ebndrrave p\u00ebr zhgj\u00ebndrr\u00ebn madhore t\u00eb jet\u00ebs, shnd\u00ebrroheshin n\u00eb makthe t\u00eb rrojtjes, t\u00eb nj\u00eb rrojtjeje gjysmake.<\/p>\n

Estetika e realitetit i lypte k\u00ebtij poeti forcimin e impulseve t\u00eb vargjeve, ng\u00ebrthesa urt\u00ebsie p\u00ebrball\u00eb trishtimit t\u00eb jasht\u00ebm; q\u00ebndres\u00ebn dhe nuhatjen e holl\u00eb t\u00eb hedhjes, p\u00ebrkat\u00ebsisht t\u00eb mos hedhjes s\u00eb hapit n\u00eb d\u00ebrras\u00ebn e kalbur t\u00eb intrig\u00ebs! Torturat e ankthit ia shkund gjumit e es\u00ebllta e jet\u00ebs… Paradoksi e sjell drit\u00ebn n\u00eb terr… Jan\u00eb buz\u00ebt paradoksale, ato q\u00eb i japin impulse e doza optimizmit; \u00ebsht\u00eb ura e dashuris\u00eb p\u00ebr vajtje-ardhje t\u00eb jet\u00ebve; dashuria kjo p\u00ebrmas\u00eb e konceptit jet\u00eb-dh\u00ebn\u00ebs…<\/p>\n

Vinte ora p\u00ebr k\u00ebndellje plag\u00ebsh, e sh\u00ebrimit t\u00eb syve t\u00eb shigjetuar, p\u00ebr ta par\u00eb\u00a0\u00a0 konceptin e mohuar, jo m\u00eb si nj\u00eb \u00ebnd\u00ebrr e s\u00ebmur\u00eb, por si di\u00e7ka t\u00eb prekshme p\u00ebr t`u shijuar me duar, mendje e vargje… K\u00ebtij ideali iu rreshtuan vargjet si \u201d\u00e7lirimtar\u00eb\u201d t\u00eb devotsh\u00ebm…<\/p>\n

Megjithat\u00eb, brengosja dhe m\u00ebdyshja e nervit poetik, n\u00eb k\u00ebt\u00eb trajt\u00eb vargimi nuk \u00ebsht\u00eb shuar. Trishtimi kishte dep\u00ebrtuar thell\u00eb, madje vegjeton n\u00eb m\u00ebdyshjen poetike p\u00ebr t`u rikthyer:<\/p>\n

\u201cDhe gjerdanin p\u00ebr t`ia v\u00ebn\u00eb n\u00eb qaf\u00eb trishtimit<\/em>\u201d<\/p>\n

N\u00eb nervin poetik t\u00eb Nexhat Rexh\u00ebs motivet e s\u00eb nj\u00ebjt\u00ebs kategori z\u00ebvend\u00ebsojn\u00eb njeri-tjetrin, si hallka t\u00eb pak\u00ebputura ciklesh t\u00eb jet\u00ebs. N\u00eb subjektin e k\u00ebsaj poezie ka hyr\u00eb sindroma e p\u00ebrhershme e ndjekjes, qoft\u00eb si p\u00ebrfytyrime hijesh, si gjarp\u00ebr i mb\u00ebshtjell\u00eb qaf\u00ebs, si djall\u00ebzi e nuhatjes n\u00eb k\u00ebng\u00eb,\u00a0 si smag i frym\u00ebmarrjes, si goditje n\u00eb at\u00eb fijen m\u00eb t\u00eb fundit…<\/p>\n

Monologu i imponuar p\u00ebr dialog\u00a0 gjeti truall dhe hyri n\u00eb kujtes\u00eb dhe, kujtes\u00ebs i b\u00ebn roje vargu. P\u00ebrse? P\u00ebr t\u00eb mos e humbur arkeologjin\u00eb, p\u00ebr t\u00eb mos e posht\u00ebruar urt\u00ebsin\u00eb, p\u00ebr t\u00eb mos ia dor\u00ebzuar djallit epik\u00ebn heroike, p\u00ebr t\u00eb kall\u00ebzuar se lul\u00ebkuqet e mor\u00ebn t\u00eb kuqen prej pikave t\u00eb gjakut ton\u00eb\u00a0 dhe, si rrjedhoj\u00eb vargu i mir\u00ebfillt\u00eb nuk bie n\u00eb gjum\u00eb t\u00eb mir\u00ebfillt\u00eb.<\/p>\n

N\u00eb v\u00ebllimin gjith\u00ebp\u00ebrfshir\u00ebs \u201cDalja prej anatem\u00ebs\u201d vilen edhe shenja motivesh, q\u00eb marrin trajta motivuese me tipare etnografike, me simbolik\u00ebn e plisit t\u00eb bardh\u00eb, simbol bardh\u00ebsie, ngroht\u00ebsie, lart\u00ebsie maj\u00eb-bore, e past\u00ebrtie etnike, por dhe sh\u00ebnjest\u00ebr p\u00ebr gjithfar\u00eb goditjesh nga gjuajt\u00ebs kujdestar\u00eb t\u00eb Singidunum-it e t\u00eb Naissus-it.<\/p>\n

VARGU SOGJETAR\u00cb<\/strong><\/p>\n

Aty ku flet diskursi p\u00ebrjashtohet poetika. Ka raste t\u00eb tilla k\u00ebtu, ndon\u00ebse poeti \u00ebsht\u00eb kujdesur t\u00eb mos ia jepte fjal\u00ebn diskursit.<\/p>\n

\u201cI preke n\u00eb sed\u00ebr ke b\u00ebr\u00eb bela<\/em>
\nGjuh\u00ebn shpat\u00eb kanunin n\u00eb ball\u00eb<\/em>\u201d<\/p>\n

Strukturime t\u00eb k\u00ebtilla ironike t\u00eb tekstit poetik, t\u00eb drejtp\u00ebrdrejta ose t\u00eb t\u00ebrthorta e p\u00ebrshkojn\u00eb k\u00ebt\u00eb tip poezie. Poeti vendos\u00eb \u00a0n\u00eb \u00e7do k\u00ebnd-shikim pasqyra p\u00ebr secilin karakter, n\u00eb funksion t\u00eb pamjes s\u00eb veseve, larjes s\u00eb njollave t\u00eb fytyr\u00ebs t\u00eb zhytur n\u00eb m\u00ebkate… Ndonj\u00eb her\u00eb tejduksh\u00ebm, her\u00ebn tjet\u00ebr n\u00ebp\u00ebrmjet finok\u00ebris\u00eb s\u00eb fjal\u00ebsit, apostrofohet egoizmi, sh\u00ebmtia e ak\u00ebcil\u00ebs figur\u00eb anonime e mjedisit p\u00ebrfitues:<\/p>\n

\u201cSe nisja \u00ebsht\u00eb b\u00ebr\u00eb p\u00ebr gush\u00eb<\/em>
\nJeta ka \u00e7el\u00ebs dhe fush\u00eb<\/em>\u201d<\/p>\n

Kapjet e vargut poetik gjithnj\u00eb dalin si rrjedha t\u00eb sprovave n\u00eb jet\u00eb; kryesisht si kusht\u00ebzime shkak-pasojash dhe, m\u00eb pak si projektime imagjinare. Pra, te poezia e Nexhat Rexh\u00ebs vargu ngrihet mbi t\u00eb ndodhur\u00ebn\u00a0 dhe, fare sip\u00ebrfaq\u00ebsisht mbi trillin e t\u00eb ndodhur\u00ebs. N\u00eb jet\u00eb mund t\u00eb ng\u00ebrthejm\u00eb q\u00ebllime aty ku nuk spikaten ato, ku nuk duken si p\u00ebrfaq\u00ebsime vetjake, por t\u00eb kamufluara si ideale madhore… Mir\u00ebpo, intuita e holl\u00eb nuhat kund\u00ebrmimin e q\u00ebllimit, duke ia zb\u00ebrthyer kodin e fsheht\u00eb t\u00eb pasinqert\u00ebs.<\/p>\n

Poezia mund t\u00eb mos jet\u00eb e thelluar, porse i jep trajt\u00eb dhe p\u00ebrcaktim natyr\u00ebs s\u00eb vet t\u00eb v\u00ebrtet\u00eb; p\u00ebrher\u00eb me mjetet dhe modalitetin e shprehjes, e cila i p\u00ebrshtatet asaj. Ajo nuk shnd\u00ebrrohet n\u00eb instrument\u00a0 t\u00eb fushave tjera; nuk shmang\u00eb, as tjet\u00ebrson unin t\u00eb cilit i p\u00ebrket; ajo plekset me urtin\u00eb meritore vet\u00ebm p\u00ebr aq sa ruan m\u00ebvet\u00ebsin\u00eb e qenies figur\u00eb.<\/p>\n

Liria prore \u00ebsht\u00eb e uritur kur i merren burimet ekzistenciale. Madje poeti shtroi pyetjen e nj\u00eb m\u00ebdyshjeje thell\u00ebsisht shqet\u00ebsuese p\u00ebr brezat:<\/p>\n

\u201cKu shkoi liria<\/em>
\nPas atij dimri idhnak<\/em>
\nMe net pagjum\u00ebsie<\/em>\u201d (Liria n\u00eb gjum\u00eb<\/strong>)<\/p>\n

Vargjet sogjetar\u00eb ngrehin shpat\u00ebn drejt syve lakmitar\u00eb, makut\u00ebve, bashk\u00eb-lojtar\u00ebve t\u00eb djallit n\u00eb loj\u00ebn humb\u00ebse t\u00eb idealeve:<\/p>\n

\u201cKurse loja mbaron<\/em>
\nAndej kah vijn\u00eb medaljet<\/em>\u201d (Koha ime e arnuar<\/strong>)<\/p>\n

Aty ku akrepat e ecjes s\u00eb or\u00ebs ndalojn\u00eb, zgjerohet amullia, rikthehen makthet, parabolat e zeza, t\u00eb cilat m\u00ebtuam se i thyen dh\u00ebmb\u00ebt n\u00eb periudh\u00ebn e zezonave t\u00eb qen\u00ebsis\u00eb ton\u00eb…<\/p>\n

SHK\u00cbPUTJE METAFORASH T\u00cb STILIT FIGURATIV<\/strong><\/p>\n

\u201cGjethet e \u00ebndrr\u00ebs p\u00ebr fronin<\/em>” (Era<\/strong>);<\/p>\n

\u201cZgjidh vdekjen apo loj\u00ebn e djallit<\/em>
\nSe krismat e krushqve t\u00eb liris\u00eb<\/em>
\nPo sjellin zjarrin e Prometheut<\/em>\u201d (Krisma mbi ombrell\u00eb<\/strong>);<\/p>\n

\u201cLiri edhe sa lule t\u00eb duhen Ty<\/em>\u201d (Liria han lule<\/strong>);<\/p>\n

\u201cAtdheu im i nx\u00ebn\u00eb<\/em>
\nAtdheu im n\u00eb rolet\u00eb<\/em>\u201d (Pik\u00eb lart\u00ebsie<\/strong>);<\/p>\n

\u201cAta q\u00eb pin\u00eb qum\u00ebshtin e zanave<\/em>
\nTrash\u00ebguan Lugun e Thanave<\/em>\u201d (Lugu i Thanave<\/strong>);<\/p>\n

\u201cGjithfar\u00eb krismash godasin<\/em>
\nN\u00eb cepat e rrudhur<\/em>
\nKurse\u00a0 loja nuk mbaron<\/em>
\nAndej kah vijn\u00eb medaljet<\/em>\u201d (Koha ime e arnuar<\/strong>);<\/p>\n

\u201cKjo koha jon\u00eb verb\u00ebri miop\u00ebsh ushqen<\/em>\u201d (Koh\u00eb me fytyr\u00eb censori<\/strong>);<\/p>\n

\u201cFate t\u00eb skalitura<\/em>
\nN\u00eb lapidarin e heroit t\u00eb helmuar<\/em>\u201d (Hallk\u00eb kujtimi<\/strong>)…<\/p>\n

N\u00cb AKTIN P\u00cbRMBYLL\u00cbS<\/strong><\/p>\n

P\u00ebr rrumbullakimin e k\u00ebtij jubileu krijues: edukatorit dhe veprimtarit kulturor, poetit Nexhat Rexha, si dhe familjes tij t\u00eb dashur, i urojm\u00eb sh\u00ebndet t\u00eb plot\u00eb, paqe dhe qet\u00ebsi shpirt\u00ebrore, dhe, gjithsesi vlera tjera krijuese p\u00ebr p\u00ebrmbushjen e shpirtit dhe t\u00eb dinjitetit t\u00eb popullit tij!<\/p>\n

Gjilan, dhjetor 2020<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Mehmetali Rexhepi NEXHAT REXHA: \u201dDALJA PREJ ANATEM\u00cbS\u201d Sht\u00ebpa botuese \u00a0Beqir Musliu; Gjilan, 2021 SHP\u00cbRTHIMET E HERSHME DHE AKUMULIMI P\u00ebr aq sa dim\u00eb, poeti Nexhat Rexha paraqitjen e par\u00eb me v\u00ebllimin autorial e arriti, kryesisht pas Luft\u00ebs \u00c7lirimtare n\u00eb Kosov\u00eb. V\u00ebllimin e par\u00eb me poezi \u201cNdrydhja e pik\u00ebs K\u201d, e nxori\u00a0 n\u00eb vitin 2003; at\u00ebher\u00eb autori […]<\/p>\n","protected":false},"author":1,"featured_media":65943,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[8,10],"tags":[],"class_list":["post-65942","post","type-post","status-publish","format-standard","has-post-thumbnail","category-letersi","category-poezi"],"yoast_head":"\nDY GJYSMAT E JET\u00cbS - FJALA e LIR\u00cb<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/jehonashqiptare.al\/fjala\/dy-gjysmat-e-jetes\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"DY GJYSMAT E JET\u00cbS - FJALA e LIR\u00cb\" \/>\n<meta property=\"og:description\" content=\"Mehmetali Rexhepi NEXHAT REXHA: \u201dDALJA PREJ ANATEM\u00cbS\u201d Sht\u00ebpa botuese \u00a0Beqir Musliu; Gjilan, 2021 SHP\u00cbRTHIMET E HERSHME DHE AKUMULIMI P\u00ebr aq sa dim\u00eb, poeti Nexhat Rexha paraqitjen e par\u00eb me v\u00ebllimin autorial e arriti, kryesisht pas Luft\u00ebs \u00c7lirimtare n\u00eb Kosov\u00eb. 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