{"id":67243,"date":"2021-04-20T16:28:29","date_gmt":"2021-04-20T15:28:29","guid":{"rendered":"https:\/\/fjala.info\/?p=67243"},"modified":"2021-04-20T16:28:29","modified_gmt":"2021-04-20T15:28:29","slug":"lumebardhi-vetvetja-dhe-violina","status":"publish","type":"post","link":"https:\/\/jehonashqiptare.al\/fjala\/lumebardhi-vetvetja-dhe-violina\/","title":{"rendered":"Lum\u00ebbardhi, vetvetja dhe violina"},"content":{"rendered":"

Nexhat Halimi<\/strong><\/p>\n

E shikoja kopshtin nga dritarja e Sht\u00ebpis\u00eb s\u00eb vog\u00ebl t\u00eb Lidhjes s\u00eb Prizrenit. P\u00ebrqendrohesha te shtatoret e Abdylit dhe Ymerit. Kapja pak\u00ebz\u00a0 me kureshtje her\u00eb n\u00eb t\u00eb majt\u00eb e her\u00eb tjet\u00ebr n\u00eb t\u00eb djatht\u00eb rrjedh\u00ebn e rrug\u00ebs gjarp\u00ebrore nga rr\u00ebshqiste p\u00ebrkrah Lum\u00ebbardhit. Ndihesha nd\u00ebrmjet zjarrit shp\u00ebrthyes t\u00eb brendsh\u00ebm dhe hovit t\u00eb gjakut t\u00eb derdhur p\u00ebr lirimin nga prangat e atyre q\u00eb e kishin rob\u00ebruar lirin\u00eb. Syt\u00eb do t\u00eb p\u00ebrshkonin Trungun e vjet\u00ebr t\u00eb Marashit, rreth e rreth konak\u00ebt, tek vendoseshin luft\u00ebtar\u00ebt e p\u00ebrbetuar t\u00eb vdisnin p\u00ebr tok\u00ebn arb\u00ebrore e lart ndriste n\u00eb mjegull t\u00eb koh\u00ebs kalaja e vdekjes, me historin\u00eb e vet t\u00eb rr\u00ebfyer e t\u00eb pa rr\u00ebfyer. Nd\u00ebrmjet m\u00eb hynte lufta e tmerrshme tre vje\u00e7are me trimat Mic Sokoli, Sef\u00eb Kosharja e Sylejman Vokshi, p\u00ebr mbrojtjen e tok\u00ebs s\u00eb lasht\u00eb t\u00eb gjakut…<\/p>\n

Zbrita shkall\u00ebt e drunjta t\u00eb Sht\u00ebpis\u00eb e dola buz\u00eb Lum\u00ebbardhit, me shikim n\u00eb rrjedhat e ujit t\u00eb ecja i ngarkuar me historin\u00eb p\u00ebr te Shat\u00ebrvani. Tufa f\u00ebmij\u00ebsh, t\u00eb veshur bukur, t\u00eb ardhur nga viset e brendshme t\u00eb Kosov\u00ebs nuk ngopeshin duke shikuar gj\u00ebrat e mbetura t\u00eb kujtoheshin…<\/p>\n

Ecja. E k\u00ebrkoja Sht\u00ebpin\u00eb e Violinistit t\u00eb par\u00eb, Xheladin Kastratit, p\u00ebr vite e vite an\u00ebtar i Shoq\u00ebris\u00eb kulturore-artistike ‘Agimi’. Isha marr\u00eb vesh t\u00eb bisedonim p\u00ebr koh\u00ebn dhe dashurin\u00eb e tij t\u00eb harruar t\u00eb kaq gjat\u00eb koh\u00eb te ‘Agimi’. Violin\u00ebn e merrte p\u00ebr veg\u00ebl muzikore, me kat\u00ebr tela, s\u00eb cil\u00ebs i bihet me hark, duke e mb\u00ebshtetur n\u00eb sup n\u00ebn\u00a0 mjek\u00ebr. Qe violina e par\u00eb. Kjo shpjegonte vler\u00ebn q\u00eb e shfaqte, nd\u00ebrsa ai q\u00eb e luan violin\u00ebn e par\u00eb \u00e7mohej gjat\u00eb t\u00ebr\u00eb pjes\u00ebs kryesore n\u00eb nj\u00eb orkest\u00ebr. E kalova Ur\u00ebn e Gurit dhe m\u00ebsyva nga Shat\u00ebrvani, me kat\u00ebr sylynjar\u00eb,\u00a0 t\u00eb pija ndonj\u00eb pik\u00eb uji p\u00ebr ta shuar etjen…<\/p>\n

Prisja i shqet\u00ebsuar dhe rrahja shuplak\u00ebn n\u00eb shuplak\u00eb. Mendja m\u00eb ikte te flijimet e atyre nga t\u00eb gjitha viset shqiptare p\u00ebr liri, te ata q\u00eb me trupin e vet i dol\u00ebn p\u00ebrball\u00eb topit, ta ngr\u00ebnin n\u00eb aj\u00ebr veten dhe\u00a0 topin , te ata q\u00eb p\u00ebr\u00a0 vite q\u00ebndruan t\u00eb prangosur n\u00eb Kalan\u00eb e vdekjes, te ata q\u00eb do t\u00eb ndiqen, do t\u00eb vriten, ve\u00e7 do t\u00eb\u00a0 lan\u00eb m\u00ebnyr\u00eb sesi luftohet\u00a0 p\u00ebr atdhe.<\/p>\n

Shp\u00ebrthenin tinguj t\u00eb violin\u00ebs dhe me mall\u00ebngjimin e tyre t\u00eb b\u00ebnin t\u00ebr\u00ebsisht p\u00ebr vete. Ndoshta pse e prisja pik\u00ebrisht nj\u00eb gj\u00eb t\u00eb till\u00eb…E prisja violin\u00ebn e par\u00eb dhe manifestin e pjes\u00ebs s\u00eb par\u00eb, deklarat\u00ebn e qeveris\u00eb q\u00eb i b\u00ebn popullit me rastin e nj\u00eb ngjarjeje me r\u00ebnd\u00ebsi t\u00eb jasht\u00ebzakonshme… n\u00eb nj\u00eb orkest\u00ebr. Prisja dhe nuk ndalej shp\u00ebrthimi i violin\u00ebs nd\u00ebr gur\u00ebt, nd\u00ebr val\u00ebt e Lum\u00ebbardhit, nd\u00ebr flluskat e gjakut q\u00eb nuk do ta l\u00ebvizin k\u00ebt\u00eb bindje nga toka e qielli i vet…<\/p>\n

1 (Mbret\u00ebresh\u00eb e drunjt\u00eb, e gjall\u00eb)<\/strong><\/p>\n

Lilak\u00ebt n\u00eb nuanca t\u00eb kaltra, kan\u00eb nxjerr\u00eb gisht\u00ebrinjt\u00eb e lul\u00ebzuar p\u00ebrmbi muret e trasha t\u00eb gurit, e aroma derdhet n\u00ebp\u00ebr rrugica n\u00eb kalldr\u00ebme \u2013 e atje, lart, n\u00ebn streh\u00eb t\u00eb nj\u00eb sht\u00ebpie, n\u00eb folet\u00eb e zogjve bie cic\u00ebrim\u00eb e leht\u00eb.<\/p>\n

Lum\u00ebbardhi rrjedh, ik e gjelb\u00ebr n\u00eb t\u00eb kalt\u00ebr.<\/p>\n

A ka gj\u00eb m\u00eb t\u00eb gjall\u00eb sesa pranvera n\u00eb Prizren?<\/p>\n

E vjetra me t\u00eb ren\u00eb jan\u00eb kompozuar bukur, rrin\u00eb af\u00ebr, pran\u00eb mjera tjetr\u00ebs, p\u00ebr ta b\u00ebr\u00eb tablon\u00eb e nj\u00eb mjeshtri t\u00eb pap\u00ebrs\u00ebritsh\u00ebm… e atje, posht\u00eb, n\u00ebp\u00ebr kalldr\u00ebme rinia shkollore ngarend me libra n\u00ebn sqetull e n\u00eb duar. Ikin p\u00ebr n\u00eb or\u00eb m\u00ebsimi, n\u00eb or\u00eb t\u00eb jet\u00ebs. M\u00ebngjes e mbr\u00ebmje k\u00ebtu derdhet drit\u00eb e re, me ngjyra t\u00eb ylberta.<\/p>\n

E tashm\u00eb ne, p\u00ebr \u00e7far\u00eb t\u00eb flasim. A ka mbetur gj\u00eb pa u th\u00ebn\u00eb?
\n\u00e7do gj\u00eb e thot\u00eb vet\u00eb natyra, qoft\u00eb dhe n\u00eb heshtje.<\/p>\n

Ai m\u00eb shikon e buz\u00ebqeshet. Ai, violina e par\u00eb n\u00eb Shoq\u00ebrin\u00eb amatore kulturore \u2013 artistike ‘Agimi’.<\/p>\n

-\u00c7do gj\u00eb \u00ebsht\u00eb th\u00ebn\u00eb e asgj\u00eb nuk \u00ebsht\u00eb th\u00ebn\u00eb, – thot\u00eb ai.<\/p>\n

-\u00c7far\u00eb u tha p\u00ebr violin\u00ebn, – shk\u00ebpusim fjal\u00eb e b\u00ebjm\u00eb p\u00ebrpjekje t\u00eb lidhemi me pik\u00ebn tek shikonte ai lart mbi Kalan\u00eb, diku humbur qiellit.- \u00c7do gj\u00eb \u00ebsht\u00eb th\u00ebn\u00eb e asgj\u00eb nuk \u00ebsht\u00eb th\u00ebn\u00eb…<\/p>\n

-P\u00ebr mbret\u00ebresh\u00ebn e drunjt\u00eb e gjithmon\u00eb t\u00eb gjall\u00eb,- prap\u00eb ai e shikon qiellin pa fund.<\/p>\n

-Ti po rr\u00ebfen p\u00ebrrall\u00eb?<\/p>\n

– V\u00ebrtet\u00eb, k\u00ebshtu nis p\u00ebrralla, fjal\u00eb m\u00eb fjal\u00eb…<\/p>\n

-… N\u00eb nj\u00eb qytez\u00eb, jo larg, n\u00eb nj\u00eb mal me drur\u00eb\u00a0 t\u00eb ndrysh\u00ebm, jetonte nj\u00eb mjesht\u00ebr, i cili punonte violina. Me nj\u00eb rast, nd\u00ebrsa ai pushonte pran\u00eb nj\u00eb lumi, takoi nj\u00eb djalosh, i cili po qante me lot, n\u00eb d\u00ebnesje.<\/p>\n

-Pse qan\u00eb? –\u00a0 e pyeti mjeshtri.<\/p>\n

Djaloshi ngrehu lart violin\u00ebn e tij t\u00eb thyer dy cop\u00ebsh.<\/p>\n

Mjeshtri e mori n\u00eb dor\u00eb dhe e shikoi me v\u00ebmendje, e shikoi, prap\u00eb e shikoi…<\/p>\n

-M\u00eb vjen keq, kjo violin\u00eb nuk rregullohet, – ia zgjati\u00a0 violin\u00ebn djaloshit.<\/p>\n

Djaloshi b\u00ebri sikur nuk e d\u00ebgjoi.<\/p>\n

-Merre, – i tha\u00a0 mjeshtri.<\/p>\n

Djaloshi zgjati duart, por jo n\u00eb drejtimin e mjeshtrit.\u00a0 Ai ia l\u00ebshoi prap\u00eb violin\u00ebn n\u00eb duar. Djaloshi u ngrit n\u00eb k\u00ebmb\u00eb, q\u00eb t\u00eb ikte, por vajin nuk e ndalte. Mjeshtri e kuptoi se ai ishte i verb\u00ebr dhe e ndoqi pas deri tek te sht\u00ebpia, ku ai jetonte me t\u00eb \u00ebm\u00ebn.<\/p>\n

Mjeshtri u kthye n\u00eb sht\u00ebpin\u00eb e tij dhe mori s\u00ebpat\u00eb e doli n\u00eb mal. Ngjiti lart gati n\u00eb maj\u00eb t\u00eb malit. Shikonte her\u00eb nj\u00eb pish\u00eb e her\u00eb tjet\u00ebr nj\u00eb borig\u00eb.<\/p>\n

-Nga kjo pish\u00eb do t\u00eb dal nj\u00eb violin\u00eb e bardh\u00eb, nga boriga nj\u00eb violin\u00eb e err\u00ebt, – tha pak sa me z\u00eb.<\/p>\n

-Violinat nuk b\u00ebhen t\u00eb mira nga druri i pish\u00ebs, – jehoi nj\u00eb z\u00eb nga zemra e malit.<\/p>\n

Mjeshtri shikoi rreth e rrotull, ve\u00e7 nuk vuri re njeri.<\/p>\n

-Kush m\u00eb flet, – tha mjeshtri.<\/p>\n

-Jam un\u00eb, druri m\u00eb i vjet\u00ebr i k\u00ebtij mali.<\/p>\n

-Cili je ti?<\/p>\n

– Ktheje kok\u00ebn pas dhe shiko nj\u00eb dru i dendur me dy ngjyra, t\u00eb kaft\u00ebn e ka sip\u00ebr nd\u00ebrsa brendia e tij \u00ebsht\u00eb e zez\u00eb.<\/p>\n

– Un\u00eb v\u00ebrej disa drur\u00eb t\u00eb kaf\u00ebt, – tha mjeshtri.<\/p>\n

– Shikon nj\u00eb dru q\u00eb shk\u00eblqen m\u00eb s\u00eb shumti, ai jam un\u00eb.<\/p>\n

Mjeshtri i b\u00ebri disa hapa dhe u ndal para nj\u00eb druri t\u00eb lart\u00eb.<\/p>\n

O dru i mir\u00eb, m\u00eb thuaj cili nga gjith\u00eb k\u00ebta drur\u00eb t\u00eb k\u00ebtij mali do t\u00eb m\u00eb jepte nj\u00eb dru t\u00eb mir\u00eb. T\u2019i b\u00ebj nj\u00eb violin\u00eb nj\u00eb djaloshi, i cili \u00ebsht\u00eb nj\u00eb muzikant rrug\u00ebsh. \u00cbsht\u00eb i verb\u00ebr. Jeton vet\u00ebm me t\u00eb \u00ebm\u00ebn.<\/p>\n

Druri n\u00eb \u00e7ast heshti, as z\u00eb m\u00eb nuk nxori nga goja.<\/p>\n

-Violin\u00ebn e tij ia kan\u00eb thyer djemt\u00eb rrug\u00ebs\u00a0 t\u00eb qytez\u00ebs.<\/p>\n

-Un\u00eb jam ai, i cili do t\u00eb t\u00eb jap deg\u00ebn m\u00eb t\u00eb trash\u00eb me diamet\u00ebr rreth shtat\u00ebdhjet\u00eb centimetra, do t\u00eb jet\u00eb e mjaftueshme, q\u00eb t\u00eb b\u00ebsh nj\u00eb violin\u00eb. Trungu im \u00ebsht\u00eb i dendur p\u00ebr t’u mbushur uj\u00eb. Ka struktur\u00eb t\u00eb mir\u00eb q\u00eb mund t\u00eb nxirresh dhe d\u00ebrras\u00eb shum\u00eb t\u00eb holl\u00eb dhe ka nj\u00eb shk\u00eblqim pasqyre, pasi t\u00eb lustrohet. P\u00ebr k\u00ebt\u00eb e b\u00ebn\u00eb at\u00eb t\u00eb vlefsh\u00ebm, ky \u00a0dru dekorativ. Violina n\u00ebse punohet mir\u00eb do t\u00eb jetoi me gjat\u00eb sesa ti e djaloshi.<\/p>\n

Mjeshtri e shikoi drurin dhe nuk tha gj\u00eb.<\/p>\n

Druri u shkund dhe nga ajo shkundje ra n\u00eb tok\u00eb nj\u00eb deg\u00eb e trash\u00eb dhe e that\u00eb.<\/p>\n

-Besoj se kjo t\u00eb mjafton, – foli druri.<\/p>\n

-Nga kjo deg\u00eb do t\u00eb b\u00ebj nj\u00eb violin\u00eb t\u00eb mir\u00eb dhe do t\u00eb m\u00eb tepronte dru. Do t\u00eb b\u00ebj figura shahu p\u00ebr vete, q\u00eb t\u00eb kujtoj sa t\u00eb jem gjall\u00eb mir\u00ebsin\u00eb q\u00eb me b\u00ebre.<\/p>\n

-Ik tash, b\u00ebje at\u00eb violin\u00eb dhe g\u00ebzoje at\u00eb f\u00ebmij\u00eb.<\/p>\n

Mjeshtri mori deg\u00ebn e trash\u00eb t\u00eb abanozit\u00a0 dhe e fal\u00ebnderoi disa her\u00eb drurin m\u00eb t\u00eb vjet\u00ebr t\u00eb k\u00ebtij mali. Iku n\u00eb pun\u00ebtorin e vet dhe filloj pun\u00ebn, duke b\u00ebr\u00eb nj\u00eb violin\u00eb t\u00eb mir\u00eb. I dha r\u00ebnd\u00ebsi t\u00eb madhe p\u00ebrgatitjes s\u00eb lustr\u00ebs, pasi ai proces i lustrimit, pastaj dhe ai i llakimit, i cili \u00a0\u00ebsht\u00eb nj\u00eb proces shum\u00eb i r\u00ebnd\u00ebsish\u00ebm n\u00eb realizimin e nj\u00eb violine t\u00eb mir\u00eb dhe jet\u00eb gjat\u00eb. Violina nd\u00ebrkoh\u00eb mori t\u00ebr\u00ebsin\u00eb e vet, nd\u00ebrsa mjeshtri ia vendosi telat dhe nuk harroi t\u00eb b\u00ebj nj\u00eb hark t\u00eb mir\u00eb. I mori n\u00eb dor\u00eb dhe u nis drejt sht\u00ebpis\u00eb s\u00eb djaloshit. Deshi t\u00eb trokiste n\u00eb der\u00eb. Di\u00e7ka e ndaloi. Mori rrug\u00eb dhe zbriti te lumi, ku ai pushonte. Aty ishte djaloshi, i cili b\u00ebnte p\u00ebrpjekje t\u00eb akordonte tinguj nga violina e tij e thyer.<\/p>\n

Mjeshtri iu afrua. U ul af\u00ebr tij. Djaloshi pas pak ndali melodin\u00eb nga violina e tij e thyer.<\/p>\n

-Je ti, -tha djaloshi.
\n-Kush jam un\u00eb, – tha mjeshtri.
\n-Ti pushon k\u00ebtu gjithher\u00eb, – tha djaloshi.<\/p>\n

Mjeshtri i l\u00ebshoi n\u00eb duar violin\u00ebn dhe harkun. Djaloshi u ngreh n\u00eb k\u00ebmb\u00eb. Filloi t\u00eb prekte n\u00eb \u00e7do cep violin\u00ebn, me nj\u00eb ndjeshm\u00ebri t\u00eb thell\u00eb.<\/p>\n

-E paske b\u00ebr\u00eb n\u00eb dymb\u00ebdhjet\u00eb pjes\u00eb.<\/p>\n

Mjeshtri e shikoi habitsh\u00ebm.<\/p>\n

-Ky \u00ebsht\u00eb kall\u00ebpi i violin\u00ebs pjesa e par\u00eb, – tha djaloshi dhe rr\u00ebshqiti gishtat n\u00eb pjes\u00ebn e dyt\u00eb, – k\u00ebto jan\u00eb fjongot e sip\u00ebrme, t\u00eb mesit \u00a0e k\u00ebto t\u00eb poshtmet. Ja, dhe pjesa e tret\u00eb Kondrafjongo e sip\u00ebrme, e mesit dhe e poshtme.\u00a0 Sa bukur e ke \u00a0nxjerr\u00eb pjes\u00ebn e kat\u00ebrt, takon e bishtit, takot e cepave dhe takon e fundit. Pjesa e pest\u00eb, \u00ebsht\u00eb fundi i violin\u00ebs, tashm\u00eb \u00a0vjen kapaku i saj -plani harmonik, pjesa e gjasht\u00eb. \u00a0Vetullat e mbajt\u00ebses s\u00eb telave jan\u00eb pjesa e shtat\u00eb.<\/p>\n

\u00a0Ai vazhdon t\u00eb prek pand\u00ebrprer\u00eb me gishta violin\u00ebn<\/strong><\/p>\n

Ja , shiko… k\u00ebto jan\u00eb fjongot e poshtme dekorative, radhiten fjongot e sip\u00ebrme dekorative, m\u00eb pastaj \u00a0fjongot e mesit dekorative dhe finalizohet pjesa e tet\u00eb e violin\u00ebs. Pjesa e n\u00ebnt\u00eb jan\u00eb zinxhiri\u00a0 dhe shpirti. Ky \u00ebsht\u00eb bishti, \u00e7el\u00ebsat, tastiera, vetulla e tastier\u00ebs, p\u00ebr t\u00eb arritur te \u00a0pjesa e dhjet\u00eb. E nj\u00ebmb\u00ebdhjeta \u00ebsht\u00eb ura. Dhe pjesa e fundit \u00ebsht\u00eb<\/strong> butoni i mbajt\u00ebses s\u00eb telave… Mbajt\u00ebsja e telave – kordiera,e n\u00eb fund vjen gusha.<\/p>\n

-Mrekulli, – i rrodh\u00ebn dy pik\u00eb lot djaloshit.<\/p>\n

Shikonte i befasuar. Nuk iu besonte as syve sa vesh\u00ebve p\u00ebr at\u00eb q\u00eb shikonte dhe d\u00ebgjonte.<\/p>\n

-Paske b\u00ebr\u00eb nj\u00eb violin\u00eb t\u00eb mir\u00eb. \u2013 tha prap\u00eb djaloshi. – Sakt\u00ebsia e llogaritjeve matematike e baras-pjes\u00ebtimit dhe e formave gjeometrike – simetrike p\u00ebr nj\u00eb violin\u00eb q\u00eb l\u00ebshon tinguj t\u00eb mrekulluesh\u00ebm. M\u00eb pastaj, v\u00ebllimi i \u00e7do lloji t\u00eb drurit t\u00eb p\u00ebrdorur p\u00ebr \u00e7do violin\u00eb luan rol t\u00eb madh.<\/p>\n

-Kam p\u00ebrdorur vaj t\u00eb mir\u00eb, tutkalli. Pigmentet dhe ngjyr\u00ebn i ka natyral t\u00eb drurit, – nd\u00ebrhyri mjeshtri.<\/p>\n

-M\u00eb thuaj, n\u00ebse po e njoh, \u00ebsht\u00eb ky dru i abanozi apo po m\u00eb g\u00ebnjejn\u00eb t\u00eb prekurat e gisht\u00ebrinjve t\u00eb mi.<\/p>\n

-\u00cbsht\u00eb pik\u00ebrisht prej drurit t\u00eb abanozit, – tha mjeshtri.<\/p>\n

– Abanozi ka nj\u00eb histori t\u00eb gjat\u00eb p\u00ebrdorimi. Copa\u00a0 t\u00eb gdhendura jan\u00eb gjetur n\u00eb\u00a0varret e\u00a0Egjiptit t\u00eb Lasht\u00eb, nga fundi i shekullit t\u00eb 16-t\u00eb. Dollap\u00ebt e shk\u00eblqyesh\u00ebm p\u00ebr tregtin\u00eb luksoze u b\u00ebn\u00eb me drurin zezak t\u00eb abanozit.\u00a0Fort\u00ebsia e dendur e drurit iu dha hyrjeve t\u00eb rafinuara, duke inkuadruar panele pikturash t\u00eb holl\u00ebsishme me gdhendje n\u00eb nj\u00eb reliev shum\u00eb t\u00eb ul\u00ebt, zakonisht me tema alegorike, ose me skena t\u00eb marra nga historia klasike e krishter\u00eb.\u00a0Brenda nj\u00eb kohe t\u00eb shkurt\u00ebr, dollap\u00eb t\u00eb till\u00eb po b\u00ebheshin edhe n\u00eb\u00a0Paris, ku prodhuesit e tyre u b\u00ebn\u00eb t\u00eb njohur si\u00a0Abanozist\u00ebt, i cili mbetet termi francez p\u00ebr nj\u00eb\u00a0kabinet t\u00eb mir\u00eb prej druri.<\/p>\n

P\u00ebrdorimet moderne jan\u00eb kryesisht t\u00eb kufizuara n\u00eb sende t\u00eb vogla, t\u00eb tilla si kryq\u00ebzime, dhe pjes\u00eb t\u00eb instrumenteve muzikore, duke p\u00ebrfshir\u00eb pianon e zez\u00eb, organet muzikore dhe \u00e7el\u00ebsat e harpikordit, p\u00ebr violin\u00eb, viol\u00eb, mandolin\u00eb, kitar\u00eb, kontrabas dhe tinguj violon\u00e7ele, copa bishti, kordon\u00eb akordimi dhe bretkosa hark. Shum\u00eb kitare jan\u00eb b\u00ebr\u00eb nga abanozi.<\/p>\n

Djaloshi fliste ende p\u00ebr abanozin.<\/p>\n

Mjeshtri tashm\u00eb ishte nisur drejt malit, tek druri i m\u00eb i vjet\u00ebr i atij mali, nd\u00ebrsa tingujt e violin\u00ebs d\u00ebgjoheshin gjithnj\u00eb e m\u00eb qart\u00eb.<\/p>\n

-Kjo \u00ebsht\u00eb dega ime, \u2013 tha druri\u00a0 m\u00eb i vjet\u00ebr i malit.<\/p>\n

-Kjo \u00ebsht\u00eb puna ime, – nd\u00ebrhyri mjeshtri.<\/p>\n

-K\u00ebta tinguj do t\u00eb na b\u00ebjn\u00eb t\u00eb pavdeksh\u00ebm, mua si dru dhe ty si mjesht\u00ebr t\u00eb violin\u00ebs, \u2013 tha druri\u00a0 m\u00eb i vjet\u00ebr i malit…<\/p>\n

-Ti nj\u00ebmend rr\u00ebfenje p\u00ebrrall\u00eb, violinist i par\u00eb i \u201cAgimit\u201d, Xheladin Kastarit?<\/p>\n

-\u00c7do gj\u00eb \u00ebsht\u00eb th\u00ebn\u00eb e asgj\u00eb nuk \u00ebsht\u00eb th\u00ebn\u00eb… – thot\u00eb ai.<\/p>\n

2 (\u00c7do gj\u00eb \u00ebsht\u00eb th\u00ebn\u00eb e asgj\u00eb nuk \u00ebsht\u00eb th\u00ebn\u00eb)<\/strong><\/p>\n

– A \u00ebsht\u00eb nj\u00ebjt\u00eb si\u00e7 mund t\u00eb shpjegohet p\u00ebrpjekja p\u00ebr ta shpjeguar at\u00eb q\u00eb nuk shpjegohet?<\/p>\n

– Nj\u00ebjt\u00eb \u00ebsht\u00eb, si\u00e7 b\u00ebn orvatje t\u00eb kot\u00eb ta shpjegosh rrjedh\u00ebn e ujit, n\u00ebn zjarrin e akullit, apo ta zgjosh n\u00eb penj\u00ebza fije-fije enigm\u00ebn e cic\u00ebrim\u00ebs s\u00eb zogut, ikjen e dall\u00ebndyshes nga foleja mbi dritare n\u00eb vjesht\u00eb, p\u00ebr kthimin e lejlekut mbi oxhakun e sht\u00ebpis\u00eb n\u00eb pranver\u00eb dhe p\u00ebrjetimin n\u00eb lumin e fshatit, p\u00ebr tingujt mall\u00ebngjyes t\u00eb \u00ebndrr\u00ebs dhe entuziazmin e brendsh\u00ebm, nd\u00ebrsa era sillet rreth rrapit e guri \u00e7ahet, – thot\u00eb Xheladini me violin\u00eb n\u00eb ecje p\u00ebr te ‘Agimi’. Kalon me violin\u00eb n\u00eb dor\u00eb mes atyre q\u00eb kan\u00eb zem\u00ebr p\u00ebr fsheht\u00ebsit\u00eb, t\u00eb cilat i p\u00ebrjetojn\u00eb fije-fije nga e d\u00ebgjojn\u00eb muzik\u00ebn?<\/p>\n