{"id":66846,"date":"2021-04-15T23:14:34","date_gmt":"2021-04-15T22:14:34","guid":{"rendered":"https:\/\/fjala.info\/?p=66846"},"modified":"2021-04-15T23:14:34","modified_gmt":"2021-04-15T22:14:34","slug":"arketipi-i-pavetedijes-kolektive","status":"publish","type":"post","link":"https:\/\/jehonashqiptare.al\/fjala\/arketipi-i-pavetedijes-kolektive\/","title":{"rendered":"ARKETIPI I PAVET\u00cbDIJES KOLEKTIVE"},"content":{"rendered":"

Kritik\u00eb letrare<\/em><\/p>\n

Fragment nga studimi: \u201cKARAKTERI dhe ARKETIPI<\/em>\u201d, n\u00eb romanin\u201cMAL\u00cbSORJA\u201d t\u00eb Nazmi Rrahmanit.<\/p><\/blockquote>\n

Shkruan: <\/em>Shefqet Dibrani<\/strong><\/p>\n

Sipas teoris\u00eb s\u00eb psikoanalistit zviceran Karl Gustav Jung, “Hajria nuk u b\u00eb Heroin\u00eb vet\u00ebm duke imagjinuar t\u00eb mirat, ajo u b\u00eb Mal\u00ebsore (heroin\u00eb e romanit) vet\u00ebm p\u00ebr shkak se i ka kund\u00ebrshtuar veprimet e sh\u00ebmtuara!…”\u00a0<\/em><\/p>\n

Arketipi<\/em>, ka kuptimin e fillimit, trajt\u00ebs, tipit q\u00eb formohet n\u00eb gjenez\u00eb, d.m.th. ekzemplari i par\u00eb \u2013 origjinali, nd\u00ebrsa n\u00eb gjuh\u00ebsi ka kuptimin \u201ctrajta fillestare m\u00eb e vjet\u00ebr e nj\u00eb fjale nga e cila krijohen fjal\u00eb t\u00eb p\u00ebrb\u00ebra <\/em>(kompozita), kuptimi fillestar i fjal\u00ebve<\/em>\u201d. N\u00eb planin letrar, kemi t\u00eb b\u00ebjm\u00eb me aspekte,\u00a0“natyrore” (organike<\/em>), \u00a0“logjike” (shkakore<\/em>), “historike” (rendi dhe uniteti i komplotit<\/em>), t\u00eb gjith\u00eb k\u00ebta parametra e kan\u00eb p\u00ebrcaktuar dram\u00ebn e ngjarjes n\u00eb romanin \u201cMal\u00ebsorja\u201d, t\u00eb Nazmi Rrahmanit, pasi: “E para<\/em> lejon lirin\u00eb, qart\u00ebsin\u00eb, indiferenc\u00ebn, e dyta<\/em> zgjon pritje, padurim, interes patologjik”, dhe t\u00eb gjitha k\u00ebto p\u00ebrb\u00ebjn\u00eb mozaikun e vler\u00ebs letrare p\u00ebr t\u00eb cilen ne po angazhohemi.<\/p>\n

P\u00ebrkufizimi letrar i nocionit “Arketip”<\/strong><\/h3>\n

Arketipet jan\u00eb m\u00ebnyra n\u00eb t\u00eb cil\u00ebn shprehen nj\u00eb s\u00ebr\u00eb p\u00ebrvojash dhe kujtimesh n\u00eb lidhje me paraardh\u00ebsit. Me fjal\u00eb t\u00eb tjera, secili personazh zhvillon nj\u00eb seri arketipesh, var\u00ebsisht prej rastit dhe \u00e7astit. N\u00eb k\u00ebt\u00eb m\u00ebnyr\u00eb, arketipet e romanit “Mal\u00ebsorja<\/em>“, kan\u00eb mbrojtur iden\u00eb kryesore t\u00eb vepr\u00ebs, (braktisjen e dogmave<\/em>), n\u00ebp\u00ebrmes veprimit q\u00eb kategorizohet si pavet\u00ebdije e turm\u00ebs kund\u00ebr individit.<\/p>\n

Par\u00eb nga ky priz\u00ebm, t\u00eb gjitha personazhet e romanit “Mal\u00ebsorja<\/em>“, iu referohen tipareve t\u00eb p\u00ebrbashk\u00ebta mendore, t\u00eb cilat zhvillohen propercionalisht dhe n\u00eb raport me rrethanat e ngjarjes kan\u00eb ndikuar n\u00eb vet\u00ebdij\u00ebsimin e Hajries. Nj\u00eb nga pasionet m\u00eb t\u00eb m\u00ebdha t\u00eb Karl Gustav Jungut, ishte arkeologjia dhe ky pasion ndoshta rezultoi n\u00eb vetdij\u00ebn e tij, p\u00ebr t\u00eb nxjerr\u00eb teorin\u00eb rreth arketipeve si struktura ekzistuese dhe universale n\u00eb pavet\u00ebdijen njer\u00ebzore.<\/p>\n

Tamam ashtu si\u00e7 e kemi th\u00ebn\u00eb edhe m\u00eb par\u00eb, Arketipi<\/em>, m\u00eb shum\u00eb ka t\u00eb b\u00ebj\u00eb me at\u00eb \u00e7far\u00eb krijohet n\u00eb fillim, d.m.th. me origjin\u00ebn, p\u00ebr t\u00eb sajuar pastaj modelin q\u00eb do t\u00eb ket\u00eb trajt\u00eb e form\u00eb t\u00eb subjektit me kompozitat e saj.<\/p>\n

Arketipet e Karl Gustav Jung n\u00eb romanin \u201cMal\u00ebsorja\u201d<\/strong><\/h3>\n

Arketipet e Karl Jungut, jan\u00eb forma – modele univerale, d.m.th. pjes\u00eb e pavet\u00ebdij\u00eb kolektive, nj\u00eb homologim psikik i instiktit. Ato kan\u00eb t\u00eb b\u00ebjn\u00eb me imazhin e dukurive, dhe me m\u00ebnyr\u00ebn e sjelljes s\u00eb personazheve t\u00eb cil\u00ebt brenda atyre rrethanave nd\u00ebrtojn\u00eb personalitetin, e pastaj n\u00ebp\u00ebrmes tyre shpjegohen nj\u00eb varg imazhesh mendore, n\u00eb varshm\u00ebri me k\u00ebto personazhe q\u00eb i ndeshim n\u00eb romanin “Mal\u00ebsorja”.<\/p>\n

Hajria, \u00ebsht\u00eb ajo gruaja e men\u00e7ur, dhe padyshim ajo \u00ebsht\u00eb heroina e vepr\u00ebs, (kurse autori i ka dh\u00ebn\u00eb epitetin Mal\u00ebsore<\/em>), po ashtu arketipe t\u00eb r\u00ebnd\u00ebsish\u00ebm brenda romanit jan\u00eb edhe djemt\u00eb e saj, Aliu dhe Sabiti, sidomos n\u00eb raport me n\u00ebn\u00ebn dhe q\u00ebllimin e saj kryesor p\u00ebr t\u2019i braktisur zakonet dhe dogmat arkaike.<\/p>\n

Sipas Karl Jungut, arketipet jan\u00eb forma q\u00eb i jepin imazh autonom personazheve, veprimi i t\u00eb cil\u00ebve shijohet si proces i pavet\u00ebdij\u00ebs kolektive, pasi ata nuk kan\u00eb arritur t\u00eb zhvillohen individualisht, ndon\u00ebse kan\u00eb gjeneruar ngjarje t\u00eb shumta, kryesist n\u00ebp\u00ebrmes ndikimit t\u00eb kontekstit sociokulturor (zakoneve<\/em>). Lloje t\u00eb arketipeve jan\u00eb zhvilluar tek secili personazh i vepr\u00ebs n\u00eb fjal\u00eb. K\u00ebto veti karakteristike, edhe p\u00ebr romanin “Mal\u00ebsorja”, barten nga personazhi n\u00eb personazh, ose nga gjenerata n\u00eb gjenerat\u00eb, p\u00ebr t\u00eb krijuar vijim\u00ebsin\u00eb arketipe e p\u00ebrshtatshme p\u00ebr secilin personazh t\u00eb romanit.<\/p>\n

N\u00eb k\u00ebto raste ndikimet kulturore dhe rrethanat patriarkale (si zakone paraardh\u00ebse<\/em>), jan\u00eb t\u00eb pashmangshme, prandaj jan\u00eb\u00a0 ndikues n\u00eb arketipet e personalitetit t\u00eb Hajries. Problemet q\u00eb ishin grumbulluar, pa fajin e saj, kan\u00eb ndikuar n\u00eb pavet\u00ebdijen e personazheve, t\u00eb cil\u00ebt shpesh her\u00eb, nga pavet\u00ebdija, kan\u00eb p\u00ebrcaktuar sjelljen dhe vet\u00ebdijen psikike t\u00eb Hajries, e pastaj edhe te t\u00eb tjer\u00ebve.<\/p>\n

Ndikimi i rrethit dhe i shoq\u00ebris\u00eb \u00ebsht\u00eb i pashmangsh\u00ebm n\u00eb zhvillimin e arketipeve q\u00eb jan\u00eb model i imazheve, edhe i simboleve, ato jan\u00eb shfaqur si forma t\u00eb pavet\u00ebdijes kolektive, dhe jan\u00eb rezultat i zakoneve t\u00eb kaluara, t\u00eb cilat n\u00eb form\u00eb imazhesh jan\u00eb zb\u00ebrthyer p\u00ebr gjat\u00eb ngjarjeve dhe ndodhive n\u00eb romanin “Mal\u00ebsorja”. Vlen\u00eb p\u00ebr t\u2019u theksuar, disa nga bisedat dhe sjellja e personazheve, bashk\u00eb me reagimet e tyre, her\u00eb – her\u00eb emocionale, kan\u00eb tipizuar disa nga m\u00ebnyrat p\u00ebr t\u2019i dalluar arketipet, dhe n\u00eb raste t\u00eb caktuara, arketipet me ngarkes\u00eb negative, jan\u00eb t\u00eb njohur p\u00ebr nxitje dhe intriga, prandaj aty ku ka pasur mund\u00ebsi edhe jan\u00eb izoluar, (le t\u00eb kujtohet izolimi q\u00eb iu ka b\u00ebr\u00eb Sabitit, p\u00ebr ta detyruar at\u00eb t\u00eb heq dor\u00eb nga gjakmarrja<\/em>).<\/p>\n

P\u00ebr t\u00eb dalluar m\u00eb mir\u00eb se \u00e7far\u00eb \u00ebsht\u00eb arketipi Karl Jungu, pos t\u00eb tjerash e ka marr\u00eb hijen e cila p\u00ebrfaq\u00ebson pavet\u00ebdijen e njeriut. Pra forma e njeriut e shnd\u00ebrruar n\u00eb hije \u00ebsht\u00eb nj\u00eb model arketipi, pastaj “nga nj\u00ebra an\u00eb, hija \u00ebsht\u00eb nj\u00eb arketip q\u00eb p\u00ebrfaq\u00ebson t\u00ebr\u00ebsin\u00eb e pavet\u00ebdijes. S\u00eb dyti, hija i referohet aspektit t\u00eb pavet\u00ebdijsh\u00ebm t\u00eb personalitetit t\u00eb njer\u00ebzve, karakterizuar nga tipare dhe q\u00ebndrime q\u00eb egoja e vet\u00ebdijshme nuk i njeh si t\u00eb vetat<\/em>.”<\/p>\n

Shikuar nga ky priz\u00ebm, edhe personazhet e romanit jan\u00eb arketipe, nd\u00ebrsa individi \u00ebsht\u00eb antagonist ndaj hijes. Kjo do t\u00eb thot\u00eb, se personazhi antagonist, i referohet aspektit t\u00eb pavet\u00ebdijsh\u00ebm t\u00eb vetvetes q\u00eb dikush d\u00ebshiron ta ndaj\u00eb me t\u00eb tjer\u00ebt. N\u00eb k\u00ebt\u00eb kuptim, edhe “uni” i individit \u00ebsht\u00eb “imazhi arketip i t\u00ebr\u00ebsis\u00eb<\/em>,” i p\u00ebrjetuar si nj\u00eb fuqi transpersonale q\u00eb i jep r\u00ebnd\u00ebsi dhe kuptim jet\u00ebs. N\u00eb shqyrtimin ton\u00eb, Hajria, edhe si n\u00ebn\u00eb q\u00eb ishte, p\u00ebrb\u00ebn nj\u00eb imazh arketipal p\u00ebrmes s\u00eb cil\u00ebs zbulohet p\u00ebrkushtimi i saj deri n\u00eb flijim q\u00eb lidhen me am\u00ebsin\u00eb, pastaj Mal\u00ebsorja<\/em>, si epitet, \u00ebsht\u00eb figura m\u00eb e r\u00ebnd\u00ebsishme q\u00eb p\u00ebrfaq\u00ebson arketipin i cili i referohet imazhit t\u00eb fuqis\u00eb s\u00eb brendshme, e q\u00eb karakterizohet nga luftimi i hijes (pavet\u00ebdijes<\/em>), do me th\u00ebn\u00eb nga ajo pjes\u00eb e pavet\u00ebdijes q\u00eb vet\u00ebdija e refuzon.<\/p>\n

Pra, epiteti Mal\u00ebsore<\/em>, \u00ebsht\u00eb sinonim i Heroin\u00ebs, \u00ebsht\u00eb vler\u00eb zakonore, s\u00eb k\u00ebndejmi \u00ebsht\u00eb nj\u00eb arketip i romanit, q\u00eb lufton me vendosm\u00ebri kund\u00ebr hijes, n\u00eb nj\u00eb m\u00ebnyr\u00eb jo reflektuese, por spontane dhe me durim admirues. N\u00eb k\u00ebt\u00eb kuptim, njeriu i men\u00e7ur sjell reflektim dhe racionalitet n\u00eb performanc\u00ebn e vet. Mal\u00ebsorja,<\/em> epitet i zon\u00ebs, por nj\u00ebkoh\u00ebsisht Heroin\u00eb e romanit, karakterizohet nga k\u00ebto veti, ajo p\u00ebrmes m\u00ebnyr\u00ebs s\u00eb sjelljes i ka zhvilluar dhe i ka p\u00ebrshtatur efektet e veprimit, kurse “\u00eb<\/em>ndrra e saj \u00ebsht\u00eb dimensioni m\u00eb magjik i s\u00eb ardhm\u00ebs dhe i shpres\u00ebs p\u00ebr pafaj\u00ebsin\u00eb e saj.<\/em>”<\/p>\n

Arketipi, ose pavet\u00ebdija kolektive<\/strong><\/h3>\n

Arketipet n\u00eb romanin “Mal\u00ebsorja”, jan\u00eb personazhe t\u00eb mahnitshme, qofshin edhe si pavet\u00ebdije kolektive, ato jan\u00eb elemente t\u00eb fuqishme n\u00eb proz\u00ebn e shkrimtarit. Kuptimi i arketipeve t\u00eb fut m\u00eb mir\u00eb n\u00eb thell\u00ebsin\u00eb e botkuptimit t\u00eb vepr\u00ebs, q\u00eb \u00ebsht\u00eb qasja m\u00eb psikoanalitike p\u00ebr fenomenet dhe proceset n\u00ebp\u00ebr t\u00eb cil\u00ebn kalonte shoq\u00ebria.<\/p>\n

Leximi i kujdessh\u00ebm mund\u00ebson p\u00ebr t\u2019i identifikuar m\u00eb mir\u00eb arketipet, dhe n\u00eb t\u00eb njejt\u00ebn koh\u00eb p\u00ebr ta njohur m\u00eb mir\u00eb edhe q\u00ebllimin e personazheve q\u00eb pasqyrojn\u00eb historin\u00eb e trev\u00ebs si sjellje universale e shoq\u00ebris\u00eb patriarkale. Andaj, Hija <\/em>p\u00ebrfaq\u00ebson pamjen e an\u00ebs s\u00eb err\u00ebt, aspektet e pashprehura, t\u00eb parealizuara ose t\u00eb refuzuara t\u00eb di\u00e7kaje. Fytyra e hijes \u00ebsht\u00eb, antagoniz\u00ebm i reales. Hijet mund t\u00eb p\u00ebrfaq\u00ebsojn\u00eb potenciale t\u00eb pashkelura, t\u00eb tilla si afeksioni, krijimtaria ose aft\u00ebsia psikike e cila nuk shprehet.<\/p>\n

Epiteti Mal\u00ebsore<\/em>, tashm\u00eb \u00ebsht\u00eb rr\u00ebnjosur n\u00eb historin\u00eb e shkolll\u00ebs shqipe n\u00eb Kosov\u00eb, prandaj \u00ebsht\u00eb edhe arketipi m\u00eb p\u00ebrfaq\u00ebsues i arsimit shqip, gjat\u00eb shekullit t\u00eb kaluar. Mal\u00ebsorja<\/em>, e cila nj\u00ebkoh\u00ebsisht \u00ebsht\u00eb Heroina<\/em> e vepr\u00ebs, e tejkaloi fantazm\u00ebn e ideologjis\u00eb komuniste q\u00eb kishte synim zhdukjen e t\u00ebrsis\u00eb dhe t\u00eb etnis\u00eb shqiptare n\u00eb k\u00ebto treva.<\/p>\n

St. Gallen, 15.04.2021<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Kritik\u00eb letrare Fragment nga studimi: \u201cKARAKTERI dhe ARKETIPI\u201d, n\u00eb romanin\u201cMAL\u00cbSORJA\u201d t\u00eb Nazmi Rrahmanit. Shkruan: Shefqet Dibrani Sipas teoris\u00eb s\u00eb psikoanalistit zviceran Karl Gustav Jung, “Hajria nuk u b\u00eb Heroin\u00eb vet\u00ebm duke imagjinuar t\u00eb mirat, ajo u b\u00eb Mal\u00ebsore (heroin\u00eb e romanit) vet\u00ebm p\u00ebr shkak se i ka kund\u00ebrshtuar veprimet e sh\u00ebmtuara!…”\u00a0 Arketipi, ka kuptimin e […]<\/p>\n","protected":false},"author":1,"featured_media":66254,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2,8,11],"tags":[],"class_list":["post-66846","post","type-post","status-publish","format-standard","has-post-thumbnail","category-artikuj","category-letersi","category-roman"],"yoast_head":"\nARKETIPI I PAVET\u00cbDIJES KOLEKTIVE - FJALA e LIR\u00cb<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/jehonashqiptare.al\/fjala\/arketipi-i-pavetedijes-kolektive\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"ARKETIPI I PAVET\u00cbDIJES KOLEKTIVE - FJALA e LIR\u00cb\" \/>\n<meta property=\"og:description\" content=\"Kritik\u00eb letrare Fragment nga studimi: \u201cKARAKTERI dhe ARKETIPI\u201d, n\u00eb romanin\u201cMAL\u00cbSORJA\u201d t\u00eb Nazmi Rrahmanit. 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