{"id":67581,"date":"2021-04-28T11:42:34","date_gmt":"2021-04-28T09:42:34","guid":{"rendered":"https:\/\/fjala.info\/?p=67581"},"modified":"2021-04-28T11:42:34","modified_gmt":"2021-04-28T09:42:34","slug":"procesi-kafka-i-pergatitur-per-botim-nga-max-brodi","status":"publish","type":"post","link":"https:\/\/jehonashqiptare.al\/fjala\/procesi-kafka-i-pergatitur-per-botim-nga-max-brodi\/","title":{"rendered":"\u201cPROCESI\u201d – KAFKA – i p\u00ebrgatitur p\u00ebr botim nga Max Brodi"},"content":{"rendered":"

\u00a0<\/em><\/strong>Xhelal Zejneli<\/strong><\/p>\n

Romani \u201cProcesi\u201d<\/em> \u00ebsht\u00eb nj\u00eb prej veprave m\u00eb t\u00eb njohura gjermane t\u00eb t\u00eb gjitha koh\u00ebve. Kafka e shkroi n\u00eb vitet 1914-1915. Romani u botua postum<\/em>, n\u00eb vitin 1925 dhe ishte i pap\u00ebrfunduar. Megjith\u00ebk\u00ebt\u00eb, e ka kapitullin p\u00ebrfundimtar i cili veprimin e \u00e7on deri n\u00eb fund. Romanin e p\u00ebrgatiti p\u00ebr botim shoku i Kafk\u00ebs, Max Brodi <\/strong>(1884-1968). Ky e sistemoi dhe e radhiti vepr\u00ebn sipas kapitujve. N\u00eb botimin e sot\u00ebm, vepra p\u00ebrmban dhjet\u00eb kapituj.<\/p>\n

Me titullin e vet, vepra flet p\u00ebr nj\u00eb veprim, n\u00eb qend\u00ebr t\u00eb cilit ndodhet nj\u00eb proces gjyq\u00ebsor. Por, n\u00eb t\u00eb v\u00ebrtet\u00eb vepra \u00ebsht\u00eb revolta e Kafk\u00ebs kund\u00ebr sistemit dhe burokracis\u00eb s\u00eb koh\u00ebs. K\u00ebsisoj, \u201cProcesi\u201d mund t\u00eb merret edhe si proces i luft\u00ebs s\u00eb njeriut kund\u00ebr atyre q\u00eb jan\u00eb m\u00eb t\u00eb m\u00ebdhenj dhe m\u00eb t\u00eb fort\u00eb se vet\u00eb ai. Gjykata e cila si nj\u00eb instanc\u00eb e padukshme, por ekzistuese, figuron gjat\u00eb t\u00ebr\u00eb vepr\u00ebs, e ka d\u00ebnuar dhe e ndjek individin<\/em><\/strong> i cili nuk e di se \u00e7far\u00eb faji i ngarkohet. N\u00eb k\u00ebt\u00eb m\u00ebnyr\u00eb, jeta e njeriut reduktohet n\u00eb nj\u00eb formular dhe p\u00ebrputhet me format e jet\u00ebs robotike ku ligjet dhe sistemi jan\u00eb p\u00ebrmbi jet\u00ebn.<\/p>\n

\u201cProcesi\u201d<\/em> interpretohet edhe si pashmangshm\u00ebri e fatit, gj\u00eb q\u00eb v\u00ebrehet n\u00eb sjelljen e Jozef K.-s\u00eb n\u00eb fund t\u00eb romanit, kur ai pa rezistenc\u00eb i dor\u00ebzohet aktgjykimit me vdekje. I t\u00ebr\u00eb koncepti i tjet\u00ebrsimit<\/em> <\/strong>t\u00eb cilin te Kafka e hasim edhe te \u201cMetamorfoza\u201d<\/em>, \u00ebsht\u00eb reflektim i p\u00ebrpjekjes s\u00eb autorit p\u00ebr ta gjetur veten. Si nj\u00eb \u00e7ifut \u00e7ek i cili flet n\u00eb gjuh\u00ebn gjermane, n\u00eb \u00e7far\u00ebdo mjedisi t\u00eb jet\u00eb ndodhur, Kafka gjithmon\u00eb \u00ebsht\u00eb ndjer\u00eb i huaj. Tjet\u00ebrsimi shihet m\u00eb s\u00eb miri n\u00eb pap\u00ebrcaktueshm\u00ebrin\u00eb e koh\u00ebs, t\u00eb vendit t\u00eb ngjarjes, n\u00eb sasin\u00eb e personazheve (t\u00eb cil\u00ebt paraqiten vet\u00ebm nj\u00eb her\u00eb dhe p\u00ebrnj\u00ebher\u00eb zhduken mu n\u00eb qend\u00ebr t\u00eb veprimit), por edhe n\u00eb ridefinimin e fajit q\u00eb i imponohet personazhit kryesor. Sidoqoft\u00eb, n\u00eb situat\u00ebn ekzistuese personazhi kryesor s\u2019mund t\u00eb b\u00ebj\u00eb dot asgj\u00eb, p\u00ebrpos ta pranoj\u00eb at\u00eb, sikund\u00ebr edhe vepron n\u00eb fund.<\/p>\n

Pjes\u00ebn m\u00eb t\u00eb madhe t\u00eb personazheve e p\u00ebrb\u00ebjn\u00eb n\u00ebpun\u00ebsit zyrtar\u00eb, qofshin bankar\u00eb, t\u00eb gjykatave apo t\u00eb policis\u00eb. I neveritsh\u00ebm \u00ebsht\u00eb edhe atmosfera e interier\u00ebve dhe e eksterier\u00ebve q\u00eb i paraqet n\u00eb roman Kafka. Hap\u00ebsirat gjyq\u00ebsore ndodhen n\u00eb tavane, n\u00eb pjes\u00ebt e varfra, periferike t\u00eb qytetit. Pran\u00eb hap\u00ebsirave t\u00eb gjykatave kryhen pun\u00eb t\u00eb p\u00ebrditshme si p\u00ebr shembull larja e teshave. Ndjenjat e ankthit dhe paradoksalizmi i veprimit e krijojn\u00eb mjedisin kafkian<\/em><\/strong> dhe e reflektojn\u00eb dimensionin psikologjik t\u00eb romanit. M\u00eb e keqja \u00ebsht\u00eb se ky personazh mund t\u00eb jet\u00eb cilido njeri i bot\u00ebs. T\u00eb qen\u00ebt e tij i r\u00ebndomt\u00eb v\u00ebrehet edhe tek emri i tij. Ai nuk e ka identitetin e plot\u00eb, por vet\u00ebm emrin dhe inicialin, n\u00eb t\u00eb cilin mund t\u00eb ndodhet emri i cilit do, ndaj edhe emri yn\u00eb. K\u00ebtu q\u00ebndron kanosja m\u00eb e madhe e k\u00ebtij romani.<\/p>\n

P\u00ebr krejt k\u00ebt\u00eb, \u201cProcesi\u201d<\/em> i Kafk\u00ebs \u00ebsht\u00eb b\u00ebr\u00eb sinonim i situatave absurde<\/em><\/strong> n\u00eb t\u00eb cilat q\u00ebllon njeriu, pa fajin e vet dhe nga t\u00eb cilat nuk mund t\u00eb nxirret n\u00ebp\u00ebrmjet logjik\u00ebs, por i duhet vet\u00ebm ta pranoj\u00eb gjendjen n\u00eb t\u00eb cil\u00ebn ndodhet. Kjo \u00ebsht\u00eb nj\u00eb vep\u00ebr e madhe dhe e r\u00ebnd\u00ebsishme e modernizmit<\/em><\/strong> e cila, si asnj\u00eb tjet\u00ebr e tregon absurdin e shoq\u00ebris\u00eb moderne dhe t\u00eb njeriut t\u00eb ngat\u00ebrruar n\u00eb t\u00eb.<\/p>\n

\u201cProcesi\u201d<\/em> \u00ebsht\u00eb vepra m\u00eb e nd\u00ebrlikuar, shum\u00ebshtresore dhe m\u00eb e njohur e Kafk\u00ebs. Sikund\u00ebr \u00ebsht\u00eb theksuar qysh n\u00eb titullin e vepr\u00ebs, n\u00eb roman nuk b\u00ebhet fjal\u00eb p\u00ebr fatin e n\u00ebpun\u00ebsit bankar Jozef K., p\u00ebr arrestimin e tij, p\u00ebr p\u00ebrpjekjet e tij p\u00ebr t\u00eb zbuluar fajin q\u00eb ia ngarkojn\u00eb dhe n\u00eb fund p\u00ebr vrasjen e tij, por b\u00ebhet fjal\u00eb p\u00ebr procesin t\u00eb cilit i \u00ebsht\u00eb n\u00ebnshtruar ai. Objekt i romanit \u00ebsht\u00eb realiteti i gjykat\u00ebs s\u00eb padukshme e cila me pranin\u00eb e vet e p\u00ebrshkon t\u00ebr\u00eb romanin.<\/p>\n

Interpretimi <\/strong>\u2013 Kafka n\u00eb veprat e veta zhvillon <\/strong>atmosfer\u00ebn kafkiane<\/em><\/strong>, gj\u00eb q\u00eb m\u00eb s\u00eb miri v\u00ebrehet te \u201cProcesi\u201d<\/em>. Jozef K. \u00ebsht\u00eb faj\u00ebsuar, nuk ndjehet fajtor dhe nuk e di p\u00ebrse e akuzojn\u00eb. K\u00ebshtu do t\u00eb ndjehen miliona njer\u00ebz t\u00eb mbyllur n\u00eb kampet e p\u00ebrqendrimit. Pik\u00ebrisht atmosfera q\u00eb mbizot\u00ebron n\u00eb rrethana t\u00eb tilla quhet atmosfer\u00eb kafkiane. \u00cbsht\u00eb nj\u00eb atmosfer\u00eb fantazmagorike e frik\u00ebs plot ankth, njer\u00ebzit shnd\u00ebrrohen n\u00eb automat\u00eb t\u00eb d\u00ebgjuesh\u00ebm vet\u00ebm e vet\u00ebm p\u00ebr t\u00eb shp\u00ebtuar kok\u00ebn. <\/strong><\/p>\n

*\u00a0\u00a0 *\u00a0\u00a0 *<\/strong><\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u201cProcesi\u201d<\/em> \u00ebsht\u00eb roman i pap\u00ebrfunduar, si\u00e7 jan\u00eb t\u00eb pap\u00ebrfunduara edhe \u201cK\u00ebshtjella\u201d<\/em> dhe \u201cAmerika\u201d<\/em>. Q\u00eb t\u00eb tre romane nuk kan\u00eb p\u00ebrfunduar n\u00eb pik\u00ebpamje t\u00eb kompozicionit, t\u00eb p\u00ebrmbajtjes dhe t\u00eb dometh\u00ebnies. Meq\u00eb mbeti n\u00eb dor\u00ebshkrim, kompozicioni dhe struktura e romanit nuk ishin t\u00eb definuar. Autori nuk arriti apo edhe nuk deshi t\u00eb p\u00ebrcaktoj\u00eb renditjen p\u00ebrfundimtare t\u00eb kapitujve. K\u00ebt\u00eb e b\u00ebri Maks Brodi, por studiuesit e koh\u00ebve t\u00eb fundit t\u00eb vepr\u00ebs s\u00eb Kafk\u00ebs i kan\u00eb b\u00ebr\u00eb v\u00ebrejtje nj\u00eb renditjeje t\u00eb till\u00eb. Romani \u00ebsht\u00eb i pap\u00ebrfunduar edhe n\u00eb aspektin e p\u00ebrmbajtjes p\u00ebr arsye se n\u00eb rr\u00ebfim kan\u00eb mbetur disa plasaritje apo zbraz\u00ebsi. Disa kapituj, p. sh. i teti, kan\u00eb mbetur t\u00eb pap\u00ebrfunduar. Jasht\u00eb dor\u00ebshkrimit t\u00eb romanit kan\u00eb mbetur disa fragmente.<\/p>\n

N\u00eb disa prej tyre konstatohet lidhshm\u00ebria me p\u00ebrmbajtjen e romanit \u201cProcesi\u201d<\/em>, n\u00eb disa t\u00eb tjera nd\u00ebrkaq \u00ebsht\u00eb v\u00ebshtir\u00eb t\u00eb v\u00ebrehet nj\u00eb lidhje e till\u00eb. K\u00ebt\u00eb gjendje t\u00eb romanit studiuesit e shpjegojn\u00eb me faktin se Kafka ka qen\u00eb i ballafaquar me problemin sesi t\u2019i jap\u00eb\u00a0 fund romanit. Ky problem q\u00ebndron te heronjt\u00eb e romanit: Si t\u00eb gjejn\u00eb ata rrug\u00ebdalje nga situata n\u00eb t\u00eb cil\u00ebn kan\u00eb r\u00ebn\u00eb. Kafka nuk ka par\u00eb rrug\u00ebdalje, ndaj as romaneve t\u00eb veta nuk ka mundur t\u2019u gjej\u00eb fund. Kur kemi t\u00eb b\u00ebjm\u00eb me nj\u00eb situat\u00eb t\u00eb k\u00ebtill\u00eb, kur kemi para vetes nj\u00eb vep\u00ebr t\u00eb palidhur dhe t\u00eb pap\u00ebrfunduar, njohurit\u00eb tona p\u00ebr kuptimin dhe p\u00ebr dometh\u00ebnien e vepr\u00ebs mund t\u00eb v\u00ebshtir\u00ebsohet, nd\u00ebrsa gjykimet dhe vler\u00ebsimet tona \u2013 t\u00eb pasigurta.<\/p>\n

Rr\u00ebfimi p\u00ebr Jozef. K.-n\u00eb \u00ebsht\u00eb tejet i qart\u00eb: fjalia \u00ebsht\u00eb e leht\u00eb, leksiku i p\u00ebrditshm\u00ebris\u00eb, nuk kemi thurje t\u00eb nd\u00ebrlikuara t\u00eb ngjarjeve, nuk kemi monolog\u00eb t\u00eb brendsh\u00ebm t\u00eb p\u00ebshtjelluar, as q\u00eb \u00ebsht\u00eb eksplikuar ndonj\u00eb filozofi abstrakte. Shprehja e Kafk\u00ebs \u00ebsht\u00eb e thjesht\u00eb, asnjan\u00ebse, e ftoht\u00eb. N\u00eb k\u00ebt\u00eb pik\u00ebpamje u ngjan raporteve bankare afariste t\u00eb thata (t\u00eb am\u00ebshta). Gjuha \u00ebsht\u00eb fare racionale dhe e qart\u00eb \u2013 pa shprehje figurative, pa tone emocionale. Por p\u00ebrshkrimi i saj, si p\u00ebr shembull paraqitja e ngjarjeve dhe personazheve, \u00ebsht\u00eb mjaft e zymt\u00eb, paradoksale dhe me shum\u00eb kuptime \u2013 gj\u00eb q\u00eb lexuesin dhe studiuesin e v\u00eb n\u00eb dilem\u00eb.<\/p>\n

Nd\u00ebrmjet leximit dhe t\u00eb kuptuarit ekziston nj\u00eb dallim thelb\u00ebsor. Rr\u00ebfimi \u00ebsht\u00eb i r\u00ebndomt\u00eb: \u00c7ka i ndodh Jozef K.-s\u00eb dhe si reagon ai ndaj asaj q\u00eb i ndodh.<\/p>\n

T\u00eb kuptuarit k\u00ebrkon pik\u00ebrisht at\u00eb se \u201c\u00e7ka i ndodh Jozef K.-s\u00eb\u201d<\/em><\/strong> dhe sidomos \u201csi reagon ai ndaj asaj q\u00eb i ndodh\u201d<\/em><\/strong>.<\/p>\n

Pra, lexuesi nuk do t\u00eb ndalet n\u00eb \u00e7\u00ebshtjet e paraqitjes artistike por n\u00eb \u00e7\u00ebshtjet e dometh\u00ebnies s\u00eb asaj q\u00eb \u00ebsht\u00eb paraqitur. Studiuesi i Kafk\u00ebs – filozofi, eseisti dhe poeti austriak\/gjerman Gynter Anders <\/strong>(G\u00fcnther Anders i lindur G\u00fcnther Siegmund Stern; Vrocuav, Poloni, 1902 \u2013 Vjen\u00eb, 1992) shkruan: \u201cTe Kafka nuk na habisin objektet dhe ngjarjet si t\u00eb tilla, por fakti se qeniet e tij reagojn\u00eb ndaj tyre pa ndonj\u00eb shqet\u00ebsim, sikur t\u00eb ishin sende dhe ngjarje normale\u201d<\/em>. \u00a0<\/em>\u00a0\u00a0\u00a0<\/em>\u00a0<\/strong><\/p>\n

Problemi i t\u00eb kuptuarit dhe i interpretimit lind edhe p\u00ebr arsye se Kafka shtron pyetje, por nuk jep p\u00ebrgjigje. P\u00ebr shembull, kush dhe p\u00ebrse e ndjek Jozef K.-n\u00eb, kush e pengon fshatarin t\u00eb mbrohet nga ligji. Me k\u00ebt\u00eb autori krijon hap\u00ebsir\u00eb p\u00ebr interpretimin e ndrysh\u00ebm t\u00eb deponimeve, t\u00eb episodeve, t\u00eb situatave, t\u00eb ngjarjeve n\u00eb p\u00ebrgjith\u00ebsi. Interpretimet e ndryshme l\u00ebvizin q\u00eb nga ato autobiografike<\/em><\/strong>, p\u00ebr t\u00eb vazhduar me ato teologjike, psikologjike, sociologjike dhe politike e deri tek ato psikanalitike, alegorike dhe mitike.<\/em><\/strong><\/p>\n

Probleme p\u00ebr ta kuptuar dhe p\u00ebr ta interpretuar vepr\u00ebn e Kafk\u00ebs shkaktojn\u00eb edhe elementet specifike t\u00eb prosedeut krijues t\u00eb tij: pap\u00ebrcaktueshm\u00ebria, paparashikueshm\u00ebria, antitetizmi (q\u00eb ofron antitez\u00eb), paradoksalizmi si dhe absurditeti i dal\u00eb prej tij.<\/p>\n

Pap\u00ebrcaktueshm\u00ebria <\/strong>\u2013 Qyteti si lokaicon nuk \u00ebsht\u00eb em\u00ebrtuar; lokacioni i hap\u00ebsirave gjyq\u00ebsore \u00ebsht\u00eb e pap\u00ebrcaktuar; banesat dhe zyrat nuk jan\u00eb paraqitur qart\u00eb dhe jan\u00eb me pak detaje; akuza kund\u00ebr Jozef. K nuk \u00ebsht\u00eb e qart\u00eb; nocioneve, sendeve, procedurave dhe personave u jepen dometh\u00ebnie apo kuptime t\u00eb kund\u00ebrta: librat e ligjeve jan\u00eb libra pornografik\u00eb, gjyqtari nj\u00ebherazi \u00ebsht\u00eb edhe i akuzuari, piktori \u00ebsht\u00eb i nd\u00ebrlidhur me gjykat\u00ebn.<\/p>\n

Paparashikueshm\u00ebria <\/strong>\u2013 Hap\u00ebsirat gjyq\u00ebsore ndodhen kudo dhe n\u00eb vende t\u00eb papritura; kemi nj\u00eb num\u00ebr t\u00eb madh hap\u00ebsirash dhe korridore t\u00eb shumta; n\u00ebp\u00ebr korridore dhe n\u00eb sall\u00ebn e gjykimit kemi nj\u00eb mori njer\u00ebzish; kemi dialog\u00eb t\u00eb paqart\u00eb q\u00eb pasqyrojn\u00eb q\u00ebndrime t\u00eb cilat e p\u00ebrjashtojn\u00eb nj\u00ebri-tjetrin; kemi detajizim dhe mbingarkim t\u00eb p\u00ebrshkrimeve; e t\u00ebr\u00eb kjo e ngulfat \u00a0\u00a0kuptimin e p\u00ebrmbajtjes.\u00a0\u00a0\u00a0\u00a0 \u00a0<\/strong><\/p>\n

\u00a0 <\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Antitetizmi <\/strong>(mund\u00ebsia e paraqitjes s\u00eb antitezave) \u2013 \u00cbsht\u00eb nj\u00eb prej karakteristikave t\u00eb pasqyrimit dhe modelimit t\u00eb Kafk\u00ebs: nj\u00eb deponim, nj\u00eb th\u00ebnie p\u00ebrjashtohet nga deponimi vijues, nj\u00eb veprim i personazhit \u00ebsht\u00eb n\u00eb kund\u00ebrshti me veprimin e tij paraprak etj.<\/p>\n

\u00a0<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Paradoksalizmi dhe absurditeti <\/strong>\u2013 Hap\u00ebsirat gjyq\u00ebsore ndodhen n\u00eb tavane dhe n\u00eb bodrume; ato ndodhen n\u00eb pjes\u00ebt m\u00eb periferike, m\u00eb t\u00eb humbura dhe m\u00eb t\u00eb ndotura t\u00eb qytetit; hap\u00ebsirat gjyq\u00ebsore jan\u00eb edhe hap\u00ebsira private; larje rrobash n\u00eb hap\u00ebsirat gjyq\u00ebsore; skena erotike para njer\u00ebzve t\u00eb tjer\u00eb; Jozef K ka q\u00ebndrim indiferent ndaj burgosjes dhe procesit gjyq\u00ebsor ndaj tij; burri ka q\u00ebndrim indiferent ndaj tradhtis\u00eb s\u00eb\u00a0 gruas s\u00eb vet e cila punonte n\u00eb gjykat\u00eb si sh\u00ebrbyese.<\/p>\n

Njeriu dhe hap\u00ebsira <\/strong>\u2013 N\u00eb proz\u00ebn e Kafk\u00ebs, sidomos n\u00eb romanin \u201cProcesi\u201d<\/em> hap\u00ebsira ka nj\u00eb funksion artistik t\u00eb ve\u00e7ant\u00eb. Kjo hap\u00ebsir\u00eb, ku b\u00ebjn\u00eb pjes\u00eb hap\u00ebsirat e hapura dhe t\u00eb mbyllura, \u00ebsht\u00eb e pazakonshme dhe e pak\u00ebndshme, kurse atmosfera q\u00eb mbizot\u00ebron n\u00eb t\u00eb, ta z\u00eb frym\u00ebn, \u00ebsht\u00eb mbyt\u00ebse. Kjo \u00ebsht\u00eb quajtur nga studiuesit \u201catmosfer\u00eb kafkiane\u201d<\/em><\/strong>. Nuk ka afri dhe ngroht\u00ebsi midis njeriut dhe rrethimit, mjedisit natyror \u2013 midis njeriut dhe hap\u00ebsir\u00ebs s\u00eb hapur n\u00ebp\u00ebr t\u00eb cil\u00ebn l\u00ebviz, midis njeriut dhe hap\u00ebsir\u00ebs s\u00eb mbyllur n\u00ebp\u00ebr t\u00eb cil\u00ebn ec\u00ebn, l\u00ebviz, midis njeriut dhe hap\u00ebsir\u00ebs s\u00eb mbyllur si vendq\u00ebndrim n\u00eb jet\u00ebn private dhe publike. Sa i p\u00ebrket hap\u00ebsir\u00ebs, \u00e7do gj\u00eb n\u00eb k\u00ebt\u00eb roman \u00ebsht\u00eb e padurueshme, e pak\u00ebndshme, jo e sh\u00ebndetshme, e ndotur, e neveritshme.<\/p>\n

K\u00ebtu, rrall\u00ebher\u00eb pasqyrohet eksterieri ose nj\u00eb gj\u00eb e till\u00eb b\u00ebhet kalimthi: eksterieri gjithmon\u00eb \u00ebsht\u00eb i mbushur me mjegull, me shi dhe d\u00ebbor\u00eb. Rrug\u00ebt jan\u00eb plot uj\u00eb dhe balt\u00eb. Ajri \u00ebsht\u00eb i r\u00ebnd\u00eb dhe i pak\u00ebndsh\u00ebm, i ndotur. Kur njeriu vjen n\u00eb kontakt me bot\u00ebn p\u00ebrreth, at\u00eb e kaplon nj\u00eb ndjenj\u00eb e pak\u00ebndshme apo rr\u00ebqethja, lebetia, tmerri: Nj\u00eb pasdite dimri, jasht\u00eb n\u00eb drit\u00eb t\u00eb turbullt binte d\u00ebbor\u00eb. Sht\u00ebpit\u00eb jan\u00eb t\u00eb err\u00ebta, rrug\u00ebt plot ndot\u00ebsi q\u00eb ka dep\u00ebrtuar n\u00eb d\u00ebbor\u00ebn e shkrir\u00eb…<\/em><\/p>\n

Hap\u00ebsira e brendshme (e mbyllur) \u00ebsht\u00eb e llojllojshme, e shumt\u00eb por p\u00ebr nga karakteristikat \u2013 e ngjashme apo e nj\u00ebjt\u00eb. N\u00eb hap\u00ebsir\u00eb t\u00eb brendshme b\u00ebjn\u00eb pjes\u00eb pensioni i zonj\u00ebs Grubah dhe n\u00eb t\u00eb dhomat e saj, dhomat e zonjush\u00ebs Birstner dhe t\u00eb Jozef K-s\u00eb; hap\u00ebsirat gjyq\u00ebsore; hap\u00ebsirat e bank\u00ebs; zyra e avokatit, atelieja e Titorelit; katedralja. Pjesa m\u00eb e madhe e hap\u00ebsirave t\u00eb mbyllura kan\u00eb di\u00e7ka t\u00eb p\u00ebrbashk\u00ebt: Ato jan\u00eb t\u00eb mbyllura n\u00eb kuptimin e plot\u00eb t\u00eb fjal\u00ebs, ta z\u00ebn\u00eb frym\u00ebn dhe jan\u00eb t\u00eb pap\u00ebrshtatshme p\u00ebr jetes\u00eb.<\/p>\n

R\u00ebndom jan\u00eb pa dritare ose kan\u00eb nj\u00eb dritare t\u00eb vog\u00ebl s\u00eb cil\u00ebs v\u00ebshtir\u00eb mund t\u2019i afrohesh ndaj dhe rrall\u00eb hapet. Kur kjo dritare e vetme hapet, nga jasht\u00eb vrullsh\u00ebm dep\u00ebrtojn\u00eb brenda bloza, tymi, mjegulla, ajri ngulfat\u00ebs. N\u00eb zyr\u00ebn e Jozef K-s\u00eb dritarja v\u00ebshtir\u00eb hapet, e kur hapet \u201cdep\u00ebrtojn\u00eb n\u00eb dhom\u00eb mjegulla e p\u00ebrzier me tym dhe kjo e mbush dhom\u00ebn me nj\u00eb er\u00eb t\u00eb leht\u00eb gj\u00ebrash t\u00eb djegura\u201d. N\u00eb atelien e Titorelit \u00ebsht\u00eb nj\u00eb dritare q\u00eb nuk hapet. Jozef K-s\u00eb i zihet fryma saq\u00eb i bie t\u00eb fik\u00ebt. Zyra e avokatit \u00ebsht\u00eb e err\u00ebt, e zymt\u00eb dhe ta z\u00eb frym\u00ebn.<\/p>\n

Hap\u00ebsirat gjyq\u00ebsore ndodhen n\u00eb mansarda ose n\u00eb bodrume. Aty shkohet me v\u00ebshtir\u00ebsi n\u00ebp\u00ebr do shkall\u00eb t\u00eb ngat\u00ebrruara dhe t\u00eb r\u00ebnda, pa kurrfar\u00eb ndri\u00e7imi. Ato jan\u00eb t\u00eb pak\u00ebndshme, ndaj njeriu, p\u00ebr shum\u00eb arsye, ndjehet keq.<\/p>\n

– Ato jan\u00eb t\u00eb mbingarkuar me njer\u00ebz dhe sende.<\/p>\n

– Sendet nuk jan\u00eb adekuate \u2013 n\u00eb tavolin\u00ebn e gjykat\u00ebsit, n\u00eb vend t\u00eb librit t\u00eb kodeve ndodhen libra pornografik\u00eb dhe romane dashurie. N\u00eb hap\u00ebsirat gjyq\u00ebsore i thajn\u00eb teshat.<\/p>\n

– Destinimi i hap\u00ebsirave gjyq\u00ebsore \u00ebsht\u00eb joadekuat \u2013 ato sh\u00ebrbejn\u00eb edhe p\u00ebr banim.<\/p>\n

– Jan\u00eb tejet t\u00eb vogla dhe t\u00eb ngushta saq\u00eb mezi kalohet.<\/p>\n

– Jan\u00eb t\u00eb ul\u00ebta: \u201cNjer\u00ebzit kan\u00eb mundur t\u00eb rin\u00eb vet\u00ebm t\u00eb p\u00ebrkulur, duke e prekur tavanin me kok\u00eb dhe me shpin\u00eb\u201d<\/em>. Ka t\u00eb till\u00eb q\u00eb kan\u00eb marr\u00eb me vete jast\u00ebk\u00eb p\u00ebr t\u2019i v\u00ebn\u00eb midis kok\u00ebs dhe tavanit p\u00ebr t\u2019u mos u g\u00ebrvishtur.<\/p>\n

– Disa hap\u00ebsira nd\u00ebrkaq jan\u00eb t\u00eb m\u00ebdha dhe me tavan t\u00eb lart\u00eb saq\u00eb njeriu n\u00eb to ndjehet tep\u00ebr i vog\u00ebl, i pashpres\u00eb dhe i humbur.<\/p>\n

– Ato jan\u00eb t\u00eb parregulluara, t\u00eb papastra, t\u00eb err\u00ebta dhe ta z\u00ebn\u00eb frym\u00ebn.<\/p>\n

Mir\u00ebpo, proceset nuk zhvillohen vet\u00ebm n\u00eb hap\u00ebsirat gjyq\u00ebsore. Ato zhvillohen edhe n\u00eb hap\u00ebsirat private dhe publike. K\u00ebshtu, si hap\u00ebsir\u00eb gjyq\u00ebsore shfaqet dhoma e Jozef K-s\u00eb, dhoma e zonjush\u00ebs Birstner, kthina n\u00eb bank\u00eb, atelieja e Titorelit, banesa e sh\u00ebrbyesit gjyq\u00ebsor, gurorja. K\u00ebshtu, sall\u00eb gjykimi b\u00ebhet e t\u00ebr\u00eb hap\u00ebsira ekzistenciale e Jozef K-s\u00eb. P\u00ebr k\u00ebt\u00eb arsye heroi i romanit n\u00eb t\u00eb nj\u00ebjt\u00ebn koh\u00eb \u00ebsht\u00eb edhe i burgosur edhe njeri i lir\u00eb<\/em><\/strong>. P\u00ebrzierja e hap\u00ebsirave zyrtare me ato private flet di\u00e7ka t\u00eb papast\u00ebr, t\u00eb pasigurt, jolegale, t\u00eb pakontrolluar dhe q\u00eb i n\u00ebnshtrohet korrupsionit. Aty nuk ka rregulla dhe norma. Aty mbizot\u00ebron stuhia e anarkis\u00eb, e arbitrarizmit, e pushtetit t\u00eb pafund.<\/p>\n

Prandaj gjykata \u00ebsht\u00eb e paarritshme. E arritshme \u00ebsht\u00eb vet\u00ebm burokracia gjyq\u00ebsore e nivelit t\u00eb ul\u00ebt. Gjykata m\u00eb lart\u00eb \u201cp\u00ebr ju, p\u00ebr mua dhe p\u00ebr t\u00eb gjith\u00eb ne, assesi nuk \u00ebsht\u00eb e paarritshme\u201d<\/em> \u2013 thot\u00eb Titoreli. P\u00ebrzierja e hap\u00ebsir\u00ebs private dhe gjyq\u00ebsore \u00ebsht\u00eb d\u00ebshmi e mohimit t\u00eb privat\u00ebsis\u00eb s\u00eb njeriut dhe e tjet\u00ebrsimit t\u00eb tij nga mjedisi nga rrethimi. Tjet\u00ebrsimi manifestohet si nj\u00eb vrojtim sip\u00ebrfaq\u00ebsor i elementeve t\u00eb hap\u00ebsir\u00ebs, si mosinteresim p\u00ebr hap\u00ebsir\u00ebn, si vrojtim i kushteve jop\u00ebrkat\u00ebse p\u00ebr jetes\u00eb n\u00eb at\u00eb hap\u00ebsir\u00eb. Shfryt\u00ebzimi i hap\u00ebsir\u00ebs p\u00ebr q\u00ebllime jop\u00ebrkat\u00ebse manifestohet si shkelje e rendit t\u00eb p\u00ebrcaktuar.<\/p>\n

Njohja e t\u00eb dh\u00ebnave themelore nga jeta e Kafk\u00ebs b\u00ebn t\u00eb mundur q\u00eb n\u00eb romanin \u201cProcesi\u201d<\/em> t\u00eb v\u00ebrehen disa fakte autobiografike. Njohja e problematik\u00ebs s\u00eb thell\u00eb psikologjike t\u00eb Kafk\u00ebs dhe e disa traumave t\u00eb tij n\u00eb raportet familjare mund t\u00eb jap\u00eb sqarime p\u00ebr disa pjes\u00eb t\u00eb romanit, p\u00ebr disa veti t\u00eb personazhit Jozef K., disa p\u00ebrjetime t\u00eb bot\u00ebs dhe njeriut.<\/p>\n

Leximi i letrave dhe i ditarit t\u00eb Kafk\u00ebs drejtp\u00ebrs\u00ebdrejti shpie n\u00eb do pjes\u00eb t\u00eb romanit \u201cProcesi\u201d<\/em>: n\u00eb veprime, n\u00eb karaktere, n\u00eb situata, n\u00eb fotografi.<\/p>\n

Burimi i vetmis\u00eb dhe i tjet\u00ebrsimit q\u00eb mbizot\u00ebrojn\u00eb n\u00eb vepr\u00ebn e Kafk\u00ebs, po edhe te \u201cProcesi\u201d<\/em>, ndodhen n\u00eb ndjenj\u00ebn e ve\u00e7imit dhe t\u00eb vetmis\u00eb s\u00eb Kafk\u00ebs si pjes\u00ebtar i popullit hebraik n\u00eb nj\u00eb mjedis johebraik. Kafka lindi n\u00eb Prag\u00eb. U arsimua n\u00eb gjuh\u00ebn gjermane. Ishte shtetas i Monarkis\u00eb Austro-hungareze. E ndjeu dhe e p\u00ebrjetoi disponimin antisemitist <\/em><\/strong>t\u00eb mjedisit.<\/p>\n

Fakti se Kafka e v\u00ebn\u00eb veten n\u00eb \u201cProces\u201d<\/em> e d\u00ebshmon nj\u00eb sh\u00ebnim n\u00eb ditarin e tij t\u00eb viti 1910: \u201cNuk do t\u00eb lejoj t\u00eb m\u00eb ndal\u00eb lodhja. Do ta filloj novel\u00ebn time, qoft\u00eb edhe sikur ta p\u00ebrgjak fytyr\u00ebn\u201d<\/em>.<\/p>\n

Midis Jozef K.-s\u00eb dhe krijuesit t\u00eb tij \u2013 Kafk\u00ebs ekzistojn\u00eb shum\u00eb pika takimi. Tek emri Jozef K. v\u00ebrehet mbiemri i shkrimtarit, nd\u00ebrsa emri \u00ebsht\u00eb fshehur (Franc Jozef). Te figura e zonjush\u00ebs Birstner mund t\u00eb zbulohet figura e Felise Bauer<\/strong> (frojlajn Birstner) me t\u00eb cil\u00ebn Kafka u fejua dy her\u00eb dhe dy her\u00eb u nda. S\u00eb k\u00ebndejmi buron edhe ndjenja e faj\u00ebsis\u00eb. Jozef K i imponohet zonjush\u00ebs Birstner si nj\u00eb i sfilitur. Kjo \u00ebsht\u00eb nj\u00eb prej arsyeve t\u00eb ndjenj\u00ebs s\u00eb fajit.<\/p>\n

Sa u p\u00ebrket raporteve me femrat, k\u00ebtu edhe Kafka edhe heroi i tij Jozef K. jan\u00eb plot\u00ebsisht t\u00eb nj\u00ebjt\u00eb: q\u00eb t\u00eb dy nuk kan\u00eb fat me femrat. M\u00eb mir\u00eb t\u00eb thuhet, nuk ia dalin me femrat \u2013 jan\u00eb t\u00eb l\u00ebkundsh\u00ebm, t\u00eb paq\u00ebndruesh\u00ebm dhe t\u00eb pasigurt. Kafka ka pasur kat\u00ebr lidhje dhe asnj\u00eb prej tyre nuk u realizua si nj\u00eb lidhje e p\u00ebrhershme. Jozef K. leht\u00eb krijon lidhje me femrat, por ato lidhje jan\u00eb t\u00eb paq\u00ebndrueshme, t\u00eb rast\u00ebsishme, pa emocione.<\/p>\n

N\u00eb \u201cProces\u201d<\/em> kan\u00eb hyr\u00eb problemet q\u00eb i ka pasur Kafka me baban\u00eb. Kuptohet, k\u00ebto probleme kan\u00eb marr\u00eb nj\u00eb transformim artistik, por pjes\u00eb t\u00eb caktuara nga \u201cLetra babit\u201d<\/em> dhe romanit, jan\u00eb plot\u00ebsisht identike.<\/p>\n

Romani \u201cProcesi\u201d<\/em> \u00ebsht\u00eb nj\u00eb prej tre romaneve q\u00eb nuk u botuan sa qe gjall\u00eb Kafka. Romani \u00ebsht\u00eb shkruar n\u00eb vitet 1914-1915. pik\u00ebrisht n\u00eb periudh\u00ebn e shp\u00ebrthimit t\u00eb Luft\u00ebs s\u00eb Par\u00eb Bot\u00ebrore. Kjo periudh\u00eb nd\u00ebrlidhet edhe me prishjen e fejes\u00ebs s\u00eb Kafk\u00ebs me Felise Bauer, gj\u00eb q\u00eb shpesh merret si baz\u00ebnisje p\u00ebr interpretimin e vepr\u00ebs. (Ka q\u00eb thon\u00eb se \u00ebsht\u00eb shkruar n\u00eb vitet 1914-1923).<\/p>\n

\u201cProcesi\u201d <\/em>u botua m\u00eb 1925, d.m.th. pas vdekjes s\u00eb autorit. \u00cbsht\u00eb nj\u00eb vep\u00ebr e nd\u00ebrlikuar, shum\u00ebshtresore, edhe pse veprimi kryesor i tij nuk duket aq i nd\u00ebrlikuar. Thelbi i veprimit \u00ebsht\u00eb procedura e gjykimit pothuajse imagjinar t\u00eb cilit i \u00ebsht\u00eb n\u00ebnshtruar personazhi kryesor pas akuzave p\u00ebr vep\u00ebr kriminale, p\u00ebr t\u00eb cil\u00ebn ai nuk di gj\u00eb. Rrethanat q\u00eb soll\u00ebn gjykimin si dhe epilogu i tij nuk jan\u00eb aq t\u00eb r\u00ebnd\u00ebsish\u00ebm p\u00ebr k\u00ebt\u00eb roman, sa \u00ebsht\u00eb e r\u00ebnd\u00ebsishme vet\u00eb procesi i gjykimit. Gjat\u00eb k\u00ebtij procesi theksohet gjendja psikologjike e personazhit kryesor. Ai \u00ebsht\u00eb nj\u00eb i akuzuar i cili as q\u00eb e di p\u00ebr se \u00ebsht\u00eb faj\u00ebsuar. Nuk di si mund t\u00eb mbrohet, nd\u00ebrsa \u00e7do mbrojtje kthehet kund\u00ebr tij dhe ia r\u00ebndon gjendjen.<\/p>\n

Paniku, frika dhe situata pa rrug\u00ebdalje e tij, shtrihen n\u00eb atmosfer\u00ebn e p\u00ebrgjithshme t\u00eb romanit. Kjo situat\u00eb aq \u00ebsht\u00eb specifike dhe shpreh\u00ebse saq\u00eb \u00ebsht\u00eb quajtur \u201ckafkiane\u201d<\/em><\/strong> dhe filloi t\u00eb p\u00ebrdoret n\u00eb t\u00eb folmen e p\u00ebrditshme si shprehje e situat\u00ebs pa rrug\u00ebdalje, e frik\u00ebs, e imponimit t\u00eb fajit dhe e munges\u00ebs s\u00eb rrug\u00ebdaljes nga nj\u00eb situat\u00eb e till\u00eb, p\u00ebrkund\u00ebr munges\u00ebs edhe t\u00eb fajit p\u00ebr gjendjen e till\u00eb. N\u00eb situata t\u00eb tilla njer\u00ebzit jan\u00eb t\u00eb gatsh\u00ebm t\u00eb b\u00ebjn\u00eb \u00e7mos dhe t\u00eb pranojn\u00eb \u00e7do gj\u00eb vet\u00ebm e vet\u00ebm t\u00eb shp\u00ebtojn\u00eb kok\u00ebn dhe t\u2019i kthehen jet\u00ebs dhe bot\u00ebs q\u00eb merret si normale. Kjo \u00ebsht\u00eb edhe nj\u00eb karakteristik\u00eb e situat\u00ebs kafkiane.<\/p>\n

Situata q\u00eb e p\u00ebrshkruan Kafka n\u00eb \u201cProces\u201d<\/em> aq \u00ebsht\u00eb e pazakonshme dhe e padrejt\u00eb saq\u00eb n\u00eb momente b\u00ebhet edhe morbide<\/em><\/strong>. Kjo gjendje nuk pushon por vazhdon t\u00eb shkoj\u00eb drejt skajshm\u00ebris\u00eb saq\u00eb duket sikur kalon nga realja n\u00eb \u00ebnd\u00ebrr. T\u00eb gjitha personazhet, me p\u00ebrjashtim t\u00eb personazhit kryesor, jan\u00eb aq joreale saq\u00eb b\u00ebhen t\u00eb karikuara, pothuajse surreale, ndaj edhe situata duket e till\u00eb.<\/p>\n

Njeriu nuk mund t\u00eb besoj\u00eb se gj\u00ebrat n\u00eb jet\u00ebn normale v\u00ebrtet mund t\u00eb ndodhin asisoj, ndaj kjo shkakton ndjenj\u00ebn se personazhi ndodhet n\u00eb realitetin e ndonj\u00eb \u00ebndrre. Kafka n\u00eb vepr\u00ebn e vet pik\u00ebrisht ashtu i ka renditur skenat. Ato krijojn\u00eb p\u00ebrshtypjen e pabesueshm\u00ebris\u00eb, ndon\u00ebse n\u00eb t\u00eb nj\u00ebjt\u00ebn koh\u00eb ato jan\u00eb tejet autentike, burimore dhe mjaft bind\u00ebse. Ky bashkim i \u00ebndrr\u00ebs dhe realitetit \u00ebsht\u00eb vizion i Kafk\u00ebs p\u00ebr realitetin e bot\u00ebs q\u00eb e rrethon. Logjika q\u00eb mbizot\u00ebron n\u00eb realitetin e tij \u00ebsht\u00eb e fuqishme, por ajo leht\u00eb mund t\u00eb kthehet p\u00ebr s\u00eb prapi. .<\/p>\n

P\u00ebr krejt k\u00ebt\u00eb, romani i Kafk\u00ebs mund t\u00eb interpretohet si kritik\u00eb e shoq\u00ebris\u00eb moderne<\/em><\/strong>, por edhe e t\u00ebr\u00eb qytet\u00ebrimit bashk\u00ebkohor, modern, karakteristik\u00eb kryesore e t\u00eb cilit \u00ebsht\u00eb tjet\u00ebrsimi midis njer\u00ebzve<\/em><\/strong>. Tjet\u00ebrsimi n\u00eb k\u00ebt\u00eb vep\u00ebr manifestohet si: njeriu i humbur n\u00eb shoq\u00ebri; pamund\u00ebsi e komunikimit me mjedisin, me rrethin; p\u00ebrshtatje e jet\u00ebs s\u00eb njeriut k\u00ebrkesave t\u00eb shoq\u00ebris\u00eb; munges\u00eb e mir\u00ebkuptimit nga t\u00eb tjer\u00ebt.<\/p>\n

K\u00ebto karakteristika t\u00eb personazhit kryesor t\u00eb vepr\u00ebs p\u00ebrball\u00eb qytet\u00ebrimit n\u00eb t\u00eb v\u00ebrtet\u00eb jan\u00eb karakteristika t\u00eb vet\u00eb Kafk\u00ebs. Ai ishte nj\u00eb shkrimtar i cili nuk kishte besim n\u00eb vetvete, as n\u00eb aft\u00ebsin\u00eb e vet si shkrimtar.<\/p>\n

Jo vet\u00ebm q\u00eb nuk besonte se \u00ebsht\u00eb gjeni letrare, por nuk u besonte as edhe veprave t\u00eb veta. Ishte pesimist gj\u00eb q\u00eb shihet n\u00eb romanet e tij. Megjith\u00ebk\u00ebt\u00eb ishte vizionar, p\u00ebr arsye se e parashikoi rrug\u00ebn e l\u00ebvizjes s\u00eb shoq\u00ebris\u00eb moderne. Me fjal\u00eb t\u00eb tjera, Kafka paralajm\u00ebroi se shoq\u00ebria moderne shkon drejt tjet\u00ebrsimit dhe vetmis\u00eb gjithnj\u00eb m\u00eb t\u00eb madhe t\u00eb njeriut si individ.\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/em><\/strong><\/p>\n

Ky roman u b\u00eb sinonim i romanit modern, roman i koh\u00ebs son\u00eb. P\u00ebrkund\u00ebr gjetjes s\u00eb lidhjeve midis Kafk\u00ebs dhe ekspresionist\u00ebve<\/em><\/strong>, megjith\u00ebk\u00ebt\u00eb veprat e tij dallohen prej veprave ekspresioniste. At\u00eb q\u00eb synonin t\u00eb arrinin ekspresionist\u00ebt, u mish\u00ebrua te \u201cProcesi\u201d<\/em>.<\/p>\n

\u201cProcesi\u201d <\/em>p\u00ebrmban ndarje prej formave tradicionale, pasqyrim t\u00eb tjet\u00ebrsimit t\u00eb individit, nd\u00ebrthurje me filozofin\u00eb ekzistencialiste<\/em><\/strong>, deformim t\u00eb kronotropeve dhe shum\u00eb karakteristika t\u00eb tjera t\u00eb romanit modern. Kjo vep\u00ebr edhe sot nuk mund t\u00eb interpretohet plot\u00ebsisht dhe gjithmon\u00eb l\u00eb hap\u00ebsir\u00eb p\u00ebr gufimin e dometh\u00ebnieve t\u00eb reja.<\/p>\n

\u00cbsht\u00eb shkruar me nj\u00eb stil administrativ. Fjalit\u00eb jan\u00eb t\u00eb p\u00ebrpikta. Nuk ka as p\u00ebrshkrime dhe zbukurime t\u00eb tep\u00ebrta. Kemi t\u00eb b\u00ebjm\u00eb me nj\u00eb tekst t\u00eb zakonsh\u00ebm, megjith\u00ebk\u00ebt\u00eb thelbi i tij \u00ebsht\u00eb i pakapsh\u00ebm. Madje \u00ebsht\u00eb e dyshimt\u00eb edhe renditja e kapitujve q\u00eb i radhitur Maks Brodi <\/strong>sipas gjykimit t\u00eb vet.<\/p>\n

Duke pasqyruar nj\u00eb bot\u00eb fiktive me spektrin e ndodhive t\u00eb pazakonshme, po edhe absurde q\u00eb personazhet e veprave i marrin si fare normale, pa shkaktuar tek ata reagime q\u00eb do t\u00eb duhej t\u00eb ndodhnin, Kafka zbulon absurditetin e bot\u00ebs son\u00eb dhe zalin\u00eb, shuarjen, letargjin\u00eb e emocioneve t\u00eb njeriut, po edhe verb\u00ebsin\u00eb e njeriut q\u00eb ndikon q\u00eb ai t\u00eb mos e sheh realitetin p\u00ebrreth.<\/p>\n

Kafka na shtyn t\u00eb vet\u00ebdijesohemi, t\u00eb shtrojm\u00eb pyetje, t\u00eb dalim, t\u00eb t\u00ebrhiqemi nga molitja, venitja, topitja e shpirtit, e frym\u00ebs. Po qe se gjat\u00eb leximit t\u00eb Kafk\u00ebs lexuesi sheh nj\u00eb situat\u00eb pa rrug\u00ebzgjidhje dhe nj\u00eb padrejt\u00ebsi, at\u00ebher\u00eb ai duhet t\u2019i p\u00ebrqendroj\u00eb t\u00eb gjitha forcat q\u00eb nj\u00eb rrethan\u00eb t\u00eb till\u00eb t\u00eb mos ia lejoj\u00eb vetes n\u00eb jet\u00ebn reale.<\/p>\n

Lexuesi n\u00eb vep\u00ebr mund ta gjej\u00eb vet\u00ebm at\u00eb q\u00eb \u00ebsht\u00eb te vet\u00eb ai, ndaj interpretimi i vepr\u00ebs varet nga fakti se n\u00eb duart e kujt ndodhet ajo. Vet\u00eb Kafka thot\u00eb se interpretimet e ndryshme t\u00eb nj\u00eb gj\u00ebje nuk e p\u00ebrjashtojn\u00eb nj\u00ebra-tjetr\u00ebn, madje mbase edhe e plot\u00ebsojn\u00eb nj\u00ebra-tjetr\u00ebn. Vet\u00eb \u201cprocesi\u201d<\/em> \u00ebsht\u00eb p\u00ebrplot aluzione, paradokse, absurditete, alegori dhe simbole q\u00eb i mund\u00ebsojn\u00eb njeriut interpretime nga m\u00eb t\u00eb ndryshme.<\/p>\n

Pik\u00ebnisjet m\u00eb t\u00eb ngulitura p\u00ebr interpretim jan\u00eb jeta e Kafk\u00ebs, religjioni, filozofia ekzistencialiste, po edhe konteksti shoq\u00ebror historik nga i cili rezulton kritika e shoq\u00ebris\u00eb. Interpretimet e k\u00ebtilla shpesh ndeshen me nj\u00ebra-tjetr\u00ebn, por akoma m\u00eb shpesh p\u00ebrshkohen.<\/p>\n","protected":false},"excerpt":{"rendered":"

\u00a0Xhelal Zejneli Romani \u201cProcesi\u201d \u00ebsht\u00eb nj\u00eb prej veprave m\u00eb t\u00eb njohura gjermane t\u00eb t\u00eb gjitha koh\u00ebve. Kafka e shkroi n\u00eb vitet 1914-1915. Romani u botua postum, n\u00eb vitin 1925 dhe ishte i pap\u00ebrfunduar. Megjith\u00ebk\u00ebt\u00eb, e ka kapitullin p\u00ebrfundimtar i cili veprimin e \u00e7on deri n\u00eb fund. Romanin e p\u00ebrgatiti p\u00ebr botim shoku i Kafk\u00ebs, Max […]<\/p>\n","protected":false},"author":1,"featured_media":64405,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2,4,35],"tags":[],"class_list":["post-67581","post","type-post","status-publish","format-standard","has-post-thumbnail","category-artikuj","category-histori","category-kulture"],"yoast_head":"\n\u201cPROCESI\u201d - KAFKA - i p\u00ebrgatitur p\u00ebr botim nga Max Brodi - FJALA e LIR\u00cb<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/jehonashqiptare.al\/fjala\/procesi-kafka-i-pergatitur-per-botim-nga-max-brodi\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u201cPROCESI\u201d - KAFKA - i p\u00ebrgatitur p\u00ebr botim nga Max Brodi - FJALA e LIR\u00cb\" \/>\n<meta property=\"og:description\" content=\"\u00a0Xhelal Zejneli Romani \u201cProcesi\u201d \u00ebsht\u00eb nj\u00eb prej veprave m\u00eb t\u00eb njohura gjermane t\u00eb t\u00eb gjitha koh\u00ebve. 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