{"id":70475,"date":"2021-07-30T20:15:28","date_gmt":"2021-07-30T18:15:28","guid":{"rendered":"https:\/\/fjala.info\/?p=70475"},"modified":"2021-07-30T20:15:28","modified_gmt":"2021-07-30T18:15:28","slug":"diskursi-i-narracionit-modern","status":"publish","type":"post","link":"https:\/\/jehonashqiptare.al\/fjala\/diskursi-i-narracionit-modern\/","title":{"rendered":"DISKURSI I NARRACIONIT MODERN"},"content":{"rendered":"

Mehmetali Rexhepi: \u201cKALLINJT\u00cb E \u00c7ATIS\u00cb\u201d,\u00a0\u00a0roman, botoi \u201cLena\u201d \u2013 Prishtin\u00eb, 2020<\/em><\/p>\n

Xheladin MJEKU<\/strong><\/p>\n

Qasje<\/strong><\/p>\n

Mehmetali Rexhepi (1951), poet, prozator dhe studiues, n\u00eb opusin e tij krijues ka num\u00ebr t\u00eb konsideruesh\u00ebm veprash letrare dhe studime n\u00eb fush\u00ebn e let\u00ebrsis\u00eb, q\u00eb d\u00ebshmojn\u00eb p\u00ebr pun\u00ebn kreative p\u00ebr shum\u00eb dekada, gjithnj\u00eb n\u00eb p\u00ebrpjekje t\u00eb prurjeve t\u00eb reja sa m\u00eb cil\u00ebsore. Ai, kolan\u00ebs s\u00eb veprave letrare ia shton edhe romanin e radh\u00ebs \u201cKallinjt\u00eb e \u00e7atis\u00eb<\/em>\u201c, q\u00eb shquhet p\u00ebr trajtimin tematik, thell\u00ebsin\u00eb e mendimit dhe vlerat estetike-letrare, duke nd\u00ebrtuar k\u00ebshtu nj\u00eb proz\u00eb elitare, q\u00eb lexohet e shijohet me \u00ebndje.<\/p>\n

Romani \u201cKallinjt\u00eb e \u00e7atis\u00eb<\/em>\u201c \u00ebsht\u00eb nd\u00ebrtuar mbi tri shtylla kryesore: larushia tematike, trajtimi i periudhave t\u00eb ndryshme kohore dhe thell\u00ebsia e mendimit filozofik-letrar. K\u00ebta katalizator\u00eb e b\u00ebjn\u00eb t\u00eb ve\u00e7ant\u00eb mbar\u00ebshtimin tematik q\u00eb trajtohet n\u00eb gjith\u00eb vepr\u00ebn romanore. Gjat\u00eb leximit t\u00eb k\u00ebsaj proze, me leht\u00ebsi e hetojm\u00eb kalimin n\u00ebp\u00ebr ngjarje t\u00eb ndryshme, q\u00eb n\u00eb brendin\u00eb e tyre ng\u00ebrthejn\u00eb kujtime t\u00eb shumta, t\u00eb cilat, ashtu t\u00eb shkap\u00ebrderdhura n\u00ebp\u00ebr periudha t\u00eb ndryshme kohore, b\u00ebjn\u00eb t\u00eb mendojm\u00eb se kemi nj\u00eb tuf\u00eb rr\u00ebfimesh, q\u00eb secila m\u00eb vete shp\u00ebrfaq nj\u00eb ndodhi t\u00eb ve\u00e7ant\u00eb.<\/p>\n

T\u00eb r\u00ebnd\u00ebsis\u00eb s\u00eb ve\u00e7ant\u00eb jan\u00eb, sidomos, shtruarja tematike, mendimi filozofik dhe diskursi psiko-analitik i ngjarjeve, t\u00eb p\u00ebrshkuara me figuracione t\u00eb shumta estetike dhe rrjedhshm\u00ebri gjuh\u00ebsore, q\u00eb leht\u00ebsojn\u00eb absorbimin e k\u00ebsaj materie tregimtare. Bashk\u00ebveprimi i k\u00ebtyre elementeve me shtrirje kohore dhe gjeografike, si dy vjeg\u00ebza t\u00eb pashk\u00ebputura deri n\u00eb p\u00ebrmbyllje e nd\u00ebrtojn\u00eb k\u00ebt\u00eb proz\u00eb romanore. Mendimi i\u00a0Jorge Luis Borges se \u201clibri \u00ebsht\u00eb vazhdim i kujtes\u00ebs dhe i imagjinat\u00ebs<\/em>\u201d, e p\u00ebrkufizon k\u00ebt\u00eb vler\u00ebsim q\u00eb n\u00eb fillim t\u00eb zb\u00ebrthimit l\u00ebndor t\u00eb romanit.<\/p>\n

Poetika e rr\u00ebfimit<\/strong><\/p>\n

Kat\u00ebr cop\u00ebzat e k\u00ebsaj vepre letrare mund t\u00eb trajtohen edhe si kat\u00ebr grupime esesh, apo edhe si kat\u00ebr novela. N\u00eb fakt k\u00ebto p\u00ebrb\u00ebjn\u00eb kat\u00ebr skajet e nj\u00eb ngrehine t\u00eb p\u00ebrbashk\u00ebt, q\u00eb si nj\u00eb t\u00ebr\u00ebsi e nd\u00ebrtojn\u00eb strumbullarin fabular t\u00eb romanit. Ky nd\u00ebrtim i nd\u00ebrsjell\u00eb trajton \u201cngesh\u00ebm\u201d situata t\u00eb ndryshme, duke i plot\u00ebsuar k\u00ebto \u201ccop\u00ebza romani\u201d, q\u00eb b\u00ebjn\u00eb t\u00ebr\u00ebsin\u00eb e \u201cKallinjve t\u00eb \u00e7atis\u00eb<\/em>\u201d, prej nga prekim begatin\u00eb e k\u00ebtyre orvatjeve narrative n\u00eb koh\u00eb dhe hap\u00ebsir\u00eb. Q\u00ebndresa e gjeneratave t\u00eb shumta do t\u00eb veproj\u00eb pareshtur n\u00eb shk\u00ebputjen e zinxhirit t\u00eb prangave shekullore, q\u00eb pastaj t\u00eb kuror\u00ebzohet me realizimin e \u00ebndrrave p\u00ebr liri. Kjo do t\u00eb evoluoj gjat\u00eb t\u00ebr\u00eb rrug\u00ebtimit prozaik t\u00eb romanit, p\u00ebr t\u00eb b\u00ebr\u00eb kupol\u00ebn e frutave t\u00eb nj\u00eb pune n\u00eb p\u00ebrmasa komb\u00ebtare.<\/p>\n

N\u00eb studimin e saj \u201cAleanca letrare m\u00eb e madhe e t\u00eb gjitha koh\u00ebrave; ju, autori dhe personazhi\u201d, Lisa Zeidner, nd\u00ebr t\u00eb tjerat shprehet: \u201cZgjedhja e k\u00ebndv\u00ebshtrimit p\u00ebrfshin manipulimin e zot\u00eb dhe rregullimin e aleancave me personazhet. N\u00eb t\u00eb v\u00ebrtet\u00eb, p\u00ebr mendimin tim, k\u00ebto manipulime p\u00ebrb\u00ebjn\u00eb vet\u00eb thelbin e let\u00ebrsis\u00eb artistike dhe jan\u00eb m\u00eb qendrore dhe t\u00eb qen\u00ebsishme se sa subjekti \u2013 t\u00eb cilat trillimi letrar, i cili sfidon besnik\u00ebrin\u00eb ndaj autorit apo personazhet, arrin t\u2019i b\u00ebj\u00eb plot\u00ebsisht me sukses<\/em>\u201d. Ky, mbase \u00ebsht\u00eb p\u00ebrcaktor i q\u00ebndruesh\u00ebm edhe n\u00eb konfigurimin e ngjarjeve dhe t\u00eb personazheve n\u00eb romanin e Mehmetali Rexhepit.<\/p>\n

Romani \u201cKallinjt\u00eb e \u00e7atis\u00eb<\/em>\u201d nuk i q\u00ebndron besnik nd\u00ebrtimit klasik tradicional, ku krye-personazhi n\u00eb vazhdim\u00ebsi t\u00ebrheq ngjarjet drejt pik\u00eb q\u00ebllimit, rreth t\u00eb cilit trajtohen ngjarjet e tjera. Shtrirja e gjer\u00eb e veprimeve krijon pasqyr\u00ebn e nj\u00eb tabloje, p\u00ebrmes s\u00eb cil\u00ebs parakalojn\u00eb ngjarje e personazhe, t\u00ebr\u00ebsia e t\u00eb cilave nd\u00ebrtojn\u00eb kupol\u00ebn narrative t\u00eb l\u00ebnd\u00ebs prozaike.<\/p>\n

Kjo proz\u00eb e modelimit poetik, me narrativ\u00eb ndryshe nga ajo klasike, q\u00eb jemi m\u00ebsuar ta kemi pothuajse \u00e7doher\u00eb n\u00eb romanin ton\u00eb, shquhet p\u00ebr ve\u00e7antit\u00eb e saja krijuese, p\u00ebr l\u00ebnd\u00ebn p\u00ebrmbajtjesore, densitetin e shtjellimit, ruajtjen e origjinalitetit dhe mendimit intelektual gjat\u00eb\u00a0\u00a0trajtimit t\u00eb universit letrar.<\/p>\n

Narracione q\u00eb nd\u00ebrlidhin nj\u00eb epok\u00eb<\/strong><\/p>\n

Pa mos u ndalur gjat\u00eb n\u00eb \u00e7donj\u00ebr\u00ebn nga kat\u00ebr \u201ccop\u00ebzat e romanit\u201d, do t\u00eb ve\u00e7oja disa nga\u00a0\u00a0\u00a0karakteristikat q\u00eb reflektojn\u00eb imazhe jete dhe ngjarje nga m\u00eb interesantet, si p\u00ebr nga trajtimi tematik, ashtu edhe p\u00ebr narracionin modern t\u00eb nd\u00ebrtimit t\u00eb k\u00ebsaj proze.<\/p>\n

T\u00eb vjelat e letr\u00ebs.<\/em>– N\u00eb p\u00ebrpjekje t\u00eb p\u00ebrballjes me situatat e krijuara q\u00eb ndryshonin nga nj\u00eb \u00e7ast, n\u00eb \u00e7astin tjet\u00ebr, vazhdonte t\u00eb \u201cMbizot\u00ebronte ende terri. Territ i shpohej sfondi prej shigjetave t\u00eb agmis\u00eb; do t\u00eb grisej shpejt dhe t\u2019i hapej udha rinore\u2026Kishte ecur asaj \u201cRruge\u2026\u201d Ku e shpinte autorin?…<\/em>\u201d (\u201cLetra me shkronja gjaku\u201d, f. 21).\u00a0<\/em>Ecja n\u00ebp\u00ebr k\u00ebt\u00eb terrin\u00eb,\u00a0<\/em>n\u00eb fakt \u00ebsht\u00eb esenca e rrug\u00ebtimit t\u00eb autorit n\u00ebp\u00ebr koh\u00eb, duke shqyer edhe terrin, q\u00eb ishte vet\u00eb rreziku i pambarim n\u00eb at\u00eb ecejake aq t\u00eb gjat\u00eb e plot sprova. K\u00ebtu kontrastet meditative dalin n\u00eb rrafshin kohor dhe politik, meq\u00eb n\u00eb vazhdim\u00ebsi frynin er\u00ebra t\u00eb rr\u00ebmbyeshme, prej nga \u201cacaret, vinin pik\u00ebrisht prej fonemave akullnajore (ul\u00eb)ruse<\/em>\u201d. Pik\u00ebrisht me k\u00ebto ul\u00ebrima karpatiane do t\u00eb p\u00ebrballet edhe autori, n\u00eb p\u00ebrpjekje t\u00eb vazhdueshme n\u00eb kapjen e \u00e7do veprimi, qoft\u00eb t\u00eb rast\u00ebsish\u00ebm, apo t\u00eb parap\u00ebrgatitur nga falangat e pushtetit ogurzi, ku gjith\u00e7ka synonte ta arrinte p\u00ebrmes territ, q\u00eb dal\u00ebngadal\u00eb kishte filluar t\u00eb \u201cgrisej\u2026 dhe t\u2019i hapej udha rinore<\/em>\u201d. Jo vet\u00ebm n\u00eb \u201cLetra me shkronja gjaku<\/em>\u201d, por, pothuajse n\u00eb shumic\u00ebn e rr\u00ebfimeve t\u00eb k\u00ebsaj proze romanore e p\u00ebrshkojn\u00eb elemente biografike t\u00eb autorit, duke qen\u00eb edhe vet pjes\u00eb e k\u00ebsaj periudhe historike.<\/p>\n

\u201c-B\u00ebje diell shpirtin t\u00ebnd t\u00eb kesh rreze p\u00ebr t\u00eb tjer\u00ebt, edhe pse mund t\u00eb shkrumbohesh\u2026<\/em>\u201d do t\u00eb shprehte besimin e tij, autori, q\u00eb n\u00eb pjes\u00ebn d\u00ebrmuese t\u00eb rr\u00ebfimeve vej\u00ebrojm\u00eb prezenc\u00ebn e tij n\u00eb vet\u00ebn e par\u00eb t\u00eb rr\u00ebfimtarit t\u00eb ngjarjeve, sikur ndodh edhe k\u00ebtu n\u00eb \u201cLetr\u00ebn e korrikut\u201d, ku shp\u00ebrfaq gjith\u00e7ka gjat\u00eb k\u00ebsaj kohe, meq\u00eb \u201cI mor\u00ebn shum\u00eb\u00e7ka k\u00ebsaj bote, por nuk i merren dot t\u00eb gjitha globit, se ia djegin t\u00eb nes\u00ebrmen vetvetes<\/em>\u201d. Ata, ndon\u00ebse ndryshuan gjith\u00e7ka duke ngritur e rr\u00ebzuar regjime n\u00eb em\u00ebr t\u00eb \u201cdrejt\u00ebsis\u00eb s\u00eb m\u00ebshir\u00ebs<\/em>\u201d, mbet\u00ebn p\u00ebrbuz\u00ebsit e p\u00ebrhersh\u00ebm, n\u00eb kund\u00ebrveprimet e k\u00ebsaj kafsh\u00ebrie mbi njer\u00ebzimin.<\/p>\n

K\u00ebtu, ai (kupto: autori, n\u00eb cil\u00ebsin\u00eb e treguesit t\u00eb ngjarjeve) bashk\u00eb me Vet\u00ebn do t\u00eb cil\u00ebsohen si \u201cm\u00ebkatar\u00eb t\u00eb pash\u00ebruesh\u00ebm\u201d. Pik\u00ebrisht mbi bazamentin e k\u00ebtij \u201cm\u00ebkatari t\u00eb pash\u00ebruesh\u00ebm\u201d do t\u00eb veproj gjat\u00eb gjith\u00eb koh\u00ebs, duke nd\u00ebrtuar besimin se \u201c-Betejat e padukshme dhe luft\u00ebrat jan\u00eb para nesh si dhe sherret<\/em>\u201d, q\u00eb do ta p\u00ebrcjellin deri n\u00eb \u00e7lirimin shpirt\u00ebror dhe emocional, ku si\u00e7 do t\u00eb shprehet: \u201cGjithsesi normalja njer\u00ebzore edhe mua m\u00eb m\u00ebrgohej n\u00eb di\u00e7ka, q\u00eb as shihej, as prekej, as m\u00eb mbante, as m\u00eb l\u00ebshonte\u2026Mes k\u00ebtyre alternativave ve\u00e7se l\u00ebngu i shpres\u00ebs m\u00eb pohonte n\u00eb tru rrokullisjen e globit<\/em>\u201d (po aty, f. 36).<\/p>\n

Nj\u00eb ndjesi impulsive e personifikon k\u00ebt\u00eb pjes\u00eb t\u00eb tregimeve-ese q\u00eb p\u00ebr narracion kan\u00eb kujtes\u00ebn, si \u201cThell\u00ebsi<\/em>\u201d, prej nga m\u00ebtojn\u00eb t\u00eb shpalosin \u201cThesaret<\/em>\u201d, me nj\u00eb p\u00ebrmbyllje josh\u00ebse, si improvizim mashtrues ndaj realiteteve fiktive, me loj\u00eb fjal\u00ebsh e tundime mendimesh, prej nga kuptojm\u00eb se pushtuesi ogurzi edhe \u201cBot\u00ebs shtazore ia mori intelektin e ia la instinktin, bot\u00ebs njer\u00ebzore ia fali men\u00e7urin\u00eb e zilin\u00eb dhe etik\u00ebn p\u00ebr t\u2019i fshehur instinktet<\/em>\u201d, meq\u00eb rruga e pafund e mashtrimeve sjell edhe dyshimet e pazb\u00ebrthyera, sepse \u201cN\u00eb filozofi mund t\u00eb hysh i ri e t\u00eb dal\u00ebsh i plakur\u2026<\/em>\u201d, apo e kund\u00ebrta e k\u00ebsaj: \u201cmund t\u00eb hysh plak e t\u00eb dal\u00ebsh f\u00ebmij\u00eb!<\/em>\u201d, q\u00eb kurr\u00eb nuk dihet \u201cse ku mund t\u00eb jet\u00eb kufiri i t\u00eb s\u00eb v\u00ebrtet\u00ebs<\/em>\u201d, meq\u00eb \u201cHir\u00ebsia e Tij e Madh\u00ebrishme nj\u00ebr\u00ebs bot\u00eb i dha ndjeshm\u00ebrin\u00eb e drejtp\u00ebrdrejt\u00eb, nd\u00ebrsa tjetr\u00ebs, po aq ndjeshm\u00ebri, n\u00eb mos m\u00eb shum\u00eb, intriga e dinak\u00ebri p\u00ebr lum\u00eb<\/em>\u201d ((\u201cModeli i l\u00ebnesh\u00ebs\u201d, po aty, f. 18).<\/p>\n

Me t\u00eb \u201cVjelat e letr\u00ebs<\/em>\u201d gjejm\u00eb pik\u00ebnisjen e d\u00ebshmive p\u00ebrball\u00eb nj\u00eb arsenali t\u00eb pafund t\u00eb veprimeve denigruese dhe tep\u00ebr t\u00eb dhunshme, prej nga ishte prekur \u00e7do l\u00ebmi e sektor i jet\u00ebs nga kjo bish\u00eb e t\u00ebrbuar shekullore. K\u00ebto veprime kaq t\u00eb shfrenuara dhune gjat\u00eb nj\u00eb periudhe t\u00eb gjat\u00eb kohore, do t\u2019i plasohen si d\u00ebshmi e shkruar brezave, q\u00eb s\u00eb paku ta kuptojn\u00eb se cilat ishin q\u00ebllimet e k\u00ebtij agresori ndaj nj\u00eb populli \u201cfajtor\u201d q\u00eb k\u00ebmb\u00ebngulte t\u00eb jetonte n\u00eb trojet e veta st\u00ebrgjyshore, qoft\u00eb edhe me \u00e7mimin e jet\u00ebs.<\/p>\n

Kataraktet e shpirtit<\/em>. – Rr\u00ebfimet zinxhirore q\u00eb nd\u00ebrtojn\u00eb epok\u00ebn e ngjarjeve t\u00eb nd\u00ebrlidhura me kauz\u00ebn, simbolikisht do t\u00eb identifikohen me \u201cMoll\u00ebn e krymt\u00eb<\/em>\u201d. N\u00eb fak, ai krimb po udh\u00ebtonte pareshtur n\u00eb mendjet e njer\u00ebzve, q\u00eb tashm\u00eb kishin nuhatur me sakt\u00ebsi q\u00ebllimet e sunduesit, duke i q\u00ebndruar p\u00ebrball\u00eb demaskimit t\u00eb k\u00ebtyre veprimeve t\u00eb nd\u00ebrtuara me strategji t\u00eb planifikuar me plot\u00eb rreziqe dhe intriga. K\u00ebto veprime, ishin projektuar kund\u00ebr t\u00eb gjith\u00ebve dhe kund\u00ebr askujt, me pretendimin e\u00a0\u00a0ruajtjes s\u00eb nj\u00eb \u201cbashk\u00ebjetese\u201d ballkanike, q\u00eb nuk ishte ve\u00e7se nj\u00eb okupim i sforcuar n\u00eb p\u00ebrballje me rrethanat e krijuara, tashm\u00eb.<\/p>\n

K\u00ebtu vlen t\u00eb kujtohen ndryshimet e klas\u00ebs intelektuale, q\u00eb kishin prekur palc\u00ebn e qeverisjes s\u00eb kalbur, duke ia l\u00ebkundur velat e drejtimit, p\u00ebr ta b\u00ebr\u00eb t\u00eb pasigurt n\u00eb lundrimin e uj\u00ebrave, q\u00eb duksh\u00ebm ishin turbulluar. Dal\u00ebngadal\u00eb po shembej kjo kull\u00eb q\u00eb nga pirgu, p\u00ebr ta humbur busull\u00ebn e rrug\u00ebtimit n\u00eb \u00e7do drejtim. Nj\u00eb perde politike, si katarakt i holl\u00eb, me synime t\u00eb nj\u00eb verbimi t\u00eb vazhduesh\u00ebm, ishte shfaqur n\u00eb sken\u00ebn politike gjithandej Gadishullit Ballkanik, meq\u00eb bish\u00ebn komuniste e kishte z\u00ebn\u00eb l\u00ebngata e shp\u00ebrb\u00ebrjes. N\u00eb k\u00ebt\u00eb kontest po veprohej edhe k\u00ebtu, ku populli, ndon\u00ebse i gjendur mes torturave dhe varf\u00ebris\u00eb s\u00eb skajshme, t\u00eb vet\u00ebdijsh\u00ebm edhe n\u00eb rrezikun e p\u00ebrballjes me pasojat, gjithnj\u00eb e m\u00eb bindsh\u00ebm po konsolidohej n\u00eb organizime e aktivitete t\u00eb ndryshme, q\u00eb p\u00ebr q\u00ebllim kishin rr\u00ebnimin sa m\u00eb t\u00eb shpejt\u00eb t\u00eb k\u00ebsaj kulle t\u00eb brisht\u00eb shtrigash. Ishte kjo periudha e viteve t\u00eb pes\u00ebdhjetegjashta t\u00eb shekullit t\u00eb kaluar, kur po zhvilloheshin ngjarjet m\u00eb makabre ndaj nj\u00eb populli t\u00eb vuajtur, ku e keqja sa vinte e i b\u00ebhej m\u00eb prezent n\u00eb jet\u00ebn e tyre.<\/p>\n

Kishin filluar ekspedita t\u00eb m\u00ebdha nd\u00ebshkimore ndaj shum\u00eb familjeve t\u00eb njohura, t\u00eb cil\u00ebve u k\u00ebrkoheshin arm\u00eb, me q\u00ebllimin e frik\u00ebsimit t\u00eb tyre, q\u00eb ta braktisin atdheun, duke l\u00ebn\u00eb k\u00ebtu gjith\u00e7ka kishin. Reprezaljet e tilla po merrnin p\u00ebrmasa t\u00eb m\u00ebdha, sa q\u00eb\u00a0\u00a0njer\u00ebzit kishin filluar t\u00eb humbasin shpresat p\u00ebr jet\u00eb t\u00eb m\u00ebtejme n\u00eb trojet e tyre. N\u00eb k\u00ebto rrethana shfaqen edhe guximtar\u00eb q\u00eb do t\u00eb p\u00ebrballeshin me t\u00eb keqen, pavar\u00ebsisht se cilat do t\u00eb ishin pasojat. \u201cMotin e trembnin dhe frik\u00ebsonin vet\u00ebtimat e reve, futa t\u00eb zeza dhe shkreptimat e artileris\u00eb s\u00eb rrufeve, kur luftonin dragonjt\u00eb e paragjykuar, por ato ishin kalimtare, ngase pasonte kthjellt\u00ebsia e \u00e7ilt\u00ebrsia e shpirtit<\/em>\u201d\u00a0\u00a0Nami nuk ndihej i rrezikuar nga ndryshimet e motit, sa nga pasojat q\u00eb i kishin shkaktuar hijet e zeza t\u00eb nat\u00ebs, t\u00eb cilat i kishin p\u00ebrgjuar edhe dy v\u00ebllez\u00ebrit e tij, \u201cMeq\u00eb nuk dihej se kah dhe kush i solli shqiponjat e zeza n\u00eb bezen e kuqe, t\u00eb valonin aty \u2013 k\u00ebtu n\u00eb disa zyre; hafijet kishin kapur bredharakun e rrugicave<\/em>\u201d (\u201cNami\u201d, f. 58). N\u00eb k\u00ebto dyshime se cili mund t\u00eb jet\u00eb Nami, q\u00eb q\u00ebndronte n\u00eb heshtje kur flitej shum\u00eb\u00e7ka rreth \u201cfatkeq\u00ebsis\u00eb\u201d s\u00eb tij, dikush duhet t\u2019i ket\u00eb qar\u00eb hallin: \u201c\u00c7ka dinte i shkreti Nam p\u00ebr v\u00ebllez\u00ebrit\u00a0\u00a0e tij, sidomos p\u00ebr at\u00eb q\u00eb gdhinte nat\u00ebn mbi disa letra t\u00eb shp\u00ebrndara n\u00eb dhom\u00ebz\u00ebn e tij t\u00eb vog\u00ebl?<\/em>\u201d Por m\u00eb i arsyesh\u00ebm ishte mendimi i Motit, t\u00eb cilit \u201ci dukej se pas fytyr\u00ebs s\u00eb Namit fshehkej Ai, Njeriu i Letrave<\/em>\u201d.<\/p>\n

Nami, hija dhe pamja e p\u00ebrditshme \u201c\u00e7do her\u00eb i vet\u00ebm n\u00eb rrug\u00eb. Me t\u00eb nj\u00ebjtin rit\u00ebm t\u00eb ecjes, me shikimin pa p\u00ebrshtypje t\u00eb gj\u00ebrave<\/em>\u201d, pasqyron njeriun e ilegalitetit q\u00eb personifikohet me koh\u00ebn, ngjarjet, rreziqet, intrigat, thashethemet e t\u00eb tjer\u00ebve, q\u00eb s\u00eb bashku krijojn\u00eb dyshimin, se v\u00ebrtet\u00eb, cili ishte Nami, ai i urti, i panjohuri me situatat, apo vet personazhi i t\u00eb gjitha k\u00ebtyre njohurive, q\u00eb defilonte n\u00eb \u00e7do uvertur\u00eb t\u00eb koh\u00ebs?. N\u00eb vazhdim\u00ebsi Moti do t\u00eb p\u00ebrcillte veprimet e tij, meq\u00eb \u201chetoi se n\u00eb thell\u00ebsi t\u00eb nd\u00ebrdymes s\u00eb Namit m\u00ebtohej t\u00eb ruhej past\u00ebrtia dhe pacenueshm\u00ebria e dinjitetit<\/em>\u201d (po aty, f. 64). K\u00ebto elemente biografike dhe historike t\u00eb koh\u00ebs mund t\u2019i ngjasojn\u00eb \u00e7donj\u00ebrit dhe askujt, ashtu si edhe t\u00ebr\u00ebsia romanore\u00a0\u00a0\u201cKallinjt\u00eb e \u00e7atis\u00eb<\/em>\u201d, q\u00eb p\u00ebrkon me mburoj\u00ebn e koh\u00ebs dhe njer\u00ebzit e ak\u00ebcil\u00ebs periudh\u00eb, duke mbrujtur n\u00eb brendi veprimet dhe veprat e t\u00ebr\u00ebsis\u00eb narrative.<\/p>\n

Turbulluesit e situatave t\u00eb pushtetit do t\u00eb ndiqen n\u00eb \u00e7do hap p\u00ebr t\u2019u sjell\u00eb n\u00eb Zyrat e Shtr\u00ebngat\u00ebs, prej nga do t\u2019iu \u201ccaktohet t\u00eb luanin role tragjike n\u00eb Teatrin e Zi<\/em>\u201d, p\u00ebr t\u2019i tjet\u00ebrsuar nga veprimet e tyre, me q\u00ebllimin q\u00eb t\u2019i kthejn\u00eb n\u00eb veprime t\u00eb kund\u00ebrta me bashk\u00ebmendimtar\u00ebt. Mbi k\u00ebto tortura shkojn\u00eb deri n\u00eb mas\u00ebn e k\u00ebrc\u00ebnimeve: \u201cOse do ta b\u00ebni \u201cfaktin\u201d q\u00eb t\u00eb preket, ose do ta pillni<\/em>!\u201d, p\u00ebr t\u00eb p\u00ebrdorur n\u00eb vazhdim\u00ebsi forma e metoda nga m\u00eb t\u00eb tmerrshmet, duke i k\u00ebrc\u00ebnuar se do t\u2019iu hapin \u201cxhepa l\u00ebkure n\u00eb kofsh\u00eb, q\u00eb kur t\u2019iu m\u00ebrdhijn\u00eb duart le t\u2019i fusin n\u00eb xhepat e tyre t\u00eb nxeht\u00eb<\/em>\u201d (\u201cP\u00ebrd\u00ebllimtari\u201d, f. 69).<\/p>\n

\u201c-Shum\u00eb bukur! \u2013 \u00c7far\u00eb ideje humanitare, Shef!\u201d-<\/em>\u00a0do t\u00eb shpreheshin p\u00ebr nj\u00eb veprim t\u00eb k\u00ebtill\u00eb, t\u00eb thirrur n\u00eb \u201chumanitetin\u201d ogurzi, me arsyetimin \u201cq\u00eb t\u00eb shp\u00ebtonte populli nga helmimi!<\/em>\u201d K\u00ebto ishin veprimet e bastard\u00ebve t\u00eb pushtetit ndaj nj\u00eb populli liridash\u00ebs. N\u00eb kontest t\u00eb k\u00ebtyre reprezaljeve kujtesa kthehet n\u00eb periudh\u00ebn e para dyzet vitesh, kur kishte pasuar k\u00ebrc\u00ebnimi se \u201cDuhet ta djegim vendin ku ke ndej\u00eb e ku ke shkelur ti<\/em>!\u201d, p\u00ebr ta kundruar me rrezikshm\u00ebrin\u00eb e nd\u00ebrsjell\u00eb:<\/p>\n

\u201c-Gjysh,\u00a0\u00a0si m\u00eb ngjan\u00eb kjo, t\u00eb kesh qen\u00eb virus m\u00eb i rreziksh\u00ebm se \u201cCovid-19\u201d\u2026<\/em><\/p>\n

-Ha, ha, ha, ha \u2013 e shkundi e qeshura n\u00eb korin e gjat\u00eb prej tet\u00eb mij\u00eb kilometrash\u2026<\/em><\/p>\n

-Mir\u00ebpo, un\u00eb isha virus i duksh\u00ebm dhe i kapsh\u00ebm Valor djali\u2026\u201d<\/em>\u00a0( \u201cN\u00ebm\u00ebt\u201d, f. 86).<\/p>\n

Ky citim shp\u00ebrfaq mund\u00ebsin\u00eb e pasojave n\u00eb kontinuitet, po t\u00eb identifikohej ndonj\u00eb \u201cvirus\u201d, q\u00eb do ta ket\u00eb infektuar popullin me agjitacion politik, duke u ndjekur edhe p\u00ebrtej oqeanit. Viruset e\u00a0\u00a0p\u00ebrhersh\u00ebm, ata t\u00eb jasht\u00ebzakonshmit, t\u00eb padukurit, do ta ken\u00eb b\u00ebr\u00eb pun\u00ebn e vet, p\u00ebr t\u2019ia kthyer kujtes\u00ebn njer\u00ebzimit p\u00ebr pasojat dhe pasigurin\u00eb e p\u00ebrhershme. \u201cJa si rrjedhka jetesa e \u201cliris\u00eb\u201d mes mynxyrash t\u00eb jesh i mbyllur dhe i heshtur derisa t\u00eb kal\u00ebroj\u00eb paria e virusit Korona<\/em>!\u201d K\u00ebto ballafaqime q\u00eb ndodhin n\u00eb koh\u00ebra, sado t\u00eb larg\u00ebta, shprehin ngjashm\u00ebrin\u00eb e rrezikut, me dallimin e vet\u00ebm t\u00eb mjeteve t\u00eb veprimit.<\/p>\n

Sa larg do t\u00eb ken\u00eb shkuar masat \u201cnd\u00ebshkuese\u201d ndaj kund\u00ebrshtar\u00ebve t\u00eb pushtetit, flet edhe veprimi i \u201cp\u00ebrsosur\u201d ku e detyrojn\u00eb t\u00eb flste edhe gomari. N\u00eb pamund\u00ebsin\u00eb e veprimeve kund\u00ebr argumentit t\u00eb tyre, Hila detyrohet t\u00eb pranoj \u201cfajin\u201d e b\u00ebr\u00eb.<\/p>\n

\u201c- Masi gomarin tim Besnikun e paskni shti me fol e me kallxu kshtu, s\u2019kam \u00e7ka baj: e pranoj!
\n<\/em>Zyrtari me nj\u00eb buz\u00ebqeshje t\u00eb \u00e7astit i ofroi shkres\u00ebn:
\n<\/em>– N\u00ebnshkruani k\u00ebtu!
\n<\/em>P\u00ebr Hil\u00ebn niste nata e gjat\u00eb, m\u00eb e gjata jasht\u00eb kasolles tij\u2026
\n<\/em>Hila iu kthye vetvetes dhe Besnikut sikurse ta kishte aty:
\n<\/em>– Ah Besnik, Besnik g\u00ebrdalla jem i dashtun!…
\n<\/em>– Ma mir\u00eb t\u2019ish kan\u00eb kjo nat\u00eb nata e vorrit tem!<\/em>\u201d (\u201cD\u00ebshmia e gomarit<\/strong>\u201d, f. 112).<\/p>\n

K\u00ebto dhe shum\u00eb veprime tjera d\u00ebshmojn\u00eb qart\u00eb se cili ishte synimi i pushtuesit, derisa rinia dhe bota intelektuale p\u00ebrfundimisht do ta zgjedhin rrug\u00ebn e ardhm\u00ebris\u00eb, pavar\u00ebsisht mynxyrave q\u00eb do t\u00eb kalojn\u00eb.<\/p>\n

Majbora. <\/em>– Me fuqin\u00eb politike dhe mashtruese, si dy arm\u00eb t\u00eb sofistikuara t\u00eb koh\u00ebs, pothuajse n\u00eb gjith\u00eb Gadishullin Ballkanik po veprohej me t\u00eb nj\u00ebjtin model t\u00eb sundimit dhe okupimit bizar ndaj popujve autokton. Me parullat m\u00eb t\u00eb padenja dhe aspak t\u00eb v\u00ebrteta kishin nd\u00ebrtuar sisteme udh\u00ebheqjeje, q\u00eb n\u00eb k\u00ebto vende merreshin si forma t\u00eb reja t\u00eb nd\u00ebrtimit t\u00eb ardhm\u00ebris\u00eb s\u00eb popujve, q\u00eb kishin vuajtur nga sundues t\u00eb m\u00ebparsh\u00ebm. Kundruall k\u00ebtyre veprim-mashtrimeve, Mehmetali Rexhepi do ta thjesht\u00ebsoj\u00eb kuptimin e k\u00ebsaj politike okupuese, meq\u00eb: \u201cT\u00eb gjith\u00eb diktator\u00ebt e bot\u00ebs mbi argumente t\u00eb sforcuara skajsh\u00ebm e ngrit\u00ebn sundimin e tyre, duke shkelur mbi njer\u00ebz sikurse mbi gur\u00ebt e rrugicave t\u00eb vjetra\u201d\u00a0<\/em>(\u201cN\u00eb vorbull\u00ebn e pik\u00ebllimit<\/strong>\u201d, f. 119), p\u00ebr t\u00eb shpalosur ngjarje tjera t\u00eb shumta, ku secila n\u00eb ve\u00e7anti paraqet nj\u00eb karakteristik\u00eb t\u00eb sistemit, me t\u00eb gjitha veprimet e tij t\u00eb sundimit shfaros\u00ebs dhe d\u00ebbues, n\u00eb mas\u00ebn e pakufizuar t\u00eb veprimeve okupuese t\u00eb trojeve tona. N\u00eb k\u00ebto relacione veprimi ndonj\u00ebri edhe mund t\u00eb ngrihej n\u00eb \u00e7do aspekt, si n\u00eb at\u00eb material, ashtu edhe n\u00eb aspektin politik, por mosbindja ndaj k\u00ebtij realiteti Motin do ta kishte hedhur n\u00eb an\u00ebn tjet\u00ebr t\u00eb \u201cloj\u00ebs\u201d, ku n\u00eb asnj\u00eb m\u00ebnyr\u00eb nuk do t\u00eb ket\u00eb mund\u00ebsi\u00a0\u00a0t\u00eb nd\u00ebrtoj\u00eb as sht\u00ebpi, as lumturi, \u201cduke iu shmangur kalkeve me ndershm\u00ebri t\u00eb vet<\/em>\u201d, ndon\u00ebse dikush \u201cKrenarin\u00eb e ngriti mbi varf\u00ebri, derisa shum\u00eb kush i shiti goglat p\u00ebr rrush dhe u vesh me g\u00ebzofin vezullues t\u00eb hajnis\u00eb s\u00eb modifikuar<\/em>\u201d (po aty, f. 121).<\/p>\n

\u201cNgjyra e mall\u00ebngjimit<\/em>\u201d si nj\u00eb parafytyrim i ngjarjeve tjera, po aq t\u00eb vler\u00ebsuara t\u00eb njer\u00ebzve n\u00eb m\u00ebrgim shpeshher\u00eb del paksa m\u00eb e sforcuar, duke sjell\u00eb emra e personalitete t\u00eb padenj\u00eb q\u00eb merren me kauz\u00ebn; insistojn\u00eb q\u00eb kushtimisht t\u00eb ngrinin z\u00ebrin mes turm\u00ebs mall\u00ebngjyese p\u00ebr gjendjen e atdheut, p\u00ebr t\u00eb shfryr\u00eb urrejtjen ndaj okupuesit nga nj\u00eb larg\u00ebsi disa qindra kilometrike. T\u00eb tilla brohoritje, ndonj\u00ebher\u00eb ngjasojn\u00eb n\u00eb parulla ditore kund\u00ebrth\u00ebn\u00ebse, her\u00eb t\u00eb ngrinin flok\u00ebt nga fuqia e tyre improvizuese, si:\u00a0\u201c- Autoritete t\u00eb k\u00ebtij shteti! Deri ku do t\u00eb shkoj\u00eb verb\u00ebria juaj pushtuese?!<\/em>\u201d; \u201cSi mund t\u2019u vihet dryni tempujve t\u00eb dijes s\u00eb autokton\u00ebve, n\u00eb kap\u00ebrcyell t\u00eb shekullit nj\u00ebzet e n\u00eb nism\u00ebn e nj\u00ebzet e nj\u00ebshit?!<\/em>\u201d;\u00a0\u201c- I dashuri popull! Gjiri juaj ka energji t\u00eb pashtershme dhe, pik\u00ebrisht n\u00eb gjirin tuaj t\u00eb ngroht\u00eb do t\u00eb hapen tempujt e drit\u00ebs s\u00eb dituris\u00eb!<\/em>\u201d, q\u00eb kishin p\u00ebr q\u00ebllim sensibilizimin e njer\u00ebzve, por edhe \u201cshfaj\u00ebsimin\u201d e ndonj\u00ebrit, q\u00eb hiqej si prijatar i kauz\u00ebs, duke mos pasur mund\u00ebsit\u00eb, e ndonj\u00ebher\u00eb edhe vullnetin e plot\u00eb t\u00eb sprovohen n\u00eb vendin e ngjarjes. K\u00ebto artikulime z\u00ebrash nga larg kan\u00eb dh\u00ebn\u00eb rezultatet e veta n\u00eb shum\u00eb m\u00ebnyra.<\/p>\n

Edhe m\u00eb tutje vazhdon t\u00eb mbetet n\u00eb sken\u00eb motivi i m\u00ebrgimit. Tashm\u00eb takojm\u00eb edhe aktivitete e krijimtari nga bota e kultur\u00ebs n\u00eb m\u00ebrgat\u00eb, ku \u201cLoja e Kaonit e ndezi ftoht\u00ebsin\u00eb e qet\u00ebsis\u00eb<\/em>\u201d, derisa k\u00ebt\u00eb personalitet, arkitektja elegante, Ana do ta p\u00ebrshkruaj:\u00a0\u201c-Kaoni \u00ebsht\u00eb si nj\u00eb yll i zbritur nga qielli?…<\/em>\u201d, duke reflektuar prirjen e saj tutje:\u00a0\u201c-Kaoni ka nj\u00eb nd\u00ebrtim unik\u00ebt!\u201d\u00a0<\/em>Q\u00ebndrimi larg vendlindjes ka shum\u00eb peripeci jete, q\u00eb reflektojn\u00eb te \u00e7donj\u00ebri, ve\u00e7mas tek Moti, me gjith\u00eb q\u00ebndrimet e tij n\u00eb mesin e bashk\u00ebvend\u00ebsve, detyrohet ta \u201cnd\u00ebrronte g\u00ebzofin sipas motit<\/em>\u201d. Kur po mbaronte \u201cmisionin\u201d e tij dhe po kthehej me shum\u00eb kujtime, mbresa e shqet\u00ebsime. \u201cE shtuna e fluturimit t\u00eb Motit i jepte n\u00eb duar dy trasta t\u2019i merrte me vete: gazmoren dhe pik\u00ebllimin e Kaonit<\/em>\u201d (\u201cTregimi p\u00ebr Kaonin\u201d, f. 142).<\/p>\n

Ngjarjet e ndryshme t\u00eb dhun\u00ebs, do ta ken\u00eb p\u00ebrcjell\u00eb n\u00eb vazhdim\u00ebsi vendin, duke u p\u00ebrballur me tmerre t\u00eb ndryshme. Zhvendosjet dhe d\u00ebbimet masive t\u00eb popullit ndodhin n\u00eb periudha t\u00eb ndryshme, duke ia ndryshuar gjeografin\u00eb atdheut. Barbaria okupuese nuk mund t\u00eb anashkalohet pa u kujtuar, qoft\u00eb edhe me pak fjal\u00eb nga krijues t\u00eb zhanreve t\u00eb ndryshme letrare, historian\u00eb, kronist\u00eb e studiues t\u00eb shumt\u00eb. Kjo, padyshim \u00ebsht\u00eb nj\u00ebra nga plag\u00ebt e thella, q\u00eb koh\u00ebrat do ta ken\u00eb krijuar n\u00eb k\u00ebto treva t\u00eb banuara q\u00eb nga lasht\u00ebsia. Gustoja e gllab\u00ebruesve shtohet n\u00eb \u00e7do periudh\u00eb kohore, e dyndjet e popujve p\u00ebsojn\u00eb n\u00eb t\u00eb gjitha aspektet.<\/p>\n

Rr\u00ebfimet e personazheve me gjuh\u00ebn e koh\u00ebs, nganj\u00ebher\u00eb mund t\u00eb kuptohen si \u201cp\u00ebrralla\u201d t\u00eb s\u00eb kaluar\u00ebs, por k\u00ebtu \u201cKronika nuk i bie ndesh p\u00ebrrall\u00ebs\u2026 Ajo shqipton zhvendosjen masive t\u00eb autokton\u00ebve prej barbar\u00ebve me simbole drap\u00ebrinjsh e s\u00ebpatash<\/em>\u201d. Padyshim se k\u00ebto ngjarje i p\u00ebrshkon pasqyrimi i vuajtjeve, torturave, vrasjeve e d\u00ebbimeve, sepse \u201cT\u00eb pand\u00ebrprera ishin luft\u00ebrat k\u00ebndej\u2026luft\u00ebra t\u00eb pabarabarta, tej logjik\u00ebs njer\u00ebzore!… Me bajoneta e bekimin e pop\u00ebve t\u00eb kishave, n\u00ebnave u kishin nxjerr foshnjat prej barkut!…<\/em>\u201d. Nj\u00eb tmerr i till\u00eb do t\u00eb ndodh n\u00eb vitet e tet\u00ebdhjet\u00eb t\u00eb shekullit XIX, prej nga jan\u00eb d\u00ebbuar e shkat\u00ebrruar shum\u00eb vendbanime, p\u00ebr t\u00eb humbur gjurm\u00ebt e ekzistenc\u00ebs s\u00eb k\u00ebtij populli. Toplica, \u00c7am\u00ebria, Karadaku, Mal\u00ebsia, etj., jan\u00eb viset q\u00eb p\u00ebsuan nga k\u00ebto tmerre n\u00eb shekuj, p\u00ebr t\u2019iu shk\u00ebputur territore t\u00eb shumta nga \u201cfqinj\u00ebt\u201d grabitqar\u00eb.<\/p>\n

Kundruall k\u00ebtyre ndodhive, q\u00eb kishin q\u00ebllime t\u00eb caktuara, njer\u00ebz t\u00eb \u00e7arqeve politike, kulturore dhe fetare t\u00eb koh\u00ebs, pareshtur u drejtohen fuqive t\u00eb m\u00ebdha dhe shteteve me ndikim n\u00eb politik\u00ebn vendimmarr\u00ebse nd\u00ebrkomb\u00ebtare, me prova e d\u00ebshmi t\u00eb shumta p\u00ebr zgjidhjen e drejt\u00eb t\u00eb kauz\u00ebs son\u00eb. Shpresat q\u00eb e mbajn\u00eb gjall\u00eb k\u00ebt\u00eb popull ishin pik\u00ebrisht k\u00ebto personalitete, q\u00eb nuk pushonin s\u00eb vepruari, me kontributin e tyre t\u00eb vazhduesh\u00ebm. I till\u00eb vjen edhe \u201cImzot Pjet\u00ebr Bogdani n\u00eb perin e nj\u00eb drite t\u00eb zbeht\u00eb kandili lidhte miliona shkronja e kuptime, mir\u00ebpo, n\u00eb ato shenja zhdavariste sfondin e zi me bardh\u00ebsin\u00eb e t\u00eb ndjellave t\u00eb veta\u2026<\/em>\u201d (\u201cKall\u00ebzimtarja\u201d, f. 148).<\/p>\n

Shp\u00ebrnguljet e \u201cmuhaxhir\u00ebve\u201d vazhdojn\u00eb t\u00eb trajtohen edhe m\u00eb tutje, duke pikasur ngjarje e vendbanime t\u00eb krijuara nga k\u00ebto d\u00ebbime. K\u00ebto familje tashm\u00eb duhet t\u00eb ken\u00eb krijuar vendq\u00ebndrimet e tyre t\u00eb p\u00ebrhershme. Ato kishin krijuar fqinj\u00ebsi e miq\u00ebsi t\u00eb reja, por plag\u00ebt nuk do t\u2019u sh\u00ebrohen kurr\u00eb, sa malli \u00a0as do t\u00eb shuhet ndonj\u00ebher\u00eb p\u00ebr trojet e tyre. Madje k\u00ebtyre plag\u00ebve do t\u2019u shtohen edhe vuajtje e plag\u00eb t\u00eb reja, qoft\u00eb nga varf\u00ebria, nga fatkeq\u00ebsit\u00eb natyrore, etj. Ndon\u00ebse \u201cRr\u00ebnj\u00ebt u ishin shkulur prej barbar\u00ebve t\u00eb stepave, t\u00eb cil\u00ebt e shtrinin acarin e zhb\u00ebrjes s\u00eb etnis\u00eb nga Nisi e k\u00ebtej deri te Manastiri<\/em>\u201d, ata kishin rinisur jet\u00ebn n\u00eb vendbanime t\u00eb reja, me dhimbje e probleme t\u00eb vjetra.<\/p>\n

Kujtesa u sillej v\u00ebrdall\u00eb p\u00ebr trojet e tyre, deri te Molla e Kuqe, q\u00eb \u201cpigmentin e kuq e kishte thithur prej l\u00ebngut t\u00eb gjakut t\u00eb dardan\u00ebve<\/em>\u2026\u201d. K\u00ebtu, p\u00ebrmes \u00e7do ngjarjeje kuptojm\u00eb se \u201cBarbaria i bie ndesh qytet\u00ebrimit<\/em>\u201d, por q\u00ebndresa heroike, si kund\u00ebrveprim i k\u00ebsaj barbarie e mposht\u00eb \u00e7do veprim t\u00eb tyre, duke v\u00ebn\u00eb shembullin se ata jan\u00eb dhe mbeten kryezot\u00ebt e trojeve t\u00eb veta. Edhe pas shum\u00eb vitesh, k\u00ebto familje do ta p\u00ebrjetojn\u00eb r\u00ebnd\u00eb dhun\u00ebn, p\u00ebrkund\u00ebr p\u00ebrpjekjeve q\u00eb t\u00eb nd\u00ebrtojn\u00eb jet\u00ebn e re. Varf\u00ebria, arsimimi dhe, n\u00eb p\u00ebrgjith\u00ebsi dalja nga kthetrat e prapambetjes s\u00eb tyre po ndryshonin me v\u00ebshtir\u00ebsi. N\u00eb munges\u00eb t\u00eb k\u00ebtyre emancipimeve, ende vazhdon t\u00eb preket paaft\u00ebsia e kuptimit t\u00eb jet\u00ebs n\u00eb mas\u00ebn e d\u00ebshirueshme, meq\u00eb prej koh\u00ebsh p\u00ebrcilleshin \u201cvirtytet\u201d e njer\u00ebzve q\u00eb \u201cKishin l\u00ebshuar rr\u00ebnj\u00eb t\u00eb thella n\u00eb koka me shtresime t\u00eb cek\u00ebta mendjesh.<\/em>\u201d<\/p>\n

Kryesisht d\u00ebgjohej fjala e predikuesve fetar, q\u00eb ishin t\u00eb mang\u00ebt n\u00eb shkollim; pastaj bes\u00ebtytnit\u00eb e ndryshme e deri te frika e p\u00ebrballjes me realitetet dhe ngjarjet q\u00eb ndodhin n\u00eb familje, duke ia l\u00ebn\u00eb n\u00eb dor\u00eb t\u00eb vendosin k\u00ebto shtresa gjysmanalfabete. N\u00eb rastin e fatkeq\u00ebsis\u00eb natyrore, ku pas rrebeshesh t\u00eb m\u00ebdha shiu e bubullimash, do t\u00eb goditet nga rrufeja Shendera, me shpejt\u00ebsi vendoset p\u00ebr varrimin e saj. K\u00ebt\u00eb ngjarje do ta pasojn\u00eb peripeci t\u00eb shumta, derisa \u201cM\u00eb n\u00eb fund t\u00eb gjith\u00eb u bind\u00ebn se Shender\u00ebn e kishin varrosur t\u00eb gjall\u00eb<\/em>?!\u201d (\u201cShendera\u201d, f. 167). Krahas torturave t\u00eb ushtruara n\u00eb vazhdim\u00ebsi nga pushteti okupues, edhe fatkeq\u00ebsit\u00eb natyrore, mungesa e arsimimit t\u00eb mjaftuesh\u00ebm, ndikimet e dyanshme t\u00eb klerik\u00ebve fetar dhe p\u00ebrdorimi i bes\u00ebtytnive t\u00eb p\u00ebrcjella n\u00eb breza, q\u00eb mund t\u00eb jen\u00eb shfryt\u00ebzuar p\u00ebr q\u00ebllime ngush\u00ebllimi, m\u00eb shum\u00eb se p\u00ebr efektet sh\u00ebruese, p\u00ebrb\u00ebjn\u00eb nj\u00eb pjes\u00eb t\u00eb konsiderueshme t\u00eb dhun\u00ebs s\u00eb pashk\u00ebputur ndaj njeriut ton\u00eb.<\/p>\n

Vera e makut\u00ebve.\u00a0<\/em>\u2013 N\u00eb plot\u00ebsin\u00eb e ngjarjeve me eset\u00eb e m\u00eb parme, do t\u00eb bashkudh\u00ebtoj\u00eb edhe ky i fundit, i ciliprek periudh\u00ebn kohore mes dy dekadash t\u00eb k\u00ebtij shekulli, q\u00eb pashk\u00ebputsh\u00ebm p\u00ebrb\u00ebjn\u00eb hallk\u00ebn e temave t\u00eb nj\u00eb periudhe kohore q\u00eb vulosi pavar\u00ebsin\u00eb. Edhe kjo koh\u00eb do t\u00eb p\u00ebrshkohet me veprimtari t\u00eb shumta politike, pastaj me r\u00ebnie-ngritje t\u00eb personaliteteve, me keqinterpretues t\u00eb vlerave shoq\u00ebrore e, deri te rrahagjoks e p\u00ebrfitues shpirtkazm\u00eb, q\u00eb nuk resht\u00ebn s\u00eb gllab\u00ebruari edhe kokrra dheu nd\u00ebr k\u00ebmb\u00ebt e njeriut t\u00eb vuajtur. Erozioni i koh\u00ebs nuk do ta ket\u00eb kursyer pothuajse asnj\u00eb veprimtari; qoft\u00eb ato vetjake, apo t\u00eb njer\u00ebzve t\u00eb sprovuar n\u00eb shtigje t\u00eb ndryshme t\u00eb jet\u00ebs, duke b\u00ebr\u00eb q\u00eb pasiguria ta mund arsyen e veprimeve q\u00ebllim-mira, deri n\u00eb p\u00ebrmasa zhg\u00ebnjimi. N\u00eb pak fjal\u00eb, do t\u00eb ve\u00e7oj disa prej k\u00ebtyre ngjarjeve e personaliteteve q\u00eb mund t\u00eb ken\u00eb reflektuar n\u00eb zhvillimin dhe transformimin e vendit. Por, nuk mungojn\u00eb edhe t\u00eb atill\u00ebt q\u00eb me p\u00ebrplasjet e tyre, me ngulm pretendojn\u00eb t\u00eb jen\u00eb pjes\u00eb e nd\u00ebrtimit t\u00eb shoq\u00ebris\u00eb, pa mos i menduar pasojat, q\u00eb do t\u2019i shkaktojn\u00eb k\u00ebsaj periudhe tranzicioni, n\u00eb vazhdim\u00ebsi.<\/p>\n

K\u00ebshtu, pas shum\u00eb m\u00ebdyshjeve p\u00ebr gj\u00ebra t\u00eb ndryshme, gjat\u00eb shk\u00ebmbimit t\u00eb bisedave dy miqt\u00eb, q\u00eb her\u00eb pajtohen me koncepte t\u00eb p\u00ebrbashk\u00ebta, e her\u00eb jan\u00eb kontrovers n\u00eb mendimet e tyre, do t\u00eb futen n\u00eb tem\u00ebn kryesore q\u00eb pason me nj\u00eb dialog t\u00eb gjat\u00eb:<\/p>\n

\u201c- Gjet\u00eb v\u00ebllai, m\u00eb n\u00eb fund b\u00ebm\u00eb nj\u00eb shtet t\u00eb brisht\u00eb\u2026
\n<\/em>– Pse \u00e7far\u00eb kujton se asht Shqipnia, byrazer\u201d\u2026
\n<\/em>– Edhe ma e brisht\u00eb se Republika juej\u2026
\n<\/em>– E till\u00eb nuk duhej t\u00eb ishte Shqip\u00ebria Per\u00ebndimore, burr\u00eb i nderuar!
\n<\/em>– Nuk duhet t\u00eb jet\u00eb, po asht, kjo si asht, si e sh\u00ebkon<\/em>\u201d (\u201cBurri vritet<\/strong>\u201d, f. 181).<\/p>\n

Ky hamend\u00ebsim rreth t\u00eb nj\u00ebjtit q\u00ebllim, b\u00ebn\u00eb t\u00eb kuptohet se ende vazhdon lufta e paqart\u00ebsive qen\u00ebsore t\u00eb njeriut t\u00eb k\u00ebtyre trevave. Kjo qasje ndryshe ndaj problemeve, veseve dhe intrigave t\u00eb koh\u00ebs,\u00a0\u00a0do t\u00eb reflektoj\u00eb gjat\u00eb k\u00ebtyre dekadave, q\u00eb si pasoj\u00eb kan\u00eb rirreshtimet n\u00eb forc\u00ebn e inercionit politik, duke krijuar boshll\u00ebqe idesh e mendimesh, pothuajse diametralisht t\u00eb kund\u00ebrta, ani pse t\u00eb gjith\u00eb rr\u00ebfehen p\u00ebr t\u00eb nj\u00ebjt\u00ebn pik\u00ebpjekje n\u00eb q\u00ebllimet par\u00ebsore, p\u00ebr t\u00eb cilat jan\u00eb rreshtuar.<\/p>\n

E dhimbshme rezulton edhe biseda tjet\u00ebr, q\u00eb shp\u00ebrfaq reflektimin kanunor, jo p\u00ebr faktin e zbatimit t\u00eb tij, po p\u00ebr rrahagjokse mburravec\u00ebsh mbi kurrizin e tij, p\u00ebr t\u00eb mbjell\u00eb frik\u00eb e pasiguri. K\u00ebrc\u00ebnimet e k\u00ebsaj natyre shp\u00ebrfaqin fytyr\u00ebn e njeriut t\u00eb lig, q\u00eb asnj\u00ebher\u00eb nuk kursen forma dhe mjete p\u00ebr t\u00eb arritur q\u00ebllimet e tij.<\/p>\n

\u201cBurri vritet!<\/em>\u201d\u00a0Sa leht\u00eb ia kishte th\u00ebn\u00eb Gjeta mikut, si t\u00eb ishte vrasja nj\u00eb gj\u00eb send krejt\u00ebsisht e r\u00ebndomt\u00eb, e p\u00ebr \u00e7doditshme dhe pa konsiderat\u00eb p\u00ebr shuarje jete!<\/em>\u201d Kjo do ta zmbraps Motin nga biseda dhe menj\u00ebher\u00eb \u201ciu kishte kthyer vet\u00ebs s\u00eb tij t\u00eb dyt\u00eb. Nuk e zb\u00ebrthente dot gjenin q\u00eb i p\u00ebrkiste dhe ai\u2026\u00c7far\u00eb defektesh gjenetike mbeten t\u00eb pariparueshme p\u00ebr k\u00ebt\u00eb etni t\u00eb lasht\u00eb?!<\/em>\u201d, duke p\u00ebrmbyllur mendimin e tij definitiv: \u201c\u00c7far\u00eb plag\u00ebsh shpirt\u00ebrore q\u00eb nuk i sh\u00ebruan shekujt?!<\/em>\u201d (po aty, f. 185).<\/p>\n

Po cili \u00ebsht\u00eb ai q\u00eb do ta sugjeronte plakun: \u201c-\u00a0Eja plakush i pasqyr\u00ebs t\u00eb mos ftohet kafeja!<\/em>\u201d (\u201cVera e plakut\u201d, f. 191), derisa ai t\u00ebr\u00eb koh\u00ebn po k\u00ebrkonte identitetin e tij n\u00eb relacionet pasqyr\u00eb-koh\u00eb? Kjo do t\u00eb kuptohet brenda nd\u00ebrlidhjeve piramidale t\u00eb nd\u00ebrtimit t\u00eb romanit.<\/p>\n

\u201cRepublik\u00ebs s\u00eb gjakut e pengjeve i duhen shum\u00eb dryna dhe po aq \u00e7el\u00ebsa. Nj\u00eb brez i t\u00ebr\u00eb prij\u00ebsish t\u00eb tjet\u00ebrsuar, q\u00eb idealet e dikurshme i shnd\u00ebrruan n\u00eb ideale xhepash!<\/em>\u201d, duke i identifikuar si \u201cKlas\u00eb ushejzash t\u00eb gjakut t\u00eb popullit\u2026<\/em>\u201dpor, jo vet\u00ebm k\u00ebto vese, meq\u00eb n\u00eb k\u00ebt\u00eb periudh\u00eb ndryshimesh takojm\u00eb edhe \u201cTrajtat e pash\u00ebruara t\u00eb hajnis\u00eb dhe joshjen rr\u00ebqeth\u00ebse t\u00eb rinis\u00eb pas miellit t\u00eb bardh\u00eb\u2026<\/em>\u201d, (\u201cSi erdhi rr\u00ebfimi\u201d, f. 201), q\u00eb shp\u00ebrfaqet sheshit dit\u00ebn p\u00ebr diell nj\u00eb shthurje e shoq\u00ebris\u00eb deri n\u00eb p\u00ebrbuzje.<\/p>\n

\u201cP\u00ebrmes der\u00ebs s\u00eb hapur futet \u00e7dokush\u201d, do ta shpjegonte k\u00ebt\u00eb veprim urtari yn\u00eb popullor. Pasojat jan\u00eb evidente, po aq sa edhe dyshimet p\u00ebr rreshtime njer\u00ebzish, q\u00eb orvaten pareshtur t\u00eb jen\u00eb pjes\u00eb e k\u00ebtyre loj\u00ebrave t\u00eb ndyra t\u00eb p\u00ebrfitimeve, q\u00eb pastaj t\u00eb krijojn\u00eb bazamentin e fuqis\u00eb ndikuese n\u00eb bashk\u00ebpjes\u00ebmarrje t\u00eb qeverisjes. K\u00ebto devijime, q\u00eb tashm\u00eb b\u00ebhen p\u00ebrditshm\u00ebri e veprimeve vej\u00ebrohen edhe nga njeriu i r\u00ebndomt\u00eb.<\/p>\n

Materializmi, ky ves i keq i shoq\u00ebris\u00eb sa vjen e merr p\u00ebrmasa t\u00eb paimagjinueshme. Citimi i tekstit k\u00ebtu nuk duron komentim shtes\u00eb, meq\u00eb q\u00ebllimi \u00ebsht\u00eb mbase i kuptuesh\u00ebm, p\u00ebrderisa vet\u00eb dialogu zbulon evoluimin e k\u00ebsaj t\u00eb keqeje, q\u00eb po p\u00ebrs\u00ebritej vazhdimisht.<\/p>\n

\u201cKrism\u00eb celulari:
\n<\/em>– Shum\u00eb i nderuari mik!
\n<\/em>– E duam vot\u00ebn tuaj si kurdoher\u00eb!<\/em><\/p>\n

– Eja n\u00eb hotel t\u00eb pim\u00eb kafen e k\u00ebsaj mesdite t\u00eb bukur<\/em>!\u201d Kjo, tashm\u00eb kuptohet, meq\u00eb \u201cU dogj\u00ebn tezat\u2026Ato t\u00eb gjakut p\u00ebr shtet-b\u00ebrje forcuan profile demagog\u00ebsh p\u00ebr premtim-b\u00ebrje e shtet-zhvatje, p\u00ebr qaf\u00eb-trashje, bark-fryrje, vithe-dala, figura dy-gjinish, fryrje xhepash, klim\u00eb p\u00ebr k\u00ebrpudha vilash n\u00ebn mbrojtjen e kufijve Arb-Dhetar\u00eb\u2026<\/em>\u201d (\u201cMakut\u00ebt\u201d, f. 208).<\/p>\n

Koprracia, si fenomen i njohur q\u00eb nga antika, do t\u00eb funksionoj\u00eb me metodat e sofistikuara edhe n\u00eb koh\u00ebn ton\u00eb, duke i sjell\u00eb shoq\u00ebris\u00eb probleme t\u00eb shumta. \u201cKishte grabitur shpesh gjahun e t\u00eb tjer\u00ebve, si nj\u00eb tiran q\u00eb i b\u00ebnte dhe zbatonte vet\u00ebm ligjet e veta<\/em>\u201d.\u00a0\u00a0Ky p\u00ebrfitues i pangopur me ndjenj\u00ebn e \u201cfitimtarit mbi viktimat<\/em>\u201d, duke besuar n\u00eb aktin e m\u00ebsymjes si nj\u00eb mekaniz\u00ebm p\u00ebr mposhtjen e tjetrit dhe ngadh\u00ebnjimin e p\u00ebrhersh\u00ebm, p\u00ebr nj\u00eb \u00e7ast do ta kuptoj\u00eb se \u201cM\u00ebsymja e p\u00ebrhershme pas Nj\u00ebshit do t\u00eb gllab\u00ebroj\u00eb breza t\u00eb t\u00ebr\u00eb. Meq\u00eb Nj\u00ebshi \u00ebsht\u00eb vet\u00ebm Nj\u00eb. T\u00eb tjerat pas Tij jan\u00eb mallkime, anatema qiellore, tok\u00ebsore dhe zero t\u00eb pambarimta<\/em>\u201d (\u201cNj\u00ebshi\u201d, f. 215). I bindur plot\u00ebsisht n\u00eb veprimet e tij, q\u00eb tashm\u00eb kishin filluar t\u2019i l\u00ebkunden nga \u00e7asti n\u00eb \u00e7ast, ai ishte i mendimit se \u201cP\u00ebr t\u00eb nd\u00ebrtuar vet\u00ebn, ashtu si donte, duhej t\u2019ia irritonte shijen lakmis\u00eb s\u00eb fort\u00eb, e cila e ndiqte nga ora n\u00eb or\u00eb, nga \u00e7asti n\u00eb \u00e7ast<\/em>\u201d (\u201cShtr\u00ebngatat\u201d, f. 218).<\/p>\n

K\u00ebto dhe shum\u00eb veprime tjera t\u00eb m\u00ebparshme, t\u00eb lidhura me spangon kohore, si nj\u00eb ngrehin\u00eb e p\u00ebrbashk\u00ebt sjellin t\u00eb plot\u00ebsuar \u201cKallinjt\u00eb e \u00e7atis\u00eb<\/em>\u201d, n\u00eb nj\u00eb rrug\u00ebtim t\u00eb mundimsh\u00ebm e plot sprova.<\/p>\n

Personazhet dekorative<\/strong><\/p>\n

personazhe dekorative, si p\u00ebrcaktor krijon mund\u00ebsin\u00eb e konkretizimit t\u00eb nj\u00eb galerie emrash, q\u00eb defilojn\u00eb n\u00eb roman, q\u00eb m\u00eb shum\u00eb kujtohen p\u00ebr protagonist\u00eb figurant\u00eb, se sa aktor\u00eb aktiv n\u00eb ngjarjet q\u00eb trajtohen aty, por me nj\u00eb kundrim t\u00eb v\u00ebmendsh\u00ebm, m\u00ebsojm\u00eb se ata jan\u00eb emra t\u00eb skalitur n\u00eb p\u00ebrputhshm\u00ebri me koh\u00ebn n\u00eb t\u00eb cil\u00ebn veprojn\u00eb. Kemi parasysh q\u00eb romani \u00ebsht\u00eb nd\u00ebrtuar jasht\u00eb modelit klasik fabulativ, proz\u00eb e llojit modern, ku emra t\u00eb p\u00ebrve\u00e7\u00ebm, krejt\u00ebsisht n\u00eb veprime vetjake parakalojn\u00eb p\u00ebrball\u00eb pasqyr\u00ebs tabloide t\u00eb ve\u00e7uar nga nj\u00ebri-tjetri, pa ndonj\u00eb lidhshm\u00ebri tematike. Prandaj, t\u00eb gjith\u00eb k\u00ebta personazhe q\u00eb p\u00ebrfaq\u00ebsohen k\u00ebtu, qoft\u00eb ve\u00e7 n\u00eb nj\u00eb rast, apo edhe ata q\u00eb mund t\u00eb shfaqen m\u00eb shum\u00eb se nj\u00eb her\u00eb, duhet trajtuar n\u00eb ploti me aktivitetin q\u00eb p\u00ebrfaq\u00ebsojn\u00eb.<\/p>\n

\u00c7far\u00eb r\u00ebnd\u00ebsie ka kundrimi i personazheve n\u00eb k\u00ebt\u00eb m\u00ebnyr\u00eb?<\/strong><\/p>\n

Pik\u00ebrisht k\u00ebtu q\u00ebndron gjith\u00eb \u00e7\u00ebshtja, meq\u00eb autorin e gjejm\u00eb n\u00eb t\u00eb shumt\u00ebn si narrator, her\u00eb si protagonist i nj\u00eb ngjarje, e, ndonj\u00ebher\u00eb prezenca e tij kuptohet nga n\u00ebnteksti. Personazhet k\u00ebtu defilojn\u00eb gati pahetuesh\u00ebm, duke l\u00ebn\u00eb ndonj\u00eb gjurm\u00eb t\u00eb shkurt\u00ebr n\u00eb ngjarjen q\u00eb trajtohet, por n\u00eb p\u00ebrmbyllje t\u00eb shtjellimit tematik e kan\u00eb r\u00ebnd\u00ebsin\u00eb e vet, qoft\u00eb edhe si gjurm\u00eb. K\u00ebshtu, edhe at\u00ebher\u00eb kur personazhet, si Moti, Shikimi, Bamja, Flok\u00ebverdhi, Valori, Vijimi, Vrulli, etj. veprojn\u00eb n\u00eb bashk\u00ebshoq\u00ebrim me autorin; ndonj\u00ebher\u00eb shquhen m\u00eb dendur me l\u00ebvizjet e tyre t\u00eb shpeshta, si nd\u00ebrlidhje e vazhdueshme ngjarjesh; edhe at\u00ebher\u00eb kur Nami do t\u00eb shfaqet i t\u00ebrhequr n\u00eb personin e tij, enigmatik deri n\u00eb pasiguri te njer\u00ebzit e lagjes, ku dyshimet shkojn\u00eb p\u00ebrtej besimit se ai mund t\u00eb jet\u00eb kryesori n\u00eb sjelljen e materialeve propaganduese kund\u00ebr regjimit, meq\u00eb \u201cnuk dihej se kah dhe kush i solli shqiponjat e zeza n\u00eb bezen e kuqe, t\u00eb valonin aty\u201d.<\/em><\/p>\n

Edhe t\u00eb tjer\u00ebt, si: Synimi, Afrimi, Gjethori, Lumorja, do t\u00eb kalojn\u00eb pa u kuptuar nga lexuesi, se cili mund t\u00eb jet\u00eb roli i sakt\u00eb i tyre, q\u00eb ua krijon at\u00eb pak hap\u00ebsir\u00eb n\u00eb rr\u00ebfimet e k\u00ebsaj proze poetike, ku\u00a0\u00a0vler\u00ebsohet lart\u00eb p\u00ebr notat pozitive t\u00eb modernitetit, si rrall\u00eb ndonj\u00eb tjet\u00ebr. T\u00eb shumt\u00eb jan\u00eb emrat e protagonist\u00ebve n\u00eb kat\u00ebr eset\u00eb, q\u00eb nuk shpalosen si karaktere t\u00eb identifikuara, p\u00ebrve\u00e7 si subjekte q\u00eb prezantojn\u00eb n\u00ebp\u00ebr ngjarje, n\u00eb hap\u00ebsir\u00eb dhe koh\u00eb t\u00eb ndryshme. Hil\u00eb Ahishta, Dranja, Mici, Kalt\u00ebrina, Ngaz\u00ebllimi, Kaoni, Filipi, pastaj Arkitektja elegante, Ana, Gjyshja H, Zuka, Kumtari, Hoxh\u00eb Tabuja, etj; kryejn\u00eb \u201cmisionet\u201d e tyre prej protagonist\u00ebsh edhe at\u00ebher\u00eb kur masat \u201cnd\u00ebshkuese\u201d ndaj kund\u00ebrshtar\u00ebve t\u00eb pushtetit ashp\u00ebrsohen deri n\u00eb shtyrjen e \u201cp\u00ebrsosur\u201d, ku e detyrojn\u00eb t\u00eb flas\u00eb edhe gomari, apo n\u00eb veprimet tjera ku shtjellohen tema nga m\u00ebrgimi, shp\u00ebrnguljet nga Toplica e shum\u00eb ngjarje t\u00eb tilla.<\/p>\n

Kjo galeri personazhesh shp\u00ebrfaqen gjithkund dhe askund n\u00eb asnj\u00eb nj\u00ebsi fabulative. Ata dalin her\u00eb n\u00eb form\u00eb dialogu; nj\u00ebher\u00eb tjet\u00ebr mbyllem n\u00eb padukshm\u00ebrin\u00eb e tyre, q\u00eb as hije jan\u00eb, as mund t\u00eb identifikohen si subjekte q\u00eb evoluojn\u00eb me temat, prej nga prezenca e tyre krijon situata t\u00eb l\u00ebkundura, t\u00eb pasqyruara n\u00eb tablo jete t\u00eb frikshme, ku gjith\u00e7ka merr pamje e misione t\u00eb ve\u00e7anta, var\u00ebsisht ngjarjeve t\u00eb shtjelluara.<\/p>\n

K\u00ebshtu, nga kjo q\u00eb u theksua k\u00ebtu, e ndryshon mendimin se kemi t\u00eb b\u00ebjm\u00eb me personazhe dekori, derisa jan\u00eb t\u00eb pranish\u00ebm pothuajse n\u00eb t\u00ebr\u00ebsin\u00eb narrative t\u00eb romanit, me role e veprime t\u00eb hetuara n\u00eb forma e pamje t\u00eb ndryshme. Ata jan\u00eb veprimi i p\u00ebrhersh\u00ebm i nd\u00ebrtimit t\u00eb k\u00ebsaj proze romanore, ndikimi i t\u00eb cil\u00ebve hetohet edhe p\u00ebrtej hijes.<\/p>\n

Vizioni tekstual n\u00eb roman<\/strong><\/p>\n

\u201cKritika k\u00ebrkon shum\u00eb m\u00eb tep\u00ebr kultur\u00eb sesa krijimtaria<\/em>\u201d – do ta shpreh mendimin e tij,\u00a0\u00a0Oskar Uajld. Kur takon nj\u00eb proz\u00eb t\u00eb llojit t\u00eb ve\u00e7ant\u00eb si \u201cKallinjt\u00eb e \u00e7atis\u00eb<\/em>\u201d, ky mendim vjen si paralajm\u00ebrues p\u00ebr p\u00ebrkushtim t\u00eb shtuar, gjat\u00eb leximit me laps n\u00eb dor\u00eb, duke prekur me kujdes \u00e7do fjal\u00eb, mendim a fines\u00eb q\u00eb krijimi letrar t\u00eb kuptohet n\u00eb esenc\u00eb.\u00a0Pik\u00ebrisht, mbi baz\u00ebn e k\u00ebtij mendimi, mund t\u00eb p\u00ebrkufizohet se romani i Mehmetali Rexhepit \u00ebsht\u00eb p\u00ebrpjekje e krijimit t\u00eb origjinalitetit letrar-estetik, me shmangie t\u00eb t\u00ebr\u00ebsishme skemave klasike t\u00eb narracionit. Ky tip proze na sjell\u00eb para nj\u00eb nd\u00ebrtimi krejt\u00ebsisht personal, q\u00eb b\u00ebn\u00eb t\u00eb besojm\u00eb se autori i \u00ebsht\u00eb qasur nd\u00ebrtimit t\u00eb nj\u00eb proze moderne, realizimin e t\u00eb cil\u00ebs rrall\u00ebher\u00eb mund ta takojm\u00eb n\u00eb prodhimtarin\u00eb romanore tek ne.\u00a0\u00a0Kjo lindje origjinale e narratives poetike, krejt\u00ebsisht personale d\u00ebshmon unin e tij krijues, \u00a0q\u00eb sjell perspektiv\u00eb n\u00eb l\u00ebrimin e k\u00ebsaj gjinie letrare.<\/p>\n

Romani \u201cKallinjt\u00eb e \u00e7atis\u00eb<\/em>\u201d nuk p\u00ebrkon me modelin e proz\u00ebs klasike tradicionale, ku nj\u00eb personazh b\u00ebhet strumbullari i l\u00ebnd\u00ebs, p\u00ebrreth t\u00eb cilit zhvillohet e t\u00ebr\u00eb fabula, e p\u00ebrshkuar me ngjarje tjera episodike, pavar\u00ebsisht se sa personazhe do t\u00eb veprojn\u00eb brenda zhvillimit t\u00eb ngjarjeve aty, me funksione pothuajse t\u00eb r\u00ebnd\u00ebsis\u00eb s\u00eb p\u00ebraf\u00ebrt n\u00eb nd\u00ebrlidhje kompozicionale, por q\u00eb veprojn\u00eb n\u00eb akte t\u00eb nd\u00ebrsjella. N\u00eb k\u00ebt\u00eb proz\u00eb romanore ka shtrirje t\u00eb gjer\u00eb veprimesh q\u00eb krijojn\u00eb nj\u00eb pasqyr\u00eb para s\u00eb cil\u00ebs defilojn\u00eb ngjarje t\u00eb shum\u00ebfishuara, por gjithnj\u00eb brenda pavar\u00ebsis\u00eb s\u00eb vet personazhit. Nj\u00eb vart\u00ebsi tematike e gjejm\u00eb ve\u00e7 at\u00ebher\u00eb kur t\u00ebr\u00ebsia e ngjarjeve nd\u00ebrtojn\u00eb l\u00ebnd\u00ebn historike, e p\u00ebrshkuar me elemente letrare \u2013 filozofike, q\u00eb e b\u00ebjn\u00eb m\u00eb t\u00eb d\u00ebshiruar p\u00ebr lexuesin.<\/p>\n

Qasja e v\u00ebmendshme nd\u00ebrtimit prozaik dhe zb\u00ebrthimit t\u00eb diskursit\u00a0socio-psikologjik\u00a0t\u00eb ngjarjeve b\u00ebn\u00eb t\u00eb kuptojm\u00eb se proza romanore \u201cKallinjt\u00eb e \u00e7atis\u00eb<\/em>\u201d, p\u00ebr m\u00eb shum\u00eb se nj\u00eb prodhim letrar-estetik, \u00ebsht\u00eb nj\u00eb proz\u00eb me form\u00eb dhe nd\u00ebrtim modern, si trase e nj\u00eb shtegu t\u00eb ri t\u00eb qasjes k\u00ebsaj gjinie prozaike. Origjinaliteti i k\u00ebsaj proze elitare dokumentohet n\u00eb \u00e7do rast. Ajo vjen e \u00e7ilt\u00ebr, meditative, e pajisur me leksikun gjuh\u00ebsor, me metafora t\u00eb shumta, me trope e figuracion t\u00eb pasur stilistik, q\u00eb bashk\u00ebveprojn\u00eb n\u00eb nd\u00ebrtimin letrar-estetik t\u00eb romanit. Universi krijues shum\u00eb shtresor, ku frekuenton bota e askujt dhe e gjithkujt n\u00eb kontekstin e shtjellimit t\u00eb ngjarjeve, n\u00eb kuptimin kreativ t\u00eb leximit, e b\u00ebn t\u00eb ve\u00e7ant\u00eb dhe pothuajse nd\u00ebr t\u00eb rrall\u00ebt, n\u00eb opusin krijues t\u00eb proz\u00ebs k\u00ebtu te ne dhe m\u00eb gjer\u00eb.<\/p>\n

N\u00eb vend t\u00eb p\u00ebrkufizimit<\/strong><\/p>\n

N\u00eb mbyllje t\u00eb k\u00ebtyre pak fjal\u00ebve p\u00ebr nj\u00eb vep\u00ebr t\u00eb till\u00eb letrare, q\u00eb shtrin\u00eb horizontet e veprimit n\u00eb shum\u00eb rrafshe shtjellimi, duke sjell\u00eb pasqyrimin real t\u00eb nj\u00eb periudhe kohore t\u00eb njohur, nga e cila rezulton edhe nj\u00eb ve\u00e7anti tjet\u00ebr po aq e r\u00ebnd\u00ebsishme, e frytshme dhe e pavdekshme p\u00ebr nj\u00eb vend t\u00eb okupuar me shekuj, do t\u00eb ftoj\u00eb n\u00eb ndihm\u00eb p\u00ebr nj\u00eb p\u00ebrkufizim p\u00ebrmbajtjesor, shkrimtarin amerikan Saul Bellow, i cili shquhet p\u00ebr analizat e tij mbi rolin e artit n\u00eb shoq\u00ebri dhe kuptimin e let\u00ebrsis\u00eb. Ai, n\u00eb\u00a0\u00a0fjalimin e tij gjat\u00eb dh\u00ebnies s\u00eb \u00c7mimit Nobel, m\u00eb 1976 flet edhe p\u00ebr romanin, ku nd\u00ebr t\u00eb tjera thot\u00eb: \u201cNj\u00eb roman l\u00ebviz para dhe pas mes bot\u00ebs s\u00eb objekteve dhe veprimeve, t\u00eb asaj q\u00eb duket dhe bot\u00ebs tjet\u00ebr nga t\u00eb cilat k\u00ebto \u201cp\u00ebrshtypje t\u00eb v\u00ebrteta\u201d vijn\u00eb dhe q\u00eb na shtyn ne t\u00eb besojm\u00eb se e mira te e cila ne mb\u00ebshtetemi kaq fort-p\u00ebrball\u00eb t\u00eb keqes kaq kok\u00ebfort\u00eb- nuk \u00ebsht\u00eb iluzion<\/em>\u201d.<\/p>\n

Mehmetali Rexhepi do ta ket\u00eb kuptuar me koh\u00eb k\u00ebt\u00eb fenomen q\u00eb ndodh n\u00eb let\u00ebrsi, ve\u00e7mas n\u00eb nd\u00ebrtimin e romanit, ku lidhshm\u00ebria e personazheve, sipas karaktereve krijojn\u00eb realitetet tematike, q\u00eb dalin p\u00ebrtej imagjinat\u00ebs dhe iluzioneve fiktive. Nd\u00ebrlikimet \u00a0tematike t\u00eb \u00e7do ngjarje t\u00eb trajtuar n\u00eb ve\u00e7antin\u00eb e saj, pavar\u00ebsisht dallimeve n\u00eb dukje t\u00eb par\u00eb, shp\u00ebrfaqin nj\u00eb lidhshm\u00ebri tematike-kohore, q\u00eb n\u00eb p\u00ebrmbajtjesorin tematik qendror p\u00ebrb\u00ebjn\u00eb pem\u00ebn e madhe me deg\u00ebzimet e saja, nga t\u00eb gjitha an\u00ebt e horizontit, p\u00ebr t\u00eb krijuar nj\u00eb mburoj\u00eb kohore, simbolik\u00eb e nj\u00eb p\u00ebrfaq\u00ebsimi t\u00eb q\u00ebndruesh\u00ebm dhe t\u00eb realizuar n\u00eb roman.<\/p>\n

K\u00ebto dhe ngjarje tjera t\u00eb pazb\u00ebrthyera n\u00eb k\u00ebt\u00eb v\u00ebshtrim, e pasqyrojn\u00eb rrjedh\u00ebn kronologjike t\u00eb zhvillimeve t\u00eb panum\u00ebrta gjat\u00eb historis\u00eb, q\u00eb t\u00eb bashkuara si nj\u00eb veprim krijojn\u00eb pasqyr\u00ebn e v\u00ebrtet\u00eb p\u00ebr njeriun e vuajtur e t\u00eb okupuar. Kjo t\u00ebr\u00ebsi ngjarjesh konfiguron kupol\u00ebn e \u00c7atis\u00eb s\u00eb nisur n\u00eb shekuj, p\u00ebr ta arritur mburoj\u00ebn e plot\u00eb si nj\u00eb fitore, q\u00eb Kallinjt\u00eb e saj do t\u00eb vazhdojn\u00eb ta begatojn\u00eb vler\u00ebn e saj.<\/p>\n

Tashm\u00eb, shihen \u201cKallinjt\u00eb e \u00e7atis\u00eb\u201d\u00a0<\/em>duke u rritur. Ata duhet t\u00eb vijn\u00eb edhe m\u00eb t\u00eb begat\u00eb, me frute t\u00eb reja e mburoj\u00eb t\u00eb \u00e7elnik\u00ebt, si nj\u00eb rrezatim i pashuar mbi atdheun dhe vlerat e tij.<\/p>\n","protected":false},"excerpt":{"rendered":"

Mehmetali Rexhepi: \u201cKALLINJT\u00cb E \u00c7ATIS\u00cb\u201d,\u00a0\u00a0roman, botoi \u201cLena\u201d \u2013 Prishtin\u00eb, 2020 Xheladin MJEKU Qasje Mehmetali Rexhepi (1951), poet, prozator dhe studiues, n\u00eb opusin e tij krijues ka num\u00ebr t\u00eb konsideruesh\u00ebm veprash letrare dhe studime n\u00eb fush\u00ebn e let\u00ebrsis\u00eb, q\u00eb d\u00ebshmojn\u00eb p\u00ebr pun\u00ebn kreative p\u00ebr shum\u00eb dekada, gjithnj\u00eb n\u00eb p\u00ebrpjekje t\u00eb prurjeve t\u00eb reja sa m\u00eb cil\u00ebsore. […]<\/p>\n","protected":false},"author":1,"featured_media":61711,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[],"class_list":["post-70475","post","type-post","status-publish","format-standard","has-post-thumbnail","category-artikuj"],"yoast_head":"\nDISKURSI I NARRACIONIT MODERN - FJALA e LIR\u00cb<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/jehonashqiptare.al\/fjala\/diskursi-i-narracionit-modern\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"DISKURSI I NARRACIONIT MODERN - FJALA e LIR\u00cb\" \/>\n<meta property=\"og:description\" content=\"Mehmetali Rexhepi: \u201cKALLINJT\u00cb E \u00c7ATIS\u00cb\u201d,\u00a0\u00a0roman, botoi \u201cLena\u201d \u2013 Prishtin\u00eb, 2020 Xheladin MJEKU Qasje Mehmetali Rexhepi (1951), poet, prozator dhe studiues, n\u00eb opusin e tij krijues ka num\u00ebr t\u00eb konsideruesh\u00ebm veprash letrare dhe studime n\u00eb fush\u00ebn e let\u00ebrsis\u00eb, q\u00eb d\u00ebshmojn\u00eb p\u00ebr pun\u00ebn kreative p\u00ebr shum\u00eb dekada, gjithnj\u00eb n\u00eb p\u00ebrpjekje t\u00eb prurjeve t\u00eb reja sa m\u00eb cil\u00ebsore. 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