{"id":66253,"date":"2021-04-01T18:04:46","date_gmt":"2021-04-01T17:04:46","guid":{"rendered":"https:\/\/fjala.info\/?p=66253"},"modified":"2021-04-01T18:04:46","modified_gmt":"2021-04-01T17:04:46","slug":"karakteri-i-personazhit-dhe-krijimi-i-tyre","status":"publish","type":"post","link":"https:\/\/jehonashqiptare.al\/fjala\/karakteri-i-personazhit-dhe-krijimi-i-tyre\/","title":{"rendered":"KARAKTERI I PERSONAZHIT DHE KRIJIMI I TYRE"},"content":{"rendered":"

Kritik\u00eb: Fragment nga nj\u00eb studim m\u00eb i gjat\u00eb<\/em><\/p>\n

Rreth romanit \u201cMal\u00ebsorja\u201d, t\u00eb Nazmi Rrahmanit, botimi i par\u00eb n\u00eb vitin 1965.<\/p><\/blockquote>\n

Shkruan: Shefqet DIBRANI<\/strong><\/p>\n

Secili autor b\u00ebn\u00eb p\u00ebrpjekje p\u00ebr t\u00eb p\u00ebrshkruar sa m\u00eb mir\u00eb karakterin e personazhit, n\u00eb menyr\u00eb q\u00eb lexuesi t\u2019i p\u00ebrjetoj\u00eb si figura t\u00eb gjalla, zakonisht kjo b\u00ebhet p\u00ebr romanet e tipit rr\u00ebfim a p\u00ebrshkrim p\u00ebr ngjarje t\u00eb caktuara. Krijimi i personazhit sa m\u00eb autentik, sa m\u00eb af\u00ebr bot\u00ebs reale, n\u00eb m\u00ebnyr\u00eb q\u00eb t\u00eb jet\u00eb i pranuesh\u00ebm dhe i besuesh\u00ebm p\u00ebr lexuesin. Autori i romanit \u201cMal\u00ebsorja\u201d, k\u00ebt\u00eb synim e ka realizuar plot\u00ebsisht duke pasur parasysh ndikimin dhe p\u00ebrdorimin e romanit edhe n\u00eb sitemin edukativo arsimor. N\u00eb dukje t\u00eb par\u00eb p\u00ebrjetohen si personazhe reale, pasi karakteri i tyre \u00ebsht\u00eb i p\u00ebraf\u00ebrt me njer\u00ebzit e gjall\u00eb, edhe ngjarja \u00ebsht\u00eb p\u00ebrshkruar aq besnik\u00ebrisht sa shpesh hamendet lexuesi n\u00ebse po lexon nj\u00eb rr\u00ebfim real apo n\u00eb ngjarje t\u00eb imagjinuar e cila \u00ebsht\u00eb konstruktuar n\u00eb at\u00eb form\u00eb fal\u00eb vet\u00ebdijes s\u00eb autorit.<\/p>\n

Si t\u00eb themi, sjellja n\u00eb jet\u00eb e karakterit t\u00eb nj\u00eb personazhi \u00ebsht\u00eb sfid\u00eb me t\u00eb cil\u00ebn \u00ebsht\u00eb p\u00ebrballur edhe vet ai. Peripeci morale t\u00eb krijimit t\u00eb personazhit jan\u00eb ilustruar n\u00eb m\u00ebnyr\u00eb estetike aq bukur sa kufiri n\u00eb mes personazhit real dhe atij t\u00eb imagjinuar \u00ebsht\u00eb p\u00ebrafruar n\u00eb at\u00eb mas ku dallimi \u00ebsht\u00eb i vog\u00ebl ose krejt\u00ebsisht i pav\u00ebrejtsh\u00ebm, sidomos me protagonist\u00ebn e cila si karakter \u00ebsht\u00eb e sinqert\u00eb, rruga e saj jet\u00ebsore \u00ebsht\u00eb p\u00ebrplot peripeci, thjesht\u00ebsia e veprimit t\u00eb saj \u00ebsht\u00eb njer\u00ebzore, por duhet t\u00eb jemi t\u00eb qart\u00eb se ky roman ndryshe nuk do t\u00eb duhej t\u00eb shkruhej, pasi r\u00ebnd\u00ebsia estetike e romanit nuk do t\u00eb vlente.<\/p>\n

Karakteret e personazheve n\u00eb romanin \u201cMal\u00ebsorja\u201d, pasqyrojn\u00eb jet\u00ebn e asaj kohe me t\u00eb gjitha zym\u00ebtsit\u00eb e saj, nga e cila, p\u00ebrmes k\u00ebtij romani, \u00ebsht\u00eb nxjerr e mundshmja p\u00ebr ndryshim dhe emancipim, gj\u00eb q\u00eb karakteret e romanit bot\u00ebn e shohin ashtu si\u00e7 shihej kudo realiteti i asaj kohe. E, n\u00ebse nuk ka b\u00ebr\u00eb m\u00eb mir\u00eb, sidomos me karakteret e vrazhd\u00ebta, \u00ebsht\u00eb pasoj\u00eb e rolit q\u00eb iu ka dh\u00ebn\u00eb autori, qofshin edhe karaktere antagoniste. Por n\u00eb karakteret e k\u00ebtyre personazheve, n\u00eb bot\u00ebn e tyre, ne shohim edhe sot, nj\u00eb dram\u00eb jet\u00ebsore me t\u00eb gjitha nuancat e asaj kohe, t\u00eb cilat shfaqen p\u00ebrmes mendimeve ose formave t\u00eb veprimit t\u00eb cilat i p\u00ebrkasin nj\u00eb periudhe kur jeta p\u00ebrjetohej si e till\u00eb. Por n\u00eb brend\u00ebsin emocinale t\u00eb karakterit dalin n\u00eb pah edhe d\u00ebshirat e tyre, ambiciet p\u00ebrmes t\u00eb t\u00eb cilave shihet nj\u00eb motivim p\u00ebr t\u00eb vepruar p\u00ebr t\u00eb gjall\u00ebruar qoft\u00eb edhe duke i b\u00ebr\u00eb d\u00ebm\u00eb tjetrit, nd\u00ebrsa karakteret tjera si t\u00eb themi duke u vetmbrojtur kan\u00eb pasqyruar m\u00ebnyrat e \u00e7asjeve ndaj fenomenev dhe vobekt\u00ebsive t\u00eb pashembullta t\u00eb cilat vazhdimisht kan\u00eb l\u00ebn\u00eb gjurm\u00eb e vrrag\u00eb n\u00eb personalitetin e karakterit tjet\u00ebr, p\u00ebrkatsisht t\u00eb personazhit q\u00eb \u00ebsht\u00eb trajtuar brenda vepr\u00ebs letrare e cila \u00ebsht\u00eb e r\u00ebnd\u00ebsishme p\u00ebr shoq\u00ebrin\u00eb.<\/p>\n

Jo pak ndeshim situata t\u00eb veprimit t\u00eb cilat nxjerrin m\u00eb n\u00eb pah karakterin veprues t\u00eb personazhit i cili \u00ebsht\u00eb ngarkuar p\u00ebr t\u00eb vepruar mu ashtu, pasi koncepti i ngjarjes \u00ebsht\u00eb planifikuar t\u00eb rrjedh ashtu si\u00e7 ka ndodhur edhe n\u00eb romanin \u201cMal\u00ebsorja\u201d, n\u00eb t\u00eb cilin autori p\u00ebrmes karakterit t\u00eb personazheve m\u00ebton ta ndryshoj\u00eb gjendjen sociale, po sidomos synon p\u00ebr t\u2019i flakur disa vese t\u00eb cilat e pengojn\u00eb zhvillimin dhe emancipimin e shoq\u00ebris\u00eb. M\u00eb duket se t\u00eb gjitha angazhimet e autorit kan\u00eb t\u00eb b\u00ebjn\u00eb me p\u00ebrpjekjen e tij p\u00ebr ta p\u00ebrmir\u00ebsuar gjendjen sociale t\u00eb shoq\u00ebris\u00eb t\u00eb cilat i ka ng\u00ebrthye si veprime t\u00eb mundshme, i ka p\u00ebrafruar me ndodhit\u00eb dhe ngjarjet e zakonshme, pastaj ai ka b\u00ebr\u00eb p\u00ebrpjekje t\u00eb pareshtur q\u00eb disa personazhe t\u00eb ndryshojn\u00eb q\u00ebndrimin e tyre, karkaterin e veprimit dhe p\u00ebrgjegj\u00ebsit\u00eb n\u00eb p\u00ebrmasa m\u00eb t\u00eb m\u00ebdha p\u00ebr t\u00eb ndikuar n\u00eb ndryshim dhe p\u00ebrmir\u00ebsim.<\/p>\n

Nuk do t\u00eb kisha th\u00ebn\u00eb se personazhet, p\u00ebrkat\u00ebsiht karakteret e librit jan\u00eb vet personaliteti i autorit, por se jan\u00eb sajesa ose pjell\u00eb e fantazis\u00eb krijuese kjo s\u2019ka dyshim, andaj p\u00ebrafrimi me realitetin i nj\u00eb realiteti t\u00eb dokumentuar \u00ebsht\u00eb thjesht\u00ebsia e nj\u00eb imagjinate e kthyer n\u00eb realitet p\u00ebr nj\u00eb realitet t\u00eb mundsh\u00ebm. Por nj\u00eb gj\u00eb evidente \u00ebsht\u00eb se krakteret n\u00eb romanin \u201cMal\u00ebsorja\u201d nuk jan\u00eb aq dinamike t\u00eb tipit aksion, gjithsesi karakteret e personazheve jan\u00eb p\u00ebrfaq\u00ebsuesi tipik i romanit, p\u00ebrkat\u00ebsisht i asaj gjendje m\u00eb t\u00eb cil\u00ebn shkrimtari merret n\u00eb m\u00ebnyr\u00eb artistike, p\u00ebr t\u00eb pasqyruar edhe mentalitetin, edhe tradit\u00ebn, edhe doket, edhe zakonet, t\u00eb mir\u00ebn dhe t\u00eb keqen do t\u00eb thoshim sipas nj\u00eb shprehje popullore, e cila \u00ebsht\u00eb s\u00ebndertuar p\u00ebrmes k\u00ebtyre personazheve, kryesosht t\u00eb p\u00ebrafruara me njer\u00ebz real, sado q\u00eb secili detaj \u00ebsht\u00eb referenc\u00eb e ndjenj\u00ebs, p\u00ebrjetimit dhe imagjinat\u00ebs s\u00eb vet autori i cili demonstron aft\u00ebsit\u00eb dhe njohurit e veta si tipare dallese t\u00eb nj\u00eb shkrimtari i cili p\u00ebrmes provinc\u00ebs mendon ta emancipoj\u00eb edhe jet\u00ebn urbane dhe shoq\u00ebrin\u00eb n\u00eb p\u00ebrgjith\u00ebsi.<\/p>\n

Sado q\u00eb k\u00ebto p\u00ebrsonazhe jan\u00eb t\u00eb p\u00ebraf\u00ebrta me realitetin njer\u00ebzor, p\u00ebrseri ata b\u00ebjn\u00eb jet\u00ebn e tyre autentike, l\u00ebvizjet dhe veprimet e t\u00eb cil\u00ebve s\u00ebndertojn\u00eb iden e planifikuar q\u00eb m\u00eb par\u00eb, jan\u00eb imazhet e vepres letrare, jan\u00eb emocionet e veprimit, por jan\u00eb edhe emocionet e vrojtimit, leximit dhe p\u00ebrjetimit t\u00eb t\u00eb gjith\u00eb atyre q\u00eb kundrojn\u00eb ose e lexojn\u00eb k\u00ebt\u00eb vep\u00ebr. Me nj\u00eb fjal\u00eb drama dhe dramaciteti i veprimit jan\u00eb aft\u00ebsi krijuese t\u00eb cil\u00ebn nuk e posedon secili autor. E k\u00ebt\u00eb e d\u00ebshmon krijimi i Mal\u00ebsores, nj\u00eb personazh autentik e cila ka mbajtur me sukses p\u00ebrgjegjsit\u00eb q\u00eb ia ngarkon shkruesi p\u00ebr t\u2019i sh\u00ebrbyer nj\u00eb q\u00ebllimi t\u00eb caktuar i cili nga p\u00ebrmbajtja duket se \u00ebsht\u00eb mjaft\u00eb i duksh\u00ebm, tejet transparent dhe motivuas p\u00ebr t\u2019u ndryshuar.<\/p>\n

E ky ndryshim nuk b\u00ebhet, nuk arrihet n\u00ebse shoq\u00ebria n\u00eb krajatat e jet\u00ebs, n\u00eb situata t\u00eb caktuara nuk e pranon dhe p\u00ebrvet\u00ebson at\u00eb ndryshim duke e b\u00ebr\u00eb si pjes\u00eb e mentalitetit t\u00eb brendsh\u00ebm. Pra revolucionet e m\u00ebdha b\u00ebhen at\u00ebher kur individi dhe shoq\u00ebria kan\u00eb ardhur n\u00eb nj\u00eb stad t\u00eb vet\u00ebdijes qytetare p\u00ebr tu ndryshuar. E ndryshimin e shohin, e p\u00ebrjetojn\u00eb si nevoj\u00eb por jo si detyrim, pasi gj\u00ebrat e detyrueshme nuk kan\u00eb jet\u00ebgjat\u00ebsin\u00eb e atyre q\u00eb ndryshohen si nevoj\u00eb si domosdoshm\u00ebri e nj\u00eb procesi etnokulturor, si\u00e7 e kemi rastin n\u00eb romanin \u201cMal\u00ebsorja\u201d.<\/p>\n

Edhe protagonistja e romanit t\u00eb gjitha veprimet e saj i b\u00ebn\u00eb n\u00eb p\u00ebrputhje me proceset p\u00ebr ndryshim dhe vet\u00ebdij\u00ebsim t\u00eb shoq\u00ebris\u00eb, n\u00eb p\u00ebrputhje me mentalitetin e atij ambienti arkaik, por ajo b\u00ebn\u00eb, ajo l\u00ebviz\u00eb, veprime n\u00eb p\u00ebrputhje me p\u00ebrjetimet e thella t\u00eb cilat jan\u00eb pjes\u00eb e nj\u00eb evulimi p\u00ebr t\u00eb ndryshuar, pasi vet personazhi i protagonist\u00ebs ka rolin p\u00ebr t\u00eb frym\u00ebmarr\u00eb p\u00ebr t\u00eb sifiduar dhe p\u00ebr t\u00eb jetuar. Nuk ka sforcime t\u00eb shumta, thjesht shkrimtari e ka detyruar personazhin t\u00eb veproj si ai d\u00ebshiron, pra veprimi i shkrimtarit \u00ebsht\u00eb tejet i gjakftoht\u00eb, t\u00eb gjitha l\u00ebvizjet dhe veprimet e personazheve vet\u00ebm ai i kontrollon, atyre ua p\u00ebrcakton jo vet\u00ebm temperamentin e veprimit por ua cakton me gram edhe pjes\u00ebn e karakterit i cili duhet t\u00eb jet\u00eb n\u00eb p\u00ebrputhje edhe me pamjen e personazhit i cili si arketip duhet t\u00eb p\u00ebrfaq\u00ebsoj tiparin m\u00eb karakteristik t\u00eb veprimit, l\u00ebvizjes dhe sjelljes brenda romanit a ndodhis\u00eb q\u00eb p\u00ebrshkruhet n\u00eb roman.<\/p>\n

N\u00eb secil\u00ebn vep\u00ebr letrare, por edhe tek romani \u201cMal\u00ebsorja\u201d, \u00ebsht\u00eb e tjedukshme shoq\u00ebrimi q\u00eb autori ua b\u00ebn\u00eb personazheve, ai \u00ebsht\u00eb edhe ndikues i karakterit si dhe p\u00ebrcaktues i arketipit q\u00eb ua p\u00ebrcakton edhe m\u00ebnyr\u00ebn, edhe sjelljen por edhe veprimin secilit personazh, n\u00eb m\u00ebnyr\u00eb q\u00eb ecja, shoq\u00ebrimi i autorit n\u00ebp\u00ebr ato rrug\u00eb dhe n\u00ebp\u00ebr ato p\u00ebrjetime duket t\u00eb jet\u00eb i pashmangsh\u00ebm, pasi e t\u00ebr\u00eb vepra \u00ebsht\u00eb rezultat i imagjinat\u00ebs artistike t\u00eb cl\u00ebn sigurisht e ka fiksuar, shtjelluar dhe konceptuar qysh n\u00eb filimin e fillimeve t\u00eb k\u00ebtyre veprimeve q\u00eb rr\u00ebfehen n\u00eb k\u00ebt\u00eb vep\u00ebr artistike e cila ka gjas\u00eb si rr\u00ebfim duket t\u00eb jet\u00eb i sakt\u00eb, pasi ngjarje t\u00eb tilla, t\u00eb p\u00ebraf\u00ebrta, magjike e tragjike, me \u00ebndrra, d\u00ebshira t\u00eb njejt mund t\u00eb ken\u00eb ndodhur, para ose edhe pas shkrimit t\u00eb romanit. Ky afinitet \u00ebsht\u00eb magjia e fantazis\u00eb, \u00ebsht\u00eb intuita t\u00eb cil\u00ebn mund ta prodhoj vet\u00ebm mendja dhe dija e shkrimtarit, i cili m\u00eb mir\u00eb se kushdo tjet\u00ebr i njeh ato zhvillime, ato rrethana, at\u00eb tradit\u00eb me t\u00eb gjitha zhvillimet rrethanore, n\u00eb situata e dilema tragjike a triumfe, p\u00ebrvoja letrare q\u00eb e p\u00ebrcjellin dhe e shoq\u00ebrojn\u00eb nj\u00eb vep\u00ebr t\u00eb till\u00eb artistike, siq \u00ebsht\u00eb romani \u201cMal\u00ebsorja\u201d!…<\/p>\n","protected":false},"excerpt":{"rendered":"

Kritik\u00eb: Fragment nga nj\u00eb studim m\u00eb i gjat\u00eb Rreth romanit \u201cMal\u00ebsorja\u201d, t\u00eb Nazmi Rrahmanit, botimi i par\u00eb n\u00eb vitin 1965. Shkruan: Shefqet DIBRANI Secili autor b\u00ebn\u00eb p\u00ebrpjekje p\u00ebr t\u00eb p\u00ebrshkruar sa m\u00eb mir\u00eb karakterin e personazhit, n\u00eb menyr\u00eb q\u00eb lexuesi t\u2019i p\u00ebrjetoj\u00eb si figura t\u00eb gjalla, zakonisht kjo b\u00ebhet p\u00ebr romanet e tipit rr\u00ebfim a […]<\/p>\n","protected":false},"author":1,"featured_media":66254,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[],"class_list":["post-66253","post","type-post","status-publish","format-standard","has-post-thumbnail","category-artikuj"],"yoast_head":"\nKARAKTERI I PERSONAZHIT DHE KRIJIMI I TYRE - FJALA e LIR\u00cb<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/jehonashqiptare.al\/fjala\/karakteri-i-personazhit-dhe-krijimi-i-tyre\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"KARAKTERI I PERSONAZHIT DHE KRIJIMI I TYRE - FJALA e LIR\u00cb\" \/>\n<meta property=\"og:description\" content=\"Kritik\u00eb: Fragment nga nj\u00eb studim m\u00eb i gjat\u00eb Rreth romanit \u201cMal\u00ebsorja\u201d, t\u00eb Nazmi Rrahmanit, botimi i par\u00eb n\u00eb vitin 1965. 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