{"id":69606,"date":"2021-06-13T20:31:53","date_gmt":"2021-06-13T18:31:53","guid":{"rendered":"https:\/\/fjala.info\/?p=69606"},"modified":"2021-06-13T20:31:53","modified_gmt":"2021-06-13T18:31:53","slug":"arti-i-sotem-krijohet-me-plehra","status":"publish","type":"post","link":"https:\/\/jehonashqiptare.al\/fjala\/arti-i-sotem-krijohet-me-plehra\/","title":{"rendered":"Arti i sot\u00ebm krijohet me plehra"},"content":{"rendered":"<p><strong>Ilir Muharremi<\/strong>, <em>kritik i artit<\/em><\/p>\n<p>Arti kultivon iden\u00eb e bukuris\u00eb q\u00eb pushton \u00e7do shekull. Ideja krijohet n\u00eb rib\u00ebrje t\u00eb llogaris\u00eb s\u00eb vet artistit, pra artisti e rib\u00ebn bot\u00ebn p\u00ebr llogari t\u00eb veten. \u201c<em>Fantazia e artistit \u00ebsht\u00eb realitet m\u00eb i bukur se realiteti i r\u00ebndomt\u00eb<\/em>\u201d, shkruan Ashi. Pra, artisti heq pluhurin e sht\u00ebpive t\u00eb plurosura. Bukuria daton q\u00eb n\u00eb Greqin\u00eb e vjet\u00ebr sidomos te skulpturat t\u00eb cilat ishin ambicioze dhe ngulmuan n\u00eb fiksimin e tri dimensioneve t\u00eb figur\u00ebs s\u00eb njeriut, mir\u00ebpo prap\u00eb se prap\u00eb figura e njeriut ishte e pakapshme dhe mund t\u00eb thuhet nga kjo rr\u00ebmuj\u00eb e gjesteve, skulptura greke p\u00ebrjet\u00ebsoi unitetin e stilit t\u00eb saj.<\/p>\n<p>Edhe sot n\u00eb k\u00ebt\u00eb koh\u00eb t\u00eb artit skulptura nuk imiton fytyr\u00ebn e njeriut, por e stilizon. \u201cDashnori i frustruar nga dashuria, m\u00eb n\u00eb fund do t\u00eb mund t\u00eb sillet p\u00ebrreth korave greke p\u00ebr t\u00eb v\u00ebn\u00eb dor\u00ebn mbi at\u00eb q\u00eb n\u00eb trupin dhe n\u00eb fytyr\u00ebn e femr\u00ebs i mbijeton k\u00ebtij degradimi\u201d, shkruan Albert Camus. Bukuria e Greqis\u00eb n\u00eb sfer\u00ebn e artit ende rruan shprehje dom\u00ebth\u00ebn\u00ebse t\u00eb afshit t\u00eb trupit dhe v\u00ebrtitjen e pafund t\u00eb q\u00ebndrimeve. Marx-i i pyetur dhe i zhytur n\u00eb k\u00ebt\u00eb bukuri greke p\u00ebrgjigjet: \u201cKjo bukuri shpreh f\u00ebmij\u00ebrin\u00eb naive t\u00eb nj\u00eb bote dhe se n\u00eb mes t\u00eb luft\u00ebrave t\u00eb t\u00eb rriturve, ne kemi nostalgji p\u00ebr k\u00ebt\u00eb f\u00ebmij\u00ebri\u201d.<\/p>\n<p>At\u00ebher\u00eb, pyetja q\u00eb duhet drejtuar Marx-it \u00ebsht\u00eb se pse kryevprat e renesanc\u00ebs italiane, arti kinez, arti barok, impresionizmi, ekspresionizmi, fovizimi, kubizimi, surrealizmi, hiperrealizmi, ende edhe sot mund t\u00eb jen\u00eb t\u00eb bukura p\u00ebr ne? S\u2019ka shum\u00eb r\u00ebnd\u00ebsi! Vler\u00ebn dhe r\u00ebnd\u00ebsin\u00eb m\u00eb shum\u00eb ja ngritin artet e sotme, arte q\u00eb krijohen nga plehrat, hekurat, k\u00ebpuc\u00ebt, t\u00eb cilat prap\u00eb i kthehen teknikave tradicionale pra si: karbon, laps, pen\u00eb, perspektiv\u00eb, hije.<\/p>\n<p>Arti i sot\u00ebm a ka arsyje p\u00ebr t\u00eb ekzistuar dhe kund\u00ebr kujt proteston? N\u00eb vitet e shekullit XX, kur situata historike i krijonte artistit iluzionin se mund ta kthente artin n\u00eb nj\u00eb instrument lufte dhe transformimi t\u00eb shoq\u00ebris\u00eb, avangarda kishte arsye p\u00ebr t\u00eb ekzistuar. Veprat e artit sh\u00ebrbenin si mjet kap\u00ebrcimi dhe thyerje e rregullave ekzistuese t\u00eb artit dhe shoq\u00ebris\u00eb nj\u00ebkoh\u00ebsisht. Sot, mediat dhe galerit\u00eb p\u00ebrtypin menj\u00ebher\u00eb di\u00e7ka t\u00eb re duke i kthyer n\u00eb vepra arti si: kafsh\u00eb t\u00eb ngordhura, ose kafsh\u00eb t\u00eb gjall\u00eb t\u00eb futura n\u00ebp\u00ebr hap\u00ebsira t\u00eb Galerive, thjesht i malltretojn\u00eb k\u00ebto shpirtra q\u00eb i b\u00ebjne rob t\u00eb sundimit t\u00eb artit t\u00eb shekullit XXI.<\/p>\n<p>Pra konceptualizmi i cili redukton vepr\u00ebn n\u00eb nj\u00eb ide, e ngrit\u00eb iden\u00eb e artit n\u00eb kocnept dhe vep\u00ebr, tashm\u00eb \u00ebsht\u00eb i skaduar. Ata ngritin pyejte p\u00ebrmes veprave dhe nxitin debat n\u00eb publik\u00eb. P\u00ebrve\u00e7 q\u00eb ata ekspozojn\u00eb karrige kafsh\u00eb t\u00eb ngordhura ose t\u00eb gjalla cili \u00ebsht\u00eb ai emocioni estetik si q\u00ebllim kryesor i vepr\u00ebs artistike? Artin e shohin si di\u00e7ka t\u00eb jashtme e jo t\u00eb brendshme.<\/p>\n<p>Publiku \u00ebsht\u00eb lodhur nga plehrat, kafsh\u00ebt, mbetjet, n\u00ebp\u00ebr Galeri, tashm\u00eb nuk \u00e7an m\u00eb kok\u00ebn sepse po i beson nj\u00eb muskuli t\u00eb ri t\u00eb artit, pra kthimit t\u00eb veprave t\u00eb artit nga artist\u00ebt t\u00eb cil\u00ebt pikturojn\u00eb forma me p\u00ebrmsa t\u00eb f\u00ebmij\u00ebve. Arti i pafajsh\u00ebm i f\u00ebmij\u00ebve. Ky lloj arti tashm\u00eb po ve\u00e7ohet. Edhe Transavanguardia e Akile Bonito-Oliva \u00ebsht\u00eb tejkaluar. Arti i cili k\u00ebrkon kthimin tek cil\u00ebsit\u00eb tradicionale t\u00eb vepr\u00ebs s\u00eb artit: universaliteti, nevoja, autenticiteti, cil\u00ebsi q\u00eb i gjejm\u00eb t\u00eb gjitha tek Transavanguardia.<\/p>\n<p><strong>Pse arti i artist\u00ebve q\u00eb pikturojn\u00eb si f\u00ebmij\u00ebt ka m\u00eb shum\u00eb vler\u00eb se \u00e7do lloj arti n\u00ebp\u00ebr histori t\u00eb artit?<\/strong><\/p>\n<p>\u00c7do shkarravin\u00eb, vij\u00eb, form\u00eb, ngjyr\u00eb, jo e sakt mbas vlersimit kritik t\u00eb nj\u00eb njeriu t\u00eb pjekur, ka m\u00eb shum\u00eb vler\u00eb se sa nj\u00eb moll\u00eb, ose nj\u00eb vazo apo ndonj\u00eb portret i pikturuar nga nj\u00eb i rritur. Arsyeja \u00ebsht\u00eb se dora vepron mbas udh\u00ebzimit t\u00eb brendsh\u00ebm t\u00eb ndjenjave, shqisave, ritmit t\u00eb zemr\u00ebs dhe mendjes. Pra nuk \u00ebsht\u00eb aq e r\u00ebnd\u00ebsishme tema sa jan\u00eb l\u00ebvizjet e vijave dhe kombinimi i ngjyrave t\u00eb f\u00ebmij\u00ebve. Aty gjejm\u00eb pafajsin\u00eb, sinqeritetin, an\u00ebn e bardh shpirt\u00ebrore, tamam pjekurin\u00eb e nj\u00eb artisti i cili kthehet p\u00ebrmes mendimit t\u00eb kthimit n\u00eb f\u00ebmij\u00ebrin\u00eb e tij naive t\u00eb kompletuar nga fantazia dhe forma.<\/p>\n<p>Krijohet ajo \u00e7ilt\u00ebrsia, ngroht\u00ebsia, monologu, dialogu me personazhet fiktive, por edhe reale q\u00eb lindin nga imagjinata e femij\u00ebve. Ngroht\u00ebsia e shpirtit me tela me gjemba, ose jan\u00eb si trandafil\u00eb pa thera. \u201c\u00c7do f\u00ebmij\u00eb \u00ebsht\u00eb artist. \u00c7\u00ebshtja q\u00eb ai t\u00eb mbetet i till\u00eb edhe kur t\u00eb rritet\u201d, shkruan Pablo Pikaso. Arti i f\u00ebmij\u00ebris\u00eb \u00ebsht\u00eb arti m\u00eb i vlefsh\u00ebm i t\u00eb gjitha koh\u00ebrave.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ilir Muharremi, kritik i artit Arti kultivon iden\u00eb e bukuris\u00eb q\u00eb pushton \u00e7do shekull. Ideja krijohet n\u00eb rib\u00ebrje t\u00eb llogaris\u00eb s\u00eb vet artistit, pra artisti e rib\u00ebn bot\u00ebn p\u00ebr llogari t\u00eb veten. \u201cFantazia e artistit \u00ebsht\u00eb realitet m\u00eb i bukur se realiteti i r\u00ebndomt\u00eb\u201d, shkruan Ashi. Pra, artisti heq pluhurin e sht\u00ebpive t\u00eb plurosura. Bukuria [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":51308,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[],"class_list":["post-69606","post","type-post","status-publish","format-standard","has-post-thumbnail","category-artikuj"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Arti i sot\u00ebm krijohet me plehra - FJALA e LIR\u00cb<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/jehonashqiptare.al\/fjala\/arti-i-sotem-krijohet-me-plehra\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Arti i sot\u00ebm krijohet me plehra - FJALA e LIR\u00cb\" \/>\n<meta property=\"og:description\" content=\"Ilir Muharremi, kritik i artit Arti kultivon iden\u00eb e bukuris\u00eb q\u00eb pushton \u00e7do shekull. 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