{"id":71216,"date":"2021-09-01T23:57:44","date_gmt":"2021-09-01T21:57:44","guid":{"rendered":"https:\/\/fjala.info\/?p=71216"},"modified":"2021-09-01T23:57:44","modified_gmt":"2021-09-01T21:57:44","slug":"kici-dhe-shundi","status":"publish","type":"post","link":"https:\/\/jehonashqiptare.al\/fjala\/kici-dhe-shundi\/","title":{"rendered":"KI\u00c7I DHE SHUNDI"},"content":{"rendered":"

Xhelal Zejneli<\/strong><\/p>\n

Ki\u00e7i \u00ebsht\u00eb krijimtaria e nivelit t\u00eb ul\u00ebt. Ka p\u00ebr q\u00ebllim t\u00eb jet\u00eb i p\u00eblqyer nga nj\u00eb num\u00ebr sa m\u00eb madh i njer\u00ebzve dhe t\u00eb shitet sa m\u00eb shum\u00eb. \u00cbsht\u00eb nj\u00eb form\u00eb e degradimit t\u00eb artit. Sot \u00ebsht\u00eb shum\u00eb i p\u00ebrhapur, k\u00ebshtu q\u00eb nuk \u00ebsht\u00eb leht\u00eb ta dallojm\u00eb. \u00c7dokush ka qen\u00eb n\u00eb kontakt me t\u00eb. S\u2019ka dyshim se edhe sht\u00ebpit\u00eb tona jan\u00eb p\u00ebrplot me ki\u00e7. Krijimet ki\u00e7, d.m.th. krijimet pa vlera artistike, lindin si kopje t\u00eb veprave artistike origjinale e q\u00eb jan\u00eb t\u00eb pranuara nga kritik\u00ebt letrar\u00eb artistik\u00eb kompetent\u00eb.<\/p>\n

Krijime dhe sende ki\u00e7 mund t\u00eb jen\u00eb zbukurimet e ndryshme, suveniret, rrobat, pikturat, serit\u00eb televizive, librat etj.<\/p>\n

Ki\u00e7i<\/strong>\u00a0(kitsch<\/em>) \u00ebsht\u00eb nj\u00eb term q\u00eb buron nga\u00a0gjermanishtja ose nga gjuha jidish<\/em>. P\u00ebrdoret p\u00ebr ta kategorizuar llojin e\u00a0artit q\u00eb konsiderohet t\u00eb jet\u00eb kopjim i pashije i nj\u00eb stili artistik tashm\u00eb ekzistues. Ky term shpesh shfryt\u00ebzohet edhe p\u00ebr t\u2019iu referuar \u00e7do lloj arti q\u00eb vler\u00ebsohet se i takon shijes s\u00eb keqe<\/em><\/strong> dhe prodhohet n\u00eb m\u00ebnyr\u00eb komerciale<\/em><\/strong>.<\/p>\n

Ndon\u00ebse etimologjia e k\u00ebtij termi \u00ebsht\u00eb ende e pasigurt, ekziston nj\u00eb pajtueshm\u00ebri e gjer\u00eb se ai vjen nga tregjet artistike t\u00eb\u00a0Munihut (Munich) n\u00eb vitet\u00a01860 dhe\u00a01870, ku ka sh\u00ebrbyer p\u00ebr t\u2019i p\u00ebrshkruar pikturat dhe skicat e lira t\u00eb cilat n\u00eb at\u00eb periudh\u00eb kan\u00eb qen\u00eb shum\u00eb t\u00eb popullarizuara.<\/p>\n

Vepra t\u00eb r\u00ebnd\u00ebsishme p\u00ebr ki\u00e7in jan\u00eb\u00a0: \u201cPes\u00eb fytyrat e moderniteteit<\/em>: Modernizmi, Avangarda, Dekadentizmi, Ki\u00e7i, Postmodernizmi\u201d<\/em>, e Matei Kalineski (Matei Calinescu), \u201cKi\u00e7i\u201d<\/em> e Tomas Kulk\u00ebs (Tomas Kulka) dhe \u201cKi\u00e7i \u2013 Bota dhe shija e keqe\u201d <\/em>e Gillo Dorfles n\u00eb t\u00eb cil\u00ebn gjenden eset\u00eb: \u201cFenomenologjia e ki\u00e7it\u201d<\/em> e Ludwig Giesz dhe \u201cKi\u00e7i\u201d<\/em>e \u00a0Herman Broh (Hermann Broch).<\/p>\n

Shund <\/strong>(gjermanisht \u2013 Schund)<\/em> \u00ebsht\u00eb ki\u00e7 <\/strong>n\u00eb l\u00ebmin e let\u00ebrsis\u00eb<\/em><\/strong>. Pra, \u00ebsht\u00eb pjes\u00eb e ki\u00e7it q\u00eb ka t\u00eb b\u00ebj\u00eb me let\u00ebrsin\u00eb. Si shembuj t\u00eb zakonsh\u00ebm t\u00eb shundit p\u00ebrmenden t\u00eb ashtuquajturat \u201cdashuri\u00e7ka\u201d <\/em>dhe krijimet kriminalistike, romanet e lira q\u00eb zakonisht shiten n\u00ebp\u00ebr kiosqe e q\u00eb lexohen p\u00ebr ta kaluar koh\u00ebn.<\/p>\n

Shund quhen edhe veprat q\u00eb kan\u00eb lindur si rezultat i propagand\u00ebs, si\u00e7 jan\u00eb librat, filmat dhe afishet, e q\u00eb nuk kan\u00eb baz\u00eb shkencore as vler\u00eb artistike, por synojn\u00eb p\u00ebrcjelljen e nj\u00eb mesazhi sa m\u00eb t\u00eb fuqish\u00ebm, e n\u00ebse ka nevoj\u00eb edhe me g\u00ebnjeshtra.<\/p>\n

K\u00ebto dy nocione konsiderohen produkte kryesore t\u00eb kultur\u00ebs masive<\/em><\/strong>. Ki\u00e7 e ka prejardhjen qysh nga periudha e revolucionit industrial<\/em><\/strong> n\u00eb Amerik\u00eb dhe n\u00eb Evrop\u00ebn Per\u00ebndimore. P\u00ebr shkak t\u00eb industrializimit t\u00eb hovsh\u00ebm, nj\u00eb num\u00ebr i madh i njer\u00ebzve t\u00eb fshatit, vijn\u00eb n\u00eb qytete. Ata kan\u00eb krijuar nj\u00eb shtres\u00eb t\u00eb re t\u00eb shoq\u00ebris\u00eb apo klas\u00ebn pun\u00ebtore. Me ardhjen n\u00eb qytet u \u00ebsht\u00eb krijuar mund\u00ebsia t\u00eb shkollohen dhe t\u00eb pajisen me dituri. Por, p\u00ebr shkak t\u00eb munges\u00ebs s\u00eb koh\u00ebs s\u00eb lir\u00eb, nj\u00eb pjes\u00eb e madhe e arsimimit t\u00eb tyre, nuk \u00ebsht\u00eb realizuar.<\/p>\n

Si pasoj\u00eb, kjo shtres\u00eb e popullsis\u00eb nuk ka mundur t\u00eb njihet me kultur\u00ebn dhe nuk e ka t\u00eb p\u00ebrkufizuar vler\u00ebn<\/em><\/strong>. \u00cbsht\u00eb shfaqur nevoja p\u00ebr nj\u00eb art t\u00eb ri q\u00eb do t\u2019i p\u00ebrshtatej shtres\u00ebs s\u00eb sapoformuar. Ky lloj arti duhej t\u00eb ishte i kapsh\u00ebm dhe i kuptuesh\u00ebm p\u00ebr klas\u00ebn pun\u00ebtore. Me fjal\u00eb t\u00eb tjera, me nj\u00eb art t\u00eb till\u00eb jan\u00eb k\u00ebnaqur t\u00eb paarsimuarit t\u00eb cil\u00ebt edhe jan\u00eb krenuar me t\u00eb. P\u00ebr shkak t\u00eb rritjes s\u00eb k\u00ebrkes\u00ebs, ky lloj arti \u00ebsht\u00eb shnd\u00ebrruar n\u00eb kultur\u00eb<\/em><\/strong>. Ky lloj arti \u00ebsht\u00eb i leht\u00eb p\u00ebr konsumim dhe nuk k\u00ebrkon kurrfar\u00eb mundi intelektual apo shpirt\u00ebror.<\/p>\n

N\u00eb p\u00ebrkthimin e fjal\u00ebp\u00ebrfjalsh\u00ebm nga gjuha gjermane, ki\u00e7 <\/strong>do t\u00eb thot\u00eb t\u00eb bashkosh, t\u00eb lidh\u00ebsh, t\u00eb krijosh<\/em> di\u00e7ka, nd\u00ebrsa shund<\/strong> do t\u00eb thot\u00eb hedhurin\u00eb<\/em><\/strong>, tezgjere <\/em>apo karroc\u00eb<\/em> p\u00ebr hedhjen e mbeturinave.<\/p>\n

P\u00ebr shkak t\u00eb pun\u00ebs s\u00eb r\u00ebnd\u00eb dhe kaotike, nd\u00ebr njer\u00ebz paraqitet nevoja p\u00ebr gj\u00ebra t\u00eb thjeshta. Tanim\u00eb nuk u ka mbetur forc\u00eb p\u00ebr t\u00eb menduar m\u00eb thell\u00eb dhe p\u00ebr t\u00eb k\u00ebrkuar dometh\u00ebnien e gj\u00ebrave. P\u00ebr k\u00ebt\u00eb arsye lind ki\u00e7i si di\u00e7ka n\u00eb t\u00eb cil\u00ebn njeriu gjen ngush\u00ebllim apo prehje dhe n\u00eb t\u00eb cil\u00ebn i zbut ndjenjat e veta.<\/p>\n

T\u00eb gjith\u00eb e din\u00eb dometh\u00ebnien e v\u00ebrtet\u00eb t\u00eb artit. Ndoshta nuk\u00a0 e kuptojn\u00eb t\u00eb gjith\u00eb, por dihet se roli i tij \u00ebsht\u00eb ta paraqes\u00eb r\u00ebnd\u00ebsin\u00eb e vet t\u00ebrthorazi dhe disi n\u00eb m\u00ebnyr\u00eb misterioze. P\u00ebr t\u2019u kuptuar, nevojiten interpretime dhe gjykime t\u00eb shumta. Kur lexuesi has n\u00eb nj\u00eb kryevep\u00ebr, po qe se nuk \u00ebsht\u00eb nj\u00eb fanatik i artit apo i let\u00ebrsis\u00eb, r\u00ebnd\u00ebsin\u00eb dhe vler\u00ebn e saj s\u2019ka p\u00ebr ta kuptuar\u00a0 shpejt. P\u00ebr shum\u00eb njer\u00ebz, veprat artistike m\u00eb t\u00eb m\u00ebdha t\u00eb bot\u00ebs, jan\u00eb t\u00eb paqarta. Me nj\u00eb fjal\u00eb, ata nuk mund ta kuptojn\u00eb p\u00ebrse nj\u00eb vep\u00ebr e till\u00eb \u00ebsht\u00eb aq i r\u00ebnd\u00ebsish\u00ebm. Duke qen\u00eb se numri i atyre q\u00eb nuk e kuptojn\u00eb k\u00ebt\u00eb \u00ebsht\u00eb m\u00eb i madh se i atyre q\u00eb e kuptojn\u00eb, lind nevoja e paraqitjes apo e zhvillimit t\u00eb ki\u00e7it<\/em><\/strong>. Tani edhe k\u00ebta q\u00eb nuk e kuptojn\u00eb vler\u00ebn dhe r\u00ebnd\u00ebsin\u00eb e artit t\u00eb madh, do t\u00eb ken\u00eb me se t\u00eb zbaviten, t\u00eb arg\u00ebtohen apo t\u00eb k\u00ebnaqen.<\/p>\n

\u00c7dokush mund t\u00eb jet\u00eb krijues i ki\u00e7it, si ata q\u00eb jan\u00eb artist\u00eb, ashtu edhe ata q\u00eb nuk jan\u00eb.<\/p>\n

Edhe ki\u00e7i mund t\u00eb konsiderohet art p\u00ebr arsye se \u00ebsht\u00eb i kapsh\u00ebm prej shqisave, por e meta e tij q\u00ebndron n\u00eb faktin se ai \u00ebsht\u00eb kopje<\/em><\/strong> apo falsifikim<\/em><\/strong> i veprave burimore<\/em><\/strong>. Kur nj\u00eb gj\u00eb \u00ebsht\u00eb burimore, kjo do t\u00eb thot\u00eb se ajo vjen nga pjesa m\u00eb e thell\u00eb e shpirtit t\u00eb njeriut. Vet\u00ebm ai e di vler\u00ebn e v\u00ebrtet\u00eb t\u00eb saj. Kur artisti krijimin e vet artistik e ndan me t\u00eb tjer\u00eb, ndoshta ata do ta ken\u00eb v\u00ebshtir\u00eb p\u00ebr ta kuptuar, por pik\u00ebrisht k\u00ebtu q\u00ebndron q\u00ebllimi – vepra t\u00eb mbetet si nj\u00eb intimitet\u00a0 i artistit dhe me t\u00eb, t\u00eb identifikohen vet\u00ebm ata t\u00eb cilit n\u00eb shpirt jan\u00eb t\u00eb ngjash\u00ebm me autorin apo ata t\u00eb cil\u00ebt p\u00ebrjetojn\u00eb situata t\u00eb nj\u00ebjta si ai.<\/p>\n

Sendet ki\u00e7 prodhohen n\u00eb m\u00ebnyr\u00eb masive. Q\u00ebllimi i autorit apo i prodhuesit \u00ebsht\u00eb q\u00eb at\u00eb t\u00eb shiten sa m\u00eb shum\u00eb, t\u00eb arrijn\u00eb n\u00eb duart e nj\u00eb numri sa m\u00eb t\u00eb madh njer\u00ebzish. Por, n\u00eb k\u00ebt\u00eb m\u00ebnyr\u00eb p\u00ebrhapet edhe nj\u00eb shije <\/strong>e ul\u00ebt, e nivelit t\u00eb ul\u00ebt. Nj\u00eb gj\u00eb e till\u00eb shkakton efekt negativ ndaj kultur\u00ebs dhe njer\u00ebzve ua topit shqisat apo ndijimet saq\u00eb nj\u00eb dit\u00eb ata nuk jan\u00eb n\u00eb gjendje t\u2019i dallojn\u00eb vlerat e mir\u00ebfillta t\u00eb veprave legjitime. P\u00ebr k\u00ebt\u00eb arsye, n\u00eb vende t\u00eb caktuara \u00ebsht\u00eb rritur tatimi mbi prodhimin dhe shitjen e ki\u00e7it, nd\u00ebrsa n\u00eb do vende madje \u00ebsht\u00eb ndaluar shp\u00ebrndarja dhe p\u00ebrhapja e tij.<\/p>\n

Njer\u00ebzit sot gjithnj\u00eb e m\u00eb tep\u00ebr jan\u00eb materialist\u00eb<\/em><\/strong>, e kjo \u00ebsht\u00eb rrjedhoj\u00eb e p\u00ebrhapjes dhe e shtrirjes s\u00eb ki\u00e7it<\/em><\/strong>. Duke qen\u00eb t\u00ebrheq\u00ebs dhe leht\u00eb i kuptuesh\u00ebm dhe duke u gjendur kudo dhe n\u00eb \u00e7do k\u00ebnd, njer\u00ebzit kan\u00eb nevoj\u00eb p\u00ebr ta grumbulluar edhe n\u00ebp\u00ebr sht\u00ebpit\u00eb e veta. Kur njer\u00ebzit shkojn\u00eb n\u00ebp\u00ebr udh\u00ebtime t\u00eb caktuara, blejn\u00eb suvenire, pa e ditur se ato far\u00eb suveniresh nuk jan\u00eb asgj\u00eb tjet\u00ebr p\u00ebrpos se ki\u00e7. Shpeshher\u00eb, k\u00ebto suvenire reprezantojn\u00eb ndonj\u00eb p\u00ebrmendore, si p\u00ebr shembull magnetet me fotografin\u00eb e Kull\u00ebs s\u00eb Ajfelit<\/em> apo figurat e Statuj\u00ebs t\u00eb Liris\u00eb<\/em>, q\u00eb n\u00eb t\u00eb v\u00ebrtet\u00eb jan\u00eb vet\u00ebm pjes\u00ebza t\u00eb vogla t\u00eb origjinalit.<\/p>\n

Ato u sh\u00ebrbejn\u00eb turist\u00ebve q\u00eb nj\u00eb pjes\u00eb t\u00eb vepr\u00ebs artistike ta marrin me vete dhe ta \u00e7ojn\u00eb n\u00eb sht\u00ebpi. Por ato nuk kan\u00eb vler\u00eb. Ato duken si gj\u00ebra t\u00eb vlefshme, megjith\u00ebk\u00ebt\u00eb nuk i ka krijuar dora e artistit. Ato jan\u00eb falsifikime q\u00eb i ka krijuar ndonj\u00eb zejtar q\u00eb ka p\u00ebr synim sa m\u00eb shum\u00eb t\u00eb p\u00ebrfitoj\u00eb. S\u2019ka dyshim se \u00e7do gj\u00eb q\u00eb e krijon njeriu vet\u00ebm e vet\u00ebm p\u00ebr t\u00eb p\u00ebrfituar, e humb vler\u00ebn e vet. Mu p\u00ebr k\u00ebt\u00eb disa artist\u00eb refuzojn\u00eb t\u2019i shesin veprat e veta, ngase me t\u2019i nxjerr\u00eb n\u00eb shitje, veprat e tilla do ta humbnin vler\u00ebn dhe r\u00ebnd\u00ebsin\u00eb par\u00ebsore t\u00eb tyre.<\/p>\n

P\u00ebrpos sendeve dhe rrobave t\u00eb ndryshme, p\u00ebrkat\u00ebsisht gj\u00ebrave materiale ki\u00e7, d.m.th. pa vler\u00eb artistike, k\u00ebtu b\u00ebjn\u00eb pjes\u00eb filma t\u00eb ndrysh\u00ebm, serit\u00eb televizive dhe reality programet<\/em><\/strong>. Njer\u00ebzit p\u00ebr \u00e7do dit\u00eb shohin dhe ndjekin do seri q\u00eb jan\u00eb p\u00ebrplot drama. Serit\u00eb e tilla i joshin shikuesit t\u2019i ndjekin episodet nj\u00ebrin pas tjetrit. Me k\u00ebt\u00eb m\u00ebnyr\u00eb t\u00eb p\u00ebrcjell\u00ebs s\u00eb serive ka t\u00eb b\u00ebj\u00eb termi \u201cbinge watching\u201d<\/em><\/strong>. Serit\u00eb e tilla nuk k\u00ebrkojn\u00eb kurrfar\u00eb gjykimi, nuk kan\u00eb shum\u00eb situata t\u00eb nd\u00ebrthurura apo t\u00eb ngat\u00ebrruara. \u00c7do gj\u00eb n\u00eb to \u00ebsht\u00eb e thjesht\u00eb, e r\u00ebndomt\u00eb. Ngjarja sillet rreth nj\u00eb personazhi dhe jet\u00ebs s\u00eb tij.<\/p>\n

N\u00eb to v\u00ebrtet ka dram\u00eb por kjo nuk do t\u00eb thot\u00eb se ajo \u00ebsht\u00eb e r\u00ebnd\u00eb p\u00ebr ta kuptuar. Kur shikuesi i shikon programet e tilla mendja e tij \u00ebsht\u00eb plot\u00ebsisht e paangazhuar. K\u00ebtu shikuesi nuk sheh asgj\u00eb t\u00eb keqe p\u00ebr arsye se atij i b\u00ebhet mir\u00eb q\u00eb pas nj\u00eb dite pune, t\u00eb gjat\u00eb dhe t\u00eb mundimshme, t\u00eb qet\u00ebsoj\u00eb pak shpirtin. Por, po qe se njeriu vazhdimisht shikon seri t\u00eb tilla, mendja e tij dal\u00ebngadal\u00eb do t\u00eb pasivizohet, ai m\u00eb me v\u00ebshtir\u00ebsi do t\u2019i perceptoj\u00eb gjerat, nd\u00ebrsa funksionet logjike t\u00eb tij mund edhe t\u00eb shuhen. Nga kjo rezulton se serit\u00eb e tilla nuk duhet p\u00ebrcjell\u00eb pand\u00ebrprer\u00eb, nuk duhet b\u00ebr\u00eb rob i tyre. Ato duhet shikuar n\u00eb m\u00ebnyr\u00eb t\u00eb kontrolluar.<\/p>\n

P\u00ebr hir t\u00eb serive t\u00eb tilla, njeriu i l\u00eb pas dore filmat artistik\u00eb, nuk lexon vepra letrare, nuk lexon literatur\u00eb shkencore, literatur\u00eb filozofike, literatur\u00eb nga l\u00ebmi i psikanaliz\u00ebs. Ky lloj i veprave atij i duken t\u00eb r\u00ebnda dhe lodh\u00ebse. Madje, veprat e tilla dhe k\u00ebt\u00eb lloj literature ai edhe fare s\u2019e kupton. Sa m\u00eb larg t\u00eb q\u00ebndroj\u00eb nga veprat e m\u00ebdha, aq m\u00eb t\u00eb larg\u00ebta b\u00ebhen edhe ato p\u00ebr t\u00eb. Kjo l\u00eb pasoja te njeriu. Ia ul atij nivelin e kultur\u00ebs dhe e shnd\u00ebrron n\u00eb mediok\u00ebr. Ai mund t\u00eb jet\u00eb edhe i arsimuar, intelektual, por i shnd\u00ebrruar n\u00eb rob t\u00eb serive televizive apo i realiti<\/em> programeve, ai shnd\u00ebrrohet n\u00eb mediok\u00ebr.<\/p>\n

Veprat artistike kapitale q\u00eb kan\u00eb sh\u00ebnuar epok\u00eb dhe q\u00eb kan\u00eb synuar p\u00ebr ta ndryshuar bot\u00ebn, p\u00ebr ta b\u00ebr\u00eb at\u00eb m\u00eb humane, kjo kategori e njer\u00ebzve as i ka lexuar as d\u00ebshiron t\u2019i lexoj\u00eb. Ato s\u2019i kupton dhe i duke t\u00eb r\u00ebnda. Ka rrezik q\u00eb nes\u00ebr rrug\u00ebs s\u00eb n\u00ebnave t\u00eb ecin edhe f\u00ebmij\u00ebt. Nj\u00eb dit\u00eb edhe ato mund t\u00eb b\u00ebhen shikues t\u00eb rregullt t\u00eb programeve arg\u00ebtuese q\u00eb nuk i p\u00ebr\u00e7ojn\u00eb shoq\u00ebris\u00eb kurrfar\u00eb mesazhi. P\u00ebrkundrazi, n\u00eb shum\u00eb raste ato p\u00ebr\u00e7ojn\u00eb edhe mesazhe negative, johumane, p\u00ebr t\u00eb mos th\u00ebn\u00eb edhe amorale.<\/p>\n

Pik\u00ebrisht p\u00ebr shkak t\u00eb efekteve t\u00eb k\u00ebtilla ndaj njeriut, ka t\u00eb till\u00eb q\u00eb e injorojn\u00eb ki\u00e7in. T\u00eb till\u00ebt p\u00ebrpiqen me t\u00eb gjitha forcat q\u00eb ki\u00e7in ta flakin nga jeta e tyre, por kjo nuk \u00ebsht\u00eb aq e leht\u00eb kur t\u00eb kihet parasysh fakti se me t\u00eb, njeriu \u00ebsht\u00eb i rrethuar nga t\u00eb kat\u00ebr an\u00ebt.<\/p>\n

Ki\u00e7in mund ta gjej\u00eb njeriu edhe n\u00eb fotografit\u00eb e b\u00ebra gjat\u00eb udh\u00ebtimeve apo sh\u00ebtitjeve t\u00eb tij, n\u00eb fotografit\u00eb apo n\u00eb fotografimet e b\u00ebra n\u00eb raste t\u00eb ndryshme. Duke qen\u00eb se ato fotografi paraqesin nj\u00eb \u00e7ast t\u00eb ngrir\u00eb t\u00eb ndonj\u00eb ngjarjeje, ato s\u2019ka sesi t\u00eb jen\u00eb origjinale. Edhe pse ai vet\u00eb e ka b\u00ebr\u00eb fotografimin, nga nj\u00eb k\u00ebnd i caktuar, n\u00eb nj\u00eb vend t\u00eb caktuar, n\u00eb nj\u00eb koh\u00eb t\u00eb caktuar dhe askush tjet\u00ebr n\u00eb bot\u00eb nuk mund t\u00eb fotografoj\u00eb nj\u00eb sken\u00eb t\u00eb ngjashme, kjo fotografi mbetet ki\u00e7, kopje e asaj q\u00eb kan\u00eb par\u00eb n\u00eb at\u00eb \u00e7ast syt\u00eb e t\u00eb fotografuarve. Kryevep\u00ebr e v\u00ebrtet\u00eb \u00ebsht\u00eb t\u00eb v\u00ebshtrosh natyr\u00ebn dhe mjedisin me syt\u00eb e tu dhe jo n\u00ebp\u00ebrmjet objektivit t\u00eb kamer\u00ebs. Zhan-Pol Sartri<\/strong> thot\u00eb: \u201cNjeriu, \u00e7do rr\u00ebfim e fillon nga mbarimi\u201d<\/em>.<\/p>\n

Provincialisti, snobi dhe mediokri shpesh d\u00ebshiron t\u00eb fotografohet me ndonj\u00eb person t\u00eb njohur t\u00eb l\u00ebmit t\u00eb artit, t\u00eb politik\u00ebs, t\u00eb biznesit, t\u00eb sportit. Me nj\u00eb fjal\u00eb, t\u00eb fotografohet me persona apo personalitete t\u00eb njohura dhe me ndikim. Sapo e realizon nj\u00eb fotografi t\u00eb till\u00eb, ai e publikon diku p\u00ebr t\u2019ia b\u00ebr\u00eb me dije publikut se edhe ky \u00ebsht\u00eb dikush.<\/p>\n

Shundi <\/strong>\u00ebsht\u00eb pjes\u00eb e ki\u00e7it dhe ka t\u00eb b\u00ebj\u00eb me krijimtarin\u00eb letrare. P\u00ebr nga dometh\u00ebnia, shundi \u00ebsht\u00eb hedhurin\u00eb, vep\u00ebr pa vler\u00eb. Ashtu sikund\u00ebr ekzistojn\u00eb serit\u00eb televizive ki\u00e7, po k\u00ebshtu ekzistojn\u00eb edhe libra ki\u00e7<\/em><\/strong>, p\u00ebrkat\u00ebsisht vepra shund<\/em><\/strong>. Veprat e tilla i shkruan ndokush pa kurrfar\u00eb q\u00ebllimi madhor. Ai s\u2019ka dot q\u00ebllim tjet\u00ebr, p\u00ebrpos t\u2019i\u00a0 nxjerr\u00eb ndjenjat dhe mendimet e veta n\u00eb let\u00ebr, t\u00eb b\u00ebj\u00eb ndoshta nj\u00ebfar\u00eb drame apo di\u00e7ka q\u00eb duan t\u00eb lexojn\u00eb njer\u00ebzit, t\u00eb shkruaj\u00eb histori dashurie, romane kriminalistike, me synimin p\u00ebr t\u00eb p\u00ebrfituar di\u00e7ka.<\/p>\n

Shembull i shundit mund t\u00eb jen\u00eb edhe magazinat e ndrysh\u00ebm apo revistat e ndryshme me t\u00eb cilat p\u00ebrhapen thashethemet dhe problemet nga jeta e ndonj\u00eb personi t\u00eb njohur. Kjo zgjon k\u00ebrsh\u00ebrin\u00eb e shum\u00eb njer\u00ebzve, t\u00eb cil\u00ebt p\u00ebr tekstet e tilla hedhin para. Nga shitja e magazinave apo e revistave t\u00eb tilla, pronari apo botuesi p\u00ebrfiton. Lexuesit e till\u00eb, n\u00eb vend q\u00eb t\u00eb p\u00ebrqendrohen dhe t\u00eb preokupohen me problemet e veta, ata merren me problemet e t\u00eb tjer\u00ebve dhe e shikojn\u00eb jet\u00ebn e t\u00eb tjer\u00ebve. Ki\u00e7i dhe shundi u sh\u00ebrben atyre p\u00ebr t\u00eb ikur nga realiteti<\/em><\/strong>. M\u00eb leht\u00eb \u00ebsht\u00eb ta jetosh jet\u00ebn e dikujt tjet\u00ebr sesa jet\u00ebn t\u00ebnde.<\/p>\n

P\u00ebrpos t\u00eb metave t\u00eb shumta q\u00eb i kan\u00eb ki\u00e7i dhe shundi, ata kan\u00eb edhe ndonj\u00eb veti t\u00eb mir\u00eb. P\u00ebr shembull, po qe se shikojm\u00eb remake<\/em><\/strong>-n <\/em>(rimejkun) e ndonj\u00eb vepre artistike, kjo mund ta motivoj\u00eb njeriun ta shikoj\u00eb filmin burimor apo ta lexoj\u00eb vepr\u00ebn burimore n\u00eb t\u00eb cil\u00ebn bazohet filmi. Apo kur dikush lexon ndonj\u00eb artikull t\u00eb nj\u00eb amatori lidhur me ndonj\u00eb tem\u00eb, ai mund t\u00eb tregoj\u00eb interesim m\u00eb t\u00eb madh p\u00ebr k\u00ebt\u00eb dhe si rrjedhoj\u00eb, lidhur me at\u00eb tem\u00eb t\u00eb lexoj\u00eb di\u00e7ka m\u00eb serioze.<\/p>\n

Sh\u00ebnim<\/strong>: Remake<\/em><\/strong> (rimejk) \u00ebsht\u00eb film, seri televizive, loj\u00eb videoje ose form\u00eb e ngjashme arg\u00ebtimi q\u00eb bazohet apo ritregon historin\u00eb e nj\u00eb produksioni t\u00eb m\u00ebparsh\u00ebm; version i ri i nj\u00eb filmi ekzistues.<\/p>\n

*\u00a0\u00a0 *\u00a0\u00a0 *<\/strong><\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 N\u00eb k\u00ebt\u00eb m\u00ebnyr\u00eb, ki\u00e7i mund t\u00eb ndikoj\u00eb n\u00eb p\u00ebrhapjen e kultur\u00ebs. Ki\u00e7i mund t\u00eb transformohet n\u00eb ndonj\u00eb objekt m\u00eb t\u00eb r\u00ebnd\u00ebsish\u00ebm. Po qe se ndonj\u00eb person i admiruar t\u00eb dhuron ndonj\u00eb ki\u00e7, ti me sendin e dhuruar do t\u00eb krijosh nj\u00eb lidhje sentimentale dhe kjo do t\u00eb ta p\u00ebrkujtonte personin e admiruar. Kjo tanim\u00eb assesi nuk mund t\u00eb jet\u00eb kopje p\u00ebr arsye se tani, n\u00eb at\u00eb send apo objekt ndodhen ndjenjat q\u00eb ti i ke ndaj atij personi. Vet\u00ebm ajo kopje, ai ekzemplar e ka at\u00eb vler\u00eb t\u00eb \u00e7mueshme dhe kjo e ve\u00e7on nga grumbulli.<\/p>\n","protected":false},"excerpt":{"rendered":"

Xhelal Zejneli Ki\u00e7i \u00ebsht\u00eb krijimtaria e nivelit t\u00eb ul\u00ebt. Ka p\u00ebr q\u00ebllim t\u00eb jet\u00eb i p\u00eblqyer nga nj\u00eb num\u00ebr sa m\u00eb madh i njer\u00ebzve dhe t\u00eb shitet sa m\u00eb shum\u00eb. \u00cbsht\u00eb nj\u00eb form\u00eb e degradimit t\u00eb artit. Sot \u00ebsht\u00eb shum\u00eb i p\u00ebrhapur, k\u00ebshtu q\u00eb nuk \u00ebsht\u00eb leht\u00eb ta dallojm\u00eb. \u00c7dokush ka qen\u00eb n\u00eb kontakt me […]<\/p>\n","protected":false},"author":1,"featured_media":60252,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[],"class_list":["post-71216","post","type-post","status-publish","format-standard","has-post-thumbnail","category-artikuj"],"yoast_head":"\nKI\u00c7I DHE SHUNDI - FJALA e LIR\u00cb<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/jehonashqiptare.al\/fjala\/kici-dhe-shundi\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"KI\u00c7I DHE SHUNDI - FJALA e LIR\u00cb\" \/>\n<meta property=\"og:description\" content=\"Xhelal Zejneli Ki\u00e7i \u00ebsht\u00eb krijimtaria e nivelit t\u00eb ul\u00ebt. 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